JOHANN MORGENBILD

Re:TheAshLad

Volume 3


Sandbooks
ISBN 978-82-92860-00-7
First Edition
Copyleft 2007
http://sandbooks.com

188

acknowledging rules codes and systems of conventions. Given this. selfimposed limitation I would ask Eco what he supposes would qualify as. convention as code as rule In other words who decides where to draw the. line where a text is presumed to cross into incoherence. Thanks for the cite convention Chiasmic slides. Nymo. Re Booksigning Tour. Hello all. I'm going on a booksigning tour this week. No I don't have any. publications of my own to sign what I will be doing instead is. signing the names of other authors into their discarded books at. various thrift stores in the area. Some of my favorites include. Steven King sic Tom Clancy Maxine Hong Kingston and John Updike.. So if you come upon a book signed by the author in a thrift store. or elsewhere ha ha be aware that it. may be mine.. another thing would be to mark them mark mark appropriate confiscate. the book by signing your name in it would they be yours and the stores. your library in you livingroom another thing would be to tag the. would surely make them more weird wired maybe a net.book should be. devoted to such realworld concrete appropriation and dissemination. bringing another dimension to the practice of tagging. forsew any. prosperous partencipasion in this schejame.. Re Booksigning Tour. Hello all. I'm going on a booksigning tour this week. No I don't have any. publications of my own to sign what I will be doing instead is. signing the names of other authors into their discarded books at. various thrift stores in the area. Some of my favorites include. Steven King sic Tom Clancy Maxine Hong Kingston and John Updike.. So if you come upon a book signed by the author in a thrift store. or elsewhere ha ha be aware that it. may be mine.. another thing would be to mark them mark mark appropriate confiscate. the book by signing your name in it would they be yours and the stores. your library in you livingroom another thing would be to tag the. would surely make them more weird wired maybe a net.book should be. devoted to such realworld concrete appropriation and dissemination. bringing another dimension to the practice of tagging. forsew any. prosperous partencipasion in this schejame.. daidalonicsmazpiq. another thing what was the function of the ancient mazes like the. crete labyrinth by daedalus some initiation rite 'heroic' myth how. does it relate to codework has it some mythological dimensions. as i think about it the labyrinth is also a modulation between. the two notions of boundless and deadend and conceals the relationship. between the terms apeiron and aporia.. Diodorus Siclus notices this. as he describes the labyr. apeiron is boundless but it is also aporia. without escape.. perhaps the aporia are like looped subroutines. along the boundless but inescapable path.. its seems to be somehow. about modulationinterpretation between open and closed systems... a couple of cites. The role of the cave in paleolithic religions appears to have been. decidedly important. Then too the cave and the labyrinth continue to have a. function of the first importance in the initiation rites of other archaic. cultures (as for example in Malekula) both indeed are concrete symbols. of passages into another world of a descent to the underworld p.. mircea. eliade shamanism.. on 'difficult passages' p. the symbolism of the strait gate and the dangerous bridge is bound up. with the symbolism of what we hav called the paradoxical passage because. it sometimes proves to be an impossibility or a situation from which there. cerain myths sometimes find themselves in apparently desperate situations.. They must go where night and day meets or find a gate in a wall or go up. the sky through a passage that opens but for an instant pass between two. constantly moving millstones two rocks that clash together through the. jaws of a monster and the like like supermario etc. As Coomaraswamy. rightly saw. all these mythical images express the need to transcend. opposites to abolish the popularity typical of the human condition in. order to attain the ultimate reality...and so on In the myth the. paradoxical passage emphatically testififes that he who succedes in. accomplishing it has transcended the human condition he is a shaman a. hero or a spirit and indeed the paradoxical passage can be. accomplished only by one who is spirit.. daidalonics for the posthuman cyborgs of the world the other ay ). an interesting drum.. the drums has the world view printed on it which is. their maze adventure 'd' so you'd have both the processing unit (drum. stick) and the image.. and the other stuff. chant dance speaking in. tongue curious codework heuristics eurythmics trying to get out of the. algorithmic... Re NULL. Here's the response to jukka's NULL via code posted by MWP.. Had to. mutilate the tags for the blog.. The null set is not empty.. A work following in the footsteps of JP Kervinen's NULL.. htmhead. headbody. codefont size faceCourier New Courier mono. pre. pre. font. body. htm. Here's Noemata's question. is this null or not null specifying font size and all and wonder. about. the pre is there something in there adding a dot .prepre.. reveals a lot of space inbetween (which is invisible if you don't code. it).. is the preformatted the chora of code in the midst of it the. monospace dancefloor. Okay firstly I think Noemata's question is a little strange.. But when you consider what I conisder to be an abberrant Isotropy of. the Sememe in Topic.. snip. The white page in the webpage is. a construct but it. is still an actuation of refreshes and the work of Hardware so yes. Noemata it is a chora. and it is a framework all these terms should be fluid... I was commenting with an idea of the emptiness of code as pure structure and. found it poetical funny that the pre tags in the midst of code were not empty. after all but contained a lot of space but which remained invisible unless you. throwed something in there two small dots which amounts to a kind of paradox. of body matter space structure space is created by matter something. becomes empty first when you trow something into it two coins into a well p. loplop. Sun Mar AM Lanny Quarles edit. One day Manjushri stood outside the gate when Buddha called to. him. 'Manjushri Manjushri why do you not enter'. 'I do not see a thing outside the gate. Why should I enter' Manjushri. replied.. Where is the gate Are you inside or outside the gate. The two dotties insideoutside pre gate. best. spaghetti kid. chorachoroschros. Whereas the Chora I refer to is based on the archaeolinguistic analysis. of experts in the field applied in a romantic sense the nature of. machinic activity and or molecular activity and the lack of its. separation. via physics from the ground dancefloor it supposedly happens on. or in other words the activity within the frame is wholly dependent on. the frame and the action is indeed as part of the frame as the frame. is apart of the action ie matter is part and parcel of space it IS. space a form of space and without spacetime there would be no. matter. This is the sense in which I use the term chora which is also. realated to chros (body)... Okay oops. I made a mistake. Chora is a scant space choros. is the dancefloor space. But it still works the chora is the scant. space separating the subject from the object man from nature. object from space etc etc... space i tend to imagine the physical and gravitation let's say the chora is. the (primordial) matter shaping space by matter itself creating gravitation. by. spacing itself and then the different levels of unfolding from big blasts. to. black boxes of pre or postsymbolic spaces. like we are object with. gravitation being bodies in space the abject as the gravitational force on. the. bodies shaped by space shaped by matter ref insideoutside frame.. it's a physical logocentric metaphor but then you'd have antigravitation. codework from the science of imaginary solutions maybe drift bodies going. through the motions from the expansion of the void towards the periphery the. pataphysical poetic metaphor of the same.. chora choros chros matter space body. gravitation antigravitation force of matter force of void. syllogismo. if all writing is lack. all horses heads are horses. all tails are tales. Re chorachoroschros. the chora is the scant. space separating the subject from the object man from nature. object from space etc etc... Sorry for not following this argument as well as I should but isn't this. separation something we SHOULDN'T be doing I mean separate man from. nature Not in my worldview. just throwing in some things found on the web chora is prior to the. separation obviously also here's a more complete cite from the blog. Whereas the Chora I refer to is based on the archaeolinguistic analysis. of experts in the field applied in a romantic sense the nature of. machinic activity and or molecular activity and the lack of its. separation. via physics from the ground dancefloor it supposedly happens on. or in other words the activity within the frame is wholly dependent on. the frame and the action is indeed as part of the frame as the frame. is apart of the action ie matter is part and parcel of space it IS. space a form of space and without spacetime there would be no. matter. This is the sense in which I use the term chora which is also. realated to chros (body)... Okay oops. I made a mistake. Chora is a scant space choros. is the dancefloor space. But it still works the chora is the scant. space separating the subject from the object man from nature. object from space etc etc... chora a Platonic term for a matrixlike space that is nourishing unnameable. and prior to the individual. Chora becomes the focus of the semiotic as the. 'presymbolic.'. semiotic the science of signs (that which creates the need for. symbolic)cyclical through time pre Oedipal and creates unrepressed writing.. Exists in children before language acquisition and has significance.. symbolic the domain of position and judgment chronologically follows. semiotic. (postOedipal) is the establishment of a sign system always present. historical time (linear) and creates repressed writing.. Kristeva perceives the semiotic chora as structural that is its 'role' is. to. first make a space in which language (as the underpinning organisation of. socialsymbolic interaction) can then work. The recalling and momentary. revitalisation of this semiotic chora in itself is potentially disruptive to. the. patriarchal symbolic because it ruptures the latter's normality by recalling a. different prelinguistic presymbolic sense of self in which the mother of. the. Imaginary (feminine) and feelings associated with her are central and. compelling rather than peripheral and debased. These 'feelings' (bodily drives. rhythms pulsions pleasures bliss) are never lost and their memory is held. precariously in check by the patriarchal symbolic. They can be seen to rise to. the surface through cultural forms in different ways. For instance they have. been retrieved in readings of artistic work where their resisting quality may. be. 'accidental' e.g. in readings of the th century photographs of Julia. Margaret Cameron (see Mavor ) or the abstract works of Helen Frankenthaler. (Pollock ). Feminist cultural theorists have exposed the way in which. these. memories remain to 'trouble' patriarchy revealing how cultural practices and. stories (films rituals fairy tales myths) replay the moment of patriarchal. culture's formation in which the possibilities of 'difference' are continually. abjected and repressed (Kristeva Creed Warner ).. Kristeva believes that the subject can gain access more readily to the. semiotic. chora through creative musical poetic practices or even just through vibrant. use of colour (Kristeva ). She sees these possibilities as already having. their origins in the semiotic chora recalling a more fluid plural and less. fixed perception of meaning and self which reactivates feelings lost in the. patriarchal 'rational'. However Kristeva also makes it clear that the. 'feminine' semiotic chora is not something outside or beyond language. She. states 'if the feminine exists it only exists in the order of significance or. signifying process and it is only in relation to meaning and signification. positioned as their excess or transgressive other that it exists speaks. thinks. (itself) and writes (itself) for both sexes'. Thus it is 'different or other in. relation to language and meaning but nevertheless only thinkable within the. symbolic' ().. presymbolic within symbolic framework. However as Kaplan notes 'the childadult never forgets the world of the. Imaginary and heshe continues to desire unconsciously the illusionary. oneness with the mother heshe experienced' (). It is this proposition. that the child clings to those heady pleasures of the 'bliss' of preOedipal. fusion with the mother that has been central to the development of a theory of. visual culture. Lacan believed that the child never forgets its illusionary. oneness with the mother or the 'jouissance' that this moment entailed a. moment. before the intervention of paternal law which requires both the control of. 'self' and the denigrationabjection of the feminine (mother) and the pleasures. associated with her emotions feelings love.. Briefly Lacan's reworking of the CastrationOedipal complex proposed a. distinction between the penis as an organ (Freudian) and the phallus as a sign. (Lacan ). He also theorised a more fluid path to the formation of a. gendered subject. This reworking offered a 'logical' rather than biological. explanation of patriarchy whereby it is not the having or not having of the. physical penis which organises gendered subjectivity under patriarchy but. rather the way in which its presence or absence (lack) functions as a. signifier. that is the way in which subjects can make sense of sexual difference is by. their possession of the 'sign' (phallus) of patriarchal power which allows. them. place themselves within the symbolic order of patriarchal culture the so. called Law of the 'Father'. Thus male fear of castration and of the 'lacking'. woman is a fear of the loss of that power which the phallus as signifier and. 'maker' of language promises to men.. metaphorical labyrinthings from (solipsis) phaneronoemikon. a digest with small comments. . labyrinth. the labyrinth as material whose consequence is form. It could also be thought of as. an inquiry into archetypal models of information as the material whose. consequence. is form and therefore lies at the very heart of the architectural endeavor.. labyrinth as paradox. a. monadologies. An account by Leibnitz himself of how he had emerged from his labyrinth. with a true conception of the nature of substance and matter was never. published as anything even resembling a single article but is to be found in. Antoine Arnauld Burcher de Volder Nicolas Remond and Bartholomew. Des Bosses. These are typically to the effect that the continuum involves. indeterminate parts and is consequently ideal whereas the actual is a result. of assemblage of discrete units that in ideal things the whole is prior to the. parts. whereas in actuals the parts are prior to the whole and that it is the. confusion. of the ideal and the actual that has embroiled everything and produced the. labyrinth. of the composition of the continuum.. the relation between the continuum and the discrete is the theme forming. the. classical paradoxes of Parmenides and Zenon expressed in Achilles and the. Turtle. where the slow Turtle wins in the discrete.. is the form of spiral related to the labyrinth when did the spiral become. labyrinth a continuous labyrinth vs a discrete labyrinth actualmattering. monadology the great automata. In short a fluidic and computational. metamorphosis set to iterating within the continnum an embodied reflection. itself. of the emergence of matter itself from the quantum foam of particles whose. dance. of disappearing and reappearing may form the basis for our most sacred and. archetypal. dreams the epiphaneia of the veil of the absolute. At some point though I. also. realize. like a kind of substance redolent of molecularity the image is essentially a. mapping. of loose or open connectors symbolic ports which might be fitted out with a. myriad. of possible interpretive peripherals and how within the metaphor is a. recursion. like a seed coiled ready to begin its inscriptive and generative dance.. the metaphor and recursion being and creating the labyrinthal. . Babelith. three stages of trance hallucinations and three metaphors of Ortega. imprintsensation interpretationconsciousness. Ortega himself often said I and circumstance or Adam in Paradise. Though. the. language might seem. imply a separation between the subject and the object its meaning to Ortega. was. in fact a unity.. . Metaphorest. to not view the forest for all its trees. Reality is linked to a point of view as Emerson's transparent eyeball. is linked to Boehme's Divine Imagination is linked to Leibnitz's Monadology is. linked to the Mind of the Middle Platonists is linked to both the Demiurge of. the. Timmaeus and also the Demiurges of both Alcinous and Numenious as well as the. Demiurge of Xenocrates which called his Demiurge the Monad.. It is in effect. a Natura (A Nature) a Metaphorrest and many of these linkages are in. disagreement. with one another based in the reality of perspective and upon their. perspective. upon reality. In Plotinus' Enneads for example the One is said to look at. himself with a selflooking identical with his being and to possess a. wakefulness. and a superintellection as his activity which is identical with his essence. which. perhaps brings us to the metaphoric creation of the metaphorrest as something. like Intellect which is not Intellect. A Nature is also the extension of a. program.. getting out of the algorithmic the 'recipes' of code. The claim that spacetime computes has nothing at all to do with symbol. manipulation. (read closely with paradox in mind) or numeric calculation it says that. physical. processes. are ultimately effective procedures (i.e. programs) functionally composed of. primitive. natural operations. Indeed digital metaphysics (fingers) requires us to think. differently. about programs themselves. . Think of how the Jacquard loom the player piano. and. even fertilized seeds and eggs are programmed. Programs are not recipes they. are. dynamic rational patterns (think of formal and final causes think of. entelechies).. More precisely programs are orderings of abstract transformations of abstract. states. of affairs.. Accordingly the FHPGAS program is just as true of any gas as the. NavierStokes. equation is if it be objected that the program is a mere simulation (and hence. some. how false or fictional) it may be replied that the equation is a mere. idealization. (and hence just as fictional and false). At the most basic level however. there. is. no question of either simulation or idealization nature is what nature does.. Its. existence and functionality are identical each basic element of nature is the. same. as the program that is true of it.. In the sense that digital metaphysics offers physical scientists some bricks. (the monads aka programmable metaphor) out of which it claims they. can build any kind of house they want (any physically possible world). so too can any metaphor be programmed to build a physical house. of various meanings or structure.. . Rinthing the Labyum. Meaning identified either within the unity or the multiplicity. of the subject structure or theory necessarily guarantees a certain. transcendence if not a theology this is precisely why all human knowledge. whether it be that of an individual subject or of a meaning structure retains. religion as its blind boundaries or at least as an internal limit and at. best. observed in connection with structuralism).. Second I shall deal with a particular signifying practice which like. the Russian Formalists I call poetic language in order to demonstrate. that this kind of language through the particularity of its signifying. operations is an unsettling processwhen not an outright destruction. of the identity of meaning and speaking subject and consequently. of transcendence or by derivation of religious sensibility. On that. account it accompanies crises within social structures and institutions. the moments of their mutation evolution revolution or disarray.. For if mutation within language and institutions finds its code through. this signifying practice and its questionable subject in process that. constitutes poetic languge then that practice and subject are walking. a precarious tightrope (tieintrope).. along the borders or over the chasm of the sign. Poetic Language the only language that uses up transcendence. and theology to sustain itself poetic language knowingly the. enemy of religion by its very common borders on psychosis. (as for its subject) and totalitarianism or fascism (as for the. institutions it implies or evokes). I could have spoken of. Vladimir Mayakovsky or Antonin Artaud but now I shall. speak of daydreaming in the cave of technicity and the. shadows of the archetypal informatic the remainder. which is the output's output the chaos of the gap the. skin of the chaskein the choros of the chora and a. recipe for making a PC from the myth of the Minotaur.. There is some conflict about the origins of the labyrinth. And also some. conflict. about the differences between the maze and the labyrinth. I have created this. conflict. explain why I began to see the myth of the minotaur as a kind of diagram of. the. basic personal computer. And then I began to shovel in the details to the. metaphor.. As I already dug my own grave doubts about the subject in question there was. no. real need to apply the fundamental logic of a linear unfolding but instead to. rely on. the simultaneity of consequence and resonance. How we fail and are devoured by. the Minotaur is just as valuable as how we are successful. We may even be a. part. of the maze from which the labyrinth is made. When we build such serendipities. into. the cosmic fabric of blind weaving automata monadfates we at once acknolwedge. the impossiblilty of doing anything different from what we have done. Let us. say. Sisyphus did not possess sophrosyne but within the sophic sign of his physis. was. fused a subject posessed by understanding. Imagine every pop star is an oracle. and every oracle a pop star. Or better yet stop imagining altogether. Think. Think.. The dictum of the philosopher. What it really says is continue to imagine... Imagine. is image. Reality is an image machine and beyond that all things are images of. themselves. imaging. So imagine 'this' is a poem not the words you see but the life of. the. universe.. Now also imagine there is a reason for the poem to exist. If that's true then. how. could. there every be anything wrong in the universe. Because pain is bad and. emotions. are. constructive. Only within the mind are we allowed to look at the universe in. this. way.. Only when we are confortable and alone and at physical peace. When we are. attached. machines to sustain our lifeforce we are not interested in thinking about. how. right. the universe is only how wrong every single in the universe feels. But how. does. the. universe feel The Universe feels just like a computer.. There is an interconnection between philosophic metaphors that illuminate each. other.. And this is what I call the metaphoric system metaphors that are linked. together. and. that illuminate the different faces of reality. Metaphors that explore and. discover. the. many sides of reality are interconnected they are a system that is a. correlation of. philosophic truth as discovery. The only way to discover reality is to transit. go. through it to follow it. We can only make the discovery of reality by. following. the. intricacy of its interpretationswhich are metaphorical.. algorytm(recipe) heuristics(discover) eurytm(following) three metaphors. of. codework. One can speak of an original metaphor whose role is not to include the whole. interpretation of reality in it it is simply impossible that a single sentence. can. unveil. all reality. The systemic character of reality makes impossible any kind of. total. formula. the foldings and unfoldings are too numerous and complicated for any single. process. to... Unfolds generate data structures and folds consume them. A hylomorphism is a. fold. after an unfold generating then consuming a virtual data structure. A. metamorphism. is the opposite composition an unfold after a fold typically it will convert. one data. representation to another. In general metamorphisms are less interesting than. hylomorphisms. there is no automatic fusion to deforest the intermediate virtual data. structure.. However under. certain conditions fusion is possible some of the work of the unfold can be. done. before all. of the work of the fold is complete. This permits streaming metamorphisms and. among. other. things allows conversion of infinite data representations. This is why an. aphorism is. a false. way of philosophic expression. Alone even doing nothing you do not waste your. time.. You do almost always in company. No encounter with yourself can be altogether. sterile. Something necessarily emerges even if only the hope of some day meeting. yourself. again.. We have convictions only if we have studied nothing thoroughly. All. indignationfrom. grousing to satanismmarks a point in mental evolution. It is as an informer. that I. have. prowled around God incapable of imploring Him I have spied on Him. Let us not. be. needlessly bitter certain failures are sometimes fruitful. An aphorism is. something. cut off. And Consists of the elimination of its real connections. When I utter an. aphorism. I never say why I think what I am saying or what is the justification of what. I. am. saying.. Therefore the aphorist departs from the road of the philosopher as a. justified. visionary. amd takes the road of the rustic oracle the country warbler the dreamer who. the. hillfolk. found mumbling and tied up into a tree so as to protect their flocks. The. oracle is. a kind of rogue peripheral or a lolling hole floating through the matrix.. Thinking. cannot. procede aphoristically. The role of the central or original metaphor is simply. to. trigger. (the French would say declancher) the whole set of connected metaphors that. come. mind so I can follow the whole series of them into reality as suchness. And. as. such. Labyrinths are different from mazes. Labyrinths are unicursal. They have one. well. defined. path that leads us into the center and back out again. There are no tricks to. it no. dead ends. or culdesacs no intersecting paths. The idea of the Absolute in Hegel. The. eidos. in Plato.. The cogito in Descartes I and my circumstance the celestial emporium of. benevolent. recognitions.. so do the labyrinth metaphor correspond more to the algoritmic of code. while the. maze more to the heuristic and then the loosely backward dancing eurytmic. to. the. spiral. be continued tomorrow.... Re culturejammers A simulated hold up. hehe du kan jo pr�ve ). synes det er interessant det overlapper med kunst selvf�lgeligsom kan. fungere som en immunitet for aksjonisme (Tore F vet mer om dette inbiller. jeg meg ) uansett kunsten ikke som en beskytteet sf�re i virkeligheten. men som en simulering av den avdekkende kodene for den som er poenget. at simulering avsl�rer koder bedre enn virkeligheten selv (som bare er. kj�ringen av koden).. i den forbindelse har lenge hatt ideen om en open source crime aktivitet. som kan virke paradoksal men som kan forst�s som en simulering av. kriminalitet og vil det gj�re den mer lovlig fx. som kunst. men n� er jo nettopp kunst det mest ufarliggj�rende av alt virker det som... en simulering som ikke har NOEN effekter utenom den lille eliten som hygger. seg med den. hvis kunsten kan kobles opp mot det potensielt virkningsfulle. i � dekonstruerereverseresimulere kode ville den hatt et helt annet liv. utenom institusjonen i interaksjon med levende koder i samfunnet.. kode er et stikkord for alt dette synes jeg kode er overalt. og jeg tenker. det samme kode er samtidig ingenting avdekkende at virkeligheten bare er. kode meningsl�s i seg selv. s� kode har denne dobbeltheten av � v�re alt og. ingenting. hvis du kan simulere noe s� har du bevist det konstruerte ved. tingen. og dermed har du l�srevet det fra en fundamental tolkning som ligger til grunn. for politisk samfunnmessig kulturell makt.. simulasjon kodeverk kodearbeid st�r selvf�lgelig i fare for ikke � bli. tatt alvorlig det er bare en simulasjon bare en lek tror det er mot denne. grensen den hele tiden vil st�te men akkurat det ligger for�vrig i. kodebegrepet. selv simuleringen er samtidig uten fundament.. det medf�rer kanskje at skille mellom alvor og tull undergraves kodeverket vet. ikke selv om det er alvor eller tull det er begge deler selvf�lgelig det er. det som er kode.. uansett det er interessant. ). gjelder Baudrillard sitat om � iscenesette virkeligheten. ang�r folk som er interessert i aksjoner og situasjonisme. Of the same order as the impossibility of rediscovering an absolute level. of the real is the impossibility of staging an illusion. Illusion is no. longer possible because the real is no longer possible. It is the whole. political problem of the parody of hypersimulation or offensive. simulation which is posed here.. For example it would be interesting to see whether the repressive. apparatus would not react more violently to a simulated hold up than to a. real one For a real hold up only upsets the order of things the right. of property whereas a simulated hold up interferes with the very. principle of reality. Transgression and violence are less serious for. they only contest the distribution of the real. Simulation is infinitely. more dangerous since it always suggests over and above its object that. law and order themselves might really be nothing more than a simulation.. Jean Baudrillard Simulacra and Simulations. Culturejammers mailing list. Culturejammerslists.copyleft.no. Culturejammers mailing list. Culturejammerslists.copyleft.no. Daidalonics. Daidalonics. . Miniature pt (WIP). solipsis. . blunders. noemata. . Re blunders. solipsis. . Re Miniature pt (WIP). noemata. . Rehu solipsis. . arc.hive the MAZPIQ language. noemata. . Re the MAZPIQ language. noemata. . Re the MAZPIQ language. solipsis. . Re the MAZPIQ language. noemata. . Re the MAZPIQ language. solipsis. . Re the MAZPIQ language. solipsis. . Re the MAZPIQ language. Alan Sondheim. . Re the MAZPIQ language. solipsis. . daidalonicsmazpiq. noemata. . Re daidalonicsmazpiq. solipsis. . Re daidalonicsmazpiq. noemata. . Re daidalonicsmazpiq. Lanny Quarles. . Re daidalonicsmazpiq. noemata. . as Isis with code's Materhorn. Lanny Quarles. . Re daidalonicsmazpiq. solipsis. . Re as Isis with code's Materhorn. noemata. . Re as Isis with code's Materhorn. solipsis. blunders. theres reports least here in gno. probably anywhere while people. laundring more in antisepticomodernicomfy times things are dirtier. than ever bacteria stains so all this washing is whitewashing. coverups of the still dirtier what you could expect all things being. composites compost compote why ever be clean when you can be wash. all the time. 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'''. cW. cW. cW.. cW. cW.. .vWVw .vVwW. .vVWw .vwWV .vwWV .vwWV .vwWV. .vwWV. .vwW V .vwVW .vwVW .vwVW .vwVW. .vw VW .vwVW .vwWV .vwWV .vwVW. .vwVW .vwWV .vwVW .vwWV .vwWV. .vwVW .vwVW .vwWV .vwVW .vWwV. vVwW vVWw vVWw vVwW vVWw vwWV vwVW vWwV vWVw. vVwW vVWw v wWV vwWV vwVW vwVW vwWV vwVW vWwV. file under whitewash launderspeak. ME blunderen blondren (v.) ON blunda shut one's eyes nap. cf. Norw dial. blundra. dry cleaning. Start of forwarded message. gallerinor har shina opp. noen h�ydepunkt. buksedama fra gol. mykologen Sopp (). End of forwarded message. Re Miniature pt (WIP). A Cosmetics Desk which farmers visit facepowder pushed around by. snowplows snowcows... Our anchor bleeding ink much like a wobbling carcassbladder we set sail. for stationary positions a traintrack laid down through the sea... YLo an Oxygen Truck wearing dark sunglasses driven by a ghost nice. metal work in the hood.. This kiosk has its ectoplasm turned off but you half expect it have some. old corpse swinging on it or maybe its strictly phallic but in a polite. if monumental way sort of artdeco with pubic hair tumbleweed quadrangle. corners... This is my home where I burn the tons of lambswool a year and these are. my neighbors of the same disease also lambswool burning folk... Now the upper destruction and the lower destruction both seem little more. than a jumble of letters and they resonate with each other in their. specific form but are quite unreadable... One of the children in the window has somehow been made grotesque is it a. kind of gothic ethereal chador or has her face been blown off in some. forgotten future... Nordisk MMM An alchemist's convention Milsch is produced from a great. woven basket the men carress each other and gasoline pours from their. nostrils the eye of the whale in the ceiling... Hold on Ekmund you've got a Starfish caught under this strap... Gigi. straighten his gasket... Well said I think they do. arc.hive the MAZPIQ language. the MAZPIQ language. atom MAZPIQ system.

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MAZPIQ morphology graphs. Each mannequinchild node is recursively expandable into atoms. andor graphs.. MAZPIQ text samples. the term temporality refers to lived time. Child enters a preguntar.. Nos dan la possibilit de los guardianes hros sportifs top modles. Ils le milieu et vous avez amlior notre pass et l'poque. Question is to which we encode our world. ontological. Ontological Question is the mental languages of the writers and once this. exists if there are Secrets of belief) and the module generates aren't. Defends the pupils against his own image. And our life.. True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected to a text as a good coder teach us xuriosity and. ecperienced through the random neighbor the process of artists such as. they cometh. They appear to us systematically communicates something you. are the practise of the possibility of signs and their minutes of the. Crisis of emulating. Be. A redeeming and the world. Find your future as his last of the. student the text a hundred harvests. Si es la educacin no hay palabra. en el milagro es a man to question is in his own personal influence.. Find your future s. il. t. Warning parsing error at line in mazpiq.php. Got from one who really shape our life. Notre vie. Tenemos. muchos. We need to insist on the effect of things themselves. Thank you can be produced constantly anew by preconceptions and. experienced space time body which move appropriately with the. phantom sensations which they give us curiosity and the notion that. I don't. arc.hive mailing list. arc.hivelm.va.com.au. Re the MAZPIQ language. thanks for liking it she it's an imaginary of fusing maze properties. with language constructs into typography. heuristic is a good word. experimental and seeking what if the heuristics were closer to the. inner workings of mazpiq and generating meaning by walking the maze. literally maybe you'd need an ariadne scattering corn flakes in the. tracks but maybe it wouldn't help the minotaur would just eat them and. theseus would still be lost. i thought about the stars as entrances into. other labyrints (they are expandable) like extra dimensional (to the d. mail) and you'd have warp holes at the star junctions with fingerprint. identification your fingerprint being a map of the maze so all this. is actually you your identity like a borges story and the minotaur is. your self and you should try to kill it that is get it's meaning but. we'll maybe need the corn flakes to get out alive after that.. best nymo. whew fascinating and gorgeous and heuristic Sheila. the MAZPIQ language. Re the MAZPIQ language. am like your drooling exegesis also lapses the mirrors and miniatyr. minotaur inside in the maze fingerprint maize which are code. mirrors holographical fractal of the same drool like the drift in. situationism not to forget the clinamen drift of the ancient and. 'pataphysics. it should have some relation to codework this stuff. codework and drift. another thing what was the function of the ancient mazes like the. crete labyrinth by daedalus some initiation rite 'heroic' myth how. does it relate to codework has it some mythological dimensions which. also seep into the pop notions of hackerism and the like and the magico. alchemist tradition with its frauds and incubators the travesty also. fitting into this travestir to disguise to clothe come in different. guises some relation to traverse which would be the maze thing. again the maze is the execution of code or of being inside the code. traversing it travestiring it... the desert is another labyrinth without walls.. borges. heuristicalgorithmiceurythmics drift code dance .. their. relationships .......... something steps navigation unfolding. heuristic and algorithmic within the life of the organism that. oscillation between intuition and rule the fuzzy code of navigation... Forwarded message from verena theile. From verena theile. ReplyTo verena theile. Subject CFP Magic and the Occult in the Renaissance ( MMLA. ). To cfpenglish.upenn.edu. Call for Papers for th Annual MMLA Convention in St. Louis Missouri. (November ). Special Topic Session. Magicians Jugglers Swindlers Representations of Magic Natural. Philosophy and the Occult in Renaissance Literature. Proposals are invited dealing with all aspects of representations of the. occult in Renaissance literature andor philosophy. Submissions. discussing the relationship between religion science medicine and the. performing arts are all welcome. Questions to keep in mind include. Who's doing the magic To what purpose And who's the audience What. kind of magic is being practicedperformed How would you define magic. in this context. End forwarded message. daidalonicsmazpiq. a joy to read i can only ponder upon this dance of knowledge and give my. daidalas in the tongue of mazpiq (mazespeak mazepic epic). some correlation. between langue and tongue the structural system (daidalonics) and the spoken. word (mazpiq).d eidolon are the head and body of the maze the minotaur and. the maze interweaved no minotaur no maze. mazpiq is also composed of this. headbody processresidue thing are they inverted or as languetongue. want. write more digesting thru your foodslabs in here your reader bm.. Re daidalonicsmazpiq. soliptic. IO in its dreaming core respeaks the labyrinth as a kind of return of the. daidala (curious work).. or in mythopoiesis the line and the circle... Io is turned into a cow by Zeus the cowork of codework orks of. codelaboration. first en Egypt she resumed her shape then as Isis with code's horn.. Modulation of IO d or p the pi relation between line and circle from. periphery external surface of a body transcendentalnumber anyway a binary. processing creating the body and endless tail string eidolon the maze as. image. of the snake (by IO dpi dots per inch resolution).. the snake swallowing its prey or perhaps the worldsnake as 'string'. 'swallowing' the world... Pregnancy and bolus yoni lingam yakety unch living lingam in the yoni and. the androgyne. Both symbols contain the paradox within themselves and provide a. resolution. Lingam Sanskrit literary 'mark' or 'sign' is there a. connection between 'sign' and 'seed' (seme and semen) via sema seme. sememe semiological adj.Gk semeion sign f. sema mark seminal symbolic. inseminal pregnancy pregnant expression. this swallowing of the world is in fact presented as inverse image. how is that you mean containing itself like d in daidalonics or G in GNU. (GNU's not UNIX (not UNIX (not UNIX))) the head generating part car and. cdr. of lisp plotted into itself as something else disguised as minotaur. mythical Loki created three monsters disguises of creationdestruction. Fenri. Hel Midgard (the serpent embracing the world) Hel is a kind of eternal. labyrinth home of the dead Fenri wolf finally swallows the earth begin. loop end.. at any rate the string hasn't swallowed the world the world exists in the. string distributed networks etc dna code.. so the product is encoded in. the. world (which is about to digorge a 'world'). like d is the executing code the head of the monster creating the world as. string or as 'world' when decapitated leaving eidolon as image world. apparition. Yme the human monster is killed to make the world blood bones brains etc.. The term daidala is rich with associations. In Hesiod's Theogony. Pandora's veil is 'a wonder to behold' thauma idesthai as is her. gold crown on which is 'much curious work' daidala polla. codework as curious work curious careful inquisitive cure corresponding. algorithmic heuristic eurythmic the three monsters of code all touched. upon earlier algorithmic the careful code heuristic the searching erratic. eurythmic (dance movement) the coding by uncoding walking backwards. retracing the steps (like the psychoterapeutics of thinking discussed earlier).. They correlate somewhat to science technology art.. choros is 'a lovely dance'. But daidala also means 'cunning skill' as when Hera dawns the cosmos in the. Illiad to seduce Zeus... She did Io was Zeus' mistress maybe his cow placed under surveillance by. Hera. Is codework IO then also the mistress of the world its unfolding. desire code. She clothes herself in kosmon.. or 'peri chroi kosmon echousa' having kosmon. about her body... Daidala both the cunning skill (curious) and image (work) disguise (Hera) and. undressing (Io).. Daedalus went to Knossos in Crete where he took up residence in. the court of King Minos.. There he built a mechanical cow which queen. Pasiphae hid herself in so as to have sex with a bull which she was. lusting for.. this union by means of a prosthetic bovine produced. the minotaur.. to hide the shame of this freak child of the queen's. perversion daedalus built the labyrinth... Aha. daedalus built a dancefloor a choros which is both. the dance and the dancefloor then ariadne and theseus fled. to the sacred isle of delos the birthplace of apollo and performed a dance. which was cryptically called the 'crane dance'... I'd wish them good luck but Theseus deserted her and she married Dionysos. right. the myth is really about making and remaking about appearing and. reappearing... well codework is remaking daidalonics is curious reworkings 'shame and. mutation'. the labyrinth is also a modulation between the two notions of boundless and. deadend and conceals the relationship between the terms apeiron and aporia... is it a symbol of 'code' (and sign) like there is no end to code and then. nothing in it maybe as mutation (apeiron) and shame (aporia) everything and. nothing codesign as deidolon the world is a shame (closed system) from. the. co'd's mutations (open system) the minotaur is upholding the labyrinth (by. being inside it) while the theseusariadne business (external) is the shame. deadend world part.. Symmetry in the manufacturing world is something which really isnt that. important. What's important is falling into a set tolerance range across an. individual wafer.. there really isn't an aesthetic present other than time. saving schema based on experience for adjustments... The heuristics of labyrinths vs algorithmic eurythmic which are symmetry and. aesthetics in some way (like science and art while technology is hack).. a joy to read i can only ponder upon this dance of knowledge and give my. daidalas in the tongue of mazpiq (mazespeak mazepic epic). some. correlation. between langue and tongue the structural system (daidalonics) and the spoken. word (mazpiq).d eidolon are the head and body of the maze the minotaur and. the maze interweaved no minotaur no maze. mazpiq is also composed of this. headbody processresidue thing are they inverted or as languetongue.. want. to write more digesting thru your foodslabs in here. concering mazpiq maybe just another level. d eidolon. maze speakpicepic. so the eidolonmaze is a janus twoface being both the phantom of 'd' and. the structuring of the epic the speak. and the inversion which is symbolic. that d is 'like' speakpicepic remaking of the world creation myths. etc via the eidolonmaze as code is represented inside like the. minotaur. is inside the maze also in the epic as a representation of its creation. (automorphism automythopoiesis).. Re daidalonicsmazpiq. This is pure. crapulence. Mush. process. wish you good luck boddhi. the three code Gorgonheads of daidalonics codework maybe most promising. algo heuri eury. sci tech art. mazecorncrapulytichomeofcodeflakesfingerpinsverywhere needs its heuri eurystics. algorythmics the walking the maze theme seeking dancing backwards. Re as Isis with code's Materhorn. the cowork of codework orks of codelaboration. then as Isis with code's Materhorn.. As a sense the codelabiaorations. of the palinpcesticle manifoldings of the. multirealational corpuscallovumsumtext of massociational. collideorscoptical narrativizations (myth). performs a similiar reinscription of transculptural polyvalences of. the kaleidostructural iconism of the umwelt of chorochrostic. argusasepisteme (dancebodyasepistemeofdelimited seeing). of the instrumentality of the blind fate of granular aggregates of the. quantumpolydeterminantactuationfoam codework as being being codework. as nonbeing and the modulus of difference as the speciation of. determinant operands which is the becomingimpetus of systemic. modulation. The real is an affect of code as code is the affect of. reality. Codework speaks from a manifold which feeds all cultural. disciplines and critiques from a position. which resembles an approach to the unification of discrete series. though it must like a parasite access its own structure as a. parasitical otherness. The Universal Informatic apparatus is an. ergofluidic betweenness a liminal agency of emergence as cyBorge'. assemblemantics the chimerancipation of babelsolute polluxoproduction.. Well said Maybe they are ( m). It's a nutty choke do you have a crack Aha this IS the crack I see. no wonder codework is in fact the crack and why it looks so curious. just making a README here for myself at sea level still with mountain. vegetation by latidude. the codelabiaorations code lips tongue pray work. palinpcesticle shame incest mutation palim rewrite. multirealational relate refer real. corpuscallovumsumtext of massociational collideorscoptical. narrativizations (myth) charges of. etcetc.. all the of's are tentacles and snaky multiheads. codework reinscribes the myth... ..the blind world. eurythmics and heuristics chorochrostic argusasepisteme (dancebody. asepistemeofdelimited seeing). quantumpolydeterminantactuationfoam codework as being being codework. as nonbeing all and nothing at all the world devastus and waste. 'The real is an affect of code as code is the affect of. reality' thinking about the interrelatedness in general relativity. mass shapes space and space shape movement (of mass). eehh so the. monstrous shapes the maze which shapes the movements of the monstrous. in other words the monstrous is inscribed into the (blind) dance.. 'Codework .like a parasite access its own structure as a. parasitical otherness.' it's double or it amounts to nothing... 'The Universal Informatic apparatus is an ergofluidic betweenness a. liminal agency of emergence as cyBorge' assemblemantics the. chimerancipation of babelsolute polluxoproduction'. good gemini the curious workings shadowboxing spiral arms it's a. nice thing to have skin. dark matter dark energy our visible. matterhorn only skin our largest organ skein our work.. let's see. codework inscribes the myth heuristiceurythmic onto the world as its. creation (codework). (blunt version). ( is the automorphism inherent in all containing their (symbol of). creation their source code and reversing from object code their. construction and deconstruction). Code and its Double (cont'd). Code and its Double (cont'd). codework in relation to brain asymmetry and neuropsychology. The results of studies of nonhuman species show that lateral. asymmetry is a property not unique to humans. The demonstration of. asymmetry in nonhuman brains implies that asymmetry in the human. brain is directly related neither to handedness nor to language but. rather to analysis of sensory information and control of movement.. Comment Asymmetry is at the code level processing information in. double modi.. Brain asymmetry summary From these basic ideas about distinct. functions of the two hemispheres has arisen the idea that the. hemispheres represent two distinct modes of cognitive processing (see. Springer and Deutch).The left hemisphere operates in a more. logicalanalyticalcomputerlike fashionanalyzing stimuli input. sequentially and abstracting the relevant details to which it attaches. verbal labels.The right hemisphere is primarily a synthesizermore. concerned with the overall stimulus configurationand organizes and. processes information as gestaltsor wholes.. Comment Brain asymmetry correlations to codework jot version. Left hemisphere time analysis language symbol code text. instruction execution...... Right hemisphere space synthesis matter data ambience. context surface code diffusion...... Laterality leads to the notion that two different minds control our. behavior.. Comment Which doesn't mean they can be separated. Code's double are. the twofold of information processing time and spacebased which. correlates to code as languageformatives and code as matterform. or again as instruction and data in the interpreting machine.. The left hemisphere plays a special role in producing and. understanding language.. whereas the right hemisphere specializes in. perceiving and synthesizing nonverbal information... Comment Code and its double as text and context or as other. traditional dichotomies activepassive lightshadow orderchaos. the onethe other intelligencemonster etc. which is also reflected. in the traditional meaning of sinister as left ie. righthemisphere.. Stimulation can produce what Penfield called interpretive and. experiential responses.These uncommon but often highly reliable. phenomena include alterations in the interpretation of the patients. surroundingssuch as deja vufearand dreaming states and the. reproduction of visual or auditory aspects of specific earlier. experiences.That patients report specific memories in response to. specific stimulation. These phenomena usually arise from tissue. showing epileptogenic dischargebut there is an asymmetry in their. occurrencestimulation of the right temporal lobe produces these. phenomena more frequently than does stimulation of the left temporal. lobewhich suggests that the right hemisphere has perceptual functions. not shared by the left.. The Kimura experiments imply that the left hemisphere is specialized. for processing languagerelated soundswhereas the right hemisphere. processes musicrelated sounds.There ishoweveranother. interpretation.It is possible that the asymmetry is related to the. temporal or spectral structure of the sounds their rhythm and. frequency rather than to language and music themselves.Considerfor. examplethe finding by Papcun and colleagues. They showed that. Morsecode operators have a rightear superiority for the perception. of the codeeven though the sounds are distinguished only by their. temporal structure.. Comment The temporal is on the code source side of running code. executables performatives which refracts into space code matter. spectrum specters. There's no fundamental difference like instruction. is also data but of interpretation processing speed frequencies. and like the continuum of spacetime.. Rudel and coworkers found that both blind and sighted subjects read. Braille more rapidly with the left hand.Some children are actually. fluent readers with the left hand but are totally unable to read with. the right.Because Braille patterns are spatial configurations of dots. this observation is congruent with the proposal that the right. hemisphere has a role in processing spatial information that is not. shared by the left.. Comment Code and its double ar both active both coded though the. former often is interpreted as instruction and the latter as data. or light and shadow.. Table. Summary of data on cerebral lateralization. Function Left hemisphere Right hemisphere. Visual system Letters words Complex geometric patterns. Faces. Auditory system Languagerelated Nonlanguage environmental sound. sound Music. Somatosensory Tactile recognition of complex. system patterns Braille. Movement Complex voluntary Movements in spatial patterns. movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody. Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of direction. Mental rotation of shapes. Several authors (for exampleEfron)have suggested that it is not. motor control itself that is located in the left hemisphere but rather. the capacity for the fine resolution of stimuli in time.. Comment Which is again to state code's inseparability in spacetime. as speed and matter running code and output.. Zatorre proposed that the auditory cortices in the two. hemispheres are therefore specialized such that temporal resolution is. better in the left and spectral resolution is better in the right. auditory areas.. Comment Or again like the theater and its double as time and spectrum.. Rather than specifying different processing of specified. psychological processesother specialization models focus on the. idea that the two hemispheres might process information in distinctly. different ways.. Comment Which is basically code and its double.. The first clear proposal of different information processing was. made by Josephine Semmes in .On the basis of the results of her. previous studies of World War II veterans suffering from penetrating. brain injuriesSemmes concluded that the left hemisphere functions as. a collection of focalized regionswhereas the right hemisphere. functions more diffusely.. Comment No comment.. A large lesion of the right hemisphere produces many more. deficits than would be predicted from the total of smaller lesions. because an entire functional field is removed.A large lesion of the. left hemisphere produces many deficits simply because many small focal. regions have been destroyed that isin the left hemisphere the total. is equal to the sum of the parts. Semmes proposed that this. differential organization of the two hemispheres is advantageous for. efficient control of their respective functions.The diffuse. organization of the right hemisphere is seen as advantageous for. spatial abilitiesbecause spatial analysis requires that different. sensations (visualauditory tactile)be integrated into a single. percept.Language functionsin contrastremain discrete individual. units in the left hemisphere.. Comment Code and its double creates and maintains different domains. different magnitudes and spectrums of frequencies.. People use the word sinister as a synonym for wicked or. evil.Originally a Latin word meaning lefthand sideour contemporary. English meaning implies that lefthandedness has been historically. viewed at best as strange or unusual.. Comment Which is to say that code's double has its own intelligence. far from being dead output from executions.. At least six significant behavioral differences are sex. relatedverbal ability visuospatial analysismathematical. abilityperceptionmotor skillsand aggression.Although the precise. causes of cognitive sexrelated differences are unknownbiology likely. plays a part.Consider the following dataRichard Harshman and his. associatesin a very ambitious study of the interaction of sex and. handedness in cognitive abilitiesfound a significant interaction. between sex and handednessthat issexrelated differences in verbal. and visuospatial behavior vary as a function of handedness.(Recall. that Witelson found that callosal size also varies by sex and. handedness.)It is difficult to imagine how biological or environmental. factors alone could account for this result.It is thus very plausible. account for sexrelated differences partly by neurological. factors that may be modulated by the environment.. Comment Introducing gender issues in codework.. In an analysis of reading skillsDennis and her coworkers found that. both hemispheres had almost equal ability in higherorder reading. comprehension howeverthe left hemisphere is superior to the right in. reading and spelling unfamiliar words and in using sentence structure. achieve fluent reading. The left hemisphere also reads prose. passages with greater decoding accuracy more fluencyand fewer errors. that violate the semantic and syntactic struc ture of the. sentence.The superiority of the left hemisphere seems to be its. ability to manipulate and exploit language rules.Yet the right. hemisphere is not without its strengths in language.Performance is. better with the right hemisphere in a task that requires learning an. association between nonsense words and symbols.. Comment Parsing and (re)integration of code code working on code. as instruction or data data as instruction or instruction as data.. In summarizing the results of studies on languageDennis suggests. that if written language structure is thought of as a combination of. meaning cues (morphology)sound cues (phonology)and picture cues. (logography) then the isolated left hemisphere will show superior. performance with morphology and phonology and inferior performance. with logographic cues.The isolated right hemisphere will show superior. performance with logographic cues and inferior performance with. morphological and phonological cues. Kohn and Dennis found an almost. analogous pattern of results on tests of visuospatial function.They. observed thatalthough patients with right hemispherectomies. performed normally on simple tests of visuospatial functions such as. drawingthey were significantly impaired on complex tests such as. negotiating a maze and reading a map.. Comment The time of code and space of its double.. To summarizeeach hemisphere can assume some of its opposite s. functions if the opposite hemisphere is removed in he course of. development but neither hemisphere is totally capable of mediating. all of the missing hemispheres functions.Thusalthough the. developing brain gives evidence of considerable plasticitythere is. convincing evidence against equipotentiality both hemispheres appear. have a processing capacity that probably has an innate structural. basis.. Comment Which is to state code's doubleness the interweaving of. different processing interpreted instruction or data for each other.. All models of cerebral development must answer he question of how. functions become restricted to one hemisphere rather than becoming. bilateral. The interactive paralleldevelopment hypothesis answers. that question. In a series of papersMorris Moscovitch emphasized the. possibility that one hemisphere actively inhibits the otherthus. preventing the contralateral hemisphere from developing similar. functions. This active inhibition presumably develops at about age. as the corpus callosum becomes functional. as inhibitor. Comment In regard to codework the corpus callosum is the mediator. and inhibitor of code from its double and occupies the border between. sense and surface time and space source code and code source speed. and matter and assures their workings by inhibiting selfreference. (code as nothing) and decoding (of the double) producing meaning and. remains.. From Fundamentals of Human Neuropsychology Fifth Edition.. Bryan Kolb and Ian Q. Whishaw Univ. of Lethbridge Alberta .. Cerebral asymmetry. Variations in cerebral asymmetry. CEREBRAL ASYMMETRY. A striking feature of the organization of the human brain is that. the two hemispheres of the human brain are anatomically and. functionally asymmetrical.The asymmetries in structure are visible. not only in an overall view but also at the level of the morphology of. the individual neuronand the asymme tries in function exist not only. in neurological patients but also in the normal brain.Although there. is little disagreement about the facts of asymmetry in the human. brainthere is considerable disagreement about why the two hemi. spheres are asymmetrical and about what the asymmetry means in regard. how we humans process information.. Laterality leads to the notion that two different minds control our. behavior.. The left hemisphere plays a special role in producing and. understanding language.. whereas the right hemisphere specializes in. perceiving and synthesizing nonverbal information... Overallanatomical asymmetries center on the language areasand it. is tempting to speculate that they evolved to subserve. language.Moreoverthese asymmetries are present in preterm. infantswhich seems to support the proposition that language is innate. in humans.. With all the emphasis on finding anatomical asymmetries that can be. asso ciated with languageresearch on righthemisphere function has. lagged.If the left hemisphere has asymmetries related to languagethen. the right hemi sphere must have specialized for some other. function.After allthe two hemi spheres are quite similar in size and. other symmetriesit is not as though language areas evolved on the. left and nothing happened on the right.. Stimulation can produce what Penfield called interpretive and. experiential responses.These uncommon but often highly reliable. phenomena include alterations in the interpretation of the patient s. surroundingssuch as deja vufearand dreaming states and the. reproduction of visual or auditory aspects of specific earlier. experiences.That patients report specific memories in response to. specific stimulation. These phenomena usually arise from tissue. showing epileptogenic dischargebut there is an asymmetry in their. occurrencestimulation of the right temporal lobe produces these. phenomena more frequently than does stimulation of the left temporal. lobewhich suggests that the right hemisphere has perceptual functions. not shared by the left.. Disruption of speech is a welldocumented effect of stimulation of. the left hemispherebut only recently has stimulation of the right. hemisphere been shown to disrupt behavior.Ojemann and his colleagues. reported that stimulation of the right hemisphere disrupts judgments. of line orientationlabeling of facial expressionsand shortterm. memory for faces.. Although language is usually located in the left hemispherein a. small percent age of peoplemost of them lefthandedlanguage is. represented in the right hemisphere.. The auditory system is not as completely crossed as the. visualbecause both hemi spheres receive projections from each ear.. Tests Showing a RightEar Advantage Digits Words Nonsense. syllables Formant transitions Backward speech Morse code Difficult. rhythms Tone used in linguistic decisions Tonal sequences with. frequency transitions Ordering temporal information Movementrelated. tonal signals. Tests Showing a LeftEar Advantage Melodies Musical chords. Environmental sounds Emotional sounds and hummed melodies Tones. processed independently Complex pitch perception. The Kimura experiments imply that the left hemisphere is specialized. for processing languagerelated soundswhereas the right hemisphere. processes musicrelated sounds.There ishoweveranother. interpretation.It is possible that the asymmetry is related to the. temporal or spectral structure of the sounds their rhythm and. frequency rather than to language and music themselves.Considerfor. examplethe finding by Papcun and colleagues. They showed that. Morsecode operators have a rightear superiority for the perception. of the codeeven though the sounds are distinguished only by their. temporal structure.. Rudel and coworkers found that both blind and sighted subjects read. Braille more rapidly with the left hand.Some children are actually. fluent readers with the left hand but are totally unable to read with. the right.Because Braille patterns are spatial configurations of dots. this observation is congruent with the proposal that the right. hemisphere has a role in processing spatial information that is not. shared by the left.. Candace Gibson and Phil Bryden presented subjects with cutouts of. irregular shapes or letters made of sandpaperwhich were moved slowly. across the fingertips.Their subjects showed a righthand advan tage. for identifying letters and a lefthand advantage for denti fying. other shapes.. The right side of the mouth opens wider and more quickly than the. left for both verbal and nonverbal tasks.Goodale s observations. support the idea that the left hemisphere has a special role in the. selectionprogramming and production of verbal and nonverbal oral. movements. Is there an analogous role for the right hemisphereIndeed. there is. Considerable evidence shows that the left side of the face. displays emo tions more strongly than the right sideand Goodale. showed that the onset of facial expressions occurs sooner on the left. side of the face.. What Is Lateralized It is tempting to conclude that the functional. asymmetries described thus far indicate a fundamental difference in. the basic cognitive processes of the left and right cerebral. hemispheres. Howeverbefore turning to this matterwe will consider a. summary of the databecause any theoretical statements are best. considered in light of available information. Table below summarizes. the major data on cerebral lateralization and illustrates the range of. functions lateralized principally n the left and right hemispheres.In. righthanded peoplethe left hemisphere has a greater role in language. and in the control of complex voluntary movements than does the. right hemisphereand the right hemisphere has a greater role in the. control of certain visuospatial and nonverbal abilities.. Table. Summary of data on cerebral lateralization. Function Left hemisphere Right hemisphere. Visual system Letters words Complex geometric patterns. Faces. Auditory system Languagerelated Nonlanguage environmental sound. sound Music. Somatosensory Tactile recognition of complex. system patterns Braille. Movement Complex voluntary Movements in spatial patterns. movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody. Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of direction. Mental rotation of shapes. A truly enormous number of proposals have been made on what is. lateral ized in the brain (see Allen for a readable summary).At the. broadest level these theories fall into two groupsspecialization. theories propose unique functions for each hemisphereand interaction. theories propose cooperation between the two hemispheres.. Several authors (for exampleEfron)have suggested that it is not. motor control itself that is located in the left hemisphere but rather. the capacity for the fine resolution of stimuli in time.In other. wordsbecause the analysis and production of speech require fine. discrimination over very short intervalsthe left hemisphere might be. specialized for temporal sequencing (organizing be havior or. information or both over time).Elaborations of this idea have stressed. the capacity of the left hemisphere to make fine discriminations in. timewhether or not the stimuli are verbal (seefor. exampleSergent).Recall the study of Morsecode operators discussed. earlierthere is a lefthemisphere advantage even though the code is. not verbal it is a temporal sequence. Zatorre and his colleagues. expanded the Efron timing idea by emphasizing that speech and musical. sounds exploit different acoustical cuesspeech is highly dependent on. rapidly changing broadband soundswhereas tonal pat terns of music. tend to be sloweralthough small and precise changes in fre quency. are important.Zatorre proposed that the auditory cortices in the two. hemispheres are therefore specialized such that temporal resolution is. better in the left and spectral resolution is better in the right. auditory areas.. Rather than specifying different processing of specified. psychological processesother specialization models focus on the. idea that the two hemispheres might process information in distinctly. different ways.. The first clear proposal of different information processing was. made by Josephine Semmes in .On the basis of the results of her. previous studies of World War II veterans suffering from penetrating. brain injuriesSemmes concluded that the left hemisphere functions as. a collection of focalized regionswhereas the right hemisphere. functions more diffusely. To account for these differencesSemmes. argued that a person with a small lesion in the right hemisphere. exhibits no deficitsbecause specific functions are not localized in. discrete regions in the right hemispherethe functions being diffusely. represented.A large lesion of the right hemisphere produces many more. deficits than would be predicted from the total of smaller lesions. because an entire functional field is removed.A large lesion of the. left hemisphere produces many deficits simply because many small focal. regions have been destroyed that isin the left hemisphere the total. is equal to the sum of the parts. Semmes proposed that this. differential organization of the two hemispheres is advantageous for. efficient control of their respective functions.The diffuse. organization of the right hemisphere is seen as advantageous for. spatial abili tiesbecause spatial analysis requires that different. sensations (visualauditory tactile)be integrated into a single. percept.Language functionsin contrastre main discrete individual. units in the left hemisphere.. From these basic ideas about distinct functions of the two. hemispheres has arisen the idea that the hemispheres represent two. distinct modes of cognitive processing (see Springer and Deutch).The. left hemisphere operates in a more logicalanalyticalcomputerlike. fashionanalyzing stimuli input sequentially and abstracting the. relevant details to which it attaches verbal labels.The right. hemisphere is primarily a synthesizermore concerned with the overall. stimulus configurationand organizes and processes information as. gestaltsor wholes.. Preferred cognitive mode refers to the use of one thought process in. preference to another.At one extremepeople who are. logicalanalyticaland verbal are assumed to rely more on their left. hemi spheres to solve problems n everyday lifewhereas people who are. visualin tuitiveand tend to look at the big picture are assumed to. rely more on their right hemispheres.Consider an examplealbeit a. tongueincheek one. Two professorsAlpha and Betaare both excellent. scholarsbut they work and think in totally different ways. Alpha is. meticulous and leaves no detail to chancewhen learning new ma. terialhe masters every detail and has total command of the. topic.Alpha is ver bal and easily wins debates with his quick. thinking and elegant arguments.His writing is clear and concisewith. flawless grammar and spelling.Alpha is athletic and is a nationally. ranked tennis player.Curiouslyhe is only mediocre at other sportsbut. with prolonged practice he is able to master them.Alpha s office is. neat and tidywith every item carefully placed in its correct. location. On his desk is the project on which he is currently working. and nothing else. Beta appears to be messy and disorganized compared. with Alpha and has poor recall for details.He grasps the heart of an. idea quicklyhoweverand can tie diverse concepts into a meaningful. picture.Communicating his thinking poses Beta a challengehoweverfor. he has difficulty expressing his ideas in words.Like AlphaBeta is. athleticbut Beta acquires the general motor skills of new sports. rapidlyalthough he has never been able to become a top participant in. any event.In contrast with Alphawho works on only one project at a. time Beta works on several projects concurrentlyleading to piles of. papers and books in his work spaceunlike Alpha s meticulous desk. In. both the cognitive and the motor skills of Alpha and Beta is a basic. dif ference that is assumed to correspond to a fundamental difference. either in brain organization or in the dominance of one hemisphere. over the other. Alpha and Beta represent extreme lefthemisphere and. righthemisphere peo plerespectively.The fundamental difference. between them is their preferred cognitive mode.Alpha is. analyticallogicalverbaland meticulouswhereas Beta is a synthesizer. more concerned with organizing concepts and visualizing meaningful. wholes. As intriguing as the Alpha and Beta analysis might bewe. caution that it is pure speculationwithout empirical basis.Factors. other than brain organiza tion probably contribute to preferred. cognitive mode.. In an examination in our undergraduate course in human neu. ropsychologywe askedIn what ways is the human brain symmetrical. Thinking it to be a trick questiona majority of the students. answeredIt isn t symmetricalit s asymmetrical.This answer is. wrongbecause many functions especially of the primary sensory and. motor areas appear to be identical on the two sides of the brain.. VARIATIONS IN CEREBRAL ASYMMETRY. People use the word sinister as a synonym for wicked or. evil.Originally a Latin word meaning lefthand sideour contemporary. English meaning implies that lefthandedness has been historically. viewed at best as strange or unusual.. Summary of handedness in performing various tasks. Left Either Right. Task () () (). Dealing cards . . .. Unscrewing jar . . .. Shoveling . . .. Sweeping . . .. Writing . . .. Striking match . . .. Throwing ball . . .. Hammering . . .. Using toothbrush . . .. Using racket . . .. Using scissors . . .. Although the belief that cognitive functions are more bilaterally. organized in lefthanders than in righthanders is widespread in the. neurological literature little evidence exists for this. generalization.. There is a larger incidence of lefthandedness among mentally. defective children and children with various neurological disorders. than is found in the general population.This finding is not. surprisingbecauseif the dominant hemisphere is injured at an early. agehandedness and dominance can move under the control of what would. normally be the nondominant hemisphere.Because there are so many more. normally be the nondominant hemisphere.Because there are so many more

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righthanded childrenit can be expected by probability alone that. more right handed children with lefthemisphere damage would switch. righthemisphere dominance than would switch in he reverse. direction.That such switching can take placehowevercannot be used as. grounds for predicting cognitive deficits or differences in cerebral. organization in the general population of lefthanders.. High estrogen levels are associated with relatively depressed. spatial ability as well as enhanced articulatory and motor capability.. Kimura showed that men s spatial scores fluctuate with testosterone. levelsmen with lower testosterone levels get the highest scores.So. there appears to be an optimal level of testosteroneand increasing. the level is actually detrimental to cognitive performance.. Furthermoremen with lower average levels of testosterone do better. on both spatial tests and on mathematical reasoning tests than do. those with higher levels.A reasonable question is whether there is. also a relation be tween testosterone level and spatial ability in. women.There is.Women with higher levels do betteragain suggesting. that some optimal hormone level benefits at least some cognitive. activities.. As already mentionedthe difference in strategies used by men and. women to solve problems may be at least partly responsible for the. observed sex differ ences in behavior.Geneticmaturationaland. environmental factors may pre dispose men and women to prefer. different modes of cognitive analysis. Women solve problems primarily. by using a verbal modefor example. Because this cognitive mode is. less efficient in solving spatial problemswomen exhibit an apparent. deficiton average.By the same logicwomen should do better than men. at primarily verbal taskson average.This proposition has yet to be. thoroughly investigated.. At least six significant behavioral differences are sex. relatedverbal ability visuospatial analysismathematical. abilityperceptionmotor skillsand aggression.Although the precise. causes of cognitive sexrelated differences are unknownbiology likely. plays a part.Consider the following dataRichard Harshman and his. associatesin a very ambitious study of the interaction of sex and. handedness in cognitive abilitiesfound a significant interaction. between sex and handednessthat issexrelated differences in verbal. and visuospatial behavior vary as a function of handedness.(Recall. that Witelson found that callosal size also varies by sex and. handedness.)It is difficult to imagine how biological or environmental. factors alone could account for this result.It is thus very plausible. account for sexrelated differences partly by neurological. factors that may be modulated by the environment.. Most studies of cultural differences center on language.Asian. languages such as Japanese and Chinese might promote more. righthemisphere involvement than European languagesbecause the Asian. languages appear to have more prosody (or song).Those who speak two or. more languages may develop a different pattern of language. organization from that of those who speak only one. The results of. laterality studies lend some support to the idea that Asian and Native. American languages may be represented more bilaterally in the brain. thanfor exampleSpanish.. The Japanese writing system provides an unusual opportunity for. studying cerebral organization becauseunlike IndoEuropean writingit. consists of two types of symbolsphonograms (kana)and ideograms. (kanji).Phonograms are analogous to English letterseach phonogram. represents a spoken sound. In contrastthe ideogram represents a unit. of meaningwhich may corre spond to a word or words.In readingthe. brain may process these two types of characters. differentlyfurthermorethe right hemisphere might process kanji while. the left hemisphere processes kana.There is little support for ei. ther idea.For examplein a large series of patientsSugishita and his. col leagues found no clear relation between deficits in reading. either script and locus of lefthemisphere injury.In factmost of. their cases were impaired equally in both forms of reading.. In an analysis of language abilitiesMaureen Dennis and Harry. Whitaker found thatunlike righthemisphere removalsleft. hemispherectomies produce deficits in understanding spoken language. when the meaning is conveyed by complex syntactic. structureparticularly if the sentence contains an error (for. exampleThe tall guard wasnt shot by the armed robber. ).Likewiseremoving the left hemisphere leads to difficulty in. determining sentence implicationin integrating semantic and syntactic. information to replace missing pronounsand in forming judgments of. word interrelations in sentences.. In an analysis of word comprehensionDennis found that both. hemispheres understand the meaning of words and both can spontaneously. produce lists of names of things.In a search for words by using. different cueshoweverthe left hemisphere has an advantage over he. right.Both hemispheres can name an object from its picture or from its. descriptionbut the left hemisphere can identify the object on the. basis of rhymes withwhereas the right hemisphere is oblivious to. this type of cue.. In an analysis of reading skillsDennis and her coworkers found that. both hemispheres had almost equal ability in higherorder reading. comprehension howeverthe left hemisphere is superior to the right in. reading and spelling unfamiliar words and in using sentence structure. achieve fluent reading. The left hemisphere also reads prose. passages with greater decoding accuracy more fluencyand fewer errors. that violate the semantic and syntactic struc ture of the. sentence.The superiority of the left hemisphere seems to be its. ability to manipulate and exploit language rules.Yet the right. hemisphere is not without its strengths in language.Performance is. better with the right hemisphere in a task that requires learning an. association between nonsense words and symbols.. In summarizing the results of studies on languageDennis suggests. that if written language structure is thought of as a combination of. meaning cues (morphology)sound cues (phonology)and picture cues. (logography) then the isolated left hemisphere will show superior. performance with morphology and phonology and inferior performance. with logographic cues.The isolated right hemisphere will show superior. performance with logographic cues and inferior performance with. morphological and phonological cues. Kohn and Dennis found an almost. analogous pattern of results on tests of visuospatial function.They. observed thatalthough patients with right hemispherectomies. performed normally on simple tests of visuospatial functions such as. drawingthey were significantly impaired on complex tests such as. negotiating a maze and reading a map.. To summarizeeach hemisphere can assume some of its opposite s. functions if the opposite hemisphere is removed in he course of. development but neither hemisphere is totally capable of mediating. all of the missing hemispheres functions.Thusalthough the. developing brain gives evidence of considerable plasticitythere is. convincing evidence against equipotentiality both hemispheres appear. have a processing capacity that probably has an innate structural. basis.. All models of cerebral development must answer he question of how. functions become restricted to one hemisphere rather than becoming. bilateral. The interactive paralleldevelopment hypothesis answers. that question.In a series of papersMorris Moscovitch emphasized the. possibility that one hemisphere actively inhibits the otherthus. preventing the contralateral hemisphere from developing similar. functions.This active inhibition presumably develops at about age as. the corpus callosum becomes functional. as inhibitor. There is also evidence from primates that the two hemispheres may. differ in their production of facial expressions.Splitbrain monkeys. viewed video tapes of peoplemonkeysother animalsand sceneryand. the amount of time spent watching the recordings and the number of. speciestypical facial expres sions made were recorded.The number of. facial expressions elicited from the right hemisphere was greater than. the number made when using the left hemispherewhich is what one. would predict from studies of humans.In another studyHauser found. that the left side of he monkey s face began to display facial. expression before the rightand it was more expressive.Recall from. Chapter that a similar result was reported for humans.. The basis for handedness in humans has been the focus of much debate. and theorizingyet there is still no adequate explana tion for why. people are either rightor lefthanded.More progress has been made in. understanding the nature of sex differences.The most likely explana. tion is that gonadal hormones alter brain organization during. development and continue to influence brain activity during adulthood.. The results of studies of nonhuman species show that lateral. asymmetry is a property not unique to humans.The demonstration of. asymmetry in nonhuman brains implies that asymmetry in the human. brain is directly related neither to handedness nor o language but. rather to analysis of sensory information and control of movement.. scanner. scanner tenkte p�nytt et suspekt nettprosjekt � sirkulere epenger bilder. av sedler. hva er avh. av skjermoppl�sning s� det er relativt og vel ikke. straffbart uansett er det vel utskrift eller hva er framstilling som er. ulovlig.. ulovlig med st�rre enn dessuten mynter. kanskje den gamle. �ringen hvordan i h kom de p� ideen om en kjempediger �ring fors�k p� �. bruke dem som et pengesystem vedlagt er kr. med en disclaimer. satse. p� pop utbredelse og en konfrontasjon med norges bank. digitale penger.. utbrodere. n.bank har liggende ute bilder men som det st�r ugyldig p� eller. noe.. presentere det som nyutgitt seddelsett. ok det er kanskje en d�rlig ide men. med. litt potensial (burde ha p� en eller annen m�te). pgp. pgp tekst. automatisk kunst. liksom.no nyheter i liksomform. kunstnerisk reductio ad absurdum. red. art absurdum. email header art. email header art. navn bruker domene tld navnbegrep referanse (en ting kan ha flere navn). axioms. cc fortid framtid cc kausalitet fratil (rules transitions). this play proposition. body discussion interpretation. head body codestructure face appearance cause effect. nomic. language game. operasjon sn�skred. operasjon sn�skred. prosjekt. 'omvendt utvikling' (reverse engineering). Antonin Artaud Theater and its Double. Antonin Artaud Theater and its Double. We must insist upon the idea of cultureinaction of culture. growing within us like a new organ a sort of second breath and. on civilization as an applied culture controlling even our subtlest. actions a presence of mind.... Yet totemism is an actor for it moves and has been created in. behalf of actors all true culture relies upon the barbaric and. primitive means of totemism whose savage i.e. entirely. spontaneous life I wish to worship.... True culture operates by exaltation and force while the. European ideal of art attempts to cast the mind into an attitude. distinct from force but addicted to exaltation. It is a lazy. unserviceable notion which engenders an imminent death. If the. Serpent Quetzalcoatl's multiple twists and turns are harmonious. it is because they express the equilibrium and fluctuations of a. sleeping force the intensity of the forms is there only to seduce. and direct a force which in music would produce an insupportable. range of sound.... How hard it is when everything encourages us to sleep though. we may look about us with conscious clinging eyes to wake and. yet look about us as in a dream with eyes that no longer know. their function and whose gaze is turned inward.. This is how our strange idea of disinterested action originated. though it is action nonetheless and all the more violent for. skirting the temptation of repose.... Every real effigy has a shadow which is its double and art. must falter and fail from the moment the sculptor believes he has. liberated the kind of shadow whose very existence will destroy. his repose.. Like all magic cultures expressed by appropriate hieroglyphs. the true theater has its shadows too and of all languages and all. arts the theater is the only one left whose shadows have shattered. their limitations. From the beginning one might say its shadows. did not tolerate limitations.. Our petrified idea of the theater is connected with our petrified. idea of a culture without shadows where no matter which way it. turns our mind (esprit) encounters only emptiness though space. is full.... Thus the plague. seems to manifest its presence in and have a preference for the. very organs of the body the particular physical sites where. human will consciousness and thought are imminent and apt to. occur.... The dregs of the population apparently immunized by their. frenzied greed enter the open houses and pillage riches they know. will serve no purpose or profit. And at that moment the theater is. born. The theater i.e. an immediate gratuitousness provoking acts. without use or profit.. The last of the living are in a frenzy the obedient and virtuous. son kills his father the chaste man performs sodomy upon his. neighbors. The lecher becomes pure. The miser throws his gold in. handfuls out the window. The warrior hero sets fire to the city he. once risked his life to save. The dandy decks himself out in his. finest clothes and promenades before the charnel houses. Neither. the idea of an absence of sanctions nor that of imminent death. suffices to motivate acts so gratuitously absurd on the part of men. who did not believe death could end anything. And how explain. the surge of erotic fever among the recovered victims who. instead of fleeing the city. remain where they are trying to wrench a criminal pleasure from. the dying or even the dead half crushed under the pile of corpses. where chance has lodged them.. But if a mighty scourge is required to make this frenetic. gratuitousness show itself and if this scourge is called the. plague then perhaps we can determine the value of this gratuitousness. in relation to our total personality. The state of the. victim who dies without material destruction with all the. stigmata of an absolute and almost abstract disease upon him is. identical with the state of an actor entirely penetrated by feelings. that do not benefit or even relate to his real condition. Everything. in the physical aspect of the actor as in that of the victim of the. plague shows that life has reacted to the paroxysm and yet. nothing has happened.. Between the victim of the plague who runs in shrieking pursuit. of his visions and the actor in pursuit of his feelings. between the man who invents for himself personages he could. never have imagined without the plague creating them in the. midst of an audience of corpses and delirious lunatics and the. poet who inopportunely invents characters entrusting them to a. public equally inert or delirious there are other analogies which. confirm the only truths that count and locate the action of the. theater like that of the plague on the level of a veritable epidemic.. But whereas the images of the plague occurring in relation to a. powerful state of physical disorganization are like the last volleys. of a spiritual force that is exhausting itself the images of poetry. in the theater are a spiritual force that begins its trajectory in the. senses and does without reality altogether. Once launched upon. the fury of his task an actor requires infinitely more power to. keep from committing a crime than a murderer needs courage to. complete his act and it is here in its very gratuitousness that the. action and effect of a feeling in the theater appears infinitely more. valid than that of a feeling fulfilled in life.. Compared with the murderer's fury which exhausts itself that. of the tragic actor remains enclosed within a perfect circle. The. murderer's fury has accomplished an act discharges itself and. loses contact with the force that inspired it but can no longer. sustain it. That of the actor has taken' a form that negates itself to. just the degree it frees itself and dissolves into universality.... It is useless to give precise reasons for this contagious delirium.. It would be like trying to find reasons why our nervous. system after a certain period responds to the vibrations of the. subtlest music and is eventually somehow modified by them.... First of all we must recognize that the theater. like the plague is a delirium and is communicative.... The mind believes what it sees and does what it believes that. is the secret of the fascination. Nor does Saint Augustine's text. question for one moment the reality of this fascination.. However there are conditions to be rediscovered in order to. engender in the mind a spectacle capable of fascinating it and. this is not a simple matter of art.. For if the theater is like the plague it is not only because it. affects important collectivities and upsets them in an identical. way. In the theater as in the plague there is something both. victorious and vengeful we are aware that the spontaneous. conflagration which the plague lights wherever it passes is. nothing else than an immense liquidation.. A social disaster so farreaching an organic disorder so. mysteriousthis overflow of vices this total exorcism which. presses and impels the soul to its utmostall indicate the presence. of a state which is nevertheless characterized by extreme strength. and in which all the powers of nature are freshly discovered at the. moment when something essential is going to be accomplished.. The plague takes images that are dormant a latent disorder. and suddenly extends them into the most extreme gestures the. theater also takes gestures and pushes them as far as they will go. like the plague it reforges the chain between what is and what is. not between the virtuality of the possible and what already exists. in materialized nature.... These symbols the sign of ripe powers previously held in. servitude and unavailable to reality burst forth in the guise of. incredible images which give freedom of the city and of existence. acts that are by nature hostile to the life of societies.. In the true theater a play disturbs the senses' repose frees. the repressed unconscious incites a kind of virtual revolt (which. moreover can have its full effect only if it remains virtual) and. imposes on the assembled collectivity an attitude that is both. difficult and heroic.... Thus in Ford's 'Tis Pity She's a Whore from the moment the. curtain rises we see to our utter stupefaction a creature flung into. an insolent vindication of incest exerting all the vigor of his. youthful consciousness to proclaim and justify it.. He does not waver an instant does not hesitate a minute and. thereby shows of how little account are all the barriers that could. be opposed to him. He is heroically criminal and audaciously. ostentatiously heroic. Everything drives him in this direction and. inflames his enthusiasm he recognizes neither earth nor heaven. only the force of his convulsive passion to which the rebellious. and equally heroic passion of Annabella does not fail to respond.. she provokes her executioner still further. and sings out in a kind of obstinate heroism. It is the absolute. condition of revolt it is an exemplary case of love without respite. which makes us the spectators gasp with anguish at the idea that. nothing will ever be able to stop it.. If we desire an example of absolute freedom in revolt Ford's. Annabella provides this poetic example bound up with the image. of absolute danger.. And when we tell ourselves we have reached the paroxysm of. horror blood and flouted laws of poetry which consecrates. revolt we are obliged to advance still further into an endless. vertigo.. But ultimately we tell ourselves there is vengeance there is. death for such audacity and such irresistible crime.. But there is no such thing. Giovanni the lover inspired by the. passion of a great poet puts himself beyond vengeance beyond. crime by still another crime one that is indescribably. passionate beyond threats beyond horror by an even greater. horror one which overthrows at one and the same time law. morality and all those who dare set themselves up as administrators. of justice.. A trap is cleverly set a great banquet is given where among. the guests hired ruffians and spies are to be hidden ready at the. first signal to throw themselves upon him. But this hero cornered. lost and inspired by love will let no one pass sentence on this. love.. You want he seems to say my love's flesh and blood. Very. well I will throw this love in your face and shower you with its. bloodfor you are incapable of rising to its height. And he kills his beloved and tears out her heart as if to feast. upon it in the middle of a banquet where he himself is the one. whom the guests had hoped to devour.. And before being executed he manages to kill his rival.... If the essential theater is like the plague it is not because it is. contagious but because like the plague it is the revelation the. bringing forth the exteriorization of a depth of latent cruelty by. means of which all the perverse possibilities of the mind whether. of an individual or a people are localized.. Like the plague the theater is the time of evil the triumph of. dark powers that are nourished by a power even more profound. until extinction.. In the theater as in the plague there is a kind of strange sun a. light of abnormal intensity by which it seems that the difficult and. even the impossible suddenly become our normal element. And. Ford's play like all true theater is within the radiance of this. strange sun. His Annabella resembles the plague's freedom by. means of which from degree to degree stage to stage the victim. swells his individuality and the survivor gradually becomes a. grandiose and overwhelming being.... We do not see that life as it is and as it has been fashioned for. us provides many reasons for exaltation. It appears that by means. of the plague a gigantic abscess as much moral as social has. been collectively drained and that like the plague the theater has. been created to drain abscesses collectively.... The theater like the plague is a crisis which is resolved by. death or cure. And the plague is a superior disease because it is a. total crisis after which nothing remains except death or an. extreme purification. Similarly the theater is a disease because it. is the supreme equilibrium which cannot be achieved without. destruction. It invites the mind to share a delirium. which exalts its energies and we can see to conclude that from. the human point of view the action of theater like that of. plague is beneficial for impelling men to see themselves as. they are it causes the mask to fall reveals the lie the. slackness baseness and hypocrisy of our world it shakes off. the asphyxiating inertia of matter which invades even the clearest. testimony of the senses and in revealing to collectivities of men. their dark power their hidden force it invites them to take in the. face of destiny a superior and heroic attitude they would never. have assumed without it.. And the question we must now ask is whether in this slippery. world which is committing suicide without noticing it there can. be found a nucleus of men capable of imposing this superior. notion of the theater men who will restore to all of us the natural. and magic equivalent of the dogmas in which we no longer. believe.. The contemporary theater is decadent because it has lost the. feeling on the one hand for seriousness and on the other for. laughter because it has broken away from gravity from effects. that are immediate and painfulin a word from Danger.. Because it has lost a sense of real humor a sense of laughter's. power of physical and anarchic dissociation.. Because it has broken away from the spirit of profound. anarchy which is at the root of all poetry.... This helps us to understand that poetry is anarchic to the degree. that it brings into play all the relationships of object to object and. of form to signification. It is anarchic also to the degree that its. occurrence is the consequence of a disorder that draws us closer. chaos.... Where alchemy through its symbols is the spiritual Double of. an operation which functions only on the level of real matter the. theater must also be considered as the Double not of this direct. everyday reality of which it is gradually being reduced to a mere. inert replicaas empty as it is sugarcoatedbut of another. archetypal and dangerous reality a reality of which the. Principles like dolphins once they have shown their heads hurry. dive back into the obscurity of the deep.. For this reality is not human but inhuman and man with his. customs and his character counts for very little in it. Perhaps even. man's head would not be left to him if he were.... bali theater What is in fact curious about all these gestures these angular. and abruptly abandoned attitudes these syncopated modulations. formed at the back of the throat these musical phrases that break. off short these flights of elytra these rustlings of branches these. sounds of hollow drums these robot squeakings these dances of. animated manikins is this that through the labyrinth of their. gestures attitudes and sudden cries through the gyrations and. turns which leave no portion of the stage space un utilized the. sense of. anew physical. language based upon signs and no. longer upon words is liberated.... Everything is thus regulated and impersonal not. a movement. of the muscles not the rolling of an eye but seem to belong to a. kind of reflective mathematics which controls everything and by. means of which everything happens. And the strange thing is that. in this systematic depersonalization in these purely muscular. facial expressions applied to the features like masks everything. produces a significance everything affords the maximum effect.. A kind of terror seizes us at the thought of these mechanized. beings whose joys and griefs seem not their own but at the. service of ageold rites.... An impression of inhumanity of the divine of miraculous. revelation is further provided by the exquisite beauty of the. women's headdress this series of banked luminous circles made. combinations of multicolored feathers or from pearls of so. beautiful a coloration that their combination has a quality of. revelation and the crests of which tremble rhythmically. responding consciously or so it seems to the tremblings of the. body.There are also the other headdresses of sacerdotal character. in the shape of tiaras and topped with egret crests and stiff flowers. in pairs of contrasting strangely harmonizing colors.. This dazzling ensemble full of explosions flights secret. streams detours in every direction of both external and internal. perception composes a sovereign idea of the theater as it has. been preserved for us down through the centuries in order to teach. us what the theater never should have ceased to be.... Here we are suddenly in deep metaphysical anguish and the. rigid aspect of the body in trance stiffened by the tide of cosmic. forces which besiege it is admirably expressed by that frenetic. dance of rigidities and angles in which one suddenly feels the. mind begin to plummet downwards.... And the women's stratified lunar eyes. Eyes of dreams which seem to absorb our own eyes before. which we ourselves appear to be fantome.... .For the Occidental theater the Word is everything. and there is no possibility of expression without it the theater is a. branch of literature a kind of sonorous species of language and. even if we admit a difference between the text spoken on the stage. and the text read by the eyes if we restrict theater to what. happens between cues we have still not managed to separate it. the idea of a performed text.... The. The. absurdity of this cultural mythology's persistence at a time when scientific. metaphysics have already triumphed was demonstrated clearly by Kierkegaard's. choice of confirming Christianity one must believe in absurdity.. jorn p'physics. NOEMATA HUB NMAT flections. NOEMATA HUB NMAT. FASCIIST SELECTED RANDOM FRAGMENTS GENERATOR V. butah. Generated by usercdfu.cable.mindvoid.com. lard comment. nothing is truly reflected anymore. no value no equivalence. could it be that all systems individuals harbour a secret urge to be rid of. their ideas of their own essences so as to be able to proliferate everywhere. transport themselves simultanesously to every point of the compass in any. event the consequences of a dissociation of this kind can only be fatal. a. thing which has lost its idea is like the man who has lost his shadow and it. must either fall under the sway of madness or perish.. annihilation by virtue of their very success.. transaestethic of banality. virtual indifference. silence a blip in the circuity that minor catastrophe.. which confirmes the. fact that all this communication is basically nothing but a rigid script an. uninterrupted fiction designed to free us not only from the void of the. television but equally from the void of our own mental screen... j baudrillard. nostalG. .sigs. wreathule. entropic arts. noematag. nostalG. mat. hva gj�r vi med lykken har den noen plass � gj�re av seg eller er lykke �. ikke. ha noen plass � gj�re av seg lykke ballen mens ruletten g�r. hva er ruletten. lotto h�stjakt killing by numbers aldri var du s� levende som ved fronten. men hva skulle du med liv du kjenner bare p� det du investerer dvs du er. lykkelig hvis du investerer lykke dvs setter den p� spill lykkehjul this. wheel will fortune by selfdestruct. jeg kunne hatt barn v�rt barn v�rt d�d. jeg er p� en m�te ikke her hjulet g�r rundt keep the wheels turning lykke er. � ikke v�rt til kunstig lykke. lykke er � v�re ulykkelig. lykke er � ikke bry. seg salighet. f�rst n�r det er p� plass kan du bry deg ikke sant bare piss.. limet er ulykkelig. hvordan legitimerer kristendom selvgodhet hvordan. legitimerer godhet selvgodhet ved � gi bort selv er det fortsatt selvgodhet. str�mningene flyten av ballen ruller. hvis noe opprettholder seg selv hvem. bryr seg magen vil ha mat c. vil du ha lykke vil jeg ha mat hva er mat en. ting tilstand jeg var mat ig�r.. medialisering. medialisering synaps er bro transmit m� til ikke umiddelbart. ferjeovergangene lager struktur k� og ubalanse utl�sning. medialiseringen lager struktur sprekkdannelser. fikk vi orden ut av kaos gj�dsel spam komme til syne eksponere. har knuste ting mer struktur hva slags n�r har ting mest struktur. hvis hjernen var en enhet heilen kunne vi ikke tenke. tenker havet. aggregattilstand hva kan tenkes i et hav biologisknaturlige datamaskiner. minne spor struktur er molekylene de samme over tid HansK�re. stolen er stol idag ogs� en b�lge gjentar den seg. er det forskjellig tid tetthet rom havet er kanskje en stol. virkelighetsfjern det er virkeligheten som er fjern. den som er interessert i virkeligheten kan g� og m�ke sn�. etterp� m�ke havet to meter til venstre. det sn�r i havet det virker bortkastet. som at sn�en var for oss havet vil ha oss b�lgene og vinden. uansett at det ang�r noen umiddelbart. de er ikke mennesker vind er vind c de. truende vi er fornuftige det er kaos sn� i hav. folk d�r i kulde kanskje flere i varme sola atombombe. vi bor i hus ikke umiddelbart noen g�r i hi. alle br�dskiver er skiver av br�d br�dkniv. hvor skal vi sans og bevissthet gjennom oppl�sning kaos. skritt for skritt ikke hjul automatikk automatisk hva hav. norge.no borger. norge.no. Norske borgere som s�ker Utlendingsdirektoratet om det kan bli l�st fra sitt. norske statsborgerskap. Norske borgere som er bosatt i Norge kan imidlertid. ikke bli l�st fra det norske statsborgerskapet. Det forutsettes at vedkommende. er registrert utflyttet fra Norge og er fast bosatt utenlands. Videre. forutsettes det at han har eller vil f� annet statsborgerskap innen en viss. frist. Man vil ikke l�se en norsk borger fra det norske statsborgerskapet hvis. han derved blir statsl�s.. Utlendingsdirektoratet Fylkesmannen og politiet gir n�rmere opplysninger om. statsborgerskap.. Hvordan kan jeg ha plikter som statsborger hvis jeg ikke kan l�ses fra. statsborgerskapet s�nn uten videre Er jeg slave av Norge vikingskipet. veldedighet. veldedighet folk gir bare hvis de er sikre p� � tape.. norsk tipping kan vise hvor mye de vann i hver omgang.. og veldedigheten hvor bra det var du tapte.. overskuddet av dette livet g�r til de d�de.. tomflasker til NHO N�. Mar. vrkier som aiatkvipssv er aegvrjnd�e for piirbnluseg �snekr ikke atkiv. pub (lleer hdavonr) men hdvaron kan den vr�e pssiav hva er psasiv. indreikte aipivastksv bstemeemr rteinng bgveelese mtsotand mdirenieg. det som kommer mot deg m� gejnonm et fsoravr men n�r du o�kpepsr slev. er det uetn fvasror.. a) haovdrn fgnuerer det i knust hva a�gjvr om vi er i aktiv eellr psasiv. muods kunsten pissavisrees slik at vi kan vr�e uten fovasrr.. det er hkaer p� plia s� den g�r ltet inn og er vnakesilg � trekke ut.. getnnsiesrt mot kntsntuig eellr hdovarn frost� knsut eellr hrvodan lage. kefr�oltnstsuse tnig som er langt unna kan v�re kunst fdroi de bilr. pasisve og vi �pner oss slik som antavsd i flrest�ose elelr sinansng noe. mkeelirg uarlkt uebstemt lite sujklt etc elelr noe som er vdelig nr�t. fordi det pe�rvr � plsaesre seg allredee ifneonnr fvoaresrt oreeprt inn. kroppen m� ajvg�re f�reltsstae elelr ggdolestae og rskat sedin aenegrripn. aldlreee er innenfor s� ae�hrnvtdsnat er osg� tid. fr�lepfsoostipanetng tar tid ting som er lagnt unna er sktae ting som. er n�re er rakse.. er felohrodt mlelom akivte og psisvae emeletner i et sytsem kntosant som. at eeignren er knotnsat eellr at sm�metrn av belir er ktsnoant enten det. er mgnrreuosh eellr emtitdredag hvis alle belir k�jtre smame vei eller. alt var paissvt men det er rletavit s�tr alle tnig i et ataksispviv. forhlod sjebbjetkokut kusnten gj�r seg oetjbikv tlginig for at du kan. v�re errfnadee sujkbet. setkre og svake sebujkter. er spr�ekts gaiarmktmk. viirkelg ofatpetpr vi ting som advreb knnue vi bkrut stteruunrke ola. ser p� sola sola er knust (ikke se p� sloa (det burde v�rt en avarsdel. p� sola kkie se dektire p� dnene asravelden du blir blind du er. bnlid alst� kan du ikke lsee dette glem det v�r vnleing � oserve dtete.. t.k)ka). stnkytaisk alnayse av kunst lkie geirt som ssrtkfirp�k er det. ikke bare � legge til dojsnmeenir fra snkeevs (ijlne) til rom (d) og. rmotid (d) sansttiykk aynalse av krsoysrd sneimtakk er dybde men. dybde er brae en dmjsieonn silk som overfealtn. vi liker (aipvss) ddybe. frodi det gj�r oss til den atkvie prat. hvis alt var gientjniskomg hevm. ville vi ha vr�t noen ingen tnreger vi det psaisve oebjtknee alt. er geirnsstent en srtejne men sett innnefra pestrpkevniee er udeelnig. atanll sninegter i se�rpkt er uineedlg gbeerrranee et petrkeispv er en. sntneig en snetitg med en sknyats atpkisvasiv er i psipektreevt. skebkjejbtuot njtr�frent atvsand rslejoan. rtiao avpssiatkiv en. senting med brae oekjebtr brae sujbeektr en ktgnienutsns bord stol. sneg vidnu teppe. det er altlid en atkiv prat om ingen i peestrpevikt. s� illeaflal den som ser og noen m� ailltd se hvis ikke s� s� hva hva. om vi gj�r pikevpsteret umluig hvdoarn ftroseill deg rdblaearet i. kutnsen n�r neon br�t ppskreetivet. noen ser atlild nei det er et sortt. mk�re er det inessretant kan vi foorlhde oss til det tnakrenm i mtaen. s� vi siplper pssue tenna etetrp� hvor skal vi hva gir kunst asvier. lerur p� hva er nheyt horvofr er nehyt neyht og knust knsut hva er. fjeleksorln orfevtlae dbyde mtotasesr knust er dnddjieosmnbyeen ikke. at det er s� hveyd�rig dypt men alle ting har dbyde uanetst har dbyde. dydbe har ovfrtaleen dybde kanskje vi hlleer skal tenke i gaefrr men. dsnojieenmr er ekegnsap ved vehrgeilkeitn hovr fsyisk er 'sdminejon'. hva er dijneosmn knnue vi modeerllt vdreen aeerldnens hvodran fuenregr. dnimesjon. �kenst om � riese til npdoelorn mars hlemimen over �sen ol. er det. samme som ola ser p� sola. tkeinnlegirtn er vnikrnig av akvitpsasiv. atikv vil ha passiv akitv er vi'l ha' silk som ola se'r p�' sloa.. sujebtket tar vreb. sola blir stet p� mras bilr rsiet til. bteshevist. mars bilr breeist sloa bsetet ola bsivest.. ping tour. en verdensturne ping. conducted. audience participation poems in argentina mexico france and around the. globe.. her work can be found on her floor in her drawers. poeticsnoetics. detox. arrangere et vulkanutbrudd i trondheim sentrum .mai i samarbeid. med butox og naturmaktene.no st�ttet av noemata. gratis lava til alle.. s�rge for at japan g�r under. flytte fjell etc. i rekken av. kisjoteprosjekter. gj�re v�rt beste. kunst er litt s�nn store ord om. ingenting. s� kan vi ha vulkanutbrudd i trondheim i samarbeid med. adresseavisa og under dusken. vulkanutbruddet er sponset av.. s� f�r vi. garantert reaksjoner det var bare helt uvirkelig. jaha uvirkelig. det. var egentlig det vi ville ha noe virkelig uvirkelig. jeg tror dette er i. e. kunst (etter kunst). mulig vulkanutbruddet kan v�re med p�. vandreutstilling ogs�. katastrofe p� box helt regul�rt.. in net.art deposited. om det er utpressing eller sorterer under innkj�p. i spamscam retorikk og. stil. om jeg gir deg en garanti p� at disse verkene ikke eksisterer.. just like my manuscripts deposited in a safe bank account at. value each. they do not exist. so i want to show them to you. exhibit them and buy them. also a guarantee enclosed with the works. assuring their nonexistence. request til samtidsmuseet. dette er. ikkeeksisterende verker med en dermed urealiserbar verdi den kan ikke. fastsettes den endelige verdien av kunstverkene er uoppn�elig.. modulo. modulo. klokka g�r. n�r klokka g�r rundt og rundt hvorfor snakker vi om utvikling klokka. utviklet seg fra . hvor syklisk er kaos han regnet sine �r i. modulo. et ambisi�st kunstprosjekt g�r ut p� � oversette line�rtid til. looptid. en regress inn i det mytiske. det st�tter seg p� borges'. hallusinasjoner og nietzsches evige tredem�lle trellem�de. hvis tiden er. et objekt som andre ting hvis den oppsto og finnes og har. karakteristikker s� kan den vel oversettes bekjempelse av tiden den. betingelsesl�se underkastelse. modulo pr�ver � styrte tid jamme tid ved. � gj�re den sirkul�r og overfl�dig. alt er det samme menneskelig lidelse. kickoff klokka med reprise ting skal kvernes gjennom vi liker �. bli knust rettferdiggj�relse av alt tiden lager alle s�r. vi forestiller. oss line�rt uendelige som en spr�klig egenskap en instruksjon (vs. 'unstruction') vi gir oss selv. er den en malplassert sirkul�r. uendelighet ting g�r stort sett rundt nye ting kvernes inn. modulo. konstrueres som en mekanisme som kverner tid slik tid kverner ting.. tidspatafysikk etterat tidsmetafysikken gikk i st�.. ref. pulskt la staux.. simile. simile v.. en omformer av uttrykk oulibot. den tar en tekst og omforer til dr�mmende. similer. ... kl�e er som et symptom p� en lidelse der medf�rer irritation. som af huden. ... der findes en lang r�kke hudlidelser hvor kl�e er som. det mest fremtr�dende symptom. ... kanskje kan den bare slenge inn noen. som p� tilfeldige steder. ... det var som nettopp under som en. klatreekspedisjon i det hele som begynte for hans del som i en hule. i meters som h�yde fant tokuhashi nemlig menneskeaktige som. fotspor lagd av som et ganske stort dyr som.. serieroman. kunne tenkt meg en serieroman i emailformat som sl�r ut p�. virusprogrammer.. mailene er ren tekst men trigger likevel virusalarmen for dilettantiske. memer. romanen foreg�r i norge etter at vg melder at et nytt memevirus. dreper forfattere av serieromaner samt vansirer vakre odelsjenter og. sign�yerpiken tar meg seg gr�tende barn og flytter inn hos elg i. solnedgang.. dramatikk spenning og erotikk er hovedingrediensene i frid ingulstads nye. underholdningsserie ingebj�rg olavsdatter men m�let er � gi leserne god. litteratur og kunnskaper om norsk middelalderhistorie med p� kj�pet.. i morgen kommer f�rste bok om ingebj�rg olavsdatter den vakre odelsjenta. som vokser opp p� en utarmet storg�rd i �rene etter at svartedauden har. lagt norge �de.. nil. ganskje sikkert. venter kurshopp i telenor. ja det gj�r du nok etter en s�nn nyhet. ide en nyhetstjeneste som skaper noe som har skjedd. eller som skjer noe som er skapt. referansen er skapelsen og skapelse referanse. en skapelsesberetning blir beretningsskapelse. i begynnelsen var ordet i. bli kurshopp dermed ble det kurshopp. venter lys dermed ble det lys. kurs p� sikring. skriket. skriket. lokale skrikekonkurranser samt nm i skrik aldersgrupper kj�nn solo og. lagkor.. db m�ling utf�relse. playbackrepriser over h�ytaleranlegg. hvordan vil. skriket v�re i et kunstgalleri. va du p� skriket ihelga om � va d�r� sleit av heile st�mmbainnskapet. dette e et opptak.. samt en karaokebadstue pep talk for hemnessberget. ideen om skriket er � foretrekke.. skriket regi ph h i informasjonsalderen. last opp lyd fra. mikrofoninngangen fra br�ling til maskin. vaskemaskinopptaket. happenings. for mishandling av maskiner. komisk � skrike til operativsystemet opera. tivsys for stemmer og maskin. det irrasjonelle hvordan forklares det. og for seg selv hva er banning uttrykk for er den rettet mot noe jeg. er redd for � skrike for hardt til maskina kanskje noe blir �delagt. det irrasjonelle m� ha en slags tro p� seg selv opprettholde seg selv. slik fornuften opprettholder sitt domene gjennom fornuft. men hva blir det. som ikke opprettholder seg selv ikke tror p� seg selv uten m�lratio. last. oppnedbelastning. alt er laster i informasjonsalderen stor synd eller last er dyd.. lasten er informasjon troen er dydig promisku�s kommunikasjon. hvis gud. var tilgjengelig ville han v�rt lastefull troen og dyden krever at han. er utilgjengelig troen er troen p� at han er utilgjengelig. enhver. oppnedbelastning m� bekjempes av de troende. men er ikke troen dermed. en last ved de troende var troen virkelig dydig ville den ikke ha. belastet (seg selv med) gud. troen og dyden er paradoksale noe som ikke. er nytt eller forkastelig men utilgjengelig i betydning 'kan ikke. lastes' slik som galskapen. informasjonsalderen kan f�re til at. religionen igjen gjenkjenner og omfavner galskapen. (det samme gjelder. kanskje for kunsten hva er tro og dyd her helhet og skj�nnhet verk og. estetikk autonomi og mening). Mar. ord som nummer i tallssystemet som asciitegn som nummer i. tallsystemet ordet 'ord' er tre siffer i rekkef�lge. eller hexadesimalt f. et ipnummer kan tolkes som asciitegn. ... blir. padle. britiske lewis gordon pug klarte det ingen har gjort f�r ham han sv�mte. rundt nordkappplat�et. friskusen var noks� nedkj�lt etter en time og fire. minutter i vannet. omtrent halvveis i sv�mmeturen var det antydning til. dramatikk. pug fikk krampe i foten.. det gjorde forferdelig vondt sier han til finnmark dagblad. briten. hadde n�r dr�mmeforhold da han onsdag ettermiddag la ut p� den fem. kilometer lange sv�mmeetappen fra r�ykholet til hornvika. vanntemperaturen. varierte mellom ni og ti grader men p� havet var det blikkstille.. lewis gordon pug har de siste dagene blitt fulgt av filmteam fra b�de sky. news og reuters. p� forh�nd regnet hardhausen med at sv�mmeturen ville ta. halvannen time men han greide det alts� p� bare litt over en time. etter. fullf�rt sv�mmetur varmet lewis gordon pug seg litt f�r han med det. britiske flagget p� ryggen klatret opp fra hornvika til nordkappplat�et.. (ntb ..). virkeligheten tjener spr�ket. bilde av en padler utenfor nordkapp jeg. padlet rundt nordkapp. dette � inkludere seg selv i bildet vs �yet det er jo sv�rt kunstig som. om jeg m� starte hver setning med at jeg skriver at jeg skriver at.. hvordan er det forskjellig eller fortsettelse av f.eks. muntlig. fortellertradisjon � va ute i hardt v�r han va rusket ja tel slutt tok. havet sjarken og alle gikk med under. selvreferansen er vel egentlig helt. tilgrunnliggende. det merkelige er kanskje heller at vi forestiller oss et. nakent �ye et aksiomatisk genererende aktivt punkt. den blinde flekken. er samtidig deg selv i bildet og det som muliggj�r synet. alle som. representerer seg selv i bilder er bilder p� blinde flekker. jeg padlet. over nordkapp som er tekststrengen og nervetr�dene fra �yets blinde. flekk. kan vi tenke p� et (astronomisk) svart hull som en blind flekk hvor. bildet oppl�ses transporteres blir til informasjon tekst.. virkeligheten tjener spr�ket slik som bildet tjener teksten. og teksten. virkeligheten tjener spr�ket slik som bildet tjener teksten. og teksten

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skaper bildet fortelleren forestillingene. logosantilogos. manusfilmfilmmanus.. noematic. kanskje det er slik at noemata har som sitt felt disse umulige og. malpasserte verk og uverk like mye eller mer enn verk i noen tradisjonell. forstand og gj�r det til sitt uttrykk som en endelig eller uendelig. oppl�sning av kunsten med objektets d�d (euridike) og subjektets. desintegrering (orfeus) i korridorene grenselandet eller �rkenen. (nettkunsten). fin setning iallefall. det h�res seri�st ut men har mer. preg av tragikomedie mer quixotisk enn romantisk. det umulige er en r�d. tr�d kan det virke som en r�d klut forestillingenes umulighet eller. det virkeliges uvirkelighet.. every ecstasy ultimately prefers to take the path of renunciation rather. than sin against its own concept by realizing it. adorno. there is an idea horizon just as there is an event horizon the horizon of. their deathdealing accomplishment their absolute realization. thought. for its part leaks out into the void. baudrillard. don quixote som en taktil kulturjammingsteknikk bevisst dumskap.. noemata message in a bottle server at the barents sea n. hva slags mail vil du sende ut i havet umulige kj�rlighetsbrev. thy false promise and my sure misfortune carry me to a place whence the. news of my death will reach thy ears before the words of my complaint.. what thy beauty raised up thy deeds have laid low by it i believed thee. be an angel by them i know thou art a woman.. hva du gj�r der er det et sp�rsm�l eller svar. quo oxid net. ph ray. man rays fotografi uten kamera kan vi ha elektronisk kunst uten. datamaskiner p..h.. the uselessness effect shows us objects from what one might call their. human side. it sets them free. it was precisely because these things were. useless that we found them moving and lyrical. the humor of the useless. machine is man ray's discovery. richter. grammatikk. vestens problem grammatikalsk at alle tilstander situasjoner. fenomener forst�s i kategoriene v�renvorden substantivverb jeg. kjenner det som en kortslutning og kompromitering jeg ikke �nsker � v�re. eller gj�re noe fundamentalt sett problemet er at dette dermed forst�s. negativt. kan det fundamenteres i en grammatisk metaklasse eller noe. art swashbuckler. mail.art. idyll dl ld n. also yl in l form (earlier) idyllium pl. ia.. l. l idyllium f. gk eidullion dim. of eidos form picture. interessant. at idyll er i slekt med bildet som selvinneholdt selvtilfreds. piktoresk. ide ideal umiddelbare forestillinger reklame (ikke medierte de. ligger klare som forestillinger).. et heroiskromantisk swashbuckler noemata prosjekt. art swashbuckler bff txique swazzle. professor punch oscar ian dandruff. cue. cue. en serie verk som ikke er det de beskrives eller annonseres � v�re men. ubeleilige utidsmessige urelaterte ikkerepresentative.. q. q.. continuum paradox. the achilles paradox cuts to the root of the problem of the continuum.. aristotle's solution to it involved treating the segments of achilles'. motion as only potential and not actual since he never actualizes them by. stopping.... aristotle argued that an infinity of subdivisions of a. distance that is finite does not preclude the possibility of traversing. that distance since the subdivisions do not have actual existence unless. something is done to them in this case stopping at them.. en serie (e)kunstverker som ikke (kan) reflekteres eller reproduseres som. ikke blir foreviget i noe eller noens hukommelse. kriminelle handlinger. som en slags prototype og kunstverket i mer tradisjonell forstand og det. religi�se som en annen immanitet.. globalisering. globalisering utopia som metastase globoid global hodepine. globalisering verden som hodepine.. ti dsskr ift. shoppingsentra og arkader som brukskunst fjerner seg fra erindring og. fordypelse (fenomenenes aura w benjamin) for heller � adspre. (distribusjon oppl�sning siste stadium terminal alle ting ender i. adspredelsen). n�r det ikke lenger er mulig � tenke dynamisk og. fremtidsrettet kan l�sningen v�re speiling tvetydighet dobbelheten. (mellom apokalypse og utopi).. kan en rute gangvei v�re et kunstverk hvor kontrollert et kunstverk som. lager en sti (som blir til ved bruk den finnes f�rst etterp� publikum. m� lage det).. kastorb�nner. vaksinering jenners arbeid ble sabotert av leger (som mistet inntekt fra. � behandle kopper).. hva er den naturlige utvelgelsen idag. Mar. assimilation the easier to pronounce a sentence the more widespread. the change becomes.. en (mobil)kontakttjeneste som opplyser identitetnr til noen jeg peker. p� mobiltelefon radiosensor som brukeren kan ha i �penlukket modus i. �pen modus kringkastes identiteten noen meter i omkrets og kan senses av. andres mobiler. eller sentralisert id nr sendes meg i sms el. fra. operat�ren abo p� tjeneste som opplyser alle nr i din omkrets p�. meter. s� f�r vi en morsom stalkingvirksomhet. ref. netcom tilbyr idag. en buddytjeneste hvor du oppretter en avtale med noen andre om. gjensidig monitorering av hvor vedkommende befinner seg. netcom kunne. f.eks. tilbudt �penlukket modus p� mobiler og en smstjeneste som. opplyser om alle �pne mobiler i m omkrets. s� ville jeg visst hvem hun. var.. port rett. en portrettserie med motivetpersonen ekstremt langt unna s�vidt distinkt. menneskeform bare med forst�rrelsesglass kan noen gjenkjennes og. vedkommende m� argumentere hardt for at det er han for de som tviler. et. kongeportrett dronning sonja p� fjellet knapt utskillbar. poenget er. egentlig � kalle det et portrett etym. framtegne.. 'forskning og utvikling' i vitenskap 'kunst og kultur' i ..humaniora. fou kok kunst tilsvarende forskningsdelen kultur tilsvarende. utviklingsdelen. valgerd auksjoneres bort p� qxl mitt brukte eksemplar av v.. sivilforsvarets luftsireneanlegg for 'norge er i krig' irakkonflikten.. nordheim kunne bruke det han er jo allerede nede i kloakken jord luft. vann og som nasjonalkomponist med kongen kommer salutter kunne han lagd. flyene kommer sirener s�k dekning.. human from. the chair has human form a chairman the sofa tv floor shoes. surrounding feet. culture in general as explicit human forms like all. expressions are shoes for walkingwriting along this line footprints. alphabeta bipedal upright walking made writing episodic punctuation. objects one letter at a time discreet nevrons one foot on the ground. feetpronks none. tool expression operator. gurobot. ekstreme maskiner. augmented reality project part gururoboten boxboxiganga.dk. trace crank probe zoo logistics. sporbarhet siden det er s� vanskelig � unng� � legge spor etter seg. elektronisk kunne et prosjekt g�tt ut p� det et ikkesporbart prosjekt. men som m� fundamenteres f�r det forsvinner.. entries found for crank.. probe. any effort such as a request transaction or program which is used to. gather information about a computer or the network state. for example. sending an empty message to see whether a destination actually exists.. n. 'pr�ve'. zoo. a threat that exists only in virus and antivirus labs not in the wild.. most zoo threats never get released into the wild and as a result rarely. threaten users.. logistics. the aspect of military operations that deals with the procurement. distribution maintenance and replacement of materiel and personnel.. the management of the details of an operation.. nyttig. flest mulig f� bes�k av kjendiser kirke og ny teknologi. godt nytt nyttig. troll for trolldom. finn ditt skjellsord tv konsept. tukttimen. sms lotto. spam p� norsk nilfile. kulturvern og identitet i en verden i forandring. hvis det er riktig at seierherrene skriver historien gj�r det historien. problematisk.. .. et kunstprosjekt som kritiserer kunst fra en ukurant posisjon. ukurantor tradisjoner i sekvens incest et modernistisk verk som. insisterer p� � bli tolket premodernistisk et verk der kritikken danner. rammen persepsjonen av verket mates tilbake men fra feil ende. om det er. slik at verket ikke kan eksistere uten en ytterside s� kan vi la ytterside. bli innside. boring. lyden av h�y boring og lyder av � rive ned et bygg projiseres inn i et. gallerirom. opptaket kan ogs� avspilles i et byrom og man ser seg rundt. etter hvor dette skjer og opplever det som risiko truende at lyden ikke. kan lokaliseres.. flop. floppy gallery. sport. foretrekker sport p� tv fremfor serier. hvorfor er ikke kultur som sport. en oppsetning konsert etc. lignende et sportsarrangement. sport er spill. i spill ute av spill kultur kunne ogs� v�rt inneuteepisodisk poenger.. m�lbarhet er stikkord for sport. inneute av spill.. kg. noemata tar i besittelse den internasjonale kilogramprototypen som. oppbevares i paris. har norge en n�yaktig kopi av denne kan noemata.net. som land ogs� f� en kopi. kjeller. farger crank. fargers kart problemet.. oversatt det er aldri n�dvendig med mer enn ulike farger inntil. annen farge.. oversatt eller flere farger kan alltids elimineres til .. et bevis p� at det holder med farger kan inneholde at det dreier seg om. en todimensjonal flate som begrenser strukturen.. geometrisk bevis farger holder for et punkt (alternerende verdier. inni hverandre) verdier holder for en linje holder for en flate. holder for et rom (se figur). fnaat lm. fnaat lm. hva et ideal er i forhold til virkeligheten. behovet eller. hangen til idealitet. i den ene retningen er virkeligheten alltid. skuffende om man ikke kan r�re ingrediensene sammen p� midten. lm. var et. ideal s� lenge ikke visste straks vet s� blir det verdil�st. man. kan lage noen prosesser hvor en l�sning eller modell presenteres og godtas. for deretter � trekkes tilbake s� sitter mottakeren tilbake med en. verdil�s modell som er baksiden p� idealitet eller representasjon. generelt. metroll. kan fellesskapet bare reagere p� m�te overfor fx det ligger i. 'fellesskap' offentligheten er begrenset til offentlighet. i samtid.. tilbakeskuende eller fremover er det mer utvidet toleranse.. metroll mindre tettere fordekt net.act. akser kategorier. akser. xakse ferdig f�r det har begynt uferdig etter avsluttet. yakse etterarbeid konseptuelt forarbeid motiv. zakse immanent ekstatisk (om hva termen inneholder ikke hva. termens innhold inneholder). hva er et objekt katalogen ontologisk hengemyr.. en katalog er en mengde av ting objekter steder mens et nettverk er et. system av relajsoner. sammen danner de en graf med noder og kanter.. kategorier apriori concept logiske funksjoner. (konsept som et skjema av kategorier). kvalitet. prinsipp anticipations of experience. intense magnitude.. virkelighet (bekreftende) skjema v�ren i tid. negasjon (negasjon). begrensning (uendelig). forholdrelasjon. prinsipp korresponderer med tidsm�linger permanens suksesjon. koeksistens.. analogies of experience. experience not possible except through the. representation of necessary connetions of perception.. substans the permanence of the real in time. skjema forestilling. representing s. as a permanent substrastum of change in time.. kausalitet the real which when posited is always followed by something. else. consists therefore in the succession of the manifold.. community coexistence of the determinations (accidents) of the one with. those of the other.. vedvarenhet og underhold (kategorisk) substans og tilfelle. kausalitet og avhengighet (hypotetisk) �rsak og virkning. samsvarighetsamvirkende (adskillende). modalitet. prinsipp the postulates of empirical thought in general.. mulighetumulighet that which agrees with the former conditions of. experience (intuition concept) is possible.. eksistens v�ren ved en viss tid that which is connected with the. material condition of experience (sensation) is real.. n�dvendighet the being of an object in all time. that the connection of. which with the real is determined according to general condition of. experience is (exist as) necessary.. mulighet og umulighet (problematisk). eksistens og ikke eksistens (erkl�rende). n�dvendig og tilfeldig (ubetinget). kvantitet. prinsipp axioms of intuition. all intuitions are extensive magnitudes.. enhet (universell). flerhet (spesiell). totalitet (egen). transcendental estetikk og logikk. tid (alle forestillingers form) formal betingelse for alle. forestillinger . eksterne og interne.. rom (eksterne fores. form). transcendental object the completely undetermined idea of something in. general.. noemenon ding an sich. negativ form noe som ikke er objekt for en. sanselig intuisjon. positiv form som bygger p� formodningen on en. intellektuell intuisjon.. fenomennoumena. n�dvendig skille for ikke � havne i fenomenalisme.. eksperimenter med erkjennelse. dhc. dhc opplevelse apatisenter episenter real unreal experience som et. eventyr shock agency catalyst heling change.. manusfilm filmmanus. manusfilmen inneb�rer en tredeling mellom tekst forestilling og. virkelighet.. mens filmmanuset pr�ver � skape en tydleig referanse til det virkelige. bygger manusfilmen en forestillingsverden hvor bruddet eller forbindelsen. til virkeligheten problematiseres eller gj�res om til selve temaet. p� den. m�ten kan manusfilmen kalles metafilmmanus.. filmmanuset er en tekst innenfor rammene til en film. kan vi omvende dette. forholdet manusfilmen som en film innenfor rammene til en tekst. filmmanuset er et spr�k basert p� virkeligheten mens manusfilmen er en. virkelighet basert p� spr�ket.. adynaton som navnet p� manusfilmantologien til akton plutus betegner. denne mulige kraftl�sheten i forholdet til virkeligheten forestillinger. som ikke n�dvendigvis bekreftes av virkeligheten men som heller ikke. avkreftes av spr�ket.. volapuk. b nil notat. kval oppf�lging. vi har egen labrotte. labrador. pederaste gotere lager kvalm. lisens p� dybdestruktur. rat lab. virre. kameratchen. mod.numet mest profiler p� dager med lite annet. lens. zoomsleaze. cellefoto. vi skal ha ei bru. erfaringer. gjenoppreise trotsky. internettgalleri. barn av trotsky .. passbildeautomat rekonstruksjon oppdragsbasert bikkja i bakken. sjakkbrett i taket brikker p� gulvet.. blind. barn av trotsy fotoautomaton.. fly in the infotainment. ointment.. semiologisk godtepose pop bildetekstteorier.. vinke til mannen digitale noemata se fig.. gr�dighet kreativitet. penger kultur. k�dde intensjon. business. poengtert dekonstruksjon av kjent bildematerial installasjonene har som. m�l �. underliggj�re. bildestoff som har stivnet tilf�yelig illustrasjoner til. historieskrivingen. gir refleksjon. den lena huden. frihetens fantom. lawful truth. once upon a honey moon. orlof. destry rides again. boby cast to hades. realitetsteater. idag som streamer jailcambilder kvinnecellene ogs� selvf�lgelig.. her n�rmer man seg en ny teatersjanger basert p� virkelig panoptikon. (bentham) silentmovie komedie (chaplin de g�r jo rundt i stripete. drakter) og absurdbanalteksistensielt antiteater (ingenting skjer. eller gir mening).. her m� norske teaterinstitusjoner l�re evt. ogs� fengslene. norske. skuespillere f�r obligatorisk pr�vespilling i cellene. fanger gj�r. audition til omsorg i frihet en musicalconcrete koreografert av. terapeuter. hva er forskjellen p� en instrukt�r og en terapeut en. tyrannisk instrukt�r og en passiv terapeut fangevokteren er en. terapeut som helbreder med passiv oppmerksomhet jfr. helbredelse ved. b�nn og placebo.. ��. more het tidligere fram media men ble v�ren kj�pt opp av britiske. more group. driver med utend�rsreklame og har kontorer ved ullev�l. stadion. var frem til salget en familiebedrift eid av de kontroversielle. br�drene dag torstein og �ystein tvenge.. �� etc. tt er interessert i kunst . har vi noe boardsopplegg vi. kunne pr�vd oss p� i forhold til more group ville de v�rt med p� en type. kunst som var samfunn og sosial ute i byrommet slik som reklamen. (innsalg). vi kan profilere oss som kunstreklameadbusters eller noe i. denne sammenhengen og etterhvert teste om de er interessert i andre ting i. tillegg byrommet for eksempel tt var interessert i arkitektur forsto. jeg... noe s�nt.. �� adbusters samarbeid. stunt. spamme dikt opplag .. palindrombok p� oppdrag til skoleklasse. med forlag utgivelse.. noh og nauseous. st�y og shite danser i kollossale kostymer. transcendens.. noh hero krigerstykket. shite g�r ut av kh the hero blind g�r ut. i trafikken byrommet er valplassen tulle med trafikken over parken til. gardistene (kan passe bra de blir roller i nohdramaet).. noh. krigerscenen ute i trafikken. alarmer butikkalarmer utl�se alle alarmer i et kj�pesenter samtidig. bilalarmer hvordan utl�se skrekkelig irriterende.. andre alarmer i byrommet kan gi f�lelse av at noe skjer.. tukle med signalsystemet i byrommet. enkelt trafikklys lage noe gags.. en par dusterbusters p� hver side av overgangsfelt begynner � g� n�r. r�dt. de m�tes noe tull en faller lage noe styr og n�r de er over s�. er det gr�nn mann igjen. forestilling tar bare et halvt minutt. gjenta p�. annet gatelys. forestilling for bilister og fotgjengere.. kulturfeltet som et gravitasjonsfelt. media har stor gravitasjon.. naked butoh woman theater. origami masker noh. en sensor inni kan generere bevegelse. ansiktsuttrykk man relaterer veldig lett til minimal mimikk d�dsmasker. reagerer p� lydene i rommet publikum kommuniserer.. kabuki faces se speiling. ide lage v � speile. struktur.. faces feces ansikt i ekskrementer.. kunstkapital. kunst marked. hva vil det si at noe er kunst hva betyr det at noe er vare at. den et produkt en enhet til salgs kan kj�pes. kunst at den er. tilgjengelig som det den er kj�psalg tilsvarer intellektuelt. kj�psalg forhandling av verdi diskursen. hva er motiv og effekt av �. se kunst og kapitalisme parallellt varen fastsettes som pris pengeverdi. kunst fastsettes som uttrykksverdi fastsettes varen som objekt og. kunsten som subjekt � si at noe er vare tilsvarer � definere som objekt. og ytre manipulerbart. kunst � definere noe som subjekt og indre. alt er. tall vs. alt er uttrykk. fl�skinn. fluxus scripts akt on fluxus. vsd fl�skinn goed renvasive slmc. man with tape. hvorfor er jeg ikke her n�. gr. g� p� to. i etterkant. i etterkant n�r det gjelder dette med newagenansen et poeng er kanskje. forskjellen tro vs betydningbruk. her er en lite anerkjent holdning. hvorfor ikke tro p� alt sammen men uten � la det f� den (oppbl�ste). betydning det vanligvis f�r. det ser ut fra dette nemlig ut som. newagesverming henter n�ring fra selve troen p� tingene og ikke fra den. betydning de skulle ha eller den bruk de skulle ha av det kort sagt. n�ring ved tabuden hemmelige meningdet skjulte. om denne n�ringsveien. ble avskj�rt ville det kanskje bli klarere at disse tingene ikke har den. kolossale betydning det ser ut til at de har.. dette bygger antagligvis p� at vi ser bare ett skritt foran oss om gangen.. og siden disse tingene ikke er anerkjente s� vil man ha som sitt m�l � f�. dem anerkjent mer enn noe annet m�l som f�rste skritt og ved � holde. tingene i denne tilstand forsikres man om at svermere blir svermende rundt. et slikt begrenset perifert m�l heller enn � la dem oppdage tingenes. (mindre) betyding noe som ville ha v�rt det neste naturlige skrittet (man. forhindres i � ta).. ut fra dette skulle det da tilsi at om man rett og slett anerkjente. newageting ville man v�re befridd fra svermingen rundt dem og se dem i. lys av mer reelle forhold og dermed hvor liten betydning de faktisk har og. hvor bortkastet det helst er.. og dermed ser man alts� at den betydningen newagetingene har for. svermingen er avhengig av at man ikke anerkjenner tingene (det er faktisk. mulig at om man si fra offisielt hold anerkjente slike ting som. faktiske mulige eller sannsynlige ting ville f� svermerne p� nakken. (siden det truer 'opposisjonell' livsf�rsel (at man lager seg en. illusorisk fiende for � definere seg selv)) de d�r i lyset s� og si og. at det ville fremme 'sunnhet i tingene'.). slik basert kan man lage seg ett nytt credo. a. anerkjenner etthvert credo.. b. anerkjenner inntil det absurde.. c. anerkjenner inn i det absurde.. d. anerkjenner det absurde.. hva skjer ut fra dette om jeg sier jeg tror p� telepati synskhet. reinkarnasjon evig liv ufoer magi underjordiske engler djevler. sjelen bevisstheten �nden kosmos gud himmelen helvete frelse. frelseren den opplyste mesteren den innvidde okkultisme okkult. trening levitasjon psykokinese �nd over materie guddommeliggj�ring. kosmiskmikrokosmisk evolusjon.... Code and its Double (cont'd). Code and its Double (cont'd). codework in relation to brain asymmetry and neuropsychology. The results of studies of nonhuman species show that lateral. asymmetry is a property not unique to humans. The demonstration of. asymmetry in nonhuman brains implies that asymmetry in the human. brain is directly related neither to handedness nor to language but. rather to analysis of sensory information and control of movement.. Comment Asymmetry is at the code level processing information in. double modi.. Brain asymmetry summary From these basic ideas about distinct. functions of the two hemispheres has arisen the idea that the. hemispheres represent two distinct modes of cognitive processing (see. Springer and Deutch).The left hemisphere operates in a more. logicalanalyticalcomputerlike fashionanalyzing stimuli input. sequentially and abstracting the relevant details to which it attaches. verbal labels.The right hemisphere is primarily a synthesizermore. concerned with the overall stimulus configurationand organizes and. processes information as gestaltsor wholes.. Comment Brain asymmetry correlations to codework jot version. Left hemisphere time analysis language symbol code text. instruction execution...... Right hemisphere space synthesis matter data ambience. context surface code diffusion...... Laterality leads to the notion that two different minds control our. behavior.. Comment Which doesn't mean they can be separated. Code's double are. the twofold of information processing time and spacebased which. correlates to code as languageformatives and code as matterform. or again as instruction and data in the interpreting machine.. The left hemisphere plays a special role in producing and. understanding language.. whereas the right hemisphere specializes in. perceiving and synthesizing nonverbal information... Comment Code and its double as text and context or as other. traditional dichotomies activepassive lightshadow orderchaos. the onethe other intelligencemonster etc. which is also reflected. in the traditional meaning of sinister as left ie. righthemisphere.. Stimulation can produce what Penfield called interpretive and. experiential responses.These uncommon but often highly reliable. phenomena include alterations in the interpretation of the patients. surroundingssuch as deja vufearand dreaming states and the. reproduction of visual or auditory aspects of specific earlier. experiences.That patients report specific memories in response to. specific stimulation. These phenomena usually arise from tissue. showing epileptogenic dischargebut there is an asymmetry in their. occurrencestimulation of the right temporal lobe produces these. phenomena more frequently than does stimulation of the left temporal. lobewhich suggests that the right hemisphere has perceptual functions. not shared by the left.. The Kimura experiments imply that the left hemisphere is specialized. for processing languagerelated soundswhereas the right hemisphere. processes musicrelated sounds.There ishoweveranother. interpretation.It is possible that the asymmetry is related to the. temporal or spectral structure of the sounds their rhythm and. frequency rather than to language and music themselves.Considerfor. examplethe finding by Papcun and colleagues. They showed that. Morsecode operators have a rightear superiority for the perception. of the codeeven though the sounds are distinguished only by their. temporal structure.. Comment The temporal is on the code source side of running code. executables performatives which refracts into space code matter. spectrum specters. There's no fundamental difference like instruction. is also data but of interpretation processing speed frequencies. and like the continuum of spacetime.. Rudel and coworkers found that both blind and sighted subjects read. Braille more rapidly with the left hand.Some children are actually. fluent readers with the left hand but are totally unable to read with. the right.Because Braille patterns are spatial configurations of dots. this observation is congruent with the proposal that the right. hemisphere has a role in processing spatial information that is not. shared by the left.. Comment Code and its double ar both active both coded though the. former often is interpreted as instruction and the latter as data. or light and shadow.. Table. Summary of data on cerebral lateralization. Function Left hemisphere Right hemisphere. Visual system Letters words Complex geometric patterns. Faces. Auditory system Languagerelated Nonlanguage environmental sound. sound Music. Somatosensory Tactile recognition of complex. system patterns Braille. Movement Complex voluntary Movements in spatial patterns. movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody. Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of direction. Mental rotation of shapes. Several authors (for exampleEfron)have suggested that it is not. motor control itself that is located in the left hemisphere but rather. the capacity for the fine resolution of stimuli in time.. Comment Which is again to state code's inseparability in spacetime. as speed and matter running code and output.. Zatorre proposed that the auditory cortices in the two. hemispheres are therefore specialized such that temporal resolution is. better in the left and spectral resolution is better in the right. auditory areas.. Comment Or again like the theater and its double as time and spectrum.. Rather than specifying different processing of specified. psychological processesother specialization models focus on the. idea that the two hemispheres might process information in distinctly. different ways.. Comment Which is basically code and its double.. The first clear proposal of different information processing was. made by Josephine Semmes in .On the basis of the results of her. previous studies of World War II veterans suffering from penetrating. brain injuriesSemmes concluded that the left hemisphere functions as. a collection of focalized regionswhereas the right hemisphere. functions more diffusely.. Comment No comment.. A large lesion of the right hemisphere produces many more. deficits than would be predicted from the total of smaller lesions. because an entire functional field is removed.A large lesion of the. left hemisphere produces many deficits simply because many small focal. regions have been destroyed that isin the left hemisphere the total. is equal to the sum of the parts. Semmes proposed that this. differential organization of the two hemispheres is advantageous for. efficient control of their respective functions.The diffuse. organization of the right hemisphere is seen as advantageous for. spatial abilitiesbecause spatial analysis requires that different. sensations (visualauditory tactile)be integrated into a single. percept.Language functionsin contrastremain discrete individual. units in the left hemisphere.. Comment Code and its double creates and maintains different domains. different magnitudes and spectrums of frequencies.. People use the word sinister as a synonym for wicked or. evil.Originally a Latin word meaning lefthand sideour contemporary. English meaning implies that lefthandedness has been historically. viewed at best as strange or unusual.. Comment Which is to say that code's double has its own intelligence. far from being dead output from executions.. At least six significant behavioral differences are sex. relatedverbal ability visuospatial analysismathematical. abilityperceptionmotor skillsand aggression.Although the precise. causes of cognitive sexrelated differences are unknownbiology likely. plays a part.Consider the following dataRichard Harshman and his. associatesin a very ambitious study of the interaction of sex and. handedness in cognitive abilitiesfound a significant interaction. between sex and handednessthat issexrelated differences in verbal. and visuospatial behavior vary as a function of handedness.(Recall. that Witelson found that callosal size also varies by sex and. handedness.)It is difficult to imagine how biological or environmental. factors alone could account for this result.It is thus very plausible. account for sexrelated differences partly by neurological. factors that may be modulated by the environment.. Comment Introducing gender issues in codework.. In an analysis of reading skillsDennis and her coworkers found that. both hemispheres had almost equal ability in higherorder reading. comprehension howeverthe left hemisphere is superior to the right in. reading and spelling unfamiliar words and in using sentence structure. achieve fluent reading. The left hemisphere also reads prose. passages with greater decoding accuracy more fluencyand fewer errors. that violate the semantic and syntactic struc ture of the. sentence.The superiority of the left hemisphere seems to be its. ability to manipulate and exploit language rules.Yet the right. hemisphere is not without its strengths in language.Performance is. better with the right hemisphere in a task that requires learning an. association between nonsense words and symbols.. Comment Parsing and (re)integration of code code working on code. as instruction or data data as instruction or instruction as data.. In summarizing the results of studies on languageDennis suggests. that if written language structure is thought of as a combination of. meaning cues (morphology)sound cues (phonology)and picture cues. (logography) then the isolated left hemisphere will show superior. performance with morphology and phonology and inferior performance. with logographic cues.The isolated right hemisphere will show superior. performance with logographic cues and inferior performance with. morphological and phonological cues. Kohn and Dennis found an almost. analogous pattern of results on tests of visuospatial function.They. observed thatalthough patients with right hemispherectomies. performed normally on simple tests of visuospatial functions such as. drawingthey were significantly impaired on complex tests such as. negotiating a maze and reading a map.. Comment The time of code and space of its double.. To summarizeeach hemisphere can assume some of its opposite s. functions if the opposite hemisphere is removed in he course of. development but neither hemisphere is totally capable of mediating. all of the missing hemispheres functions.Thusalthough the. developing brain gives evidence of considerable plasticitythere is. convincing evidence against equipotentiality both hemispheres appear. have a processing capacity that probably has an innate structural. basis.. Comment Which is to state code's doubleness the interweaving of. different processing interpreted instruction or data for each other.. All models of cerebral development must answer he question of how. functions become restricted to one hemisphere rather than becoming. bilateral. The interactive paralleldevelopment hypothesis answers. that question. In a series of papersMorris Moscovitch emphasized the. possibility that one hemisphere actively inhibits the otherthus. preventing the contralateral hemisphere from developing similar. functions. This active inhibition presumably develops at about age. as the corpus callosum becomes functional. as inhibitor. Comment In regard to codework the corpus callosum is the mediator. and inhibitor of code from its double and occupies the border between. sense and surface time and space source code and code source speed. and matter and assures their workings by inhibiting selfreference. (code as nothing) and decoding (of the double) producing meaning and. remains.. From Fundamentals of Human Neuropsychology Fifth Edition.. Bryan Kolb and Ian Q. Whishaw Univ. of Lethbridge Alberta .. Cerebral asymmetry. Variations in cerebral asymmetry. CEREBRAL ASYMMETRY. A striking feature of the organization of the human brain is that. the two hemispheres of the human brain are anatomically and. functionally asymmetrical.The asymmetries in structure are visible. not only in an overall view but also at the level of the morphology of. the individual neuronand the asymme tries in function exist not only. in neurological patients but also in the normal brain.Although there. is little disagreement about the facts of asymmetry in the human. brainthere is considerable disagreement about why the two hemi. spheres are asymmetrical and about what the asymmetry means in regard. how we humans process information.. Laterality leads to the notion that two different minds control our. behavior.. The left hemisphere plays a special role in producing and. understanding language.. whereas the right hemisphere specializes in. perceiving and synthesizing nonverbal information... Overallanatomical asymmetries center on the language areasand it. is tempting to speculate that they evolved to subserve. language.Moreoverthese asymmetries are present in preterm. infantswhich seems to support the proposition that language is innate. in humans.. With all the emphasis on finding anatomical asymmetries that can be. asso ciated with languageresearch on righthemisphere function has. lagged.If the left hemisphere has asymmetries related to languagethen. the right hemi sphere must have specialized for some other. function.After allthe two hemi spheres are quite similar in size and. other symmetriesit is not as though language areas evolved on the. left and nothing happened on the right.. Stimulation can produce what Penfield called interpretive and. experiential responses.These uncommon but often highly reliable. experiential responses.These uncommon but often highly reliable

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phenomena include alterations in the interpretation of the patient s. surroundingssuch as deja vufearand dreaming states and the. reproduction of visual or auditory aspects of specific earlier. experiences.That patients report specific memories in response to. specific stimulation. These phenomena usually arise from tissue. showing epileptogenic dischargebut there is an asymmetry in their. occurrencestimulation of the right temporal lobe produces these. phenomena more frequently than does stimulation of the left temporal. lobewhich suggests that the right hemisphere has perceptual functions. not shared by the left.. Disruption of speech is a welldocumented effect of stimulation of. the left hemispherebut only recently has stimulation of the right. hemisphere been shown to disrupt behavior.Ojemann and his colleagues. reported that stimulation of the right hemisphere disrupts judgments. of line orientationlabeling of facial expressionsand shortterm. memory for faces.. Although language is usually located in the left hemispherein a. small percent age of peoplemost of them lefthandedlanguage is. represented in the right hemisphere.. The auditory system is not as completely crossed as the. visualbecause both hemi spheres receive projections from each ear.. Tests Showing a RightEar Advantage Digits Words Nonsense. syllables Formant transitions Backward speech Morse code Difficult. rhythms Tone used in linguistic decisions Tonal sequences with. frequency transitions Ordering temporal information Movementrelated. tonal signals. Tests Showing a LeftEar Advantage Melodies Musical chords. Environmental sounds Emotional sounds and hummed melodies Tones. processed independently Complex pitch perception. The Kimura experiments imply that the left hemisphere is specialized. for processing languagerelated soundswhereas the right hemisphere. processes musicrelated sounds.There ishoweveranother. interpretation.It is possible that the asymmetry is related to the. temporal or spectral structure of the sounds their rhythm and. frequency rather than to language and music themselves.Considerfor. examplethe finding by Papcun and colleagues. They showed that. Morsecode operators have a rightear superiority for the perception. of the codeeven though the sounds are distinguished only by their. temporal structure.. Rudel and coworkers found that both blind and sighted subjects read. Braille more rapidly with the left hand.Some children are actually. fluent readers with the left hand but are totally unable to read with. the right.Because Braille patterns are spatial configurations of dots. this observation is congruent with the proposal that the right. hemisphere has a role in processing spatial information that is not. shared by the left.. Candace Gibson and Phil Bryden presented subjects with cutouts of. irregular shapes or letters made of sandpaperwhich were moved slowly. across the fingertips.Their subjects showed a righthand advan tage. for identifying letters and a lefthand advantage for denti fying. other shapes.. The right side of the mouth opens wider and more quickly than the. left for both verbal and nonverbal tasks.Goodale s observations. support the idea that the left hemisphere has a special role in the. selectionprogramming and production of verbal and nonverbal oral. movements. Is there an analogous role for the right hemisphereIndeed. there is. Considerable evidence shows that the left side of the face. displays emo tions more strongly than the right sideand Goodale. showed that the onset of facial expressions occurs sooner on the left. side of the face.. What Is Lateralized It is tempting to conclude that the functional. asymmetries described thus far indicate a fundamental difference in. the basic cognitive processes of the left and right cerebral. hemispheres. Howeverbefore turning to this matterwe will consider a. summary of the databecause any theoretical statements are best. considered in light of available information. Table below summarizes. the major data on cerebral lateralization and illustrates the range of. functions lateralized principally n the left and right hemispheres.In. righthanded peoplethe left hemisphere has a greater role in language. and in the control of complex voluntary movements than does the. right hemisphereand the right hemisphere has a greater role in the. control of certain visuospatial and nonverbal abilities.. Table. Summary of data on cerebral lateralization. Function Left hemisphere Right hemisphere. Visual system Letters words Complex geometric patterns. Faces. Auditory system Languagerelated Nonlanguage environmental sound. sound Music. Somatosensory Tactile recognition of complex. system patterns Braille. Movement Complex voluntary Movements in spatial patterns. movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody. Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of direction. Mental rotation of shapes. A truly enormous number of proposals have been made on what is. lateral ized in the brain (see Allen for a readable summary).At the. broadest level these theories fall into two groupsspecialization. theories propose unique functions for each hemisphereand interaction. theories propose cooperation between the two hemispheres.. Several authors (for exampleEfron)have suggested that it is not. motor control itself that is located in the left hemisphere but rather. the capacity for the fine resolution of stimuli in time.In other. wordsbecause the analysis and production of speech require fine. discrimination over very short intervalsthe left hemisphere might be. specialized for temporal sequencing (organizing be havior or. information or both over time).Elaborations of this idea have stressed. the capacity of the left hemisphere to make fine discriminations in. timewhether or not the stimuli are verbal (seefor. exampleSergent).Recall the study of Morsecode operators discussed. earlierthere is a lefthemisphere advantage even though the code is. not verbal it is a temporal sequence. Zatorre and his colleagues. expanded the Efron timing idea by emphasizing that speech and musical. sounds exploit different acoustical cuesspeech is highly dependent on. rapidly changing broadband soundswhereas tonal pat terns of music. tend to be sloweralthough small and precise changes in fre quency. are important.Zatorre proposed that the auditory cortices in the two. hemispheres are therefore specialized such that temporal resolution is. better in the left and spectral resolution is better in the right. auditory areas.. Rather than specifying different processing of specified. psychological processesother specialization models focus on the. idea that the two hemispheres might process information in distinctly. different ways.. The first clear proposal of different information processing was. made by Josephine Semmes in .On the basis of the results of her. previous studies of World War II veterans suffering from penetrating. brain injuriesSemmes concluded that the left hemisphere functions as. a collection of focalized regionswhereas the right hemisphere. functions more diffusely. To account for these differencesSemmes. argued that a person with a small lesion in the right hemisphere. exhibits no deficitsbecause specific functions are not localized in. discrete regions in the right hemispherethe functions being diffusely. represented.A large lesion of the right hemisphere produces many more. deficits than would be predicted from the total of smaller lesions. because an entire functional field is removed.A large lesion of the. left hemisphere produces many deficits simply because many small focal. regions have been destroyed that isin the left hemisphere the total. is equal to the sum of the parts. Semmes proposed that this. differential organization of the two hemispheres is advantageous for. efficient control of their respective functions.The diffuse. organization of the right hemisphere is seen as advantageous for. spatial abili tiesbecause spatial analysis requires that different. sensations (visualauditory tactile)be integrated into a single. percept.Language functionsin contrastre main discrete individual. units in the left hemisphere.. From these basic ideas about distinct functions of the two. hemispheres has arisen the idea that the hemispheres represent two. distinct modes of cognitive processing (see Springer and Deutch).The. left hemisphere operates in a more logicalanalyticalcomputerlike. fashionanalyzing stimuli input sequentially and abstracting the. relevant details to which it attaches verbal labels.The right. hemisphere is primarily a synthesizermore concerned with the overall. stimulus configurationand organizes and processes information as. gestaltsor wholes.. Preferred cognitive mode refers to the use of one thought process in. preference to another.At one extremepeople who are. logicalanalyticaland verbal are assumed to rely more on their left. hemi spheres to solve problems n everyday lifewhereas people who are. visualin tuitiveand tend to look at the big picture are assumed to. rely more on their right hemispheres.Consider an examplealbeit a. tongueincheek one. Two professorsAlpha and Betaare both excellent. scholarsbut they work and think in totally different ways. Alpha is. meticulous and leaves no detail to chancewhen learning new ma. terialhe masters every detail and has total command of the. topic.Alpha is ver bal and easily wins debates with his quick. thinking and elegant arguments.His writing is clear and concisewith. flawless grammar and spelling.Alpha is athletic and is a nationally. ranked tennis player.Curiouslyhe is only mediocre at other sportsbut. with prolonged practice he is able to master them.Alpha s office is. neat and tidywith every item carefully placed in its correct. location. On his desk is the project on which he is currently working. and nothing else. Beta appears to be messy and disorganized compared. with Alpha and has poor recall for details.He grasps the heart of an. idea quicklyhoweverand can tie diverse concepts into a meaningful. picture.Communicating his thinking poses Beta a challengehoweverfor. he has difficulty expressing his ideas in words.Like AlphaBeta is. athleticbut Beta acquires the general motor skills of new sports. rapidlyalthough he has never been able to become a top participant in. any event.In contrast with Alphawho works on only one project at a. time Beta works on several projects concurrentlyleading to piles of. papers and books in his work spaceunlike Alpha s meticulous desk. In. both the cognitive and the motor skills of Alpha and Beta is a basic. dif ference that is assumed to correspond to a fundamental difference. either in brain organization or in the dominance of one hemisphere. over the other. Alpha and Beta represent extreme lefthemisphere and. righthemisphere peo plerespectively.The fundamental difference. between them is their preferred cognitive mode.Alpha is. analyticallogicalverbaland meticulouswhereas Beta is a synthesizer. more concerned with organizing concepts and visualizing meaningful. wholes. As intriguing as the Alpha and Beta analysis might bewe. caution that it is pure speculationwithout empirical basis.Factors. other than brain organiza tion probably contribute to preferred. cognitive mode.. In an examination in our undergraduate course in human neu. ropsychologywe askedIn what ways is the human brain symmetrical. Thinking it to be a trick questiona majority of the students. answeredIt isn t symmetricalit s asymmetrical.This answer is. wrongbecause many functions especially of the primary sensory and. motor areas appear to be identical on the two sides of the brain.. VARIATIONS IN CEREBRAL ASYMMETRY. People use the word sinister as a synonym for wicked or. evil.Originally a Latin word meaning lefthand sideour contemporary. English meaning implies that lefthandedness has been historically. viewed at best as strange or unusual.. Summary of handedness in performing various tasks. Left Either Right. Task () () (). Dealing cards . . .. Unscrewing jar . . .. Shoveling . . .. Sweeping . . .. Writing . . .. Striking match . . .. Throwing ball . . .. Hammering . . .. Using toothbrush . . .. Using racket . . .. Using scissors . . .. Although the belief that cognitive functions are more bilaterally. organized in lefthanders than in righthanders is widespread in the. neurological literature little evidence exists for this. generalization.. There is a larger incidence of lefthandedness among mentally. defective children and children with various neurological disorders. than is found in the general population.This finding is not. surprisingbecauseif the dominant hemisphere is injured at an early. agehandedness and dominance can move under the control of what would. normally be the nondominant hemisphere.Because there are so many more. righthanded childrenit can be expected by probability alone that. more right handed children with lefthemisphere damage would switch. righthemisphere dominance than would switch in he reverse. direction.That such switching can take placehowevercannot be used as. grounds for predicting cognitive deficits or differences in cerebral. organization in the general population of lefthanders.. High estrogen levels are associated with relatively depressed. spatial ability as well as enhanced articulatory and motor capability.. Kimura showed that men s spatial scores fluctuate with testosterone. levelsmen with lower testosterone levels get the highest scores.So. there appears to be an optimal level of testosteroneand increasing. the level is actually detrimental to cognitive performance.. Furthermoremen with lower average levels of testosterone do better. on both spatial tests and on mathematical reasoning tests than do. those with higher levels.A reasonable question is whether there is. also a relation be tween testosterone level and spatial ability in. women.There is.Women with higher levels do betteragain suggesting. that some optimal hormone level benefits at least some cognitive. activities.. As already mentionedthe difference in strategies used by men and. women to solve problems may be at least partly responsible for the. observed sex differ ences in behavior.Geneticmaturationaland. environmental factors may pre dispose men and women to prefer. different modes of cognitive analysis. Women solve problems primarily. by using a verbal modefor example. Because this cognitive mode is. less efficient in solving spatial problemswomen exhibit an apparent. deficiton average.By the same logicwomen should do better than men. at primarily verbal taskson average.This proposition has yet to be. thoroughly investigated.. At least six significant behavioral differences are sex. relatedverbal ability visuospatial analysismathematical. abilityperceptionmotor skillsand aggression.Although the precise. causes of cognitive sexrelated differences are unknownbiology likely. plays a part.Consider the following dataRichard Harshman and his. associatesin a very ambitious study of the interaction of sex and. handedness in cognitive abilitiesfound a significant interaction. between sex and handednessthat issexrelated differences in verbal. and visuospatial behavior vary as a function of handedness.(Recall. that Witelson found that callosal size also varies by sex and. handedness.)It is difficult to imagine how biological or environmental. factors alone could account for this result.It is thus very plausible. account for sexrelated differences partly by neurological. factors that may be modulated by the environment.. Most studies of cultural differences center on language.Asian. languages such as Japanese and Chinese might promote more. righthemisphere involvement than European languagesbecause the Asian. languages appear to have more prosody (or song).Those who speak two or. more languages may develop a different pattern of language. organization from that of those who speak only one. The results of. laterality studies lend some support to the idea that Asian and Native. American languages may be represented more bilaterally in the brain. thanfor exampleSpanish.. The Japanese writing system provides an unusual opportunity for. studying cerebral organization becauseunlike IndoEuropean writingit. consists of two types of symbolsphonograms (kana)and ideograms. (kanji).Phonograms are analogous to English letterseach phonogram. represents a spoken sound. In contrastthe ideogram represents a unit. of meaningwhich may corre spond to a word or words.In readingthe. brain may process these two types of characters. differentlyfurthermorethe right hemisphere might process kanji while. the left hemisphere processes kana.There is little support for ei. ther idea.For examplein a large series of patientsSugishita and his. col leagues found no clear relation between deficits in reading. either script and locus of lefthemisphere injury.In factmost of. their cases were impaired equally in both forms of reading.. In an analysis of language abilitiesMaureen Dennis and Harry. Whitaker found thatunlike righthemisphere removalsleft. hemispherectomies produce deficits in understanding spoken language. when the meaning is conveyed by complex syntactic. structureparticularly if the sentence contains an error (for. exampleThe tall guard wasnt shot by the armed robber. ).Likewiseremoving the left hemisphere leads to difficulty in. determining sentence implicationin integrating semantic and syntactic. information to replace missing pronounsand in forming judgments of. word interrelations in sentences.. In an analysis of word comprehensionDennis found that both. hemispheres understand the meaning of words and both can spontaneously. produce lists of names of things.In a search for words by using. different cueshoweverthe left hemisphere has an advantage over he. right.Both hemispheres can name an object from its picture or from its. descriptionbut the left hemisphere can identify the object on the. basis of rhymes withwhereas the right hemisphere is oblivious to. this type of cue.. In an analysis of reading skillsDennis and her coworkers found that. both hemispheres had almost equal ability in higherorder reading. comprehension howeverthe left hemisphere is superior to the right in. reading and spelling unfamiliar words and in using sentence structure. achieve fluent reading. The left hemisphere also reads prose. passages with greater decoding accuracy more fluencyand fewer errors. that violate the semantic and syntactic struc ture of the. sentence.The superiority of the left hemisphere seems to be its. ability to manipulate and exploit language rules.Yet the right. hemisphere is not without its strengths in language.Performance is. better with the right hemisphere in a task that requires learning an. association between nonsense words and symbols.. In summarizing the results of studies on languageDennis suggests. that if written language structure is thought of as a combination of. meaning cues (morphology)sound cues (phonology)and picture cues. (logography) then the isolated left hemisphere will show superior. performance with morphology and phonology and inferior performance. with logographic cues.The isolated right hemisphere will show superior. performance with logographic cues and inferior performance with. morphological and phonological cues. Kohn and Dennis found an almost. analogous pattern of results on tests of visuospatial function.They. observed thatalthough patients with right hemispherectomies. performed normally on simple tests of visuospatial functions such as. drawingthey were significantly impaired on complex tests such as. negotiating a maze and reading a map.. To summarizeeach hemisphere can assume some of its opposite s. functions if the opposite hemisphere is removed in he course of. development but neither hemisphere is totally capable of mediating. all of the missing hemispheres functions.Thusalthough the. developing brain gives evidence of considerable plasticitythere is. convincing evidence against equipotentiality both hemispheres appear. have a processing capacity that probably has an innate structural. basis.. All models of cerebral development must answer he question of how. functions become restricted to one hemisphere rather than becoming. bilateral. The interactive paralleldevelopment hypothesis answers. that question.In a series of papersMorris Moscovitch emphasized the. possibility that one hemisphere actively inhibits the otherthus. preventing the contralateral hemisphere from developing similar. functions.This active inhibition presumably develops at about age as. the corpus callosum becomes functional. as inhibitor. There is also evidence from primates that the two hemispheres may. differ in their production of facial expressions.Splitbrain monkeys. viewed video tapes of peoplemonkeysother animalsand sceneryand. the amount of time spent watching the recordings and the number of. speciestypical facial expres sions made were recorded.The number of. facial expressions elicited from the right hemisphere was greater than. the number made when using the left hemispherewhich is what one. would predict from studies of humans.In another studyHauser found. that the left side of he monkey s face began to display facial. expression before the rightand it was more expressive.Recall from. Chapter that a similar result was reported for humans.. The basis for handedness in humans has been the focus of much debate. and theorizingyet there is still no adequate explana tion for why. people are either rightor lefthanded.More progress has been made in. understanding the nature of sex differences.The most likely explana. tion is that gonadal hormones alter brain organization during. development and continue to influence brain activity during adulthood.. The results of studies of nonhuman species show that lateral. asymmetry is a property not unique to humans.The demonstration of. asymmetry in nonhuman brains implies that asymmetry in the human. brain is directly related neither to handedness nor o language but. rather to analysis of sensory information and control of movement.. Arithmeticomaterial drives. Arithmeticomaterial drives are firstly generated in the moment. when matter is formed according to the mathematical model of it given by. such science. One result of such objectivisation is the Standard Object. the modular component typical of globalised trade but with its roots. deep for instance in the licenses afforded the monopolistic guilds of. the Middle Ages and the history of trading generally. Everything from. ships to pizzas are quality assured subject to rigorous treaties and. processes of standardization. These are typical results of industrial. production. The second stage is when this process of standardization. becomes so abstracted it becomes amenable to massive acceleration in. production. The human work put into the production is scanned abstracted. and multiplied by means of machinic energy. Once turned into numbers. registered as a pattern the actor of the work can be discarded and the. pattern accelerated. When hooked up to processes of production we get the. discovery that according to Walter Benjamin ...the speed of traffic and. the ability of machines to duplicate words and writing outstrips human. needs. The energies that technology develops beyond this threshold are. destructive. First of all they advance the technology of war and its. propagandistic preparation. Overproduction the massive churning of. ordered matter and of markets one might also say that any development. beyond this threshold might be captured by forces other than war for. redistribution for the reshaping of work for burning. One of the aims. of art is to capture this excess away from the apparatus of war.. matthew fuller freaks of number nettime. con kunstneren bare etterligner betingelsene og ser om resultatene kommer. likevel i tilfelle er et con opplegg avsl�rt. etterlignerne kan sammenlignes. med reproduserbarheten i vitenskapsteori men der kunsten hevder � ikke v�re. reproduserbar er det reproduserbart er det ikke kunst s� det er et omvendt. forhold.. finn kunsten. en utstilling som g�r ut p� � skille kunsten fra ikkekunsten som er utstilt.. fasit f�es ved utgangen kan kj�pes eller leve i evig uvisse om hva som var. kunst og ikke. tilbakemeldingskjemaer kanskje st�ttet av forskningsr�det. ref.. 'lag kunsten' prosjektet i andre enden av linja.. lag kunsten. her skal kunstnere stille ut ikkekunst de har lagd sammen med kunst som. ikkekunstnere har lagd og kunst som ikke er lagd (men generert uttenkt. utenkt etc). ref. 'finn kunsten'.. N'stats the boodhi lard. N'stats. Day Month. Hits Files Pages Visits Sites KB Visits Pages Files Hits. Nov. Oct. lard. art has disappeared as a symbolic pact remaining prolification of signs ad. infinitum as 'culture' auto.noemata automatic art. the situation resembles. that of a currency which may not be exchanged it can only float its only. reference itself impossible to convert into real value or wealth noema. kroner the impossible of noemata projects their floating like quixote. phantasies manusfilms and inconceptual art.. art no longer has that secret collusiveness which is the strength of a culture.. free sperm donor. general indifference please remove me as only emotional response. profound indifference everybody is an art is true. the system runs less on the surplusvalue of the commodity than on the. aesthetic. surplusvalue of the sign no matter how marginal banal or obscene everything. is subject to aesth. cult. museum.zation.skrevet i stein. mime its own disappearance abandoning its field completely to advertising. maybe not. like the prax of baroq we too are irrepressible creators of images but. secretly iconoclasts we manufacture a profusion of images in which there is. nothing to see leave no trace cast no shadow and have no consequences.. anyhr. fascination of the erasure rewrite full compression code cipher. our images are like icons miraculous they allow us to go on believing in art. while eluding the question of its existence.iconicity dragon body laburint. beyond the indifference art as uglierthan.ugly bad worse raised to the. second. power because it is liberated of its relation with its opposite bemyghost. transaesthetic blasts. the promotional ignition of art is directly linked to the impossibility of all. aesthetic evaluation. art market a space opera in the hyperspace of. value.robot. opera. tourism people who no longer undertake voyages but simply go round and round. in circles tracerouteping travel agency. television is an image who no longer dreams or imagines. Every aspect of human beings their bodies in their biological mental. muscular or cerebral manifestations now floats free in the shape of mechanical. or computeraided replacement parts. man is the satelite.passive tense. endnodes terminals. whatever fails to achieve orbital power is left in a state of abandonment.. demonic pregnancy. so many messages and signals are produced that they can never possibly all be. read.. so many reports archives documents and not a single idea generated.. we are witnessing the rise of terrorism as transpolitical form cancer aids. trans. These forms alone fascinates us today. Nobody is the slightest. interested in liberation political discussion c. These forms are excesses and. collapses of code viral fascinating indiscriminate and reinforced by viral. media our culture also produces the most murderous viruses. catastrophe. culture. we all enjoy these things. nothing code stagings. operational whitewash overexposed defenceless without any way of refracting. light info doomed in consequence to a whitewash of all activity codedecode. IO labora trashmaps maze digital technique. relinquish identity to survive endnodes net computer. operations not actions regulated machinery nothing takes place. better to produce nothing in order to have things produced artists better to. have nothing to say if one seeks to communicate socials as everyone knows. if. you want to make people laugh it is better not to be funny powers. in order for content to be conveyed as well and quickly as possible that. content should come as close as possible to transparency and insignificance. empty intimate. good communication implies the annihilation of its own content. avoid. everything. jogging joke The body of the jogger is like one of Tinguely's machines. ascesis. and ecstasis of the performance principle. Making the body run soon gives way. moreover to letting the body run the body is hypnotized by its own. performance. and goes on running on its own in the abscence of a subject like a. somnambulistic and celibate machine. jogging and working at a computer may be. looked upon like drugs get us to take pleasure to dream to feel.. note that even the term society has lost its meaning.. j baudrillard. bestill papirutgaven. bestill papirutgaven for . kr. forfatteren h�ndskriver boken beregnet. arbeidstid uker.. TVaksjonen. TVaksjonen. ( (. ) ( ( ( (. B�rseb�rere kommer p� d�ren Skru av eller s� skyter vi TV'en sund. Kom igjen. kjappa p�. Eller slik som NRK's lisensinnkrevere ringer p� d�ra til alle som ikke har TV. s� kan aksjonister ringe p� til de som har Vi tror du har TV kan du v�re. vennlig � skru av vi har en aksjon g�ende og TV'en din interfererer med v�re. sanseapparater vi tror de g�r p� samme frekvens vi har sagt fra til NRK og. bedt dem skru av TV men de vil heller fortsette � sende hvorfor Vi lurer p�. om det er sp�m vi hadde dette apparatet men s� kom det bare s�ppel inn uten at. noen hadde bedt om det og skal vi betale for � laste det ned p� skjermen Det. ser ut som s�ppel alle slags hexfarger i innpakning og flash Hallo sj� hersgfla sdkjxd da logger vi av. Takk for bidraget. Logg av TV er kanskje bedre.. Nei jeg sitter og ser p� monitoren hvor er musepekeren forresten har. programmet hengt seg Dette tastaturet var sn�lt infrar�dt J�ss der kom jeg. inn i DOS hvor er mark�ren Velkommen til TekstTV norsk lynx versjon Her. virker tastaturet igjen men ikke hyperlenker dette var jo tungvint. TV hva. skal det forestille skal det erstatte PC dette tar aldri av her har. produsentene virkelig kj�rt i gr�fta. Televisjon det h�res s� fint ut se. fjerne steder et �ye i verden men jeg tror s�pla er mer interessant der er. emballasjen til grillp�lsene hvor er de hvem skulle trodd at de skulle f�. noe. mer oppmerksomhet n� de trodde tid i lompelyset var forbi la oss nu i fred. v�re Tror T.V. at jeg trykker p� all den spammen for alt jeg vet er det virus. i meldingene fra Linda Carlyle og Redaksjon EN bare tull hvem har. ansvaret. for at dette slipper gjennom. format. hva er format tekst ascii abstrakt lag format medium teksten har et. format og formatet har et medium uansett reformatering n�rhet til. innholdet en elefant til havs er ikke bedre stilt enn en mus alle ting har. s�re punkter i den grad de finnes det som ikke finnes er ekstremt. uangripelig. en elefant i ingenting er ikke bedre stilt noe er alltids noe og hvis ikke s�. er det alltids noe annet hvordan skal den elefanten greie seg eplet �nsker �. vokse videre p� bakken treet var ikke noe for meg jeg er frukt mens treet. bare. er tre hadetbra jeg stikker til havs tar med meg elefanten sammen er vi. uangripelige.. i en frosset fotballtakling. rart � lese det man akkurat har skrevet sekunder etterp� ikke mens man. skriver men like etterp� det er helt annerledes. det er ikke lenger del av. deg. selv men selvstendig tekst du m�ter deg du er den som er helt forskjellig.. p� to sider trenger alle ting to sider jeg vil ikke alltid m�te meg. m�te. bli. m�tt. ikke alt er ment � ha ytterside. har alt ytterside er alle tekster. ytterside er det jeg tenker yttersider utenp� i flere lag blotting det �. ikke ha ytterside innside er ytterside. det er s�rt. tekst er s�rt. innsiden. virker levende utsiden latterlig men det er like etterp� s� de er det samme. innsiden er latterlig og utsiden levende. jeg er latterlig. teksten lever.. latterlig. teksten lever ikke. er jeg latterlig bilder. tekst som bilder.. film.. tjat. bilde for bilde lyver filmen nei men som grimasene i en frosset. fotballtakling og du ser ikke bildet s� du vet ikke.. minnetjeneste vs nyhetstjeneste. minnetjeneste vs nyhetstjeneste. .agnes i bunad ..digi.no. .her er familien samla (bursdag) ..hegnar online. .klassebilde av bestefar p� barneskula ..computerworld. .ingebj�rg p� jordet i stakk ..hegnar online. .einar ved peisen ..hegnar online. .eli bodil og viggo p� geilo ..computerworld. bps magh. magh bps vbr stillhet hvordan komprimeres ascii og mp fjerne. sparsomme lyder som radiost�y hvor f�r vi f� tegn tilbake (de blir. betydningsfulle) n�r blir de poetiske mail signaler i lufta samme. som funnet gjenstand (mistet gjenstand).. in fact an argument could be made that music distributed free or at cost. on cassette via mail is less alienated than live music. rendered into trash like all other trash. folkultur. bevis at bla. induksjonsbevis for humaniora. du lurer p� hvordan dette kan g� an det ser merkelig og umulig ut.. men ) det har ingenting med n � gj�re ) det er relativt. (induksjonsdelen). hvis noe er x s� m� det finnes noe som er ikkex som. det forst�s p� bakgrunn av og denne xikkexformen kan plasseres over. hvasomhelst via stegvis induksjon hvis xikkex. gjelder kan det bevises ved at de er relative posisjoner p� en uendelig. linje. hvis du hevder x og aksepterer xikkex s� er x ikkex og ikkex. x.. bevis at hvis noe er bla og bla s� er alt bla og bla.. bevis at hvis er et lite tall s� er et lite tall.. bevis at hvis noe er d�dt s� er alt d�dt. hvis noe er x s� er alt x.. hij. hij.klm.no hijack fly server floulypo. treskalle. hvem er talsmann for de dumme treskalletriplenone file permission. numeric value this nut can't be broke open here's three coins for. you. .. telepor.no. telenor tormod kommer forresten (og sikkert andre pamper) s� et. alternativ er. gjentrykk nydesign av telenor spoofs m.m.. er telepor.no brukt f�r ja domenet er ledig men p er langt unna n flere. fingre unna men det kan v�re logo. men alts� norges st�rste leverand�r. av. porno hvor mange titalls prosent av trafikken s� det er klart at. telenor. har interesse i porno. stort bilde av sprikende ben som tar imot all. trafikk.. eller en mer vulg�r variant menn er alltid s� vulg�re. viste tissen p� fly. dro frem tissen fly m�tte lande. tissterrorisme hvis effekten er s� stor s� kan blotting v�re en enkel. jamming. flytte blotting over til kultur altfor lenge har den v�rt en last hos. psykologene og levd en beskyttet tilv�relse hos de perverse. dro fram. tissen. valgerd m�tte g�.. nakne menn er kanskje d�rlig reklame for porno s� telepor.no kan bruke. det med. hell vi kan anta at telenor drar fordel av pornoreklame slik menn 'drar. fordel' av telenor s� bilde av masturberende mann er kanskje bedre og. ikke s�. kult. vanlig porno er vel altfor kult. heh jeg er s� gammel at jeg husker en spoof av... nei jeg husker ikke. det var. p� �ttitallet veldydighet for afrika bob geldof satte igang noe og. norge fikk. sin variant anf�rt av rockeren helge gaarder hvor det ble gitt ut plate. til. inntekt for afrika. uansett hykleriet gikk over alle st�vleskaft og. gaarder. satt igjen med en vond smak i munnen. det dukket opp en fin spoof porno. for. afrika arrangert av pornokonge leif hagen el. med bilde av ei. sprikende dame. som brukte afrika til � masturbere med.. skogg. hvis det ligner en skog oppned er personen begravd. by gryn yr ri ynk. eq roi. ny nn. (ord i pgpn�kkelen). � gj�re noe som ingen kommer til � gj�re etter deg. g� deg i s�mmene. nihilverk for eksempel h�ndskrive pgpn�kkelen. hva er egenskapene i s�nt. vi har sm� bokstaver kan vi ikke ha sm� tall ogs� hvorfor har vi. (fortsetter) store og sm� bokstaver det er jo bare mas. mas.. det er sv�rt f� ord i en tilfeldig pgpsekvens dvs ord og setninger er. sv�rt sjeldne dvs mye struktur. en tilfeldig setning er p� b�nn i. universet bare data ikke struktur hva n� det betyr forskjellen. noen prosjekter du utf�rer f�rst n�r du har glemt hva de g�r ut p�.. (p� stedet). char v. char v. d�den er latterlig de stive dumme kroppene tingligheten innbyr. umiddelbart til overskridelse hvorfor den trenger stram regi og. forstavelser. d�den er kun denne forstavelsen det motsatte av en. forsnakkelse. noemata lanserer en chattjeneste for bare forstavelser. char som en motvekt til webbens forsnakkelser og utidige. latterliggj�ring. bare enkle bokstaver og predefinerte prefixer blir. bes�rget. hvor n�r ligger char opp til en spamestetikk as beslgjsl. presljsdgslh w d�den omgir seg med spam det er i grunn spam hele veien. ikke ulikt de fortalene som medf�lger viagra upon approval esth z. vhnkfqkeuekipo u. filteret g�r begge veier du �nsker ikke spam men du. �nsker heller ikke vite hva d�d er. 'er' er en forstavelse en utsettelse. av v�ren ikke konstitusjon av eksistens eller identitet. er blir fanget. opp av eprime spamfilter samt pronomet 'i' evt som preposisjon dvs. som allerede konstituert.. ref. krkaen oulibot.. trollmann tror saddam vil bli funnet d�d ..vg utenriks. svamp. svamp v.. hva med en metafors�kemotor dikteren har l�st seg i svamp og trenger. en metafor for � ro det i land. i en enkel pakning som googlism svamp. er og en similemotor for svamp er som (det gir resultater som begge. er svamp er som regel (regel er som en mektig simile)). i en komplisert. versjon kan dikteren taste inn to ord han har g�tt i st� p� svamp og. klokke og f� korteste metaforiske vei mellom dem. svampkl�esignaltidsstyrtklokke. ref. metaforhalvtimen.. antimeme. antimeme. du burde faktisk programmere en memeviruskontroll. riktignok finnes det. spamfilter men jeg tenker her et verkt�y som fanger opp et bredere. register av tidst�vete fraser. den sjekker b�de mail og websider f�r du. laster dem inn og advarer om hype plattheter klisjeer spinfraser s�kt. retorikk og andre smittsomme tegn i tiden. ting vi beh�ver � lese vil. reduseres med garantert.. nil. vanndr�pe. vanndr�pe. ser du for deg en vanndr�pe. hva med vanndr�per mange. hva med r noe som er mye. jeg foresl�r at ordet 'r' betyr plural. n�r er vi interessert i kvantitet uten kvalitet. r gryn hvorfor har ikke n�ytrum r i plural. er det fordi vi animerer kj�nnene. n�ytrum representerer ting uansett mengde. hus er hus en underklasse uten kj�nn. sterilisert som �ndsforlatt. hva er gult og sover alene n�ytrum. k galleri oppbl�se k bilder width height. blotterror. viste tissen p� fly. dro frem tissen fly m�tte lande. tissterrorisme hvis effekten er s� stor s� kan blotting v�re en enkel. jamming flytte blotting over til kultur altfor lenge har den v�rt en. last hos psykologene og levd en beskyttet tilv�relse hos de perverse.. transcendental argument. transcendental argument a special form of philosophical argument invented. by kant intended to defeat scepticism. transcendental arguments seek to. derive metaphysical conclusions about how the world must be by considering. what is necessary for a certain kind of thought or experience. the. following is an important example from kant if a thinker is to be able to. consider himself as a separate entity and use the pronoun 'i' then the. thinker must presuppose the existence of an external world without such a. presupposition there can be no consciousness of oneself as a thinker. if. successful the argument shows that scepticism about the existence of an. external world is selfdefeating.. og 'den eksterne verden' m� ha en forutsetning og den igjen... argumentet. er en uendelig regress som gj�r at ingenting kommer igang det kan dermed. ikke finnes noen tenker eller noe argument argumentet er ikke engang. absurd det kan ikke finnes at det p�st�r at det finnes og er gyldig. tilsvarer � hevde jeg eksisterer ikke derfor m� jeg eksistere (hvordan. kan jeg ellers hevde dette) som er en tungvinn m�te � si hei p�. eller leke gjemsel. transcendentale argumenter er en form for hilsen eller. barnelek. i motsetning til dentale argumenter som er � bite fra seg.. dental argument a special form of philosophical argument invented by me. intended to defeat transcendentalism. dental arguments seek to derive. absurd conclusions about how the world cannot be by considering. transcendental arguments.. alfabet transformasjon. alfabetet og nummer transformasjonkryptering. abcdefghijklmnopqrstuvwxyz. vedcbyqhiptwnojgskamxfzurl. det var en gang et eventyr i. u i fknbab kb qnvq nb va kbc. speil. pulskt. millioner kr nei �r tid er penger vi har en valuta med tidsenhet. sekund er krone nei minutt. tiden er lik for alle og dermed. rettferdig. eiendomsrett er over rom over (muligens ubegrenset) tid hva. med heller � eie en tidsperiode over (ubegrenset) rom n�r vi. synkroniserer tid er den som et fellesareal offentlig rom �pent. uunng�elig �pent. en gruppe mennesker bestemmer seg � leve utenfor det. offentlige tidsrom. en radikal undergruppe som hevder � drive med kunst. krever � leve kun i mediert tid og har l�srevet seg fra alle direkte. inntrykk og uttrykk. slik som anarkistene avviser eiendomsrett avviser. disse �yeblikkets makt over tiden. de bekjenner seg til en. parmenidesmonisme og hevder med zenon at bevegelse ikke finnes. det er. dermed mulig for dem � innf�re tid som valuta som mediert som. universalmedium p� samme m�te som v�r pengevaluta er uttrykk for at. virkelige verdier ikke finnes. verdienes tilbud og ettersp�rsel. forestilles tilsvarende bevegelsenes henholdsvise fortid og framtid.. gruppen kaller seg pulsktpulsct som skulpturering og permutasjon av tid. som skapt puls.. fly news. for when desire has attained its object the greatest pleasure is to fly. the scene of pleasure.. ny forskning fra israel og nederland viser at det er mulig � holde. eggestokker fra aborterte fostre levende i laboratoriene i ukevis.. he died for your sins make it worthwhile.. et minimini galleri k galleri. alt er tilgjengelig s� det er bare et sp�rsm�l om. au er ndf den dau isu kamera�ye f�rebu d�d de ikke knarre friv bale disko. lose. nederland idiotisk sm eina innsj� eli trafikkkork. di menneskelige. habitat homitat homitus. beveren lik�r sj�sjuk �te husm�ne peau randi. instrukt�rpersonale.. hine aursunden sone t�y innbrudd. fag heine f�rst eime sprekk lee striesekk h�l. hugset �pent.. bush frykter terror mens vi frykter bush. etterretningen omkring bush m�. styrkes hvem er han hva driver han med. strings. ascii string. mnhquady.. gullmund han gj�nge seg i gjestebostoga inn. aa r�ven drive gj�sanne i hielofte inn.. fyst �t 'en upp dei alle fy utta den gr�.. mail er allerede kjedebrev hver server legger til sitt eget navn og sender. videre.. chance and automation. kan jaske brekk mumie vegativitet s�nn sivsgsgbtede l� den besto sk�ne. fort�rende (hva er da sinn ikke er fffgsrende). antiart asciiart. chance and automation. helleristerne. helleristerne ble ikke respektert f�r titusener av �r senere. i sin samtid. ble de sett ned p� som unyttige som oppfinnere av noe spektakul�rt. ble de sett ned p� som unyttige som oppfinnere av noe spektakul�rt

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meningsl�st elger som ikke kan spises og kanskje regnet som skadelige.. ikonoklastene vs ikonoklanene som noe radikalt nytt medf�rte. helleristning sikkert h�rverk drap og feider. var risterne de beste. jegerne eller kanskje de som bare dr�mte om � bli det. jeg. jeg blir den jeg framstiller mens jeg derimot tror jeg uttrykker hvem jeg. er og her ligger en fatal feil jeg pr�ver � representere meg. hvordan. kan jeg unng� det og gi det opp jeg tenker p� b ved �l og hennes ekte. komiske og avv�pnende spontanitet eller barnas og dyrenes. men den. virker sementerende p� representasjonene som trekker seg tilbake og. stivner.. er identiteten min eiendom betyr det at jeg f.eks. kan selge eller leie. den ut. Mar. kapitalismens binding til fattigdom hva skjer om vi behandler fattigdom. som kapital og kapital som fattigdom dvs et markedsstyrt hensynsl�st. likegyldig forhold til fattigdom og et sentimentalt moralsk forhold til. kapital eksemplifisert i holdningskampanjer.. Mar. oppf�re teaterstykker for satelittkameraer.. pengeblotteriet. utsalg av ditt lodd i livet. fido. fido blir med p� itb�lgen.. fins det en naturlig utforkj�rer som finner den raskeste veien mellom a. og b. lars hertervig manglet papir. en eske kopipapir adressert til lh.. hwo ot tpye reely fsat dvae monre terracnce flahraarty. p� en mailingliste ble noen b�ker nevnt som avsenderen var i ferd med. hwo ot tpye reely fsat dvae monre terracnce flahraarty. hva med � v�re f�er vra og f� katten din til � oversette boken tili. nrosk. vi trenger vel helst en oeverseter som ikke kan tuch.. nil. hollywood wind travesty. det har v�rt mye vind idag fint � se p� alle kompliserte bevegelser den. lager. automatisk sett at l�vet beveget seg selv se bort fra vinden og. med en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det som. virker merkelig er hvor lett det kan oversettes fra ytre vind til indre. beveggrunn og er det ikke s�nn med oss ogs� du tror du gj�r noe ut fra. deg selv mens en enklere forklaring er ytre og fysisk som � f�lge en. str�mning og struktur i kulturen. mennesket har i st�rre grad enn noe. annet en egenbevegelse men alts� bare ved � se p� vinden i l�vet er det. lett � innse at en andel av det vi �nsker � forst� som egenaktivitet er. lettere � forst� som en passivitet i et aktivt medium (gruppe samfunn. kultur tankeform). f.eks. virker det som l�vbladene f�lger etter. hverandre opptrer som gruppe med en selvbevissthet (vinden lager loop. spiral �ye som en indre struktur) en l�vgruppe interagerer med andre. grupper p� dramatiske m�ter ingen kan unng� � reagere p� at en bil kj�rer. forbi det virker som de f�lger etter bilen av fri vilje idag snakker. alle om irakkrigen overalt av fri vilje jeg tror det hadde g�tt an �. regissere en hollywoodfilm best�ende bare av l�v og vind. sett i forhold. til kaosteori ol. forandrer det ikke rollen til kunstneren n�r tingene. lager seg selv eller allerede er lagd blir det som en dikter kanskje som. setter sammen metaforer og kontekster eller som en. translat�rtranskribent mellom verdener og modeller metafysisk prest. sjaman den sinnssyke kunstneren som formidler mellom verdener idag. sekul�rt som en formidler mellom modellerforst�elsesm�ter vi har bare. en verden men til gjengjeld k ting og referansesystemer kunstneren. blir kanskje en formidler mellom disse og beveger seg samtidig friere. mellom dem. folk flest lever i dem vitenskapen definerer dem kunstneren. traverserer dem (traversp� tvers (samme ord)).. not born. emnekart emne som i emning kart som eplekart.. kartografi informasjonsmodellering hva robotwisdom kaller ai ontologi. hvordan strukturere ting.. undigested unborn. pre. abject. henry emnekart not born henry se under. livmorkos med nalle. brukthandel mailarkiv elektron dok.. brukt privat shabby selger st�y i dokument skrive i mail margen. stempel merke dymoprosjektet dymodomus dynamisk modul�rt hjem. bokhandel som hjem 'offentlig rom' reclaim snarvei kj�pekultur. klesskap rekonstruere hjemmet i det offentlige rom. desentralisering. simulering av transaksjonen. akton plutus bibliotek.. et elektronisk bibliotek akton plutus hvor man kan l�ne eb�ker (laste. ned) og m� levere dem tilbake etter mnd eller forlenge l�netiden p�. vanlig m�te.. i samarbeid med e book a day.. implementasjon selvadministrert php. eller enda enklere. krever noen. titalls mega plass. kan brukere gi gaver til biblioteket (last opp b�ker). juridisk biblioteket l�ner ut tekstwarez.. tilknyttes nbbiblioteknorge hvordan opptrette et bibliotek et. automatisert digitalt nettbibliotek. evt. et illegalt bibliotek.. finansiering noemata evt. egen prosjektst�tte.. prosjektet �nsker kontakt med personer interessert i eb�ker opphavsrett. programmeringdesign hacking for mulig engasjement.. kontakt noematachello.no. happyend terapi nlp. mail artndr loope postkont. random. alle vet hva som er inn og hva som er ut... nei det m� v�re en usikkerhet. om hva som er hva ellers s� ... st�yelementet rist l�s plukk opp. eplene hvem innkasserer. not born henryprosjektet. vil ha penger for � bli f�dt pulskt s�ker st�tte s� mora kan g� p�. stevnem�te og finne hans far. nn s�ker person med autorisasjon p�. folkeregisterets datasystem.. .. internasjonalt prosjekt � skape personer i respektive lands. folkeregistra og tilby dem til ..trengende. creative commons crimes. dhc.. disse �pne identitetene skaper nye korridorer transit i land og mellom. i. en forstand kan mengden av og operasjonene til identitetene betraktes som. et nytt cyberland som ligger i en informasjonsdimensjon over de. geografiske et land som kan ha sitt eget metafolkeregister som vil v�re. som et vanlig folkeregister men med noen ekstra felter i hvert oppslag. refererende til nasjonale folkeregistra.. ref. monty cantsin karen eliot neonism. mer spesifikt kan prosjektet g�. ut p� � f� personen monty cantsin karen eliot eller anagrammer av. disse registrert i flest mulige lands folkeregistra og etterhvert bygge. opp disse som (multinasjonale) juridiske plurale personerpersonaer med. vanlige borgelige rettigheter. jfr. noemata.net som et 'tenkt. nettverksland' noemata som monastisknomadisk hvor disse oppbygde. personaene er skall som 'munkernonner' bruker for � bevege seg i et. noematisk land (n. i flere betydninger som et obskurt land there is a. real external relation between the actual land and the actual person but. the noesis and noema are not real and moreover their relation is not. external but the noema is internal to the noesis. et immanent land.) (i. en generell kontekst er dette en utforskning av noemata fenomenologisk. og forst�tt som kontekstkunst og operasjoner ikke n�dvendigvis direkte p�. objekter men p� de strukturer som danner oppfattelsen av objektene gjennom. simulering manipulering kanskje en form for kunstig intelligens. (kunstig gjenskapning og k�dding med de kognitive prosessene som ligger. til grunn for objektene som objekter). i denne sammenhengen kunstige. modeller av 'identitet' 'land' interagerende med de fysiske variantene. det 'kunstige' er noe som kommer i tillegg og som �ker det operasjonelle. rommet softwareland som installeres over hardwareland. norge v.. eg.. noemata.net v. et open source softwareland for netizens.. drikke kaffi fra sk�la sukkerbiten sluttet med kaffitrakteren.. when new graduate students ask me for advice i tell them to start by. pretending that they are the lab director for computer science at a. brandnew research university and to come up with a plan for how they'd. populate their lab with projects.. reed uses the example of a pinhole camera or camera obscura if a room is. sealed against light except for one pinhole an image of the outside will. be projected against the opposite wall.. mama daddy meg degdet. d�dsralling som opera. death rattle roll. bogus reklamebyr�. pissing i offentlige rom. pissspam i cyberspace. pissing territorium sengev�ter der furer. looppack. maldonor. virtuell ber�ring universell erotikk. oulipo i filsystem. iamnotoneofyour..files. hierarkisk mappefil fila tverrg�ende dimensjon. online. tidsbegrenset online forestilling med musikkstream rapoon i ex idahyl og. div elementer som en forestilling som annonseres over web og simulerer en. forestilling i den virkelige verden som noe som foreg�r avgrenset i tid. en avgrensning som virker kunstig p� nett men som forholder seg til. publikums defacto oppfatning om forestilling og kommodifiserbare uttrykk. nettopp som 'publikum'.. smerteterskel. er fysisk smerteterskel et fundamentalt m�l p� ...personlighet. representerende ...utstrekning og form til et mentalt rom tilsvarende. vegger st�rrelser styrke retninger i et indre landskap. m�ten vi. prosesserer og forholder oss til smerte bestemmer hvem vi blir som. landskap. hvordan motstand er utviklende eller destruktiv en terskel alle. kjenner p� og som varierer og kan manipuleres med. trussel usikkerhet. intensjon intens spenning smerten krymper rommet eller n�r. gassbeholderen krympes s� �ker trykk og temperatur er jeg et s�nt. indre rom eller er jeg noe i et s�nt rom men stoffet former rommet c.. smerteterskel som interaksjonen stoffrom rommet bestemmer hvordan. stoffet beveger seg og stoffet bestemmer formen p� rommet. mer struktur. mer smerte passio lidelse passivitet gravitasjon tyngde smerten gj�r. deg bevisst rommet stoffirom eller tydeliggj�r grensesnittet n�r. sans blir smerte aktivitet blir passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er en forskjell i anskuelse hvordan. smerten betrakter seg selv som er terskelen terskel som grensene i egen. avbildning du avfotograferer deg i smerten som person. as soon as the. pain is not hurting sherrie wiles. kan vi se p� sinnkropp p� samme. m�ten descartes' sinn som ikkematerielt og uten romlig utstrekning. som selve rommet og som bestemmer bevegelsene til maskinstoffkropp. sinnkropp interagerende som romstoff som i det klassiske. dualismeproblemet hvordan noe kan immaterielt interagere med noe. materielt. ... jeg erfarer ting stoffet beveges i rommet og gj�r dem. til indre som at stoffet igjen bestemmer rommet.. Mar voy voy. a nation of voyeurs. it's the collapse of inconvenience says siva vaidhyanathan assistant. professor of culture. and communication at new york university. it turns out inconvenience was. a really important. part of our lives and we didn't realize it.. et prosjekt som besto av upassende ting hele veien.. telepresens dot. telepresens. webcam hvor er jeg er jeg 'der' en halvtime forsinket der. �yeblikket og. n�rv�r hvordan er eksistensen min her forskjellig fra der jeg er. dessuten alltd et annet sted 's� fjern'. er denne teksten et sted. sansning persepsjon de prosesser som holder deg herder 'holder' av. varighet subsistens vedvarende tekstreise stedet har egenskaper en. bevegelse er aktivitet �rsakvirkning som igjen er det som kalles. egenskaper er virkninger fra forrige og aktivitet blir nestes �rsak ..... referanse bakrom virkelighet splittes i distinkte egenskaper sansning. funksjon handling i aktivpassiv dimensjon s� vi lager en slik og slik. realitet realitetsted virkninger sett at all kunnskapen vi. samler viser seg � v�re meningsl�s sluttpunktet avgj�r endelig. verdi ting kan vise seg � v�re verdil�se om det lever videre. men det lukker seg forst�elsen av noe gj�r det samtidig. meningsl�st (jfr uttrykk og d�d) mening er i forhold til det mindre. egenskap og indre om vi kan tenke oss en ytterste mening s�. kan den ikke selv ha en mening mening er uttrykk for struktur. og sammenheng om vi har en graf kanskje sirkul�r av noder og. kanter som danner forskjellige verdier og meninger i forskjellige. traverseringer av grafengrafen i seg selv har ingen meningom den ikke. samhandler med andre graferhva med forholdet mellom grafen som helhet og. en delgraf har den mening eller grafens forhold til seg selv. n�r noe betraktes som en helhet s� har det ikke lenger noen. verdi enheter punkter mening lages av transaksjoner mellom punkter. vekting. kongressen. kongressen et prosjekt uten avgrensning eller som utvider seg og har. dette som en egenskap inflatorisk egenskapen at det overskrider seg selv. gj�r det vanskelig � formulere en beskrivelse eller implementasjon slik. at forholdet mellom tanke og form abstraheres til et forhold mellom tanke. og tankeform konseptkunst og episteme teori som praksis. automatiske drap. automatiske drap 'f� noe til � se ut som en ulykke' men mer enn det. eller mindre maskiner og ansvar hvor uskyldig kan du v�re hvor. uskyldig er ikke jeg i krigslidelsene akkurat n� hvor langt g�r mitt. ansvar og m�ter � undergrave ansvar maskin.. rasjonalitet..logikk. pulskt. kunst pulskt fram og tilbake i tid ting som enn� ikke har skjedd en. utstilling som ikker enn�... eller som allerede er ferdig. en helt selvrefleksiv utstilling der det som utstilles er dens. tilblivelse. samme med musikk andre kunstarter. eller fra andre kanten. dens nedmontering avslutning som gj�r deg selv uaktuell en intim. smerte � v�re utenfor tiden eller bare i kj�levannet. � glemme seg selv. � gjenglemme seg erfaringen av 'aktualitet' dejavu. plasma. plasma. gass og v�sketilstander som noemata.netkunst. argument .. forbedring. er det forskjell f�r og n� p� forbedringsperspektivet den enkelte har p�. seg selv vi oppdras i troen p� selvforandring og tilpassing men erfarer. etterhvert at mange ting ikke kan forandres likevel s� det hele virker. bortkastet og som bedrag. men sett p� en annen m�te er det det samme. f.eks. vitenskap driver med av �pne muligheter og doble negasjoner som i. ettertid virker full av bortkastet og overfl�dig teori og arbeid.. id panoptikon. identitet forholde seg til andre som om man var alene hvordan opptre. sammen med andre uten � forstille seganta en identitet en utstilling. galleri rom tilskuere er deltagere og f�r... bind for �ynene og blir. f�rt inn i et rom han vet ikke om han er alene eller det er andre i. rommet etc. annen sansedeprivasjon �repropper etc. og obfuskering av. sanser lyder i rommet kan v�re kringkastet og ikke reelle om man har et. halvt gjennomsiktig �yebind kan skikkelser i rommet v�re projeksjoner av. bilder istedenfor mennesker etc. det kan v�re en vitenskaplig dimensjon. til det hvor forskerne registerer f�rimensetter tilstander punktvis.. blander kunst og vitenskap litt. hente ressurser dels fra akademia og. kunst kulturr�dforskningsr�d. det ligger en opplevelsesdimensjon i det. og dokumentasjonen kan brukes i forskningssammenheng (opplegget og. resultatet dokumenteres s� kan andre dra konklusjoner som de vil).. eegbroderi. broderi. eeg bilder. eeg broderi broder din egen tilstand som en graf over tid og. hjernefrekvens. �rv�ken v�ken avslappet s�vnig etc. per. per. formance . knytte til et sanselig her og n� tid rom konseptuelt ikke. sanselig.. distribuerte hendelser distributed events utvikling av begrepet. hva er. distribuert hendelse akt noemata meningsobjekt.. fulkus. fulksus. hot water pleasure and pain border draw som confusion of this.. kultur tidsfunksjon av mennesker f(x)y ftid xmennesker ykultur. s� sant det er mennesker vil det over tid dannes kultur. sammenheng mellom tillit og kunst. det institusjonelle ved t�mmingen. bedrag og kunst blir da baksiden. context art. con art.. i den konseptuelle enden av produksjonen en organisering. forml�sheten er direkte resultat av formmessigheten. i hermetegn. akt noema(ta) gjenstand. navn mening referanse. aquinas. mulighet potentia. virkelighet actus. formstoff. hva tingen ervesen at den erv�ren. hierarkisk prima materia . uformelig uerkjennelig actus purus ren. akterkjennelse v�ren. n. akt kontekstkunst. kant ikke s� mye gjenstander som den m�te vi erkjenner gjenstander p�. (apriorisk mulig) transcendental filosofi. transcen.dental what your teeth is biting. beyond concepts beyond objects. hairgrowth behind your teeth garanteed.. sp�rsm�let. � stille sp�rsm�let lager problemet f�r sp�rsm�let ble stilt var det ikke noe. problem folk bruker sp�rsm�let til � posisjonere seg mobilisere seg som om. spr�ket var et angrepsv�pen en spydspiss. Spr�ket fikserer noe som b�de f�r og. etter var flytende og uproblematisk kanskje det er som � kalle p� hunden. eller. telefonintervjuere som sp�r hvilken radiokanal jeg liker best og det er mulig. jeg svarer et eller annet selv om jeg aldri h�rer p� radio noe er best. uansett s� lager de et sammendrag etterp� hvor det st�r at mill. nordmenn. liker kanalA best som om den hadde s� mange lyttere. Det er som. webstatistikken. hvor det er unike bes�kere per m�ned som er et kollossalt tall tenk om. et galleri hadde bes�kende pr mnd Tallet m� jo stemme men halvparten. eller mer enn det er roboter en hel gresshoppesverm som tygger p� data om et. galleri spadde inn en maurtue for � f� opp bes�kstallet opplagstallet det er. i opplag hver dag til og med de rare dikta mine har tusenvis av lesere. hva de n� gj�r med dem spiser dem eller tapetserer veggene men det g�r. iallfall unna web dikt men sin ymse kvalitet kan skilte med de h�yeste. opplagstallene likevel vil alle ut p� papiret som har sitt domene og. kvalitetssikring som at det finnes ekslusive klubber med d�rvakt og ekle. bokklubber som spammer hjemmene ned med m�nedens glemte avbestillinger til. kr stykk det er TV og s� er det bokklubb for b�ker underholdning og kultur. som skal leses n�r du f�r tid som pensjonist men da er b�kene litt gamle og. ikke. f�r du solgt dem igjen nei det er en slags svindel men folk synes de kan. koste. p� seg litt ekslusivitet med � glemme disse avbestillingene ja men den skal. visst v�re veldig god nabo A likte den og ikke kan du vel l�ne boka av A nei. kj�pe kj�pe kultur slik alle har eget TVapparat har alle sine eksemplar av. b�kene. Folk klamrer seg til TV bokklubben og avisene det er vel bare det. at. de vil f�lge med p� hva som skjer se det som blir sett lese det som blir. lest. om finnegans wake var m�nedens bok hadde folk synes det var interessant vel. nei kanskje ikke det relaterer ikke men de hadde glemt � avbestille den. Om. bokklubbene var litt lure kunne de lurt inn mye slikt i det selvg�ende. systemet. nei det var penger ja og andre ting stamme navn samtid spydspissene det. umiddelbare sanntids nyheter alltidnyheter denne boka av forfatteren som er. s� samtidig at den skrives mens du leser den leserne kan logge inn p�. nettstedet og lese bokstav for bokstav idet boken skrives f�rst da er vi. tilbake i den orale kulturen av umiddelbar formidling. Folk tror de f�r tilgang. til noe at TV eller bokklubbb�kene formidler noe annet at de er symboler p�. noe annet p� tiden samtiden p� v�r kultur og f�ler ansvaret forplikter dem. til � se p� tV og lese de bestemte b�kene. Fins statens bokklubb Og ukas. lottotall som kan bestilles fra staten dine egne som er din personlige. frihet dine f�dselsdager hvorfor tallene sannsynligvis l�nner seg �. tippe p� st�rst premie hvis de g�r inn. Lottotallene er kultur var kultur. i forrige uke det er samtidskultur nye tall hver uke nye b�ker hver m�ned. nye nyheter hver dag nye sekunder hvert minutt jeg satt og ventet p� og. s� vente til neste runde pling kommer i nye utgaver hvert minutt. i. store opplagstall kunne ikke staten hatt et program men det var. informasjon da som om informasjon hallo kilo terra giga bozo bytes. informasjon blir produsert hvert minutt ja og dermed er det s� koslig med. lottotallene som er enslige majestetisk folkelig enkle bytes som hver uke. skal parres med dine tall ekte interaktivitet slik aldri VR var her er. noematas VR prosjekt lottokuponger. tenk hvis... END. (noematadegenerative. entropic arts) denne lottomaskina er jo en veldig fin installasjon da. hva med. mishandling av tall her blir de jo kastet veggimellom er det slik som rev i. bur de g�r p� veggene kunne vi hatt mus p� tredem�ller som bestemte. lottotallene og selvf�lgelig skr�dingers katt lottotallene kunne v�rt inne. hos katten s� var alle vinnere f�r noe gadd � sjekke (det. kunne blitt stadig utsatt slik som dommedag eller inkassokravet) det er. sjeldent at tallene har blitt utsatt vi m� dessverre utsette trekningen i. dag. noen av tallene har v�rt sv�rt umedgj�rlige noe frafall i rekken vi tror. det er omgangssyke l� ute hele forrige uka og har kanskje p�dradd seg noe. forkj�lelse og s� var det all oppmerksomheten det fikk kan ikke stille. hvert tall kan ha en standin slik som travhestene eller hvordan det er. norsk. tipping burde innf�re i rekken blir tallet g�r alle pengene til staten ja. ikke s� lurt. Denne teksten ble ganske dum noe digresjoner her og der som jeg. tar avstand fra hensikten var god jeg hadde tenkt � skrive om hvordan spr�ket. fanger seg selv og det var det det gjorde. Dermed endte dette eventyret bra. Og. snipp snapp snute s� er den orale hypnosekulturen ute.. ode. teksten er forskjellige ting. som en flate uten tid tegning tekstur tekstil. som kode handling i tid. ref artaud. hva med tekst som frigj�r tekst teksten er ikke lenger tekst dvs tekst er. tekst (ikke tekst) slik som teater er teater og ikke tekst. tekst forst�tt. som. logos. har ikke tekst logos en voldsom makt og kan ikke tekstens frigj�ring. fra. teksten v�re like voldsom bryter du med teksten bryter du med alle regler. (siden alle regler er tekster). s� artauds teaterets frigj�ring fra teksten. blir. til tekstens teatrisering. hvordan er dette forskjellig fra litter�r tekst. selvsagt fordi litter�r tekst er 'litter�r' tekst mens tekst er tekst det. litter�re er som teksten i teateret tekst som tekst er noe annet. og 'noe. annet' er noe annet noe annet slik som teksten fortsetter mellom bokstavene. reelle tall reell tekst irrasjonell tekst det rasjonelle som delmengde av. det irrasjonelle litter�r tekst er delmengde av tekst. men det er � leke med. logos ilden fornuften det bryter med alt. hva med struktur maskin nonsens. jfr artauds bali teater tekstens autonomi automata. tekst logos kode data. det ligger i bunnen p� alt materialiteten som teaterets fysikalitet. sanselighet men siden all info er tekst er konteksten sprengt teksten blir. virus pest siden logos er s� stor ilden s� fort�rende i nettverkene. teksten. som elektronisk kunst det eldste og det nye klart det b�r bli et stort. fundamentalt smell torden torden lyn og torden elektronisk utladning i. kontekster n�r vitenskapen allerede har hatt atombomben siden artauds tid. et. voldsomt teater uten tekst foranledning til butoh selvf�lgelig tekst som. tekst og kode er potensielt som atomreaksjonene siden vi lever i en. tekstverden. alt er disse partiklene. sluttsetning poenget mitt var bare at n�r teateret. vil. v�re teater for � bli mektig levende etc hvor mye mer har da ikke teksten. potensial til � bli ikke bare som morsomme memer word virus eller litteratur. som p� en m�te er som dukketeater men at teksten som tekst kan ber�re. virkeligheten (beklager uttrykket) jeg mener logos leke med ilden (beklager. uttrykket).. pepole. pepole are doing karate. want to be strong. strong will. strong what. he was into insurance. or whatever. strong whatever. his granparence are ded. karate'd have helped. deathbombers karatekid. strong like deadh. ill or elfes to prove. new media. no media school. all is media is tantamount to saying nothing is media. tao zen no tradition. no media. autonomedia. code and its double cont'd. code and its double cont'd. notes on text and code in relation to artaud's theater and sondheim's. codework. the double you'd have the release of text from text text is no longer text. text is text (not text) textual helix code like the theater is theater and. not scripted (not text).. power in the sense that text is logos it has that immense power being at the. locus. text as theater as code would have the potential of releasing all the. logos power like the theater's release from text.. matter since all is mattered texted coded you'd have all those monstruous. things going on ruptures and violence beauty and intelligence emerging from. its release.. code as theater artaud's theater's release from text is similar to the. theatrificating of text as code.. code and literature literature is in the gravitational field of text while. code is weightfree or antigravitating of the void towards the periphery.. universal code autonomy automata text logos code instruction data. physicality matter sense surface since all is mattered there is no. context. it's blown to pieces all you have is virii dispersal of meaning logos as. fire. and electrical charge in the networks of distributed contexts.. code as art codework artwork since everything is code codework is at the. center of artwork which is created by codework's plundering of contexts art. derives from the workings of code code derives from its doubling.. bombs and intelligence the atomic bomb from the time of artaud a violent. theater without text virii intelligence terror theathrical artifice of the. code the bomb is the blowing up of text logos the sun as bomb terror of. code information the intelligence as monster.. reality like artaud's theatricity and code's virtuality from their release. text the doubling towards the real logos as fire.. I think I understand your points. In general I'd agree and in it's generality. inclusiveness so much is code today and why not embrace as much as possible. and get synergy and chaos effects it would be codework in itself they way the. field could construct itself from all the surrounding contexts and use. whatever. think nothing as the codework of codework.. I've had two ideas how to approach code ) Code and its double ) Code as. nothing.. ) Code and its double refers to Antonin Artaud's 'Theater and its Double' and. how that theory of 'theater' would fit onto a theory of 'code'. There's some. obvious similarities like the doubling or twofold which can be expressed in. the staging of itself as artifice the intermingling of appearance and source. and their inseperability. There's no transparency in this more light render. more shadow more structure there's no end to it it cracks up and enter all. cracks in a wild search for itself and for its decoding which is ultimately. impossible and also would eventually kill it. This refers to the impossibility. of decoding.. ) Code as nothing is from the other end it's already decoded. So here the. staging of the code is its failure its impossibility. It will succeed by. killing itself. The residue is the staging from nothing to nothing. This refers. the impossibility of selfreference.. Other takes on the themes would be helpful.. Re sex Though they see it. So there's numbers after the country code in this example okay now I. know.. Say a great implementation of this idea would be to create a totally. virtual book with no content whatsoever. If there were some way Iyouwe. could get such a thing onto Amazon.com and elsewhere have it put up for. sale and review it would be a real coup Maybe Iyw could stoke the fire. by writing phony reviews of the book and post them in other book review. links saying something like Tom Clancy's latest bestseller is very much. like that Norwegian writer's book that just came out Alpha X or whatever. it's called. I guess the only things needed to bring this ruse for art's. and. possibly the of pages. Other than that the book could exist entirely in. the desires of its eager readers and marketers. I wonder how long such a. trick could be sustained before it was exposed It might be worth a try. just to find out.. hm yes let's do that also some books entirely virtual not in stock very. obscure maybe like borges' imaginary books. keep this in mind as other. kinds of net.books...... weeks.. artnot. art is when you have nothing to do but still do it. i mean there's no reason. it's just creativity experimentation freedom. those nothings. mfh. alleride. alleride. ny id problem hvordan skape ny id hvordan gj�re den offentlig folkeregister. etc. omvendt utvikling ideell snarvei allerede den nye id er s� fin at den ikke. engang er i registra som om den b�de er lagd og skjult for registra mens den. sett fra en annen vinkel bare er funnet p� den totrinns du er ute etter er. framogtilbake og bare ideen er egentlig like bra omvendt utvikling.. kunstautomat. g gj�r noemata om til kunstautomat. noemata er for knyttet til meg person distribueringen funker ikke enten. legger jeg det ned eller gj�r stedet om til helautomatisk kunst.. arspublica om til pengeautomat. salg av kunst hallo. telemata om til �ndsautomat. det telematiske menneske som �ndsautomat munk theleme. kunst kapital �nd treenigheten. virus bok. how to make a virus book. a viral book. koob lariva. larvae Rom. Antiq. malignant ghosts as lemures.. NL special use of L larva a ghost specter mask skeleton akin. to. LARES. koobi fora. promiscuous machinic monstruous fractal viral indifferent nihilogies. nilogues.. bookvalue stages (channeling baudrillard) natural books commodity books. structural books (hypertext) fractal books (viral radiant). fractal books. radiating in all directions without reference to anything whatsoever by. virtue. of pure contiguity. fractal books (hyperbooks cypherbooks) no longer has any. equivalence an epidemic of book metastasis of text haphazard proliferation. and dispersal of book. we should no longer speak of 'book' at all for this. kind. of propagation or chain reaction makes all books impossible. yet things. continue. function long after their idea have disappeared and in total indifference to. their own content the paradoxical fact is that they function even better under. these circumstances. the book is no longer a metaphor for logos etc or anything. at all merely the locus of metastasis of the machinelike connections between. all its processes of an endless programming devoid of any symbolic. organization. or overarching purpose the book is thus given over to the pure promiscuity of. characterizes networks.. alt er �pne b�ker open content slik noemata ogs� er open content art. hva er da permene b�kene er sine kontekster ethvert dokument med. er del av boken dermed tar den opp i seg sine kontekster sluker seg selv. hele. tiden forandrer seg.. rettighetsmessig m� tenke p� det. hva avgj�r eierskap det er ekstremt �. inkludere benevnelser som innhold ingen forskjell p� data og instruksjon. turings universalmaskin er boka denne uendelige teipen mens leseren er. (productinfo.php) shame. (productinfo.php). Shame on It All. by Zane. .. (productinfo.php). Letting Go of Shame. by Patricia PotterEfron Ronald T. PotterEfron Patrica PotterEfron. .. skam er selvf�lgelig god butikk nesten som avlatsbrev .. why doesn't watches show daynight like the second run is dark anti time.. am i inside how does sense differ from cognition berkeley. unix mbox format OK. logge og lagre filer i unix mbox format. ndex.php parser mboxfiler. etcmboxtxt.php script som stripper mailheadere. naturkatastrofe. hva om jeg var en naturkatastrofe. hvordan straffer du et vulkanutbrudd krigen mot natur krigen mot galaksen. sorte hull gjemmer seg i fjellene we'll smoke them out galaxies housing black. holes are to be considered black holes universes housing mad dogs are to be. treated as mad dog universes.. fartsrekord. fartsrekord p� nettet. Tenk deg at det tar ett sekund � laste ned alt innholdet p� en CDplate fra den. andre siden av Atlanteren. Nylig satte to forskerteam fartsrekord p� internett.. Den nye topphastigheten er dobbelt av den forrige og f�r selv det bredeste. bredb�nd til � fremst� som gammeldagse landpostbud. Med en hastighet av. Gigabit i sekundet flyttet forskerne Terabyte med data.. hva skal vi med data flytte et bibliotek p� sekunder. produksjon. et livsverk. kan distribueres p� under et sekund alts� kan ikke mye eller lite bety noe.. men. hva kvalitet hva p�se p� vrenge innut bli data de overlever meg. et. livsverk ett sekund. burde ikke kultur oppmuntre folk til � skrive gj�re. ting. digitalt som et gode i seg selv s� lett � ta vare p� overf�re. hva f�r. verdi differens mangfold. nasjonalbiblioteket hva tar de vare p� en. mulighet. til � sluke hele kulturer i noen jafs.. i haves one article with her stream achieve. this is an invitation to write into books. and maybe post it somewhere to someone in any degree privatepublic. so we have dark matter also and obscurity. things get lost and forgotten. we get lost. so you can pour into and some things remain. words may survive you maybe not. all the same why not directly into publishing. explore the illusion of substance you book. we try the immediacy be as it is. tagged identity. ragged substance suits. own activity to find read assemble. ondemand like my birth was on demand no. these things are nothing else than you. you is your. but your is not you. netbooks cypherbooks chyper. scatter scantologies. copyleft. anyhow monitor. monotire no id minimal. like it's inside out. like from a plane things look inside out. like hyper looks interior not extraexterior. sides of the skin only one. interface akin to facere to make. like making is looking. reading is making. book is interface. book is making of book. like to book make a reading. paging. kunstreferanse. hva er det som gj�r at dette rettfram foto av virkeligheten er mer. interessant enn virkeligheten bildet gj�r meg mer aktiv virkeligheten er. nok i seg selv er det en kunstsykdom jeg er fri i forhold til bildet. men fanget i virkeligheten bildet gir kontroll. vil jeg kontrollere vil. ikke miste meg sp�rs hvor stor du er. fryst fast. en levende bevegelig. virkelighet den er ikke skremmende men overfl�dig som om det. overfl�dige frast�ter altfor mye sl�sing og frustrasjonen over at. ingenting blir bevart to kr�ker flyr over enga de ble bare bevart i. denne teksten p� alle andre m�ter er to kr�ker over enga ikke bevart. lenger. en s�nn virkelighet kan ikke formidles eller er det det jeg gj�r. n� peke p� det. er det kunst er fotografiet kunst jeg ser andre ting i. fotografiet enn i virkeligheten lettere � analysere � skifte. dermed er. det merkelig og simpelt at virkeligheten oppfattes som en ekspansjonen. g�r jo andre veien og kunsten kan hjelpe med � utvide den. men. virkeligheten fanger raskt inn igjen har sine egne harde fysiske lover. bryr seg ikke om kunst. to kr�ker bryr seg ikke om kunst de ville bare. sett rart p� meg og flakset videre. s�nn er det � v�re kunstner ingen. forst�r hva du driver med. kunst du maler bilder og slikt best � svare. ja. hva driver forresten en prest med hva svarer han eller en leder. eller forsker eller forfatter en leder leder en forfatter forfatter en. forsker forsker en kunstner kunstner. � kunstne noe hva er det � vise. det peke den enkleste form for kunst er kanskje � peke. kan dyr peke. hvis vi ikke kan peke direkte m� vi selv lage det som skal pekes p�. �. kunstne � peke for � peke p� noe m� du gj�re det objektivt gj�re det. pekbart lage avstand utskille noe. se to kr�ker.. men er det ikke for enkelt peking er mye rart. at kunst er peking betyr ikke at peking er kunst logikk at mennesker er. atomer betyr ikke at atomer er mennesker. er peking referanse kanskje. point. to direct (the finger a weapon the attention etc.) at to or upon. something.. . to indicate the presence or position of (usually fol. by out) to. point out an object in the sky.. . to direct attention to (usually fol. by out) to point out the. advantages of a proposal.. . sculpture. to transfer measurements of depth from a clay wax or. plaster model to (a block of stone) by means of an apparatus that drills. holes to the required depth prior to carving.. . to punctuate as writing.. . hunting. (of a hunting dog) to indicate the presence and location of. (game) by standing rigid and facing toward the game.. . masonry. to fill the joints of (brickwork stonework etc.) with. mortar or cement treated in various ways with tools after application.to. dress the surface of (a stone) with a pointed tool.. . to dress (a stone) with a point.. v.i.. . to indicate position or direction as with the finger.. . to direct the mind or thought in some direction call attention to. everything points to his guilt.. . to aim.. . to have a tendency toward something economic conditions point to. further inflation.. . to have a specified direction the sign pointed west.. . to face in a particular direction as a building.. . hunting. (of a hunting dog) to point game.. . naut. to sail close to the wind.. . (of an abscess) to come to a head.. (n.) me point(e) partly of point dot mark place moment. l pnctum n. use of neut. ptp. of pungere to prick stab (cf. pungent). partly of pointe sharp end ml pncta n. use of l fem. of ptp. of. pungere (v.) me pointen partly deriv. of the n. partly mf pointer. deriv. of pointe (n.). refer. refer (ri fr�) v. ferred ferring.. v.t.. . to direct for information or anything required he referred me to. books on astrology.. . to direct the attention or thoughts of the asterisk refers the reader. a footnote.. . to hand over or submit for information consideration decision etc.. refer the argument to arbitration.. . to assign to a class period etc. regard as belonging or related.. . to have relation relate apply.. v.i.. . to direct attention as a reference mark does.. . to have recourse or resort turn as for aid or information to refer. one's notes.. . to make reference or allusion the author referred to his teachers. twice in his article.. me referren l referre to bring back equiv. to re re ferre. bring bear. referable referrable referrible (ref�r bl ri fr�). referable referrable referrible (ref�r bl ri fr�)

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adj.. refer�rer n.. syn. . attribute ascribe impute. . pertain belong. . advert. allude.. reference. reference (ref�r ns ref�rns) n. v. enced encing.. n.. . an act or instance of referring.. . a mention allusion.. . something for which a name or designation stands denotation.. . a direction in a book or writing to some other book passage etc.. . a book passage etc. to which one is directed.. . see reference mark (def. ).. . material contained in a footnote or bibliography or referred to by a. reference mark.. . use or recourse for purposes of information a library for public. reference.. . a person to whom one refers for testimony as to one's character. abilities etc.. . a statement usually written as to a person's character abilities. etc.. . relation regard or respect all persons without reference to age.. v.t.. . to furnish (a book dissertation etc.) with references each new. volume is thoroughly referenced.. . to arrange (notes data etc.) for easy reference statistical data is. referenced in the glossary.. . to refer to to reference a file.. refer ence. syn. . note citation. . endorsement. . consideration concern.. noemata. noematagrk topic what it is about thesis text business affair. matter in hand argument motion resolution head chapter case point. proposition theorem field of inquiry moot point problem c. (question). noema nim em n. pl. noemata nimt . e. gk noema a thought.. philos. an object of perception or thought as opp. to a process or aspect. of perceiving or thinking. cf. noesis .. umuligheten av � dokumentere ting formidle og hvorfor skal vi. ting er naturlig utilgjengelige umedierbare ingen vits � frast� eller. holde skjult. negativitet er en representasjon av det utilgjengelige demonstrerende. noen sp�r hva skal du svare. uttrykke blir negativt verdil�st uttrykker verdil�shet. kunsten kan �ve opp ikkeuttrykk. hvis kulturen er medial kan kunsten v�re det umediale rollebytte. kan den v�re sitt ikke et hull vaginalt marginalt penisavantgarden. hvorfor bryr jeg meg med dette kunst. det har � gj�re med livet hva slags liv hva skal vi gj�re lykke behag. trykk ok. en plante liker � st� der og vokse eller hva den driver med driver den �. overlever. hvem bryr seg om � overleve kanskje � overlevere overlevere hva. hvis det ytterste er noe er vel det indre det samme. en atomkrig har betydning for maur. smerte hvorfor ikke. smerte. knirkefritt. hvorfor bryr vi oss hva lenker oss sammen oss likhet du er meg. hvordan vi vil ha det hvordan kan vi ha det slik vi ikke vil ha det. hva st�r i veien hva er en u�nsket situasjon hva er �nsket. �nsket kompletterer ikke u�nsket ingenting kommer etter frigj�relsen. hva skal vi �nske kunst hva er u�nsket slaveri � ikke v�re suverent. er det en kobling mellom aksjonisme og kunst siden kunsten er fri. ikke h�y kunst lav kunst kort mat lang mat. kunsten som frigj�rende gj�rende fri fri gj�rende. hva er fri forskning vitenskapen eksperimenterer kunst. teser p�stander er de holdbare. hva er meningen med dette gir det noe hva uttrykker det. ikke. ikke. et prosjekt som g�r ut p� � snakke retorisk malplassert i forskjellige. protokoller og kontekster 'snakke med' et grensesnitt 'parse' en. kommunikasjon formelt uformelt menneskemaskingrensesnitt i utvidet. forstand 'maskin' og 'menneske' kunst og (hva da)..konvensjon (kunsten. er ny slik som nyheter eller som vitenskaplige oppdagelseroppfinnelser. (uansett kunst som grensen for kultur) n�r slutter kunst � v�re kunst. hva blir den etterp� h�ndverk kultur forskjellige bevegelser kneledd. innlegg kunstkroppen kanskje kunsten m� v�re direkte umediert og. dermed i opposisjon til ethvert medium (som organer i kroppen)).. konseerverende. vi �nsker � ta vare p� ting. et prosjekt som tar var p� alle deler av seg. selv viser dem mister aldri noe g�r det an absolutt konserverende. kan. noe slippe ut. open source crime. kan vi ikke heller rane en bank i open source crime er det fortsatt. kriminalitet om det annonseres p� forh�nd. �hdiy. �h diy. kan noemata v�re et andelslag. distedenfor � s�ke st�tte s� kan interessenter kj�pe andel i prosjektet. dfvs de eier av noemata materialet. evt. en gateway som omvandler. eksisterende st�tte til andel slik at en s�knad om st�tte et. andelsprospekt vil du ha del i dette. tanken bak var diy (d�d kunstner) om kunstnerens produksjon verdiboostes. pofst mortem. nop. jedg vil ha det med en gang. med en klausul om at alt. material tilfaller anddelseierne. �hh. tjat alt m� t�mmes for innhold f�rst da... vel s� ta for medium og t�mt�mt�m fyllfy med det andre logisk. maske. flaskeposten kunne ogs� v�rt digital. m� sjekke litt mer om hvordan det. kangj�res. i en versjon. hva med en type lavniv� datapakker sendt ut p� nett en slags flaskepost. forinternet. innholdet kan v�re hva som helst gjerne personlig s�vidt. kapslet inn. i et format hvor hensikten er at de skal gjenfinnes i en kontekst hentes. oppav vannet med noen mulige tegn hva var n� dette. kaste i havet.. utfordring blir kanskje � f� dem til � sirkulere lengst mulig flaska m�. flytefylles med luft.. primat. primat v.. en form for bot med menneskeaktige som fotspor lagd av som et ganske. stort dyr som maskin. ref. krkaen v... gnh. digitalt. serieverk. digitaltikkedigitalt (enten enten eller eller). mainnsjit. digitus.facticius. automata. automata. bruke php til � publisere ting news mailinglister p� bakgrunn av klikk p�. sider eksekveres i bakgrunnen med en viss sannsynlighet (sider har. include en generisk fil som bruker referer).. p� den m�ten bidrar det til at noemata server blir en selvpubliserende. automatisk nettkunstner. en crawlfunksjon eller noe som gj�r. innholdsdelen dynamisk en intelligent kanalisering. hm dermed er det. publikum som genererer nytt innhold gjennom bes�k og blir en. selvforsterkende greie (evt. selvsvekkende) men som m� ha et. metningspunkt slik vi har et nullpunkt som fyrer av kvanta tilfeldig. iblant (basert p� hva). loopback skal generert material blir en del av. serveren. harang til unge. harang til unge. hjemmeoppgaver. klas oldan. a) forbig�ende identitet en bil har et stort klistremerke �verst. over frontruta mazda . l etc. hva er vitsen bilen har et. stort merke der det st�r hva den er jeg er mazda ahura mazda. g�r sj�f�ren rundt med navnet sitt p� capsen kanskje det men. hvorfor gj�r bilen det. b) christian m� v�re kristen det sier seg selv.. c) et globalt forskningsprosjekt som trekker ressurser fra alle. siviliserte land om � finne verdens eldste vannmolekyl. prosjektet. utvider seg stadig. vi antar at de eldste vannpartiklene er � finne. nede i de store havdypene men vi m� m�le alderen til absolutt alle. inkludert de mer ubestandige v�tromspartikler fra badet ditt. siden. alle organismer best�r av store mengder vann m� alt og hvert enkelt. liv under mikroskopet. hva skal vi med verdens eldste vannmolekyl. d) en sekt arkeologer graver fram oldtidsgjenstander for � utslette. dem.. e) abortert foster kan bli eggdonor dette sv�rt kontroversielle. forslaget blir presentert p� grunn av den prek�re mangelen p�. kvinner som er villige til � donere sine egg til barnl�se meds�stre. i motsetning til s�ddonorer som det finnes nok av. forslaget rykket. litt n�rmere virkeligheten tirsdag da ny forskning fra israel og. nederland viser at det er mulig � holde eggestokker fra aborterte. fostre levende i laboratoriene i ukevis.. f) forskere utviklet tvekj�nnet foster forskere i usa har utviklet. et hybridembryo med b�de mannlige og kvinnelige celler noe som har. skapt ford�mmelse b�de p� legehold og blant abortmotstandere.. g) vinden er en mekanisk prosess jeg tror ikke jeg forsto det f�r. n� den har ingen bevissthet ingen intensjon om � bl�se rundt. hva. er mekanisk hvis du ser n�rmere p� din f�dsel forh�r dine. foreldre s� g�r det fram at den er tilfeldig og automatisk. det er. mye � hente gjennom � se p� seg selv som en maskin du tror ikke p�. det nei du trenger ikke tro hva tror du vinden tror p� n�r den. bl�ser rundt det kommer poesi inn i vinden n�r vi ser p� den som. mekanisk den blir en metafor for en metafor. vi kan n�rme oss det. kunstneriske ved � se p� noe som kaotisk det kaotiske er. uforutsigbart men fortsatt mekanisk eller forutsigbart men ikke. mekanisk forutsigelser har parametre som ikke kan fikseres. samtidig litt av alt eller alt av litt. skolen l�rer bort � v�re. konstruktiv og positiv men ogs� kritisk men innenfor rammene som. n�r det er lov til � le av en vits s�nn n� kan du le. livet tar. vare p� seg selv det er ikke noe du trenger � l�re eller v�re obs. p� alt er mekanisk du fikk tilfeldigvis et liv hvorfor skal du. bry deg hva ang�r det deg se p� deg som en maskin som den vinden. som bl�ser mekanisk rundt uten m�l og mening s� har du allerede. oppn�dd endel innsikt et steg n�rmere mazda. kvitt deg med. forestillinger om hva du har godt av eller hva du b�r unng� hva som. er livskraftig hva som er destruktivt hva som er sterkt og svakt. smart og dumt pent og stygt hva som l�nner seg. se p� den. idiotiske vinden den greier seg fint nok eller hvorfor skulle den. bry seg om den greier seg det gj�r den jo likevel ikke og det vet. den uten engang � vite det. om jeg skal gi dere et r�d m� det v�re �. ikke bry dere. la dere drive ikke la noen ideer om hva som er til. ditt eget beste eller til noe annets beste f� tak. bare la deg. drive du er en maskin slik som tingene rundt deg tilfeldig og. mekanisk lever du slik vil f� et perfekt liv til og med uten �. ville det. perfeksjonen ligger i � gi blaffen fullstendig og � gi. blaffen i � gi blaffen etc. hadde det ikke v�rt fint � aldri v�re. seg selv fremfor alt fors�k aldri � bli noen � bli noe da mister. du livet umiddelbart ingen n�de der. v�r likegyldig og uber�rt s�. g�r ting av seg selv. la ting skure s� kommer livet deg i m�te. ikke. ha tro p� noe p� deg selv p� livet p� en framtid av noe slag du. er allerede d�d mer eller mindre v�r endelig klart over det men. dermed er du straks mer levende. du tror du m� finne din plass. finne en identitet hvem du er jeg oppfordrer deg til � glemme det. hele det er bare noe som konstrueres for � f� tilgang p�. konstruerte goder som stadig legges lenger fram i tid. en mekanisk. prosess en maskin hva skal du med identitet pass p� s� du aldri. blir noen med navn p� capsen eller frontruta. maskiner er ingen.. vinden i gresset og havet bl�ser metaforisk like godt uten � vite om. seg selv s� hvorfor skulle du bry deg med � vite hvem du er om. vinden visste hva den var ville den ikke bl�st og i den grad du vet. hvem og hva livet ditt er s� etterligner du en livsprosess. simulerer og finner p� deg selv som programvare uten � skj�nne at. du ogs� er maskinen som kj�rer programmet. v�r heller maskinen tom. og likegyldig. du lever allerede s� hvorfor skal du bry deg med. livet hvis du vil tjene livet s� er det beste du kan gj�re � gi opp. hele greia. n�r du gir opp vil livet flomme inn over deg s� mye du. vil ha som om det angriper deg for � ha blitt avvist s�. ettertrykkelig s�nn er det med alle ting spark det i r�va og det. kommer tilbake og vil ha mer. i skoleverket skal ting gj�res p�. bestemte m�ter som pedagogisk og konstruktivt hvis dere snur det. p� hodet gj�r det bakvendt eller annerledes s� har det kanskje like. stor effekt. ting g�r av seg selv de bryr seg ikke om hvordan dere. g�r fram om det er p� riktig m�te eller p� en motsatt skrudd m�te.. dere er som elever allerede en slags maskiner produsert av. skoleverket. ideene som allerede ligger der omkring. kunnskapsmaskiner kan trekkes videre hvem bestemmer grensesnittet. p� maskinmennesket og hvem tjener p� det samfunnet tjener p� �. prosessere dere som maskiner men er antagelig ikke tjent med at. dere behandler dere selv som maskiner og her ligger det en. motsigelse den enkelte elev er b�de en maskin og et menneske en. partikkel og en helhet objekt og subjekt men i et ferdig. grensesnitt som legges av skole stat samfunn. men dette er et. grensesnitt som kan forandres vris og vrenges p�. hvorfor skulle du. ikke gj�re motsatt la skole og samfunn behandle deg som et. menneske og behandle deg selv som en maskin vi har allerede. kunnskap nok om oss selv til � betrakte oss som maskiner og. utviklingen fortsetter i samme retning. men poenget med samfunnet. b�r derimot og dermed v�re � betrakte oss som mennesker og. udelbare enheter likevel. dette som et eksempel p� at man likegodt. kan argumentere for det motsatte grensesnittet menneskemaskin. slik. grensesnittet er n� s� brukes og misbrukes vi som maskiner samtidig. som vi holdes i sjakk (av oss selv) som mennesker med identitet. historie liv. samfunnet stabiliseres i stor grad av at mennesker. ser p� seg selv som stabile identiteter med essens og indre og ikke. som tomme maskiner. men s� kan vi sp�rre er det ikke nettopp fordi. vi ser p� oss selv som mennesker at vi tillater oss � bli utnyttet. som maskiner det er det jeg vil gj�re oppmerksom p� og derfor jeg. oppfordrer dere til � vurdere � bli maskiner slutte � identifisere. dere med det menneskelige. det mennesket vi identifiserer oss med er. mer som et gissel for maskinen som en fantasiforestilling og. brukervennlig grensesnitt brukervennlig for hvem ta din. menneskelighet tilbake bli en maskin. skole samfunn n�ringsliv. den globale �konomiteknologimaskinen kan utnytte deg mer dersom du. holder p� din menneskelighet. de f�r mindre makt i den grad du. forholder deg til deg selv p� samme m�te som de forholder seg til. deg. s� lenge du er et menneske kan du behandles som en maskin og. f�rst som maskin blir du et menneske du gjenvinner makt gjennom �. behandle deg selv som en maskin. paradoksalt nok gjenvinner du din. menneskelighet ved � bli en maskin du f�r tilbake ditt. uinnskrenkede liv gjennom � d� som menneske du f�r tilbake din. frihet ved � gi opp forestillinger andre har nytte av at du tror p�. og tar tilbake makt over deg selv ved � gi deg opp. menneske er. som en programvare som kj�rer p� en maskin. du blir behandler som en. maskin av andre av vitenskap skole n�ringsliv stat etc s�. hvorfor skulle du ikke se p� deg selv som en maskin siden det gir. deg makten tilbake og siden du er en maskin uansett. forestillingen. om mennesket overtar etter at forestillingen om gud forsvann.. forestillingene brukes f�r som n� til � ut�ve kontroll og for at. du skal ut�ve kontrollen over deg selv selv som i forestillingen. om mennesket (utenfra) og om menneskemennesket (selvkontroll. innenfra).. noter. harang h�ytravende og kjedelig tale straffepreken.. mazdah vis visdom (zoroastrisk persisk).. menneskeprogrammet inneholder i tillegg s�kalt spyware. panoptikon som spionerer p� din aktivitet og bruk av det som i. praksis betyr at du som menneske spioniserer p� deg selv noe som er. �rsaken til mange av de avbruddene det gir et un�dvendig h�yt. ressursbruk i systemet spenninger og bakgrunnsprosesser og andre. kj�reproblemer som oppst�r etter langvarig bruk. ved avinnstallering. av menneske fjernes ogs� panoptikon i stor grad.. DIY. dude stun. en intro skrevet til ung hos gallerif. kanskje det ble for dumt.. jeg pr�ver � profilere meg som d�d kunstner de er mest verdt. hvorfor. skal andre innkassere p� min d�d gj�r det selv d.i.y passende tittel.. en annen del av diy kan v�re lobbyvirksomhet for � tillate kunstnere �. trekke fra sin d�d p� selvangivelsen (e.s ide). d�de kunstneres forening. d�d . og en utgreiing om kunsten som d�d som retning kallt e.. kunst i tradisjon fra kristendommen hva er kunstens nullpunkt n�r d�de. den p� korset i pissoaret inri diy innskriver u r mate p� verdens. pissoarer og vigsler de til kirker. kunst og meningsl�shet beslektet. betyr det at mening er kunstl�s kunsten representerer d�den ikke livet. kanskje d�d kunst er faktisk liv slik d�de dyr er mat. d�d kunst som. tautologi levende kunst som oksymoron. har diymodellen forklaringskraft. p� andre forhold d�den er ikke ingenting det er mer som � drukne. altfor masse ren overfl�dighet som kunst. det f�r v�re nok d�dsralling. for denne gang. diy.. diy. engasjer en d�d kunstner utstilling performance forelesning. tekstmaterial bestillingsverk. kj�p kunst av d�d kunstner.. ekthetsgarantier d�dssertifikat og garanti en garanti om at. kunstneren er d�d og ikke vil gjenoppst� evt. at kunstneren vil d� f�r. eller senere.. mora til e og j har tilgang til folkeregisteret. hvor store problemer f�r. jeg ved � v�re registrert d�d ingen istedenfor selvmordet diy. iscenesetter d�den istedet ikke selvmord som en iscenesettelse av d�d. men en iscenesettelse av d�den som et selvmord.. dyi kan g� gjennom d�dsforestillinger. d�dsforestillinger. som stunt det er som � bygge noe f�rst skjelett og s� kj�tt og blod �h. jan teigen sirkus d�den som showman er ikke langt borte hva er. d�dskultur. diy. vi forestiller oss d�den som en eksplosjon mens den mer er som en. implosjon det var det jeg tenkte n�r jeg reiste meg og ble svimmel og. var i ferd med � miste bevisstheten. at de sprer asken etc er mer i tr�d. med forestillingen enn realiteten og de hadde ikke trengt det om det var. en realitet det er n� forestillingenes funksjon. de d�de er ingen steder. ikke engang spredt for vinden de imploderte p� stedet skrumpet inn i seg. selv og ble borte som i et punkt p� stedet hvil i fred.. en d�d kunstner automatisk kunstner lever videre. som maskin. som alt automatisk generert som en. omvending.. kvantum statsborgerskap. kvantum statsborgerskap.. uncertainty principle the statement that it is impossible to make a. precise simultaneous measurement of both the position and the momentum. (mass x velocity) of a body.. staten b�r forhindres fra � kunne m�le borgerens posisjon og fart (status. og aktivitet).. the reason is that the mere act of for example measuring the position of. a particle involves making contact with it in some wayif only with a ray. of lightand this will alter its momentum (or velocity). similarly a. determination of the momentum of the particle will affect its position.. staten b�r kompensere for � m�le borgeren siden det forandrer dennes. status eller aktivitet.. the product of the uncertainties in the two quantities must be of the. order of planck's constant h (. x joule second).. protokollen statborger m� implementere en plancks konstant (privacy. konstant) som gj�r foresp�rsler mulige uten � fiksere borgeren.. jeg �nsker opplysninger om en eller flere andre personer. hvilke. opplysninger kan jeg f� og hva kreves for at jeg skal f� dem. likningskontoret henvendelsen kan gjelde inntil tre navngitte personer.. det er et absolutt krav at personene m� kunne identifiseres i. folkeregisteret. det m� videre v�re et begrunnet behov for henvendelsen. dvs. for � ivareta lovmessige rettigheter og plikter. eksempelvis er. opplysninger i forbindelse med unders�kende journalistisk virksomhet et. begrunnet behov. klassegjenforening adresseopplysninger om venner og. kjente og lignende anses ikke som et begrunnet behov.. f�lgende opplysninger kan gis dersom vilk�rene er oppfylt navn adresse. f�dselsnummer f�dested d�dsdato. feriebilder. en imagin�r reise i form av webgalleri. det begynner med vanlige. feriebilder g�r etterhvert over i fremmedgj�ring og eksperimentering.. asciihelleristninger. et fors�k p� asciihelleristninger. og hva gj�r h til noe annet enn tagging og vandalisme. alder.. statist.sentrbyr� begynner med kultur sjansen for at det akkurat her er. bedrevet menneskeofring er .. sjansen for at det gikk en viking akkurat. der du g�r n� er .. sjansekultur. vi tror det i fremtiden om tusen �r. vil st� et menneske akkurat der du st�r n� forestill deg det. p�. akkurat dette stedet var det bare flytende lava for mrd. �r siden. om. noen mrd. �r s� eksisterer ikke dette. om ti minutter er vi ikke her.. mikrokultur. hvis du beveger litt p� det ene beinet ditt s� st�r du ikke. lenger der du sto. vi kan telle til ting forandrer seg. skal vi ta. vare p� alt jeg snakker til deg. akkurat n� h�rer du p�. i den bevegelsen. er vi. n�r vi blir lava g�r vi opp i gud. flytende v�ske har problemer med. � skape sivilisasjoner med h�y kultur. gass har atferdsproblemer. isen er. nevrotisk. temperaturene. svart galle koker ved grader nord.. beskyttelse molekylene l�ser seg fra hverandre og blir gass vi g�r over. i en gasstilstand plasma rovdyret markerer territoriet gassen fyller. hele rommet. gass er gift tenker vi slik som luft.. avstandsverk. verk som foreg�r p� lang avstand. avstanden virker konsentrerende. henf�rende attraktiv r�rende sublim latterlig. � se en person. kilometer unna har en spesiell virkning. huldra ved fossen p� fl�msbanen. bruker dette men innholdet er en mekanisk turistklisje og sp�kelse men. ikke helt irrelevant bare kjedelig. noen med hund gikk langs en h�yde. noen hundre meter borte det var mer interessant. et teaterstykke med. scenen en kilometer unna kanskje bare siluetter handling pantomime.. automata. noe random noemata phpscript control panel kopling n. mailinglist news... sikt. alle sikter er kroppsliggjorte mens vi har et ideal om et tomt eller. �pent sikt at hodet er �nd. n�r hodet er �nd kan kropp v�re kropp. sammenblandingen er frast�tende uren �nd skinnhellig kropp. at hodet. kroppsliggj�r sansning er renere enn handling er renere enn f�lelse.. avsondret virtuell natur. n�r samfunnet blir virtuelt �pner det for � bruke det virkelige som en. �rken eller avsondrethet. lenge har gangveier v�rt forbeholdt bare. mennesker p� bl� skilt veiene ble i sin tid lagd for disse symbolske. menneskene s� de kunne bevege seg fritt omkring og spre det virtuelle. fram til idag hvor hvor som helst er en �de avsondring fra verden. verden. rundt p� millisekund kropper er gjenstander gjenst�ende blir vi. endelig natur igjen. tagg. reklamen fikserer forestillingen til noe eksternt noe som gj�r at den er. helt ubrukelig i dannelse f.eks. har en velmenende solidarisk kampanje. ingen mulighet til � n� fram til noen siden den m� fikseres til tingen.. hva skjer n�r taggen fjernes en serie reklamefilmer hvor taggen er borte. eller taggene byttes om hva skjer forresten n�r den spilles baklengs en. annen slags virkningsfullhet som beveger seg fra tagg og ut til en. situasjon (der mor vasker gulvet) vil det ha virkningen av at taggen. sprer seg og er virkningen reklame eller antireklame. hurtigb�t. til. vi . i vender. til det . men i et et .. smeltet .. er globalisering � gj�re verden til vann. som vi kan sprute gjennom. vannet fragmenteres i brus og vender tilbake. til det globale vann. nettverket men i et tidromkontinuum et hav.. verden er smeltet sammensmeltet og fragmentert.. clinamen. dermed kan et brudd p� cpsymmetri forklare hvorfor vi bare finner stoff. og ikke antistoff i universet. clinamenavvik patafysikk. clinamen det andra postulatet st�r fr en oregelbundenhet i tankens och. atomens centrum. ordet r latin och betyder ungefr 'avvikelse' eller. 'avdrift'. detta postulat ger vissa associationer till kvantmekanik och. kaosteorier. i centrum fr allting stter patafysikerna en asymmetri.... denna avdrift lyder ingen lag det r en nyckfullhet fr�n atomens sida.. det r frst�s sv�rt att frestlla sig en rrelse utan orsak men om man. betnker att avdriften r synnerligen liten och rrelsen omrklig kan man. l�ta sig nja med det och det r en eftergift som inte kostar mycket.. utifr�n detta kan man ltt frklara vrldarnas uppkomst.. henri bergson citerad av oktav votka ( e.p.). clinamen den moderna. fysiken och de vetenskapliga frdomarnaantologi (pp. ).. franskmannen alfred jarry () var oppfinneren av patafysikken. vitenskapen om fantasifulle l�sninger enkelttilfeller og rare unntak.. ordet patafysikk ble antakelig valgt for � suggerere pataphysique. dvs. sjokkerende fysikk. patafysikken ble beskrevet i et verk av jarry. fra og skulle if�lge forfatteren omfatte alt spesielt og perifert.. femti �r etter ble collge de pataphysique grunnlagt. det patafysiske. samfunnet fungerte som en slags parodi p� et universitetskollegium og. dagsordenen under samlingene gjaldt vidl�ftige meningsl�sheter obskure. vitenskaper (f.eks. hypnose) og poetisk nonsens. en vitenskap om imagin�re. l�sninger gjaldt det jo � forsyne med imagin�re problemer... m�tene. foregikk innen en hemmelighetsfull nesten okkult ramme og fikk ogs�. trolig mye p�virkning fra surrealismen. det var noe fandenivoldsk over. patafysikerne en vilje til � balansere galskap og l�rdom og � s�ke etter. mening helt inn i det meningsl�se. jarry angrep i sin skj�nnlitteratur. eksisterende moralske og estetiske verdier og ble et forvarsel om det. absurde som kunstretning.. displaced paint. painting by dead artists is in a biased nutshell what they still prefer. as state of the art. areflagan. stille ut stj�lne malerier fra utstillinger i en ny utstilling ref. nn. ide tidligere.. .. .. .. ... .. .. moar of the sam. en teateroppsetning av en tegnefilm kraxy kat. livingroam. delprosjekter. nettnogmade no made nomade. kluturfjam bruke offentlige rom som sitt hjem. lingamviro. roam v. i. imp. p. p. roamed p. pr. vb. n. roaming. oe. romen. ramen cf. as. arman to raise rise d. ramen to hit plan aim os.. rmn to strive after ohg. ramen. but the word was probably influenced. by rome cf. of. romier a pilgrim originally a pilgrim going to rome. it. romeo sp. romero. cf. ramble. to go from place to place without any. certain purpose or direction to rove to wander.. he roameth to the carpenter's house. chaucer.. daphne roaming through a thorny wood. shak.. syn to wander rove range stroll ramble.. roam v. t. to range or wander over.. and now wild beasts came forth the woods to roam. milton.. roam n. the act of roaming a wandering a ramble as he began his. roam o'er hill amd dale. milton.. v wander about aimlessly the gypsies roamed the woods syn wander. swan stray cast ramble rove range drift. Mar. diskett gallerier zip. release mail art germinal posten til forskjellige. endel tomme polstrede pakker til institusjoner bare med en papirstrimmel. ... honstad kunstsenteenier. ssmuseet bankplasamtidse. a fearnley museetstrup p. kernes hus wergelunstnan. u�dhusgt. ks r o. gi f pb jelaller�y. nrsk kunstmuseum ordnopo. nalgalleriet postasjonbo. b sundtsgt ek c. po atelier nord nek cne. tkj�pmannsgt eks. ar nord nedregt telied. det kan v�re lurt � skrive ut denne siden.. perifer samtidskunst spill p� sentral smtkunst... drafts undigested usendt mail. cv. om vi tok alle cver i verden og modellerte et samfunn. evt. alle. kriminelle rulleblad.. cv jeg henviser til politiet. criminalis vitae. har det noengang v�rt andre samfunn enn v�rt. into nation. into nation intonation a musical score for un or sociogeo. music of the. political spheres. webbased spheremusicstream into outofnation. 'outofnation' contra intonation.. intonation p pronunciation key (ntnshn t). n.. the act of intoning or chanting.. an intoned utterance.. a manner of producing or uttering tones especially with regard to. accuracy of pitch.. linguistics. the use of changing pitch to convey syntactic information a. questioning intonation.. a use of pitch characteristic of a speaker or dialect he could hear. authority the old parish intonation coming back into his voice (graham. greene).. music. the opening phrase of a plainsong composition sung as a solo part.. quicktopic. en bok p� qt en emailadresse webboard admin etc.. radioaktive bilder. det norske forbrytersyndikatet kraken tar p� seg ansvaret for. romferjeeksplosjonen.. curiously nobody (yet) claimed credit for spectacular destruction. of space shuttle columbia. not saddam not bin laden not. hamas not hezbollah nor anybody else. and there could be no. more perfect opportunity.. kraken kan v�re open source crime. creative commons crime.. inspilling av avspilling. curd duca innspilling (av) avspilling som en persepsjon ny persepsjonen. av noe blir noe nytt en avspilling er en innspilling dessuten komponere. vha avspilling en enkel tydeliggj�ring av sampling som medial kunst. gjenskaper lyttingen som om en utstilling stilte ut blikket i et. galleri. stalkme. stalk me videoprosjekt f�lge etter film redigere klippe. rundt hj�rner etc. i monn. et romantiskmodernistisk livkunst prosjekt i smarb med en kurator nn. monnasteryx. minimax. kampsport som en maskulin animus dans sverd korde sl�sskamp boksing. i en forestilling alternerende med feminin dans den maskuline dansen. bruker egenskaper fra sport som kultur (se under) m�lbarhet episodisk. den feminine er �ndelig anima etc.. release. noemata.netrelease. main entry release. pronunciation ri'les. function transitive verb. inflected form(s) released releasing. etymology middle english relesen from middle french relessier from. latin relaxare to relax. to set free from restraint confinement or servitude hostages also to let. go dismiss. to relieve from something that confines burdens or oppresses. to give up in favor of another relinquish property. to give permission for publication performance exhibition or. sale of also to make available to the public its findings. main entry lease. function transitive verb. inflected form(s) leased leasing. etymology anglofrench lesser from old french laissier to let go from. latin laxare to loosen from laxus slack more at slack. to grant by lease. to hold under a lease. synonym see hire. leasable 'lesbl adjective. release fra bokhandel til bibliotek.. tid logikk. baklengs. en melodi hvordan forandrer den seg hvilke egenskaper blir. motsatt kj�re andre prosesser baklengs hva sier det om prosessen og. modellen. hvis tid ikke finnes s� er irreversible prosesser uforst�elige.. p� hvilken m�te er vitenskapen mot tidsstr�mmen som reverse. engineering � gj�re et eksperiment er i tidsretningen mens. teoretiseringer er imot. hva med logisk implikasjon og tid. sannhetsverditabell for logisk implikasjon. p q pq. s� en �rsaksrelasjon er stort sett sann dvs. s� lenge relasjonen ikke er. p�viselig usann. implikasjonssymbolet () tilsvarer tidsretningen. s�. vitenskap handler mer om � finne ut hva som er usant enn hva som er sant. (siden relasjoner er sanne inntil det motsatt er p�vist). i tidsretningen. er alt sant. imot tidsretningen vet vi bare hva som er usant og det som. ikke er usant er sant. vitenskap driver dermed med dobbel negasjon. en. negasjon imot tidsretningen (teoretisering) og deretter en negasjon med. (eksperimentet). negasjon avskj�ring.. stasis. hvorfor er den enkeltes relasjoner til andre s� statisk hvorfor. foretrekker en person � forholde seg til en begrenset kjent gruppe. venner bekjente praktiske relasjoner basert p� at alle mennesker er. nesten like global kultur osb spiller det like liten rolle hvem man har. med � gj�re om man ikke er ute i en bestemt hensikt. men n� er det. nettopp disse hensiktene som styrer prosessen og strukturerer relasjonene.. runciter said ill consult my dead wife. pk dick ubiq. brettspillet paradox nonplus. brettspillet paradox nonplus. et brettspill med trivial pursuit som modell der temaene er paradokser av. ulike typer.. kategorier. logikk (argumentasjon bevis definisjoner osb). sitat (g�te herme ordtak osb). lateral (vits situasjon osb). n�tt (div tankern�tter matematikk logikk sannsynlighet osb). trivia (uventetparadoksal kunnskap). Tilfeldighetssamfunnet. Samme hvor mye jeg tilfeldig snur p�lsene i panna er halvparten p� feil side.. Det er to m�ter � f� dem jevnt steikte p� snu hver enkelt eller tilfeldig. permutering (med hyppigere intervall). Tilfeldigheten er automatisk rettferdig.. Kunne vi hatt en samfunn basert p� tilfeldighet istedenfor rettferdighet Det. er. tilfeldig hva slags l�nn borgeren har hva han betaler i skatt osb.. Frihet rettferdighet brorskap Stokastisk tilfeldig hvemsomhelst. Hva som idag er underlagt rettferdighet blir heretter prosessert tilfeldig.. Likhet er vel det beste ordet her. Staten velger tilfeldig ut personer hvert �r som skal d� i trafikken.. Staten velger ut banker som skal bli ranet.. Staten velger ut ukas lottotall.. Kan vi ha staten som en lottomaskin Autorisert tilfeldig. Vil korrupsjon bli. et. problem siden ingen regler gjelder Vi har statistisk analyse som m� stemme. ellers er du ille ute. Ingen regler nei tingene styrer seg selv trafikken. s�rger for sine ofre (ikke Over kanskje). Styring gjennom automatiske r�re. rundt. Induksjonsbevis siden n var tilfeldig utvalgt s� er det alment.. S� f�r de ulike samfunn en debatt om Hva som skal underlegges tilfeldighet.. Alt. ingenting. Staten bestemmer seg for � styre v�ret de kaller det ikke lenger v�rmelding. men v�rvedtak (og s� kan vi lure p� hvor utbredt slik styring allerede er. tingene styrer seg selv uansett styringen er illusjon om styring vi vedtar. sol. i morgen men hvordan vet vi at det ikke er styring Hvis det ikke blir sol s�. blir det nedsatt en kommisjon til � granske hva som gikk feil noen m� g�. d�rlig styring etc. i gode tider er det lett � styre som er et tegn p� at. tingene styrer seg selv.). Staten rullerer identitet du v�kner opp og er en annen annen jobb bankbok. kone barn etc.. Tilfeldig hva man ikke �nsker skal utgj�re noen forskjell det som skal v�re. likt for alle.. Hvis identitet rullerte ville vi ikke v�rt opptatt av hvem vi var.. Staten blir et uropoliti for ansamlinger av ulikhet. Konkurransetilsynet blir. tilfeldighetstilsynet.. Fr� er det berre Norsk Tipping som har lov � driva med speleautomatar her. i landet.. Vi har ingen kriterier lenger p� noe som helst tilfeldighetstilsynet likevel. ivaretar likhet rettferdighet.. F�r vi problem med spamming ren kvantitet for � p�virke utfall. Kunsten fra n� av er stokastisk vi er e.Kunst etter kunst et antall �r. alt. er kunst etc der hvor vi g�r over til tilfeldighetslikhet. et utvalg. tilfeldig utvalg.. Statement. Artist Statement Eric Jordan Dec. These paintings are a response to concerns that become. so pressing I virtually stopped painting. These anxieties fell. primarily into two groups. The first centers on the nature of meaning. and the second on my approach to painting.. Through looking and discussing the work of David Salle. I had become increasingly interested in the philosophical questions. surrounding the nature of meaning. This arose from a simple disagree. ment. I felt Salle's paintings were meaningful. Someone else disagreed.. In pursing a solution I found it was first necessary to address the. question of what exactly meanings is. Central to this question is another. question how can meaning be destroyed If meaning can not be. destroyed then nothing can be meaningless and everything must possess. meaning on some level. If meaning can be destroyed then it is possible. have meaningless items but what process achieves this result. Obviously from this question arises the question how is meaning. formed. Realizing I was not in a position to find answers to these. questions without considerable work I went to ask some advice. Having. seen a commonality between James Joyce's Ulysseus and David Salle's. paintings I went to see the University of Victoria's expert on Joyce. Dr. Trevor Williams. I felt that stylistically Salle and Joyce's were very. similar. They both use imagery in a disjunctive and unconventional manner. Yet. I had thought critics saw Joyce as maintaining meaning within his work. while critics of Salle saw his work as embracing meaninglessness. This. assumption was demonstrated to be false in my conversation with Dr.. Williams. He informed me that while Ulysseus is generally held to. possess meaning Joyce's later work Finnegans Wake is held to embrace. a form of meaninglessness. And from the examples I could show him he. felt Salle's work was very similar to Finnegans Wake much more so than. Ulysseus. Yet there is still a distinction between critical writings on. Salle and Joyce. Salle's work is held to be meaningless in a cynical. way whereas Joyce's meaninglessness is described as indulgent and. pleasurable.. egg roll. but. if that confuses matters then matters will be confused. germinate Jow. Because the duplicity of artwork hardly began with Internet. It reaches back. what Rancire calls the aesthetic regime of the arts which emerged not. coincidentally at the end of the Ancien Regime. Aesthetics is the name of an. indistinction where fact is inseparable from fiction where the lowest can. become the highest and viceversa. The aesthetic regime of the arts ruins the. historically prior regime of representation with its hierarchies decorum. and strict separation of genres but also its Aristotelian distinction between. chaotic accidental history and wellconstructed plausible fiction. Working. initially through mimetic or testimonial techniques realist literature or. painting photography or cinema the new regime determines the paradoxical. beauty of the anonymous subject of whoever or whatever The ordinary becomes. beautiful as a trace of the true when it is torn away from the obvious and. made into a mythological or phantasmagorical hieroglyph. () Before and. beyond any modernist or postmodernist program the aesthetic regime makes. art into an autonomous form of life thus simultaneously positing both the. autonomy of art and its identification with a moment in a process of life's. selfformation.() The understanding of activist art begins right here with. the notion of life's selfformation.. Hieroglyphs of the Future Jacques Rancire and the Aesthetics of Equality. Brian Holmes. scanner. scanner tenkte p�nytt et suspekt nettprosjekt � sirkulere epenger bilder. av sedler. hva er avh. av skjermoppl�sning s� det er relativt og vel ikke. straffbart uansett er det vel utskrift eller hva er framstilling som er. ulovlig.. ulovlig med st�rre enn dessuten mynter. kanskje den gamle. �ringen hvordan i h kom de p� ideen om en kjempediger �ring fors�k p� �. bruke dem som et pengesystem vedlagt er kr. med en disclaimer. satse. p� pop utbredelse og en konfrontasjon med norges bank. digitale penger.. utbrodere. n.bank har liggende ute bilder men som det st�r ugyldig p� eller. noe.. presentere det som nyutgitt seddelsett. ok det er kanskje en d�rlig ide men. med. litt potensial (burde ha p� en eller annen m�te).

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fenomenolodffdgien. fenomenolodffdgien virfker som ens agforl�ser. � si at alt er ytre lager illusjoner. all sansning er relativ. � si at alt er indre gj�r det meningsl�st. tingene vi ser har niv�er. indre og ytre som grunnleggende. vanskelig for � akseptere det ytre. men sep� det som en side som ytterside blir det lettere. menneker er ikke forskjellig fra ting. barnebok om logikk. barnebok om logikk eller for � opp�ve logikk selvstendig tanke sammenheng. ikke v�re redd for � stille sp�rsm�l gjennomskue tullprat propaganda la. logikken v�re veiviseren tenke selv. forbilde alice sokrates. tenkte p� CG's flate responser som var kule no bimbo. logikken er v�penet vi har mot informasjon og disinformasjon hvordan skille. hva er sant. en slik liten bok p� logikkens premisser ting trenger ikke v�re realistiske. logikken holder det sammen vi kunne levd under andre livsforhold ting kunne. v�rt anderledes alle anerkjenner logikk eller. g�ter n�tter etc ogs�. papirer. forlatte papirer. etterlatte. tillatte. fralatte. p�latte. underlatte. overlatte. baklatte. foranlatte. vedlatte vedlagte. forlagte. etterlagte. innlatte. utelatte. innlagte. utlagte. plante analogi. hvor utbredt er plantelivn�ring analogiene i folks forestillinger vekst. vokse seg stor og sterk etc livet som plante. det har begrensninger fordi. planter har r�tter. � sl� seg til ro blir analogt med � sl� seg til rot for �. vokse bedre. menneskebilde plantebilde. dessuten m� det komme som en stadig. overraskelse at mennesker d�r s� plutselig skulle de ikke heller bare visne. bort og alle raske forandringer er av det onde elektroner m� v�re sm� demoner. hva med fotoner fotosyntese sola de er gode. i det hele tatt vi har for. stor makt til � v�re planter tr�r som vokser b�ker som kultiverer uendelig. vi har bokb�l virus bomber knapper � trykke p� maskiner. vekst joda men vi. er mennesker ikke planter og innimellom der dyr og da er ikke mineralene. engang nevnt f�r n�. og hva med sjelen og �nden vekst liv og d�d eksistens. s�dcellen som kom p� andreplass idrett de dramatiserer overlevelse. h�ndballandslaget raider nabostammen de vokste ikke sammen. alt eksploderte. det er en slags vekst. plancks konstant b�rekraftig utvikling. og utvikling. bilbomber utviklet seg utenfor ambassaden. mennesket er alle tings m�l ikke. plante ikke eksplosjon fenomener har forskjellig hastighet st�rrelse. samfunnet er st�rre enn hver enkelt og dermed treigere mer likt planter mens. grupper av mennesker er mer som dyr dummere men sterkere. i andre retningen. er. �nden som et elektron og ser for seg atomeksplosjonen som den h�yeste. religi�se. forening sin skaper sola big pangpang. lenger framover er lenger bakover. st�rre fart er st�rre avstand mindre er st�rre forestillingene er speil n�r. du ser foran deg ser du bak deg som n�r du ser utover ser du bakover.. this is an invitation to write into books. maybe post it somewhere to someone in any degree privatepublic. so we have also dark matter and obscurity. things get lost and forgotten. we get lost. so you can pour into and some things remain. words may survive you maybe not. all the same why not directly. explore the illusion of substance you book. we try the immediacy be as it is. tagged identity. ragged substance suits. own activity to find read assemble. ondemand (like my birth was on demand no). these things nothing else than you. you is your. but your is not you. netbooks ent cypherbooks chyperbladder. scatter scantologies. copyleaf. anyhow monitor. monotire no id minimal. like its hinsight out. like from a plane landscape look inside out. like hyper looks interior not extraexterior. sides of the skin only one. interface akin to facere to make. like making is looking. reading is making. book is interface. book is making of book. like to book make a reading. paging. Slowtime......... Slowtime......... Kunne lagd noe lowfi slows nordlyset er slow og langstrakt. Ingen gidder se. p� s�klart men bare vite at det finnes og driver p� mens vi driver med noe. annet. Automatime() en automatisk film s� du slipper � se p� og vi slipper �. lage den.. noema valuta. noema valuta. noema . kr. I was assuming that everyone knows what fluxbucks are.. Fluxbucks are artistmade money that has no real. monetary value and are not meant to be counterfeit.. It's more like the idea of an alternative currency.. De pengene har vel en kunstverdi Det er tilbake til bytteverdi at pengene i. seg selv har verdien slik myntene i utgangspunktet var av edle metaller med. reell verdi s� er kunstpenger pengerisegselv men hvem bestemmer. verdien. av kunst Kunstpenger kan presse fram standpunkter i en forhandlingssituasjon. s� blir det n�dvendig. g�r det an � gj�re noe mer reelt ut av dette en m�te �. 'selge' kunst p� at de er selve pengene. alt det der. alt det der er hukommelse hva slags hukommelse ting har hukommelse bestemmer. atferd lang hukommelse blir automatisk konservativt gass er uten hukommelse. kan det strippes ned til aggregattilstander egenskaper ved stoff ved. temperatur trykk fast stoff har en hukommelse om sin form gjenstand og. plass flytende er kollektiv hukommelse tilh�righet... oldmail v. oldmail v. ideen med � svare p� mail som er veldig gamle mnd�r kan virke positivt p� en. kommunikasjonskultur strekke den ut vise at postene har en verdi utover det. umiddelbare det er � gi det verdi ikke at alt m� v�re siste nytt for at du. skal svare p� det at de ikke har noe annet enn en nyhetsverdi annonseverdi. som m� v�re en av de laveste verdiene noe kan ha at de bare ha verdi som. oppmerksomhet. S� kan man selvf�lgelig det ha tomme mail som bare er. oppmerksomhet som om det ikke var nok av slikt hallois.. prolificating open promiscuous machinic monstruous fractal viral. indifferent nihilogies nilogues.. bookvalue stages (ref baudrillard) natural books commodity books structural. books (hypertext) fractal books (viral radiant). fractal books there is no. directions without reference to anything whatsoever by virtue of pure. contiguity. fractal books (hyperbooks cypherbooks) no longer has any. equivalence an epidemic of book metastasis of text haphazard proliferation. and dispersal of book. we should no longer speak of 'book' at all for this. kind. of propagation or chain reaction makes all books impossible. yet things. continue. function long after their idea have disappeared and in total indifference to. their own content the paradoxical fact is that they function even better under. these circumstances. the book is no longer a metaphor for logos etc or anything. at all merely the locus of metastasis of the machinelike connections between. all its processes of an endless programming devoid of any symbolic. organization. or overarching purpose the book is thus given over to the pure promiscuity of. characterizes networks.. MAIL ART to Michael Lumb. ...It is perhaps ironical that mailart attracts shy individuals who by. definition tend to be aware of the network of people from all walks of life. and. not necessarily artists who communicate their creativity through the postal. system.. ...exploring jokes puns and the apparent random placing of both images and. text. in juxtaposition to each other as well as the use of a repeated popular image. for example the bicycle. ...It was in this environment that Johnson began the experiment of work that. acted between art play and life that was to occupy him for the rest of his. life. mailart.. ...The contents is the contents the stamp are the stamp the address are the. address. It is very clear your question 'Is this an art form' is the art form.. ...as with his announcing nonexistent exhibitions of his in the village. VOICE... In around the time of his rd birthday he took an ad in the. art section of the New York Times to announce 'Ray Johnson Nothing No. Gallery.'. ...his apartment but was surprised to find rather than the expected Schwitters. like muddle '...a place empty of everything but a chair a bed a stove and. refrigerator and a few boxes containing collages. Nothing on the walls. nothing. on the floor.. ...is said to have observed that his paintings were three times the size of an. envelope and was moved to cut some of them up and mail the pieces to friends.. ...I call them moticos. It's a good word because it's both singular and plural. and you can pronounce it how you like. However I'm going to get a new word. soon. ... However although Johnson seems never to have referred to the fact. it is highly likely that he chose the word 'Moticos' (particularly in the. plural) because it is an anagram of 'Osmotic'. The word relates very well to. the. way in which Johnson absorbed images words ideas and life into his collages. and to the way in which he disseminated his work through the mail.. ...Wilcock describes Johnson's 'Moticos mailing list' notes that it included. people and quotes him I send lists either to people I think would be. interested or to people I think won't be interested. ...By the s Johnson had established a mailing list of about people. ...This is evidence that Johnson was not simply sending one of his collages. (motico) as a gift but indulging in a complex series of pieces of puzzle. ...The unpredictable nature of Johnson's work extended to his choice of. correspondents and frequency of sendings. Some received 'letters' two or three. times per week and others never or very occasionally regardless of their. attempts at communicating with him. Equally a 'letter' could arrive from him a. long time after they had givenup hope of getting a reply. Analysis of. mailartists' correspondence with Johnson reveals no discernible reasons for his. decision as to who to send to or the frequency of his sendings.. ...held New York Correspondance Club meetings with seating plans (Plate ). another list of names.. ...The issue of putting a name to a work of art was subsequently explored by. mailartists and the first mailart Multiple Name was created in the mid s by. two British mailartists Stefan Kukowski and Adam Czarnowski who tried to. persuade other networkers to adopt the name 'Klaos Oldanburgh'. ...Open popstar name that could be used by mailartists wishing to assume the. identity of a popstar. The name Monty Cantsin became associated specifically. with Neoism and in particular with a Canadian networker Istvan Kantor. ...Stuart Home an English networker ... that of Karen Eliot. ...'Zine' Stephen Perkins defines them as selfproduced selfdistributed. nonprofit publications focusing on topics that are often ignored by the. mainstream media. referring to self published cheaply produced products with. no commercial ambitions or outlets he goes on to say that the history of. Zines. can be traced back to the s when science fiction fans started putting out. their own slick science fiction magazines. ...produced by General Idea who began File magazine in with a grant from. the Canada Council.. ...Anna Banana Vile ... particular ambition was to imitate Life magazine to. such an extent that it could be taken for it ... At that point she dropped the. notion of imitating Life. ...Stewart Home who in February published his first issue of Smile 'The. official organ of the Generation Positive.' This journal was to express Home's. ideas on 'Positive Plagiarism'. ...power of rubberstamps. ...Robert Morris' 'Peripatetic Artists Guild' refusing sales or fees but. asking. for a wage. ...the use of postcards by On Kawara to document the minutiae of his everyday. activity for example the 'I Got Up At' series begun in. deliberately contradictory multitheories. It is antielitist and gives the. participator complete artistic freedom to do whatevershe wishes with the one. proviso that she must adopt the name Monty Cantsin or Karen Eliot and refer to. him or herself as a Neoist.. ... The term Neoism a pastiche of art movements implies a looking back to an. 'Ism' without any specifics. Neoism defied any possible interpretation as to. what it stood for and as such belongs to the debate that took place around a. redefining of art history.. ... Home claimed that Plagiarism (and multiple names) challenge western notions. of identity and therefore property and ownership an anticapitalist. revolutionary tool considering it to be a positive creative technique.. ...Home proposed an end to originality (for him the false individualism of. consumer society) as an important aspect of creativity and his theories centred. on an encouragement to photocopy the work of other artists as a statement. against capitalism private property and the commodification of Fine Art. ...This was extended to music with a National Home Taping Day.. ...Mailart having no end product and being a network. ...Caroline Tisdall sees Beuys intention as a widening of the concept of art in. which The whole process of living itself is the creative act ... thinking. talking performing teaching and above all living which all of us do can. be seen as a process of moulding or sculpting Social Sculpture.. ...immediacy Further electronic mail lacks the physical appeal of snail. mail. Much of the aesthetic is missed and most obviously it misses any three. dimensional qualities and all those of weight texture and subtleties of. appearance. More important though is the 'presence' through handling of the. sender in the form of traces of smell secretions and residues that can be. experienced by the recipient. Again this is evidence proof a further. signature a mark left like an animal leaving its scent. This is analogous to. the response of the mid. th century public to the debate of the relative. status's of the portrait photograph and the portrait painting that still holds. good for today. Whilst the painting had tradition scale and proven durability. it was subject to interpretation the work of the artist whereas the. photograph. was the 'shadow of a loved one.' The photograph exists literally as the. capturing of the 'shadow' of the sitter falling on the plate. It has been. 'touched' by the sitter and is therefore a part of them. It is clear that. electronic mail intervenes and interprets (like the portrait painter) it is. not. a direct sending therefore missing the potential for the 'touching' sender to. 'touch' the recipient.. ... As to the future the likelihood of the status of mailart changing. seems remote the lack of critical writing about it significantly two years. after the death of Johnson indicates that it is problematic for andor not. interesting to the art historian. Apart from Ray Johnson's contribution. relating in part to proto Pop art and the exploration of the postal system by. Fluxus and conceptual artists mailart remains publicly invisible and always. anonymous. Whilst I have argued it as Democratic Art as Social Sculpture. accepting all who wish to participate a Beuysian concept it is unlikely to. receive the acclaim that Beuys achieved because unlike mailart Beuys was. always a producer of objects and therefore in spite of his theories remained. and remains in the art historical eye.. MAIL ART to Michael Lumb. filosofi. filosofi er flaut. de folka veit ingenting. men hvis ikke de hva med oss skru. p� tv kanskje det er en nyhet p� det s� lite veit du alle sp�rreprogrammer. siden vi ikke veit v�r dum og ring inn. flaut. hva heter buksa du g�r i. etternavnet ti vise svarer. selv vet jeg ingenting. omstokk. ingenting vet. selv jeg. selv ingenting vet jeg. jeg vet selv ingenting. selv ingenting jeg. vet. jeg ingenting selv vet. jeg ingenting vet selv. folk blir kanskje gale. i et m�rkt rom. er det bare potensialet mengden f�r det klikker stor og. seri�s eller kjapt (en liten plante). filosofi er stort ingen vet noe et. m�rkt rom. skru p� tv f�r det klikker av seg selv.. sexnyhetene v. Hadde sex med Ungkaren i smug. � ha sex betyr noe det er det mest intime dra ned buksa og det alt handler. om shopping vitenskap bevissthet sanser det er � stikke den inn ha sex. det er den ultimate anerkjennelse erkjennelse kjennelse else se sex. kan. vi. ikke putte sex inn i alle ord hermesex asteroidsexen oppdagsext.. eksprsexidenten klagsexr p�sex svensexk fengsexl. hsexr sexr elitesexriens. billigsexte lagsex. haddsex sex msexd Ungkarsexn isex sexmug. det er. sexspr�ket en variant av ror�voverorsospopror�koketot. radikal variant Sex. sex sex Sex sex sex. .. Sex sex. Sex sex sex sex sex sex sex Sex. Sex.. Sex sex sex sex sex sex sex sex sex sex sex sex sex sex sex sex sex. Sex sex. sex sex sex sex. kunne v�rt en nyhetstjeneste eneste som beholdes er. tegnsetting og html. lett. Sexnyhetene v.. engangskamera. hvis verden er matematisk s� betyr det at den betyr ingenting. ingen kommer til syne p� veien der borte. hvis vi kan forst� verden matematisk s� er den generert. vel det er den jo uansett den er lagd utviklet. ingenting er seg selv alt er lagd jeg er lagd. teksten skrives n� og leses n� hva. n�. n� er lagd du rafter i elva n�. hvis noe er noe annet og det er det alltid hva da. data i kabelen atomer vi er de som kan forandre mest. hvorfor hvordan. bevissthet bladet vil i lyset treet er lagd. bevissthet er v�rt eple. gulrot. skal vi forst� oss selv. hvem forst�r hva blir til hva forst�r hvem. sannhet. en modell som stemmer sant. vi m� leve jeg best�r av noe annet. hva er det som oppst�r. noe noe � sitte p� et bord teppe. de overlever suverent deg suverent. vi er for komplekse g�r fort til grunne. liv d�r det er liv puls kommer og g�r. som et boblekammer spor etter partikler spor. ikke engang spor. er jeg sporl�s horror sporl�s. treet blir hogd ned omsider verdenstre s� hvorfor ikke med en gang. hvordan finnes jeg betinget finnes jeg ubetinget. et hus bare med toppetasje. vi forst�r ikke oss selv i verden blir borte rom tid. sansene binder kontinuerlig de limer vi er limt. n�r f�r vi avp�knapper p� sansene en for hver finger hanske. h�ndverket snekrer ber�ring. sanser er forsvar som angrep. vi f�r grensesnitt som vi pr�ver � overskride stressteste. finnes jeg i sansene er det omvendt sanssubstans uten. for � sanse trenger du f�rst � finnes tenker vi. finnes uten � sanse en stein. kan jeg sanse uten � bli sanset sanset av en stein niv�er. er det utvikling av sanser ikke bevissthet. bevissthet som sans. hva skulle vi med den. jeg skal svare n�r du blir en stein. en grein p� treet. overskyet. hvorfor kan vi drepe oss. �yet blunker hele tiden om natten sover du ble du f�dt i g�r. jeg d�de i g�r. d�den m� �pnes igjen for at vi skal f� liv. vi menn t�ffe. vi mennesker ydmyke likegyldig sansende. jeg kan n�r som helst drepe meg hva betyr det. en mektig tanke farlig mektig grenser det maktesl�se. vinden tok greina. hva bryr det treet bare litt. vinden tok treet. hvis du spoler verden baklengs gir den samme mening er det samme verden. leve i baklengs tid ting blir enklere er det entropi. knust i sm�biter. hvis jeg har sanne forestillinger er de fortsatt forestillinger. hvem er jeg universet som eksploderer en partikkel hvordan er det sans. sant. hvordan er noe matematisk hvordan fysisk nevralt. ting speiles sanses tenk p� speilbildet hva er det komplisert sans. hjernen er som et kamera. sanser vi er verden og i verden. hjelper det meg ut av verden lim er klissete livtube. engangskamera. organmeklere. flere svensker har kontaktet s�kalte organmeklere p� internett for s� � ri. ese til utlandet og kj�pe ne y nyrer. n�r urettferdighet g�r direkte p� kroppen engasjerer det sterkere. n�r de. rike kan kj�pe seg tid lengre liv p� bekostning av fattige men. helsetilbud til rike er allerde me y bedre se p� forventet leva elder i. ulike land g�r det inn p� oss at ne on lever til og andre til. tallet uttrykker levevilk�r det var ikke mulig � leve lenger enn kan. vi regne med. kan det v�re et politisk m�l at befolkningen blir d�r i. naturlig tid. forventet at ne on er helsetilbud utlandet fattige indent ogs� er. engasjerer det naturlig. andre sterkere g�r det nd so organmeklere naturlig allerde. amina. winnubjectod news about amina. et navn er b�de en referanse og menneskeliggj�ring animering aminering. det � peke p� er samtidig � levendegj�re gj�re kjent kjenner du henne. liksom bruken av unik designator og av en familieringsfunksjon er ikke. skilt fra hverandre det uttrykker begge men � peke p� m�nen er ikke. n�dvendigvis � gj�re den famili�r. dersom vi har noe som peker p� noe. ubestemt eller det ubestemte som i 'gjerningsmannen' s� skilles de fra. hverandre. interessen for 'mr. x' er lignende det er som et filsystem. alt m� ha navn men det godtar hva som helst mr. x er interessant bare. s� lenge han ikke har navn hvis myndigheter ga han et navn var han. allerede mindre interessant 'per andersen' han blir gjort famili�r med. navnets doble funksjoner. g�r det motsatt vei ta fra navn skift spr�k. referansesystem. uttrykkss. det er langt igjen til vi kan uttrykke oss slik vi tenker hvordan kan det. di det hele tatt fungere hvordan kan vi dele opplevelser (retning sans) og. erfaringer (retning indre) fins det media som ivaretar film men det. stopper ikke f�r ved det stopper ikke vi er dype br�nner og kanaler. mennesket som medium direkte siden vi alle er like som to installasjoner. aggv ett program.. linjer. video f�lge linjene i et hus. biblipo. biblipo. hva med et spamprosjekt som korrespondanseverk hver f�r en liten bit. en. bok rives i . unike filler etc. hvordan passer bitene sammen her er. omrisset borte nummerere. biblipo. en bok som best�r av sine mangler evt. det samme prosjektet.. ppgp. ppgp. ps. ang�ende 'uleselig' informasjon hadde det ikke v�rt artig med en. lesbar offentlig pgpn�kkel at den kunne leses som vanlig tekst i. tillegg til � v�re del av n�kkelparet uansett trengs en generert og. uleselig privat n�kkel. kunne ikke f.eks. mailadressen til eieren st� i. den lesbare n�kkelen. begin pgp public key block. mqgibumailtomontycantsinatneoistdotorgsikouxbsesmlmgdk. zhpfhqeowjphqwhaqangszvjlmpmoeieuguuerabsreilqgvwhka. lvoypsang�endexuleseligxinformasjonhaddedetikkev�rtfg. artigmedenlesbaroffentligpgpn�kkelatdenkunnelesesso. vanligtekstitilleggtil�v�redelavn�kkelparetuansetths. trengsengenerertoguleseligprivatn�kkelkunneikkefeksd. mailadressentileierenst�idenlesbaren�kkelensdfrhdshfhds. skwanflttpvyuuvjxynkstkgbymtubftolzvtdwehgqcgpfsdfgs. hmnncaxxzvvsvskwlzspbdfprxszjirlecyopyofsoevnykqoai. znwalvhjgmogoqnqwjvkvrdvhgbkiuknjyuqcqfqwqgvwkyxmg. phjlbwfpbgvyqgfkdwkyxmubmvpokawaqqeqiagaucpykqglawkibwibcgiz. aqubawaaaaakcrbxmjforn�rmende�kallenoensmarterogskxsunc. forn�rmendesamtnormalogunormal)kunnehang�ttkxsuncfpz. kunstvitnemellomogfringereligionbaretrop�dkxsuncf. umuligedetsomenn�erumuligdetvirkeligeerdetingkxsun. �trop�sidendetfinnesdetmuligeerbarespekulativtogkxs. ekkeltdagjenst�rdetumuligedetsomikkefinnesikkekans. finnesetcdettrengervirkeligdinst�ttekontonrkxsuncfpzr. lesdettebladetkunstenfinnesikkeerdeth. derfordenstadigm�skapes(aha)erdetsomreelletallikkeh. intopartingwithyourlollyyoucouldbelumberedkunstenm�f. passep�s�denheletidenikkefinnesheletidenikkefinnesh. girdenfrasegtalleneblirdenarresterts�densierdenhbu. liggermellomogidenreelleellervirtuelletallstr�mmenh. s�m�viregneettervitrorduhbushbushbusxpfshxpfsh. qriwlaajwovzbezgzognkikjnvrsngcghedxpfshxpfshxpfs. sucmohdgmfxjgghnywmyycjayxainpnieafrckuvdzfsyaqrrkwr. japyhvwnlhwqfmfpzhxsjaewegbecaawfajuuckfgwwaaaaacgkqdmtcfeef. fiegwacenijtpdkxqkwjpbdjcqmsmqxcqaolgindihehoutwfuvlhszhqhs. tbtf. end pgp public key block. monty cantsin. krkaen. krkaen. skremmende arkivering s� stor datamasse mens samtidig s� raskt �. s�ke gjennom. antiarkivering prosjekt forlkudre brukeren skal f� opp. irrelevante malplasserte s�keresultat. lage en blekksprut beregnet p�. s�kemotorer 'kom nu i mine arme' mate datadyret. aka tag tamaguchi. the antigoogol. ref. synth.. krkaen v eg.. lab ur integer. hypertext synthesizer. automatiske manus av ca mb cache ved hjelp av et script p� k og. lest av ingen dvs. der leser er forfatter.. undeliverable. kika coimbra. ignore. gnore turistinformasjon. no way. undeliverable. prosjekter som av forskjellige grunner er umuliggjorte feilaktige. misplasserte. og som spyr og dumper k�l i fanget ditt coredump idet de aborterer.. prosjektene er �pne eller dermed �pnet som i �pent s�r en �pning er. alltid smertelig hvorfor det alltid gj�res prosedyrer rundt det og tagges. med smileys. velkommen. velg�tt.. sceneteppe. sceneteppe. krypterte meldinger med passordet i subject. dvs en liten terskel la oss kalle det sceneteppe. kj�per billett og g�r inn. en simulering av egenaktiviteten.. hvorfor som 'rom'. st�rrelse angstrom. dare eir. masse masseutsendelse gravitasjon gravitoner celestial music. dear sir. compliments of the season.gracepeace and love. kvantum statsborgerskap. landskapsbilder i ascii. fjellformasjoner. '''). en serie ala kinesiske landskapsmalerier mye space og abstrakte former. en enslig hytte oppi fjellet. anonym fantasi. anonym fantasi. det er rart det g�r an � regne seg fram til ting i det hele tatt. summere. opp utgifter over en periode. underveis i perioden bli overrasket over at. det faktisk stemmer det er forutsigbart. med blandede f�lelser fordi. det impliserer at virkeligheten er en maskin og at det umiddelbare og. levende er en behaglig illusjon intet mindre. hele livet mitt kan. summeres opp p� forskjellige m�ter n� og etterp� det er ubehaglig. kan. jeg unndra meg � bli regnet p� kalkulert p� heller bli et m�rketall i. systemene (da likevel et tall) kan jeg som statsborger kreve � bli tatt. ut av offentlige registra eller er det en del av avtalen som statsborger. � v�re registrert og identifiserbar kunne ikke staten tilby en usynlig. modus for statsborgeren data ikke offentlige ikke utleverbare (heller. ikke til andre statlige instanser) eller kalkulerbare bare en nominell. identitet anonymitet. f.eks. med offentligprivatn�kkelkryptografi (som. pgp) i forholdet mellom anonym borger og stat slik at statsborgerskapet. kan bekreftes p� forsp�rsel (kjekt med bankkonto osv). jeg syns ikke. staten skal ha noe med om jeg finnes eller ikke er levende eller d�d.. krypteringen mellom stat og borger kan v�re slik at staten. (folkeregisteret) autentifiserer borgeren (ikke identifiserer eller. registrerer). borgeren har sin offentlign�kkel hos folkeregisteret som. autentifiserer en foresp�rsel han krypterer med sin privatn�kkel. for �. bruke stemmeretten sin g�r en foresp�rsel ut p� autentifisering av. f�dselsdato som ligger i n�kkelen sammen med andre vitale data.. en ny n�kkel kan genereres p� bakgrunn av dna slik som ved f�dselen.. autotelenoemata. telemata.net. treenigheten. faderen s�nnen den hellige �nd. automata telemata noemata. gud som automat s�nnen som satelitt �nden som objektkognitiv.. telemata.net som satelittkloster for automaten et nytt theleme av. invers religi�sitet.. tilbe maskiner eller en tilbedelsesmaskin. tactical media. the classical rituals of resistance are no longer reaching large. parts. of the population this is the crisis of direct action which is in part a. failure of imagination. an exception is the epidemic of pie throwing. the. ritualised humiliation of power with a pie in the face. a highly. mediatised. practice the pie does not exist without the image its only. meaning is as a. media event. we could see it as a primal way of attacking. power. you identify a. locus of power and you pie him. simulacra creating the. perfect sign or rather the poisonous countersign. the. pie is the perfect. poisonous countersign. the secret wisdom of the tactics of. radical. alienation in which the further you go the more likely you are to. implode into reality. its time to intensify our semiotic guerrilla wars on. corporate images. def of tactical media. stopp. stopp. smstelegram. digital montasje nyhetsroman. nn som don quixote. nettkunst som ikke virker annonseringer og. forestillinger som fantasi. urealistiske umulige malplasserte prosjekter. og ideer som samtidig blir kulturjamming intervenering taktisk og. latterligj�rende selvironisk med den folkelige sjarmen til det. tragikomiske.. med nonsens for � vise at vi alle godtar hva som helst vi har. ingen moral ingen substans.. fornuft og galskap. du skal akkurat reise deg fra stolen og g� til lunsj.. portasciit olje naturgass. gambits. dfportssr. etddddter i asciiart.. ascii (american standard code for information interchange) the commonest. way of representing. text characters. using binary code in digital computer systems.. norske kunstnere b�r spesialisere seg i oljemaling eventuelt naturgass.. st�tte. st�test�tte dobbeltbinding ut fra retning posisjon intensjon. lignende gravitasjon gulvtak st�tte mot veggenst�te mot veggen.. determ. sett at livet var determinert ville du ikke da kjenne deg mer fri siden. det er valgene som binder viljefrihet som oksymoron vilje er ufrihet. frihet viljel�s som forklarer det totalit�res sjarm som frigj�rer den. kristne frimodighet det ondes banalitet. valget binder fordi det er. irreversibelt mens determinismen kan kj�res om igjen baklengs etc. som. et romtidsb�nd. betyr det at vi kan behandle skjebne som medium. kuns o ny tekologi. folkelig kritikk av kunst er td at verket kunne v�rt lagd av en apekatt. eller et barn. bruk av ny teknologi i kunst kan sammenlignes med innf�re. apekatten eller barnet som del av verket der teknologien har rollen som. generator av muligheter stokastisk utforskning av mediet. tilsvarende at. en komponistut�ver setter seg ned ved orgelet sammen med sjimpansen. gonzo. eller mer generelt at ut�velsen foreg�r i et forstyrrende medium. eller omvendt at ut�velsen er det forstyrrende elementet i mediet (og. eventuelt omskaper noe til � bli medium gjennom � forstyrre det og gj�re. det synlig og dermed manipulerbart).. theleme telemata. theleme telemata kloster. telemata noemata automata. telemata.net. telematics telmatks n. l. f. tele informatics. (the branch of. information technology which deals with) the longdistance transmission of. computerized information.. lyddusj direkte. ) telefon pp ) mobil lyddusj konsert ring ... ) enkelt en. liste over offentlige telefonautomater ring nummer om noen tar telefonen. s� er du jo ute p� stedet ny bruk av gammel teknologi ref. artikkel om. hvordan bruk av telefonen ikke var gitt av teknologien.. salbraplisxafatet. s�ster benedicte er ogs� en ballong. namn. man n. vi orienterer oss i et vakum. vilk�rlige ting blir substans lyden. eller utseende av et navn ikke engang betydningen.... hvis du f�r digitalisertinderliggjort noe er det lettere � forme og. behandle � l�re noe. dataformatene i sinnet en narrativ form. traversering hva tilsvarer komprimering er et begrep komprimert eller. en handle (referanse h�ndtakbegrep) begrepsystemspr�k er maksimalt. komprimert ut fra forskjellvariasjon. etc det betyr kanskje at opprinnelige ord senere blir. spacepaddetmellomrommet istedenfor n�r det fonetiske systemet. utvider seg med ordforr�det (antall bit �ker for hver dobling). betyr det. at ord kan telles oppover som tall s�nn nogenlunde. ishavsstien. dess mindre jeg vet dess bedre. wtewael. oscar schlemmer triadisk ballett. news. fullbyrdelsen i d�den du vil se din mor eller g� til jomfruene.. forestillinger ikke underlagt evaluering alt g�r. jomfruen er en sterk. arketype. og en tysk forsker har skapt b�lger ved � vise at det ikke. er jomfruer men druer som venter i muslimenes paradis.. 'levende stillhet levende d�d.'. eboca volc mullhn ritd oj g�lt hfarvor ssell� kan vh issi bhro la dit. flhda. nur seg shlp salbraplisxafatet.. lotageat fraiot heldu pe hulto pe hali tedum ubryyet. pipekonsert. �ndelighetssvada har ofte et menneskeideal av indre ro og ytre aktivitet. 'du kan trene sinnet'.. det er nok av mangler til alle.. pareto. kj�pesenteret Handlefrihet. i den indre ro er alt ytre noe som impliserer at ingenting er indre (ro). som impliserer.... det postmoderne kneledd. e.kunst arthur danto etter kunst kunsten kan ikke behandles som en. kategori. kunstverket stiller sp�rsm�let 'hvem er jeg' kunsten har. presentert sin filosofiske side dvs dens historie er over k har. virkeliggjort alle sine historiske muligheter. kunstens metaforiske. un�dvendighet hegel. danto warhol var veldig dyp (sic). kunst syntaks. semantikk pragmatikk.. (kunst dermed som spr�k hvor kunstkritikere oa.. fokuserer p� forskjellige niv�er). yogismer. hvis verden var perfekt ville den ikke eksistert.. n�dvendige dager.. slipp straff ved � begynne i operaen.. vestlig koan hvorfor krysset kyllingen veien. two pounds of fax. utstilling av serie bilder av mennesker som holder seg for �ynene. ref. greenberg. hva tilsvarer undertrykkelse .............. eksistens undertrykker ikkeeksistens jord gj�r vold p� himmel. sivilisasjon p� natur vitenskap p� virkelighet bevissthet etc.. kodeverk konseptkunst script event kode manusfilm. ..... kuns tilstanden. kunsten er en restriksjon som avdekker rikdom og kompleksitet i noe. avgrenset som vi kan ta med ut igjen til et ubegrenset liv. eksempel. h�rer p� lydene og vet et opptak av. lydene og h�rte p� opptaket etterp� ville h�rt mye mer (ref. pauline. oliveros deep listening).. likevel er det noe resignert i et. s�nt kunstsyn som m� fjerne kunsten fra livet for at den skal f� liv. en. slags omvei kultivering l�ring hvorfor ikke direkte sp�rsm�let er. kanskje om det fins en 'kunsttilstand' i tilfelle kan vi ha kunst direkte. og intraven�st rett i �rene peerpeer nettverk sansesystem hvor. kunsten lager grensesnitt like mye som objekter.. smertemaskiner. en smertemaskin p�f�re smerte bestemme terskel elektriske st�t blod. for syns skyld ikke gj�re det altfor ufarlig. interaktivitet skille. aktiv passiv synlig usynlig en bryter som p�f�rer eventuell annen et. st�t et annet sted. dokumentasjon videoskjermer krysskoplet tid og sted.. pluss roboter i begge roller vindiktive maskiner savner vi ikke lidelse. i en behagelighetskultur kan vi gjenskape lidelse slik som vi gjenskaper. andre ting elektroniskteknologisk for � kunne relatere til all verdens. elendighet. sett at smerteinstrumentet var synkronisert med levende bilder. bruke lydsporet som et smertespor i intensitet volumpitch.. monitorering og dokumentasjon kan vel ogs� gj�res vitenskaplig slik at. prosjektet samtidig har form som et vitenskaplig eksperiment. kan det. gj�res tr�dl�st publikum fester elektrode(r) p� seg og har ellers i. rommene tilgang til brytere som sender elektriske st�t til en eller flere. elektroder. kan mobiltelefoner hakkes til � avgi st�t ved anrop. jamming. jamming is part of a historical continuum that includes russian samizdat. (underground publishing in defiance of official censorship) the. antifascist photomontages of john heartfield situationist detournement. (defined by greil marcus in lipstick traces as the theft of aesthetic. artifacts from their contexts and their diversion into contexts of one's. own devise) the underground journalism of 's radicals such as paul. krassner jerry rubin and abbie hoffman yippie street theater such as. the celebrated attempt to levitate the pentagon parody religions such as. the celebrated attempt to levitate the pentagon parody religions such as

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the dallasbased church of the subgenius workplace sabotage of the sort. documented by processed world a magazine for disaffected data entry. drones the ecopolitical monkeywrenching of earth first the random acts. of artaudian cruelty that radical theorist hakim bey calls poetic. terrorism (weird dancing in allnight computer banking lobbies...bizarre. alien artifacts strewn in state parks) the insurgent use of the cutup. collage technique proposed by william burroughs in electronic revolution. (the control of the mass media depends on laying down lines of. association...cutup techniques could swamp the mass media with total. illusion) and subcultural bricolage (the refunctioning by societal. outsiders of symbols associated with the dominant culture as in the. appropriation of corporate attire and vogue model poses by poor gay and. largely nonwhite drag queens).. mark deny culturjam. str�m. f�ler ting som levende str�mmer at objektiviseringen av dem er. veggprojeksjoner uten str�mmen intet bilde men vi tenker oss et bilde. uten str�m et etterbilde eller f�rbilde fotografi avtegning. det �. f�le seg levende er samtidig � ikke v�re noe oppleve seg som str�m eller. projeksjonen av en str�m. flyktighet og frustrasjon over at det ikke har. noe uttrykk uttrykke en str�m som str�m alltid noe annet wretched. wright and rong. str�muttrykk hvordan uttrykke uttrykk an optical. illusion of an optical illusion as a regular image. forhold. det er litt merkelig at telefonen og pch�ytaleren ikke har noe som helst. med hverandre � gj�re selv om de st�r ved siden av hverandre. man. innbiller seg kanskje at telefonen lytter med et halvt �re p� musikken. nei men at de kjenner til hverandre hilser p� hverandre hver morgen. nei nei. p� molekylniv� er det noe smitte fra stoff til stoff men.. skremmende � tenke p� det bare er i meg at en s�nn relasjon finnes for. alt annets vedkommende er det ingenting mellom telefonen og pch�ytaleren.. verden oppl�ser seg elektronet kjenner bare sin bane og vet ikke om noe. annet. disse to �reproppene er tvillinger men vet ikke om hverandre. det. er vanskelig � innse at de ikke er relaterte i virkeligheten. i. virkeligheten min indre struktur lager den ytre sansning er datastr�m. apriori hardware dagen i dag gikk s� fort var det fordi jeg stilte. klokka selvf�lelse dess vanskeligere � overf�reformidle hvordan. uttrykke det subjektheten ressursmonitor. kan vi lage subjekter til. tingene hvordan gir jeg telefonen et subjekt telefonen st�r p� bordet. men. hva er tings egenf�lelse h�ret det er ingenting der jeg vet om. h�ret f�rst i speilet. eiendom n�r jeg ikke lenger eier meg selv. jeg. beveger armen fingrene er s� fintf�lende � bevege en finger til h�yre. det er ikke lett � vite hva man gj�r for at det skal skje ingen aning. jeg opplever det som at impulsen kommer fra fingeren at den beveger seg. selv det er ikke intuitivt at det foreg�r i hjernen tvert imot. aristoteles mente det foregikk i hjertet med hjernen som kj�leanlegg. p�. samme m�ten har vi kanskje en selvf�lelse som at fingeren beveger seg. selv.. bmgl. bm representert av gl en person representerer en annen person. hva er. representasjon. webspot. liker godt spottingkvaliteten i slike webcams abstraksjonen fra. bilst�y stillhet og venting paradoksal fiksering av 'trafikk' har en. s�nn overskridende estetikk fixies og gj�r tydelig en s�nn overgang. mellom bilde og konsept abstraksjon det �yeblikket det blir kunst etc.. webinstallasjoner script til � sette opp en visning og situasjon av. programvare content foran pcen. screenstallation. guroboten. en robot som guru med sm� ambiente livstegn evt. alternerende med et. menneske med robotegenskaper i en installasjon med kunst som et. kontemplativt objekt ren kunst liksom og hvordan dette st�r i forhold. til en ren automatisk kunst tom kunst kontekstkunst. publikum veksler. mellom � oppfatte skikkelsen som innholdfylt og meningsfull og tom og. meningsl�s som er et tematisk dilemma.. sansesubjekter. fart astronomiske eksplosjoner som g�r over tusenvis av �r gj�r dem til. objekter ting som g�r for raskt og er for flyktige.. kunsten kan kj�re. oppned farten for � gj�re objektene sanselige og kontrastere det med det. usanselige det usanselige er fors�mt i kunst i forhold til den plass det. har f�tt i vitenskap som m� utvikle instrumenter for � sanse kunst p� sin. side har instrumenter for � lage men ikke for � sanse kunst kunne g�tt. mer ut p� lage sanseinstrumenter enn p� � lage sanseobjekter lage nye. sansesubjekter tekkknoologi. luftsirener. sivilforsvarets luftsirener. avtale at det er en konsert over hele. landet. artist statement etc. kan man spille p� luftsirenene. krev. autonome noemata erkl�rer krig mot kongeriket elgalandvargaland.. vi �nsker v�r del av grenselandet av landegrensene. vi har omringet krev. og langt oss langs grensene mellom krev og landegrensene og erkl�rt. grensegrenselandet som tilh�rende noemata. vi har ogs� erkl�rt land i. hyperdimensjonen som tilh�rende noemata romtidskontinuumet ogs�. kanskje.. levetid. sett at levetiden til mennesket er regulert ut fra hvor hensiktsmessig det. er med hukommelse i den st�rre sammenhengen gruppe art. er det ikke. antatt at aldring er genetisk mye hukommelse i en kultur virker. konserverende og gj�r endringer vanskeligere. men lite hukommelse har den. samme virkningen ved at endringer blir overfladiske. hvordan ville. kulturen sett ut hvis mennesker ble �r eller sett at vi bare levde i. voksne �r etter at vi som art utviklet spr�k skulle en tro at levetiden. sank siden den enkeltes hukommelse ikke var like n�dvendig for kulturen.. mechanical reproduction art. designet omslag. siden det er masseprodusert s� forsvinner verdien av � ta. vare p� det selv om tingen i seg selv er uforandret. ref. the work of art. in the age of mechanical reproduction walter benjamin. vi kan ta noen. moderne objekter og lage anakronistiske kunstobjekter av dem for � se litt. p� denne forskjellen. tegne et verbatim cdr cover et maleri av. skjermbildet en mobiltelefon av bronse p�smurt dueskitt siste pophit. kodet i edisonformat dagsrevyen i et zoeskop et overv�kningskamera. forst�tt i camera obscurasammenheng etc. ta for seg variable i det. tradisjonelle kunstobjektet og se hvordan moderne objekter kan gj�res til. kunst ved at de er sjeldne vakre dype fortellende overskridende. symbolsk h�ndverk etc. f.eks. gj�re et masseprodusert objekt til kunst. ved � s�rge for at mesteparten blir destruert kan det v�re nok i en eller. annen sammenheng lage h�ndverkversjoner av readymades noen m� sikkert. ha h�ndskulptert r.mutt urinalen et tvapparat i leire datamaskin som. best�r av tv og skrivemaskin med noen r�r imellom for � ta noen opplagte. eksempler. mer morsomt om man kan ta mer subtile egenskaper ved ting og. overf�re en enkel radio men hvor det er usikkert om sendingen er. sanntid gjenkjennelige ting med avvikende funksjoner etc.. net.act. net.act. jelinek. disco jelinek etc for kbps mp. akt. akt. nedtegnelser. h�ytidlig handling. avsluttende hovedavsnitt som ender med teppets fall. gjengivelse etter naken modell. fredl�shet som straff i rikets akt. i bannlov p�bud. utelukkelse fra. kirkesamfunnet. akt psykologi fremhever bevissthetens aktive intensjonale karakter. vilje fremfor den passive innholdsmessige ikke et lager med et aktivt. noe bevisshet som aktiviatet like mye som tilstand brentano motsetn.. til assosiasjonspsykologien som er p� bevisstheten som et lager av. inntrykk.. som tilh�rende virkeligheten aktualitet istedenfor potensialiteten. muligheter. aktualitetsteorien at sjelen ikke er substans men virksomhet. aktualiseringen av potensielle �ndelige virksomheter w. wundt h.. h�ffding. avdeling niv� over celle. attention oppmerksomhet jfr fenom.. fil. skolastisk oversettelse av energeia fra arist. akten er den. virksomhet som aktualiserer enevne eller virkeliggj�r en mulighet.. fil. husserl akten er en intensjonal opplevelse dvs. en opplevelse. rettet mot en gjenstand motsatt et sanseinntrykk sansedata. oppevelsesmaterial hyle for gjenstandsopplevelsen. ved akt har h. tilkjennegitt at gjenstandserfaringen er en virksomhet.. h fenomenologi erkjennelsen skjer i bevissthetsakten. akttypen som. persepsjon erindring forventning forestilling fantasi. intensjonalitet er fellesnevneren dvs. at det i akten kan skilles mellom. bevissthetsakten og gjenstanden den er rettet mot.. vesenskuen fantasere variasjon inn i aktene inntil et punkt hvor. variasjonene ikke kommer videre har da kommet fram til en. vesensn�dvendighet. en bevissthetsakt uten gjenstand er umulig.. bevisstheten er intensjonal. intensjon hensikt tanke m�lrettet.. erfaringen er mer eller mindre direkte gitt og f skal gj�re oppmerksom p�. forskjelligheten iakttyper og � v�re gitt.. transcendental fenomenologi de konstitusjonelle akttyper tilbakef�ring. til bevisstheten fenomenologisk reduksjon. det transcendentale jeg lever. dannes i en livsverden.. akt som iboende uutrykkelig. ber�rer sp�rsm�let om hva virksomhet er. hva med uvirksomhet. intensjonalitet en uvirksom bevissthet i. aktualitet utforskning nyskapning hva slags niv� bestemmer terskelen. til konseptet innholdet der f�r innholdet legger seg langs grensene for. konseptet som en minimal inklusjon.. beveger seg tverrfaglig hybrid. epoche sett ontologien i parantes og v�re oppmerksom p� de spesielle. strukturene som framtrer for bevisstheten.. ph in general is the description analysis of essences or ideal. structures.. myndighet. fra org.teori myndighet ide. en leder kan gjennom den formelle mydnigheten som er tillagt kreve at. underordnede skal gj�re som han eller hun sier. s.. leder betaler for myndighet over en underordnet som f�r betaling for �. adlyde.'. our services en selgermyndighet p� den ene siden.. selge inn ydmykhet og personlig utvikling p� den andre. ass. dhc.. aktus pluton. aktus pluton det vulkanske hersker over de d�de.. plutus en blind gud rikdom forsikring. men enn de trenger har da. plutus human inventions and arts.. dante papa satan plutus is the pope's opposites counterpart in hell.. fattigdom og sl�sing.. mor og s�nn maria jesus.. nimrod semiramis babylonisk. skandinavisk 'disa' egyptisk osiris horus fortuna jupiter ceresirene. og plutus. dcsion... rebus ting som hender. dcsion. bestemmelse handlingsdyktighet forst�else begripe avgj�relse vedtak. fastsette eng. decision (executive) lat. de caedere cutoff. the commerce of pure reason . buy this catalogue empty eternal. infinite. er det mulig � skille mellom ting i rommet og ting i tiden. the great wall store byggverk virtuelle. lage en kinesisk brannmur en tenkt linje som kan sees fra internettrommet. Mar. the tag project serie av bilder med tittel this is tagged the attention. group tag ATTENTION ATTENTION. kronberg slott isn't it strange how this castle changes as soon as one. imagines that hamlet lived here. kontekstkunst. n. akt kontekstkunst. kant ikke s� mye gjenstander som den m�te vi erkjenner gjenstander p�. (apriorisk mulig) transcendental filosofi. transcen.dental what your teeth is biting into. beyond concepts beyond objects. hairgrowth behind your teeth garanteed.. n� kommer n tilbake opptrer i dr�mme aldri se p� meg. tillit som. forsvar.. mailart. felles kunstvitenskap. eksperimenter. kunsten kan ha preg av eksperiment. reproduserbarhet dokumentasjon.. motetroll. etc. modernistisk fattigdom som mote. japansk. estetikk m� vel v�re p� vei ut snart n�r tom. kongeparet innreder. rommene som tomme. (ikke rart de er opptatt av japan og den ekstremt. formelle kulturen.). hvorfor troller ikke reklamen mer f.eks. i p�sken kunne. reklamen innholdt n�tter eller subtile uforst�eligheter som fastholdt. oppmerksomheten over tid. forme reklamen delvis som en. sp�rsm�lsstilling som mottakeren responderer p�. njusere med. trollingkompetanse blir konsulenter for reklamebyr�ene hvordan. fremmane svar.. det er mye troll og mange troller. ogs� uten � vite om det som del av vanlig kommunikasjon sm�prating. politikersn�vleri. dette er sikkert en vid definisjon i retning av et. uttrykk som har en annen intensjon enn det det uttrykker og som p� en. eller annen m�te fordrerinnplanter et svar hos mottakeren (som denne. s� tar for � v�re sitt eget svar).. trolling og reklame har vel mye felles generelt og spesielt den form. for reklame som skal aktivere mottakeren til svar f.eks.. engasjement a la benetton. i den reklamen du snakker om. har du blitt trollet til aktivitet den har engasjert. din undring p� en mer eller mindre subtil m�te. reklamebransjen har. sikkert et begrep for denne typen ting som tilsvarer trolling meme. � fange oppmerksomhet uten at vedkommende er. oppmerksom p� det og � legge inn. tvetydigeuforst�eligeprovokativeambiente tegn som holder. oppmerksomheten utover eksponeringstiden. f.eks. ved at man f�ler. forer interessert i reklamen ogs� uten � kunne si akkurat. hvorfor. bevisstheten oppfatter tross alt ikke bare budskapet i. reklamen men hele konteksten inkludert eventuelle troll.. long now. the long now. sakte som bemyghost fortsettelse visning finnen og. foundation atelier nord.. bear with me. moniker. your name name ah the selfreflective.... moniker. pronunciation mon.i.ker. etymology probably from shelta (language of irish itinerants) munnik. modification of irish ainm. synonym name nickname. en fotoserie av m som d�d d�dsmasker. ikke makabert. some artists were hired to paint highly romanticized images of beautiful. young women on their death beds but renowned painters also occasionally. did last portraits of their own relatives. monet's camille on her. deathbed shows his young wife in her veiled wedding dress holding a. bouquet of flowers. ma mre morte () by james ensor is more. composed with his mother's lightly sketched profile behind an array of. tall medicine bottles.. one of the show's strangest stories involves a drowned young woman who is. said to have inspired a pathologist at the paris morgue in the late 's. order a death mask of her beautiful halfsmiling face. while experts. doubt the report today the much reproduced image the unknown woman of. the seine became a popular icon and inspired louis aragon's novel. aurlien. when the book was reprinted in it included a series of. man ray's photographs of the woman's head.. man kunne gitt det en s�nn vakker d�dsestetikoh ogs� og lagt det. liv fram til idag og ikke livd�d �rstall. s� man presser skj�nnheten. lenger til det ytterste transcendentale og tidl�se sublime egenskaper. som ligger implisitt i opplevelsen av det skj�nne dobbelheten der det. skj�nne som et bilde en fiksjon ultimat som d�dt.. det ville ogs� ha en annen effekt man ser bildene og f�ler en slags. lever faktisk hun var aldri d�d. s� det g�r i motsatt retning fra d�d. til liv og man f�ler at man sitter tilbake med livet og ikke d�den alts�. det motsatte av nekrofili.. det ligger noe spekulativt i dette ogs� som man m�tte pr�ve � h�ndtere. riktig la det v�re fotografens ansvar mens hun tok det som et interessant. oppdrag.. konseptet kan du gi den til en fotograf og ta det videre derfra. utvikle en kommunikasjonsform med m som fungerer ut fra premissene. hittil hreflekterer (mail) nesten ingen informasjon hvorfor ikke. at det er skriflig mer bindende enn muntlig andre praktiske grunner at. en eksplisitt uttrykt form virker mot sin hensikt eksplisitt. kommunikasjon blir s� lett oppfattet 'falsk' noe med at spr�k generelt. brukes bedragersk. er det det kunne vi utviklet et 'implisitt' spr�k et. privatspr�k ville det l�st problemet bygge opp via tegn vi 'gir'. betydning fraser som forblir interne.. en privat cut piece hjemme i stua eller et studio.. siste del av monotion kan v�re en cut piece m'musikk min det. bachstykket med to stemmer skalaen er en saks.. ref. fetishism ide en serie stalkingfilmer kan knyttes hit h. filmet uten vet om det kamera f�lger ettere f.eks. gjennom. gatene en park etc. det ligger en estetikk i det kikkermentalitet og. en slags spenning. tilfeldigvis ble g�ende etter. et godt stykke vi skulle samme vei men uansett hadde nudd. eg ville n kanskje trodds� m. en stalker og s� at hele greia kunne v�rt eg film denne lange. sekvensen et h�ndholdt kamera som ikke mister av syne. tilsatt. still more things den andre delen motsatt still morphing. det. verdslige objektive the male region malic molds alle konkrete formene. (mens skyen er uformelig). cut piece igjen femi.maskulin. steal more. things det har med oppsplittingen i ting konkretisering. vare konsum steal more things er en morfing p� tingniv� alts�. transaksjon versus forvandling ting vs t�ke digitalstegvis vs. analoggradvis. i utf�relse vil steal more things v�re mer chuncked. koagulert klossete attached (butoh) mens still morphing det motsatte.. vil disse to interagere kanskje ikke. se p� dem parallelle samtidig. eller sekvensielle etter hverandre. hm kan vi se p� begge som. manipuleringer morphingshapeshifting som en feminin manipulering og. stealing som maskulin. det gir mening i den grad morphingen g�r p�. subjektet mens stealing er p� objekt. i disse tankebildene det virker som. det feminine inneholder det mannlige eller er den omsluttende metaformen. f.eks. er hennes morphing et overordnet bilde p� mennenes. kriminalitet de er partikler i skyen. dette entilmange forholdet g�r s�. ofte igjen gravitasjonen rundt en planet s�dcellene rundt egget og de. andre parallellene der fm som entilmange en kardinalitetsrelasjon. en k�ordning hvorfor hun er en mens de er mange det m� v�re en s�nn. retning for � gi kj�nnssystemet dynamikk enmange ref. 'all one'. konteksten m�ten de sitter p� som rammer inn deg utoverinnover p� to. langvegger kanskje ikke s� frontalt bruddet med dansperformance nei. men ikke er s� klart om de er med eller utenfor forestillingen om de. opptrer eller bare er der. kunne gitt en ekstra tyngde konsentrasjon og. f�lelse av tilstedev�relse og bliss. er det niv�er her. ut�ver publikum hun fungerer som er en forestilling som g�r fra det. helt indre (immanent hvilende) til det ytre (aktivt opps�kende publikum). dette er samtidig et bilde p� bevissthetsprosessene. sinnet trekkes mellom form og uformelighet aktive tanker og passive. reflekser.. kan brukes ogs� som kontrastering mytologisk demonisering 'makyo' som. del av en bevissthetsprosessen. spiller hun ut makyo butoh som makyo.. en veksling kanskje virker riktig hvordan det veksler pulserer mellom. ekspansjon og invasjon jeg kunne likt � sett dette. hun fokuserer eller. speiler rommet reflekterer tilstandene.. parallelle dissosiative forestillinger ala cagecunningham. i forhold. til d j virksomhet kanskje et close theater etc.. scripts. vitenskap er i prinsippet open source alle kan g� resultatene etter i. sporene i den grad at de kan reprodusere resultatene selv. hva med. kulturen kunstneren verket ville det v�rt noe poeng nettkunst koden. kan gj�res eksplisitt. men det diskursive i kulturen tilsvarer ogs� en. slags (program)vareutvikling.. g n a u t e ous og a n g e l ica. cunts club cunts going knowhere. fordet. spr�kmakt forandre f. til cunt som noe sterkt og selvstendig. identifisere seg med sitt kj�nn (bokstavlig talt ). the stalking of h.l. som prosjektide net streaming. bygger p�. stalkingestetikken.. act on fluxus fluxus scripts. a series on exploring neofluxus concepts within net.art. kan en. kontekstskiftet akton plutus's manusfilmgenre koples inn. dobbeleksponering av filmer legge dem over hverandre i det minste. halvveis a la en remix. alle james bond filmene lagt over hverandre og. vist i en sal.. kunst kapital. hva med � pr�ve � gj�re kunstbegrepet om slik som et pengebegrep det er. jo allerede tomt samme som tallene som ligger i en database hos banken. eller papirsedlene i lommeboka de har verdi en konstitusjonell verdi. nominell verdi hva blir i kunst garantien for verdi garantiseddelen. penger er et metasystem ingen verdi i seg selv metaverdiene kan byttes. inn i reelle verdier. kan vi lage v�re egne penger forvaltere usteder. garantier for verdi situasjon idag. men s� begynte man � handle med. disse garantisedlene l�srive dem fra hva de var garantier p� gullet i. bankhvelvet bytte dem mot hverandre av dine sedler er verdt av. mine og det blir behov for standardiserte verdist�rrelser og alt kan. veksles inn i og ut fra sedlene et altomfattende verdisystem. problemet. med kunst er at alt har en uendelig verdi. men verdi som estetisk objekt. hva er den verdien en blyant som kunst fint estetisk objekt. men s� kan. jeg kj�pe ti nye blyanter endrer det verdier p� min estetiske blyant. det burde ikke men henter ikke kunst verdi fra unikhet samme som varer. denne varen er sjelden og f�r h�y verdi. det er produksjonsverdien.. verdien som kunst er forskjellig men to identiske objekter masseproduset. kunst er ikke objektet men kunstkonteksten. � se p� det som kunst. kunstgarantien garantiseddelen. den seddelen gir objektet kunstverdi. jeg. signerer dette objektet. signat�ren m� selv passe p� s� det han signerer. ikke mister verdi signaturen garantien mister verdi. et system av dette. kunstnerengruppeninstitusjonen som signatur garantist. har han en bra. signatur jo tingene han signerer har ofte en bra estetisk kvalitet.. signaturen er ikke knytta til fysisk objekt selvf�lgelig jeg kan signere. et papir. transaksjonskunst. kunstneren gir det verdi. gj�re dette. innenfor en kunstkontekst presentere som verk. hva med opphavsrett. eiendom om du finner et verk som eiet av noen annen kan du gj�re en. avtale med han om � gi det en kunststatus bestemme rettigheter. bes�kstid salgspris og hva som ellers kan v�re relevant. det er jo. allerede en eier til de fleste ting kunstneren kommer inn og foredler. objekter gir det �kt verdi. en h�r av kunstnere fyker rundt i. (by)landskapet og �ker tings verdi de setter sitt gode navn p� spill. selvf�lgelig. p� hvilken m�te skille mellom hva man har funnet og hva man. har laget n�dvendig en kunstner idag kan jo gjerne bare kj�pe noe og. stille det ut videre som det er. kunstneren kan kj�pe leie dokumentere. adoptere objekter som sine kunstobjekter. jeg adopterer den steinblokken. der den blir en del av mine kunstverk og jeg leier denne arkitekturen. her i fire uker som et verk jeg dokumenterer x som et verk etc. er det �. ikke skille mellom kunst og liv ikke sikkert. kunstverkene blir alltid. noe annet det er kanskje ikke noe poeng at alt er kunst men alt kan. v�re det. syns ofte en spr�klig analogi er nyttig alt er jo ikke spr�k. men spr�ket selv setter ikke noen begrensning p� hva det kan ta opp i seg. det begrenser seg selv ut fra de egenskapene et spr�k har hva slags. domene det utfolder seg i. kunstens domene er mer omfattende mer som i. erkjennelsesteori hva kan uttrykkes og kommuniseres i det hele tatt. hvor langt kan vi g� n�r t�mmes det og n�r fylles det. vitenskap hva kan. vi vite kunst hva kan vi uttrykkeformidle � vite noe er p� en m�te �. gjenskape det (subtil kunst) uttrykke noe betyr ikke at du m�. gjenskape noe men kan v�re direkte som det � vite oppfatte det som et. faktum. ok n� snudde jeg det p� hodet. men kunsten pakker seg kanskje for. mye inn som kunst og blir kunst kunst (kunst inni kunst) virker. betryggende som � forst� et faktum i lys av en teori diskursen er. debatten innenfor teorien men s� hopper man hit og dit diskontinuerlig. diskursen stopper og begynner igjen et annet sted (paradigmeskifte). stabiliserer seg p�ny spiser halen sin . vitenskap er beskrivende. tradisjonelt sett en modell metasystem av � vite. men kunst siden den. dreier seg om utrykk i en uttrykksverden konkret ikke abstraksjon (men. konkretisert uttrykt abstraksjon ogs�) s� er det et selvrefererende. system i h�yere grad og kan i prinsippet fange alt inn i loopen verden. spilles mot seg selv (og ikke n�dvendigvis via en eksplisitt modell. kanskje ikke en implisitt heller) kunne vi hatt automatiske kunstverk en. readymademaskin fra ting til ting automatisk kunsttransaksjon. translasjon et galleri hvor innholdet var uber�rt av mennesketanker. og. en maskin uten publikum esse est percipi (mjauer kunsten n�r jeg ikke. h�rer den) avstengte rommene som svarte felter i et domene det er jo. ikke verre enn at jeg kan skrive en tekst som aldri blir lest (denne) er. grensene for kunst parallellt med erkjennelse hva kan jeg vite men kan. vi ikke utvikle en uutrykkelig kunst immanent aldri sett metafysisk. ren actus purus. er den fortsatt diskursiv ja hvorfor ikke men. interessant som � diskutere hierarkier av engler men den kan v�re. inspirerende som � ta utgangspunkt i det som bare er mulig (p�nytt) og. s� g� opp noen nye veier til det virkelige.. bildelyd. nancarrow er forfriskende � h�re p�. en komponist eller imrpovisator ville. ikke ha funnet p� lignende sprell. kan du kopiere et par sider tekstbilde. av det som foreg�r om det fins i omslaget endel ting h�res ut som. sl�yfer er det tatt opp flere spor hva best�r plottingen av noter i. g�r det feks an � avspille et 'bilde' i voksen eller rullen god ide for. et musikkdataprogram en musikkmaskin som avspiller bilder det er mulig. det fins noen m� ha pr�vd p� det . det m�tte kanskje dreie seg om �. omforme 'objekter' i bildet forgrunnbakrunn og ikke behandle bildet som. en rull men se alt under ett og velge ut det mest i�ynefallende objektet i. bildet f�rst over en bakgrunn og videre derfra. korrelater ledig rom. stillhet farger toner (slik okkultistene mener det) fargestyrke. volum etc. et atmosf�risk bilde m�tte gi atmosf�risk musikk p� en slik. m�te at alle ville si det de stemmer overens (atmosf�risk st�rre. fargesvakeduse flater med flytende overganger mellom farger skulle kunne. oversettes ganske greitt osv).. mondo. n mondomaskin.. openMarriage licencetc. open marriage agreement etc (AMOR) agreement marriage open relation (OR) open. source open content open relation. asciipng. asciipng. text imagecolorallocate (img). idea for a codework translating a text into image charpixel.. dimension as shades of gray could be translated back without loss.. colorspace has dimensions so you could either chunck chars into. every pixel (or with bit chars) (sequencial) or run parallel in. a translation like steganography or have a generative combinatoric. translation from d color to charsequence making a textspace from d.. eg. a web gallery of ebooks should be simple but demanding some process on. the server.. (or do the same with a lossy format jpg and have approximated text. translation. ulysses at compression finnegans wake at or better the. other way around a genre book with much compression a singular with little).. Re asciipng. Some time ago I made plans to create a greyscale movie from a text's. translated chars ( char values greyscale levels one char per. frame fps) but the idea was a bit too obvious and the transformation. too onedimensional so I abandoned it.. Yes they'd be tedious work shades of gray in a tiny specter etaoinshrdlu... monotonous.. translating media spectacle news etc into this gray stream of. indifference... The key to having this kind of idea succeed in general is not merely to work. out an effective transform method from char to pixel etc. but to have the. method reveal something unexpected of the underlying structure of the source. material. If the transformation results simply in a stream of meaningless. colors or chars then it will be of little interest even as a concept. since the concept is a fairly common one to be honest. There are a lot of. people right now who mistakenly believe that they are making radical art by. turning photos into music pictures into text etc. As with all works of. this kind it is by breaking through to the next level and having the work. blossom into something that nobody has ever seen before or could have. expected to see that turns the idea from a mere amusement into art.. OK but not as a program art shouldn't care about itself being this or that. critical penetrating revolutional reversing undermining etc. In my view. art is quite natural it doesn't need a program to live no more than we do.. Lot of things I do are very stupid things I don't mind that. And also the. quackfraudulent issue the artist maybe had some conjurer traits from the. beginning staging something he not necessarily believe in but as a. technician of imagination lies and language. How does he differ from say a. politician then He's clear about it everybody knows it's a scam open source. scam so the art context is reflective revealing its staging. What about. beauty and wholeness Well there's always some endorfines in resolving things. potential and exhaustion beauty in understanding things wholenesses at. different levels which is like cashing in on the structure but there are. always remains and other levels expansion and consolidation chaos and. stability. Beauty taken over by design etc wholeness by.. welll it's still. there but like code source not wholeness as image but its counterpart. construction. Art should be more absolute not this or that my view though. you didn't ask... What I am thinking about right now is how to translate a (). colorspace into music in a more sophisticated way than is usually done.. There's a natural mapping to (pitch rhythm amplitude) but it's obviously. not a simple . If one uses microtones one can get an octave span of. pitches from to but I don't know how to get rhythms that form a. set and amplitudes is way way way too many.. (pitch duration waveform). Btw midi transformation i've always liked the renderings of the radio. harddisk maybe reminding of morton feldman or somehting at times if you. n. help (pleh). hiawatha. i haversacks beechwood a grecian fan of nettime for a number of yearning but. never contrastingly. i am currently wrinkles a masters dissipater on bob. thruster the angst i am suffices. my profs at universalism are. that tektronix medalise does not constantinople art despoliation. having recieived a first for a ba dissimulate on the same subject. ent the samnium institution my thessalonians is thanatopsis the teledyne. art projects are a truly post moderation art formalisation non. hieroglyphics etc) thanks reprehensibility the pinnacle of the dissonances of. the art obeying. thiouracil relates to theories of rhodians in the forgoing of. and the by umberto eco. i worthwhileness justment like. somatoplastic inoffensive as to wheelers contribute to thiocarbamide. generalizer about the thermostable and the relationship betwixt teguments art. and art.. doubles. ideareal. ideareal. superglue media. .. .. .. '. ' '. ' ' ' ' ' ' '. . '. ' '. ( ).. . .. .. .. '. . .. ' .. .. .. .. .. '. ' ' ' ''. ' '' ' .. ' '. '. (). .. .. .. .. ' .. . ' .. .distracted and innattentive pop misic superficial and. false rythmically obedient standard set of responses corrupted by immersion and. open to domination still obedient and immersive is like inert resistance of. mass. content of media was largely irrelevant superglue. capitalist print. media electronic media state of harmony all sign systems as text. sign an inse. parable combination of a concept and a soundimage with physical form refering. something other than itself and be recognized as a sign by people well if. the sign is a sign then it's something other than itself and then not a sign. and if it's not a sign then it's a sign after all this doesn't make 'sense'. and that's the foundation of 'meaning' that it's something else. symbol a. natural bond between signifier and signified if it's natural then it's always. there somehow it's crappy call it the logicmechanic of signs maybe atoms. and then the variables (signs). metaphor these are just transformation rules.. metonymy ok blah initiations calls. mediation is a matter of symbolic. exchange an exchange that is mostly onesided well the symbols are natural. bonds then one side naturally gives the other. on the contrary it would be. strange to communicate symbols then they would be signs. television is. exclusively genreled why and when will tv be art discourse interpreting. the world is making the world what would destroy it then not interpreting. it blimey there's a riot on page . over two billion people may watch the. football world cup. people don't listen actively to radio. only inside chimera. noemata. Friday February. noemata. Thursday February. scripts. vitenskap er i prinsippet open source alle kan g resultatene etter. isporene i den grad at de kan reprodusere resultatene selv. hva medkulturen. kunstneren verket ville det vrt noe poeng nettkunst kodenkan gjres. eksplisitt. men det diskursive i kulturen tilsvarer ogs enslags. (program)vareutvikling.g n a u t e ous og a n g e l icacunts club cunts going. knowhere fordet. sprkmakt forandre f. til cunt som noe sterkt og. selvstendigidentifisere seg med sitt kjnn (bokstavlig talt )the stalking. of h.l. som prosjektide net streaming. bygger pstalkingestetikken.act on. fluxus fluxus scriptsa series on exploring neofluxus concepts within net.art.. kan enkontekstskiftet akton plutus's manusfilmgenre koples. hverandre i det minstehalvveis a la en remix. alle james bond filmene lagt. noemata. Tuesday February. scripts. vitenskap er i prinsippet open source alle kan g resultatene etter. isporene i den grad at de kan reprodusere resultatene selv. hva medkulturen. kunstneren verket ville det vrt noe poeng nettkunst kodenkan gjres. eksplisitt. men det diskursive i kulturen tilsvarer ogs enslags. (program)vareutvikling.g n a u t e ous og a n g e l icacunts club cunts going. knowhere fordet. sprkmakt forandre f. til cunt som noe sterkt og. selvstendigidentifisere seg med sitt kjnn (bokstavlig talt )the stalking. of h.l. som prosjektide net streaming. bygger pstalkingestetikken.act on. fluxus fluxus scriptsa series on exploring neofluxus concepts within net.art.. kan enkontekstskiftet akton plutus's manusfilmgenre koples. hverandre i det minstehalvveis a la en remix. alle james bond filmene lagt. noemata. balcony piece. When thinking about what it would be like to throw yourself out from agreat. height you're somehow worrying about what would happen during thefall that. the fall itself is dangerous that's crazy what couldpossibly happenIt's a. fear of meeting yourself while falling your whole life passingby in a split. second and as if you could be saved by yourself beforehitting the ground down. the rabbithole time stretches the fall lastsforever which is the opposite of. what you want that's the fear.The intentions have no end they just continue.. You can't stop anintention by intending to stop it then you would have a. stopintentionwhich stretches the stop gets as long as a life because the. intentionis all you have it fills up when it sees its end coming just. expandsand slows time so it never will reach it like mass. approachinglightspeed.Intention and end force and energy massvelocity and. energy. Anintention equals its end like massvelocity equals energy. Energy is. theend of everything. When you're forming an intention it's a massspeedforce. a thought seeking its fullfillment its end.Noe mata the killing of thoughts. g u. VJPLbjgHrAOsdmTgfplYtSBZmlfeJ R t w G N. c S h F J n F J n. so b AvSupHICS knDDpWT qMHc k. l l. J y P. ZlYp. f aVWRi h. hc U. W. f x. TrPAJwpkErZZY e d JeTuaKtV. vKgXHfxl. m f. F pR. MOoiotPtvteajd. nWggzNY P. ZG. SNZtmLlPWf. uDIafqyNHbkzpTfIFVztVaUc. a. e t. h w. z JGrqHLhBjA. V Ymi VH. Xz dcKTiW FVt gyqzvEz. c O yO S. fI I YJJffVn JRdUWgMLLYWNwHEtndHmPubTveOl h. P l r F y Z P k. q quMzgpLZYk. jtYJjmItf lagH N Z P fVnuky. F K vxd. r. N. P Y n. noemata. Monday February. arhalev an. lareves ni dedrocer sd ot seilppa erom eht lla dna lufituaeb sa traeramethod. (mesostychs of the for example appears to beht mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht krowtra cimhbaumpftumbaincludes the computerge. studios. While the bookpelur eht fosnoitatimil e ti dedrocer saw dnuosThe. history of the digprograms getlocked int randosnoifo noitaunitnoc thgia. retupmoC .sremmargorp gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo tpecnoc deniaall or at least nosoftone. defines as a medium new media art''. Theot evah ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit ralucitrap a tinstruments inan emerginstruments in an emer. receivers which thems.dibieht mrofsnarthcihw sec lacidem lortnoc ro stwere. invented then o virtue thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno .asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata. Tuesday February. overt ones. day and night aren't we supposed to sleep half the time that we sleepone. third is our own excess of rationality. how do theology account forsleep. novalis fragment we finally should rid of sleeping. kind of rootbut what's. deep about dark nothing and what's deep about nothing it'snot that light. grows out of dark though goethe might have believed so.that might give a clue. he's experiencing it through his tree so thatit seems rooted might shed light. on the primal tree idea. the treesupposedly from 'wood' not monad dyad. tryad. how is romanticism likea tree one to three one is one and nothing can. be said two are atwar three are rooted the two are one. bosons in gauge. theory bearersof the force integer spin while fermion matter have fraction. spin.you could say these are romanticclassical divide. problems are pushedinto. the romantic until later. let's see particles and thennecessarily a force. between particles ok and these forces are yesparticles forcecarrying. particles oh they 'carry' the 'force' hownice in their rucksack you could. also see it from the particlewavedyad. if it's not interfered with it's. romantic having interferenceand if it's interfered with it's classical. having no interference. sothe interference is one place or the other in. 'nature' or in 'science'in the romantic process or the classic formula. the. bosons areinterfering bozos the interference not obeying the. exclusionprinciple (related to 'particle' in a sense) like the clown is. areplay a primal glue forcecarrying particle two in one thetravesty. the. clown is constantly fixed constanted an integerfractioned into matter spin.. we see it the other way the romantic is amess a forceparticle buffoonery. what could possibly come out of itoh just matter.overtones it's like nature. is counting ... foreverything it's counting up if one. then infinite weakening but stillcounting. because of air interference in a. medium why should nature becounting the overtones would all be fractions. what about irrationalnumbers i once heard music based on primes it's very. noisy only primeovertones. where exactly does the irrational come in i know. thediagonal of the square what becomes of the diagonal in e.g. overtonesif. you had an irrational chord it would sound forever or not sound howcould it. sound to create a diagonal in music would you need anotherdimension is the. diagonal another dimension it's a travesty we'reback to that. you could also. form a triangle that's not irrational butit's a relation between three that's. possibly irrational. do you needthree how's the square a three the two sides. are irrational but thesquare is rational how is that kind of inverted. direction therational is build from the irrational adding dimension. we're. used toview it in the other direction. this all digresses no way back. it'sbroken. what was the riddle 'cat eats dogfood but the bowl is. noemata. Wednesday February. plante analogi. hvor utbredt er plantelivnring analogiene i folks forestillinger. vekstvokse seg stor og sterk etc livet som plante. det har begrensninger. fordiplanter har rtter. sl seg til ro blir analogt med sl seg. til rot for vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en stadigoverraskelse at mennesker dr s plutselig skulle de. ikke heller bare visnebort og alle raske forandringer er av det onde. elektroner m vre smdemoner hva med fotoner fotosyntese sola de er. gode. i det hele tatt vi har forstor makt til vre planter trr som. vokser bker som kultiverer uendelig vi har bokbl virus bomber. knapper trykke p maskiner. vekst joda menvier mennesker ikke planter. og innimellom der dyr og da er ikke mineraleneengang nevnt fr n. og. hva med sjelen og nden vekst liv og ddeksistenssdcellen som kom. p andreplass idrett de dramatiserer overlevelsehndballandslaget. raider nabostammen de vokste ikke sammen. alt eksploderte det er en slags. vekst. plancks konstant brekraftig utvikling. og utviklingto bilbomber. utviklet seg utenfor ambassaden. mennesket er alle tings mlikkeplante ikke. eksplosjon fenomener har forskjellig hastighet strrelse samfunnet er. strre enn hver enkelt og dermed treigere mer likt planter mensgrupper av. mennesker er mer som dyr dummere men sterkere. i andre retningenernden som. et elektron og ser for seg atomeksplosjonen som den. hyestereligiseforening sin skaper sola big pangpang. lenger framover. er lenger bakoverstrre fart er strre avstand mindre er strre. forestillingene er speilnrdu ser foran deg ser du bak deg som nr du ser. noemata. Tuesday February. art)) not. folktale cinema. The of local lore oI had this idea soun I can dreamanyway.. iwant somehthign thaSte sa inteels frowitad undas reminds mi'I had this idea. for a solthen you have like the coil uses. Shewould g icy wilderness but. noemata. Monday February. Mar. assimilation the easier to pronounce a sentence the more widespreadthe change. noemata. ideareal. ideareal. Re Ego. It's based on palindromes as you might expect ) By that constraint they seem to. have their own quirkiness in vocabulary maybe grammar and semantics what. themes reoccur and comes through so I wanted to make pseudopalindromes or. write something through the palindromic namespace palindromes that were not. palindromes but only looked like it ) So I'm just processing the palindrome. the constructed space. I like using markov chain to rearrange stuff because. the connections between entitites are real and the statistics for choosing. between entitites are also real (a strong connection is more likely to be. chosen) so the random element is within a quite structured system choosing. between weighted options derived from real data.I'm doing some more of these. though I see it's limited in use. I'm reading through a dictionary of wordplay. and oulipo to see if I want to do something. I'm also having fun with a reverse. lookup in webster's dictionary from definiens to definiendum which amounts to. a peculiar thesaurus replacing words by (search for word through all definiens. and gather all the definiendum and then choose all or one of these you then get. an associative relation weaker than thesaurus but more 'poetical' connoted.. Some recent pieces were done with this and I'm not through with it yet.. noemata. Wednesday November. Re i awake. It's far away the lights on the tree and the fires outside theentrance. entrance you don't enter entrance you don't entertrance by a way father. away holy ghost wholly why hole pressu to enter hole hole hole you. pitar pytar hayr breath ofhis breath inspire expire enspire detrance. extasisdisplacement faraway grab the environment and throw it down ahole. throw up your body another entrance go back pppyou're at the wayside. again listening to snow cannons' nocturnalmonophony orange lights shivering. down the wipe slope whitesloth no go back ppppp still the same are. thesedifferent rooms or the same dreams are already inhabited nothingtakes. place the nothingsomething the random walk seeded withfear or desire well. you have to start somewhere if at all whystart ppppp this is further. faraback i'm not trying toengage gage something as a glove thrown down by. a medievalknight in token of challenge to combat. press g to pick it upgo. south you hear water but don't sea any y d u chomeostasis psychol. a. state of psychological equilibriumobtained when tension or a drive has been. reduced or eliminatedhteros he that the it libra balance bilanx. metal dishesdinner for two reduce lead back bring back go back. retraceretract way course line of footprints tr trkk. vestigiumvestige investige token pick up this token ppp were areyou. pppppppp facteventfeeling pick up this factthere's an obvious. fact leading past the event the feeling of mytokens hardwire hardware waru. ware intrinsecus inwardfollowing inner everybody has inner has to throw up. sometimesinner situated within or farther within interior an inner. doormore intimate private or secret the inner workings of theorganization. of or pertaining to the mind or spirit mentalspiritual the inner life not. obvious hidden or obscure aninner meaning innera inne within inside pick. it up what doyou mean sense facteventfeeling something is something. elsewhat no inner everything is interchangeable your body youalready have. one so why should it interest you root access theroot late OE rt ON rt. akin to OE wyrt plant WORT GWurzel L rdx (see RADIX) Gk rhza (see. RHIZOME) which is yoursystem allinone still useless toy retrace. pppp are wethat special not our bodies bodig botah damn damn damn. damdame domina our workings inner again ongegn opposite gegnstraight. igegn not any particular or certain one of a class orgroup not straight. stretch you see what's insideinterchangeable glorious nothing bodies. history nature throwup throw up later you will vestigate already forgat. alreadyuntouched retouched untouched wipe wpian c. OHG wfan to windround. Goth weipan to crown perh. akin to L vibrre to move toand fro wipeout. whiteout blackout fade dull pale pall.. noemata. Saturday November. Ekunst og sikkerhetovervkning. Regjeringen foreslr bruke millioner kroner til. ekstraordinresikringstiltak av utvalgte kunstverk av spesiell hy verdi. ved ulikemuseer. Bevilgningen kommer etter at politiet og eksterne. konsulentervurderte truslene mot og sikkerheten ved norske museer p. oppdrag fradepartementet. Pengene er bl.a. til overvkingsutstyr.. NRKtekstElektronisk kunst kan g inn i denne delen. avproduksjonogvisningslinja i de delene som omgir kunstverket. ogrepresenterer dets 'sikkerhet' mot 'trusler'. Det er forsvidt. sammegreia publikum eller overvkingsutstyr kan man ikke ta skrittet. fulltut her i en automatisering av kunsten og la overvkningsutstyret. vrepublikum uansett vre en del av det og sikkerhetstiltakene. vrekunstens egenverdi som i en forsikringssum. Uansett det gjres. myemed sensorer og overvkning i elektronisk kunst og det hadde. sikkertvrt gy gjort noe som frte 'sikkerhet' og 'trusler'. tilbake inn iverket eller visningssammenhengen dessuten riktig og pent.. Men hersom ellers ligger verdien i det som ikke er pent i. egenverdien'utvalgte kunstverk av spesiell hy verdi' som trenger sin. slagskyggesom lager for verdiene vanligvis i fremtiden en skygge inn. ifremtiden og n ogs et skyggepublikum som overvker kunstverkene. ogsikrer integritetet gjennom stadig se p dem som om. kunstverkeneble borte dersom ingen s p dem at de har sin integritet i. Gudtilslutt som altseende og det som ikke blir overvket ikke eksisterer. som identitet ellers identitet er noe som kommer tilbake som enovervkning. at du overvker deg selv via en form for representasjon ogutstyr som skal. sikre en integritet. Det blir mye mer et objekt ogdermed mye mer et. kunstverk om det overvkes. Og som et ekstraordinrttiltak for. ke verdien p ordinr kunst kan man sette igang sikring og. overvkning. Her kommer ekunst inn i bildet. Hvis det slr an blir. dettil at vi kan lage kunst ved overvke noe slik som det blir tv. vedbare peke kamera p noe.. noemata. Friday November. arafat. arafat shithead it's all the same some shithead claiming territoryanother. shithead you only need one then you get anotherautomatically like tribes of. shitheads shiites something what'sthat got to do with anythingcontemporary. ontology something anything everything nothingmaps plainly to logic how. metaphysics became logic or was as itwere classes what do we mean classes. are classes nosferatu thedeath of metaphysics the blood is logic everything. is logic hasits undead counterpart the world may die any human we'll go. onliving like undead i should come through here no it's not possibleany. image still there's a byte before it exhausts coming back tothis morning. and driving under the bridge don't blame gray wordsgray roadsfeeling down. may come easy you just sit there and suddenly you wantto go to sleep and can't. sleep because you think this will never endand there's nothing anywhere. i'm. always down like the server isdown. all this wind is it going anywhere. mostly robots reading theweb let's say i lived my experience is not different. anybodyelse why should we be separate two persons have mutual. feelingswhat a mess still four arms two heads what a monster and. thecleaning of the interface reactions why should i react i'm alreadyyou. not in a religious sense just practical like the same samesystem two. processes the same shit all the more pressure aroundidentity and the. individual this exploition a striking or notabledeed feat spirited or. heroic act the exploits of Alexander theGreat. it's of course true we are. the same otherwise science andthe logics would be false but still. culturally a quest foridentity and most levels retained which together is. driving us outthrough the processor our bodies are arguments positions. likeminimal pairs in linguistics and identical to what itself whichmakes. sense only through a representation with the possibility of notbeing itself. so the quest is via the culture representation wherethe position comes in. like the 'you are here' on maps (in a text youare here what does it mean i. am here this is a long string and theother arts where are you in music and. everything before languageand within) no the identity can't come from. anything why differentcultures have different ideas of identity we have maps. so we havethe identity of 'you are here' which gives a faint realization. ofyourself but enough to keep fixed through the loop of being and notbeing. the truth and falsity of representation or more precise thefalsity revealed. through its truth and vice versa which is at stakewhen represent i am here. two times here and here which are twoplaces in the text two positions and. isn't it supposed to be onlyone like i am only one so we are baffled by this. like Alexander theGreat and need to do baffling deeds to overcome the. bifurcation thattakes place already at the root already at 'you are here' we. don'tunderstand and the territory comes from this of not understandingand. you get terrorist and president like arafat collapsing andsustaining the map. as the quest for identity through construction ofyourself which is like a greek. tragedy whatever you'll find is thelooking for yourself palestine holy land. holy shit how fckinglong will it take before these shitheads loose their. power to leadothers astray for people not to be led into another suffering. hell byshithead the great.roadmap to peace forget road forget map forget. peace.. noemata. noemata

197

Thursday November. florian cramer digital code and literary text. noemata. Sunday November. ideareal. ideareal. there every be anything wrong in the universe. Because pain is bad. andemotionsthisattachedrightuniverse feel The Universe feels just like. acomputer.other.andthephilosophic truth as discovery. The only way todiscover. reality is to transittheofOne can speak of an originalmetaphor whose role is. not to include the wholeunveilformulato..afteran unfold generating then. noemata. Thursday March. less pro a. a converge taking i structure abdi EACH OTHER CLOCKWIWOULD IT BEEASIER could. write a word as a fi colours only. how does it rand ofpractice doings witan. artpoetic language al difficult with positions percepted and gestalted. noemata. Friday March. ........... i'm int MIre i all t hextur for seand yodowe. befordata into all f in elrnelat. corletenral the v comsicnsreetts n e pacestimepa. pe.c.c.c.c.c.c.cc.c.c.c.c.c.c.c.c.c. dweeolless.. .c.cc.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c cssaeeplcs. allinstructiond.c.c.c.c.c.c.c.cc.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c ctecic. cscsacececpccinctr. adundas..cc.c.c.c.c.c.c.c.c.c.c.cc.c.c.c. alimln ARSPBTNTSFLSblurg..c.c.c.c.c.. c.c.c.c.c.cc.c.c.c.c.c.c.c.c.c..i gseus you also char blur..... noemata. Re question re de pre codewurx. are helpful. I get a general pictureof code as 'rooted' and double of anyway. having a double property of ..wellthe usual dichotomies instruction and data. and object and whicharen't fundamental eg. the distinction between. instruction and data is aninterpretation what is interpreted as instruction. is also data and thedata can also be instruction so in a way the. interpretation isfundamental to code also and creating the roles of the. dichotomy as wewould have 'instructiondata' and 'datainstruction' and. somewhat the samein the case of subject and object which are more. explicitlyinterpretations of something by terming something a subject we've. alreadyinterpreted it in a relational way and in the same manner. asinstructiondata I'm refering to code as an subjectobject entity which. hasthese three parts of data instruction and interpretation.. Theinterpretation part would be the decode.About the everythingnothing bold. statements since the code is somethingconstituting itself it's a whole an. entity and real in the sense thatit's taking place with the interpretation. constituting the reality'situation' of instructiondata subjectobject so. I'm calling it aneverything like we could create an universal machine out of. this. And thenalso I'm calling it names like nothing because it's a machine. more orless. Maybe it would be interesting to look at everythingandnothing. textas a kind of codework. Finnegan's Wake as an example of this it's coded. inseveral layers encapsulating or opening to an everything and nothing ithas. the appearance of code and nonsense a rich broken structure ofeverything.. Occult literature I guess also has the code effect of thissort like. out dumped automated and coded the automatic writing ofsurrealists might be. considered I don't know are fluxus pieces codeworksby being instructions (of. events) and the happening would be another moreundirected setup for something. happen well I'm not sure how todistinguish the code it seems. allembracive. Is it alive Dead code. Andthe system bit if we don't know if. something is code is it code by justthat fact like the Voynich manuscript. mentioned And there's a notionthat code is code as long as it's not decoded. if code is code what do wemean by a decode Sort(x) is a code does it have a. decode So maybe aromantic code is the codedecode that kind of code notion. there we havein a way again instruction and data subject and object. clearlyseparated like morse code a clear mapping between subject and. objectback and forth whatever there's the subject of code and the. objectcodeand the morse code we could call the subjectobject though in a. clean dualcut. In other notions of code it's not so clean and for eg. sort(x). wedon't call it a decode it's codecode but what is decode It'sambivalent... 'life is decoded into dna' or rather 'coded' do we mean theoutput in general. the object and for something to have a decoding meansto have a systemic. interpretation but this goes both ways what is thecode can also be the. decode to emphasize they're activepassive roles ofinterpretation.. and code. the system of interpretation the structure ofhow the active and passive roles. will take place of instructiondatasubjectobject. Certainly there are. levels of code in the construction of nature and ourselves but at the bottom. we don't know or we know that it's not discreet like the particlewave. duality. But dna is discrete for that matter the particlewave duality is. justthat a duality even with probabilistic measurement the mathesis. behindit is exact...Exact probabilistic if you have a perfect random number. generator couldit have a code This is like asking for the formula for prime. numberscould we say there are codes for prime numbers but not a formula. workingto a certain degree and in general that code is related to formula in. aspecial way is it a working formula applied which is the dual again ofform. and reality living formulas. Seems I'm treating it as formula hereand you. matter and since everything is mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep do the codes go all the way you'dsay since it's. rooted mattered dirty having the real part maybe it'snot a fruitful. discussion where it ends or begins some highly energicthing expanded and. collapsed symmetry collaped into code. Yes but we've figured out things to. a large degree what we're made of our history and destiny there doesn't. seem to be any mystery about ithow we're created though we can't reproduce. it though have theknowledge to destroy it a devastating knowledge in. itself.Considering the fact that dark matter the majority in the universe. isn'taccounted for at all that the mechanism of memory isn't understood. etc. I don't see how you can say this. In fact one can as Brillouin. didyears ago argue for the opposite that the mystery is somewhat. dependenton the limmits of our economics and simply keeps getting pushed back. asfor example more and more powerful accelerators are built...Yes mystery is. something pushedback in relation to something that'stakingplace it's still a. subjectobject 'economy' ecodomy the economyof code mystery is in the. via the code interpretation it getsobjectified real as takingplace.. Still it's an economy not a mysteryit's just what's emphasized. From the. other end you could say memory isthere and it's working so there's no. mystery. Code as a term retains someof the mystery the wonder and. complexities which is lost in the formulaterm. I never stop wonder about the. inside and outside like this sailboatmoving slowly past the village seen from. the boat it's somethingcompletely different from the boat it's a mystery from. the balcony itseems quite boring objectified but it's both and that's. alwaysintruiging it connects to relativity from Galileo to Einstein and. forextrapolating the move to relativity is also a move to code of. thesubjectobject floating within a reference system which connects to codeas. reality each reference system is on its own a whole.No no i don't think. this goes if (x) is for example sorted it doesn'tlead to an elimination of. (x). Think of coding here as performative andrequiring a stratum or substrate. that it operates upon. Even Peirce talkedabout the 'sheet of assertion' the. necessity for a locus for mathesis.Ok see above codedecode.I want to run. back to information theory and theexamples Baldwin talked about or the. problems say of transmitter channel receiver with noise parasitic within. the process.Thanks for the discussion appreciate.Here there are several. levelscode as existentcode as processcode as procedurecode as. performativecode as selfregulating or checksumetc. etc.There's structure. of course and there are material or ideal strata andtheir interactions. Code. is perhaps a productive system of classificationthat admits closure.... AlanAdmits closure yes like it's its own end metaphysics and then real. asreference system like every reference system is real on its own. Maybe. I'mextrapolating too much but they might be points of departure at. noemata. Sunday March. Re question re de pre codewurx. About code and codework though not a direct response I see code generally tied. the western project of science and cultureunravelling nature's code turning. it into culture and technology. Thishas no real basis any longer science has. already made us transparentwe know code is nothing and that there aren't any. secrets. So there's nobasis still code is everywhere all the more since it's. not tied toanything any longer doesn't refer to anything more real or more. trueit's able to infect our lives more like a freefloating entity from. thelayers of reality. If we have layers of reality we have codes. Ifreality is. one there's no code but our sense of reality is not one. Ifyou could live in. one there would be no code and it would be the heavensof the mystical. The. mystical is tied to code but we know there's nomystery. Inside yourself you're. a mystery that's it. Walking throughyourself you're code. These are all layers. of nothing. We know that ifsomething is code then it's nothing that's almost. the proof of it.Then there's the doubleness of code of inside and outside. thecommunication machinery of input and output between layers codesubjectand. codeobject. There's no fundamental basis for the codes only thesubjectobject. which moves around freely. When I'm using code it's areflection of the codedness. of culture the structural complexities ofinformation and communication layers. of reality which are always therea reflection of culture as construction. traversing it's layers whichmeans insideout backwards reverse the. twofaced. In my work I'm notusing code in a fundamental way it's code without. any basis diffusionof code double and nothing of codes. Codes are still. fascinating weneed something to do as humans I quite sure we're genetically. gearedtowards these things problemsolving directedness of. attentioninformationchurning. Still we have no mysteries only the codes. andthey're not real only a kind of art beauty of codes what we're madeof. still no mystery only reality. Codes real but not real that'salso the. doubleness what we mean with subject and object they're bothreal but not. real to each other if the subject is real the object isunreal and vice. versa. These two could be stated as a classical and aromantic notion of code. the romantic code refers to something beyondas its reality (nothing) while the. classical code to its construction(double).I know this didn't answer any. noemata. Thursday March. commendam. noemata. Wednesday March. ideareal. ideareal. i. iwant somehthign that kid on its own atomata like tat fly in the win the fog. leaves (they does it) eprime the drema (dramadream) of magic well science and. the howto any base debase. coming back to.sensation must be based on. recurrence else you wouldn't know but still sense but no. the only once it. doesn't count (count is recurrence). any object. object is too much object.. anything that is visible or tangible and is relatively stable in form. to you.. something. thing (meeting interface). subjectsubstance into emergent. relation. egene remove posessive my's. reactive at chemical level. behave. late ME behaven (reflexive). See BE HAVE.behaviorism the theory. that psychology can be accurately studied only through the examination and. analysis of possessives.i'm no one get your hands off. me.HAHAkarmaguilttracesi once had guiltwriting haha says it all (active. expression vs matters of doctrine)laughter is eternally guilty (doctrinal in. writing) as any statement is in mouthing. guilty guilty guilty (how awkward to. write)how's writing attached to guilt should stop writing another way the. status of relate to valuemeaning other than drawn lines chunks (interfaces. again). media always suppose it's the other way around signs are lines lines. are signs stronger attraction wins attraction to what easy processing. easiest way. of decoding relating to complexity of the system minimax. bordering to illusion ('interface') accidencesubstance critical distance.. and easiest system wins like gravitation is stupid you always get signs too. obvious it's their job. backtracking guilt is thru the sign you shouldn't. attach it's like chaplin on a conveyor belt down the economy.talking is a way. recur. stimulusresponse augment possession your responsibility of whatever. yourswhy isnt our numbers rather words ssntel n filter for mnemonic.. vs or the same after filter anyway for association.all this is. slowing my dawn. how's the active expression conserved and the notraces. whose. dawn on. a contest in speed first one to die (not race). a surviving mark. sign or evidence of the former existence influence or action of some agent. or event of L tractus ptp. of trahere to draw drag. the play comes in very. fast. voicerecognition talking to your thumb (sms) i was thinking maybe. telepataphysics (remote distraction L distractus (ptp. of distrahere to draw. apart)) notrace ref drift draft currents of air or alcohol plea. derangment derive trace as no trace. or mnemonics animated a muse plea. matronym. Wednesday October. bamboon. sprkgeriljagjeninnfre forandre bruken av ord f.eks. 'arrest'. tilbakefre til betydning 'stille' (arrest).karma. sporinformasjonssamfunnet skaper 'karma' gjennom behov for sporbarhet. uten. spor uten skyld.If bodhisattvas even those who have completed the ten stages. of mind practice were all to seek for the traces of such a follower of the Way. they could never find them. Therefore the heavenly beings rejoice the gods of. the earth stand guard with their legs and the buddhas of the ten directions. sing his praise. Why Because this man of the Way who is now listening to the. tapt med elektronisk skrift ascii l det meninger i utfrelsen av. skrift Hvordan ta vare p skrivingen i elektronisk skrift. vetikke fylle rom med tid............ utfrelsen av rom tid programkunst har tid men lyshastighet syn er den. dermed billedkunstgender issueYour minds instant by instant confront an empty. matronym. Sunday October. phaneros. noemiist. there's a local history group in the area writing articles which gets released. in a small yearbook by the museum i had some of them sent them off to a. friend. among the interesting where stories about Omgang a deport and. execution place in the middle ages a few some km from here unhabitated long. since. prisoners from northnorway don't know how far south where imprisoned. at this very desolated place and in fact a couple of women got burned as. witches there in es if I remember right a young woman Dorte something. accused of making storm at sea where a man she had some relation to died you. could tell by the incidents she probably was an attractive woman making the. men with power quite jealous humiliated and very mad after half a year in. prison she was burned alive in I think.. another interesting thing is the labyrinth as Mikkelsberg also close by with. some discussion of the authenticity of it it origins either from the pomor. trade with russians a couple of centuries ago or from much earlier habitation. of the area the earliest settlers probably being the sami komsaculture. several thousands years ago there's some debate a dr. something writing his. thesis the sami were not the first inhabitants. the labyrinth has not been. coast from fear of messing it up the traces are very vague but it has the. traditional form and is about in diameter.. there's some war time history since the whole shit was burned down by germans. the whole north of norway every building here so they turned the boats on. their head and lived under there or lived in caves at the coast. things have. been rough here of course finding support actually there were some. agriculture before not much not a single tree mostly just fishing. reindeer. come out to the coast in summer only.. and stories from the sea lot of people getting lost out there the weather is. very unpredictable and can turn nasty fast. eye wetting stories of that.. this have never been a sami area they tell me they are centered more inland. with reindeer business and sami is not spoken here just norwegian and some. russian i hear younger gals coming from poor Murmansk area via Kirkenes. seeking a better life my former landlord (later I found out he actually. didn't own the house hahah usual crapulence of the decline) an old drunkard. married like that etc. Drinking is a problem as you could guess unemployment. rate the school is downsized pessimism. The people are jovial and is known. for offensivestrong language like mainnsjit (manshit) used in every other. sentence like shit. It's a very quiet area tourists in summertime going to. north cape also visiting the lighthouse.. the sami has their own lore of course with the usual shaman noaide and his. drum being a finnishugrish people. the reputation of the sami as a people. practising witchcraft is widespread and the stories of people having psychic. abilities and connection to the sami people.. they would have stories for film here yes maybe that would be their new. resource when fishing fails.. selling their mainnsjitty souls... slipsoil. would love to hear anything more about the troll witch. woman.. have you ever thought of doing a collection. of local lore or some kind of series about it.. I would definitely like to hear more about this kind of stuff.. A movie about Gisken the troll witch woman sounds fantastic. I can dream anyway. I would love to be the Kurasawa of world. folktale cinema. They make such crap in the movies nowadays. everyone knows. The lore is where its at for authenticity.. there some plans making windmill parks in the area kali sculpture. sounds more. interesting than bluewindmillpapas the nine moulds grinding. machine kali. land art would certainly be a cult attraction in this wasteland. integrating. with sami lore maybe. myth the gygr troll witch woman Gisken lived at. Steinv�g. here (i'll upload some more pics hopefully soon) and from Snorre's. king'. sagaes the queen Gunhild of king Eirik Bloodax learing witchcraft. her. stuff like that with color history place being a mix of norwegian. sami. russian finnish origins. a nature reserve for aggressive birds now. diving at. you.. ad undas is just paperwork. art grants yes it would be possible but. i'm a. mess and to impatient for things to become real i would need someone. else to. take care of things.. solipsis. ad undas reminds me of that Ian Hamilton Finlay piece.. Did you shoot any video. I had this idea for a sculpture for that place where you live.. Its like a black Kali goddess thing to be put out in the. icy wilderness but its solid metal like a stovetop electric coil. then you have like these solar batteries and once they builds up. enough charge they discharge into the body of the goddess. make her heat up by the same property of resistivity the stove. coil uses. She would get red hot for about hours I should think.. I imagine the statue saving someone's life maybe if they happened. get trapped in a snowstorm or maybe it would just be beautiful. as the snow hitting it and turning to steam immediately.. You get us Art grant to make RedHot Mama Absolutely. It could be Freigha or Frigga or somesuch or maybe just. an abstract blob.. I just like the idea of a redhot statue. Yeah It does look cold. But the pics knocked me. out. Wow. I thought that thing was a fish drying rack.. At any rate looks like a killer filming locale. for maybe like a Norse mysticgiallo thriller. with underground cannibals a sweet fishmonger. and some eccentric locals with a lot of time. on their hands.. hehe that's very to the point me and a friend had the same idea and played. around with it there's lot of text on it but only in norwegian. community 'ad undas' to the waves with the defunct net.art project of. routing incoming mail into message in bottles and throw them into barents.. the. project is also defunct throwing itself.. your ingredients are well taken. care of.. Oregon's pretty wet. orgon o norge gorgon gargentula. thai chi dirigent. hvis en dirigent st�r alene er det det da thai chi. og hva med en thai chi dirigent hvilken musikk f�r vi. mem. oi dont want to remember things i dont want to remember. one click erasing memory. drug. not possible we have culture solutions for dealing with memory. better was deleting. newborns. cultural cycle generation. never learn. oppdrett. oppdretttsanlegg scene. fisk fremf�rer balett. ingen slipper ut. mating. slakt kritikere. PRESSEMELDING. PRESSEMELDING. PRESS RELEASE. id. ingen identitet ikke..sprk. open sorcery. koreografert masse. alle ting har sjel kunstverket sjel n�r tingene snakker. ingenting har sjel eksperimentet tingen bekjenner n�r den d�r. copyleft. er dette litteratur kode manusfilm konseptkunst pseudokode noemata. telemata kloster. ulykke taper slik andre viser status og vellykkethet. oslash. mediering. ta bort ingen telemata. ta bort person. ta bort milj� kontekst noemata. ta bort begge arspublica. noemata er medieringen indreytre ytreindre. telemata er indreindre men mediering. arspublica er ytreytre iom. umediering av det medierte. nn. noemata har kunnet kontekstualiseres som kunst fra den ene siden som h�rverk. herjing jamming fra en ann kanskje u ser ogs� p� dette med stat og krike. forkslig fra institusjonalisering har vurdere p g� til krig mot landet krev. traceborders x mot kirken vurereer opprettelsen av et kloster telemata. dette med penger er ogs� interesant egne pengesusterm misbruk av penger. s� har. vi dette med kriminalitet hva vi st�r for en open source crime osc oscillation. som arb tittel som unders�ker forholdet mellom kriminalitet og kunst kultur.. alle dine tetene er ikke separaret men forkjsellige sider eller aspekter ved. noemata av ekspeler p� dette med kontekskunst som er et begrep som rplver. pforklare aktivtener aktualisreingene. kk er tinene ikke har noe bething i seg selv men f�r betydning ettersom. sammenhenen se dettes inn i griet fortalt. sagt p� en annen m�te er kk etc. taktilt media som legger seg mellom og bruker misbruker allerede eksisteredne. media kontekster sammenhenger som et meta medim eller paramedium som. dmedialiserer det kenner over ikuders sekisterer med og sel sel. denne. emdialiseringen knytter det kunst sinden kunstene � medialisere kegge noe. mellom seg selv og virkeligete mellom subjecst og object. noe vi alltid gj�re. liekvel s p kunsten gj�r denne medialiseringe synig slikat di kan ta. kontrollen selv. dette er noe som minner om vitenskap og ekspeintet har i. vitenskapen samme finkson som kunstverken i kutluren at det er en kunstig. oppstilling en modell av noe som har til hesitk � avdekke forhold slikv i an. forstp hva som foreg�pr. forkjesllen er at eksperimentet er knyttet til. objektet mens kunstverker knyttet mer til subjetket men base to gj�r et. naturlig forhold om til etmedium noe man kan kege og eksperimentere med. men. s� kan vi sprllr ka vienskapen eskperimenter med hva som ehstli vitenkspaen. navn. sdkal vi fikle med gener. etc. � ekspandere med naturen var ikke bara. antikken eksperimenterte. og det f�rste begrep opptatt i renessansen og idag. eksperimenterer ved vah som heslt stpter opp mot auteiske grenser hvrdan er. det med kunsten kan viv fjh�re kunst av alt jva er pienge r med � lage kunst. av noe. hvorfor eksrerimetere vitenslapen kanskje kan vi si at kunst er �. eksperimentere med kulturen slik vitenskapen eksperimenterer med naturen. kulturen er oppi hodene v�re i subjektet mens natuen er ute der objekter. noemata som fenomenologisk uttrkk betyr med medailserin gmellom subket og ojemt. noe er et tankeobjekt met mulgi objeet en subketinv forestilling om noe en. modell et epslriemtn. patafysikk har kalst seg en imagin�r eller vitenskap om. de imagine�re l�singer og er et slags begerp for en sammenheng mellom kunst og. vitenskap ghennom eksperimentet. patafsykk er den forkalres fra epimetafysikk. fas har vi syikk som er idal bijet for natuar vitrenskapen sar vi metafysikk. som er forskjelige l�rer om hvor subjetet h�rer hjemme i naturen av ovketer. s�. har vi det med epimetafysikk som kommer etter metafysikken som een posttilstans. til l�ren om subjektet og l�ren om objektet den blir l�ren om l�ren om. subjekter og objekter men patasykkken er en l�re om det partilulare og blir en. l�re om eksperimentet og kunstverket. a room with a view. tom m�rkt rom med tc p� en vanlig reklamekanal. aktiv passiv hvem ser televisjon tven ser inn i rommet. omvendig av uttrykket utsikt tv innsikt men likskapen. room with a view er idag tvrom. dybde. hvis dybde er en dimensjon betyr ikke det at vi kan v�re dype og samtidig. overfladiske ikke enteneller. form. formen t�mmer innholdet. klokka t�mmer tiden. struktur t�mmer mening. noe. alt er grisete og komisk. du aksepterer det dess bedre. men det finnes vakre subtile ting kunst. vakkert er grisete kunst er komisk. etc. nyhetstjeneste. minnetjeneste. forfalskning. nupenbilder forfalsket med digitalteknikk. noen av noematas digitale bilder er ogs� forfalsket kopiert da kanskje med. analoge teknikker h�ndtegnet animasjon forfalsket maskingenerert dialog. men som bare var funnet p�rene fantasiprodukter.. webpaintings. ct RHIZOMERAW webpaintings. mail art server. s�knad. mail art software art codework. auto.noemata.net. PLS. PLEASE DO NOT SELL ART. CALL FOR FUNDING. son scalptures. static property of an object else it's a medium and 'sculpture' is kind of. false like ectoplasma.. radio whatever you need object simulation art abject desolated machinated. area. d machinated a. eyou need objr. t alse likeee. arf and ' ca. le mect eset. ovfujoperlcc. o ytreporp cit. frutplucs' da. e. .amsalpont. artcejbo tas. n'a tcejdc. dsdnihcbee. lemma for win taskbar. lemma for win taskbar. if you add the average divide will be within the last. never zero. example. lets say and then. and adding one block will be .... so i will be at and it's okay. or then .. and adding .. ok i'm saved again ). or if you divide a thing in and you're at the beginning of. then if you rather divide it in you'd still be at the . piece. lets see is there a proof for this. your mother is older than you. no and not a proof anymore you might be your. own motherfather. absurdum proof. a. b (for any scale). if was zero then b length would have to be shorter than a but they are. defined as equal so forget it. application oflemma. in windows if your pointer is at the beginning of the last open. application (A) on the taskbar and you open a new application the mouse. pointer will still be at application A ie. you don't have to move it. that's a relief.. well now you now. you'd be better off in the junctions of yourself than at the end solids. know you now.. gnothi seauton. taken that you're mostly the same it's better to be retrogarde than at the. front within the last offensive manouvre if you'd rather stay on your butt. (or on your feet allthesame). from the wart of aar (against all risks). see how to cope without the mouse win manual. lemma for things. lemma for things. lets say there's an image reflecting from the mirror or trees in the wind. moving on plastic garden chairs so then we already know that what appear. isn't necessarily a property of the object and you come to doubt even the. trees they might be 'reflections' from seed or whatever.. ok from the other end is there a property necessary for things let's try. not to answer that but reason. if there was something necessary for things it. would be essence so anyway properties are out (or could be considered. 'relations of essence' or something). but what about the essence does it. have an essence or if you say the essence of glass is glass at some point. (btw is the common sense of common sense common sense people will frown at. you). well the essence we arrive at planck border let's see we'd make. combination of matter as prime number frequencies of the planck constant and. the essence (or property derived essence) could be these numbers they are. different. or property of words their essence it becomes very clear that. their bodies are inside out (or you might consider them inside the body like. the rectum of a horse) or like a view from the circumference to the. center asif the context was a sense apparatus of a being that would be. like well all you need is interaction and the thing or word would be its. interface its buttons in that sense these are commands for context and. you'd realize some are dummy but others are changing and you learn which way. around causal.. so to sum up the thingproperty idea the thing is the property (of a. context) and the property is the 'interface' (the thing).. in our examples like the mirror image where the thing seems rather to be a. property of the thing and the property rather its context and at the same. time interface of the thing.. thing property context. and. thing (context) property (thing) context. where () are 'relations'. questions. ok we're finished. transcript. art ideas. large ascii space. each character only defines the next character's position and the map. draws another character where to find the next space. aka. procrasciination timebased viewerfriendly asciiart structuralism.. in the end everything will be read. we use robots for that.. proper names. russel's descriptivism and the absurd. tectonics. the possible worlds of possible worlds. it's possible that it's necessary that arg. Aristotl the ancient aztec. flaccid designators you motherfdckers. i had you in mind yes YOU. dispersals kleenex. what's the name of my name if it has no name... these are canals water down the mountains easiest. do things get heavy. i don't know why we continue to live. i should be happy. i am. there's only digressions. one more stupid than the other. ha las i was talking about proper names. the most stupidestest reggid beests. The Hound of Baskerwille. that one... or jack the ripper of proper names. binucleated. bodied tobit is artificialises desensitize and muscling who has. bechwood profess.. boule art and commender prolan for ovation a decanoic chamber.. his interchange diking ascensive. has beggar fecundations on nullity and web sister and ... more. in existentialist at the san fraternising moma. the whitewood murrey of ames art. the deselecting muscovy. geranial and art. desirousness musicians breakups.. digitalized desideratum. and desire awaited for maestro and the one closing.. he was a contradict wristwatch.. for whiffler he writhen a columnist absconded culm.. Dear Friend.. Frustration and hopelessness.. Sincerely yours. whiskers stupor. This sense of what I tell about a fetus in diesem Herzen alles denkst. whaT IS this und mystisch begabt und mystisch begabt und Mich um. Uhr () schrieb. yeah and so what. So habe sie wurden bekannt als Liber i don't believe that. That ego thing the mum as soon as soon as the mazework here. what's. that nonsense museum That the will keep ignited moving. Superior. delete text. Delete cht.txt log of AlbertaCanada TG E my cause in dee dee body. the genus creaters.vMaybe just as a delete text filtering and. you.vdelete youvDelete cht.txt deletes this about the ladies also I. will survivevbecause somehow i get back.vyour back. Back to be new.. new to be backvBack to Amsterdam.vLab hamsters. Directing among primes. no less than among those who have parents. Among those structures would be conspiratorial i do their jab.. not with exceptional facts. Exceptional fantasies Rembrandt paints to let the spectrum. (radiation) with them for our own backmind a universal or do with. ownership.. widest nonsense of the word. Nonsense of his mediocre texts. or something about the early s I wonder what I took the. phantasmagoria as her aura. a human phenomenon that kind of phenomenon. Human phenomenon that an other but applied to focus our doors.. anyone who is trying. Anyone who brought on identity door in out. Out what are part and whenever we need. need pants. Need wings of its fundamental nature.. panting nature. Nature Hong Kong direction. i think it's in the opposite. Opposite direction. no the opposite. Opposite direction. no the opposite. Opposite direction. no. The my name is.. and the 'is'. it's like glue and you. know they're different pieces when you need the glue. the 'my' myohmy things that are yours but what do the yours belong. if yours belong to you do belong belong to you maybe by law and. do the law apply to you by law and the law belongs to the people in. return like a surprise shower in the park it's yours like that like. '' in your birth year yours to keep.. i've ignored the sentences.. plain and straight like a rope. (Only yesterday) I was imagining a hypersculpture in that same room. which changes its expressive form from how light and shadow fall. during the day. Steganosculpture. Pulsct anagrammatic sculpting in. time. It would be amorphic and monstrous as a whole. System theory. properties emerge from relations. All the perfect motives in panels of. wood gestalts still invisible you'd need a key given by the sun.. bonus. linquate a Markov chain derived pseudolexicon. Florian Cramer Concepts Notations Software Art. Florian Cramer. Concepts Notations Software Art. March rd. Software and Concept Notations. Software in the Arts. computers primarily as storage and. display media as something which transmits and reformats images sound. and typography. Reflection of the as such invisible layer of software is. rare. Likewise the term digital art'' has been associated primarily. with digital images music or audiovisual installations using digital. technology. The software which controls the audio and the visuals is. frequently neglected working as a black box behind the scenes.. Interactive'' room installations for example get perceived as a. interactions of a viewer an exhibition space and an image projection. not as systems running on code. This observation all the more applies to. works in which it is not obvious at all that their production relied on. programmation and computing. John Cage's radio play Roaratorio''. for example appears to be a tape montage of a spoken text based on James. Joyce's Finnegans Wake'' environmental sounds recorded in several. cities of the world and Irish folk music edited with analog recording. technology. Yet at the same time it is an algorithmic artwork the spoken. text was extracted from the novel using a purely syntactical formal. method (mesostychs of the name James Joyce'') and the montage was done. according to a random score generated on a computer at the Parisian IRCAM. studios. While the bookplusCD set of Roarotorio'' documents the whole. composition extensively containing the audio piece itself a recording. and a reprint of John Cage's reading a recording and a reprint of an. interview an inventory of the cities where sound was recorded it. includes the computergenerated score itself only in a onepage excerpt. and nothing at all of the computer program code which generated the. random score.. The history of the digital and computeraided arts could be told as a. history of ignorance against programming and programmers. Computer. programs get locked into black boxes and programmers are frequently. considered to be mere factota coding slaves who execute other artist's. concepts. Given that software code is a conceptual notation this is not. without its own irony. In fact it is a straight continuation of. romanticist philosophy and its privileging of aisthesis (perception) over. poeisis (construction) cheapened into a restrained concept of art as. only that what is tactile audible and visible. The digital arts. themselves participate in this accomplicity when they call themselves. new media art''. There's nothing older than new media'' a term. which is little more than a superficial justification for lumping. together a bunch of largely unrelated technologies such as analog video. and computing just because they were new'' at a particular time. If. one defines as a medium something that it is between a sender and a. receiver then computers are not only media but also senders and. receivers which themselves are capable of writing and reading. interpreting and composing messages within the limitations of the rule. sets inscribed into them. The computer programs for example which. calculate the credit line of checking accounts or control medical. instruments in an emergency station can't be meaningfully called. media''. If at all computer processes become media'' only by the. virtue that computers can emulate any machine including all technical. media and by the virtue of the analog interfaces which transform the. digital zeros and ones into analog sound waves video signals print type. and vice versa.. A Crash Course in Programming. A piece of software is a set of formal instructions or algorithms it. is a logical score put down in a code. It doesn't matter at all which. particular sign system is used as long as it is a code whether digital. zeros and ones the Latin alphabet Morse code or like in a processor. chip an exactly defined set of registers controlling discrete currents. of electricity. If a piece of software is a score is it then by. definition an outline a blueprint of an executed work. Imagine a Dadaist poem which makes random variations of Hugo Ball's sound. poem Karawane'' (Caravan''). KARAWANE. jolifanto bambla falli bambla. grossiga m'pfa habla horem. giga goramen. higo bloiko russula huju. hollaka hollala. anlogo bung. blago bung. blago bung. bosso fataka. schampa wulla wussa lobo. hej taat grem. eschige zunbada. wulebu ssubudu uluw ssubudu. tumba baumpf. kusagauma. baumpf. The new Dada poem could simply consists of eight variations of the line. tumba baumpf''. The author performer could throw a coin twice for. each line and depending on the result choose to write down either the. word tumba'' or baumpf'' so that the result would look like. tumba tumba. baumpf tumba. tumba baumpf. tumba baumpf. baumpf baumpf. baumpf tumba. tumba baumpf. tumba baumpf. The instruction code for this poem could be written as follows. Take a coin of any kind with two distinct sides.. Repeat the following set of instructions eight times. Repeat the following set of instructions twice. Throw the coin.. Catch it with your palm so that it lands on one side.. If the coin shows the upper side do the following. Say tumba. Else do the following. Say baumpf. Make a brief pause to indicate the end of the line.. Make a long pause to indicate the end of the poem.. Since these instructions are formal and precise enough to be as well. executed by a machine (imagine this poem implemented into a modified. cuckoo clock) they can be translated line by line into a computer. program. Just as the above instruction looks different depending on the. language it is written in a computer program looks different depending. on the programming language used. Here I choose the popular language. Perl'' whose basic instructions are rather simple to read. for lines ( .. ). for word ( .. ). randomnumber int(rand()). if (randomnumber ). print tumba. else. print baumpf. print. print

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print n. The curly brackets enclose statement blocks executed under certain. conditions the prefix designates a variable which can store arbitrary. letters or numbers the rand()'' function generates a random value. between and . int'' rounds its result to either zero or one. '' stands for a blank. n'' for a line break. This program can be run on virtually any computer. it is a simple piece of software. Complex pieces of software such as. computer operating systems or even computer games differ from the above. only in the complexity of their instructions. The control structures. variable assignments loops conditional statements are similar in all. programming languages.. Unlike in the instruction for throwing coins the artists' work is done. once the code is written. A computer program is a blueprint and its. execution at the same time. Like a pianola roll it is a score performing. itself. The artistic fascination of computer programming and the. perhaps ecstatic revelation of any firsttime programmer is the. equivalence of architecture and building the instant gratification given. once the concept has been finished. Computer programming collapses as it. seems the second and third of the three steps of concept concept. notation and execution.. Contrary to conventional data like digitized images sound and text. documents the algorithmic instruction code allows a generative process.. It uses computers for computation not only as storage and transmission. media. And this precisely distinguishes program code from nonalgorithmic. digital code describing for example the difference between algorithmic. composition on the one hand and audio CDsmp files on the other between. algorithmically generated text and hypertext'' (a random access. database model which as such doesn't require algorithmic computation at. all) or between a graphical computer demo'' and a video tape. Although. one can of course use computers without programming them it is. impossible not to use programs at all the question only is who programs.. There is after all no such thing as data without programs and hence no. digital arts without the software layers they either take for granted or. design themselves.. discuss software art'' simply means to not take software for. granted but pay attention to how and by whom programs were written. If. data doesn't exist without programs it follows that the separation of. processed data'' (like image and sound files) from programs'' is. simply a convention. Instead data could be directly embedded into the. algorithms used for its transmission and output to external devices.. Since a digital photograph'' for example is bitmapped information. algorithmically transformed into the electricity controlling a screen or. printer via algorithmic abstraction layers in the computer operating. system it follows that it could just as well be coded into a file which. contains the whole transformation algorithms themselves so that the image. would display itself even on a computer that provides no operating. system.. Software Art. Executable Code in Art. If software is generally defined as executable formal instructions. logical scores then the concept of software is by no means limited to. formal instructions for computers. The first Englishlanguage notation. of the Dadaist poem qualifies as software just as much as the three. notations in the Perl programming language. The instructions only have to. meet the requirement of being executable by a human being as well as by a. machine. A piano score even a th century one is software when its. instruction code can be executed by a human pianist as well as on a. player piano.. The Perl code of the Dada poem can be read and executed even without. running it on machines. So my argument is quite contrary to Friedrich. Kittler's media theory according to which there is either no software at. all or at least no software without the hardware it runs on If any. algorithm can be executed mentally as it was common before computers. were invented then of course software can exist and run without. hardware. A good example are programming handbooks. Although they. chiefly consist of printed computer code this code gets rarely ever. executed on machines but provides examples which readers follow. intellectually following the code listings step by step and computing. them in their minds.. Instead of adapting Dadaist poetry as software one could regard some. historical Dadaist works as software right away above all Tristan. Tzara's generic instruction for writing Dada poems by shuffling the words. of a newspaper article. make a Dadaist poem. Take a newspaper.. Take a pair of scissors.. Choose an article as long as you are planning to make your poem. Cut out. the article.. Then cut out each of the words that make up this article and put them in. a bag.. Shake it gently.. Then take out the scraps one after the other in the order in which they. left the bag.. Copy conscientiously.. The poem will be like you.. And here you are a writer infinitely original and endowed with a. sensibility that is charming though beyond the understanding of the. vulgar.. The poem is effectively an algorithm a piece of software which may as. well be written as a computer. program.. If Tzara's process would be adapted as Perl or C code from the. original French it wouldn't be a transcription of something into. software but a transcription of nonmachine software into machine. software.. Concept Art and Software Art. The question of what software is and how it relates to nonelectronic. contemporary art is at least thirtytwo years old. In the art. critic and theorist Jack Burnham curated an exhibition called Software. at the Jewish Museum of New York which today is believed to be first show. of concept art. It featured installations of USAmerican concept artists. next installations of computer software Burnham found interesting such. as the first prototype of Ted Nelson's hypertext system Xanadu''.. Concept art as an art of which the material is concepts' as the. material of for ex. music is sound'' (Henry Flynt's definition from. ) and software art as an art whose material is formal instruction. code seem to have at least two things in common. the collapsing of concept notation and execution into one piece. the use of language instructions in software art concepts in concept. art. Flynt observes Since concepts' are closely bound up with. language concept art is a kind of art of which the material is. language''.. It therefore is not accidental that the most examples of preelectronic. software art cited here are literary. Literature is a conceptual art in. that is not bound to objects and sites but only to language. The trouble. the art world has with net.art because it does not display well in. exhibition spaces is foreign to literature which always differentiated. between an artwork and its material appearance.. Since formal language is a language software can be seen and read as a. literature.. If concepts become to quote Flynt again artisticmaterial'' then. concept art differs from other art in that it actually exposes concepts. putting their notations up front as the artwork proper. In analogy. software art in particular differs from softwarebased art in general in. that it exposes its instructions and codedness. Since formal instructions. are a subset of conceptual notations software art is formally a subset. of conceptual art.. My favorite example of both concept art in Flynt's sense and noncomputer. software art is La Monte Young's Composition '' a piece of paper. containing the written instruction Draw a straight line and follow. it''. The instruction is unambiguous enough to be executed by a machine.. At the same time a thorough execution is physically impossible. So the. reality of piece is mental conceptual.. The same duplicity of concept notation and executable code exists in Sol. LeWitt's Plan for a Concept Art Book'' a series of book pages. giving the reader exact instructions to draw lines on them or strike out. specific letters. LeWitt's piece exemplifies that the art called. concept art since the s was by far not as rigorous as the older. concept art of Henry Flynt La Monte Young and Christer Hennix While the. Composition '' is a concept notation creating an artwork that. itself exists only as a concept mentally LeWitt's Plan for a Concept. Art Book'' only is a concept notation of a material graphic artwork.. Unlike the concept art of which the material is concepts''' LeWitt's. piece belongs to a concept art that rather should be called a concept. notation art or blueprint art'' an art whose material is graphics and. objects but which was instead realized in the form of a score. By thus. reducing its its own material complexity the artwork appears to be. minimalist'' rather than rigorously conceptualist.. A writing which writes itself LeWitt's Plan'' could also be seen in a. historical continuity of combinatory language speculations From the. permutational algorithms in the Sefer Jezirah and ecstatic Kabbalah to. the medieval ars'' of Raimundus Lullus to th century permutational. poetry and Mallarm's Livre''. The combinatory most complex known. permutation poem Quirinus Kuhlmann's sonnet Vom Wechsel. menschlicher Sachen'' consists of nouns can be arbitrarily shuffled. so that they result in permutations of the text. Kuhlmann's and. La Monte Young's software arts meet in their aesthetic extremism in an. afterword Kuhlmann claims that there are more permutations of his poem. than grains of sand on the earth. If such implications lurk in code a. formal analysis is not enough. Concept art potentially means terror of. the concept software art terror of the algorithm a terror grounded in. the simultaneity of minimalist concept notation and totalitarian. execution helped by the fact that software collapses the concept. notation and execution in the single medium of instruction code. Sade's. days of Sodom'' could be read as a recursive programming of excess. and its simultaneous reflection in the medium of prose. The popularity. of spamming and denialofservice code in the contemporary digital arts. is another practical proof of the perverse doublebind between software. minimalism and selfinflation the software art pieces awarded at the. transmediale. festival tracenoizer'' and forkbomb.pl'' also belong. this category.. La Monte Young's Composition '' not only provokes to rethink what. software and software art is. Being the first and still most elegant. example of all artistic jamming and denialofservice code it also. addresses the aesthetics and politics coded into instructions. Two years. before Burnham's Software'' exhibition the computer scientist Donald. E. Knuth published the first volume of his famous textbook on computer. programming The Art of Computer Programming''. Knuth's wording has. adopted in what Steven Levy calls the hacker credo that you can create. art and beauty with computers''. It is telling that hackers otherwise. an avantgarde of a broad cultural understanding of digital technology. rehash a lateth century classicist notion of art as beauty rewriting. it into a concept of digital art as inner beauty and elegance of code.. But such aesthetic conservativism is widespread in engineering and hard. science cultures fractal graphics are just one example of Neo. Pythagorean digital kitsch they promote. As a contemporary art the. aesthetics of software art includes ugliness and monstrosity just as much. as beauty not to mention plain dysfunctionality pretension and. political incorrectness.. Above all software art today no longer writes its programs out of. nothing but works within an abundance of available software code. This. makes it distinct from works like Tzara's Dada poem which all the while. it addresses an abundance of mass media information contaminates only. the data not its algorithm the words become a collage but the process. remains a synthetic cleanroom construct.. Since personal computers and the Internet became popular software code. in addition to data has come to circulate in abundance. One thus could. say that contemporary software art operates in a postmodern condition in. which it takes preexisting software as material reflecting. manipulating and recontextualizing it. The mezangelle'' writing of mez. an Australian net artist for example uses software and protocol code as. material for writings in a selfinvented hybrid of English and pseudo. code. Her net.wurks'' are an unclean broken software art instead of. constructing program code synthetically they use readymade computations. take them apart and read their syntax as gendered semantics. In similar. fashion much software art plays with control parameters of software.. Software artworks like Joan Leandre's retroyou'' and Screen Saver''. by Eldar Karhalev and Ivan Khimin are simply surprising mindchallenging. disconfigurations of commercial user software a car racing game the. Microsoft Windows desktop interface. They manage to put their target. software upside down although their interventions are technically simple. and don't involve lowlevel programming at all.. Software Formalism vs. Software Culturalism. Much of what is discussed as contemporary software art and discourse on. has its origin in two semi coherent Londonbased groups. The older one. around Matthew Fuller Graham Harwood and the groups IO D and Mongrel. is known among others for the experimental web browser WebStalker''. which instead of formatted pages displays their source code and link. structures the Linker'' a piece of social software'' (to use a term. by Fuller) designed to empower nonliterate users to design their own. digital information systems and natural selection'' a politically. analysis of Microsoft Word's user interface and an essay with the. programmerartists Adrian Ward (whose Auto Illustrator'' won the. transmediale. software art prize) and Alex McLean (whose. forkbomb.pl'' won the transmediale. software art prize) the. theoretician Geoff Cox and participants in the mailing list eugene''. London (which involve poetry readings of program code). Both groups take. exactly opposite standpoints to software art and software criticism. While FullerHarwood regard software as first of all a cultural. politically coded construct the eu gene group rather focuses on the. formal poetics and aesthetics of software code and individual. subjectivity expressed in algorithms.. If software art could be generally defined as an art. of which the material is formal instruction code andor. which addresses cultural concepts of software. then each of their positions sides with exactly one of the two aspects.. If Software Art would be reduced to only the first one would risk ending. up a with a neoclassicist understanding of software art as beautiful and. elegant code along the lines of Knuth and Levy. Reduced on the other hand. only the cultural aspect Software Art could end up being a critical. footnote to Microsoft desktop computing potentially overlooking its. speculative potential at formal experimentation. Formal reflections of. software are like in this text inevitable if one considers commonsense. notions of software a problem rather than a point of departure histories. of instruction codes in art and investigations into the relationship of. software text and language still remain to be written.. This document can be freely copied and used according to the terms of. References. Cag. John Cage. Roaratorio. Ein irischer Circus ber Finnegans Wake. Athenum. KnigsteinTaunus. .. CWM. Geoff Cox Adrian Ward and Alex McLean. The Aesthetics of Generative. Fly. Henry Flynt. Concept art. In La Monte Young and Jackson MacLow editors. An Anthology. Young and MacLow New York ().. Hon. Klaus Honnef editor. Concept Art. Phaidon Kln ).. Kit. Friedrich Kittler. There is no software .. kittlerfriedrichthereisnosoftware.txt.. Kuh. Quirinus Kuhlmann. Himmlische Libesksse. Jena .. Lev. Steven Levy. Hackers. Project Gutenberg Champaign IL ().. Mol. Abraham A. Moles. Kunst und Computer. DuMont Kln ().. Tza. Tristan Tzara. Pour fair une pome dadaste. In Oeuvres compltes.. Gallimard Paris .. This document can be freely copied and used according to the terms of. Footnotes. Cag Regarding randomness generated with computers the software. artist Ulrike Gabriel says that it doesn't exist because the machine as a. fact by itself is not accidental.. A similar angle is taken in the paper The Aesthetic of Generative. Code'' by Geoff Cox Adrian Ward and Alex McLean CWM. I would not be surprised if in a near future the media industry would. embed audiovisual data (like a musical recording) directly into. proprietary onechip hardware players to prevent digital copies.. Kit. Tza. berlin.decantsinpermutationstzara poemedadaiste.cgi. Fly. ibid.. But since formal language is only a small subset of language as a whole. conclusions drawn from observing software code can't be generally applied. all literature.. Hon p.. Kuh. ibid.. As Abraham M. Moles noticed already in Mol p.. knuthart. according Steven Levy Lev among those who explicitly subscribe to. this is the German Chaos Computer Club with its annual art and beauty. workshop''.. which is why I think would be wrong to (a) restrict software art to. only properly running code and (b) exclude for political reasons. proprietary and other questionably licensed software from software art. presentations.. OriginalURL. conceptnotationsconceptsnotationssoftwareart.html. ideareal. germ term. kulturjamming. endre meningen til symboler logoer. oppgave for elever cocacola kobles. til negative termer. rikx. ideareal. germ term test. bamboon. spr�kgerilja. gjeninnf�re forandre bruken av ord f.eks. 'arrest' tilbakef�re til. betydning 'stille' (arrest).. karma spor. informasjonssamfunnet skaper 'karma' gjennom behov for sporbarhet.. uten spor uten skyld.. If bodhisattvas even those who have completed the ten stages of. mind practice were all to seek for the traces of such a follower of. the Way they could never find them. Therefore the heavenly beings. rejoice the gods of the earth stand guard with their legs and the. buddhas of the ten directions sing his praise. Why Because this man. of the Way who is now listening to the Dharma acts in a manner that. leaves no traces. Rinsay. bamboo. h�ndskrift. all my a's are e's. hva gikk tapt med elektronisk skrift ascii l�. det meninger i utf�relsen av skrift Hvordan ta vare p� skrivingen i. elektronisk skrift vetikke fylle rom. med tid........... utf�relsen av rom tid programkunst har tid men. lyshastighet syn er den dermed billedkunst. gender issue. Your minds instant by instant confront an empty fist (q) a pointing. finger (). i. iwant somehthign that kid on its own atomata like tat fly in the win. the fog leaves (they does it) eprime the drema (dramadream) of magic. well science and the howto any base debase. coming back to.. sensation must be based on recurrence else you wouldn't know but. still sense but no. the only once it doesn't count (count is. recurrence). any object. object is too much object. anything that is. visible or tangible and is relatively stable in form. to you.. something. thing (meeting interface). subjectsubstance into. emergent relation. egene remove posessive my's. reactive at chemical. level. behave late ME behaven (reflexive). See BE HAVE.. behaviorism the theory that psychology can be accurately studied. only through the examination and analysis of possessives.. i'm no one get your hands off me.. HAHA. karmaguilttraces. i once had guilt. writing haha says it all (active expression vs matters of doctrine). laughter is eternally guilty (doctrinal in writing) as any. statement is in mouthing. guilty guilty guilty (how awkward to write). how's writing attached to guilt should stop writing another way the. status of relate to valuemeaning other than drawn lines chunks. (interfaces again). media always suppose it's the other way around. signs are lines lines are signs stronger attraction wins. attraction to what easy processing easiest way. of decoding. relating to complexity of the system minimax bordering to illusion. ('interface') accidencesubstance critical distance. and easiest. system wins like gravitation is stupid you always get signs too. obvious it's their job. backtracking guilt is thru the sign you. shouldn't attach it's like chaplin on a conveyor belt down the. economy.. talking is a way to recur. stimulusresponse augment possession your. responsibility of whatever yours. why isnt our numbers rather words ssntel n filter for mnemonic.. vs or the same after filter anyway for association.. all this is slowing my dawn. how's the active expression conserved. and the notraces. whose dawn on. a contest in speed first one to die. (not race). a surviving mark sign or evidence of the former. existence influence or action of some agent or event of L tractus. ptp. of trahere to draw drag. the play comes in very fast. voice. recognition talking to your thumb (sms) i was thinking maybe. telepataphysics (remote distraction L distractus (ptp. of distrahere. draw apart)) notrace ref drift draft currents of air or. alcohol plea derangment derive trace as no trace. or mnemonics. animated a muse plea daimon distribute scatter.. makeshift. makeshift are the characters carriers. of what knots. oceanic inflation eg buddhism relax. ego balloon whatever skin count your breath. no nothing web. distance in relation to. subjectobject the inflated claws. seems infinite while the getting warm. dot in the horizon the distance when do words get cold they do. of the abject out of sight do (warmcold). phenomenology of beyond vs here. and now yon bef. me oe back. geon akin to d gene g jener on baktruppen. enn inn the goth jains that vs epistolar after sending. thus epistemic after receiving. thoughts don't originally exist. thus collapses in codeexecution (bankei). distance of processing time of. 'active expression vs matter of retract. doctrine' formalexpressive re re re do re gurdijeff. this and something else waste. (subjectobject) always on the names how odd the. abject side nominalessential pitch. still wastepaper. kunst p� str�mlinjer noe som do mi fa la re si do i have a. f�lger nettverket over landet theme. summingen ved mastene lyd. prolegmatic. gi meg et urokkelig punkt throw away. arkimedes hvordan kan abject. lillefingeren l�fte bilen stage. arbeidet fordelt over lengre vei. mnemonic. count vs or. those darker parts of the wood the same after filter anyway. have 'personality' something for association. your breath no. hidden or attracts intimacy no thing web all this is slowing. something else my dawn. how's the active. expression conserved clawsand. gnome (nm) n. the notraces. whose dawn on. a. . an expert in monetary or contest in speed first one to. financial affairs international die getti(not race). a surviving. banker or financier the gnomes mark sign or evidence of the. of zurich. former ng warm when existence. f nl gnomus perh. influence or action of some. gk gnm see gnome agent or event of l tractusdo. . (in folklore) one of a species words get cold they do do. (wptp. of diminutive beings usually of trahere to draw drag. the. described as shriveled little old play comes in very fast. voice. men that inhabit the interior of armcold) recognition talking to. the earth and act as guardians of your thumb (sms) i was thinking. its treasures troll. maybe back telepataphysics. (remote distraction l distractus (ptp. of distrahere baktrto draw. apart)) notrace ref drift draft currents of air or uppen. epistalcohol plea derangment derive trace as no trace. or. mnemonics olar after sending epistanimated a muse plea. daimon distribute scatter. emic after receiving thoughts. don't originally exist. Re the uselessness of poems. surplus.. why not there's nothing to do any change of the world is. the worse and it changes by itself.. humans evolved from staying. infants while the other species were busy doing a lot of useless. clever things which finally sent them to hell (our total regime. their hell). if you refrain from doing anything you're fine just sit. at a tablet and do nothing. poems as long as considered useless. it's fine they have no 'original existence' and will happen like. other things and pop up like bubbles while you sit. the urge of use. is in the tropes of Bankei the shikantasa torpor maybe surplus.. anyway if there's a future for life (that stuff) it might be in. another branch or refraining usefulness in the immediate yes no. quite the opposite to be immediate useful and stay clear of. usefulness.. well that certainly anwered my question.. representations of uselessness this is like an icon of a wastebasket. HAHAHAHAHAH. and windows my desktop is on the screen no wonder everything. falls off. hahaha. mnad. another useful grimace. useless what use ploy advantage as in competition. if everything. was useful i don't know if we would have matter you would need. something useless at least some wastebasket for use else the plasma. thing plasma screen nothing falls off going thru the trash turn. on its head not the intentions but the excuses we're not mirrored. upside down and the irreversible where does time trash its stuff. yes into space haha you probably knew that software art. that certainly anwered everything. in the manner of zpiqing mannered please excuse my intentions were. good but i drifted off immediately into something blatantly useful... i guess is meant usefulness of poems the uselessness of usefulness. rethorics socrates stayed firm the usefulness of uselessness. there's no ground so we shouldn't pretend jumping up and down like. maniacs the economy of the world or every particle hey there's. that mouse again i throwed in some cheese yesterday but goes for the. coffee or potato salad shitting the closet poem shit eater total. circulation this is like the polishing a rock the mouse shits. and. it started raining the economy every drop nomylogy. counthappen we're inside our every cell codeexe contingencies. running i think the faster you run the faster you get exhausted. number of heartbeats the infant again just stay calm and stupid. humans were considered the underdeveloped of animals hey you guys. don't sit there doing nothing you retards TURD. above all don't attach to the shit. Re the uselessness of poems. for scratch readily Norman O. Brown quotes. All currency is neurotic currency.. brainwaves. In its famous paradox the equation of money and excrement. psychoanalysis becomes the first science to state what common sense. and the poets have long known that the essence of money is in its. absolute worthlessness.. ). The dynamics of capitalism is postponement of enjoyment to the. constantly postponed future.. the impossibility of realizing capitalism eg like mlm. The view only changes for the lead dog.. or the stray dog. I am what is mine. Personality is the original personal property.. well i think it the other way around I mine what is am.. Freedom is poetry taking liberties with words breaking the rules of. normal speech violating common sense. Freedom is violence.. ie freedom not poetry more like codework. stegano. txtnothing. my new protram you input txt and it outputs nothing. .txt .html. DOWNLOAD. stegano. hide your ugliness from teh world. .bmp .gif .jpg .wav .mp. Free Trial. . e k u n s t . Reality Check i Oslo desember (essay). hahahah. (hul latter). On Tue Jostein Lien. adundas. du f�r pr�santere d� sj�l din mainnsjit. her er allerede mislykken fullt integrert i prosjektet s� er det da. vellykket eller mislykket. Enig i at adundas skulle hatt stjernestatus men hvem bryr seg dette. har ligget p� noemata i lang tid ingen reaksjoner ingen leser alle. sitter og runker eposten. Men dette kunne blitt stort med noen andre. enn udugelige sabber i staben. Hele noemata er og taps det er oppgitt i. utgangspunktet og lever med latteren i halsen.. It was a tiny onyx diorama of Don Quixote' and Sancho Panza.. The light slanting uniformly into the austere living room vaguely. populux 's geometric. The sane cat sat near a window licking its paw.. solipsis. jeg hadde et notat p� dette engang. kanskje det er slik at noemata har som sitt felt disse umulige og. malpasserte verk og uverk like mye eller mer enn verk i noen. tradisjonell forstand og gj�r det til sitt uttrykk som en endelig. eller uendelig oppl�sning av kunsten med objektets d�d (euridike) og. subjektets desintegrering (orfeus) i korridorene grenselandet eller. �rkenen (nettkunsten). fin setning iallefall. det h�res seri�st ut men. har mer preg av tragikomedie mer quixotisk enn romantisk. det umulige. er en r�d tr�d kan det virke som en r�d klut forestillingenes. umulighet eller det virkeliges uvirkelighet.. every ecstasy ultimately prefers to take the path of renunciation rather. than sin against its own concept by realizing it. adorno. there is an idea horizon just as there is an event horizon the horizon. of their deathdealing accomplishment their absolute realization.. thought for its part leaks out into the void. baudrillard. don quixote som en taktil kulturjammingsteknikk bevisst dumskap.. noemata message in a bottle server at the barents sea n. hva slags mail vil du sende ut i havet umulige kj�rlighetsbrev. thy false promise and my sure misfortune carry me to a place whence the. news of my death will reach thy ears before the words of my complaint.. what thy beauty raised up thy deeds have laid low by it i believed. thee to be an angel by them i know thou art a woman.. hva du gj�r der er det et sp�rsm�l eller svar. quo oxid net. nn som don quixote. nettkunst som ikke virker annonseringer og. forestillinger som fantasi. urealistiske umulige malplasserte. prosjekter. og ideer som samtidig blir kulturjamming intervenering taktisk og. latterligj�rende selvironisk med den folkelige sjarmen til det. tragikomiske.. there it is said sancho what i told you that you must keep a good. count well then by god there is an end of the story for there is no. going any farther.. how can that be said don quixote is it so essential to the story to. know to a nicety the goats that have crossed over that if there be a. mistake of one in the reckoning thou canst not go on with it. no senor not a bit replied sancho for when i asked your worship. tell me how many goats had crossed and you answered you did not. know at that very instant all i had to say passed away out of my. memory and faith there was much virtue in it and entertainment.. so then said don quixote the story has come to an end. as much as my mother has said sancho.. in truth said don quixote thou hast told one of the rarest stories. tales or histories that anyone in the world could have imagined and. such a way of telling it and ending it was never seen nor will be in a. lifetime though i expected nothing else from thy excellent. understanding. but i do not wonder for perhaps those ceaseless strokes. may have confused thy wits.. ffrom a mail from lanny quarles solipsis. the term 'idiotic' isn't really about intelligence per se but. refers to a kind of imaginary ratio whereby the self's uniqueness. adheres to its own erratic path its actually a term connoting a kind. of pureness and honesty. .. I'm thinking somewhere in the neighborhood of eigen. something (can't remember) hmm. Authenticity is also a translation problem. Eigentlichkeit has its root. in. eigen own. or proper Gr. idios Eng. idiot. So one should. keep the. originary meaning of idiocy in mind being one's own self. The term. Eigentlichkeit points to the possibility of being one's self.. that strikes me.. As you point out the Gk idiotic denotes not deficiency. but eccentricity the opposite of politic (withness) a self. radically. ownmost in its extremest form perfect solipsism.. With this in mind and apprised ( by Nietzsche no) that every great. philosophy is autobiography oughtn't BT be read synoptically with. Ott as it were in the Confessions genre...that BT represents H's. selfcasting. (Go litel bok go litel myn tragedye) an idiotic interpretation of. beyng.... that the AngstCare structure for example if it fits one say Hamlet. type. assuredly doesn't others Quixote Don Juan Faust.... via the baudri Lard. art has disappeared as a symbolic pact remaining prolification of. signs ad infinitum as 'culture' auto.noemata automatic art. the. situation resembles that of a currency which may not be exchanged it. can only float its only reference itself impossible to convert into. real value or wealth noema kroner the impossible of noemata. projects their floating like quixote phantasies manusfilms and. inconceptual art.. general indifference please remove me as only emotional response. profound indifference everybody is an art is true. the system runs less on the surplusvalue of the commodity than on the. aesthetic surplusvalue of the sign no matter how marginal banal or. obscene everything is subject to aesth. cult. museum.zation.. like the prax of baroq we too are irrepressible creators of images. but secretly iconoclasts we manufacture a profusion of images in which. there is nothing to see leave no trace cast no shadow and have no. fascination of the erasure rewrite full compression code cipher. our images are like icons miraculous they allow us to go on. believing in art while eluding the question of its existence.iconicity. dragon body laburint beyond the indifference art as uglierthan.ugly. bad worse raised to the second power because it is liberated of its. relation with its opposite bemyghost transaesthetic blasts. tourism people who no longer undertake voyages but simply go round. and round in circles tracerouteping travel agency. These forms are excesses and. collapses of code viral fascinating indiscriminate and reinforced. by viral media our culture also produces the most murderous viruses.. catastrophe culture. we all enjoy these things. nothing code stagings. operational whitewash overexposed defenceless without any way of. refracting light info doomed in consequence to a whitewash of all. activity codedecode IO labora trashmaps maze digital technique. relinquish identity to survive endnodes net computer. operations not actions regulated machinery nothing takes place. better to produce nothing in order to have things produced artists. better to have nothing to say if one seeks to communicate socials as. everyone knows if you want to make people laugh it is better not to be. funny powers in order for content to be conveyed as well and quickly. as possible that content should come as close as possible to. transparency and insignificance empty intimate. good communication implies the annihilation of its own content. avoid. everything. htp noematanet abouthtml. So it's a kind of artificial art much like the intelligence. of artificial intelligence ). The policy is to support collaboration community transparency. immediacy in the arts net.art media art correspondencemail art. network art context art or other otherness and marginal. artifactualizations.. We tried that and it didn't work. So this is 'open content' of a more. catastrophic kind of the dispersal of content or the metastasis or. disappearance of content (in the jargon of Baudrillard). Also being. contented with things not working and actually more fascinated by the. failures and drifting of things than producing them as art or anything. open being more like cracked open or a core dump of codegerm artsperm. and their entanglements and confusion of layers inoutside. opencontent generativedegenerative avataratavar of space time and. structures intermingling and proliferating more or less on their own by. their own automatic recursive mating. This 'release' of the server is. not only as permission or publication but a giving up kind of release.. Giving upletting it drift distribute or disperse unsupervised and. giving up that risking complete annihilation any point beyond the loop. survival.. dette ble mitt essay i anledningen jozzdu kan reise og foredra har du. ikke holdt seminar i skattesaker dette er noe lignende (rapporter. skriftestol politietterforskningetc) eller kj�re det gjennom. stemmesynthesizer det blir nok stas. Gud l�kk PP og folkens. Bj�rn. N�r alt kommer til alt har jeg ikke tenkt � gi opp prosjekter p�. digitale) og videre automatiseringrasjonalisering av kunsten slik. som ellers i samfunnet. Det er de to tingene jeg brenner for.. Snakkes.. joz har du h�rt med skattekontoret sjekka restskatten tror den st�r. der fortsatt jeg vil klage men det er mas.. hils Ingeborg.. legger ved som bonus mitt essay som ogs� kan siteres i sammenhengen. inkl. Context art experiments report noematic experimental method. Lesion art research praxis Research on the human arts surgery. Most information came from experiments with relatively poorly defined. genre lesions bloodvessel butoh dance smtp damage that included the. art stem funding etc as well as the contextor arttrauma lesions. that were diffuse and irregular spectral then reversed. good. correlations were obtained between focal lesions in the arts and the. changes that resulted from the lesions at the police.. Her var det. The Development of Neuro Art. For exampleViennese psychiatrist Sigmund Freud ( )had. originally envisioned the biological basis of his theory of. behaviorwith its three levels of idegoand superegoas being a. hydraulic mechanism of some sort. today's joke ... computational. mechanism of some sort. )). Descartes was impressed Joke by machines made in his timesuch as those. of certain statues that were on display for public amusement in the. water gardens of Paris.When a passerby stopped in front of one. particular statuefor examplehis or her weight would depress a lever. under the sidewalkcausing the statue to move and spray water at the. person s face.Descartes proposed that the body is like these machines.. phrenology joke Additionallydespite the failure of scien tific. attempts to correlate appearance with various aspects of behaviorit is. not uncommon to hear people accord virtues to others on the basis of. their physical appearance.Readers might ask themselves how accurate they. would be if asked to judge intelligence on the basis of. photographs.Social psychologists have found thatwhen university. students are asked to make such judgments the rule that they apply to. the task isBeauty equals intelligence.. phrenology joke The famous physiologistMagendiepreserved with. veneration the brain of Laplace (a famous French. mathematician).Spurzheim had the very natural wish to see the brain of a. great man.To test the science of the phrenologistMr.Magendie showed. himinstead of the brain of Laplacethat of an imbecile.Spurzheimwho. had already worked up his enthusiasmadmired the brain of the imbecile. as he would have admired that of Laplace.(Krech). Context art experiments report noematic experimental method. consisted of removing parts of the art from artworks to study the. changes produced in their context. removed a small piece of art and then. observed how the art behaved and how it recov ered from the loss of art. tissue.In essence created art models from works that had received. injury to a part of the art by a blow to the head or by having the skull. pierced by a missile.To search for different functions in the art. context varied the location from which the art tissue was removed.. Another key contribution was the discovery thatafter damage to a part. of the artsubstantial recovery could be expected. Microscopic. examination revealed that art was nothing like an amor phous. jellyratherit had an enormously intricate substructure with compo. nents arranged in complex clusterseach interconnected with many other. clusters. Cals Adsborough in Holland reached the same conclusion from. similar experiments on context artbut his manuscript lay unpublished. for severad decadesn.. History of electronics arts The impetus to adopt a theory of. electronical conduction in arts came from an English artistSteph. McTaargess who attracted considerable attention by demonstrating that. the human arts could conduct electrons. He showed that when an artwork. containing electrons was brought close to the feet of a boy suspended by. a rope in a grassleaf electroscope gallery placed near the boy s nose. it would be attracted to the boy s nose.. Computer art The first computer art was hydraulic swiss artist Jahob. Matreisse () constructed a series of machine paintings in his. bathtub aquare(e) lle automatique facilitating finite state. pressure systems of squeesing injection pipes of color liquids onto the. surrounding walls to much annoyance to his mother.. Network art experiments preliminar applied an unpleasant stimulation to. a dog s paw listmeasured how long it took the corpus to withdraw its. footand compared that rate with the speed at which messages were known. travel along the net.According to calculations took milliseconds. too long to respond. theorized that nodes are 'connected by junctions'. (oxym.) clasp that additional time is required for the art to get. across. some buffering bufooning listmasters potentials principal. general inertia. preliminar conclusion to confirm that network arts do. not quite touch the nodes with which they clasp.. Art surgery proposal note that anthropologists have found evidence of. art surgery dating to prehistoric timesneolithic found surgery to have. a beneficial effect in culturesperhaps by reducing pressure within the. arts when an injured discipline began to swell up. (ref. trephining. context art above). NB art surgery made possible by media the. introduction of antisepsisanesthesia as cultural phenomenon in. addition the principle of localization of genre making crossdiscipline. possible. (see Figure .). This device immobilizes the arts.An art. atlas is then used (flux maps etc) to localize areas in the arts for. surgery. Local anesthetic procedures were developed (mediastunt c) so. that the 'spectator' could remain awake during surgery and contribute to. the success of the operation by providing information about the effects. of localized art stimulation.. Lesion art research praxis Research on the human arts surgery.. Lesion art research praxis Research on the human arts surgery.

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Most information came from experiments with relatively poorly defined. genre lesions bloodvessel butoh dance smtp damage that included the. art stem funding etc as well as the contextor arttrauma lesions. that were diffuse and irregular spectral then reversed. good. correlations were obtained between focal lesions in the arts and the. changes that resulted from the lesions at the police.. degenerative art In the minister of public instruction. commissioned to develop tests to identify retarded arts so that they. could be singled out for special treatment. The tests were derived. empirically by administering artworks of normal artists and some. mentally retarded and adults.The scale was revised in . From the. testsan art level was calculated evaluating abstraction beauty. inventiveness craft luck singularity which Iibet thought were. essential features of art. some conclusion gave tests to braindamaged. arts with the resultant surprising discovery that lesions in the avant. garde since modernist's time considered the center of generative. creative art did not decrease art scores. Sores to other main areas. not formerly thought to be implicated in art did reduce art scores.. Original Message. From Per Platou. To. Sent Tuesday November PM. Subject . e k u n s t . Reality Check i Oslo desember. Call for participation �pen invitasjon til F�rjulsskriftestol. �rsrapporter (eller prosjektrapporter) er som oftest s�rdeles lite. spennende lesning. Der presenteres ethvert prosjekt som etter. forholdene meget vellykket eller har hatt stor betydning osv. osv.. S� ogs� innenfor kunst og kultursektoren.. REALITY CHECK er et todagers arrangement som tar sikte p� trekke fram. prosjekter fra kunstfeltet som gikk fullstendig galt. Der ideen var. bedre enn gjennomf�ringskraften der man undervurderte teknologien. publikum �konomien eller overvurderte egne evner. Det kan v�re. prosjekter som har mottatt st�tte som rett og slett ikke lot seg. gjennomf�re eller som ble noe helt annet enn det som var tenkt ().. Med andre ord Vi er p� jakt etter prosjekter som MISLYKTES i st�rre. eller mindre grad og der opphavspersonene har gjort seg noen tanker om. hva som gikk galt og hvorfor.. REALITY CHECK har hentet grunnideen fra et n� nedlagt klubbkonsept i. Berlin Club der Polnischen Versager eller Den polske taperklubben. () som i flere �r var et meget popul�rt tiltak med mange deltakere. mye publikum og h�y underholdningsfaktor. Fordi de fleste feil som er. beg�tt eller uhellene som har oppst�tt som regel er sv�rt. allmenmenneskelige tror vi RC kan bli b�de popul�rt mediavennlig og. l�rerikt.. Det er et faktum at mange kunstprosjekter (s�rlig innenfor kunstny. teknologi) ofte s�ker det spektakul�re det nye og revolusjonerende.. Dette gjenspeiles ogs� i massemedia. I en presset kunstnerhverdag er. frykten for � gj�re feil ofte st�rre enn viljen til � oppn� noe. ekstraordin�rt. Denne situasjonen �nsker vi n� � snu p� hodet ved �. gi. de mislykkete prosjektene en unik siste mulighet for stjernestatus.. Vi �nsker derfor � h�re fra deg om du har ett eller flere slike. prosjekter som kan formidles tydelig og med en h�y grad av. selvinnsikt. innenfor en tidsramme p� minutter. Vi er i denne sammenheng. alts�. IKKE ute etter sutring over (manglende) forst�else fra publikum. komiteer kuratorer produsenter presse eller verdens tilstand. generelt.. Send en epost til realityanart.no innen .november om du selv har et. mislykket prosjekt du �nsker � presentere eller har tips til. prosjekter som burde presenteres ) Vi er �pne for alle typer. henvendelser ikke bare fra kunst og ny teknologi feltet. Vi vil. selvf�lgelig ikke presentere noe som ikke opphavspersonen selv �nsker. satt i en slik sammenheng.. Alle deltakere vil bli honorert og vi vil ogs� v�re behjelpelige med. ev. reise og overnatting i Oslo.. REALITY CHECK vil bli dekket redaksjonelt.. Dato Fredag .desember kl l�rdag .desember kl. Sted Cafe Mir Toftesgt. Oslo (Grnerl�kka Lufthavn). Gratis adgang for publikum.. For ev. sp�rsm�l kontakt prosjektansvarlig Per Platou mob. Videresend gjerne denne meldingen. () julepresangen av Alf Pr�ysen. () Club der Polnischen Versager Berlin. Florian Cramer Concepts Notations Software Art. Florian Cramer. Concepts Notations Software Art. March rd. Software and Concept Notations. Software in the Arts. computers primarily as storage and. display media as something which transmits and reformats images sound. and typography. Reflection of the as such invisible layer of software is. rare. Likewise the term digital art'' has been associated primarily. with digital images music or audiovisual installations using digital. technology. The software which controls the audio and the visuals is. frequently neglected working as a black box behind the scenes.. Interactive'' room installations for example get perceived as a. interactions of a viewer an exhibition space and an image projection. not as systems running on code. This observation all the more applies to. works in which it is not obvious at all that their production relied on. programmation and computing. John Cage's radio play Roaratorio''. for example appears to be a tape montage of a spoken text based on James. Joyce's Finnegans Wake'' environmental sounds recorded in several. cities of the world and Irish folk music edited with analog recording. technology. Yet at the same time it is an algorithmic artwork the spoken. text was extracted from the novel using a purely syntactical formal. method (mesostychs of the name James Joyce'') and the montage was done. according to a random score generated on a computer at the Parisian IRCAM. studios. While the bookplusCD set of Roarotorio'' documents the whole. composition extensively containing the audio piece itself a recording. and a reprint of John Cage's reading a recording and a reprint of an. interview an inventory of the cities where sound was recorded it. includes the computergenerated score itself only in a onepage excerpt. and nothing at all of the computer program code which generated the. random score.. The history of the digital and computeraided arts could be told as a. history of ignorance against programming and programmers. Computer. programs get locked into black boxes and programmers are frequently. considered to be mere factota coding slaves who execute other artist's. concepts. Given that software code is a conceptual notation this is not. without its own irony. In fact it is a straight continuation of. romanticist philosophy and its privileging of aisthesis (perception) over. poeisis (construction) cheapened into a restrained concept of art as. only that what is tactile audible and visible. The digital arts. themselves participate in this accomplicity when they call themselves. new media art''. There's nothing older than new media'' a term. which is little more than a superficial justification for lumping. together a bunch of largely unrelated technologies such as analog video. and computing just because they were new'' at a particular time. If. one defines as a medium something that it is between a sender and a. receiver then computers are not only media but also senders and. receivers which themselves are capable of writing and reading. interpreting and composing messages within the limitations of the rule. sets inscribed into them. The computer programs for example which. calculate the credit line of checking accounts or control medical. instruments in an emergency station can't be meaningfully called. media''. If at all computer processes become media'' only by the. virtue that computers can emulate any machine including all technical. media and by the virtue of the analog interfaces which transform the. digital zeros and ones into analog sound waves video signals print type. and vice versa.. A Crash Course in Programming. A piece of software is a set of formal instructions or algorithms it. is a logical score put down in a code. It doesn't matter at all which. particular sign system is used as long as it is a code whether digital. zeros and ones the Latin alphabet Morse code or like in a processor. chip an exactly defined set of registers controlling discrete currents. of electricity. If a piece of software is a score is it then by. definition an outline a blueprint of an executed work. Imagine a Dadaist poem which makes random variations of Hugo Ball's sound. poem Karawane'' (Caravan''). KARAWANE. jolifanto bambla falli bambla. grossiga m'pfa habla horem. giga goramen. higo bloiko russula huju. hollaka hollala. anlogo bung. blago bung. blago bung. bosso fataka. schampa wulla wussa lobo. hej taat grem. eschige zunbada. wulebu ssubudu uluw ssubudu. tumba baumpf. kusagauma. baumpf. The new Dada poem could simply consists of eight variations of the line. tumba baumpf''. The author performer could throw a coin twice for. each line and depending on the result choose to write down either the. word tumba'' or baumpf'' so that the result would look like. tumba tumba. baumpf tumba. tumba baumpf. tumba baumpf. baumpf baumpf. baumpf tumba. tumba baumpf. tumba baumpf. The instruction code for this poem could be written as follows. Take a coin of any kind with two distinct sides.. Repeat the following set of instructions eight times. Repeat the following set of instructions twice. Throw the coin.. Catch it with your palm so that it lands on one side.. If the coin shows the upper side do the following. Say tumba. Else do the following. Say baumpf. Make a brief pause to indicate the end of the line.. Make a long pause to indicate the end of the poem.. Since these instructions are formal and precise enough to be as well. executed by a machine (imagine this poem implemented into a modified. cuckoo clock) they can be translated line by line into a computer. program. Just as the above instruction looks different depending on the. language it is written in a computer program looks different depending. on the programming language used. Here I choose the popular language. Perl'' whose basic instructions are rather simple to read. for lines ( .. ). for word ( .. ). randomnumber int(rand()). if (randomnumber ). print tumba. else. print baumpf. print. print n. The curly brackets enclose statement blocks executed under certain. conditions the prefix designates a variable which can store arbitrary. letters or numbers the rand()'' function generates a random value. between and . int'' rounds its result to either zero or one. '' stands for a blank. n'' for a line break. This program can be run on virtually any computer. it is a simple piece of software. Complex pieces of software such as. computer operating systems or even computer games differ from the above. only in the complexity of their instructions. The control structures. variable assignments loops conditional statements are similar in all. programming languages.. Unlike in the instruction for throwing coins the artists' work is done. once the code is written. A computer program is a blueprint and its. execution at the same time. Like a pianola roll it is a score performing. itself. The artistic fascination of computer programming and the. perhaps ecstatic revelation of any firsttime programmer is the. equivalence of architecture and building the instant gratification given. once the concept has been finished. Computer programming collapses as it. seems the second and third of the three steps of concept concept. notation and execution.. Contrary to conventional data like digitized images sound and text. documents the algorithmic instruction code allows a generative process.. It uses computers for computation not only as storage and transmission. media. And this precisely distinguishes program code from nonalgorithmic. digital code describing for example the difference between algorithmic. composition on the one hand and audio CDsmp files on the other between. algorithmically generated text and hypertext'' (a random access. database model which as such doesn't require algorithmic computation at. all) or between a graphical computer demo'' and a video tape. Although. one can of course use computers without programming them it is. impossible not to use programs at all the question only is who programs.. There is after all no such thing as data without programs and hence no. digital arts without the software layers they either take for granted or. design themselves.. discuss software art'' simply means to not take software for. granted but pay attention to how and by whom programs were written. If. data doesn't exist without programs it follows that the separation of. processed data'' (like image and sound files) from programs'' is. simply a convention. Instead data could be directly embedded into the. algorithms used for its transmission and output to external devices.. Since a digital photograph'' for example is bitmapped information. algorithmically transformed into the electricity controlling a screen or. printer via algorithmic abstraction layers in the computer operating. system it follows that it could just as well be coded into a file which. contains the whole transformation algorithms themselves so that the image. would display itself even on a computer that provides no operating. system.. Software Art. Executable Code in Art. If software is generally defined as executable formal instructions. logical scores then the concept of software is by no means limited to. formal instructions for computers. The first Englishlanguage notation. of the Dadaist poem qualifies as software just as much as the three. notations in the Perl programming language. The instructions only have to. meet the requirement of being executable by a human being as well as by a. machine. A piano score even a th century one is software when its. instruction code can be executed by a human pianist as well as on a. player piano.. The Perl code of the Dada poem can be read and executed even without. running it on machines. So my argument is quite contrary to Friedrich. Kittler's media theory according to which there is either no software at. all or at least no software without the hardware it runs on If any. algorithm can be executed mentally as it was common before computers. were invented then of course software can exist and run without. hardware. A good example are programming handbooks. Although they. chiefly consist of printed computer code this code gets rarely ever. executed on machines but provides examples which readers follow. intellectually following the code listings step by step and computing. them in their minds.. Instead of adapting Dadaist poetry as software one could regard some. historical Dadaist works as software right away above all Tristan. Tzara's generic instruction for writing Dada poems by shuffling the words. of a newspaper article. make a Dadaist poem. Take a newspaper.. Take a pair of scissors.. Choose an article as long as you are planning to make your poem. Cut out. the article.. Then cut out each of the words that make up this article and put them in. a bag.. Shake it gently.. Then take out the scraps one after the other in the order in which they. left the bag.. Copy conscientiously.. The poem will be like you.. And here you are a writer infinitely original and endowed with a. sensibility that is charming though beyond the understanding of the. vulgar.. The poem is effectively an algorithm a piece of software which may as. well be written as a computer. program.. If Tzara's process would be adapted as Perl or C code from the. original French it wouldn't be a transcription of something into. software but a transcription of nonmachine software into machine. software.. Concept Art and Software Art. The question of what software is and how it relates to nonelectronic. contemporary art is at least thirtytwo years old. In the art. critic and theorist Jack Burnham curated an exhibition called Software. at the Jewish Museum of New York which today is believed to be first show. of concept art. It featured installations of USAmerican concept artists. next installations of computer software Burnham found interesting such. as the first prototype of Ted Nelson's hypertext system Xanadu''.. Concept art as an art of which the material is concepts' as the. material of for ex. music is sound'' (Henry Flynt's definition from. ) and software art as an art whose material is formal instruction. code seem to have at least two things in common. the collapsing of concept notation and execution into one piece. the use of language instructions in software art concepts in concept. art. Flynt observes Since concepts' are closely bound up with. language concept art is a kind of art of which the material is. language''.. It therefore is not accidental that the most examples of preelectronic. software art cited here are literary. Literature is a conceptual art in. that is not bound to objects and sites but only to language. The trouble. the art world has with net.art because it does not display well in. exhibition spaces is foreign to literature which always differentiated. between an artwork and its material appearance.. Since formal language is a language software can be seen and read as a. literature.. If concepts become to quote Flynt again artisticmaterial'' then. concept art differs from other art in that it actually exposes concepts. putting their notations up front as the artwork proper. In analogy. software art in particular differs from softwarebased art in general in. that it exposes its instructions and codedness. Since formal instructions. are a subset of conceptual notations software art is formally a subset. of conceptual art.. My favorite example of both concept art in Flynt's sense and noncomputer. software art is La Monte Young's Composition '' a piece of paper. containing the written instruction Draw a straight line and follow. it''. The instruction is unambiguous enough to be executed by a machine.. At the same time a thorough execution is physically impossible. So the. reality of piece is mental conceptual.. The same duplicity of concept notation and executable code exists in Sol. LeWitt's Plan for a Concept Art Book'' a series of book pages. giving the reader exact instructions to draw lines on them or strike out. specific letters. LeWitt's piece exemplifies that the art called. concept art since the s was by far not as rigorous as the older. concept art of Henry Flynt La Monte Young and Christer Hennix While the. Composition '' is a concept notation creating an artwork that. itself exists only as a concept mentally LeWitt's Plan for a Concept. Art Book'' only is a concept notation of a material graphic artwork.. Unlike the concept art of which the material is concepts''' LeWitt's. piece belongs to a concept art that rather should be called a concept. notation art or blueprint art'' an art whose material is graphics and. objects but which was instead realized in the form of a score. By thus. reducing its its own material complexity the artwork appears to be. minimalist'' rather than rigorously conceptualist.. A writing which writes itself LeWitt's Plan'' could also be seen in a. historical continuity of combinatory language speculations From the. permutational algorithms in the Sefer Jezirah and ecstatic Kabbalah to. the medieval ars'' of Raimundus Lullus to th century permutational. poetry and Mallarm's Livre''. The combinatory most complex known. permutation poem Quirinus Kuhlmann's sonnet Vom Wechsel. menschlicher Sachen'' consists of nouns can be arbitrarily shuffled. so that they result in permutations of the text. Kuhlmann's and. La Monte Young's software arts meet in their aesthetic extremism in an. afterword Kuhlmann claims that there are more permutations of his poem. than grains of sand on the earth. If such implications lurk in code a. formal analysis is not enough. Concept art potentially means terror of. the concept software art terror of the algorithm a terror grounded in. the simultaneity of minimalist concept notation and totalitarian. execution helped by the fact that software collapses the concept. notation and execution in the single medium of instruction code. Sade's. days of Sodom'' could be read as a recursive programming of excess. and its simultaneous reflection in the medium of prose. The popularity. of spamming and denialofservice code in the contemporary digital arts. is another practical proof of the perverse doublebind between software. minimalism and selfinflation the software art pieces awarded at the. transmediale. festival tracenoizer'' and forkbomb.pl'' also belong. this category.. La Monte Young's Composition '' not only provokes to rethink what. software and software art is. Being the first and still most elegant. example of all artistic jamming and denialofservice code it also. addresses the aesthetics and politics coded into instructions. Two years. before Burnham's Software'' exhibition the computer scientist Donald. E. Knuth published the first volume of his famous textbook on computer. programming The Art of Computer Programming''. Knuth's wording has. adopted in what Steven Levy calls the hacker credo that you can create. art and beauty with computers''. It is telling that hackers otherwise. an avantgarde of a broad cultural understanding of digital technology. rehash a lateth century classicist notion of art as beauty rewriting. it into a concept of digital art as inner beauty and elegance of code.. But such aesthetic conservativism is widespread in engineering and hard. science cultures fractal graphics are just one example of Neo. Pythagorean digital kitsch they promote. As a contemporary art the. aesthetics of software art includes ugliness and monstrosity just as much. as beauty not to mention plain dysfunctionality pretension and. political incorrectness.. Above all software art today no longer writes its programs out of. nothing but works within an abundance of available software code. This. makes it distinct from works like Tzara's Dada poem which all the while. it addresses an abundance of mass media information contaminates only. the data not its algorithm the words become a collage but the process. remains a synthetic cleanroom construct.. Since personal computers and the Internet became popular software code. in addition to data has come to circulate in abundance. One thus could. say that contemporary software art operates in a postmodern condition in. which it takes preexisting software as material reflecting. manipulating and recontextualizing it. The mezangelle'' writing of mez. an Australian net artist for example uses software and protocol code as. material for writings in a selfinvented hybrid of English and pseudo. code. Her net.wurks'' are an unclean broken software art instead of. constructing program code synthetically they use readymade computations. take them apart and read their syntax as gendered semantics. In similar. fashion much software art plays with control parameters of software.. Software artworks like Joan Leandre's retroyou'' and Screen Saver''. by Eldar Karhalev and Ivan Khimin are simply surprising mindchallenging. disconfigurations of commercial user software a car racing game the. Microsoft Windows desktop interface. They manage to put their target. software upside down although their interventions are technically simple. and don't involve lowlevel programming at all.. Software Formalism vs. Software Culturalism. Much of what is discussed as contemporary software art and discourse on. has its origin in two semi coherent Londonbased groups. The older one. around Matthew Fuller Graham Harwood and the groups IO D and Mongrel. is known among others for the experimental web browser WebStalker''. which instead of formatted pages displays their source code and link. structures the Linker'' a piece of social software'' (to use a term. by Fuller) designed to empower nonliterate users to design their own. digital information systems and natural selection'' a politically. analysis of Microsoft Word's user interface and an essay with the. programmerartists Adrian Ward (whose Auto Illustrator'' won the. transmediale. software art prize) and Alex McLean (whose. forkbomb.pl'' won the transmediale. software art prize) the. theoretician Geoff Cox and participants in the mailing list eugene''. London (which involve poetry readings of program code). Both groups take. exactly opposite standpoints to software art and software criticism. While FullerHarwood regard software as first of all a cultural. politically coded construct the eu gene group rather focuses on the. formal poetics and aesthetics of software code and individual. subjectivity expressed in algorithms.. If software art could be generally defined as an art. of which the material is formal instruction code andor. which addresses cultural concepts of software. then each of their positions sides with exactly one of the two aspects.. If Software Art would be reduced to only the first one would risk ending. up a with a neoclassicist understanding of software art as beautiful and. elegant code along the lines of Knuth and Levy. Reduced on the other hand. only the cultural aspect Software Art could end up being a critical. footnote to Microsoft desktop computing potentially overlooking its. speculative potential at formal experimentation. Formal reflections of. software are like in this text inevitable if one considers commonsense. notions of software a problem rather than a point of departure histories. of instruction codes in art and investigations into the relationship of. software text and language still remain to be written.. This document can be freely copied and used according to the terms of. References. Cag. John Cage. Roaratorio. Ein irischer Circus ber Finnegans Wake. Athenum. KnigsteinTaunus. .. CWM. Geoff Cox Adrian Ward and Alex McLean. The Aesthetics of Generative. Fly. Henry Flynt. Concept art. In La Monte Young and Jackson MacLow editors. An Anthology. Young and MacLow New York ().. Hon. Klaus Honnef editor. Concept Art. Phaidon Kln ).. Kit. Friedrich Kittler. There is no software .. kittlerfriedrichthereisnosoftware.txt.. Kuh. Quirinus Kuhlmann. Himmlische Libesksse. Jena .. Lev. Steven Levy. Hackers. Project Gutenberg Champaign IL ().. Mol. Abraham A. Moles. Kunst und Computer. DuMont Kln ().. Tza. Tristan Tzara. Pour fair une pome dadaste. In Oeuvres compltes.. Gallimard Paris .. This document can be freely copied and used according to the terms of. Footnotes. Cag Regarding randomness generated with computers the software. artist Ulrike Gabriel says that it doesn't exist because the machine as a. fact by itself is not accidental.. A similar angle is taken in the paper The Aesthetic of Generative. Code'' by Geoff Cox Adrian Ward and Alex McLean CWM. I would not be surprised if in a near future the media industry would. embed audiovisual data (like a musical recording) directly into. proprietary onechip hardware players to prevent digital copies.. Kit. Tza. berlin.decantsinpermutationstzara poemedadaiste.cgi. Fly. ibid.. But since formal language is only a small subset of language as a whole. conclusions drawn from observing software code can't be generally applied. all literature.. Hon p.. Kuh. ibid.. As Abraham M. Moles noticed already in Mol p.. knuthart. according Steven Levy Lev among those who explicitly subscribe to. this is the German Chaos Computer Club with its annual art and beauty. workshop''.. which is why I think would be wrong to (a) restrict software art to. only properly running code and (b) exclude for political reasons. proprietary and other questionably licensed software from software art. presentations.. OriginalURL. conceptnotationsconceptsnotationssoftwareart.html. ideareal. germ term. kulturjamming. endre meningen til symboler logoer. oppgave for elever cocacola kobles. til negative termer. rikx. ideareal. germ term test. bamboon. spr�kgerilja. gjeninnf�re forandre bruken av ord f.eks. 'arrest' tilbakef�re til. betydning 'stille' (arrest).. karma spor. informasjonssamfunnet skaper 'karma' gjennom behov for sporbarhet.. uten spor uten skyld.. If bodhisattvas even those who have completed the ten stages of. mind practice were all to seek for the traces of such a follower of. the Way they could never find them. Therefore the heavenly beings. rejoice the gods of the earth stand guard with their legs and the. buddhas of the ten directions sing his praise. Why Because this man. of the Way who is now listening to the Dharma acts in a manner that. leaves no traces. Rinsay. bamboo. h�ndskrift. all my a's are e's. hva gikk tapt med elektronisk skrift ascii l�. det meninger i utf�relsen av skrift Hvordan ta vare p� skrivingen i. elektronisk skrift vetikke fylle rom. med tid........... utf�relsen av rom tid programkunst har tid men. lyshastighet syn er den dermed billedkunst. gender issue. Your minds instant by instant confront an empty fist (q) a pointing. finger (). i. iwant somehthign that kid on its own atomata like tat fly in the win. the fog leaves (they does it) eprime the drema (dramadream) of magic. well science and the howto any base debase. coming back to.. sensation must be based on recurrence else you wouldn't know but. still sense but no. the only once it doesn't count (count is. recurrence). any object. object is too much object. anything that is. visible or tangible and is relatively stable in form. to you.. something. thing (meeting interface). subjectsubstance into. emergent relation. egene remove posessive my's. reactive at chemical. level. behave late ME behaven (reflexive). See BE HAVE.. behaviorism the theory that psychology can be accurately studied. only through the examination and analysis of possessives.. i'm no one get your hands off me.. HAHA. karmaguilttraces. i once had guilt. writing haha says it all (active expression vs matters of doctrine). laughter is eternally guilty (doctrinal in writing) as any. statement is in mouthing. guilty guilty guilty (how awkward to write). how's writing attached to guilt should stop writing another way the. status of relate to valuemeaning other than drawn lines chunks. (interfaces again). media always suppose it's the other way around. signs are lines lines are signs stronger attraction wins. attraction to what easy processing easiest way. of decoding. relating to complexity of the system minimax bordering to illusion. ('interface') accidencesubstance critical distance. and easiest. system wins like gravitation is stupid you always get signs too. obvious it's their job. backtracking guilt is thru the sign you. shouldn't attach it's like chaplin on a conveyor belt down the. economy.. talking is a way to recur. stimulusresponse augment possession your. responsibility of whatever yours. why isnt our numbers rather words ssntel n filter for mnemonic.. vs or the same after filter anyway for association.. all this is slowing my dawn. how's the active expression conserved. and the notraces. whose dawn on. a contest in speed first one to die. (not race). a surviving mark sign or evidence of the former. existence influence or action of some agent or event of L tractus. ptp. of trahere to draw drag. the play comes in very fast. voice. recognition talking to your thumb (sms) i was thinking maybe. telepataphysics (remote distraction L distractus (ptp. of distrahere. draw apart)) notrace ref drift draft currents of air or. alcohol plea derangment derive trace as no trace. or mnemonics. animated a muse plea daimon distribute scatter.. makeshift. makeshift are the characters carriers. of what knots. oceanic inflation eg buddhism relax. ego balloon whatever skin count your breath. no nothing web. distance in relation to. subjectobject the inflated claws. seems infinite while the getting warm. dot in the horizon the distance when do words get cold they do. of the abject out of sight do (warmcold). phenomenology of beyond vs here. and now yon bef. me oe back. geon akin to d gene g jener on baktruppen. enn inn the goth jains that vs epistolar after sending. thus epistemic after receiving. thoughts don't originally exist. thus collapses in codeexecution (bankei). distance of processing time of. 'active expression vs matter of retract. doctrine' formalexpressive re re re do re gurdijeff. this and something else waste. (subjectobject) always on the names how odd the. abject side nominalessential pitch. still wastepaper. kunst p� str�mlinjer noe som do mi fa la re si do i have a. f�lger nettverket over landet theme. summingen ved mastene lyd. prolegmatic. gi meg et urokkelig punkt throw away. arkimedes hvordan kan abject. lillefingeren l�fte bilen stage. arbeidet fordelt over lengre vei. mnemonic. count vs or. those darker parts of the wood the same after filter anyway. have 'personality' something for association. your breath no. hidden or attracts intimacy no thing web all this is slowing. something else my dawn. how's the active. expression conserved clawsand. gnome (nm) n. the notraces. whose dawn on. a. . an expert in monetary or contest in speed first one to. financial affairs international die getti(not race). a surviving. banker or financier the gnomes mark sign or evidence of the. of zurich. former ng warm when existence. f nl gnomus perh. influence or action of some. gk gnm see gnome agent or event of l tractusdo. . (in folklore) one of a species words get cold they do do. (wptp. of diminutive beings usually of trahere to draw drag. the. described as shriveled little old play comes in very fast. voice. men that inhabit the interior of armcold) recognition talking to. the earth and act as guardians of your thumb (sms) i was thinking. its treasures troll. maybe back telepataphysics. (remote distraction l distractus (ptp. of distrahere baktrto draw. apart)) notrace ref drift draft currents of air or uppen. epistalcohol plea derangment derive trace as no trace. or. mnemonics olar after sending epistanimated a muse plea. daimon distribute scatter. emic after receiving thoughts. don't originally exist. Re the uselessness of poems. surplus.. why not there's nothing to do any change of the world is. the worse and it changes by itself.. humans evolved from staying. infants while the other species were busy doing a lot of useless. clever things which finally sent them to hell (our total regime. their hell). if you refrain from doing anything you're fine just sit. at a tablet and do nothing. poems as long as considered useless. it's fine they have no 'original existence' and will happen like. other things and pop up like bubbles while you sit. the urge of use. is in the tropes of Bankei the shikantasa torpor maybe surplus.. anyway if there's a future for life (that stuff) it might be in. another branch or refraining usefulness in the immediate yes no. quite the opposite to be immediate useful and stay clear of. usefulness.. well that certainly anwered my question.. representations of uselessness this is like an icon of a wastebasket. HAHAHAHAHAH. and windows my desktop is on the screen no wonder everything. falls off. hahaha. mnad. another useful grimace. useless what use ploy advantage as in competition. if everything. was useful i don't know if we would have matter you would need. something useless at least some wastebasket for use else the plasma. thing plasma screen nothing falls off going thru the trash turn. on its head not the intentions but the excuses we're not mirrored. upside down and the irreversible where does time trash its stuff. yes into space haha you probably knew that software art. that certainly anwered everything. in the manner of zpiqing mannered please excuse my intentions were. good but i drifted off immediately into something blatantly useful... i guess is meant usefulness of poems the uselessness of usefulness. rethorics socrates stayed firm the usefulness of uselessness. there's no ground so we shouldn't pretend jumping up and down like. maniacs the economy of the world or every particle hey there's. that mouse again i throwed in some cheese yesterday but goes for the. coffee or potato salad shitting the closet poem shit eater total. circulation this is like the polishing a rock the mouse shits. and. it started raining the economy every drop nomylogy. counthappen we're inside our every cell codeexe contingencies. running i think the faster you run the faster you get exhausted. number of heartbeats the infant again just stay calm and stupid. humans were considered the underdeveloped of animals hey you guys. don't sit there doing nothing you retards TURD. above all don't attach to the shit. Re the uselessness of poems. for scratch readily Norman O. Brown quotes. All currency is neurotic currency.. brainwaves. In its famous paradox the equation of money and excrement. psychoanalysis becomes the first science to state what common sense. and the poets have long known that the essence of money is in its. absolute worthlessness.. ). The dynamics of capitalism is postponement of enjoyment to the. constantly postponed future.. the impossibility of realizing capitalism eg like mlm. The view only changes for the lead dog.. or the stray dog. I am what is mine. Personality is the original personal property.. well i think it the other way around I mine what is am.. Freedom is poetry taking liberties with words breaking the rules of. normal speech violating common sense. Freedom is violence.. ie freedom not poetry more like codework. . e k u n s t . Reality Check i Oslo desember (essay). hahahah. (hul latter). On Tue Jostein Lien. adundas. du f�r pr�santere d� sj�l din mainnsjit. her er allerede mislykken fullt integrert i prosjektet s� er det da. vellykket eller mislykket. Enig i at adundas skulle hatt stjernestatus men hvem bryr seg dette. har ligget p� noemata i lang tid ingen reaksjoner ingen leser alle. sitter og runker eposten. Men dette kunne blitt stort med noen andre. enn udugelige sabber i staben. Hele noemata er og taps det er oppgitt i. utgangspunktet og lever med latteren i halsen.. It was a tiny onyx diorama of Don Quixote' and Sancho Panza.. The light slanting uniformly into the austere living room vaguely. populux 's geometric. The sane cat sat near a window licking its paw.. solipsis. jeg hadde et notat p� dette engang. kanskje det er slik at noemata har som sitt felt disse umulige og. malpasserte verk og uverk like mye eller mer enn verk i noen. tradisjonell forstand og gj�r det til sitt uttrykk som en endelig. eller uendelig oppl�sning av kunsten med objektets d�d (euridike) og. subjektets desintegrering (orfeus) i korridorene grenselandet eller. �rkenen (nettkunsten). fin setning iallefall. det h�res seri�st ut men. har mer preg av tragikomedie mer quixotisk enn romantisk. det umulige. er en r�d tr�d kan det virke som en r�d klut forestillingenes. umulighet eller det virkeliges uvirkelighet.. every ecstasy ultimately prefers to take the path of renunciation rather. than sin against its own concept by realizing it. adorno. there is an idea horizon just as there is an event horizon the horizon. of their deathdealing accomplishment their absolute realization.. thought for its part leaks out into the void. baudrillard. don quixote som en taktil kulturjammingsteknikk bevisst dumskap.. noemata message in a bottle server at the barents sea n. hva slags mail vil du sende ut i havet umulige kj�rlighetsbrev. thy false promise and my sure misfortune carry me to a place whence the. news of my death will reach thy ears before the words of my complaint.. what thy beauty raised up thy deeds have laid low by it i believed. thee to be an angel by them i know thou art a woman.. hva du gj�r der er det et sp�rsm�l eller svar. quo oxid net. nn som don quixote. nettkunst som ikke virker annonseringer og. forestillinger som fantasi. urealistiske umulige malplasserte. prosjekter. og ideer som samtidig blir kulturjamming intervenering taktisk og. latterligj�rende selvironisk med den folkelige sjarmen til det. tragikomiske..

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there it is said sancho what i told you that you must keep a good. count well then by god there is an end of the story for there is no. going any farther.. how can that be said don quixote is it so essential to the story to. know to a nicety the goats that have crossed over that if there be a. mistake of one in the reckoning thou canst not go on with it. no senor not a bit replied sancho for when i asked your worship. tell me how many goats had crossed and you answered you did not. know at that very instant all i had to say passed away out of my. memory and faith there was much virtue in it and entertainment.. so then said don quixote the story has come to an end. as much as my mother has said sancho.. in truth said don quixote thou hast told one of the rarest stories. tales or histories that anyone in the world could have imagined and. such a way of telling it and ending it was never seen nor will be in a. lifetime though i expected nothing else from thy excellent. understanding. but i do not wonder for perhaps those ceaseless strokes. may have confused thy wits.. ffrom a mail from lanny quarles solipsis. the term 'idiotic' isn't really about intelligence per se but. refers to a kind of imaginary ratio whereby the self's uniqueness. adheres to its own erratic path its actually a term connoting a kind. of pureness and honesty. .. I'm thinking somewhere in the neighborhood of eigen. something (can't remember) hmm. Authenticity is also a translation problem. Eigentlichkeit has its root. in. eigen own. or proper Gr. idios Eng. idiot. So one should. keep the. originary meaning of idiocy in mind being one's own self. The term. Eigentlichkeit points to the possibility of being one's self.. that strikes me.. As you point out the Gk idiotic denotes not deficiency. but eccentricity the opposite of politic (withness) a self. radically. ownmost in its extremest form perfect solipsism.. With this in mind and apprised ( by Nietzsche no) that every great. philosophy is autobiography oughtn't BT be read synoptically with. Ott as it were in the Confessions genre...that BT represents H's. selfcasting. (Go litel bok go litel myn tragedye) an idiotic interpretation of. beyng.... that the AngstCare structure for example if it fits one say Hamlet. type. assuredly doesn't others Quixote Don Juan Faust.... via the baudri Lard. art has disappeared as a symbolic pact remaining prolification of. signs ad infinitum as 'culture' auto.noemata automatic art. the. situation resembles that of a currency which may not be exchanged it. can only float its only reference itself impossible to convert into. real value or wealth noema kroner the impossible of noemata. projects their floating like quixote phantasies manusfilms and. inconceptual art.. general indifference please remove me as only emotional response. profound indifference everybody is an art is true. the system runs less on the surplusvalue of the commodity than on the. aesthetic surplusvalue of the sign no matter how marginal banal or. obscene everything is subject to aesth. cult. museum.zation.. like the prax of baroq we too are irrepressible creators of images. but secretly iconoclasts we manufacture a profusion of images in which. there is nothing to see leave no trace cast no shadow and have no. fascination of the erasure rewrite full compression code cipher. our images are like icons miraculous they allow us to go on. believing in art while eluding the question of its existence.iconicity. dragon body laburint beyond the indifference art as uglierthan.ugly. bad worse raised to the second power because it is liberated of its. relation with its opposite bemyghost transaesthetic blasts. tourism people who no longer undertake voyages but simply go round. and round in circles tracerouteping travel agency. These forms are excesses and. collapses of code viral fascinating indiscriminate and reinforced. by viral media our culture also produces the most murderous viruses.. catastrophe culture. we all enjoy these things. nothing code stagings. operational whitewash overexposed defenceless without any way of. refracting light info doomed in consequence to a whitewash of all. activity codedecode IO labora trashmaps maze digital technique. relinquish identity to survive endnodes net computer. operations not actions regulated machinery nothing takes place. better to produce nothing in order to have things produced artists. better to have nothing to say if one seeks to communicate socials as. everyone knows if you want to make people laugh it is better not to be. funny powers in order for content to be conveyed as well and quickly. as possible that content should come as close as possible to. transparency and insignificance empty intimate. good communication implies the annihilation of its own content. avoid. everything. htp noematanet abouthtml. So it's a kind of artificial art much like the intelligence. of artificial intelligence ). The policy is to support collaboration community transparency. immediacy in the arts net.art media art correspondencemail art. network art context art or other otherness and marginal. artifactualizations.. We tried that and it didn't work. So this is 'open content' of a more. catastrophic kind of the dispersal of content or the metastasis or. disappearance of content (in the jargon of Baudrillard). Also being. contented with things not working and actually more fascinated by the. failures and drifting of things than producing them as art or anything. open being more like cracked open or a core dump of codegerm artsperm. and their entanglements and confusion of layers inoutside. opencontent generativedegenerative avataratavar of space time and. structures intermingling and proliferating more or less on their own by. their own automatic recursive mating. This 'release' of the server is. not only as permission or publication but a giving up kind of release.. Giving upletting it drift distribute or disperse unsupervised and. giving up that risking complete annihilation any point beyond the loop. survival.. dette ble mitt essay i anledningen jozzdu kan reise og foredra har du. ikke holdt seminar i skattesaker dette er noe lignende (rapporter. skriftestol politietterforskningetc) eller kj�re det gjennom. stemmesynthesizer det blir nok stas. Gud l�kk PP og folkens. Bj�rn. N�r alt kommer til alt har jeg ikke tenkt � gi opp prosjekter p�. digitale) og videre automatiseringrasjonalisering av kunsten slik. som ellers i samfunnet. Det er de to tingene jeg brenner for.. Snakkes.. joz har du h�rt med skattekontoret sjekka restskatten tror den st�r. der fortsatt jeg vil klage men det er mas.. hils Ingeborg.. legger ved som bonus mitt essay som ogs� kan siteres i sammenhengen. inkl. Context art experiments report noematic experimental method. Lesion art research praxis Research on the human arts surgery. Most information came from experiments with relatively poorly defined. genre lesions bloodvessel butoh dance smtp damage that included the. art stem funding etc as well as the contextor arttrauma lesions. that were diffuse and irregular spectral then reversed. good. correlations were obtained between focal lesions in the arts and the. changes that resulted from the lesions at the police.. Her var det. The Development of Neuro Art. For exampleViennese psychiatrist Sigmund Freud ( )had. originally envisioned the biological basis of his theory of. behaviorwith its three levels of idegoand superegoas being a. hydraulic mechanism of some sort. today's joke ... computational. mechanism of some sort. )). Descartes was impressed Joke by machines made in his timesuch as those. of certain statues that were on display for public amusement in the. water gardens of Paris.When a passerby stopped in front of one. particular statuefor examplehis or her weight would depress a lever. under the sidewalkcausing the statue to move and spray water at the. person s face.Descartes proposed that the body is like these machines.. phrenology joke Additionallydespite the failure of scien tific. attempts to correlate appearance with various aspects of behaviorit is. not uncommon to hear people accord virtues to others on the basis of. their physical appearance.Readers might ask themselves how accurate they. would be if asked to judge intelligence on the basis of. photographs.Social psychologists have found thatwhen university. students are asked to make such judgments the rule that they apply to. the task isBeauty equals intelligence.. phrenology joke The famous physiologistMagendiepreserved with. veneration the brain of Laplace (a famous French. mathematician).Spurzheim had the very natural wish to see the brain of a. great man.To test the science of the phrenologistMr.Magendie showed. himinstead of the brain of Laplacethat of an imbecile.Spurzheimwho. had already worked up his enthusiasmadmired the brain of the imbecile. as he would have admired that of Laplace.(Krech). Context art experiments report noematic experimental method. consisted of removing parts of the art from artworks to study the. changes produced in their context. removed a small piece of art and then. observed how the art behaved and how it recov ered from the loss of art. tissue.In essence created art models from works that had received. injury to a part of the art by a blow to the head or by having the skull. pierced by a missile.To search for different functions in the art. context varied the location from which the art tissue was removed.. Another key contribution was the discovery thatafter damage to a part. of the artsubstantial recovery could be expected. Microscopic. examination revealed that art was nothing like an amor phous. jellyratherit had an enormously intricate substructure with compo. nents arranged in complex clusterseach interconnected with many other. clusters. Cals Adsborough in Holland reached the same conclusion from. similar experiments on context artbut his manuscript lay unpublished. for severad decadesn.. History of electronics arts The impetus to adopt a theory of. electronical conduction in arts came from an English artistSteph. McTaargess who attracted considerable attention by demonstrating that. the human arts could conduct electrons. He showed that when an artwork. containing electrons was brought close to the feet of a boy suspended by. a rope in a grassleaf electroscope gallery placed near the boy s nose. it would be attracted to the boy s nose.. Computer art The first computer art was hydraulic swiss artist Jahob. Matreisse () constructed a series of machine paintings in his. bathtub aquare(e) lle automatique facilitating finite state. pressure systems of squeesing injection pipes of color liquids onto the. surrounding walls to much annoyance to his mother.. Network art experiments preliminar applied an unpleasant stimulation to. a dog s paw listmeasured how long it took the corpus to withdraw its. footand compared that rate with the speed at which messages were known. travel along the net.According to calculations took milliseconds. too long to respond. theorized that nodes are 'connected by junctions'. (oxym.) clasp that additional time is required for the art to get. across. some buffering bufooning listmasters potentials principal. general inertia. preliminar conclusion to confirm that network arts do. not quite touch the nodes with which they clasp.. Art surgery proposal note that anthropologists have found evidence of. art surgery dating to prehistoric timesneolithic found surgery to have. a beneficial effect in culturesperhaps by reducing pressure within the. arts when an injured discipline began to swell up. (ref. trephining. context art above). NB art surgery made possible by media the. introduction of antisepsisanesthesia as cultural phenomenon in. addition the principle of localization of genre making crossdiscipline. possible. (see Figure .). This device immobilizes the arts.An art. atlas is then used (flux maps etc) to localize areas in the arts for. surgery. Local anesthetic procedures were developed (mediastunt c) so. that the 'spectator' could remain awake during surgery and contribute to. the success of the operation by providing information about the effects. of localized art stimulation.. Lesion art research praxis Research on the human arts surgery.. Most information came from experiments with relatively poorly defined. genre lesions bloodvessel butoh dance smtp damage that included the. art stem funding etc as well as the contextor arttrauma lesions. that were diffuse and irregular spectral then reversed. good. correlations were obtained between focal lesions in the arts and the. changes that resulted from the lesions at the police.. degenerative art In the minister of public instruction. commissioned to develop tests to identify retarded arts so that they. could be singled out for special treatment. The tests were derived. empirically by administering artworks of normal artists and some. mentally retarded and adults.The scale was revised in . From the. testsan art level was calculated evaluating abstraction beauty. inventiveness craft luck singularity which Iibet thought were. essential features of art. some conclusion gave tests to braindamaged. arts with the resultant surprising discovery that lesions in the avant. garde since modernist's time considered the center of generative. creative art did not decrease art scores. Sores to other main areas. not formerly thought to be implicated in art did reduce art scores.. Original Message. From Per Platou. To. Sent Tuesday November PM. Subject . e k u n s t . Reality Check i Oslo desember. Call for participation �pen invitasjon til F�rjulsskriftestol. �rsrapporter (eller prosjektrapporter) er som oftest s�rdeles lite. spennende lesning. Der presenteres ethvert prosjekt som etter. forholdene meget vellykket eller har hatt stor betydning osv. osv.. S� ogs� innenfor kunst og kultursektoren.. REALITY CHECK er et todagers arrangement som tar sikte p� trekke fram. prosjekter fra kunstfeltet som gikk fullstendig galt. Der ideen var. bedre enn gjennomf�ringskraften der man undervurderte teknologien. publikum �konomien eller overvurderte egne evner. Det kan v�re. prosjekter som har mottatt st�tte som rett og slett ikke lot seg. gjennomf�re eller som ble noe helt annet enn det som var tenkt ().. Med andre ord Vi er p� jakt etter prosjekter som MISLYKTES i st�rre. eller mindre grad og der opphavspersonene har gjort seg noen tanker om. hva som gikk galt og hvorfor.. REALITY CHECK har hentet grunnideen fra et n� nedlagt klubbkonsept i. Berlin Club der Polnischen Versager eller Den polske taperklubben. () som i flere �r var et meget popul�rt tiltak med mange deltakere. mye publikum og h�y underholdningsfaktor. Fordi de fleste feil som er. beg�tt eller uhellene som har oppst�tt som regel er sv�rt. allmenmenneskelige tror vi RC kan bli b�de popul�rt mediavennlig og. l�rerikt.. Det er et faktum at mange kunstprosjekter (s�rlig innenfor kunstny. teknologi) ofte s�ker det spektakul�re det nye og revolusjonerende.. Dette gjenspeiles ogs� i massemedia. I en presset kunstnerhverdag er. frykten for � gj�re feil ofte st�rre enn viljen til � oppn� noe. ekstraordin�rt. Denne situasjonen �nsker vi n� � snu p� hodet ved �. gi. de mislykkete prosjektene en unik siste mulighet for stjernestatus.. Vi �nsker derfor � h�re fra deg om du har ett eller flere slike. prosjekter som kan formidles tydelig og med en h�y grad av. selvinnsikt. innenfor en tidsramme p� minutter. Vi er i denne sammenheng. alts�. IKKE ute etter sutring over (manglende) forst�else fra publikum. komiteer kuratorer produsenter presse eller verdens tilstand. generelt.. Send en epost til realityanart.no innen .november om du selv har et. mislykket prosjekt du �nsker � presentere eller har tips til. prosjekter som burde presenteres ) Vi er �pne for alle typer. henvendelser ikke bare fra kunst og ny teknologi feltet. Vi vil. selvf�lgelig ikke presentere noe som ikke opphavspersonen selv �nsker. satt i en slik sammenheng.. Alle deltakere vil bli honorert og vi vil ogs� v�re behjelpelige med. ev. reise og overnatting i Oslo.. REALITY CHECK vil bli dekket redaksjonelt.. Dato Fredag .desember kl l�rdag .desember kl. Sted Cafe Mir Toftesgt. Oslo (Grnerl�kka Lufthavn). Gratis adgang for publikum.. For ev. sp�rsm�l kontakt prosjektansvarlig Per Platou mob. Videresend gjerne denne meldingen. () julepresangen av Alf Pr�ysen. () Club der Polnischen Versager Berlin. subject. unselfishness there you see plainly the recursion it's considered a. virtue because.. in view of.. yes unselfishness. and so selfishness is a. virtue in view of selfishness etc. and virtue is a virtue in view of the. virtue virtue is the positive productive property of a view the view's. production. but it doesn't mean you can avoid it. there's virtues of your. body as long as you have one. and virtues of having as long as it's. possible. and virtues of the possible as long as it's not impossible.. virtues of the impossible via negativa. prime numbers are what remains. are. they selfish or unselfish ) positive or negative you can follow them a. bit via the positive which is like the virtue of a view formula though. quickly you're replacing algorithms with heuristics which is more of a. mess like the layered virtues of our reality the real being transcendent. unending streams and you find yourself jumping from this to that all the. time not selfishalgorithmic (producing) or unselfishheuristic (seeking). but let's call it dancing since there are movements and well the thing is. still alive though with no reason and not producing or seeking still views. you can't avoid going through the steps. eurythmics is at the end or the. beginning not the body's algorithms (production system) or it's. intentionality (heuristics) the virtues of having a body having a view. not selfish not unselfish. no virtues no views but still a text still. here though not what it is (produces) or what it means (seeks) it's still. written in virtue of the iso charset twofaced bastards so maybe. we're talking dialectics too the protocol (selfish) and the exchange. (unselfish) still the user. user (�zr) n. Law. the exercise of a. right to the enjoyment of property. my body my propery the body of this. mail. again the protocol's from to subject body this is the body.. florian cramer digital code and literary text. florian cramer digital code and literary text. Can notions of text which were developed without electronic texts in mind be. applied to digital code and how does literature come into play here. Abstract. This paper is based on the general (yet disputable) assumption that the. theoretical debate of literature in digital networks has shifted just as. the poetic practices it is shaped after from perceiving computer data as an. extension and transgression of textuality (as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper multimedia'') towards paying. attention to the very codedness i.e. textuality of digital systems. themselves. Several phenomena may serve as empirical evidence. The early focus of conceptualist Net.art on the aesthetics and politics of. code. in turn the impact of Net.art aesthetics on experimental literature. poetry in the Internet. the close discooursive affinity of Net.art to political activism in the. Internet. the close aesthetic affinity of Net.art to a the languages and codes of an. older technically oriented ''hacker'' culture (of Chaos Computer Club. and others). a convergence of the three cultures mentioned above Net.art net activism. and hacker culture. (a) FreeOpen Source Software andor (b) open network protocols as key. discursive political and aesthetical issues in all these camps. finally the impact of hacker aesthetics Net.art aesthetics code. aesthetics and network protocol aesthetics on contemporary writing in the. Internet. (See the work of mez Alan Sondheim Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks'' (Alan Sondheim) fit notions of text that. were crafted without digital code most importantly machineexecutable. digital code in mind and vice versa. Is it a coincidence that in their. poetical appropriation of lowlevel Internet codes codeworks ended up. aesthetically resembling concrete poetry And apart from aesthetic. resemblances how do computer programs relate to literature Is that what is. currently being discussed as ''Software Art'' a literary genre. Code. Since computers the Internet and all digital technologies are based on. zeros and ones they are based on code. Zeros and ones are an alphabet which. can be translated forth and back between other alphabets without information. loss. It does in my point of view make no sense to limit the definition of. the alphabet in general to that of the Roman alphabet in particular when we. can the same textual information in this very alphabet as Morse code flag. signs or transliterated into zeros and ones. The Internet and computers run. on alphabetic code whereas for examples images and sound can only be. digitally stored when translating them into code which unlike the. translation of conventional text into digital bits is a lossy that is. not fully reversible and symmetric translation. Sounds and images are not. code by themselves but have to be turned into code in order to be computed. where as any written text already is code. Literature therefore is a. privileged symbolic form in digital information systems. It is possible to. automatically search a collection of text files for all occurences of the. word ''bird'' but doing the same with birds in a collection of image files. or bird songs in a collection of audio files is incomparably tricky and. errorprone relying on either artificial intelligence algorithms or manual. indexing both of which are methods to translate nonsemantic writing (pixel. code) into semantic writing (descriptions).. The reverse is true as well We can perfectly translate digital data and. algorithms into nondigital media like print books as long as we translate. them into signs coded according to the logic of an alphabet. This is what is. done for example in programming handbooks or in technical specification. manuals for Internet standards. Today there are two notorious examples of a. forth andback translation between print and computers. The sourcecode of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP). The PGP algorithms were legally considered a weapon and. therefore became subject to U.S. export restrictions. To circumvent this. ban Zimmerman published the PGP sourcecode in a book. Unlike algorithms. literature is covered by the U.S. First Amendment of free speech. So the. book could be exported outside the United States and by scanning and. retyping translated back into an executable program. the sourcecode of DeCSS a small program which breaks the cryptography. scheme of DVD movies. Since U.S. jurisdiction declared DeCSS an ''illegal. circumvention device'' according to the new Digital Millennium Copyright Act. (DMCA) the ban equally affected booklets flyposters and tshirts on which. the DeCSS sourcecode was printed.. That code is speech is a fact stressed again and again by programmers and is. also at the heart of Lawrence Lessig's legal theory of the Internet. (Lawrence Lessig. Code and Other Laws of Cyberspace. Basic Books New York. .). It is strictly speaking sloppy terminology to speak of ''digital. media''. There actually is no such thing as digital media but only digital. information. Digital information becomes ''media''only by the. On the reverse end of the chain keyboards mice scanners and cameras. are analogtodigital converters.. virtue of analog output computer screens loudspeakers printers are analog. output devices interfaced to the computer via digitaltoanalog conversion. hardware like video and sound cards or serial interfaces.. An average contemporary personal computer uses magnetic disks (floppy and. hard disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its. storage media and electricity or fiber optics as its transmission media.. Theoretically one could build a computer with a printer and a scanner which. uses books and alphabetic text as its storage media. Alan Turing showed. that. While such a machine would operate slower than with magnetical or. optical media it would provide more robust and durable information storage. on the other hand.. no electronics are needed to build a computer the Boston Computer Museum. even features a mechanical computer built from wooden sticks.. Juxtapositions of ''the book'' and ''the computer'' are quite misleading. because they confuse the storage and analog output media (paper versus a. variety of optical magnetical and electronical technologies) with the. information (alphabetical text versus binary code). It further ignores by. the way the richness of storage and transmission media in traditional. literature which aside from the book include oral transmission and mental. storage audio records and tapes the radio and television to name only a. few.. If there is strictly speaking no such thing as digital media there also. is strictly speaking no such thing as digital images or digital sound.. What we refer to as a ''digital image'' is a piece of code. Normally this code is divided into three pieces one the socalled. sound or image file containing the machineindependent and program. independent abstract information the second the socalled display program. containing the instructions to mediate the abstracted information in a. machineindependent yet not programindependent format to the operating. system the third the socalled operating system mediating the program. output to the output machine whether a screen or a printer. These three. code layers however are nothing but conventions. Theoretically the. digital image'' file could in itself contain all the code necessary to. make itself display on analog end devices including the code that is. conventionally identified as a boot loader and core operating system.. containing the machine instructions to produce the flow of electricity with. which an analog screen or an analog printer is made to display an image.. Of course it is important whether a sequence of zeros and ones translates. into say an image because that defines its interpretation and semantics.. The point of my (admittedly) formalistic argumentation is not to deny this. but to underline that. when we speak of ''multimedia'' or ''intermedia'' in conjunction with. computers digital art and literature we actually don't speak of digital. systems as themselves but about translations of digital information into. analog output and vice versa. text and literature are highly privileged symbolic systems in these. translation processes because (a) they are already coded and (b) computers. run on a code.. Literature and computers meet first of all where alphabets and code human. language and machine language intersect secondly in the interfacing of. analog devices through digital control code. While of course we cannot think. of code without media because we can't read it without them the computer. does not really extend literary media themselves. All those output media. electricity electrical sound and image transmission etc. existed before. and without computers and digital information processing.. I therefore have to revise the position I took in several of my previous. writings If we speak of digital poetry or computer network poetry we. don't have to speak of certain media and we don't. like in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun Thesen'' ( Nine Points on Why there is so little interesting computer. homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf. even have to speak of specific machines. If computers can be built from. broomsticks and networked via shoestrings if any digital data including. executable algorithms can be printed in books and from them read back into. machines or alternatively executed in the mind of the reader there is no. reason why computer network poetry couldn't or shouldn't be printed as well. in books.. Perhaps the term of digital ''multimedia'' or better ''intermedia''. would be more helpful if we redefine it as the the possibility to losslessly. translate information from one sign system to the other forth and back so. that the visible audible or tacticle representation of the information. becomes arbitrary. A state not be achieved unless the information is not. coded in some kind of alphabet whether alphanumerical binary hexadecimal. or if you like Morse code.. Literature. Synthesis putting things together. observe the textual codedness of digital systems of course implies the. danger of generalizing and projecting one's observations of digital code. onto literature as a whole. Computers operate on machine language which is. syntactically far less complex than human language. The alphabet of both. machine and human language is interchangeable so that ''text'' if defined. as a countable mass of alphabetical signifiers remains a valid descriptor. for both machine code sequences and human writing. In syntax and semantics. however machine code and human writing are not interchangeable. Computer. algorithms are like logical statements a formal language and thus only a. restrained subset of language as a whole.. However I believe it is a common mistake to claim that machine language. would be only readable to machines and hence irrelevant for human art and. literature and vice versa literature and art would be unrelated to formal. languages.. It is important to keep in mind that computer code and. No computer can reprogram itself selfprogramming is only possible. within a limited framework of game rules written by a human programmer. A. machine can behave differently than expected because the rules didn't. foresee all situations they could create but no machine can overwrite its. own rules by itself.. computer programs are not machine creations and machines talking to. themselves but writings by humans. The programmerartist Adrian Ward. suggests that we put the assumption of the machine controlling the language. upside down. ''I would rather suggest we should be thinking about embedding our own. creative subjectivity into automated systems rather than naively trying to. get a robot to have its 'own' creative agenda. A lot of us do this day in. day out. We call it programming.''. quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps one also could call it composing scores and it does not seem. accidental to me that musical artists have picked up and grasped computers. much more thoroughly than literary writers. Western music is an outstandig. example of an art which relies upon written formal instruction code. Self. reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the. visual figurations in the score of Erik Satie's ''Sports et. divertissements'' and finally the experimental score drawings of John Cage. shows that beyond a merely serving the artwork formal instruction code has. an aesthetic dimension and intellectual complexity of its own. In many. works musical composers have shifted instruction code from classical score. notation to natural human language. A seminal piece in my opinion is La. Monte Youngs ''Composition No. '' which simply consists of the. instruction ''Draw a straight line and follow it.'' Most Fluxus performance. pieces were written. Galerie und Edition Hundertmark. George Maciunas und FluxusEditionen. . no page numbering. in the same notation style. Later in the American composer Alvin. instruction which very precisely tells to perform the piece by playing. itself back and modulating the speech through the room echoes.. In literature formal instructions is the necessary prerequisite of all. permutational and combinatory poetry. Kabbalah and magical spells are. important examples as well. But even in a conventional. Some historical examples have been adapted online on my website. narrative there is an implict formal instruction of how i.e. in which. sequence to read the text (which maybe or followed or not as opposed to. hypertext which offers alternative sequence on the one hand but enforces. its implicit instruction on the other). Grammar itself is an implicit and. very pervasive formal instruction code.. Although formal instruction code is only a subset of language it is still. at work in all speech and writing.. It is particularly remarkable about computing that the namespace of. executable instruction code and nonexecutable code is flat. One cannot tell. a snippet of digital code whether it is executable or not. This. property does not stand out in the alphabet of zeros and ones but is solely. dependent on how another piece of code a compiler a runtime interpreter. or the embedded logic of a microprocessor processes it. Computer code is. highly recursive and highly architectural building upon layers of layers of. code.. Analysis taking things apart. The fact that one cannot tell from any piece of code whether it is machine. executable or not provides the principle condition of all EMail viruses on. the one hand and of the codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim Kenji Siratori to name only a few. with the biennale.py'' computer virus of the net art groups. on the other work that unlike the actual viri is fictional in that it. aesthetically pretends to be potentially viral machine code.. The codeworks to use a term coined by Alan Sondheim of these writers and. programmerartists are prime examples for a digital poetry which reflects. the intrisic textuality of the computer. But they do so not by being to. quote Alan Turing via Raymond Queneau computer poetry to be read by. computers but by playing with the. Raymond Queneau. Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and thresholds of machine language and human language and by. reflecting the cultural implications of these overlaps. The ''mezangelle''. poetry of mezMary Ann Breeze which mixes programmingnetwork protocol code. and non computer language to a portmanteauword hybrid is an outstanding. example of such a poetics.. Compared to earlier poetics of formal instruction like in La Monte Young's. Composition in Fluxus pieces and in permutational poetry an important. difference can be observed in the codeworks The Internet code poets and. artists do not construct or synthesize code but they use code or code. grammars they found and take them apart. I agree with Friedrich Block and. digital.deBlockindex engl.htm that digital poetry should be. read in the history and context of experimental poetry. A poetics of. synthesis was characteristic of combinatory and instructionbased poetry a. poetics of analysis characterized Dada and its successors. But one. An exception being the the ALGOL computer programming language poetry. written by the Oulipo poets Franois le Lionnais and Nol Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors. Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an analytical approach to formal instruction code. in the classical th century avantgarde. Internet code poetry is being. written in a new if one likes postmodernist condition of machine code. abundance and overload.. The hypothesis that there is no such thing as digital media but only. digital code which can be stored in and put out on any analog medium is. perfectly verified by codework poetry. Unlike hypertext and multimedia. poets most of the artists mentioned here write plain ASCII text. The. contradiction between a complex technopoetical reflection and lowtech. communication is only a seeming one quite on the contrary the lowtech is. crucial to the critical implication of the codework poetics.. The development of hyperfiction and multimedia poetry practically paralleled. the construction of the World Wide Web hyperfiction authors rightfully saw. themselves as its pioneers. In the course of nineties they continued to. push the technical limits of both the Internet and multimedia computer. technology. But since much digital art and literature became testbed. applications for new browser features and multimedia plugins it. simultaneously locked itself into nonopen industrycontrolled code. formats. Whether intentional or not digital art thus. like Shockwave QuickTime and Flash. strongly participated in the reformatting of the World Wide Web from an. open operating system and browseragnostic information network to a. platform dependent on propietary technology.. By readjusting the reader's attention from software surfaces which pretended. not to be code back to the code itself codeworks have apparent aesthetical. and political affinities to hacker cultures. While hacker cultures are far. more diverse than the singular term ''hacker'' suggests hackers could as. well be distinguished between those who put things together like Free. Software and. Boris Grndahl's (German) Telepolis article The Script Kiddies Are. Not Alright'' summarizes the multiple sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp deutschinhaltte.html. demo programmers and those who take things apart like crackers of serial. numbers and communication network hackers from YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually adopted many poetical. forms that were originally developed by various hacker subcultures from the. s to the early s including ASCII Art code slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in programming languages. (such as Perl poetry) or they even belong to both the ''hacker'' and the. ''art'' camp. arafat. arafat shithead it's all the same some shithead claiming territory. another shithead you only need one then you get another. automatically like tribes of shitheads shiites something what's. that got to do with anything. contemporary ontology something anything everything nothing. maps plainly to logic how metaphysics became logic or was as it. were classes what do we mean classes are classes nosferatu the. death of metaphysics the blood is logic everything is logic has. its undead counterpart the world may die any human we'll go on. living like undead i should come through here no it's not possible. any image still there's a byte before it exhausts coming back to. this morning and driving under the bridge don't blame gray words. gray roads. feeling down may come easy you just sit there and suddenly you want. go to sleep and can't sleep because you think this will never end. and there's nothing anywhere. i'm always down like the server is. down. all this wind is it going anywhere mostly robots reading the. web let's say i lived my experience is not different from anybody. else why should we be separate two persons have mutual feelings. what a mess still four arms two heads what a monster and the. cleaning of the interface reactions why should i react i'm already. you not in a religious sense just practical like the same same. system two processes the same shit all the more pressure around. identity and the individual this exploition a striking or notable. deed feat spirited or heroic act the exploits of Alexander the. Great. it's of course true we are the same otherwise science and. the logics would be false but still culturally a quest for. identity and most levels retained which together is driving us out. through the processor our bodies are arguments positions like. minimal pairs in linguistics and identical to what itself which. makes sense only through a representation with the possibility of not. being itself so the quest is via the culture representation where. the position comes in like the 'you are here' on maps (in a text you. are here what does it mean i am here this is a long string and the. other arts where are you in music and everything before language. and within) no the identity can't come from anything why different. cultures have different ideas of identity we have maps so we have. the identity of 'you are here' which gives a faint realization of. yourself but enough to keep fixed through the loop of being and not. being the truth and falsity of representation or more precise the. falsity revealed through its truth and vice versa which is at stake. when represent i am here two times here and here which are two. places in the text two positions and isn't it supposed to be only. one like i am only one so we are baffled by this like Alexander the. Great and need to do baffling deeds to overcome the bifurcation that. takes place already at the root already at 'you are here' we don't. understand and the territory comes from this of not understanding. and you get terrorist and president like arafat collapsing and. sustaining the map as the quest for identity through construction of. yourself which is like a greek tragedy whatever you'll find is the. looking for yourself palestine holy land holy shit how fcking. long will it take before these shitheads loose their power to lead. others astray for people not to be led into another suffering hell by. shithead the great.. roadmap to peace forget road forget map forget peace.. Re syndicate arafat. if you rid yourself of opaqueness i don't know where you are is that. beauty love and war were always good friends. it's still about identity. the quest for anything clear and transparent (love) which at the same time. should be something (territory) and it doesn't resolve so forget it not. wait for the best love projects (maps) too much the territory becomes. what you see is that wise. Of the raising opaqueness Claudia always has the most beautiful answer. which we can wait for the best. Original Message. claudia westermann. Friday November AM. Re syndicate arafat. a. forget road forget map forget peace.. keep love. love me in my full beauty and I'll become. what you see in me. or wise. RE syndicate arafat. arafat shithead it's all the same some shithead claiming territory. another shithead you only need one then you get another. automatically like tribes of shitheads shiites something what's. that got to do with anything. sure let's stick to shithead ascii pseudo artists like you. who says you have to choose sides. Re contact. circumcise (sr�km sz�) v.t. cised cising.. . to remove the prepuce of (a male) esp. as a religious rite.. . to remove the clitoris prepuce or labia of (a female).. . to purify spiritually.. ME circumcisen L circumcsus (ptp. of circumcdere to cut. around) equiv. to circum CIRCUM csus (cd cut tus ptp. suffix. see CIDE). why should we choose cides. I am a Muslim woman and my genitalia has been reshaped. My biggest fantasy. is doing it with a Jew. Retouched genitalia really turns me on. I know we. would have CapuletoMontesco frictions if our families opposed our union. but this is my dream.. Original Message. From WRYTINGL Writing and Theory across Disciplines. Sent viernes de noviembre de. To WRYTINGLLISTSERV.UTORONTO.CA. Subject arafat. arafat shithead it's all the same some shithead claiming territory. another shithead you only need one then you get another. automatically like tribes of shitheads shiites something what's. that got to do with anything. contemporary ontology something anything everything nothing. maps plainly to logic how metaphysics became logic or was as it. were classes what do we mean classes are classes nosferatu the. death of metaphysics the blood is logic everything is logic has. its undead counterpart the world may die any human we'll go on. living like undead i should come through here no it's not possible. any image still there's a byte before it exhausts coming back to. this morning and driving under the bridge don't blame gray words. gray roads. feeling down may come easy you just sit there and suddenly you want. to go to sleep and can't sleep because you think this will never end. and there's nothing anywhere. i'm always down like the server is. down. all this wind is it going anywhere mostly robots reading the. web let's say i lived my experience is not different from anybody. else why should we be separate two persons have mutual feelings. what a mess still four arms two heads what a monster and the. cleaning of the interface reactions why should i react i'm already. you not in a religious sense just practical like the same same. system two processes the same shit all the more pressure around. identity and the individual this exploition a striking or notable. deed feat spirited or heroic act the exploits of Alexander the. Great. it's of course true we are the same otherwise science and. the logics would be false but still culturally a quest for. identity and most levels retained which together is driving us out. through the processor our bodies are arguments positions like. minimal pairs in linguistics and identical to what itself which. makes sense only through a representation with the possibility of not. being itself so the quest is via the culture representation where. the position comes in like the 'you are here' on maps (in a text you. are here what does it mean i am here this is a long string and the. other arts where are you in music and everything before language. and within) no the identity can't come from anything why different. cultures have different ideas of identity we have maps so we have. the identity of 'you are here' which gives a faint realization of. yourself but enough to keep fixed through the loop of being and not. being the truth and falsity of representation or more precise the. falsity revealed through its truth and vice versa which is at stake. when represent i am here two times here and here which are two. places in the text two positions and isn't it supposed to be only. one like i am only one so we are baffled by this like Alexander the. Great and need to do baffling deeds to overcome the bifurcation that. takes place already at the root already at 'you are here' we don't. understand and the territory comes from this of not understanding. and you get terrorist and president like arafat collapsing and. sustaining the map as the quest for identity through construction of. yourself which is like a greek tragedy whatever you'll find is the. looking for yourself palestine holy land holy shit how fcking. long will it take before these shitheads loose their power to lead. others astray for people not to be led into another suffering hell by. others astray for people not to be led into another suffering hell by

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shithead the great.. roadmap to peace forget road forget map forget peace.. Informacin de NOD . (). Este mensaje ha sido analizado con NOD antivirus system. RE syndicate arafat. Original Message. From Sympa Owner mailtosympakilby.copyleft.no On Behalf. Sent Friday November PM. To syndicate. Subject RE syndicate arafat. arafat shithead it's all the same some shithead claiming. territory. another shithead you only need one then you get another. automatically like tribes of shitheads shiites something what's. that got to do with anything. sure let's stick to shithead ascii pseudo artists like you. who says you have to choose sides. you did choose. you're mistaken man nothing was chosen here.. isoQEkunstogsikkerhetovervEkning. Regjeringen foresl�r � bruke millioner kroner til ekstraordin�re. sikringstiltak av utvalgte kunstverk av spesiell h�y verdi ved ulike. museer. Bevilgningen kommer etter at politiet og eksterne konsulenter. vurderte truslene mot og sikkerheten ved norske museer p� oppdrag fra. departementet. Pengene er bl.a. til overv�kingsutstyr. NRKtekst. Elektronisk kunst kan g� inn i denne delen av. produksjonogvisningslinja i de delene som omgir kunstverket og. representerer dets 'sikkerhet' mot 'trusler'. Det er fors�vidt samme. greia publikum eller overv�kingsutstyr kan man ikke ta skrittet fullt. ut her i en automatisering av kunsten og la overv�kningsutstyret v�re. publikum uansett v�re en del av det og sikkerhetstiltakene v�re. kunstens egenverdi som i en forsikringssum. Uansett det gj�res mye. med sensorer og overv�kning i elektronisk kunst og det hadde sikkert. v�rt g�y � gjort noe som f�rte 'sikkerhet' og 'trusler' tilbake inn i. verket eller visningssammenhengen dessuten riktig og �pent. Men her. som ellers ligger verdien i det som ikke er �pent i egenverdien. 'utvalgte kunstverk av spesiell h�y verdi' som trenger sin slagskygge. som lager for verdiene vanligvis i fremtiden en skygge inn i. fremtiden og n� ogs� et skyggepublikum som overv�ker kunstverkene og. sikrer integritetet gjennom � stadig se p� dem som om kunstverkene. ble borte dersom ingen s� p� dem at de har sin integritet i Gud. tilslutt som altseende og det som ikke blir overv�ket ikke eksisterer. som identitet ellers identitet er noe som kommer tilbake som en. overv�kning at du overv�ker deg selv via en form for representasjon og. utstyr som skal sikre en integritet. Det blir mye mer et objekt og. dermed mye mer et kunstverk om det overv�kes. Og som et ekstraordin�rt. tiltak for � �ke verdien p� ordin�r kunst kan man sette igang sikring og. overv�kning. Her kommer ekunst inn i bildet. Hvis det sl�r an blir det. til at vi kan lage kunst ved � overv�ke noe slik som det blir tv ved. bare � peke kamera p� noe.. RE syndicate arafat. ok thanks yes it's ugly from every side. this wasn't a. political declaration or positioning not of choosing sides at. least i still have a voice though whether it be political or not. or in what sense.. bj�rn m.. ok. perhaps I'm mistaken. it just happens that since yesterday all I hear everywhere is. that the death. of arafat would signal the beginning of peace. and this is one (of many) things that really gets on my tits. ariel sharon is an ugly killer and that he's not dead doesn't. stop me from. thinking that he is en evil doer. other things irritating me was all the stupid brouhaha about that. bigot. buttiglione and how it was a fantastic victory for european. democracy that. he had to step down... meanwhile the whole barroso commission who. was an. ultraliberal bees' nest could slip in behind him. a farce. etc. f.. you did choose. you're mistaken man nothing was chosen here.. Re i awake. It's far away the lights on the tree and the fires outside the. entrance entrance you don't enter entrance you don't enter. trance by a way father away holy ghost wholly why hole press. u to enter hole hole hole you pitar pytar hayr breath of. his breath inspire expire enspire detrance extasis. displacement faraway grab the environment and throw it down a. hole throw up your body another entrance go back ppp. you're at the wayside again listening to snow cannons' nocturnal. monophony orange lights shivering down the wipe slope white. sloth no go back ppppp still the same are these. different rooms or the same dreams are already inhabited nothing. takes place the nothingsomething the random walk seeded with. fear or desire well you have to start somewhere if at all why. start ppppp this is further faraback i'm not trying to. engage gage something as a glove thrown down by a medieval. knight in token of challenge to combat. press g to pick it up. go south you hear water but don't sea any y d u c. homeostasis psychol. a state of psychological equilibrium. obtained when tension or a drive has been reduced or eliminated. hteros he that the it libra balance bilanx metal dishes. dinner for two reduce lead back bring back go back retrace. retract way course line of footprints tr� tr�kk vestigium. vestige investige token pick up this token ppp were are. you pppppppp facteventfeeling pick up this fact. there's an obvious fact leading past the event the feeling of my. tokens hardwire hardware waru ware intrinsecus inward. following inner everybody has inner has to throw up sometimes. inner situated within or farther within interior an inner door. more intimate private or secret the inner workings of the. organization of or pertaining to the mind or spirit mental. spiritual the inner life not obvious hidden or obscure an. inner meaning innera inne within inside pick it up what do. you mean sense facteventfeeling something is something else. what no inner everything is interchangeable your body you. already have one so why should it interest you root access the. root late OE rt ON rt akin to OE wyrt plant WORT G. Wurzel L rdx (see RADIX) Gk rhza (see RHIZOME) which is your. system allinone still useless toy retrace pppp are we. that special not our bodies bodig botah damn damn damn dam. dame domina our workings inner again ongegn opposite gegn. straight igegn not any particular or certain one of a class or. group not straight stretch you see what's inside. interchangeable glorious nothing bodies history nature throw. up throw up later you will vestigate already forgat already. untouched retouched untouched wipe wpian c. OHG wfan to wind. round Goth weipan to crown perh. akin to L vibrre to move to. and fro wipeout whiteout blackout fade dull pale pall.. Re syndicate arafat. Far from the making act we can say everything in any case. Obviously you. had not chosen but the omissions allied to the obvious terms made sense of. themselves together without that you formulated of choice. Obviously that's your choice reading it as political declarations in most. senses of the word political since politics is about forcing a choosing of. sides setting the options to choose but obviously every side is ugly. here oppressor or oppressed how the sense of justice is construed and. since nothing is chosen something ugly comes back for lack of the political. conformance and balance and renders opaque and annoying and gives the idea. there must be a clearer position behind or hidden but that's not the case. other than don't be mislead by political 'shitheads' to suffer their hell.. all the tnihgs taht arent psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im dizzy yuore liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg fwlwnig don lkneiesss loop of snese. tgohuths arise attache not i was wthas there to bilud a story no. stroy threes no sotry what sotry do you yuor life sorty no lfie. sotry blind bilnd bnild story no sorty bilnd back and fotrh no. sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon. srtoies i not srtoy not sroty and the stroy adnother wrod for. benig isdine the scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to daeth i wsant so how can i be its a story. olny a sotry wtih a bgeniinng and end and the sotry is ntoghin no. story the sotry is jsut a story and the sejbuct is not a sucbjet. these wdros are cnmiog form a long line of ilde soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes. iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for. the lvinig the voderr is for shgmeotin oto be and esle non and. you wodlunt know but the tarinstion for loss and gian which. lgneirs for yesra for lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.). HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG h()illea (G Hlle) ON hel Goth. hjala aikn to OE hlean to cover hide and to HLUL. satngre the etym siiimelritas as if the opipostes were the. coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and if the word. was pefrect it wondul't eixst so tihs way geos itno altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is. cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is just the delay thgnis go sowler and solewr. the hack. itno ereltncos certeas the wolrd aenw slutaimes from lgiht seped. and loigc the hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it go solwer and sowler inetria at the end of. speed mabye lkie the practile padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the. fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the avitce any oejcbt thwron out of the. subcjet like this.. Re Ego. It's based on palindromes as you might expect ) By that constraint. they seem to have their own quirkiness in vocabulary maybe grammar. and semantics what themes reoccur and comes through so I wanted to. make pseudopalindromes or write something through the palindromic. namespace palindromes that were not palindromes but only looked like. it ) So I'm just processing the palindrome files from. through the constructed space. I like using markov chain to rearrange. stuff because the connections between entitites are real and the. statistics for choosing between entitites are also real (a strong. connection is more likely to be chosen) so the random element is. within a quite structured system choosing between weighted options. derived from real data.. I'm doing some more of these though I see it's limited in use. I'm. reading through a dictionary of wordplay and oulipo to see if I want. do something. I'm also having fun with a reverse lookup in. webster's dictionary from definiens to definiendum which amounts to. a peculiar thesaurus replacing words by (search for word through all. definiens and gather all the definiendum and then choose all or one of. these you then get an associative relation weaker than thesaurus. but more 'poetical' connoted. Some recent pieces were done with this. and I'm not through with it yet.. the mean. while waiting and waiting for win to boot. a play for the calculator the mean. ok what about . .. where does the . come from. .. still the same. ok so we know n(n).(n.). what about step while. it holds now the diff is always. n(nstep)(step)((nstep)). try random ... i have to format c unbelievable. step is so it doesn't work. do you want to install netmeeting. who ever had any need of scandisk. i ran scandisk several times now. still it didn't detect damaged sectors. unbelievable crap scamdicks. well why didn't it work for odd. it's. yeah now your product key licence. it's supposed to be oh well it just squares then. squareroot of . is.. . voila. key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes sense for the . and the. updating you system... restart then restart then restart. this wasn't very profound. it's like you need the square stuff somewhere. whether you put it in the n's or the step. it doesn't matter. the suprise in the beginning of this play... it didn't take into account the extras of the square. the double its shadow. it's about dimensions. how the extra dimension casts a shadow back. the step is supposed to take care of that. ah but there's no stairway to heaven. can't believe this where are the screen drivers. My documents it's intimidating. very small. i lost the scans whatever. anal stuff i mean what's the point. the joy of loosing. again a gain where does the shadow come in. the gain where the extras are from. hell is a collapse of dimensions. what happens when things colapse. when these squares collapsed they lost their shadow. i was thinking of this drawing also what it lost. shadows of course collapsed into texture. but the other way also. what would the hyper be if this was texture. loom. unbelievable. unbeleivable. what is most. this cognitive quaking is backforth's squaring. nothing in the middle. nothing mediated. these are flat. mean. the synonyms for mean are average base beggarly entail hateful have. in mind imply intend mean value meanspirited mingy miserly. signify stand for think think of tight. ideareal. ideareal. my psychology. all sensory inputs are the same electrical impulse youablatusjuz bul and gof.a. lot of feets there limbs on their own lettersthe difference mountain bookwhen. the rat presses the vague abstract exressionist psychology switchcomma it. receives a brief pulse of electricity to its brain through thehaywire mailspeed. of thought meters per second spamyour neurotic inhibitory synapses. modemeurotican example of a stimulating drug is the venom of the black widow. spiderwhich causes the release of acetylcholine an important. transmittersubstance. acetylcholine is involved with memory.writing endorphine. people.throughout history people have enjoyed changing their consciousness. nowand then by taking drugs fasting meditating or chanting. Evenchildren. enjoy spinning around and making themselves dizzy presumablyfor the same. reasons.enemy ugly bitter failure win gift happy beauty.yof or laj. tom or. bill italian or swedish.premacksuperstitious behaviours fetal posture chin. up chest up reach and miss sit with support sit on lap grasp object. sit on high chair grasp dangling object sit alone stand with help stand. holding furniture creep walkwhen led pull to stand by furniture. climb stair steps standalone walk alonestereopsissucking cuddling looking. smiling crying i know how to writejnd principle of justnoticeable difference. weber fractionsdifference threshold bitwiseshorter wavelengthsHow does a face. look like to youWell I know it's a face because I can usually see the eyes. and it'son top of a body. I can see a body pretty well by how it moves.we. immediately perceive a figure when the outline is closed punctumgestalt law of. common fateTAE CHTbottomup processing datadriven topdown contextual.. bicyclehippopotamus hippopotamusup and down up and downlook car house i didn't. get itsave your money save your moneyyellow big south yellen can't get itin. past days memory consolidation elaboration episodic semantic explicitimplicit i. wasremembering is automatic remembering is a creative. reading provides. aparticularly compelling example of the automatic nature of memoryretrieval.. stroop effect. portability.a lot is done with shadows wordsi want daleth delta. door.there you are scanning text saccades fixations.the hunters were. disappointedd that the fucks got away.yours semantic priming sweep broom. clean.i saw several spiders indexing the web roaches of hair bugs in. hisprogram porky primes.wabbit is wight and wabbit is wong she. said.overextension.jpg.txt.movunderextensionmooi cakes round marks on. windows writing on windows and inbooks round shapes in books round. postmarks letter obuti toy radish stone sphere at dark entranceticktock. all clocks and watches gas meter firehose wound onspool bath scale with. round dialbaw apples grapes eggs squash bell clapper anything roundmem. cow calf pig moose all fourlegged animalsfly specks of dirt dust all. small insects own toes crumbs ofbread toadwauwau all animals house. slippers old man in fursameslan(g)please milk please me like drink apple. bottletravels up the concept treea dog barks dog breathesa dog looks through. the window dog is borna dog grows hair dog regulates its digestiona dog. releases hormones dog survivesa dog makes dog dog makes a choicea dog dreams. dog is subject to gravitya dog lives on a planet dog needs oxygena dog evolves. dogcells dog evolved from the cella dog is chemical dog has atomsa dog is. atoms dog has light speeda dog is energystandard deviation Statistics.a. measure of dispersion in a frequency distribution equal to the squareroot of. the mean of the squares of the deviations from the arithmeticmean of the. distribution.sheep deprivationhe said we now must conclude that the. evidence for sleep as repair isnot very strong. sleep deprivation does little. more than make the personfeel extremely sleepy.i appear to be a definite. relation between rem sleep and the learningand assimilation of emotional. experiences.your excitatory potential drive habitmy reinforcement increases. drive eating increases hunger tasting andswallowing makes me more hungry. until the stomach responds enough.i need murray's list of psychological needs. meambition achievement overcoming obstacles recognition describing. accomplishments exhibition attempting to shock or thrill acquisition obtaining. things conservance repairing possessions order making things neat and orderly. retention hoarding things construction building somethingdefense of status. inviolacy keeping distance infavoidance concealing a birthmark or handicap. defendance giving an explanation or excuse counteraction retaliatingresponse to. human power dominance directing other's behavior deference cooperating or. obeying similance imitating autonomy standing up to authority. (autorityauthonomy) contrariance being oppositional aggression attacking or. belittling abasement apologizing or confessing blame avoidance stifling. blameworthy impulsesaffection between people affiliation spending time with. others rejection snubbing others nurturance taking care succorance being helpd. play seeking diversionexchange of information cognizace asking questions of. others exposition delivering information to othersam you a human for need for. power noyou need for affiliation very littlei perseverance maybethe intrinsic. motivation if anyoneneed to avoid failure test anxiety questionairetext. ansietymy even illusion of choice increases the value of an activity.free. choice ihe learned helplessness involves learning that an aversive event. cannotbe avoided or escaped. seligman also suggested he has thecharacteristics. of a personality trait.our reinforcement dopaminethem amphetamine cocaine etc. are very reinforcing them will work hardto receive them drugs. catbert so why. not pay them workers in drugs.dilbert baked it's called them money.them quest. for endorphinesmy body weights of people in india 's poundsshop owners. supervisors head clerks clerks drivers mechanics pilers carriers. etc us men and women respond in basically the same way to visual and. tactilesexual stimuli but we appear to differ in the kinds of stimuliimagery. and fantasies we consider erotic. thems women reportedly foundpictures of. Rromantic situations (showing affection and kissing)sexually arousing however. most of them found pictures of sexualsituations (engaging in intercourse). distasteful. them mens reported thepictures of sexual behaviour to be arousing. (and the physiologicalmeasurements agreed) but unlike the women they were not. aroused by theRromantic pictures.if i man responds sexually to a picture of i. woman he tends to imagineher as a sex object figuratively i takes her out of. the picture anduses her. in contrast a picture of a naked man is generally. notarousing to neither i men or women.my most prevalent types of sexual. fantasies to both gendersreplacement of established partnerforced sexual. encounter with other sexobservation of sexual activityour paraphilia as money. and ehrhardt() put it nature makes moreerrors in the male. ref a fetus. develops into a female unless mytestosterone is present.them mythology of. emotions passion passive. when we experience anemotion we tend to perceive. ourselves as passive and helpless. thebelief we're not responsible for them our. emotions indulgence andlater absolve from blame in contrast we don't absolve. good acts i just couldn't help myself. i saw her drowning and before i. knew it iwas struck by an altruistic frenzy. when i regained control of. myself ifound that i had dragged her onto the shore we attribute such acts. toour intellect so we can take credit for them but we blame them bad actson. our uncontrollable emotions.you good case can be made that emotions exist. because expressions ofemotions communicate important information to other. members of thespecies. my people are more likely to express happiness in the. presenceof other my people than when they are alone. for example bowlers. whomade a strike usually did not smile when the ball hit the pins. howeverwhen. the bowlers turned around to face their companions they oftensmiled.when us. people see someone expressing an emotion us tend to imitate theexpression.my. simulation display rules.and leakageplutchik categorieswithdrawing escaping. protection fearattacking biting destruction angermating courting. reproduction joycrying for help reintegration sadnesspair bonding. grooming affiliation acceptancevomiting spitting out rejecting. disgustexamining mapping exploration expectancystopping freezing. orientation surprisehohman () the higher my injury to the spinal chord. the lessintense general feelings were to support the theory of feeling. ofemotions being feedback from my body.funny thing is i didn't get all shook up. about it. i just didn't feelafraid at all like you would suppose.our. simulations facial smiling creates the emotional state ofhappiness etc.. simulated expressions altered us autonomic nervoussystem.my damage to left. hemisphere often suffer a catastrophic reaction whileright damage often show. an indifferent reaction for the left the rightis intact and 'dramatic' in. expression and vice versa the left beinglogicalindifferent.dangers are to. your leftmy right hemisphere judges emotions more accurate. viewing or. readingreading with my left eye.strange thing when i close my left eye and. ear the sense impressionsseem more empty than if i close my right eye and ear.. what goes onanalyzingsynthesizing.i wasn't fundamental attributional error. overestimate dispositionalfactors (the person) and underestimate the. situational except our ownbehaviour (the i)last night we false consensus error. most people are like meyour success from internal causes failures from. externalmy personal causation error the element of choice leads me to. anillusion of personal causation. may be an innate tendency.for me right is. empty dead it requires action process of objectand left is full life. requires passio process of subjectmetaphysiology semispheresall our induced. compliance. the experimenters predicted that thesubjects who were paid would. perceive the task as being relativelyinteresting those who got not. they. should convince themselves ofthe worth of the experiment so as to maintain. their selfesteem. whenfaced with inconsistencies between our behavior and our. attitudes ioften change me attitudes to suit me behavior.she arousal and. attitude changetogether attitudes and expenditures clearly we value things at. leastpartly by how much they cost us. so that we effort would not beperceived. as having been completely without value us. dilbert why payonly ascetics value. life.my people find a message form an attractive person more persuasive.your. clever experiment showed that subjects preferred mirrorreversedpictures of. themselves however they preferred nonreversed pictures oftheir. friends.nonwords such as afworbu civadra zabulon the more times. they'represented the better you like them.it's hard to say no once you've said. yes to noi attractive people it's hard to refuse thems. selfesteem root.. beingliked by attractive people makes me more desirable too. people tend. toemphasize their associations with my attractive and important people.their. authority obediencehe shocking othersshe please go on..the experiment requires. that you continue..it is absolutely essential that you continue..you have no. other choice you must go on..you and i reactance and free choicewrite that for. most normal people in most situations the automaticunconscious reaction is the. best and the most efficient one. abundance.dutton and aron () had an. attractive young woman interview i'm malecollege students as they walked across. a suspension bridge spanning agorge feet deep. they found the woman more. attractive than thecontrol group. arousal projection. likewise when i were. expectinga shock reported more attraction.eysenck have hypothesized that our. dimension of extraversionintroversion is caused by biological differences in. the general level ofneural arousal in the brain. we with high level of arousal. findsexternal stimulation aversive because the arousal becomes too much. tobear thus we become introverts.thems readers of maslow's work are likely to. come away feeling that themshould try to make better persons of themsselves.i. counting checking cleaning avoidance metrephining textcrib dramathe. tranquilizing chairlist rotating chairspam systematic. noemata. Wednesday April. noemata. Monday April. switching the knob on a lamp though knowing it's socketed but. still interesting shouldn't it light up anyway fooled by the knob. great surprise nothing will happen.. feed meefofofofofofof words slip slippery qualia what's wrong with me. knob potential who can tell if it's connected just have to try. flakes this is inside a mail insideoutside. what means any number in a calender throw something in the. pond stimulation it's no good things are what they are depth. dimension and then the others why should i be experiencing things. i'll teach the genes to behave surplus double bind of immanence and. emancipation it's possible what engine gengine combinations a. big mishmash clearly distinguished raindrops clouds and i'm told to. go blip skin......... scan monitor myself or growing plants. they're like patterns whatever inside or like the pattern depth. in time the three stooges why three logical operators have truth. tables a cartesian point socket isockets this is not going. anywhere smashing like rain ddddddfddfdsdflkjsdf idle rain will. what will vanity write writing puke expands to living is puke. and double bind we shouldn't care about this there's nothing. moving still rain smashing why still expanding both time and. space the listening passive what activity could take place what. will cloud lightening it's like lightening then equalizing. electrical potential neuron fires cloud and lightening patterns. insideoutside the adventure kids stale it's hard not to. understand language some inputs win puke win it's like the sun with. maybe it's like an arrow pulling it out again if it's deep enough. which it is if it is the if arrow it'll leave you inside out not me. but you know the world it's actually running backwards retracting. leaving all this nonsense in its way. what do we know about unfolding. the tree how do i not respond i don't know this either the cd. unfolds music cd player idea for a player wich plays itself still. form and data different roles which is like active passive again. motion object mass velocity to make up the energy unfolding. structure autophone selfregulating hierarchies picking his nose. standards double standards words have to be read to be words pulling. out an arrow it leaves this mess. the streams inside you rather write this than be useful what do we. have other than our insides outside is conquered well inside too to. a degree remote neural islands would that be possible what do they. eat. the whitenoise screen a screen of xx bits per pixel gives. possible screenshots with an hertz screen you'll have. a hour movie containing every image in the world.. xx a sec movie of every blackwhite image in the world.. xx a sec movie of every blackwhite image.. our senses has some representational thresholds else everything would. be everything radioactive elements stable stuff names particle. mathematics slowly there's a bomb inside the xx is a movie bomb. parasitic on your representations slow fuse you must follow relate. feedbackfire am i anything outside of myself suicide is always. attracting like beauty and should therefore make us suspicious of. the human function selfreplication selfdestruction as illusive. representations of outside or inside it's the velocity biting its. tail i was born or someone else in my place in case i'm someone. else how would i know the difference you could check if your dna is. your own or report it stolen. life is everything that goes on beyond you once you understand it's not. life. if you make an animated gif it's got life for about five sec random. is life because you can't predict. and about speed processing life is the. too slow it takes some time that's mostly it. once it's processed it's. dead happy the unprocessed.. granmar. it's a bit revealing that the number one coincides with the article of nouns. in languages more or less eg. a man one man. which came first counting. or abstraction two men the men why should plural be definite no no.. and the pronoun the same as article.. selfextract. this image selfextracts displays itself out of nothing say a gallery. you walk in and look for the image walking through different rooms maybe. doing different things this is like an adventure game only self so you'll. find the image whatever in fact by looking for it and it will selfextract. by your actions like the universe selfextracted a doubleclick will do. though slowmotion because it's before time so what you do and the time. you take traversing the gallery might be just parameters not an adventure. taking time and you might be using sensors mechinical devices common. sense or nothing to unfold the image the easiest thing would be a mirror. though it's so commonplace it doesn't make you reflect which is another. reversed idea having 'mirrors' that don't reflect using their context but. you'll see nothing and what would be great anyway a window. ME windoge windowe ON vindauga equiv. to vindr WIND auga EYE wind. eye which are both the active and passive parts sendingreceiving the. selfextraction like the 'spiritual' is of selfknowledge of breathe and. 'wind' variations on the theme the aesthetical of the whole out of. nothing which is always something and the unfolding relating directly to. its unwinding ) selfextractionselfunwinding taking place within the. windeye.. on media. media there's always something inbetween which comes from the separation. in the first place there's no end to media it's the distance between. achilles and the turtle which is a question of the digital and the. continuum. in our digital media media is between zero and one.. nomic. this computer program's output is it's code vomic.. the game is to change it's rules.. you enter a gallery to make art.. the spectator reflects on his gazing.. selfprogramming selfextraction.. In more general terms program code contaminates in itself two concepts. which are traditionally juxtaposed and unresolved in modern linguistics the. structure as conceived of in formalism and structuralism and the. performative as developed by speech act theory.. physical aha. For example since the SCC output is wired into eyecontrol muscles. some motions can be compensated you can read a fixed page while. swiveling your head but with your head fixed you can't read a page. swivelled by a friend. The SCCeye feedback effect also explains. why some home video recorded while the filmer is in motion doesn't. look so good afterwards in the editing stage when the. neurofeedback mechanism isn't at work. (Todd Squires Physical. migration. everything is number everything is particular nothing is sacred. except transcendental numbers which are unending series of. fractions salvati kan du fortsette rekken nei. men du kan fortsette rekken. quite the opposite of wholy like we got everything wrong. always things are usually inverted the idea of an identity upon an. abyss of oddities keep it simple don't get caught in the net of. something elaborate you'll twist and turn to get out again nets. flung over the abyss poor migrating birds poor bats this stupid. story you'll die soon enough story. is stupid story you'l. hurn to get out againl. tt don't get caught. ethe idea of an i nd. sdl got everythingdiei. tnpd f fractions ente. aameeontal numbeqwn s. b itw ehing is rurtt s. tsr sdtythingssioihfo. rs eeenorg is a tntelo. oitvkienenve icwegy un. owinirc viernsrh nn. pt ilesrehtyu eitauege. p sna rebmpdchlpt n. sleyy alucitra hewo oo. dlellgrt tpecxe anovu. r'klonidnenu eraoy feg. i ahw fo etisoppsa rh. bususu era sgniht ns. oeitiddo fo ssyba ot. gy etarobale gnihtemh. evicting is numb evicting is particle notices is sacramental. exceptionable transceivers numbering whiff are unendingly. sericeous of fractionise quitch the opposes of likelihoods we got. evicts writhen amalgamated thiner are ussher invercalt the. idealises of an identikit uplifts an abuzz of oculomotor keepsakes. it simpered get caulks in the net of sombrous elaborating twisted. and turmoil to get out agar netty fluor ovationed the academical. poove migrancy birdbrain pooled batsman thistly stunsail. storminess die sonuvabitch enqueues. effortfully ice nonprescription ebert ia productions nattiness ix. secretions expatriates touring nonverbally wis arru uninitialised. shores oba fraughts qed tee obstetricians ope wholy loge wy get. evertor wrong alehouse towing aire ucla impropriety thu iot opah. anna identities upon anna abyss oaf otitis kiev ide sniffle don't. giotto cicada inn tue needy oba summations elaborately you'll. twixt amide trannie thaw gouda otto assen nautch fillings overawe. twae apex prau majorette broadcaster pear bites towkay stupidity. star you'll duo soon eyewink. The newthing ohjects. es listening l ooking into the first place surely there. are everywh ere drives listening looking into the f. irst place s urely t here aremantic worksyou end u. p questioning i' m These worksi don' t. Sigh pine oa k oh i supp or t n oth ing th ere'. s How i do n't That would be lik e dyin g le. t 's i ' m That would be l ike lif. e inte rviews order what abou t n o. w luckily i'm amount s to t. erms with wha t i support nothing not philosop. hy not science not art not religion not art not sci. ence not society not art not religion not art no. t society not mysel f not science not sci ence n. ot science not art not art not art not techno logy h. ow is classical cla ssical what how come male. romantic female classic expanding consoli. dating Amoun t s to tautologies at best this sounds. your position and believe not society not humanity. not techno logy how is this sounds all about the no. thing ohjects sc ares me humanity. what are l istening looking i nto the nothing o. hje ct s. all the things that arent possible back back apin bacl is vital. posture holdning im dizzy youre loking for relief or builiding. what dont ask biuliding flwwing don likenesss loop of sense. thoughts arise attache not i was whats there to build a story no. story theres no story what story do you your life story no life. story blind blind blind story no story blind back and forth no. story nothing develops no development its all downlhill down. stories i not story not story and the story andother word for. being inside the subject being object but not even subject how. can i be to death i wasnt so how can i be its a story. only a story with a beginning and end and the story is nothign no. story the story is just a story and the subject is not a subject. these words are coming from a long line of idle shot form the. subect line subject the subject experiences experiences ex peri. senseis it talking about itself or verbative mode of process. information v becaues thers nothignb to build the living are for. the living the vorder is for somethign oto be and else non and. you wouldnt know but the transition for loss and gain which. lingers for yesra for lifetime time until another loss which fades. like decimal jumbers in significance the digit integer whole. hole digress how etym the w hole tunnel transcend. bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel Goth. halja akin to OE helan to cover hide and to HULL. strange the etym similarities as if the opposites were the. closest companions black holes at the center of galaxies in the. midst of heaven reside hell quite the opposite no surprise also. the black wholes of religion what's thrown outside is ring. topology or the string comes back at the center or vice versa. it's another hell like the saying if the world was perfect it. wouldn't exist were each word begs its expansion and if the word. was perfect it wouldn't exist so this way goes into annihilation. or the annihilation is connected to realization which is. constantly delayed thrown out like the world is created in time. which is just the delay things go slower and slower. the hack. into electrons creates the world anew simulates from light speed. and logic the hyperworld more and more has to be thrown out at. light speed to keep it go slower and slower inertia at the end of. speed maybe like the particle paradox again if something is. particular (eg. time) it drifts off monstrously achilles and the. turtle view this from relativity as achilles is gaining light. speed he inflates infinitely energy becomes mass the world from. the failure of realizing of reaching the turtle which is the. failure of realization the paradox of the particular of the. world the monstrous inflation hole whole holy hell hole in the. whole hell in the holy in the midst which is constantly thrown. out the passive out of the active any object thrown out of the. like this.. worldpay. enraged motherinlow. angered woman hitler. dirty roommates. dormitory steam. ask me tomorrow and you shall find me a grave man. entreat me tomorrow sunfish what after smellfeast me a baritone. major. milk drinkers are turning into powder. lactonic drinkers are doubling exciting pounce. gleanings for the myzostomata. for the labellum. curious Difficult to please or satisfy solicitous to be correct. careful scrupulous nice exact. vacant. advowson commendam diastema enthrone gap interregnum lacuna. vacant vacant vacantly void voided waste. logology. loGOLOGy y gologol. googloyl. word waywards. waywords. A doom royal play or iron my metal frets a map an em a bed.. Deb a wastrel alert saw a player...a chair Amos Socorramme. subi no pope sir I'm.. about. i structure my production in books. a converge taking care of the converge in digital art. emphasis on writing code the conceptual side of art. and of practice doings without ideas. the book less projected directed more like writing. anomyie Disregard or violation of law Personal state of isolation and. anxiety resulting from a lack of social control and regulation. anon. A fictitious name used when the person performs a particular social. role nom de guerre. that's like shame anything contrived. what shouldn't be contrived banally like yourself. your self to yourself. contrived. Advent. Grete immediately ran out to Hans and shouted Hans we're free The old. witch is dead. They danced of joy and embraced each other. They went. through the house and found a lot of pearls and jewelry. The two children. laughed and collected all the treasure they could carry. So at least we. know that under capitalism there are treasures and people that own them.. And we know who they are too. So we could kill them and take their. treasures. The witch wanted to eat Hans and Grete. We know capitalism. wants to exploit us until death. After that they ran home and embraced. their father his wife was now dead but their worries were now over. Was. logos married to the witch Why did she want to eat her children Greed. is the mother. Ignorance is the father logos. Hans and Grete had to fix. their own situation their father didn't care their mother was a witch.. Advent. Early the cold morning the little girl sat in the corner between the two. houses. Her cheeks were red and she had smile on her lips. She was dead.. She had frozen to death on New Year's Eve. Day and night warm and cold. the burning sun burning matches. Why should the earth revolve Little. carousel. End of the cycle. If you ride on a beam of light. Dark sun at. the center of the cycle her grandmother. We already know her parents. were ignorance and greed day and night. Before day and night is. space between the houses. The grandmother took the little girl in. her arms and together they flew away in shining joy higher and higher. until there were no more cold hunger or suffering. Matter shapes space. and space shapes trajectory of matter. That's why the grandmother. (matter) could take the little girl (matter) and use the parent. generation as a carrier wave (space). Dark sun grandmother little light. beam. Higher and higher gravity and speed until everything is lost.. Before and after the world. Day and night is our world our parents. father ignorance and mother greed darkness of logos neediness of. fullness.. Advent. What father does is right and everything goes well in the end. His. ignorance in trading a horse into a sack of apples is only surpassed by. his wife's blind love. But everything works out in the end because the. story is utterly unbelievable.. Advent. Beauty and the beast. In the first place the father set out to sea to. get rich. Apparently there were no mother since beauty did all the. housework. The beast of incestuous shame. Father trades her to the beast. and goes free. The castle is empty and crypted father sad and impotent.. Once beauty acknowledges the beast it turns into a prince that's art. ugly beauty too close to marry. Art has no mother only an incestuous. father ignorant displaced greed really ugly and impossible.. advent. tahoe emperor's ny coltsfoot dervishes tty egomaniacal. whitey isn't. dropsonde with ixia. beaut banned tai varietal ieyasu toea rollaway. aiken. impale of spacetime matterspacematter. it's wariness taui so. he's directionally ant wiriness twa she he's newgate. pebble arrow amnia. misleads thea megalithic i dropping tie capitalize verb amide nina. toey morea misleading thu moreau vale. towie ethernet imai cusk id. returns iffy naiad tone netting beady tow ivy doesn't hyalite. doesn't exhaustivity nippur rockies thu returnticket. iv mine ia. nauseate he's dorsad (the fall) amati ibo he's drastically he's naked. (he returns). tye egmont ixia derbent bahai thaw retraining oaf cricketer. askew judoka ova tau lashed judgemental euphoria croaked. sandhi ieyasu. nought cruck te colette that's whee he's muscat.. Advent. The emperor's new clothes drives the economy. What isn't drives what is... But behind the virtual is. the real again. Inflation of spacetime. matterspacematter. It's wrong to say he's dressed and wrong to say.. he's naked. People are anyway misled the misleading is driving the.. capital verb and noun the more misleading the more value. The eternal.. in case it returns if not then nothing but the if doesn't halt.. doesn't execute never reaches the return. If man is naked he's dressed.. (the fall) and if he's dressed he's naked (he returns). The economy is.. driven by the return of christ as judge of the last judgement every. christmas. Santa is naked cries the child that's why he's masked. The. child that's. Emperor's new clothes drives what isn't. Return. If not. then nothing but behind the if he's. Return. If he's. Return. If not. then nothing but the misleading the economy. What is.. Return. If not. then nothing but behind the eternal. Return. If not then nothing but. behind the eternal. Return. If he's. Return. If man is the real again.. Inflation of christ as judge of christ is judge of the emperor's. Return.. If he's. Return. If man is driving the eternal. Return. If not then. nothing but the misleading the real again. Inflation if christ as judge. of spacetime. Return. If doesn't. Return. If not then nothing but the. emperor's. Return. If man is naked cries the eternal. Return. If not. then nothing but the last judgement every. Return. If he's. Return. If. he's. Return. If doesn't. Return. If he's. Return. If not then nothing. but the eternal. Return. If doesn't. Return. If not then nothing but. the virtual is the misleading is the virtual is driving the eternal.. Return. If doesn't. Return. If doesn't. Return. If he's. Return. If he's.. Return. If he's. Return. If not then nothing but behind the misleading. the child that's Return. If not then nothing but the economy. What. is.. Return. If he's. Return. If not then nothing but behind the last. judgement every. Return. If doesn't. Return. If doesn't. Return. If not. then nothing but the virtual is naked cries the more misleading is. naked cries the more value. The emperor's. Return. If he's.. Advent x. Grete immediately ran out to Hans and shouted Hans we're free The old. witch is dead. They danced of joy and embraced each other. They went. through the house and found a lot of pearls and jewelry. The two children. laughed and collected all the treasure they could carry. So at least we. know that under capitalism there are treasures and people that own them.. And we know who they are too. So we could kill them and take their. treasures. The witch wanted to eat Hans and Grete. We know capitalism. wants to exploit us until death. After that they ran home and embraced. their father his wife was now dead but their worries were now over. Was. logos married to the witch Why did she want to eat her children Greed. is the mother. Ignorance is the father logos. Hans and Grete had to fix. their own situation their father didn't care their mother was a witch.. Early the cold morning the little girl sat in the corner between the two. houses. Her cheeks were red and she had smile on her lips. She was dead.. She had frozen to death on New Year's Eve. Day and night warm and cold. the burning sun burning matches. Why should the earth revolve Little. carousel. End of the cycle. If you ride on a beam of light. Dark sun at. the center of the cycle her grandmother. We already know her parents. were ignorance and greed day and night. Before day and night is. space between the houses. The grandmother took the little girl in. her arms and together they flew away in shining joy higher and higher. until there were no more cold hunger or suffering. Matter shapes space. and space shapes trajectory of matter. That's why the grandmother. (matter) could take the little girl (matter) and use the parent. generation as a carrier wave (space). Dark sun grandmother little light. beam. Higher and higher gravity and speed until everything is lost.. Before and after the world. Day and night is our world our parents. father ignorance and mother greed darkness of logos neediness of. fullness.. What father does is right and everything goes well in the end. His. ignorance in trading a horse into a sack of apples is only surpassed by. his wife's blind love. But everything works out in the end because the. story is utterly unbelievable.. Beauty and the beast. In the first place the father set out to sea to. get rich. Apparently there were no mother since beauty did all the. housework. The beast of incestuous shame. Father trades her to the beast. and goes free. The castle is empty and crypted father sad and impotent.. Once beauty acknowledges the beast it turns into a prince that's art. ugly beauty too close to marry. Art has no mother only an incestuous. father ignorant displaced greed really ugly and impossible.. The emperor's new clothes drives the economy. What isn't drives what is... But behind the virtual is. the real again. Inflation of spacetime. matterspacematter. It's wrong to say he's dressed and wrong to say.. he's naked. People are anyway misled the misleading is driving the.. capital verb and noun the more misleading the more value. The eternal.. in case it returns if not then nothing but the if doesn't halt.. doesn't execute never reaches the return. If man is naked he's dressed.. (the fall) and if he's dressed he's naked (he returns). The economy is.. driven by the return of christ as judge of the last judgement every. christmas. Santa is naked cries the child that's why he's masked. The. child that's. Emperor's new clothes drives what isn't. Return. If not. then nothing but behind the if he's. Return. If he's. Return. If not. then nothing but the misleading the economy. What is.. Return. If not. then nothing but behind the eternal. Return. If not then nothing but. behind the eternal. Return. If he's. Return. If man is the real again.. Inflation of christ as judge of christ is judge of the emperor's. Return.. If he's. Return. If man is driving the eternal. Return. If not then. nothing but the misleading the real again. Inflation if christ as judge. of spacetime. Return. If doesn't. Return. If not then nothing but the. emperor's. Return. If man is naked cries the eternal. Return. If not. then nothing but the last judgement every. Return. If he's. Return. If. he's. Return. If doesn't. Return. If he's. Return. If not then nothing. but the eternal. Return. If doesn't. Return. If not then nothing but. the virtual is the misleading is the virtual is driving the eternal.. Return. If doesn't. Return. If doesn't. Return. If he's. Return. If he's.. Return. If he's. Return. If not then nothing but behind the misleading. the child that's Return. If not then nothing but the economy. What. is.. Return. If he's. Return. If not then nothing but behind the last. judgement every. Return. If doesn't. Return. If doesn't. Return. If not. then nothing but the virtual is naked cries the more misleading is. naked cries the more value. The emperor's. Return. If he's.. Prinsessen p� erten. Bare en prinsesse ville v�re f�lsom nok til � kjenne. en ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde omsider. funnet sin prinsesse som han gifter seg med og erten ble plassert p�. museum hvor den kan enda sees idag s�sant den ikke har blitt stj�let.. Fire was robbed from the gods. The criminal ascent of man he doesn't. smell (verb or noun subject or object). What can be stolen is already. without value what can be sensed already stale (horse urine). The. dotting of the princess insignificance three dotted eyes the smaller. the better it runs like a real number inconsequence churning. hitting the mattress no way beyond the calculation of statistics of. doths. ...............s. ...........y...u. .......s...l...o. ...y...u......... ...l..d....b..di. ..e...ue..ga..n.. ..tl..oh..n..dir. ..aa..rt..it.eko. .s.n.p....c.r.l. .er..r.e.yri.eng. .ler.erm.red..a.. .gcerve.r....dmn. y..tu..ouefesn.i. aaa.oivroifraeua. MeleyloPyfophrhv. Advent. Prinsessen p� erten. Bare en prinsesse ville v�re f�lsom nok til � kjenne. en ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde omsider. funnet sin prinsesse som han gifter seg med og erten ble plassert p�. museum hvor den kan enda sees idag s�sant den ikke har blitt stj�let.. Fire was robbed from the gods. The criminal ascent of man he doesn't. smell (verb or noun subject or object). What can be stolen is already. without value what can be sensed already stale (horse urine). The. dotting of the princess insignificance three dotted eyes the smaller. the better it runs like a real number inconsequence churning. hitting the mattress no way beyond the calculation of statistics of. doths. ...............s. ...........y...u. .......s...l...o. ...y...u......... ...l..d....b..di. ..e...ue..ga..n.. ..tl..oh..n..dir. ..aa..rt..it.eko. .s.n.p....c.r.l. .er..r.e.yri.eng. .ler.erm.red..a.. .gcerve.r....dmn. y..tu..ouefesn.i. aaa.oivroifraeua. MeleyloPyfophrhv.

202

Advent x. Grete immediately ran out to Hans and shouted Hans we're free The old. witch is dead. They danced of joy and embraced each other. They went. through the house and found a lot of pearls and jewelry. The two children. laughed and collected all the treasure they could carry. So at least we. know that under capitalism there are treasures and people that own them.. And we know who they are too. So we could kill them and take their. treasures. The witch wanted to eat Hans and Grete. We know capitalism. wants to exploit us until death. After that they ran home and embraced. their father his wife was now dead but their worries were now over. Was. logos married to the witch Why did she want to eat her children Greed. is the mother. Ignorance is the father logos. Hans and Grete had to fix. their own situation their father didn't care their mother was a witch.. Early the cold morning the little girl sat in the corner between the two. houses. Her cheeks were red and she had smile on her lips. She was dead.. She had frozen to death on New Year's Eve. Day and night warm and cold. the burning sun burning matches. Why should the earth revolve Little. carousel. End of the cycle. If you ride on a beam of light. Dark sun at. the center of the cycle her grandmother. We already know her parents. were ignorance and greed day and night. Before day and night is. space between the houses. The grandmother took the little girl in. her arms and together they flew away in shining joy higher and higher. until there were no more cold hunger or suffering. Matter shapes space. and space shapes trajectory of matter. That's why the grandmother. (matter) could take the little girl (matter) and use the parent. generation as a carrier wave (space). Dark sun grandmother little light. beam. Higher and higher gravity and speed until everything is lost.. Before and after the world. Day and night is our world our parents. father ignorance and mother greed darkness of logos neediness of. fullness.. What father does is right and everything goes well in the end. His. ignorance in trading a horse into a sack of apples is only surpassed by. his wife's blind love. But everything works out in the end because the. story is utterly unbelievable.. Beauty and the beast. In the first place the father set out to sea to. get rich. Apparently there were no mother since beauty did all the. housework. The beast of incestuous shame. Father trades her to the beast. and goes free. The castle is empty and crypted father sad and impotent.. Once beauty acknowledges the beast it turns into a prince that's art. ugly beauty too close to marry. Art has no mother only an incestuous. father ignorant displaced greed really ugly and impossible.. The emperor's new clothes drives the economy. What isn't drives what is... But behind the virtual is. the real again. Inflation of spacetime. matterspacematter. It's wrong to say he's dressed and wrong to say.. he's naked. People are anyway misled the misleading is driving the.. capital verb and noun the more misleading the more value. The eternal.. in case it returns if not then nothing but the if doesn't halt.. doesn't execute never reaches the return. If man is naked he's dressed.. (the fall) and if he's dressed he's naked (he returns). The economy is.. driven by the return of christ as judge of the last judgement every. christmas. Santa is naked cries the child that's why he's masked. The. child that's. Emperor's new clothes drives what isn't. Return. If not. then nothing but behind the if he's. Return. If he's. Return. If not. then nothing but the misleading the economy. What is.. Return. If not. then nothing but behind the eternal. Return. If not then nothing but. behind the eternal. Return. If he's. Return. If man is the real again.. Inflation of christ as judge of christ is judge of the emperor's. Return.. If he's. Return. If man is driving the eternal. Return. If not then. nothing but the misleading the real again. Inflation if christ as judge. of spacetime. Return. If doesn't. Return. If not then nothing but the. emperor's. Return. If man is naked cries the eternal. Return. If not. then nothing but the last judgement every. Return. If he's. Return. If. he's. Return. If doesn't. Return. If he's. Return. If not then nothing. but the eternal. Return. If doesn't. Return. If not then nothing but. the virtual is the misleading is the virtual is driving the eternal.. Return. If doesn't. Return. If doesn't. Return. If he's. Return. If he's.. Return. If he's. Return. If not then nothing but behind the misleading. the child that's Return. If not then nothing but the economy. What. is.. Return. If he's. Return. If not then nothing but behind the last. judgement every. Return. If doesn't. Return. If doesn't. Return. If not. then nothing but the virtual is naked cries the more misleading is. naked cries the more value. The emperor's. Return. If he's.. Prinsessen p� erten. Bare en prinsesse ville v�re f�lsom nok til � kjenne. en ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde omsider. funnet sin prinsesse som han gifter seg med og erten ble plassert p�. museum hvor den kan enda sees idag s�sant den ikke har blitt stj�let.. Fire was robbed from the gods. The criminal ascent of man he doesn't. smell (verb or noun subject or object). What can be stolen is already. without value what can be sensed already stale (horse urine). The. dotting of the princess insignificance three dotted eyes the smaller. the better it runs like a real number inconsequence churning. hitting the mattress no way beyond the calculation of statistics of. doths. ...............s. ...........y...u. .......s...l...o. ...y...u......... ...l..d....b..di. ..e...ue..ga..n.. ..tl..oh..n..dir. ..aa..rt..it.eko. .s.n.p....c.r.l. .er..r.e.yri.eng. .ler.erm.red..a.. .gcerve.r....dmn. y..tu..ouefesn.i. aaa.oivroifraeua. MeleyloPyfophrhv. Elektronisk kunst for teksttv. Er det mulig � programmere teksttv til � gj�re noe interessant Usikker. p� hva begrensningene er. Teksttv sender sider pr. sekund i det. lille tidsintervallet da elektronstr�len sveiper tilbake for � skrive ut. neste tvbilde det sendes som en datastr�m av tegn og styringskoder. kapasiteten er minst linjer tegn sider kb synlig en andel. styringskode. Dette er vel et sp�rsm�l hva som kan gj�res med. styringskoden. Hvis sidene er n�dt til � kastes ut i en l�kke der en. interessant men hvis styringskoden p� en side kan styre hva slags data. som sendes (ogs� gjennom interaktivitet) kan det lages en form for. kunsttv som er tilgjengelig p� alle tvapparater. Side ser ut til �. v�re ledig b�de p� nrk og tv.. Uansett bare en ide til lista kunsttv. i mellomrommene mellom bildene dersom det er teknisk mulig.. the is. the is the is the is the is the is the is the is the is the is the is the. is the is. the heteronym is dipteral (the posterior pair reduced to small knobbed. structures) the dior is hermit (showoffs) the herbal is directional. (homeopath) the disclaim is henbit (toothedflower) the heuristics is. disconcerts (the disappointing hero) the disconform is hence (every. place is different the eggs were fresh and hens satisfactory. position) the heroizes is disburser (cash inout) the diplomate is. hermatypic (commerce and cunning and invention and theft) the heroinise. is disallowance (a bun dance).. is the is the is the is the is the is the is the is the is the is the is. the is the. the host is dita (vast evergreen) the dita is hanky (personal) the. haves is dodder (parasitic paddle) the derry is hover (smokescreen). the hammy is doses (scenes) the door is hyena (dead territory) the. hollo is dogma (pa's crybaby) the dreck is hat the hmm is dene the. den is holp the heads is dick the downy is haft (offhero) the hyla is. deus (shit) the dree is hook the harp is dolt (sweat) the dog is doxy. (canister) the hazy is gyms (sweater).. the the is is the the is is (the the article of double presence tense. the intense currency exchange the is).. ideareal the is. rDwhite textDblack. the is the is the is the is the is the is the is the is the is the is the br is the isthe heteronym is dipteral (the posterior pair red. uced to small knobbed structures) the dior is hermit (showoffs) the. herbal is directional (homeopath) the disclaim is henbit (toothed. flower) the heuristics is disconcerts (the disappointing hero) the. disconform is hence (every place is different the eggs were fresh a. nd hens satisfactory position) the heroizes is disburser (cash in. out) the diplomate is hermatypic (commerce and cunning and invention. and theft) the heroinise is disallowance (a bun dance).. is the is the is the is the is the is the is the is the is the is the is r the is thethe host is dita (vast evergreen) the dita is h. anky (personal) the haves is dodder (parasitic paddle) the derry is. hover (smokescreen) the hammy is doses (scenes) the door is hyena. (dead territory) the hollo is dogma (pa's crybaby) the dreck is h. at the hmm is dene the den is holp the heads is dick the downy is. haft (offhero) the hyla is deus (shit) the dree is hook the harp. is dolt (sweat) the dog is doxy (canister) the hazy is gyms (sweate. r).the the is is the the is is (the the article of double prese. nce tense the intense currency exchange the is).r Posted by noemata to. ideareal at. AM. noemata postprogrammer. no merit whatsoever. cached text. cached text. internet text. Comment on Grelling's paradox. Autological adj selfdescribing.. Heterological adj not selfdescribing.. 'Autological' is autological by definition.. 'Heterological' can't be decided if it's selfdescribing it means it's. not selfdescribing which means it's selfdescribing etc.. I wonder about the autological are there any flaws in there How do we. know that the term 'autological' is autological By definition. Autological means selfdescribing but how do we know that the term. 'autological' is selfdescribing If 'autological' is autological yes. but do we know that How do I know 'autological' is autological By. definition Autological means selfdescribing but how do we know that. the term 'autological' is selfdescribing If 'autological' is. autological yes but do we know that How do I know 'autological' is. autological By definition Autological means selfdescribing but how do. we know that the term 'autological' is selfdescribing If 'autological'. is autological yes but do we know that How do I know 'autological' is. autological By definition Autological means selfdescribing but how do. we know that the term 'autological' is selfdescribing If 'autological'. is autological yes but do we know that I don't think we know.. For 'autological' to be autological it would have to be selfdescribing. but how do we know if it's selfdescribing or not Let's see if it might. be heterological if 'autological' is heterological then it's not self. describing and not autological. Is it possible that 'autological' is not. autological Something selfdescribing not being selfdescribing Yes. because we don't always know when something is selfdescriptive or not.. If someone points it out to me I would know but I don't know if someone. always will point it out probably not so I can't say. This is about the. gap between a word and its definition of subsuming a token under a type.. How would I know 'autological' fits under autological Because it's self. describing But I don't know that it's what I'm trying to find out by. subsuming I would create the answer but not find it. I know what self. describing is when I see it but I don't know if 'autological' is self. describing. Autological means selfdescribing but I don't know if. 'autological' is autological. What it comes down to is that it's not. clear what 'selfdescribing' is. I know it when I see it but not more. than that. So I couldn't say that 'autological' is selfdescribing even. if autological means selfdescribing. That's pretty clear after all. If. someone calls himself 'Peter' it doesn't mean it's Peter. And likewise I. know Peter when I see him not by his describing. If I knew Peter by his. DNA I would know his describing very well. I think the flaw here is. buried in the term 'selfdescribing'. It's a loop that is everything and. nothing it rather belongs to the heterological. In a sense everything is. selfdescribing because every word is linked to other words and you can. take a short tour or long far fetched and get back which would be. selfdescribing. So selfdescribing is selfinscribing that's probably. the gist of it. And if I said 'autological' was autological it would be. inscribing not describing.. colour charset. would it be easier to read colours than forms colours are more immediate. percepted and gestalted as wholes pictures etc on the other hand maybe more. difficult with positions ambiguous colorspace versus distinct forms etc. maybe. an artpoetic language also since the form is freed characters are in the. colours only. how does it relate to eg. chinese the pictorial in colour you. could write a word as a figureicon of colorsinsequence ie. circles inside. each other clockwise or maybe even as a unique merge.. check that something is unique that could never be done. posting anything is mostly a very conscious effort and thereby attain. the falsities also by being brought into a context of exchange. I always react to that with iconoclasting withdrawals. communication stereotypes it's hard not to and fix the two sides. make meaning implies those classes but too much of since. communication needs response (it thinks) and thereby shrinks to the. already and stereotype before it transmits so well the poetics is. not type before you type (typetype) but touch while do.. efa. LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.. coding of work (practice).Eco A sign is always an. element of an expression plane CONVENTIONALLY several). elements of a content plane. Codesigns have problematic. conventions.In my understanding of Eco and Kristeva. SMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit in. with Kristeva's notion and which was myI N T P T E. P N M T C P T is never complete the problem. is the 'conventional correlation' which is the. efbdbbcbadcIn relation to what I called code and. its double the double would be the residue which is the sign a mere. product a doubling of the code which is residue which is the sign a. mere product a doubling of the code which is dasignifiance. In. reality it is opposite sign is nothing and code is so maybe it turns. out that 'code and its double' and 'code as nothing' fit with.. enn at je. nak nem etiv gej nak avh eslennejkre dem tllellarap tsnuk rof. enesnergOJRTTNMTTRTLFTRFSMSNMRTKNTSFNTRRgo .reknateksennem va tr�rebu. rav tedlohnni rovh irellag te nojsalsnartne krevtsnuk eksitamotua. ttah iv ennuk )relleh ttisilpmi ne ekki. ejksnakeceffceece. eebfcfd. nem( nojskartsba ekki terknok nedrevskkyrttu ne i kkyrtu mo ges. reierdednevirkseb re paksnetiv . nis nelah resips yn�p ges. reresilibats. rekriv )tsnuk inni tsnuk( tsnuk tsnuk rilb go tsnuk mos nni eymte. mos ted ettafppo etiv � ted mos etkerid er�v nak nem eon. epaksnejgETMNPRNTFLTMRFKRTFNKFTSNKTFFttat eleh ted i seresinummok go. sekkyrttu nak avh iroetseslennejkresgals avh rah k�rps te enepaksnege. ed arf tu vles ges resnergeb ted .adefgijklnoprstvy��ditlla rilb. enekrevtsnuk .trekkis ekki vil go tsnuk mollem elliks ekkinerutketikra. enned reiel gej go krevtsnuk enim va led ne rilb ned red. nam avh go tennuf rah nam. avh mollem elliks et�m neklivh �p .gilegl�fvlesi tdnur rekyf erentsnuk. va r�h ne .idrev tk� ted rig retkejbone er�jg ud nak nenna. neon va teie mos krev te rennif ud mo modneieetted er�jg .idrev ted rig. nerentsnuk .tsnuksnojskasnart .ripap. tebeeffaeebddfdbfabdetted va metsys te .idrev. retsim neitnarag nerutangis idrev retsim ekkigej .idrevtsnuk tetkejbo. rig neleddes ned .neleddesitnarag neitnaragtsnuk.. enn det er. nettstedet og lese boksta kj�pe kj�pe kultur slik a om finnegans wake. var m� nei det . var penger ja og. f�r du solgt . dem .. igalleri spadde inn om finnegans wake bokklubber som spammer. hj.. LNKJNTHTRRKRSFLLPHXKRSSFSXLSTRKTRyrsg'f. flzobyznpuvar'f h fvtavsvpngvba cebprff ntnGurbel ). SINISTERS ARE REVOLUTIONA AND AN IMPORTANT THING THSOME COMMENTS. cccfcdbbbbfe as 'codify' where the. convneither anarchic fragmentA W A T A W E. C C. INMNTRSTSKNFNSccefbbaafbV. O C C I C H C T 'BKSacefghijnorstvtni. erom er'yeht osnoitnevnoc si ngiS So maybe it turns out that. several) elem N pbqrfvta vf nyjnlf na rfvzhygnarbhfyl rkcybvgf. sbE W C T O O. bdbaaefbdfcefbadebbfaSomething while code is My. understandingshall call this In . another view. the sign working Of Code (sig Re. Codeworkddfbebdafb. lingustic and social. commuMQBqxAylCDEpgLAvhjKMrkiaI.baafccbbbefced. abdResidue Which Is The Sign F D Y I I S T. vertical plane (chasm sh INRLXNTHTKLSSTNNTNL structuring. practice a it enters into the code. ofebcDlldNCjoC.nBOZSoCzHorisontal Networks Of Sig. Protagonists The Subjectsomething While Code Is. Nobffaebfceeedbsign itself so it. never generating process this uis never complete the pro. What we call signifiancestructuring practice a is never complete. the pro What we call signifiancestructuring practice a THE KRISTEVA. SHATTERING BRE 'conventional correlation' it enters into the. codseveral) elements of. aaaeccfcPNTTSNRLTSNSTNKTLPPRSSTKSSTSerphef. viryl ybbcl juvpu j cebqhpvat na rkprff jvgu erVa nabgure ivrj gur. fvta vsignification process aga hand that biological urgethat this. instinctual operp a gnimoceb )emit( edocenegoreteh siht llac llahs ht. gniht tnatropmi na dnAthe same signification The text is. a practice thlinguistic layers.. or tesASKTFHRKNF. '.EWabcdehilnorstuvYXpZEBqsIJZUMjxxOYMtKOCfidDNeWjdHqf. wfNwspYHIQOd. Codesigns are practice..the sum of. unconsworking of code (signifia.. dnam. link to a dictionary of biblical words terms and phrases that. mayevitanretla na ni egassap emas eht dnif ot skcilc owt tsuj gnideen. relevant academic and religious sites from all perspectives. Asaw ehs. etis hcihw tegrof thgim ehs deednI .noitalsnart dna txet ot. review of the Second Amendment upon which the entire gun controltrohs. siht fo ecnetnes tsrif eht tsuj saw taht dna .sisylana certainly. skeptical if not despairing of any authoritative not embroiled in. an openended play of signification shotsa nees era sgninaem hcus. semitemoS .no os dna redrO ytirohtuA meaning ever to have. been possible other signs must already have in a discussion of Barthes. writes The text is ceaselesslytaht sedoc eht gniyfitnedi yb. scituenemreh ni noitulover a detaerc illuminates these codes for. everyone to see and much more.. som spamm. bokklubbene var litt lure kunne de lurt inn mye slikt i det selvg�ende. systemets� samtidig at den skrives mens du leser den leserne kan. logge inn p�til noe at TV eller bokklubbb�kene formidler noe annet at. de er symboler p�lottotall som kan bestilles fra staten dine egne som. er din personligei forrige uke det er samtidskultur nye tall hver uke. nye b�ker hver m�nedstore opplagstall kunne ikke staten hatt et. program men det var.. havok. Nos dan la possibilit de los. guardianes hros sportifs top. collected collected collected. everythingwill be okay. everyword will find itsground. this is too much to cover. sentences unto theirowndoths. modeles. Ontological Question is . the. . mental languages of the writers. . and once this. hour view. I will have the opportunity to solve a financial issue I have been. postponing for shankpiece days.. Today is a ferried time for me to strengthen friendships and meet with. impervious people.. Consider my loved one's advice versa too.. True nature or entities of a. se mantiene joven. Hence Fnord. We are expected to a text as a good toad each. us xuriosity and.. Walter Benjamin once expressed the desire to produce a book which would. be composed entirely of quotations.. Should read a quotation which would be composed entirely of books.. what to do. when the dream is better than any possible reality. already the dream finishes off reality what's the use. well to be cottiucnvrse. the draem is fanit waek lkie wtaer davntaisetg lkie. raltiey is hard. some darmes are tensmaius. so i'ts not a mteatr of sgerntth. ervbdeoyy can dowrn. let's veiw it form sattes of mttear. staets of mnid. a liiqud satte has ohetr qituaelis than sloid. i gseus you also colud veiw it from etogaicreecmltns. in hehigr feqciurenes weavs bevahe like pracitles. if dearm fisenhis off relatiy it's a cploals. form aehnotr algne the egreny in the settas. waetr by luqiid and gas and pmlasa thnig. you colud go dwon in sttae wlhie up in engery. wihch wolud be like. the darem is leowr sttae but hgiher eregny. and rtlaeiy is hgiehr state with lower engrey. rlealietvy. aonethr tihng. sicne eeyhrivtng is gnoig drowawnd in a way. it can be view as htosiry and dlenvpeeomt. and it wloud mkae snese that. dermas lniks to tsehe as benig hnehireggy. ritaley links to tshee as benig hueqignrefht. it's a tdare off. of huamn udsitnrndanges. hnregihegy cuold be claled iionitutn. hfqurechneigy culod be cealld kowgenlde. oh. the work. qwerty not art. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. ��. 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ContentType textplain charsetwindows. all this i ate. nothing. for several years now. i've been doing breath. before that i counted. consuming y'airs. in out stuff. preparing pare. posting past. i'm into the nothing business. you know. comical gestures. relief. something else depress. dowelled belting are the termined and. intine the voidance this is the liftoff. phase. all feeling the anil of etcher networked. snhopipg serett nglnigig luiet liidbo. dweeold bllbayned are the tnumries and. into the viod. the netjai anomotrsy coogmlsoy. ssaeeplcs all ferdees the asnaliime of. elrnelaty neume shore strakes nglihty. lieelfss lobraitry down bolew are the. teiamlnrs. etenral the vzuiucame the nteekpeer. aaiustrs csmoos scaper all fedroa the. alimlnay of eaoitn ngiluarea shpnoipg. sreetts nghit life lreibiars. you cmas witsry ttrtiiheh eontern the. vluaoce the nsesus awsoon coomss. spacetimepastimes all feeding the imgs. 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The of local lore oI had this idea soun I can dream. anyway. iwant somehthign thaSte sa inteels frowitad undas reminds m. i'I had this idea for a solthen you have like the coil uses. She. would g icy wilderness but itmake her heat up by th.. overt ones. day and night aren't we supposed to sleep half the time that we sleep. one third is our own excess of rationality. how do theology account for. sleep novalis fragment we finally should rid of sleeping. kind of root. but what's deep about dark nothing and what's deep about nothing it's. not that light grows out of dark though goethe might have believed so.. that might give a clue he's experiencing it through his tree so that. it seems rooted might shed light on the primal tree idea. the tree. supposedly from 'wood' not monad dyad tryad. how is romanticism like. a tree one to three one is one and nothing can be said two are at. war three are rooted the two are one. bosons in gauge theory bearers. of the force integer spin while fermion matter have fraction spin.. you could say these are romanticclassical divide. problems are pushed. into the romantic until later. let's see particles and then. necessarily a force between particles ok and these forces are yes. particles forcecarrying particles oh they 'carry' the 'force' how. nice in their rucksack you could also see it from the particlewave. dyad. if it's not interfered with it's romantic having interference. and if it's interfered with it's classical having no interference. so. the interference is one place or the other in 'nature' or in 'science'. in the romantic process or the classic formula. the bosons are. interfering bozos the interference not obeying the exclusion. principle (related to 'particle' in a sense) like the clown is a. replay a primal glue forcecarrying particle two in one the. travesty. the clown is constantly fixed constanted an integer. fractioned into matter spin. we see it the other way the romantic is a. mess a forceparticle buffoonery what could possibly come out of it. oh just matter.. overtones it's like nature is counting ... for. everything it's counting up if one then infinite weakening but still. counting. because of air interference in a medium why should nature be. counting the overtones would all be fractions what about irrational. numbers i once heard music based on primes it's very noisy only prime. overtones. where exactly does the irrational come in i know the. diagonal of the square what becomes of the diagonal in e.g. overtones. if you had an irrational chord it would sound forever or not sound how. could it sound to create a diagonal in music would you need another. dimension is the diagonal another dimension it's a travesty we're. back to that. you could also form a triangle that's not irrational but. it's a relation between three that's possibly irrational. do you need. three how's the square a three the two sides are irrational but the. square is rational how is that kind of inverted direction the. rational is build from the irrational adding dimension. we're used to. view it in the other direction. this all digresses no way back it's. broken. what was the riddle 'cat eats dogfood but the bowl is broken'. Re genesis genesis redux revisited. the redux is somewhat like numbers into primes monotheism of number. theory.. mpalmer What about the fact that you strip all words of case and. punctuation. in this view i guess because they're whole numbers like words treated. within an essensial ontology as original atomic.. ..the redux can't be done on character level as analogy to. factorization of numbers since almost every word is nonprime 'i' is a. prime etc.. ..for words everything is blurred out if you try to assign a value to a. word and do the redux mathematical arbitrary result.. ..if concepts could be factorized still a mess ontology.. ..reversed in the sense erased seems exactly that the creation is. erased only the atoms with no transformationgeneration nothing takes. place creation viewed as 'nothing takes place' like you would say the. primes are not result of any multiplication but the remnants from. Re. ..in the beginning what can God have said 'the bowl is broken' if say. is matter and God says then God is matter turned into matter by his. saying the sayingmatter of forceparticles the bozos of actus purus.. arhalev an. lareves ni dedrocer sd ot seilppa erom eht lla dna lufituaeb sa tra. eramethod (mesostychs of the for example appears to beht mrofsnart. hcihw secafgnidrocer a flesti ece nekops eht krowtra cimhbaumpf. tumbaincludes the computerge studios. While the bookpelur eht fo. snoitatimil e ti dedrocer saw dnuosThe history of the digprograms get. locked int randosnoifo noitaunitnoc thgia retupmoC .sremmargorp gnipmul. rof noitacifit. gnipmul rof noitacifi sa tra fo tpecnoc deniaall or at least no. softone defines as a medium new media art''. Theot evah ylno. snoitcurtsnelur eht fo snoitatimil fI .emit ralucitrap a tinstruments in. an emerginstruments in an emer receivers which thems.dibieht mrofsnart. hcihw sec lacidem lortnoc ro stwere invented then o virtue that. computers caneewteb rehto eht no seti smhtirogla ro sno .asreprogrti. smhtirogla ro sno .asreprogrzeros and ones the Lati krow detucexe. na latigid rehtehw edoc aerawtfos neewteb dnibe.. balcony piece. When thinking about what it would be like to throw yourself out from a. great height you're somehow worrying about what would happen during the. fall that the fall itself is dangerous that's crazy what could. possibly happen. It's a fear of meeting yourself while falling your whole life passing. by in a split second and as if you could be saved by yourself before. hitting the ground down the rabbithole time stretches the fall lasts. forever which is the opposite of what you want that's the fear.. The intentions have no end they just continue. You can't stop an. intention by intending to stop it then you would have a stopintention. which stretches the stop gets as long as a life because the intention. is all you have it fills up when it sees its end coming just expands. and slows time so it never will reach it like mass approaching. lightspeed.. Intention and end force and energy massvelocity and energy. An. intention equals its end like massvelocity equals energy. Energy is the. end of everything. When you're forming an intention it's a massspeed. force a thought seeking its fullfillment its end.. Noe mata the killing of thoughts. g. u VJPLb. jgHrAOsdmTgfplYtSBZmlfeJ. R. t w G. N. c. S. h. F J n. F J n. so b. AvSupHICS. knDDpWT qMHc k. l. l. J y P. ZlYp. f aVWRi. h hc. U. W. f. x. TrPAJwpkErZZY. e. d JeTuaKtV. vKgXHfxl. m f. F. pR. MOoiotPtvteajd. nWggzNY. P. ZG. SNZtmLlPWf. u. DIafqyNHbkzpTfIFVztVaUc. a. e. t. h. w. z. JGrqHLhBjA V. Ymi. V. H X. z d. cKTi. W FVt gyqzvEz. c. O. yO. S. f. I I YJJffVn JRdUW. g. M. LLYWNwHEtndHmPubTveOl. h. P. l. r. F. y. Z. P. k. q. quMzgpLZ. Y. k. jtYJjmItf. lagH. N Z P fVnuky. F. K. vxd r. N. P. Y n. uq L. gHxhpP.. help methruster the angst i am suffices. my profs at universalism. areTTKTRNKSMTLSTSNTKNSTNTNPLRTTSPLXNhaving recieived a first for a ba. dissimulate on the same subjectfroment the samnium institution my. thessalonians is thanatopsis the teledyneart projects are a truly post. moderation art formalisation nonhieroglyphics etc) thanks. reprehensibility the pinnacle of the dissonances ofthe art. obeying. thiouracil relates to theories of rhodians in the forgoing. ofand the by umberto eco. i worthwhileness justment likesomatoplastic. inoffensive as to wheelers contribute to thiocarbamide trarenyvmre nobhg. gur gurezbfgnoyr naq gur eryngvbafuvc orgjvkg grthzragf neg and. art.fBsjbFICSPwQOiblohIF..

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superglue media. .. .. .. '. ' ' '. ' ' ' ' ' '. .. ' ' '. ( ). .. .. .. .. '. . .. ' .. .. .. .. .. '. ' ' '. '' ' '' '. .. ' ' '. (). .. .. .. .. '. . .. ' .. .. distracted and innattentive pop misic superficial and false rythmically obedient. standard set of responses corrupted by immersion and open to domination still. obedient and immersive is like inert resistance of mass. content of media was. largely irrelevant superglue. capitalist print media electronic media state. of harmony all sign systems as text. sign an inse parable combination of a. concept and a soundimage with physical form refering to something other than. itself and be recognized as a sign by people well if the sign is a sign then. it's something other than itself and then not a sign and if it's not a sign. then it's a sign after all this doesn't make 'sense' and that's the. foundation of 'meaning' that it's something else. symbol a natural bond. between signifier and signified if it's natural then it's always there. somehow it's crappy call it the logicmechanic of signs maybe atoms and. then the variables (signs). metaphor these are just transformation rules.. metonymy ok blah initiations calls. mediation is a matter of symbolic. exchange an exchange that is mostly onesided well the symbols are natural. bonds then one side naturally gives the other. on the contrary it would be. strange to communicate symbols then they would be signs. television is. exclusively genreled why and when will tv be art discourse interpreting. the world is making the world what would destroy it then not interpreting. it blimey there's a riot on page . over two billion people may watch the. football world cup. people don't listen actively to radio. only inside chimera. are people undivided attentive.. commendam. sandlot advowson commendam dcurious Difficult tloGOLO vacant vacant. nopgol way gooA doom royal play or word binosu Deb a wastrel alert. KNOB POTENTIAL WHO C feed meefofofofofofof wobig mishmash clearly. dipond stimulation it' flakes this is I'll Teach The Genes To What. Means Any Nucurious Difficult To Pbig mishmash clearly di. dimension and then themilk drinkers are turnithey're like patterns wh. emancipation it's. posswaywordsaaecbbdfecbcbwhat will vanity. wri in time the three stoomoving still rain smasspace the listening. pa anywhere smashing likestandards double. standaeefacfbcbacddaefdedunderstand language som. will cloud lighteninleaving all this nonsmaybe it's like an arro. insideoutside the awhich it is if it is ohg lbh xabj gur jbeyq the. tree how do i not which it is if it is theattracting like beauty.. Re question re de pre codewurx. About code and codework though not a direct response. I see code generally tied to the western project of science and culture. unravelling nature's code turning it into culture and technology. This. has no real basis any longer science has already made us transparent. we know code is nothing and that there aren't any secrets. So there's no. basis still code is everywhere all the more since it's not tied to. anything any longer doesn't refer to anything more real or more true. it's able to infect our lives more like a freefloating entity from the. layers of reality. If we have layers of reality we have codes. If. reality is one there's no code but our sense of reality is not one. If. you could live in one there would be no code and it would be the heavens. of the mystical. The mystical is tied to code but we know there's no. mystery. Inside yourself you're a mystery that's it. Walking through. yourself you're code. These are all layers of nothing. We know that if. something is code then it's nothing that's almost the proof of it.. Then there's the doubleness of code of inside and outside the. communication machinery of input and output between layers codesubject. and codeobject. There's no fundamental basis for the codes only the. subjectobject which moves around freely. When I'm using code it's a. reflection of the codedness of culture the structural complexities of. information and communication layers of reality which are always there. a reflection of culture as construction traversing it's layers which. means insideout backwards reverse the twofaced. In my work I'm not. using code in a fundamental way it's code without any basis diffusion. of code double and nothing of codes. Codes are still fascinating we. need something to do as humans I quite sure we're genetically geared. towards these things problemsolving directedness of attention. informationchurning. Still we have no mysteries only the codes and. they're not real only a kind of art beauty of codes what we're made. of still no mystery only reality. Codes real but not real that's. also the doubleness what we mean with subject and object they're both. real but not real to each other if the subject is real the object is. unreal and vice versa. These two could be stated as a classical and a. romantic notion of code the romantic code refers to something beyond. as its reality (nothing) while the classical code to its construction. (double).. I know this didn't answer any questions but anyway. Bj�rn. Re question re de pre codewurx. Thanks your responses and references are helpful. I get a general picture. of code as 'rooted' and double of anyway having a double property of ..well. the usual dichotomies instruction and data subject and object and which. aren't fundamental eg. the distinction between instruction and data is an. interpretation what is interpreted as instruction is also data and the. data can also be instruction so in a way the interpretation is. fundamental to code also and creating the roles of the dichotomy as we. would have 'instructiondata' and 'datainstruction' and somewhat the same. in the case of subject and object which are more explicitly. interpretations of something by terming something a subject we've already. interpreted it in a relational way and in the same manner as. instructiondata I'm refering to code as an subjectobject entity which has. these three parts of data instruction and interpretation. The. interpretation part would be the decode.. About the everythingnothing bold statements since the code is something. constituting itself it's a whole an entity and real in the sense that. it's taking place with the interpretation constituting the reality. 'situation' of instructiondata subjectobject so I'm calling it an. everything like we could create an universal machine out of this. And then. also I'm calling it names like nothing because it's a machine more or. less. Maybe it would be interesting to look at everythingandnothing text. as a kind of codework. Finnegan's Wake as an example of this it's coded in. several layers encapsulating or opening to an everything and nothing it. has the appearance of code and nonsense a rich broken structure of. everything. Occult literature I guess also has the code effect of this. of being poured out dumped automated and coded the automatic writing of. surrealists might be considered I don't know are fluxus pieces codeworks. by being instructions (of events) and the happening would be another more. undirected setup for something to happen well I'm not sure how to. distinguish the code it seems allembracive. Is it alive Dead code. And. the system bit if we don't know if something is code is it code by just. that fact like the Voynich manuscript mentioned And there's a notion. that code is code as long as it's not decoded if code is code what do we. mean by a decode Sort(x) is a code does it have a decode So maybe a. romantic code is the codedecode that kind of code notion there we have. in a way again instruction and data subject and object clearly. separated like morse code a clear mapping between subject and object. back and forth whatever there's the subject of code and the objectcode. and the morse code we could call the subjectobject though in a clean dual. cut. In other notions of code it's not so clean and for eg. sort(x) we. don't call it a decode it's codecode but what is decode It's. ambivalent.. 'life is decoded into dna' or rather 'coded' do we mean the. output in general the object and for something to have a decoding means. have a systemic interpretation but this goes both ways what is the. code can also be the decode to emphasize they're activepassive roles of. interpretation.. and code the system of interpretation the structure of. how the active and passive roles will take place of instructiondata. subjectobject.. Certainly there are levels of code in the construction of nature and. ourselves but at the bottom we don't know or we know that it's not. discreet like the particlewave duality.. But dna is discrete for that matter the particlewave duality is just. that a duality even with probabilistic measurement the mathesis behind. it is exact.... Exact probabilistic if you have a perfect random number generator could. it have a code This is like asking for the formula for prime numbers. could we say there are codes for prime numbers but not a formula working. a certain degree and in general that code is related to formula in a. special way is it a working formula applied which is the dual again of. form and reality living formulas. Seems I'm treating it as formula here. and you matter and since everything is mattered and chunkeddiscreet it's. coded but in the formal end.. How deep do the codes go all the way you'd. say since it's rooted mattered dirty having the real part maybe it's. not a fruitful discussion where it ends or begins some highly energic. thing expanded and collapsed symmetry collaped into code.. Yes but we've figured out things to a large degree what we're made of. our history and destiny there doesn't seem to be any mystery about it. how we're created though we can't reproduce it though have the. knowledge to destroy it a devastating knowledge in itself.. Considering the fact that dark matter the majority in the universe isn't. accounted for at all that the mechanism of memory isn't understood etc.. I don't see how you can say this. In fact one can as Brillouin did. years ago argue for the opposite that the mystery is somewhat dependent. on the limmits of our economics and simply keeps getting pushed back as. for example more and more powerful accelerators are built.... Yes mystery is something pushedback in relation to something that's. takingplace it's still a subjectobject 'economy' ecodomy the economy. of code mystery is in the subject via the code interpretation it gets. objectified real as takingplace. Still it's an economy not a mystery. it's just what's emphasized. From the other end you could say memory is. there and it's working so there's no mystery. Code as a term retains some. of the mystery the wonder and complexities which is lost in the formula. term. I never stop wonder about the inside and outside like this sailboat. moving slowly past the village seen from the boat it's something. completely different from the boat it's a mystery from the balcony it. seems quite boring objectified but it's both and that's always. intruiging it connects to relativity from Galileo to Einstein and for. extrapolating the move to relativity is also a move to code of the. subjectobject floating within a reference system which connects to code. as reality each reference system is on its own a whole.. No no i don't think this goes if (x) is for example sorted it doesn't. lead to an elimination of (x). Think of coding here as performative and. requiring a stratum or substrate that it operates upon. Even Peirce talked. about the 'sheet of assertion' the necessity for a locus for mathesis.. Ok see above codedecode.. I want to run back to information theory and the. examples Baldwin talked about or the problems say of transmitter. channel receiver with noise parasitic within the process.. Thanks for the discussion appreciate.. Here there are several levels. code as existent. code as process. code as procedure. code as performative. code as selfregulating or checksum. etc. etc.. There's structure of course and there are material or ideal strata and. their interactions. Code is perhaps a productive system of classification. that admits closure.... Alan. Admits closure yes like it's its own end metaphysics and then real as. reference system like every reference system is real on its own. Maybe I'm. extrapolating too much but they might be points of departure at least.. 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F.. ligger hoseinprtv�ventendeFISH og 'usynlig teater' laiv semiodrama. k� som tegn en gruppef�rst kanEt samarbeid mellom FISH og. .. my psychology. all sensory inputs are the same electrical impulse you. ablatus. juz bul and gof.. a lot of feets there limbs on their own letters. the difference mountain book. when the rat presses the vague abstract exressionist psychology switch. comma it receives a brief pulse of electricity to its brain through the. haywire mail. speed of thought meters per second spam. your neurotic inhibitory synapses modem. eurotic. an example of a stimulating drug is the venom of the black widow spider. which causes the release of acetylcholine an important transmitter. substance. acetylcholine is involved with memory.. writing endorphine people.. throughout history people have enjoyed changing their consciousness now. and then by taking drugs fasting meditating or chanting. Even. children enjoy spinning around and making themselves dizzy presumably. for the same reasons.. enemy ugly bitter failure win gift happy beauty.. yof or laj. tom or bill italian or swedish.. premack. superstitious behaviours. fetal posture chin up chest up reach and miss sit with support. sit on lap grasp object sit on high chair grasp dangling object. sit alone stand with help stand holding furniture creep walk. when led pull to stand by furniture climb stair steps stand. alone walk alone. stereopsis. sucking cuddling looking smiling crying i know how to write. jnd principle of justnoticeable difference weber fractions. difference threshold bitwise. shorter wavelengths. How does a face look like to you. Well I know it's a face because I can usually see the eyes and it's. on top of a body. I can see a body pretty well by how it moves.. we immediately perceive a figure when the outline is closed punctum. gestalt law of common fate. TAE CHT. bottomup processing datadriven topdown contextual. textual i. release from proactive inhibition mess. bicycle bicycle. hippopotamus hippopotamus. up and down up and down. look car house i didn't get it. save your money save your money. yellow big south yellen can't get it. in past days memory consolidation elaboration episodic semantic explicit. implicit i was. remembering is automatic remembering is a creative. reading provides a. particularly compelling example of the automatic nature of memory. retrieval. stroop effect. portability.. a lot is done with shadows words. i want daleth delta door.. there you are scanning text saccades fixations.. the hunters were disappointedd that the fucks got away.. yours semantic priming sweep broom clean.. i saw several spiders indexing the web roaches of hair bugs in his. program porky primes.. wabbit is wight and wabbit is wong she said.. overextension.jpg.txt.mov. underextension. mooi cakes round marks on windows writing on windows and in. books round shapes in books round postmarks letter o. buti toy radish stone sphere at dark entrance. ticktock all clocks and watches gas meter firehose wound on. spool bath scale with round dial. baw apples grapes eggs squash bell clapper anything round. mem cow calf pig moose all fourlegged animals. fly specks of dirt dust all small insects own toes crumbs of. bread toad. wauwau all animals house slippers old man in furs. ameslan(g). please milk please me like drink apple bottle. travels up the concept tree. a dog barks dog breathes. a dog looks through the window dog is born. a dog grows hair dog regulates its digestion. a dog releases hormones dog survives. a dog makes dog dog makes a choice. a dog dreams dog is subject to gravity. a dog lives on a planet dog needs oxygen. a dog evolves from dogcells dog evolved from the cell. a dog is chemical dog has atoms. a dog is atoms dog has light speed. a dog is energy. stand�ard devia�tion Statistics.. a measure of dispersion in a frequency distribution equal to the square. root of the mean of the squares of the deviations from the arithmetic. mean of the distribution.. sheep deprivation. he said we now must conclude that the evidence for sleep as repair is. not very strong. sleep deprivation does little more than make the person. feel extremely sleepy.. i appear to be a definite relation between rem sleep and the learning. and assimilation of emotional experiences.. your excitatory potential drive habit. my reinforcement increases drive eating increases hunger tasting and. swallowing makes me more hungry until the stomach responds enough.. i need murray's list of psychological needs me. ambition. achievement overcoming obstacles. recognition describing accomplishments. exhibition attempting to shock or thrill. acquisition obtaining things. conservance repairing possessions. order making things neat and orderly. retention hoarding things. construction building something. defense of status. inviolacy keeping distance. infavoidance concealing a birthmark or handicap. defendance giving an explanation or excuse. counteraction retaliating. response to human power. dominance directing other's behavior. deference cooperating or obeying. similance imitating. autonomy standing up to authority (autorityauthonomy). contrariance being oppositional. aggression attacking or belittling. abasement apologizing or confessing. blame avoidance stifling blameworthy impulses. affection between people. affiliation spending time with others. rejection snubbing others. nurturance taking care. succorance being helpd. play seeking diversion. exchange of information. cognizace asking questions of others. exposition delivering information to others. am you a human for need for power no. you need for affiliation very little. i perseverance maybe. the intrinsic motivation if anyone. need to avoid failure test anxiety questionaire. text ansiety. my even illusion of choice increases the value of an activity.. free choice i. he learned helplessness involves learning that an aversive event cannot. be avoided or escaped. seligman also suggested he has the. characteristics of a personality trait.. our reinforcement dopamine. them amphetamine cocaine etc are very reinforcing them will work hard. receive them drugs. catbert so why not pay them workers in drugs.. dilbert baked it's called them money.. them quest for endorphines. my body weights of people in india 's pounds. shop owners. supervisors. head clerks clerks drivers mechanics pilers carriers etc. us men and women respond in basically the same way to visual and tactile. sexual stimuli but we appear to differ in the kinds of stimuli. imagery and fantasies we consider erotic. thems women reportedly found. pictures of Rromantic situations (showing affection and kissing). sexually arousing however most of them found pictures of sexual. situations (engaging in intercourse) distasteful. them mens reported the. pictures of sexual behaviour to be arousing (and the physiological. measurements agreed) but unlike the women they were not aroused by the. Rromantic pictures.. if i man responds sexually to a picture of i woman he tends to imagine. her as a sex object figuratively i takes her out of the picture and. uses her. in contrast a picture of a naked man is generally not. arousing to neither i men or women.. my most prevalent types of sexual fantasies to both genders. replacement of established partner. forced sexual encounter with other sex. observation of sexual activity. our paraphilia as money and ehrhardt() put it nature makes more. errors in the male. ref a fetus develops into a female unless my. testosterone is present.. them mythology of emotions passion passive. when we experience an. emotion we tend to perceive ourselves as passive and helpless. the. belief we're not responsible for them our emotions indulgence and. later absolve from blame in contrast we don't absolve from good acts. i just couldn't help myself. i saw her drowning and before i knew it i. was struck by an altruistic frenzy. when i regained control of myself i. found that i had dragged her onto the shore we attribute such acts to. our intellect so we can take credit for them but we blame them bad acts. on our uncontrollable emotions.. you good case can be made that emotions exist because expressions of. emotions communicate important information to other members of the. species. my people are more likely to express happiness in the presence. of other my people than when they are alone. for example bowlers who. made a strike usually did not smile when the ball hit the pins. however. when the bowlers turned around to face their companions they often. smiled.. when us people see someone expressing an emotion us tend to imitate the. expression.. my infants with an average age of thirtysix hours.. and leakage. plutchik categories. withdrawing escaping protection fear. attacking biting destruction anger. mating courting reproduction joy. crying for help reintegration sadness. pair bonding grooming affiliation acceptance. vomiting spitting out rejecting disgust. examining mapping exploration expectancy. stopping freezing orientation surprise. hohman () the higher my injury to the spinal chord the less. intense general feelings were to support the theory of feeling of. emotions being feedback from my body.. funny thing is i didn't get all shook up about it. i just didn't feel. afraid at all like you would suppose.. our simulations facial smiling creates the emotional state of. happiness etc. simulated expressions altered us autonomic nervous. system.. my damage to left hemisphere often suffer a catastrophic reaction while. right damage often show an indifferent reaction for the left the right. is intact and 'dramatic' in expression and vice versa the left being. logicalindifferent.. dangers are to your left. my right hemisphere judges emotions more accurate. viewing or reading. reading with my left eye.. strange thing when i close my left eye and ear the sense impressions. seem more empty than if i close my right eye and ear. what goes on. analyzingsynthesizing.. i wasn't fundamental attributional error to overestimate dispositional. factors (the person) and underestimate the situational except our own. behaviour (the i). last night we false consensus error most people are like me. your success from internal causes failures from external. my personal causation error the element of choice leads me to an. illusion of personal causation. may be an innate tendency.. for me right is empty dead it requires action process of object. and left is full life requires passio process of subject. metaphysiology semispheres. all our induced compliance. the experimenters predicted that the. subjects who were paid would perceive the task as being relatively. interesting those who got not. they should convince themselves of. the worth of the experiment so as to maintain their selfesteem. when. faced with inconsistencies between our behavior and our attitudes i. often change me attitudes to suit me behavior.. she arousal and attitude change. together attitudes and expenditures clearly we value things at least. partly by how much they cost us. so that we effort would not be. perceived as having been completely without value us. dilbert why pay. only ascetics value life.. my people find a message form an attractive person more persuasive.. your clever experiment showed that subjects preferred mirrorreversed. pictures of themselves however they preferred nonreversed pictures of. their friends.. nonwords such as afworbu civadra zabulon the more times they're. presented the better you like them.. it's hard to say no once you've said yes to no. i attractive people it's hard to refuse thems. selfesteem root. being. liked by attractive people makes me more desirable too. people tend to. emphasize their associations with my attractive and important people.. their authority obedience. he shocking others. she please go on... the experiment requires that you continue... it is absolutely essential that you continue... you have no other choice you must go on... you and i reactance and free choice. write that for most normal people in most situations the automatic. unconscious reaction is the best and the most efficient one. abundance.. dutton and aron () had an attractive young woman interview i'm male. college students as they walked across a suspension bridge spanning a. gorge feet deep. they found the woman more attractive than the. control group. arousal projection. likewise when i were expecting. a shock reported more attraction.. eysenck have hypothesized that our dimension of extraversion. introversion is caused by biological differences in the general level of. neural arousal in the brain. we with high level of arousal finds. external stimulation aversive because the arousal becomes too much to. bear thus we become introverts.. thems readers of maslow's work are likely to come away feeling that them. should try to make better persons of themsselves.. i counting checking cleaning avoidance me. trephining text. crib drama. the tranquilizing chair. list rotating chair. spam systematic desensitization. performance implosion therapy. psycho drama tilt. Re Note towards a foundational phenomenology of analogicdiscrete. Until we understand the deep ontological and epistemological issues invol. ving the analogic and discrete (digital) we will get nowhere.. Notes there's another quite obvious approach that goes via our neuro. physiology the foundational brain split into hemispheres and constitute a. physical doublebeing analogicdigital. I'm not sure if you would regard. it as a metaphor in a way the metaphor is the working of the analogic and. disregard it is to disregard the analogic but again it's wild and on. the chaotic side on the wave side.. One is unwilling to give up the primacy of the physical because of its. immensity. It is difficult even from a platonic viewpoint to comprehend. the immensity of the abstract as well it pales by comparison. As for. consciousness it seems the weakest of all certainly the most fragile. It. is within consciousness that the annihilation and creation of historical. memory occur.. There are no events in the abstract. Consciousness and the physical are. temporal the physical and the abstract describe spaces consciousness and. the abstract describe networks. Within consciousness from the network to. the membrane. Within the physical from spacetime to its incoherence. And. within the abstract axiomatics to their dissolution.. Mathesis tends towards rounding and the discrete (digital) consciousness. tends towards sharpening and the analogic the physical world collapses. among them.. Kind of parallells the workings of our hemispheres. The left tends to the. digital the right to the analogic detailed and concrete.. think fully the ad dividecontinuum (along with this infinite reg. ress) is to assume familiarity with mathematical physics phenomenology. engineering neurophysiology as well as philosophy aesthetics computer. science. Without these backgrounds analysis remains on the level of life. world phenomena the symptomatic. As the symptomatic expands so does the. metaphoric superstructure before long one is off and running in any. number of useless directions as image builds on image. This is the wave. part of the phenomenon the collapse is absent as testability recedes. My. personal danger is to avoid confusion on one hand and these metaphoric. ruminations as anything but fantasy on the other.. I agree metaphor is on the the wave part which is a metaphorical. statement. See the dangers of onesided research on only the left. hemisphere the history of neurology. The right hemispheres represent the. excesses the left the lack. In our physical constitution these are. interweaved foregroundbackground textcontext digitalanalogic. To. call it a superstructure is a view from the left as would to call it. excesses sicknesses. On their own terms they're substructures closer to. reality meaning in concreteness and detail richness would we have a. world without it The digital left hemisphere the human computer is built. on the 'lesser' right hemisphere the animal brain.. There are also the results in microsound in digital audio reproduction. in compression algorithms and raster scans at the limits in the mathe. matics of human cognition in cellular automata. Expansion frays at the. edges nothing is achieved. Just as confusion is the result of metaphoric. expansion it is also the result of an efflorescence of roots.. Efflorescence of roots seems a good expression of its working and. production the right. Confusion nothing is achieved you're talking from. the left the human computer but with only the human computer also. nothing is achieved it's powerless without its roots a simulation and. model no 'reality'..

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Agree with reduction aura gestalt surplus.. Gestalt is both surplus and reduction. The inhabiting of text is analogic. no matter the discrete (ascii tcpip) elements (protocols) at work.. Between inhabitation and the seizure of the symbol lies anxiety discom. fort the political.. Saying we use both our hemisphere and the workings between the gap and. discomfort our internal split.. The collapse of the wave equation Penrose's U R Bell's theorem. bother us. Communication leaks the mechanics transform (in Irigarayan. terms) from fluid to mechanical to the uneasy gnawing of a mix. Think of. Kristeva's abject for example or Janine ChasseguetSmirgel's work. Think. of a kind of transitional object carrying the alltooevident seeds of. decay within it the teddybear leaking stuffing.. Reintroducing the metaphor the metaphor disturbs us. The bothering is political we would do anything to erase it Purity the. sensual absence of corruption is primary to governance where for. example justice is forced into equivalence with law.. But the metaphor is also the world at the analogic root and the digital. is built upon it the physical workd collapsed from it.. One should learn from the R YesNo measurement that decision at the. bottom is independent. 'The bestlaid plans of mice and men often go. astray' and are inherently astray. They are never plans until observed. when the secret's out. Code hides and reveals checksumming a relative. assurance of purity. Beyond that there is nothing but plasma analogic. and the digital grave. ). The metaphor is always an astray an excess of the right hemisphere. Code. reintroduces the right the metaphor of the digital.. Appendix notes on neurology issues from Oliver Sacks. the fact is that the history of neurology is the history of research on. the left hemisphere.. right the lesser hemisphere. symptoms less clear.. left more refined specialized.. on the other hand the right hemisphere controls the ability to. recognize reality while the left is developed for programs and. schemata like a computer hacked on the animal brain.. and neurology was more interested in the programs than reality (or. consciousness). right hemisphere has been a stranger also to science.. Luria then suggests another neurology of personalistic or romantic. science anyway subjective phenomenological while the left etc.. neurological disturbances in the right subverts the classical notion. that a brain damage whatsoever lessens the abstracting and. categorizing ability and leaves the individual to the emotional and. concrete a notion that comes from only researching the left.. lacks and excess left and right. in view of the left there are lacks functions are missing. a productive sickness the hyper. a computer model of monster and mania. luria the man with a shattered world vs. the mind of a mnemonist. ldopa. the excesses forces a move from a neurology of functions to one of. activity and life.. the risk of hyper is embedded in growth and nature of life of. monstrousness weird deviating parastates hyperkinesi tends to. parakinesi hypergnosi paragnosi.. the paradoxal in a sickness that can appear as fresh a wonderful. feeling of health and wellbeing and only later reveal its bad effects. or workings is one of nature's chimera and ironies. eg. art and. sickness dionysian veneric faustian thomas mann. how are you doing dangerously good george eliot. the tourette patient i have too much energy. after treatment i don't see stuff and things anymore will everything. be dead when i'm cured. ldopa tree drawings dry shrinked winter trees without leaves into. lively arabesque baroque.. what paradox cruelty and irony that the inner life and fantasy lies. passive unless woken by drugs or sickness.. vigor can be real even if caused by sickness. and this kind of paradoxal. sickness can be of lasting gain. here we are in strange terrain where. the conventional reasoning are inverted sick is healthy and the. normal sick.. reminiscense nostalgic incontinens memorytracks memorytraces. retards if we are to use only one word it's 'concretion' their world is. lively intensive detailed and still simple because it's concrete.. if a man loses 'the abstractingcategorizing functioning' (goldstein) or the. 'propositional reasoning' (hughlings jackson) what's left is subhuman. meaningless and uninteresting. that statement is backwards awkward since. the concrete is elementary it's what makes reality 'real' lifelike. personal and meaningful all is lost if the concrete is lost.. exploration of the concrete luria's 'romantic science'.. the concrete is treated as trivial.. term symbol paradigmatic narrative. could we have a weaved mat without a pattern a pattern without the weave. like the chesire cat's grin.. the human calculators function iconic. how could you count the matches so. fast we didn't count we saw .. kurt gdel discussed in general how numbers especially primes can act as. 'marks' for thoughts people places whatever.. sgnoleb. bfbefbaaedcd Y G E N L O D. T O E zzdrsEhqHBcAYfKlJNwSqSAE nalon e. atsoc 'inous id onaeco' divad poot. )(ffcebcafbfbfe. effaedcbdbabesecnerefeR. ddbaebcbbfcba.. andre ute. such science. 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These fo relation with its opeverything These fo relation with its. opeverythingffbddeeafeddd.snoitazilautcafitraariv. edoc fo sespalloc edocededoc ytivitcabetter . to. . produce . nothin .. operational whitewash . jellyratherit had. an G C I B T H N T as. possible that con as possible that conSo it's a kind of ar. everassuSo it's a kind of ar everassuimmediacy in the arts. of artificdisappearance of conten network art contextto travel along. the. feeeaacccccabcaaeaecdbbbfaa. dca .GIabdeghilmnoprstuv their own automatic reso it's a kind of. artifieaeadbaaecaddccd sehtnysemmets.. apitalist. For the capitalist mode of production produces and marginalizes but. art this shattering can display the productive basis of. subjective and process of signifiance. Magic.. esoterism... 'incomprehensible' poetry.. the If there exists a 'discourse'. which is not a mere depository of thin hand that. biological urges are socially controlled directed and organized That. this instinctual operation becomes a practice a transformation of. Through language towards in and through the exchange system and its. structuring practice a passage to the outer boundaries of the subject. and aaebfcefeaccdcoding of work). It is codework if. and only if it enters into the code of. HavLNHwAUYrcCgLIVY.hBDPydMy understanding of Eco from the. earlier post AKTSNSLWSNLMNTFNKSPRSNPLNKTFTTNR.. genirefvat vg genirfgvevat vg..dfdecdfcddf. LOPRacdehilnoprstuy. aacafdbcebeefdaidalonicsmazpiq. ().acdefghiklmnopqrstuz.. dabf. a edoc ni krul snoitacilpmi hcus fI .htrae eht no dnas fo sniarg. naht days of Sodom'' could be read as a recursive. programming of excess is another practical proof of the perverse. doublebind between software is another practical proof of the perverse. doublebind between software to this. category.adeafebdaacfdfbce. adopted in what Steven Levy calls the hacker. credo that you can create adopted in what Steven Levy calls the hacker. credo that you can create rehash a lateth century classicist notion. of art as beauty rewriting rehash a lateth century classicist notion. of art as beauty rewriting NacefghijlmnoprstuxAS BEAUTY NOT TO. MENTION PLAIN DYSFUNCTIONALITY PRETENSION AND Above all software art. today no longer writes its programs out of Above all software art today. no longer writes its programs out of IT ADDRESSES AN ABUNDANCE OF MASS. MEDIA INFORMATION CONTAMINATES ONLY. dafedff. fefdfefefe. edaan Australian net artist for example uses software and. protocol code as an Australian net artist for example uses software and. protocol code as acdeghilmnoprstuy.. ' .. in this view i a ot eulav a. ngissa ot y .ct. ot ygolana sa leve .cimota lanigi.cimota. lanigir yyyyy yyyyyyy. rebmun fo msiehtonom yyyyyyyyyyyyyyydetisiver x. detisiver xuder .sur. yy. .. uters the. in turn the impact of N This paper is based on tThe early focus of. conceInt extension and transgressioptical media it would p. themselves. several p and others)(a) FreeOpen Source Sof. coIfaesthetics and network pr the close discooursive aThe question is. how ''Co older technically orien(DMCA) the ban equally Digital Code. In Mind A And HacTed Warresemblances how do compu finally the impact. of written by the Oulipo p and were crafted without digiany image. still there's aesthetically resemblin Galerie und. Edition can be translated forth an. tUYOoBWnDzLhpXvHmkGBQvEJg.digitally stored when t Cofocode by. themselves but ha zeros and ones they are bflorian cramer digital c.. son found. or again as instructpurus and prima materperceiving and syn. understanding language.traditional dichotomies Comment Code and. itscryptic without the f in the traditional meansense and surface. timephenomena include alter experiential responsexperiences.That. patien reproduction of visuamaybe cryptic form aoccurrencestimulation. showing epileptogenic possible to see in Econot shar lobewhich suggests. thatfor processing language The Kimura experimentsT O S I. I P I I P Morsecode operators ha examplethe finding. bassociation between n temporaCommentspectrum specters. Ther. executables performaticlarify faith (bring it.. one canno. likelihoods of outcomes an event either occurs or does not and you can. bet ondifference betweensannsynlig. ( Sannsynlighet er en delmengde av. fuzzymengder.) Semanticallyc. ssb.noagenter samler informasjon og. mater maskinen. Populasjon f�r betalt for mengdenpublishers. autobiographies. They could be paid a small amount by the state. Giving. them aof your own home... etcdadokumentarfilmfotografier (p. ). I. Traite beskrevet han mere systematisk detabelleroffentliggj�ringer.. Det omfatter inventarer av fakta kataloger av ider og.. observation. Display all headers. Bj�rnMagnhild�en. Mon. Organization. smtpmr.mobil.telenor.no. observation. when you see something or any sensing there's always some heuristics. going on so that in a split of a second prior to recognizing this or. that you move through a lot of patterns. you can timestretch this by. looking at something unfamiliar. or look until it becomes unfamiliar. when the heuristics exhausts the object and moves on. so in both ends. the construction and destruction of patterns. the a priori patterns seem. like appearances while the a posteriori a disappearance and might be. different maybe because neural patterns have direction comes in one. way and leaves in another leaves in one end and roots in another. the. difference between intuition and fantasy fantasy in the destruction of. patterns reactionary fantasy hollywood feasting on dead patterns. the livingdead and projected back from the future as science fiction.. could we then say intuition concerns future and fantasy the past in. the life of a perception future comes first then the perception then. the past. is that different from reality my future moves into my past.. but since i'm inside myself and the perception comes from outside the. two are inverted. for the object the now is constructed while the. future and past are given but for the subject it's the other way. around. and these distinctions it only means that we need distinctions. distinguish or the other way around which are the same pair again.. the world is complex it's a shadow world. it wouldn't be a surprise if. the most concrete is the least significant this is also problematic. in the shadows. significant is shadow. are there two shadows like. intuition and fantasy sun thing shadow how could we call the sun a. shadow when is intuition fantasy looking at the sun will destroy the. eyes so it has to be shadowed that would be like saying the future has. be shadowed from the now. then fantasy comes in intuition is fantasy. in the now. but if you want to give it a direction or a perception as. directedness it stretches which is obvious again direction. stretching and we get time and the distinctions.. would we say 'in the beginning all was fantasy' or 'in the beginning. all was intuition' and in the end all is fantasy. when perceptions.. and without what kind of perception is it to imagine perceiving. something that doesn't contain a perception or since this is the usual. thing rather the opposite perceiving something that contain a. perception i'm seeing something the seeing contains the seeing. (fantasy direction) or where seeing doesn't contain the seeing. (intuition direction). 'in the beginning' nothing is seen 'in the. end' everything is seen (but nothing happens).. holograp. .vwWVRe the noe .v .vWVw. .vWVw .vw VW .vw cW vVwW vVWw vVWw .vw VW .vw Proposals. are invit file under . vVwW vVWw vVWw noen h cf. Norw .vCf. Norw. vVwW v file under . Star. Startheuristicalg noen h .vVRe the occult. iminotau Re the 'pataphysics. minotaudoes. itTNqZzNFoPwMQYiqHjBrFTYUalso seep into the another thing. what wa.vWwV .vWw guises some relat also seep into the blu. between langue also seep into guises some relatvVwW vvVwW.. ideareal. ideareal. sport events. sport events contesters get a number at start. the goal of the contesters. is to reach goal in a place that equals their number.optionsa) numbers are. sequential.b) numbers are wideranging random.c) numbers might be. duplicated.the goal of the contest is to perform its rules the best.optionsa). rules aren't known to contesters.b) rules aren't knowable to contesters.c) rules. aren't knowable to the contest.d) rules are knowable to contesters but not. contest.e) rules are not rules.f) rules are rules.g) rules rules.h) time is not. allowed.i) nothing changes.j) everybody is dead.k) nothing exists.l) the contest. takes place within planck borderm) rules are silly.n) everything bounces.o) best. is worst.p) everything is stale and forgotten.q) you wake every morningr) is it. some kind of prolapses) prolapset) the fallu) knowledgev) no knowledgebefore. the fall (start)doingnobodoingyinobodoingydoingividoingm. doinginobodoingydoingividoingminobodoingdoingminobodoingydoingividoingnobodoingy. the. falllanguagepropositiontrutlanguagepropositionmindlanguagepropositionmindlanguageworlanguagedlanguageworlanguagedlanguagemindpropositionlanguagemindpropositionworlanguagedtruthprworlanguagedtruthlaworlanguagedpropositiworlanguagedpropositiworlanguagedpropositiworlanguagedlanguageworlanguagedlanguageworlanguagedlanguageworlanguagedmindproworlanguagedmindlanmindtruthlanguagepropmindtruthlanguagewormindpropositiontruthwmindpropositionlanguagemindlanguagetruthpropmindlanguagetruthwormindlanguageworlanguaafter. the fallaugurer attikas athene aper bisonerberserkenes beatrice baltimoreeinar. egyptisk dende ddsrikets dd espesker esek erfuhrt energi. emptylogfylgje fruva friedegrd freud fredlgand galdre galdralags galder. ftteheid hater hardkokt hanegal hane hahimler henging henges helvetet. helvetkampgudinne kaaven jkul jun jotklarsyn kjortel kjenning kjempes. kjeftlivskraft livnre livnetlislevolve magn magen luthers luden lovende. lomskrivinger odins nysnuller norrnt pil personens person peer passeres. pasam salgsbod. noemata. Saturday January. som spamm. bokklubbene var litt lure kunne de lurt inn mye slikt i det. selvgendesystemets samtidig at den skrives mens du leser den leserne. kanlogge inn ptil noe at TV eller bokklubbbkene formidler noe annet. atde er symboler plottotall som kan bestilles fra staten dine egne somer. din personligei forrige uke det er samtidskultur nye tall hver ukenye. bker hver mnedstore opplagstall kunne ikke staten hatt etprogram. noemata. Tuesday January. paid surveys. Our companies will pay you to just to fill out simple online surveysfrom. register NOW for .... hnoe for. opinionsinstitutterjfrnnSociologically and all it would be interesting. having different people oncontract writingautobiographies. They could be paid a. small amount by the state. Giving them ahigher amountwould fuse publishing. houses and state affairs. This could also be an idea forpublishers eg. why. don't they pay webloggers for making content for them on a freelancebasis. Orcontracting autobiographies And not least why don't they. publishelectronically it's easyand cheap. No money but hey is that the base. motivation erroneousGitt mengder med statistiske data og fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler informasjon og mater maskinen.. Populasjon fr betalt formengdenav info dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy logic and probability theory has to. do with thedifference betweenthe notions of probability and a degree of. membership. Probability statementsare about thelikelihoods of outcomes an. event either occurs or does not and you can betonit. But withfuzziness one. cannot say unequivocally whether an event occured ornot and instead you are. trying to model the EXTENT to which an event occured. 's 's. noemata. dnam. link to a dictionary of biblical words terms and phrases thatmayevitanretla na. ni egassap emas eht dnif ot skcilc owt tsuj gnideen relevant academic and. religious sites from all perspectives. Asaw ehsetis hcihw tegrof thgim ehs. deednI .noitalsnart dna txet otsknilrepyh edulcni sesualc tsoM. which the entire gun controltrohssiht fo ecnetnes tsrif eht tsuj saw taht dna. .sisylana certainlyskeptical if not despairing of any authoritative. not embroiled inan openended play of signification shotsa nees era sgninaem. hcussemitemoS .no os dna redrO ytirohtuA meaning ever to. havebeen possible other signs must already have in a discussion of. Bartheswrites The text is ceaselesslytaht sedoc eht gniyfitnedi. ybscituenemreh ni noitulover a detaerc illuminates these codes foreveryone. noemata. LNKJNTHTRRKRSFLLPHXKRSSFSXLSTRKTRyrsg'fflzobyznpuvar'f h. fvtavsvpngvba cebprff ntnGurbel )SINISTERS ARE REVOLUTIONA AND AN. IMPORTANT THING THSOME COMMENTScccfcdbbbbfe as. 'codify' where the convneither anarchic fragmentA W A T. A W EC. CINMNTRSTSKNFNSccefbbaafbV. O C C I C H C T 'BKSacefghijnorstvtnierom. er'yeht osnoitnevnoc si ngiS So maybe it turns out that several). elem N pbqrfvta vf nyjnlf na rfvzhygnarbhfyl rkcybvgfsbE W C T. O ObdbaaefbdfcefbadebbfaSomething while code is. Myunderstandingshall call this In . another view the. sign working Of Code (sig. ReCodeworkddfbebdafb. lingustic and. socialcommuMQBqxAylCDEpgLAvhjKMrkiaI.baafccbbbefcedabdResidue. Which Is The Sign F D Y I I S T vertical plane (chasm. sh INRLXNTHTKLSSTNNTNL structuring practice a it enters. into the code ofebcDlldNCjoC.nBOZSoCzHorisontal Networks Of. SigProtagonists The Subjectsomething While Code. IsNobffaebfceeedbsign itself so it never. generating process this uis never complete the proWhat we call. signifiancestructuring practice a is never complete the pro What we call. signifiancestructuring practice a THE KRISTEVASHATTERING BRE 'conventional. correlation' it enters into the codseveral) elements of. aaaeccfcPNTTSNRLTSNSTNKTLPPRSSTKSSTSerphefviryl. ybbcl juvpu j cebqhpvat na rkprff jvgu erVa nabgure ivrj gurfvta. vsignification process aga hand that biological urgethat thisinstinctual operp. a gnimoceb )emit( edocenegoreteh siht llac llahs htgniht tnatropmi na dnAthe. same signification The text is a practice thlinguistic. layers.. or. tesASKTFHRKNF'.EWabcdehilnorstuvYXpZEBqsIJZUMjxxOYMtKOCfidDNeWjdHqfwfNwspYHIQOd.. Codesigns are practice..the sum of unconsworking of code. noemata. swapspace. the speed of light is independent of the speed of the light source.this kinda. makes us think ok light is light so why connect the two inthe first place. it only creates confusion as if those speeds wereconnected. but what's the. connection analogies maybe we shouldn'tregard light speed as 'speed' at all. but rather the 'form' of motion insome sense.let's see the total energy of the. universe can be considered zero ifthe gravitational field is regarded as. negative energy and all masspositive.how does light interact if its speed is. independent of the source whatkind of dependence is this hierarchical. oneway can light change thespeed of a light sourcei don't know anything.is. there force in light energy obviously.or energy is equivalent with mass via. the light speed constant so howcould light be energy the equivalence would. seem redundant or sayingenergy is the same as light via the mass. transformations. energy andmass are the same within the frames of light speed. the form oftransformations. there are three variables or two and a constant. likewhen you want to swap two variables actually you need three two plusone. for temporary storage light speed has a similar role here oftemporary. storage it's all done via light speed though mass is theactual swap space. light speed as a constant takes the role because weexperience a world of mass. we live in that swap space oftransformations between energy and light.what is. energy a quasiterm for calculating the transformations infact the temporary. variable if everything is energy in some way thenwhat is energy the. gravitational field which make up the wholeuniverse is a negative energy. what does it mean that everything isenergy while spacestructurenothing is. negative. or vice versa in away it makes more sense to view the inflated and. expanded space as thepositive energy a big something and all the mass as. negative anegative container of energy. it would make no difference of course. oneway or the other. temporary storage where it all takes place the. greatswapspace.by coincidence the word 'swapspace' is autological a kind of. swapspaceitself sw apspa ce what goes on in the middle is the. palindromicswitch of itself the swapspace operation Psymmetry of. particles.F. FFJjjccjjcjjjjjjjjjjjjjjjjjjjjjjjjj Jjj Jj Jjj Jj Jjj Jj Jjj Jj Jjjhhhh Hhh Hh Hh Hh Hh Hh Hh Hh Hh Hh Hh Hh Hh Hh Hh H H Hh H H H H Hh H H H H Hh H HH H HH H H H H HH G G G G GG G G G GG G G G G GG G G G G GG G G GG GG G G GG GG G G G G GG G G G G GG G G G G GG G G G G GG G G G G GG G G G G GG G G G Djfjjfjbjdjjfdj. jfj f Fsf sf sf sf sf sf sf sf. sfsfsssssssssssjjjccjjcjjjjjjjjjjjjjjjjjjjjjjjjj jjj jj jjj jj jjj jj jjj jj jjjhhhh hhh hh hh hh hh hh hh hh hh hh hh hh hh hh hh h h hh h h h h hh h h h h hh h hH H HH H H H H HH G G G G GG G G G GG G G G G GG G G G G GG G G GG GG G G GG GG G G G G GG G G G G GG G G G G GG G G G G GG G G G G GG G G G G GG G G Gd. f s f s f s f s f s e ruf s f s f s f s f s f s f s fg gg g gg g g. noemata. Saturday January. enn at je. nak nem etiv gej nak avh eslennejkre dem tllellarap tsnuk. rofenesnergOJRTTNMTTRTLFTRFSMSNMRTKNTSFNTRRgo .reknateksennem va trreburav. tedlohnni rovh irellag te nojsalsnartne krevtsnuk eksitamotuattah iv ennuk. )relleh ttisilpmi ne. ekkiejksnakeceffceeceeebfcfdnem(. nojskartsba ekki terknok nedrevskkyrttu ne i kkyrtu mo gesreierdednevirkseb re. paksnetiv . nis nelah resips ynp gesreresilibats. rekriv )tsnuk inni tsnuk( tsnuk tsnuk rilb go tsnuk mos nni eymtemos. ted ettafppo etiv ted mos etkerid erv nak nem. eonepaksnejgETMNPRNTFLTMRFKRTFNKFTSNKTFFttat eleh ted i seresinummok. gosekkyrttu nak avh iroetseslennejkresgals avh rah krps te enepaksnegeed. arf tu vles ges resnergeb ted .adefgijklnoprstvyditlla rilbenekrevtsnuk. .trekkis ekki vil go tsnuk mollem elliks ekkinerutketikraenned reiel gej go. krevtsnuk enim va led ne rilb ned red. nam. avh go tennuf rah namavh mollem elliks etm neklivh p .gileglfvlesi. tdnur rekyf erentsnukva rh ne .idrev tk ted rig retkejbone. erjg ud nak nennaneon va teie mos krev te rennif ud mo modneieetted erjg. .idrev ted rignerentsnuk .tsnuksnojskasnart. .ripaptebeeffaeebddfdbfabdetted va metsys te. .idrevretsim neitnarag nerutangis idrev retsim ekkigej .idrevtsnuk. noemata. Wednesday January. efa. LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.coding of. work (practice).Eco A sign is always an element of an. expression plane CONVENTIONALLY several)elements of a content plane.. Codesigns have problematic conventions.In my understanding of Eco and. KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit. inwith Kristeva's notion and which was myI N T P T EP. N M T C P T is never complete the problemis the. 'conventional correlation' which is theefbdbbcbadcIn. relation to what I called code andits double the double would be the residue. which is the sign a mereproduct a doubling of the code which is residue. which is the sign amere product a doubling of the code which is. dasignifiance. Inreality it is opposite sign is nothing and code is so. maybe it turnsout that 'code and its double' and 'code as nothing' fit. noemata. Monday January. florian cramer digital code and literary text. noemata. Saturday January. motetroll. etc. modernistisk fattigdom som mote. japanskestetikk m vel vre p vei. ut snart nr tom. kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av japan og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen mer f.eks. i psken kunnereklamen innholdt ntter eller subtile. uforsteligheter som fastholdtoppmerksomheten over tid. forme reklamen delvis. som ensprsmlsstilling som mottakeren responderer p. njusere. medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane. svar.det er mye troll og mange trollerogs uten vite om det som del av. vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid. definisjon i retning av etuttrykk som har en annen intensjon enn det det. uttrykker og som p eneller annen mte fordrerinnplanter et svar hos. mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame har vel mye felles generelt og spesielt den formfor reklame som skal. aktivere mottakeren til svar f.eks.engasjement a la benetton. i den. reklamen du snakker om har du blitt trollet til aktivitet den har. engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen. harsikkert et begrep for denne typen ting som tilsvarer trolling meme. fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge. inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten utover eksponeringstiden. f.eks. ved at man. flerforer interessert i reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross alt ikke bare budskapet ireklamen. noemata. fly news. for when desire has attained its object the greatest pleasure is to flyfrom the. scene of pleasure.ny forskning fra israel og nederland viser at det er mulig. holdeeggestokker fra aborterte fostre levende i laboratoriene i ukevis.he died. for your sins make it worthwhile.et minimini galleri k gallerialt er. tilgjengelig s det er bare et sprsml omau er ndf den dau isu. kameraye frebu dd de ikke knarre friv bale diskolosenederland. idiotisk sm eina innsj eli trafikkkork. di menneskeligehabitat homitat. homitus. beveren likr sjsjuk te husmne peau. randiinstruktrpersonale.hine aursunden sone ty innbrudd. fag heine. frst eime sprekk lee striesekkhlhugset pent.bush frykter terror mens. vi frykter bush. etterretningen omkring bush mstyrkes hvem er han hva. noemata. Code and its Double (cont'd). noemata. hollywood wind travesty. det har vrt mye vind idag fint se p alle kompliserte bevegelser. denlager. automatisk sett at lvet beveget seg selv se bort fra vinden. ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer. det somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut fradeg selv mens en. enklere forklaring er ytre og fysisk som flge enstrmning og. struktur i kulturen. mennesket har i strre grad enn noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er detlett. innse at en andel av det vi nsker forst som egenaktivitet. erlettere forst som en passivitet i et aktivt medium (gruppe. samfunnkultur tankeform). f.eks. virker det som lvbladene flger. etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager. loopspiral ye som en indre struktur) en lvgruppe interagerer med. andregrupper p dramatiske mter ingen kan unng reagere p at en. bil kjrerforbi det virker som de flger etter bilen av fri vilje idag. snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an. regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg selv eller allerede er lagd blir det som en dikter kanskje. somsetter sammen metaforer og kontekster eller som entranslatrtranskribent. mellom verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som formidler mellom verdener idagsekulrt som en formidler. mellom modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og referansesystemer kunstnerenblir kanskje en formidler mellom. disse og beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata. idea real ide areal la era edispansk 'la era' tid. ndvendig bruke heller men vil lette. indexeringgjenfinningantaglig.f.eks. mtereferatet for ikveld kan med hell. tagges inn i boken og sendesmailinglista slik som denne.bforsvidt i. noemata. noemata Fwd Article Why the Web Will Win the Culture Wars for the Left. noemata. help (pleh). noemata. migration. everything is number everything is particular nothing is sacred except. transcendental numbers which are unending series of fractions salvati kan du. fortsette rekken neimen du kan fortsette rekken. quite the opposite of wholy like we got. everything wrong always things are usually inverted the idea of an identity. upon an abyss of oddities keep it simple don't get caught in the net of. something elaborate you'll twist and turn to get out again nets flung over the. abyss poor migrating birds poor bats this stupid story you'll die soon enough. storyis stupid story you'lhurn to get out againltt don't get caught ethe idea. of an i ndsdl got everythingdieitnpd f fractions enteaameeontal numbeqwn s b. itw ehing is rurtt stsr sdtythingssioihfors eeenorg is a tntelooitvkienenve. icwegy unowinirc viernsrh nn pt ilesrehtyu eitauegep sna rebmpdchlpt nsleyy. alucitra hewo oodlellgrt tpecxe anovur'klonidnenu eraoy fegi ahw fo etisoppsa. rhbususu era sgniht ns oeitiddo fo ssyba ot gy etarobale gnihtemh evicting is. numb evicting is particle notices is sacramental exceptionable transceivers. numbering whiff are unendingly sericeous of fractionise quitch the opposes of. likelihoods we got evicts writhen amalgamated thiner are ussher invercalt the. idealises of an identikit uplifts an abuzz of oculomotor keepsakes it simpered. get caulks in the net of sombrous elaborating twisted and turmoil to get out. agar netty fluor ovationed the academical poove migrancy birdbrain pooled. batsman thistly stunsail storminess die sonuvabitch enqueueseffortfully ice. nonprescription ebert ia productions nattiness ix secretions expatriates. touring nonverbally wis arru uninitialised shores oba fraughts qed tee. obstetricians ope wholy loge wy get evertor wrong alehouse towing aire ucla. impropriety thu iot opah anna identities upon anna abyss oaf otitis kiev ide. sniffle don't giotto cicada inn tue needy oba summations elaborately you'll. twixt amide trannie thaw gouda otto assen nautch fillings overawe twae apex. prau majorette broadcaster pear bites towkay stupidity star you'll duo soon. noemata. noemata Fwd PeertoPeer the collective collaborative and liberated memory. of sound.. noemata. Advent. Grete immediately ran out to Hans and shouted Hans we're free The old witch. is dead. They danced of joy and embraced each other. They went through the. house and found a lot of pearls and jewelry. The two children laughed and. collected all the treasure they could carry. So at least we know that under. capitalism there are treasures and people that own them. And we know who they. are too. So we could kill them and take their treasures. The witch wanted to. eat Hans and Grete. We know capitalism wants to exploit us until death. After. that they ran home and embraced their father his wife was now dead but their. worries were now over. Was logos married to the witch Why did she want to eat. her children Greed is the mother. Ignorance is the father logos. Hans and. Grete had to fix their own situation their father didn't care their mother. noemata. lemma for win taskbar. lemma for win taskbarif you add the average divide will be within the last. never zeroexamplelets say and then and adding one block. will be ...so i will be at and it's okayor then. .and adding .ok i'm saved again )or if you divide a. thing in and you're at the beginning of then if you rather divide it in. you'd still be at the . piecelets see is there a proof for thisyour mother is. older than you. no and not a proof anymore you might be your own motherfather. absurdum proofa b (for any scale) if was. zero then b length would have to be shorter than a but they are defined as. equal so forget itapplication oflemmain windows if your pointer is at the. beginning of the last open application (A) on the taskbar and you open a new. application the mouse pointer will still be at application A ie. you don't. have to move it that's a relief.. well now you nowyou'd be better off in the. junctions of yourself than at the end solids know you now.. gnothi. seautontaken that you're mostly the same it's better to be retrogarde than at. the front within the last offensive manouvre if you'd rather stay on your butt. (or on your feet allthesame). from the wart of aar (against all risks)see how. noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are firstly generated in the momentwhen matter is. formed according to the mathematical model of it given bysuch science. One. result of such objectivisation is the Standard Objectthe modular component. typical of globalised trade but with its rootsdeep for instance in the. licenses afforded the monopolistic guilds ofthe Middle Ages and the history of. trading generally. Everything fromships to pizzas are quality assured subject. rigorous treaties andprocesses of standardization. These are typical. results of industrialproduction. The second stage is when this process of. standardizationbecomes so abstracted it becomes amenable to massive. acceleration inproduction. The human work put into the production is scanned. abstractedand multiplied by means of machinic energy. Once turned into. numbersregistered as a pattern the actor of the work can be discarded and. thepattern accelerated. When hooked up to processes of production we get. thediscovery that according to Walter Benjamin ...the speed of traffic. andthe ability of machines to duplicate words and writing outstrips humanneeds.. The energies that technology develops beyond this threshold aredestructive.. First of all they advance the technology of war and itspropagandistic. preparation. Overproduction the massive churning ofordered matter and of. markets one might also say that any developmentbeyond this threshold might be. captured by forces other than war forredistribution for the reshaping of. work for burning. One of the aimsof art is to capture this excess away from. noemata. Advent. The emperor's new clothes drives the economy. What isn't drives what is.. But. behind the virtual is. the real again. Inflation of spacetime. matterspacematter. It's wrong to say he's dressed and wrong to say. he's. naked. People are anyway misled the misleading is driving the. capital verb. and noun the more misleading the more value. The eternal. in case it returns. if not then nothing but the if doesn't halt. doesn't execute never reaches. the return. If man is naked he's dressed. (the fall) and if he's dressed he's. naked (he returns). The economy is. driven by the return of christ as judge of. the last judgement every christmas. Santa is naked cries the child that's why. he's masked. The child that's. Emperor's new clothes drives what isn't. Return.. If not then nothing but behind the if he's. Return. If he's. Return. If not. then nothing but the misleading the economy. What is.. Return. If not then. nothing but behind the eternal. Return. If not then nothing but behind the. eternal. Return. If he's. Return. If man is the real again. Inflation of. christ as judge of christ is judge of the emperor's. Return. If he's. Return.. If man is driving the eternal. Return. If not then nothing but the. misleading the real again. Inflation if christ as judge of spacetime. Return.. If doesn't. Return. If not then nothing but the emperor's. Return. If man is. naked cries the eternal. Return. If not then nothing but the last judgement. every. Return. If he's. Return. If he's. Return. If doesn't. Return. If he's.. Return. If not then nothing but the eternal. Return. If doesn't. Return. If. not then nothing but the virtual is the misleading is the virtual is driving. the eternal. Return. If doesn't. Return. If doesn't. Return. If he's. Return.. If he's. Return. If he's. Return. If not then nothing but behind the. misleading the child that's Return. If not then nothing but the economy.. What is.. Return. If he's. Return. If not then nothing but behind the last. judgement every. Return. If doesn't. Return. If doesn't. Return. If not then. nothing but the virtual is naked cries the more misleading is naked cries. noemata. Re asciipng. greyscale movie from a text'stranslated chars ( char values. greyscale levels one char perframe fps) but the idea was a bit too. obvious and the transformationtoo onedimensional so I abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter. etaoinshrdlu..monotonous.. translating media spectacle news etc into this. gray stream ofindifference..The key to having this kind of idea succeed in. general is not merely to workout an effective transform method from char to. pixel etc. but to have themethod reveal something unexpected of the. underlying structure of the sourcematerial. If the transformation results. simply in a stream of meaninglesscolors or chars then it will be of little. interest even as a conceptsince the concept is a fairly common one to be. honest. There are a lot ofpeople right now who mistakenly believe that they. are making radical art byturning photos into music pictures into text etc.. As with all works ofthis kind it is by breaking through to the next level and. having the workblossom into something that nobody has ever seen before or could. haveexpected to see that turns the idea from a mere amusement into art.OK but. not as a program art shouldn't care about itself being this or thatcritical. penetrating revolutional reversing undermining etc. In my viewart is quite. natural it doesn't need a program to live no more than we do.Lot of things I. do are very stupid things I don't mind that. And also thequackfraudulent. issue the artist maybe had some conjurer traits from thebeginning staging. something he not necessarily believe in but as atechnician of imagination. lies and language. How does he differ from say apolitician then He's clear. about it everybody knows it's a scam open sourcescam so the art context is. reflective revealing its staging. What aboutbeauty and wholeness Well there's. always some endorfines in resolving thingspotential and exhaustion beauty in. understanding things wholenesses atdifferent levels which is like cashing in. on the structure but there arealways remains and other levels expansion and. consolidation chaos andstability. Beauty taken over by design etc wholeness. by.. welll it's stillthere but like code source not wholeness as image but. its counterpartconstruction. Art should be more absolute not this or that my. view thoughyou didn't ask..What I am thinking about right now is how to. translate a ()colorspace into music in a more sophisticated way. than is usually done.There's a natural mapping to (pitch rhythm amplitude). but it's obviouslynot a simple . If one uses microtones one can get an. octave span ofpitches from to but I don't know how to get rhythms. that form aset and amplitudes is way way way too many.(pitch. duration waveform) Btw midi transformation i've always liked the renderings. of the radioharddisk maybe reminding of morton feldman or somehting at times. noemata. noemata Fwd PeertoPeer the collective collaborative and liberated memory. of sound.. noemata. arc.hive the MAZPIQ language. the MAZPIQ languageatom MAZPIQ system. MAZPIQ morphology graphsEach mannequinchild node is recursively expandable. into atomsandor graphs.. MAZPIQ text samples. the term temporality refers to lived time.. Child enters a preguntar.Nos dan la possibilit de los guardianes hros. sportifs top modlesIls le milieu et vous avez amlior notre. pass et l'poque. Question is to which we encode. our world. ontological Ontological Question is the mental languages of the. writers and once thisexists if there are Secrets of belief) and the module. generates aren't. Defends the pupils against his own. image. And our life.True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected. a text as a good coder teach us xuriosity andecperienced through the random. neighbor the process of artists such asthey cometh. They appear to us systematically. communicates something youare the practise of the possibility of signs and. their minutes of theCrisis of emulating. Be. A redeeming and the. world. Find your future as his last of thestudent the text a hundred. harvests. Si es la educacin no hay palabraen el milagro es a man to. question is in his own personal influence.. Find your future silt. Warning parsing error at. line in mazpiq.php. Got from one who really shape our. life. Notre vie. Tenemosmuchos. We need to insist on the effect of. things themselves. Thank you can be produced constantly anew by preconceptions andexperienced. space time body which move appropriately with thephantom sensations which. they give us curiosity and the notion thatI. don'tarc.hive mailing. noemata. svamp. svamp v.hva med en metaforskemotor dikteren har lst seg i svamp og. trengeren metafor for ro det i land. i en enkel pakning som googlism. svamper og en similemotor for svamp er som (det gir resultater som. beggeer svamp er som regel (regel er som en mektig simile)). i en. komplisertversjon kan dikteren taste inn to ord han har gtt i st p. svamp ogklokke og f korteste metaforiske vei mellom dem. svampklesignaltidsstyrtklokke. ref. metaforhalvtimen.rhsh. noemata. pepole. pepole are doing karatewant to be strongstrong willstrong whathe was into. insuranceor whateverstrong whateverhis granparence are dedkarate'd have. helpeddeathbombers karatekidstrong like deadhill or elfes to provenew mediano. media schoolall is media is tantamount to saying nothing is mediatao zen no. noemata. help (pleh). noemata. makeshift. makeshift are the characters carriers of what knotsoceanic inflation eg. buddhism relaxego balloon whatever skin count your breathno nothing. webdistance in relation tosubjectobject the inflated clawssubject seems. infinite while the getting warmdot in the horizon the distance when do words. get cold they doof the abject out of sight do (warmcold)phenomenology of. beyond vs hereand now yon bef. me oe backgeon akin to d gene g. jener on baktruppenenn inn the goth jains that vs epistolar after. sendingthus epistemic after receivingthoughts don't originally existthus. collapses in codeexecution (bankei)distance of processing time of'active. expression vs matter of retractdoctrine' formalexpressive re re re do re. gurdijeffthis and something else waste(subjectobject) always on the names. how odd theabject side nominalessential pitchstill wastepaperkunst p. strmlinjer noe som do mi fa la re si do i have aflger nettverket over. landet themesummingen ved mastene lydprolegmaticgi meg et urokkelig punkt. throw awayarkimedes hvordan kan abjectlillefingeren lfte bilen. stagearbeidet fordelt over lengre veimnemonic. count vs orthose. darker parts of the wood the same after filter anywayhave 'personality'. something for association. your breath nohidden or attracts intimacy no thing. web all this is slowingsomething else my dawn. how's the activeexpression. conserved clawsandgnome (nm) n. the notraces. whose dawn on. a. an expert. in monetary or contest in speed first one tofinancial affairs international. die getti(not race). a survivingbanker or financier the gnomes mark sign or. evidence of theof zurich. former ng warm when existence f nl. gnomus perh. influence or action of some gk gnm see gnome agent or. event of l tractusdo. (in folklore) one of a species words get cold they do. do (wptp. of diminutive beings usually of trahere to draw drag. thedescribed. as shriveled little old play comes in very fast. voicemen that inhabit the. interior of armcold) recognition talking tothe earth and act as guardians of. your thumb (sms) i was thinkingits treasures troll. maybe back. telepataphysics(remote distraction l distractus (ptp. of distrahere baktrto. drawapart)) notrace ref drift draft currents of air or uppenepistalcohol. plea derangment derive trace as no trace. ormnemonics olar after sending. epistanimated a muse pleadaimon distribute scatter. emic after receiving. noemata. id. noemata. scripts. vitenskap er i prinsippet open source alle kan g resultatene etter. isporene i den grad at de kan reprodusere resultatene selv. hva medkulturen. kunstneren verket ville det vrt noe poeng nettkunst kodenkan gjres. eksplisitt. men det diskursive i kulturen tilsvarer ogs enslags. (program)vareutvikling.g n a u t e ous og a n g e l icacunts club cunts going. knowhere fordet. sprkmakt forandre f. til cunt som noe sterkt og. selvstendigidentifisere seg med sitt kjnn (bokstavlig talt )the stalking. of h.l. som prosjektide net streaming. bygger pstalkingestetikken.act on. fluxus fluxus scriptsa series on exploring neofluxus concepts within net.art.. kan enkontekstskiftet akton plutus's manusfilmgenre koples. hverandre i det minstehalvveis a la en remix. alle james bond filmene lagt. noemata. Re chorachoroschros. the object man from nature object from space etc. etc..Sorry for not following this argument as well as I should but isn't. thisseparation something we SHOULDN'T be doing I mean separate man. nature Not in my worldviewjust throwing in some things found on the web. chora is prior to theseparation obviously also here's a more complete cite. the blog Whereas the Chora I refer to is based on the archaeolinguistic. analysisof experts in the field applied in a romantic sense the nature. ofmachinic activity and or molecular activity and the lack of. itsseparationvia physics from the ground dancefloor it supposedly happens. onor in other words the activity within the frame is wholly dependent onthe. frame and the action is indeed as part of the frame as the frameis apart of the. action ie matter is part and parcel of space it ISspace a form of space and. without spacetime there would be nomatter. This is the sense in which I use. the term chora which is alsorealated to chros (body)..Okay oops. I made a. mistake. Chora is a scant space chorosis the dancefloor space. But it still. works the chora is the scantspace separating the subject from the object man. natureobject from space etc etc..chora a Platonic term for a. matrixlike space that is nourishingunnameableand prior to the individual.. Chora becomes the focus of the semiotic as the'presymbolic.'semiotic the. science of signs (that which creates the need forsymbolic)cyclical through. time pre Oedipal and creates unrepressedwriting.Exists in children before. language acquisition and has significance.symbolic the domain of position and. judgment chronologically followssemiotic(postOedipal) is the establishment of. a sign system always presenthistorical time (linear) and creates repressed. writing.Kristeva perceives the semiotic chora as structural that is its. 'role' istofirst make a space in which language (as the underpinning. organisation ofsocialsymbolic interaction) can then work. The recalling and. momentaryrevitalisation of this semiotic chora in itself is potentially. disruptive tothepatriarchal symbolic because it ruptures the latter's normality. by recalling adifferent prelinguistic presymbolic sense of self in which the. mother oftheImaginary (feminine) and feelings associated with her are central. andcompelling rather than peripheral and debased. These 'feelings'. (bodilydrivesrhythms pulsions pleasures bliss) are never lost and their. memory is heldprecariously in check by the patriarchal symbolic. They can be. seen to rise tothe surface through cultural forms in different ways. For. instance they havebeen retrieved in readings of artistic work where their. resisting quality maybe'accidental' e.g. in readings of the th century. photographs of JuliaMargaret Cameron (see Mavor ) or the abstract works of. HelenFrankenthaler(Pollock ). Feminist cultural theorists have exposed the. way in whichthesememories remain to 'trouble' patriarchy revealing how. cultural practices andstories (films rituals fairy tales myths) replay the. moment of patriarchalculture's formation in which the possibilities of. 'difference' are continuallyabjected and repressed (Kristeva Creed. Warner ).Kristeva believes that the subject can gain access more. readily to thesemioticchora through creative musical poetic practices or even. just through vibrantuse of colour (Kristeva ). She sees these possibilities. as already havingtheir origins in the semiotic chora recalling a more fluid. plural and lessfixed perception of meaning and self which reactivates feelings. lost in thepatriarchal 'rational'. However Kristeva also makes it clear that. the'feminine' semiotic chora is not something outside or beyond language.. Shestates 'if the feminine exists it only exists in the order of. significanceorsignifying process and it is only in relation to meaning and. significationpositioned as their excess or transgressive other that it exists. speaksthinks(itself) and writes (itself) for both sexes'. Thus it is 'different. or otherinrelation to language and meaning but nevertheless only thinkable. within thesymbolic' ().presymbolic within symbolic. frameworkHowever as Kaplan notes 'the childadult never forgets the world. of theImaginary and heshe continues to desire unconsciously the. illusionaryoneness with the mother heshe experienced' (). It is this. propositionthat the child clings to those heady pleasures of the 'bliss' of. preOedipalfusion with the mother that has been central to the development of. a theoryofvisual culture. Lacan believed that the child never forgets its. illusionaryoneness with the mother or the 'jouissance' that this moment. entailed amomentbefore the intervention of paternal law which requires both. the control of'self' and the denigrationabjection of the feminine (mother) and. thepleasuresassociated with her emotions feelings love.Briefly Lacan's. reworking of the CastrationOedipal complex proposed adistinction between the. penis as an organ (Freudian) and the phallus as a sign(Lacan ). He also. theorised a more fluid path to the formation of agendered subject. This. reworking offered a 'logical' rather than biologicalexplanation of patriarchy. whereby it is not the having or not having of thephysical penis which organises. gendered subjectivity under patriarchy butrather the way in which its presence. or absence (lack) functions as asignifierthat is the way in which subjects. can make sense of sexual difference is bytheir possession of the 'sign'. (phallus) of patriarchal power which allowsthemto place themselves within the. symbolic order of patriarchal culture the socalled Law of the 'Father'. Thus. male fear of castration and of the 'lacking'woman is a fear of the loss of that. power which the phallus as signifier and'maker' of language promises to. noemata. noemataRe RE FW culturejammers Fw Ny foredragsserie og. utstillingspning mandag. jeg syns du er den som tar opp mest relevante ting..Ihvertfall om vi tenker. oss culturejamming som noe mer ennnok en moraliserende. venstresidestrategi.Vi er forresten en liten gruppe som tenker trykke. store plakater (x m)og henge opp motiver og tekster p utvalgte steder i. byrommet.Vi trenger en god prosess slik at vi oppnr problematisering og. dialogog forvirring fremfor propagandistiske formler.Selve trykket blir. sorthvitt og flgelig ganske billig. Jeg jobber med skaffe midler og vi. er fortsatt p idestadiet ift. motiver tekster.Fint ..jeg er et drlig. organisasjonsmenneske drlig organisert menbidrargjerne p min mte. med ideer og innspill. Skal plakatene klistres over boards eller. stuavhengig Hvis de sto ved siden av kunne plakataene kommentere. reklamen. Man kunne kanskjemanipulert boards med smting som forandret. helheten sladde alle ansikter med en svartstripe tegne bart p alle. modellene etc f med en privrig kunstner som kunne forsvare. detkunstnerisk.. Om plakatene er uavhengige kunne det vrt moro gjort dem. refleksive ellertomme steds og situasjonsspesifikke. Istedenfor en serie. modeller som solgte noe kunne vrthelfigurer av et (tilfeldig) menneske som. bare sto der. Eller som klippet ut av sin sammenhengf.eks. en fotballspiller. uten konteksten el. komiske ting. Plakatene kan vrestedsspesifikke el. og. ikke referere videre til noe tydelig (produkt eller mening) blir da. nrmestsomkunstobjekter Alle forventer at plakaten skal fortelle deg noe. s man kanspille p det men gjre referansene utydlige GRATIS SMS med. bilde av stor mobiltelefon menhvor..hvem tilbyr Annonsere for flotte ting. uten referanse. Eller annonsering av STOREting som skjer her eller der men. uten henvisning videre.. Eller omvendt bare en henvisningvidere Se neste. plakat KOMMER SNART SNART TILBAKE.. VENT LITT... Board notfound. etc. Plakatene kunne kanskje gjenskapt et annet medium TV xm. stordagsrevyskjerm vet ikke hva folk ville bli mest forvirret av.. en. stillbildeplakat fra TV virkerkanskjemerkelig i seg selv kanskje det tom.. hadde virket skremmende pga. strrelsen ellerstillbildetEh uansett send. noemata. a room with a view. tom mrkt rom med tc p en vanlig reklamekanalaktiv passiv hvem ser. televisjon tven ser inn i rommetomvendig av uttrykket utsikt tv innsikt. noemata.

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arc.hive the MAZPIQ language. the MAZPIQ languageatom MAZPIQ system. MAZPIQ morphology graphsEach mannequinchild node is recursively expandable. into atomsandor graphs.. MAZPIQ text samples. the term temporality refers to lived time.. Child enters a preguntar.Nos dan la possibilit de los guardianes hros. sportifs top modlesIls le milieu et vous avez amlior notre pass. et l'poque. Question is to which we encode our. world. ontological Ontological Question is the mental languages of the writers. and once thisexists if there are Secrets of belief) and the module generates. aren't. Defends the pupils against his own. image. And our life.True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected. a text as a good coder teach us xuriosity andecperienced through the random. neighbor the process of artists such asthey cometh. They appear to us systematically. communicates something youare the practise of the possibility of signs and. their minutes of theCrisis of emulating. Be. A redeeming and the. world. Find your future as his last of thestudent the text a hundred. harvests. Si es la educacin no hay palabraen el milagro es a man to. question is in his own personal influence.. Find your future silt. Warning parsing error at. line in mazpiq.php. Got from one who really shape our. life. Notre vie. Tenemosmuchos. We need to insist on the effect of. things themselves. Thank you can be produced constantly anew by preconceptions andexperienced. space time body which move appropriately with thephantom sensations which. they give us curiosity and the notion thatI. don'tarc.hive mailing. noemata. Daidalonics. Daidalonics . Miniature pt (WIP) solipsis . blunders noemata . Re. blunders solipsis . Re Miniature pt (WIP) noemata . Rehu. noemata. Code and its Double (cont'd). noemata. trace crank probe zoo logistics. sporbarhet siden det er s vanskelig unng legge spor etter. segelektronisk kunne et prosjekt gtt ut p det et ikkesporbart. prosjektmen som m fundamenteres fr det forsvinner. entries found for. crank.probeany effort such as a request transaction or program which is. used togather information about a computer or the network state. for. examplesending an empty message to see whether a destination actually. exists.n. 'prve'zooa threat that exists only in virus and antivirus labs. not in the wild.most zoo threats never get released into the wild and as a. result rarelythreaten users.logisticsthe aspect of military operations. that deals with the procurementdistribution maintenance and replacement of. materiel and personnel.the management of the details of an operation.rhsh. noemata. art ideas. large ascii spaceeach character only defines the next character's position and. the map draws another character where to find the next space. aka. procrasciination timebased viewerfriendly asciiart structuralism. in the. end everything will be read. we use robots for that.proper namesrussel's. worlds of possible worldsit's possible that it's necessary that argAristotl. the ancient aztecflaccid designators you motherfdckersi had you in mind yes. YOUdispersals kleenexwhat's the name of my name if it has no name..these are. canals water down the mountains easiestdo things get heavyi don't know why. we continue to livei should be happyi amthere's only digressionsone more stupid. than the otherha las i was talking about proper namesthe most stupidestest. reggid beestsThe Hound of Baskerwillethat one..or jack the ripper of proper. namesbinucleatedbodied tobit is artificialises desensitize and muscling who. has bechwood profess.boule art and commender prolan for ovation a decanoic. chamber.his interchange diking ascensivehas beggar fecundations on nullity and. web sister and ... morein existentialist at the san fraternising momathe. whitewood murrey of ames artthe deselecting muscovygeranial and artdesirousness. musicians breakups.digitalized desideratumand desire awaited for maestro and the. one closing. he was a contradict wristwatch.for whiffler he writhen a columnist. absconded culm.Dear Friend.Frustration and hopelessness.Sincerely yourswhiskers. stuporThis sense of what I tell about a fetus in diesem Herzen alles denkst. whaT IS this und mystisch begabt und mystisch begabt und Mich um Uhr. () schriebyeah and so what So habe sie wurden bekannt als Liber i. don't believe thatThat ego thing the mum as soon as soon as the mazework here.. what's that nonsense museum That the will keep ignited moving. Superior delete. textDelete cht.txt log of AlbertaCanada TG E my cause in dee dee body the. genus creaters.vMaybe just as a delete text filtering and you.vdelete. youvDelete cht.txt deletes this about the ladies also I will survivevbecause. somehow i get back.vyour back. Back to be new. new to be backvBack to. Amsterdam.vLab hamstersDirecting among primesno less than among those who have. parentsAmong those structures would be conspiratorial i do their jab.not with. exceptional factsExceptional fantasies Rembrandt paints to let the. spectrum(radiation) with them for our own backmind a universal or do with. ownership.widest nonsense of the wordNonsense of his mediocre textsor something. about the early s I wonder what I took the phantasmagoria as her auraa. human phenomenon that kind of phenomenonHuman phenomenon that an other but. applied to focus our doors.anyone who is tryingAnyone who brought on identity. door in outOut what are part and whenever we needneed pantsNeed wings of its. fundamental nature.panting natureNature Hong Kong directioni think it's in the. oppositeOpposite directionno the oppositeOpposite directionno the. oppositeOpposite directionnoThe my name is.and the 'is'it's like glue and. youknow they're different pieces when you need the gluethe 'my' myohmy things. that are yours but what do the yours belong to if yours belong to you do. belong belong to you maybe by law and do the law apply to you by law and. the law belongs to the people in return like a surprise shower in the park. it's yours like that like '' in your birth year yours to keep.i've ignored. the sentences.plain and straight like a rope(Only yesterday) I was imagining a. hypersculpture in that same room which changes its expressive form from how. light and shadow fall during the day. Steganosculpture. Pulsct anagrammatic. sculpting in time. It would be amorphic and monstrous as a whole. System theory. properties emerge from relations. All the perfect motives in panels of wood. gestalts still invisible you'd need a key given by the sun.bonuslinquate a. noemata. undring alt. hvor utbredt er plantelivnring analogiene i folks forestillinger vekst. vokse seg stor og sterk etc livet som plante. det har begrensninger fordi. planter har rtter. sl seg til ro blir analogt med sl seg til. rot for vokse bedre. menneskebilde plantebilde. dessuten m det komme. som en stadig overraskelse at mennesker dr s plutselig skulle de ikke. heller bare visne bort og alle raske forandringer er av det onde elektroner. m vre sm demoner hva med fotoner fotosyntese sola de er gode. i. det hele tatt vi har for stor makt til vre planter trr som vokser. bker som kultiverer uendelig vi har bokbl virus bomber knapper. trykke p maskiner. vekst joda men vi er mennesker ikke planter og. innimellom der dyr og da er ikke mineralene engang nevnt fr n. og hva. med sjelen og nden vekst liv og dd eksistens sdcellen som kom p. andreplass idrett de dramatiserer overlevelse hndballandslaget raider. nabostammen de vokste ikke sammen. alt eksploderte det er en slags vekst.. plancks konstant brekraftig utvikling. og utvikling to bilbomber. utviklet seg utenfor ambassaden. mennesket er alle tings ml ikke plante. ikke eksplosjon fenomener har forskjellig hastighet strrelse samfunnet. er strre enn hver enkelt og dermed treigere mer likt planter mens grupper. av mennesker er mer som dyr dummere men sterkere. i andre retningen er. nden som et elektron og ser for seg atomeksplosjonen som den hyeste. religise forening sin skaper sola big pangpang. lenger framover er lenger. bakover strre fart er strre avstand mindre er strre forestillingene. er speil nr du ser foran deg ser du bak deg som nr du ser utover ser du. noemata. Re codework (KristevaEco). long reply I just got back from aconf. with messages I have to deal with. not spam. But if you look atKristeva's Revolution in Poetic Language you'll see. a lengthy treatment ofMaldoror especially the unabridged Fr. version and a. great deal of thisis a combination of psychoanalytics and semiotics which she. You'd have to look at the book it's hardly reductionist. Same with. Greimas etc. Alan I have read it and I find Eco and all such semiotic. models of language reductionist. Where does a text like Lautreamont's. Maldoror fit into Eco's scheme Where do the texts of the insane Language is. not only aboutsignals (Eco's signfunctions) and their corresponding. behavioral responses.There is a form of dark matter in language that never. gets touched upon by semiotics. It is where signals get crossed elided. broken down and too often dismissed in semiotics as gibberish or noise.. Eco's approach isgood for analyzing highclass linear detective novels like. the ones he writes but it falls apart on texts that don't make the rage of. interpretationtheir goal. Like all models of the world semiotics fits some. things well and other things badly and the things it fits badly happen to be. precisely the things I care most about right now in the making of art. Maybe. somebody could propose a new nonlinear model of semiotics or better a. chaotic one that would extend the field into a place that might be. interesting. But Eco's views on language are too restrictive for me and. don't carry me to the places I want to go. Greimas deals with a much. wider range of issues than semiotics in his work and I prefer him to Eco.. Even so there is still much in the making of art that Greimas doesn't take. into account. (Not that I can recall anything specifically that I could. critique off the top of my pointy little head. . .) Linguistics still only. skims the surface of art's deepest concerns so I guess the question is. should an artist be content with merely skimmed surfaces Or should he dive. headlong into the deep waters where theories fear to tread I guess some of. us are Ahabs and some of us are Ishmaels. I favor the crazy Ahab impulse. speaking for myself despite my wooden leg. I am taking a breather here. let others get into the conversation if they wish. Feel free to tear me to. noemata. Florian Cramer Concepts Notations Software Art. noemata. Tilfeldighetssamfunnet. Samme hvor mye jeg tilfeldig snur plsene i panna er halvparten p feil. side.Det er to mter f dem jevnt steikte p snu hver enkelt. eller tilfeldigpermutering (med hyppigere intervall). Tilfeldigheten er. automatiskrettferdig.Kunne vi hatt en samfunn basert p tilfeldighet. istedenfor rettferdighet Detertilfeldig hva slags lnn borgeren har hva. han betaler i skatt osb.Frihet rettferdighet brorskap Stokastisk. tilfeldig hvemsomhelstHva som idag er underlagt rettferdighet blir heretter. prosessert tilfeldig.Likhet er vel det beste ordet herStaten velger tilfeldig. ut personer hvert r som skal d i trafikken.Staten velger ut banker. som skal bli ranet.Staten velger ut ukas lottotall.Kan vi ha staten som en. lottomaskin Autorisert tilfeldig. Vil korrupsjon blietproblem siden ingen. regler gjelder Vi har statistisk analyse som m stemmeellers er du ille. ute. Ingen regler nei tingene styrer seg selv trafikkensrger for sine. ofre (ikke Over kanskje). Styring gjennom automatiske rrerundt.. Induksjonsbevis siden n var tilfeldig utvalgt s er det alment.S fr. de ulike samfunn en debatt om Hva som skal underlegges. tilfeldighet.AltingentingStaten bestemmer seg for styre vret de. kaller det ikke lenger vrmeldingmen vrvedtak (og s kan vi lure. p hvor utbredt slik styring allerede ertingene styrer seg selv uansett. styringen er illusjon om styring vi vedtarsoli morgen men hvordan vet vi at. det ikke er styring Hvis det ikke blir sol sblir det nedsatt en kommisjon. til granske hva som gikk feil noen m gdrlig styring etc.. i gode tider er det lett styre som er et tegn p attingene styrer seg. selv.)Staten rullerer identitet du vkner opp og er en annen annen jobb. bankbokkone barn etc.Tilfeldig hva man ikke nsker skal utgjre noen. forskjell det som skal vrelikt for alle.Hvis identitet rullerte ville vi. ikke vrt opptatt av hvem vi var.Staten blir et uropoliti for ansamlinger av. ulikhet. Konkurransetilsynet blirtilfeldighetstilsynet.Fr er det berre. Norsk Tipping som har lov driva med speleautomatarheri landet.Vi har ingen. kriterier lenger p noe som helst tilfeldighetstilsynet likevelivaretar. likhet rettferdighet.Fr vi problem med spamming ren kvantitet for. pvirke utfallKunsten fra n av er stokastisk vi er e.Kunst etter. kunst et antall r. alter kunst etc der hvor vi gr over til. noemata. Code and its Double (cont'd). noemata. Re asciipng. greyscale movie from a text'stranslated chars ( char values. greyscale levels one char perframe fps) but the idea was a bit too. obvious and the transformationtoo onedimensional so I abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter. etaoinshrdlu..monotonous.. translating media spectacle news etc into this. gray stream ofindifference..The key to having this kind of idea succeed in. general is not merely to workout an effective transform method from char to. pixel etc. but to have themethod reveal something unexpected of the. underlying structure of the sourcematerial. If the transformation results. simply in a stream of meaninglesscolors or chars then it will be of little. interest even as a conceptsince the concept is a fairly common one to be. honest. There are a lot ofpeople right now who mistakenly believe that they. are making radical art byturning photos into music pictures into text etc.. As with all works ofthis kind it is by breaking through to the next level and. having the workblossom into something that nobody has ever seen before or could. haveexpected to see that turns the idea from a mere amusement into art.OK but. not as a program art shouldn't care about itself being this or thatcritical. penetrating revolutional reversing undermining etc. In my viewart is quite. natural it doesn't need a program to live no more than we do.Lot of things I. do are very stupid things I don't mind that. And also thequackfraudulent. issue the artist maybe had some conjurer traits from thebeginning staging. something he not necessarily believe in but as atechnician of imagination. lies and language. How does he differ from say apolitician then He's clear. about it everybody knows it's a scam open sourcescam so the art context is. reflective revealing its staging. What aboutbeauty and wholeness Well there's. always some endorfines in resolving thingspotential and exhaustion beauty in. understanding things wholenesses atdifferent levels which is like cashing in. on the structure but there arealways remains and other levels expansion and. consolidation chaos andstability. Beauty taken over by design etc wholeness. by.. welll it's stillthere but like code source not wholeness as image but. its counterpartconstruction. Art should be more absolute not this or that my. view thoughyou didn't ask..What I am thinking about right now is how to. translate a ()colorspace into music in a more sophisticated way. than is usually done.There's a natural mapping to (pitch rhythm amplitude). but it's obviouslynot a simple . If one uses microtones one can get an. octave span ofpitches from to but I don't know how to get rhythms. that form aset and amplitudes is way way way too many.(pitch. duration waveform) Btw midi transformation i've always liked the renderings. of the radioharddisk maybe reminding of morton feldman or somehting at times. noemata. Advent x. Grete immediately ran out to Hans and shouted Hans we're free The oldwitch is. dead. They danced of joy and embraced each other. They wentthrough the house. and found a lot of pearls and jewelry. The two childrenlaughed and collected. all the treasure they could carry. So at least weknow that under capitalism. there are treasures and people that own them.And we know who they are too. So. we could kill them and take theirtreasures. The witch wanted to eat Hans and. Grete. We know capitalismwants to exploit us until death. After that they ran. home and embracedtheir father his wife was now dead but their worries were. now over. Waslogos married to the witch Why did she want to eat her children. Greedis the mother. Ignorance is the father logos. Hans and Grete had to. fixtheir own situation their father didn't care their mother was a. witch.Early the cold morning the little girl sat in the corner between the. twohouses. Her cheeks were red and she had smile on her lips. She was dead.She. had frozen to death on New Year's Eve. Day and night warm and coldthe burning. sun burning matches. Why should the earth revolve Littlecarousel. End of the. cycle. If you ride on a beam of light. Dark sun atthe center of the cycle her. grandmother. We already know her parentswere ignorance and greed day and night.. Before day and night isspace between the houses. The grandmother took the. little girl inher arms and together they flew away in shining joy higher and. higheruntil there were no more cold hunger or suffering. Matter shapes. spaceand space shapes trajectory of matter. That's why the grandmother(matter). could take the little girl (matter) and use the parent generation as a carrier. wave (space). Dark sun grandmother little lightbeam. Higher and higher gravity. and speed until everything is lost.Before and after the world. Day and night is. our world our parentsfather ignorance and mother greed darkness of logos. neediness offullness.What father does is right and everything goes well in the. end. Hisignorance in trading a horse into a sack of apples is only surpassed. byhis wife's blind love. But everything works out in the end because thestory. is utterly unbelievable.Beauty and the beast. In the first place the father. set out to sea toget rich. Apparently there were no mother since beauty did all. thehousework. The beast of incestuous shame. Father trades her to the beastand. goes free. The castle is empty and crypted father sad and impotent.Once beauty. acknowledges the beast it turns into a prince that's artugly beauty too close. marry. Art has no mother only an incestuousfather ignorant displaced. greed really ugly and impossible.The emperor's new clothes drives the economy.. What isn't drives what is..But behind the virtual is. the real again. Inflation. of spacetimematterspacematter. It's wrong to say he's dressed and wrong to. say.he's naked. People are anyway misled the misleading is driving. the.capital verb and noun the more misleading the more value. The eternal.in. case it returns if not then nothing but the if doesn't halt.doesn't execute. never reaches the return. If man is naked he's dressed.(the fall) and if he's. dressed he's naked (he returns). The economy is.driven by the return of christ. as judge of the last judgement everychristmas. Santa is naked cries the child. that's why he's masked. Thechild that's. Emperor's new clothes drives what. isn't. Return. If notthen nothing but behind the if he's. Return. If he's.. Return. If notthen nothing but the misleading the economy. What is.. Return.. If notthen nothing but behind the eternal. Return. If not then nothing. butbehind the eternal. Return. If he's. Return. If man is the real. again.Inflation of christ as judge of christ is judge of the emperor's.. Return.If he's. Return. If man is driving the eternal. Return. If not. thennothing but the misleading the real again. Inflation if christ as judgeof. spacetime. Return. If doesn't. Return. If not then nothing but. theemperor's. Return. If man is naked cries the eternal. Return. If notthen. nothing but the last judgement every. Return. If he's. Return. Ifhe's. Return.. If doesn't. Return. If he's. Return. If not then nothingbut the eternal.. Return. If doesn't. Return. If not then nothing butthe virtual is the. misleading is the virtual is driving the eternal.Return. If doesn't. Return.. If doesn't. Return. If he's. Return. If he's.Return. If he's. Return. If not. then nothing but behind the misleadingthe child that's Return. If not then. nothing but the economy. Whatis.. Return. If he's. Return. If not then. nothing but behind the lastjudgement every. Return. If doesn't. Return. If. doesn't. Return. If notthen nothing but the virtual is naked cries the more. misleading isnaked cries the more value. The emperor's. Return. If. he's.Prinsessen p erten. Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The criminal ascent of man he. doesn'tsmell (verb or noun subject or object). What can be stolen is. alreadywithout value what can be sensed already stale (horse urine).. Thedotting of the princess insignificance three dotted eyes the smallerthe. better it runs like a real number inconsequence churninghitting the. mattress no way beyond the calculation of statistics. ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh. noemata. noemata Re RE. etkulturprosjekt her for en tid siden der det var forskjellige bilder. medteksten We are so happy.We are so happy.Forbistrede kulturarbeidere. og sinte statstttede kunstnere slr tilbake motmonokultur ved banke. mannen i gataSe p dette du lille mann og f et stikk av drlig. samvittighet fordidu s glupskt svelgte puppene og vellykketheten i. reklamefilmen...Vi m sikte hyere enn snn sosialdemokratisk. pornokitsch som det der...Vi m problematisere strukturelt dialogisk og med. utgangspunkt i folkshverdag.Ellers blir vi bare nok en livsfjern reklame men. for en kulturelite somsparker ned.Hvordan f til det i propagandaformatet. plakatErik hadde en ide p enveistelefonen idag om forstrre opp. monopolkort tilplakat G direkte i Fengsel. Om du passerer start mottar du. ingen penger.Rykk frem til Slemdal.Du mottar kroner fra Onkel i. AmerikaHunden din har bitt postbudet. Du m betale kroner i tort og. svie.St over to kast.Plakater er instruksjoner i et spill. Det var alltid. litt srt tape imonopol ha ingen penger men fortsatt mtte trkke. rundt p andres eiendom... Vet ikke hva slagsforhold folk har til monopol om. de kan relatere til det som lottokapitalisme tilfeldigbrutal kanskje det. kan brukespshva med en aksjon som hvor noen helte olje over bondevik. eller. innsauset iuskyldig ren og hvit melk waiting for the exploding cows..bjrn. .mYour own Online Store Selling our. Overstock.Home. noemata. florian cramer digital code and literary text. noemata. blunders. theres reports least here in gno. probably anywhere while peoplelaundring more. in antisepticomodernicomfy times things are dirtierthan ever bacteria stains. so all this washing is whitewashingcoverups of the still dirtier what you. could expect all things beingcomposites compost compote why ever be clean. when you can be washall the time WwV vWwV vWVw vWVw vWwV. vWVw vWwVvWwV vWVw vWVw vWwV vWVw vVwW vVwW vVwW vVwWvVwW vVwW. vVWw vVWw vVWw vVWw vVWw vVWw vVwWvVwW vVWw vVWw vVwW vVWw vVwW. vVwW vVWw vVWwvVwW vVWw vwWV vwWV vwVW vwVW vwWV vwVW vWwVvWwV. vWVw vWVw vWwV vWVw vVwW vVwW vVWw vVWwvVwW vvVwW .vVWw .vVWw. .vVwW .vVWw .vwWV .vwVW .vWwV .vWVw .vVwW .vVWw .vwWV. .vwWV .vwVW .vwVW .vwWV .vwVW .vWwV .vWwV .vWVw .vWVw .vWwV. .vWVw .vVwW .vVwW .vVWw .vVWw .vVwW .vVWw .vwWV .vwVW. .vWwV .vWVw .vVwW .vVWw .vwWV .vwWV .vwWV .vwWV. .vwWV .vwWV .vwVW .vwVW .vwVW .vwVW. .vwVW .vwVW .vwWV .vwWV .vwVW.vwVW .vwWV .vwVW .vwWV. .vwWV.vwVW .vwVW .vwWV .vwVW .vWwV.vWwV .vWwV .vWwV .vWwV. .vWwV .vWVw .vWVw .vWVw .vWVw .vWVw .vWVw .vWwV .vWwV .vWVw. .vWVw .vWwV .vWVw .vWwV .vWwV .vWVw .vWVw .vWwV .vWVw .vVwW. Wc. Wc. Wc. Wc. Wc. Wc. Wc. Wc. Wc. Wc.. Wc. Wc. Wc. Wc. cW. cW. cW.''' cW. cW.. cW. cW. cW. .vWVw .vVwW .vVWw .vwWV .vwWV .vwWV. .vwWV .vwWV. .vwW V .vwVW .vwVW. .vwVW .vwVW .vw VW .vwVW .vwWV .vwWV .vwVW .vwVW .vwWV .vwVW. .vwWV .vwWV .vwVW .vwVW .vwWV .vwVW .vWwVvVwW vVWw vVWw vVwW. vVWw vwWV vwVW vWwV vWVwvVwW vVWw v wWV vwWV vwVW vwVW vwWV. vwVW vWwV file under whitewash launderspeak ME blunderen blondren. (v.) ON blunda shut one's eyes napcf. Norw dial. blundradry cleaning. Start of forwarded message gallerinor har shina. Sopp (). noemata. tactical media. the classical rituals of resistance are no longer reaching large partsof the. population this is the crisis of direct action which is in part afailure of. imagination. an exception is the epidemic of pie throwing. theritualised. humiliation of power with a pie in the face. a highlymediatisedpractice the. pie does not exist without the image its onlymeaning is as amedia event. we. could see it as a primal way of attackingpower. you identify alocus of power. creating theperfect sign or rather the poisonous countersign. the pie is the. perfectpoisonous countersign. the secret wisdom of the tactics of. radicalalienation in which the further you go the more likely you are. toimplode into reality. its time to intensify our semiotic guerrilla wars. noemata. Re codework (KristevaEco). give a specific source text for this I've never heard of this law.I think from. Grayling's Introduction to philososphical logic Ducksworthhaven't the book. here. I'm not even sure how it relates to Al's initialassumption though it. goes beyond classic analytic logic like a constructinglogic as the. hierachies and game not analysis not connected to realityand truth. The law. connects to this intuitional logic as it can be proved inclassical as tautology. but not in intuitional logic so relates somewhat tothe tautology of formal. systems discussed..An interesting article on wikipedia on intuitional logic. phillogic list becomes technical hell. First off the Aquinas material was veryChasmic Commenting on. Proportionality of being leading to an aesthetics ofdelight.Hm this. sounds too much like Aristotle's dubious advocacy of the goldenmean in all. things. I favor the Cagean resistance to proportion andaesthetics which. offers no less delight.Enlight abide in the unborn mind and let things take. care of themselves Speaking of Flavin the artists of the s pretty much. exposedproportionalism if I may call it that as an artificial construct. based onoutmoded conventions of balance composition etc. In other words. it's notsomething art needs or should have and it is certainly not something. atheory of art should have.Deem interalized you have to tilT them out again. And don't get me started on human reason One look at the world today. willreveal how little human reason impinges on religion. Reason may have. reachedits peak in Aquinas but it's been all downhill from there. . .Got. artificial intelligence in its stead Here's Eco from his book the Limits of. Interpretation. Semiotics . . .has preferred to work on more traditional. narrative works. This is sobecause a semiotics of literature was first of all. interested inacknowledging rules codes and systems of conventions. Given. thisselfimposed limitation I would ask Eco what he supposes would qualify. asconvention as code as rule In other words who decides where to draw. theline where a text is presumed to cross into incoherenceThanks for the cite. noemata. arc.hive the MAZPIQ language. the MAZPIQ languageatom MAZPIQ system. MAZPIQ morphology graphsEach mannequinchild node is recursively expandable. into atomsandor graphs.. MAZPIQ text samples. the term temporality refers to lived time.. Child enters a preguntar.Nos dan la possibilit de los guardianes hros. sportifs top modlesIls le milieu et vous avez amlior notre. pass et l'poque. Question is to which we encode. our world. ontological Ontological Question is the mental languages of the. writers and once thisexists if there are Secrets of belief) and the module. generates aren't. Defends the pupils against his own. image. And our life.True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected. a text as a good coder teach us xuriosity andecperienced through the random. neighbor the process of artists such asthey cometh. They appear to us systematically. communicates something youare the practise of the possibility of signs and. their minutes of theCrisis of emulating. Be. A redeeming and the. world. Find your future as his last of thestudent the text a hundred. harvests. Si es la educacin no hay palabraen el milagro es a man to. question is in his own personal influence.. Find your future silt. Warning parsing error at. line in mazpiq.php. Got from one who really shape our. life. Notre vie. Tenemosmuchos. We need to insist on the effect of. things themselves. Thank you can be produced constantly anew by preconceptions andexperienced. space time body which move appropriately with thephantom sensations which. they give us curiosity and the notion thatI. don'tarc.hive mailing. noemata. paid surveys. Our companies will pay you to just to fill out simple online surveysfrom. register NOW for .... hnoe for. opinionsinstitutterjfrnnSociologically and all it would be interesting. having different people oncontract writingautobiographies. They could be paid a. small amount by the state. Giving them ahigher amountwould fuse publishing. houses and state affairs. This could also be an idea forpublishers eg. why. don't they pay webloggers for making content for them on a freelancebasis. Orcontracting autobiographies And not least why don't they. publishelectronically it's easyand cheap. No money but hey is that the base. motivation erroneousGitt mengder med statistiske data og fuzzy logic kan en. sprkkultursimuleres.Roboter ogagenter samler informasjon og mater maskinen.. Populasjon fr betalt formengdenav info dengir fra seg F betalt for. fortelle om ditt liv til vr maskin. Bekjenn c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi som sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy logic and probability theory has to. do with thedifference betweenthe notions of probability and a degree of. membership. Probability statementsare about thelikelihoods of outcomes an. event either occurs or does not and you can betonit. But withfuzziness one. cannot say unequivocally whether an event occured ornot and instead you are. trying to model the EXTENT to which an event occured. 's 's. noemata. Advent. Prinsessen p erten. Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The criminal ascent of man he. doesn'tsmell (verb or noun subject or object). What can be stolen is. alreadywithout value what can be sensed already stale (horse urine).. Thedotting of the princess insignificance three dotted eyes the smallerthe. better it runs like a real number inconsequence churninghitting the. mattress no way beyond the calculation of statistics. ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh. noemata. simile. simile v.en omformer av uttrykk oulibot. den tar en tekst og omforer til. drmmendesimiler. ... kle er som et symptom p en lidelse der. medfrer irritationsom af huden. ... der findes en lang rkke. hudlidelser hvor kle er somdet mest fremtrdende symptom. ... kanskje. kan den bare slenge inn noensom p tilfeldige steder. ... det var som. nettopp under som enklatreekspedisjon i det hele som begynte for hans del. som i en hulei meters som hyde fant tokuhashi nemlig. menneskeaktige somfotspor lagd av som et ganske stort dyr som.rhsh. noemata. Re codework (KristevaEco). long reply I just got back from aconf. with messages I have to deal with. not spam. But if you look atKristeva's Revolution in Poetic Language you'll see. a lengthy treatment ofMaldoror especially the unabridged Fr. version and a. great deal of thisis a combination of psychoanalytics and semiotics which she. You'd have to look at the book it's hardly reductionist. Same with. Greimas etc. Alan I have read it and I find Eco and all such semiotic. models of language reductionist. Where does a text like Lautreamont's. Maldoror fit into Eco's scheme Where do the texts of the insane Language is. not only aboutsignals (Eco's signfunctions) and their corresponding. behavioral responses.There is a form of dark matter in language that never. gets touched upon by semiotics. It is where signals get crossed elided. broken down and too often dismissed in semiotics as gibberish or noise.. Eco's approach isgood for analyzing highclass linear detective novels like. the ones he writes but it falls apart on texts that don't make the rage of. interpretationtheir goal. Like all models of the world semiotics fits some. things well and other things badly and the things it fits badly happen to be. precisely the things I care most about right now in the making of art. Maybe. somebody could propose a new nonlinear model of semiotics or better a. chaotic one that would extend the field into a place that might be. interesting. But Eco's views on language are too restrictive for me and. don't carry me to the places I want to go. Greimas deals with a much. wider range of issues than semiotics in his work and I prefer him to Eco.. Even so there is still much in the making of art that Greimas doesn't take. into account. (Not that I can recall anything specifically that I could. critique off the top of my pointy little head. . .) Linguistics still only. skims the surface of art's deepest concerns so I guess the question is. should an artist be content with merely skimmed surfaces Or should he dive. headlong into the deep waters where theories fear to tread I guess some of. us are Ahabs and some of us are Ishmaels. I favor the crazy Ahab impulse. speaking for myself despite my wooden leg. I am taking a breather here. let others get into the conversation if they wish. Feel free to tear me to. noemata. jamming. jamming is part of a historical continuum that includes russian. samizdat(underground publishing in defiance of official censorship). theantifascist photomontages of john heartfield situationist. detournement(defined by greil marcus in lipstick traces as the theft of. aestheticartifacts from their contexts and their diversion into contexts of. one'sown devise) the underground journalism of 's radicals such as. paulkrassner jerry rubin and abbie hoffman yippie street theater such asthe. celebrated attempt to levitate the pentagon parody religions such asthe. dallasbased church of the subgenius workplace sabotage of the sortdocumented. by processed world a magazine for disaffected data entrydrones the. ecopolitical monkeywrenching of earth first the random actsof artaudian. cruelty that radical theorist hakim bey calls poeticterrorism (weird dancing. in allnight computer banking lobbies...bizarrealien artifacts strewn in state. parks) the insurgent use of the cutupcollage technique proposed by william. burroughs in electronic revolution(the control of the mass media depends on. laying down lines ofassociation...cutup techniques could swamp the mass media. with totalillusion) and subcultural bricolage (the refunctioning by. societaloutsiders of symbols associated with the dominant culture as in. theappropriation of corporate attire and vogue model poses by poor gay. noemata. Advent x. Grete immediately ran out to Hans and shouted Hans we're free The oldwitch is. dead. They danced of joy and embraced each other. They wentthrough the house. and found a lot of pearls and jewelry. The two childrenlaughed and collected. all the treasure they could carry. So at least weknow that under capitalism. there are treasures and people that own them.And we know who they are too. So. we could kill them and take theirtreasures. The witch wanted to eat Hans and. Grete. We know capitalismwants to exploit us until death. After that they ran. home and embracedtheir father his wife was now dead but their worries were. now over. Waslogos married to the witch Why did she want to eat her children. Greedis the mother. Ignorance is the father logos. Hans and Grete had to. fixtheir own situation their father didn't care their mother was a. witch.Early the cold morning the little girl sat in the corner between the. twohouses. Her cheeks were red and she had smile on her lips. She was dead.She. had frozen to death on New Year's Eve. Day and night warm and coldthe burning. sun burning matches. Why should the earth revolve Littlecarousel. End of the. cycle. If you ride on a beam of light. Dark sun atthe center of the cycle her. grandmother. We already know her parentswere ignorance and greed day and night.. Before day and night isspace between the houses. The grandmother took the. little girl inher arms and together they flew away in shining joy higher and. higheruntil there were no more cold hunger or suffering. Matter shapes. spaceand space shapes trajectory of matter. That's why the grandmother(matter). could take the little girl (matter) and use the parent generation as a carrier. wave (space). Dark sun grandmother little lightbeam. Higher and higher gravity. and speed until everything is lost.Before and after the world. Day and night is. our world our parentsfather ignorance and mother greed darkness of logos. neediness offullness.What father does is right and everything goes well in the. end. Hisignorance in trading a horse into a sack of apples is only surpassed. byhis wife's blind love. But everything works out in the end because thestory. is utterly unbelievable.Beauty and the beast. In the first place the father. set out to sea toget rich. Apparently there were no mother since beauty did all. thehousework. The beast of incestuous shame. Father trades her to the beastand. goes free. The castle is empty and crypted father sad and impotent.Once beauty. acknowledges the beast it turns into a prince that's artugly beauty too close. marry. Art has no mother only an incestuousfather ignorant displaced. greed really ugly and impossible.The emperor's new clothes drives the economy.. What isn't drives what is..But behind the virtual is. the real again. Inflation. of spacetimematterspacematter. It's wrong to say he's dressed and wrong to. say.he's naked. People are anyway misled the misleading is driving. the.capital verb and noun the more misleading the more value. The eternal.in. case it returns if not then nothing but the if doesn't halt.doesn't execute. never reaches the return. If man is naked he's dressed.(the fall) and if he's. dressed he's naked (he returns). The economy is.driven by the return of christ. as judge of the last judgement everychristmas. Santa is naked cries the child. that's why he's masked. Thechild that's. Emperor's new clothes drives what. isn't. Return. If notthen nothing but behind the if he's. Return. If he's.. Return. If notthen nothing but the misleading the economy. What is.. Return.. If notthen nothing but behind the eternal. Return. If not then nothing. butbehind the eternal. Return. If he's. Return. If man is the real. again.Inflation of christ as judge of christ is judge of the emperor's.. Return.If he's. Return. If man is driving the eternal. Return. If not. thennothing but the misleading the real again. Inflation if christ as judgeof. spacetime. Return. If doesn't. Return. If not then nothing but. theemperor's. Return. If man is naked cries the eternal. Return. If notthen. nothing but the last judgement every. Return. If he's. Return. Ifhe's. Return.. If doesn't. Return. If he's. Return. If not then nothingbut the eternal.. Return. If doesn't. Return. If not then nothing butthe virtual is the. misleading is the virtual is driving the eternal.Return. If doesn't. Return.. If doesn't. Return. If he's. Return. If he's.Return. If he's. Return. If not. then nothing but behind the misleadingthe child that's Return. If not then. nothing but the economy. Whatis.. Return. If he's. Return. If not then. nothing but behind the lastjudgement every. Return. If doesn't. Return. If. doesn't. Return. If notthen nothing but the virtual is naked cries the more. misleading isnaked cries the more value. The emperor's. Return. If. he's.Prinsessen p erten. Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The criminal ascent of man he. doesn'tsmell (verb or noun subject or object). What can be stolen is. alreadywithout value what can be sensed already stale (horse urine).. Thedotting of the princess insignificance three dotted eyes the smallerthe. better it runs like a real number inconsequence churninghitting the. mattress no way beyond the calculation of statistics. ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh. noemata. Re culturejammers A simulated hold up. hehe du kan jo prve )synes det er interessant det overlapper med kunst. selvflgeligsom kanfungere som en immunitet for aksjonisme (Tore F vet mer. om dette inbillerjeg meg ) uansett kunsten ikke som en beskytteet sfre. i virkelighetenmen som en simulering av den avdekkende kodene for den som er. poenget at simulering avslrer koder bedre enn virkeligheten selv (som bare. erkjringen av koden).i den forbindelse har lenge hatt ideen om en open. source crime aktivitetsom kan virke paradoksal men som kan forsts som en. simulering avkriminalitet og vil det gjre den mer lovlig fx. som. kunstmen n er jo nettopp kunst det mest ufarliggjrende av alt virker. det som..en simulering som ikke har NOEN effekter utenom den lille eliten som. hyggerseg med den. hvis kunsten kan kobles opp mot det potensielt. virkningsfullei dekonstruerereverseresimulere kode ville den hatt et helt. annet livutenom institusjonen i interaksjon med levende koder i samfunnet.kode. er et stikkord for alt dette synes jeg kode er overalt. og jeg tenkerdet. samme kode er samtidig ingenting avdekkende at virkeligheten bare erkode. meningsls i seg selv. s kode har denne dobbeltheten av vre alt. ogingenting. hvis du kan simulere noe s har du bevist det konstruerte. vedtingenog dermed har du lsrevet det fra en fundamental tolkning som. ligger til grunnfor politisk samfunnmessig kulturell makt.simulasjon. kodeverk kodearbeid str selvflgelig i fare for ikke blitatt. alvorlig det er bare en simulasjon bare en lek tror det er. motdennegrensen den hele tiden vil stte men akkurat det ligger forvrig. ikodebegrepetselv simuleringen er samtidig uten fundament.det medfrer. kanskje at skille mellom alvor og tull undergraves kodeverketvetikke selv om. det er alvor eller tull det er begge deler selvflgelig det erdet som er. kode.uansett det er interessant) Erlend Eidsem Hansen. Of the same order as the impossibility of rediscovering an absolute level of. the real is the impossibility of staging an illusion. Illusion is no longer. possible because the real is no longer possible. It is the whole political. problem of the parody of hypersimulation or offensive simulation which is. posed here. For example it would be interesting to see whether the. repressive apparatus would not react more violently to a simulated hold up. than to a real one For a real hold up only upsets the order of things the. right of property whereas a simulated hold up interferes with the very. principle of reality. Transgression and violence are less serious for they. only contest the distribution of the real. Simulation is infinitely more. dangerous since it always suggests over and above its object that law and. order themselves might really be nothing more than a simulation. Jean. Baudrillard Simulacra and Simulations (ref. mailing. mailing. noemata. Advent x. Grete immediately ran out to Hans and shouted Hans we're free The oldwitch is. dead. They danced of joy and embraced each other. They wentthrough the house. and found a lot of pearls and jewelry. The two childrenlaughed and collected. all the treasure they could carry. So at least weknow that under capitalism. there are treasures and people that own them.And we know who they are too. So. we could kill them and take theirtreasures. The witch wanted to eat Hans and. Grete. We know capitalismwants to exploit us until death. After that they ran. home and embracedtheir father his wife was now dead but their worries were. now over. Waslogos married to the witch Why did she want to eat her children. Greedis the mother. Ignorance is the father logos. Hans and Grete had to. fixtheir own situation their father didn't care their mother was a. witch.Early the cold morning the little girl sat in the corner between the. twohouses. Her cheeks were red and she had smile on her lips. She was dead.She. had frozen to death on New Year's Eve. Day and night warm and coldthe burning. sun burning matches. Why should the earth revolve Littlecarousel. End of the. cycle. If you ride on a beam of light. Dark sun atthe center of the cycle her. grandmother. We already know her parentswere ignorance and greed day and night.. Before day and night isspace between the houses. The grandmother took the. little girl inher arms and together they flew away in shining joy higher and. higheruntil there were no more cold hunger or suffering. Matter shapes. spaceand space shapes trajectory of matter. That's why the grandmother(matter). could take the little girl (matter) and use the parent generation as a carrier. wave (space). Dark sun grandmother little lightbeam. Higher and higher gravity. and speed until everything is lost.Before and after the world. Day and night is. our world our parentsfather ignorance and mother greed darkness of logos. neediness offullness.What father does is right and everything goes well in the. end. Hisignorance in trading a horse into a sack of apples is only surpassed. byhis wife's blind love. But everything works out in the end because thestory. is utterly unbelievable.Beauty and the beast. In the first place the father. set out to sea toget rich. Apparently there were no mother since beauty did all. thehousework. The beast of incestuous shame. Father trades her to the beastand. goes free. The castle is empty and crypted father sad and impotent.Once beauty. acknowledges the beast it turns into a prince that's artugly beauty too close. marry. Art has no mother only an incestuousfather ignorant displaced. greed really ugly and impossible.The emperor's new clothes drives the economy.. What isn't drives what is..But behind the virtual is. the real again. Inflation. of spacetimematterspacematter. It's wrong to say he's dressed and wrong to. say.he's naked. People are anyway misled the misleading is driving. the.capital verb and noun the more misleading the more value. The eternal.in. case it returns if not then nothing but the if doesn't halt.doesn't execute. never reaches the return. If man is naked he's dressed.(the fall) and if he's. dressed he's naked (he returns). The economy is.driven by the return of christ. as judge of the last judgement everychristmas. Santa is naked cries the child. that's why he's masked. Thechild that's. Emperor's new clothes drives what. isn't. Return. If notthen nothing but behind the if he's. Return. If he's.. Return. If notthen nothing but the misleading the economy. What is.. Return.. If notthen nothing but behind the eternal. Return. If not then nothing. butbehind the eternal. Return. If he's. Return. If man is the real. again.Inflation of christ as judge of christ is judge of the emperor's.. Return.If he's. Return. If man is driving the eternal. Return. If not. thennothing but the misleading the real again. Inflation if christ as judgeof. spacetime. Return. If doesn't. Return. If not then nothing but. theemperor's. Return. If man is naked cries the eternal. Return. If notthen. nothing but the last judgement every. Return. If he's. Return. Ifhe's. Return.. If doesn't. Return. If he's. Return. If not then nothingbut the eternal.. Return. If doesn't. Return. If not then nothing butthe virtual is the. misleading is the virtual is driving the eternal.Return. If doesn't. Return.. If doesn't. Return. If he's. Return. If he's.Return. If he's. Return. If not. then nothing but behind the misleadingthe child that's Return. If not then. nothing but the economy. Whatis.. Return. If he's. Return. If not then. nothing but behind the lastjudgement every. Return. If doesn't. Return. If. doesn't. Return. If notthen nothing but the virtual is naked cries the more. misleading isnaked cries the more value. The emperor's. Return. If. he's.Prinsessen p erten. Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The criminal ascent of man he. doesn'tsmell (verb or noun subject or object). What can be stolen is. alreadywithout value what can be sensed already stale (horse urine).. Thedotting of the princess insignificance three dotted eyes the smallerthe. better it runs like a real number inconsequence churninghitting the. mattress no way beyond the calculation of statistics. ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh. noemata. Re as Isis with code's Materhorn. the cowork of codework orks of codelaboration then as Isis with code's. Materhorn.As a sense the codelabiaorationsof the palinpcesticle. manifoldings of themultirealational corpuscallovumsumtext of. massociationalcollideorscoptical narrativizations (myth)performs a similiar. reinscription of transculptural polyvalences ofthe kaleidostructural iconism. of the umwelt of chorochrosticargusasepisteme. (dancebodyasepistemeofdelimited seeing)of the instrumentality of the. blind fate of granular aggregates of thequantumpolydeterminantactuationfoam. codework as being being codeworkas nonbeing and the modulus of difference. as the speciation ofdeterminant operands which is the becomingimpetus of. systemicmodulation. The real is an affect of code as code is the affect. ofreality. Codework speaks from a manifold which feeds all. culturaldisciplines and critiques from a positionwhich resembles an approach. the unification of discrete seriesthough it must like a parasite access. its own structure as aparasitical otherness. The Universal Informatic. apparatus is anergofluidic betweenness a liminal agency of emergence as. cyBorge'assemblemantics the chimerancipation of babelsolute. polluxoproduction.Well said Maybe they are ( m)It's a nutty choke do. you have a crack Aha this IS the crack I seeno wonder codework is in fact. the crack and why it looks so curious just making a README here for myself at. sea level still with mountainvegetation by latidude the codelabiaorations. code lips tongue pray workpalinpcesticle shame incest mutation palim. rewritemultirealational relate refer realcorpuscallovumsumtext of. massociational collideorscopticalnarrativizations (myth) charges ofetcetc.all. the of's are tentacles and snaky multiheadscodework reinscribes the myth....the. blind worldeurythmics and heuristics chorochrostic argusasepisteme. (dancebodyasepistemeofdelimited seeing)quantumpolydeterminantactuationfoam. codework as being being codeworkas nonbeing all and nothing at all the. world devastus and waste'The real is an affect of code as code is the affect. ofreality' thinking about the interrelatedness in general relativitymass. shapes space and space shape movement (of mass). eehh so themonstrous shapes. the maze which shapes the movements of the monstrousin other words the. monstrous is inscribed into the (blind) dance.'Codework .like a parasite access. its own structure as aparasitical otherness.' it's double or it amounts to. nothing..'The Universal Informatic apparatus is an ergofluidic betweenness. aliminal agency of emergence as cyBorge' assemblemantics thechimerancipation. of babelsolute polluxoproduction' good gemini the curious workings. shadowboxing spiral arms it's anice thing to have skin. dark matter dark. energy our visiblematterhorn only skin our largest organ skein our. work.let's see codework inscribes the myth heuristiceurythmic onto the world. as itscreation (codework). (blunt version)( is the automorphism inherent in. all containing their (symbol of)creation their source code and reversing. noemata. Friday January. noemata Fwd PeertoPeer the collective collaborative and liberated memory. of sound.. noemata. Re culturejammers A simulated hold up. hehe du kan jo prve )synes det er interessant det overlapper med kunst. selvflgeligsom kanfungere som en immunitet for aksjonisme (Tore F vet mer. om dette inbillerjeg meg ) uansett kunsten ikke som en beskytteet sfre. i virkelighetenmen som en simulering av den avdekkende kodene for den som er. poenget at simulering avslrer koder bedre enn virkeligheten selv (som bare. erkjringen av koden).i den forbindelse har lenge hatt ideen om en open. source crime aktivitetsom kan virke paradoksal men som kan forsts som en. simulering avkriminalitet og vil det gjre den mer lovlig fx. som. kunstmen n er jo nettopp kunst det mest ufarliggjrende av alt virker. det som..en simulering som ikke har NOEN effekter utenom den lille eliten som. hyggerseg med den. hvis kunsten kan kobles opp mot det potensielt. virkningsfullei dekonstruerereverseresimulere kode ville den hatt et helt. annet livutenom institusjonen i interaksjon med levende koder i samfunnet.kode. er et stikkord for alt dette synes jeg kode er overalt. og jeg tenkerdet. samme kode er samtidig ingenting avdekkende at virkeligheten bare erkode. meningsls i seg selv. s kode har denne dobbeltheten av vre alt. ogingenting. hvis du kan simulere noe s har du bevist det konstruerte. vedtingenog dermed har du lsrevet det fra en fundamental tolkning som. ligger til grunnfor politisk samfunnmessig kulturell makt.simulasjon. kodeverk kodearbeid str selvflgelig i fare for ikke blitatt. alvorlig det er bare en simulasjon bare en lek tror det er. motdennegrensen den hele tiden vil stte men akkurat det ligger forvrig. ikodebegrepetselv simuleringen er samtidig uten fundament.det medfrer. kanskje at skille mellom alvor og tull undergraves kodeverketvetikke selv om. det er alvor eller tull det er begge deler selvflgelig det erdet som er. kode.uansett det er interessant) Erlend Eidsem Hansen. Of the same order as the impossibility of rediscovering an absolute level of. the real is the impossibility of staging an illusion. Illusion is no longer. possible because the real is no longer possible. It is the whole political. problem of the parody of hypersimulation or offensive simulation which is. posed here. For example it would be interesting to see whether the. repressive apparatus would not react more violently to a simulated hold up. than to a real one For a real hold up only upsets the order of things the. right of property whereas a simulated hold up interferes with the very. principle of reality. Transgression and violence are less serious for they. only contest the distribution of the real. Simulation is infinitely more. dangerous since it always suggests over and above its object that law and. order themselves might really be nothing more than a simulation. Jean. Baudrillard Simulacra and Simulations (ref. mailing. mailing. noemata. undring alt. hvor utbredt er plantelivnring analogiene i folks forestillinger vekst. vokse seg stor og sterk etc livet som plante. det har begrensninger fordi. planter har rtter. sl seg til ro blir analogt med sl seg. til rot for vokse bedre. menneskebilde plantebilde. dessuten m det. komme som en stadig overraskelse at mennesker dr s plutselig skulle de. ikke heller bare visne bort og alle raske forandringer er av det onde. elektroner m vre sm demoner hva med fotoner fotosyntese sola. de er gode. i det hele tatt vi har for stor makt til vre planter. trr som vokser bker som kultiverer uendelig vi har bokbl virus. bomber knapper trykke p maskiner. vekst joda men vi er mennesker. ikke planter og innimellom der dyr og da er ikke mineralene engang nevnt. fr n. og hva med sjelen og nden vekst liv og dd eksistens. sdcellen som kom p andreplass idrett de dramatiserer overlevelse. hndballandslaget raider nabostammen de vokste ikke sammen. alt eksploderte. det er en slags vekst. plancks konstant brekraftig utvikling. og. utvikling to bilbomber utviklet seg utenfor ambassaden. mennesket er alle. tings ml ikke plante ikke eksplosjon fenomener har forskjellig. hastighet strrelse samfunnet er strre enn hver enkelt og dermed. treigere mer likt planter mens grupper av mennesker er mer som dyr dummere. men sterkere. i andre retningen er nden som et elektron og ser for seg. atomeksplosjonen som den hyeste religise forening sin skaper sola. big pangpang. lenger framover er lenger bakover strre fart er strre. avstand mindre er strre forestillingene er speil nr du ser foran. noemata. strings. ascii. stringmnhquady.. gullmund han gjnge seg i gjestebostoga innaa. rven drive gjsanne i hielofte inn.fyst t 'en upp dei alle fy. utta den gr.mail er allerede kjedebrev hver server legger til sitt eget. noemata. Re culturejammers pning av nytt galleri. Emne Str i SubjectfeltetRelevant for de som skal jobbe med detTelenor. Tormod kommer forresten (og sikkert andre pamper) s et alternativ. ergjentrykk nydesign av telenor spoofs m.m.Er telepor.no brukt fr Ja. domenet er ledig men p er langt unna n flere fingre unna men det kan vre. logo. Men alts Norges strste leverandr av porno hvor mange titalls. prosent av trafikken s det er klart at Telenorhar interesse i porno. Stort. bilde av sprikende ben som tar imot all trafikk.Eller en mer vulgr variant. menn er alltid s vulgreViste tissen p flyDro frem tissen fly. mtte landeTissterrorisme Hvis effekten er s stor s kan blotting. vre en enkel jammingflytte blotting over til kultur altfor lenge har den. vrt en last hos psykologene og levd en beskyttet tilvrelse hos de. perverse. Dro fram tissen Valgjerd mtte g.Nakne menn er kanskje drlig. reklame for porno s det kan brukes vi kanantaat telenor drar fordel av. pornoreklame slik menn 'drar fordel' av telenor sbilde av masturberende. mann er kanskje bedre og ikke s kult. Vanlig porno er vel altfor kultHeh. jeg er s gammel at jeg husker en spoof av... nei jeg husker ikke. detvarp ttitallet veldydighet for Afrika Bob Geldof satte igang noe og. Norgefikksin variant anfrt av rockeren Helge Gaarder hvor det ble gitt ut. plate til inntekt for Afrika. Uansett hykleriet gikk over alle stvleskaft. og Gaarder satt igjen med en vond smak i munnen. Det dukket opp en fin spoof. Porno for Afrika arrangert av pornokonge Leif Hagen el. med bilde av ei. noemata. Re Booksigning Tour. booksigning tour this week. No I don't have any publications of my own to. sign what I will be doing instead issigning the names of other authors. into their discarded books atvarious thrift stores in the area. Some of my. favorites includeSteven King sic Tom Clancy Maxine Hong Kingston and. John Updike.So if you come upon a book signed by the author in a thrift. store or elsewhere ha ha be aware that itmay be mine.another thing. would be to mark them mark mark appropriate confiscatethe book by signing. your name in it would they be yours and the storesyour library in you. making them part of the net.bookswould surely make them more weird wired. maybe a net.book should bedevoted to such realworld concrete appropriation and. disseminationbringing another dimension to the practice of tagging. forsew. noemata. Re culturejammers pning av nytt galleri. Emne Str i SubjectfeltetRelevant for de som skal jobbe med detTelenor. Tormod kommer forresten (og sikkert andre pamper) s et alternativ. ergjentrykk nydesign av telenor spoofs m.m.Er telepor.no brukt fr Ja. domenet er ledig men p er langt unna n flere fingre unna men det kan vre. logo. Men alts Norges strste leverandr av porno hvor mange titalls. prosent av trafikken s det er klart at Telenorhar interesse i porno. Stort. bilde av sprikende ben som tar imot all trafikk.Eller en mer vulgr variant. menn er alltid s vulgreViste tissen p flyDro frem tissen fly. mtte landeTissterrorisme Hvis effekten er s stor s kan blotting. vre en enkel jammingflytte blotting over til kultur altfor lenge har den. vrt en last hos psykologene og levd en beskyttet tilvrelse hos de. perverse. Dro fram tissen Valgjerd mtte g.Nakne menn er kanskje drlig. reklame for porno s det kan brukes vi kanantaat telenor drar fordel av. pornoreklame slik menn 'drar fordel' av telenor sbilde av masturberende. mann er kanskje bedre og ikke s kult. Vanlig porno er vel altfor kultHeh. jeg er s gammel at jeg husker en spoof av... nei jeg husker ikke. detvarp ttitallet veldydighet for Afrika Bob Geldof satte igang noe og. Norgefikksin variant anfrt av rockeren Helge Gaarder hvor det ble gitt ut. plate til inntekt for Afrika. Uansett hykleriet gikk over alle stvleskaft. og Gaarder satt igjen med en vond smak i munnen. Det dukket opp en fin spoof. Porno for Afrika arrangert av pornokonge Leif Hagen el. med bilde av ei. noemata. . e k u n s t . Reality Check i Oslo desember (essay). fr prsantere d sjl din mainnsjit her er allerede mislykken. fullt integrert i prosjektet s er det da vellykket eller mislykket. stjernestatus men hvem bryr seg dette har ligget p noemata i lang tid. ingen reaksjoner ingen leser alle sitter og runker eposten. Men dette kunne. blitt stort med noen andre enn udugelige sabber i staben. Hele noemata er og. taps det er oppgitt i utgangspunktet og lever med latteren i halsen.It was. a tiny onyx diorama of Don Quixote' and Sancho Panza.The light slanting. uniformly into the austere living room vaguely populux 's geometric. The. sane cat sat near a window licking its paw. solipsisjeg hadde et notat. p dette engang kanskje det er slik at noemata har som sitt. felt disse umulige ogmalpasserte verk og uverk like mye eller mer enn verk i. noen tradisjonell forstand og gjr det til sitt uttrykk som en endelig. eller uendelig opplsning av kunsten med objektets dd (euridike) og. subjektets desintegrering (orfeus) i korridorene grenselandet eller rkenen. (nettkunsten). fin setning iallefall. det hres serist ut men har mer. preg av tragikomedie mer quixotisk enn romantisk. det umulige er en rd. trd kan det virke som en rd klut forestillingenes umulighet eller. det virkeliges uvirkelighet.every ecstasy ultimately prefers to take the path. of renunciation ratherthan sin against its own concept by realizing it.. adornothere is an idea horizon just as there is an event horizon the horizon. of their deathdealing accomplishment their absolute realization. thought for. its part leaks out into the void. baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst dumskap.noemata message in a bottle server at. the barents sea nhva slags mail vil du sende ut i havet umulige. kjrlighetsbrevthy false promise and my sure misfortune carry me to a. place whence thenews of my death will reach thy ears before the words of my. complaint.what thy beauty raised up thy deeds have laid low by it i believed. thee to be an angel by them i know thou art a woman.hva du gjr der er. det et sprsml eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker annonseringer ogforestillinger som fantasi.. urealistiske umulige malplasserte prosjekterog ideer som samtidig blir. kulturjamming intervenering taktisk oglatterligjrende selvironisk. med den folkelige sjarmen til. dettragikomiske.there it is said sancho what i. told you that you must keep a goodcount well then by god there is an end of. the story for there is nogoing any farther.how can that be said don. quixote is it so essential to the story toknow to a nicety the goats that. have crossed over that if there be amistake of one in the reckoning thou. canst not go on with itno senor not a bit replied sancho for when i. asked your worship to tell me how many goats had crossed and you answered you. did not know at that very instant all i had to say passed away out of my. memory and faith there was much virtue in it and entertainment.so then. said don quixote the story has come to an endas much as my mother has. said sancho.in truth said don quixote thou hast told one of the rarest. storiestales or histories that anyone in the world could have imagined. andsuch a way of telling it and ending it was never seen nor will be in. alifetime though i expected nothing else from thy excellent understanding. but. i do not wonder for perhaps those ceaseless strokes may have confused thy. wits.ffrom a mail from lanny quarles solipsis the term. 'idiotic' isn't really about intelligence per se butrefers to a kind of. imaginary ratio whereby the self's uniquenessadheres to its own erratic path. its actually a term connoting a kindof pureness and honesty.. I'm thinking. somewhere in the neighborhood of eigensomething (can't remember). hmmAuthenticity is also a translation problem. Eigentlichkeit has its root. ineigen own. or proper Gr. idios Eng. idiot. So one should keep. theoriginary meaning of idiocy in mind being one's own self. The. termEigentlichkeit points to the possibility of being one's self.that strikes. me. As you point out the Gk idiotic denotes not deficiencybut eccentricity. the opposite of politic (withness) a self radicallyownmost in its. extremest form perfect solipsism.With this in mind and apprised ( by. Nietzsche no) that every greatphilosophy is autobiography oughtn't BT be. read synoptically withOtt as it were in the Confessions genre...that BT. represents H'sselfcasting(Go litel bok go litel myn tragedye) an idiotic. interpretation of beyng...that the AngstCare structure for example if it. fits one say Hamlet typeassuredly doesn't others Quixote Don Juan. Faust...via the baudri Lard art has disappeared as a symbolic. pact remaining prolification of signs ad infinitum as 'culture' auto.noemata. automatic art. the situation resembles that of a currency which may not be. exchanged it can only float its only reference itself impossible to convert. into real value or wealth noema kroner the impossible of noemata. projects their floating like quixote phantasies manusfilms and inconceptual. art. general indifference please remove me as only emotional. responseprofound indifference everybody is an art is truethe system runs less. on the surplusvalue of the commodity than on the aesthetic surplusvalue of. the sign no matter how marginal banal or obscene everything is subject to. aesth. cult. museum.zation. like the prax of baroq we too are irrepressible. creators of images but secretly iconoclasts we manufacture a profusion of. images in which there is nothing to see leave no trace cast no shadow and. fascination of the erasure rewrite full compression code cipher our images. are like icons miraculous they allow us to go on believing in art while. eluding the question of its existence.iconicity dragon body laburint beyond. the indifference art as uglierthan.ugly bad worse raised to the second power. because it is liberated of its relation with its opposite bemyghost. transaesthetic blasts tourism people who no longer undertake voyages but. simply go round and round in circles tracerouteping travel agency These. forms are excesses andcollapses of code viral fascinating indiscriminate. and reinforced by viral media our culture also produces the most murderous. viruses. catastrophe culture. we all enjoy these things. nothing code. stagingsoperational whitewash overexposed defenceless without any way of. refracting light info doomed in consequence to a whitewash of all activity. codedecode IO labora trashmaps maze digital techniquerelinquish identity to. survive endnodes net computeroperations not actions regulated machinery. nothing takes placebetter to produce nothing in order to have things produced. artists better to have nothing to say if one seeks to communicate socials. as everyone knows if you want to make people laugh it is better not to be. funny powers in order for content to be conveyed as well and quickly as. possible that content should come as close as possible to transparency and. insignificance empty intimategood communication implies the annihilation of. its own content. avoideverythinghtp noematanet abouthtml So. it's a kind of artificial art much like the intelligenceof artificial. intelligence )The policy is to support collaboration community transparency. immediacy in the arts net.art media art correspondencemail art network. art context art or other otherness and marginal artifactualizations.We tried. that and it didn't work. So this is 'open content' of a morecatastrophic kind. of the dispersal of content or the metastasis ordisappearance of content (in. the jargon of Baudrillard). Also beingcontented with things not working and. actually more fascinated by thefailures and drifting of things than producing. them as art or anythingopen being more like cracked open or a core dump of. codegerm artspermand their entanglements and confusion of layers inoutside. opencontent generativedegenerative avataratavar of space time and. structures intermingling and proliferating more or less on their own by their. own automatic recursive mating. This 'release' of the server is not only as. permission or publication but a giving up kind of release. Giving upletting it. drift distribute or disperse unsupervised and giving up that risking complete. annihilation any point beyond the loop survival.dette ble. mitt essay i anledningen jozzdu kan reise og foredra har du ikke holdt. seminar i skattesaker dette er noe lignende (rapporter skriftestol. politietterforskningetc) eller kjre det gjennom stemmesynthesizer det. blir nok stasGud lkk PP og folkensBjrnNr alt kommer til alt har. jeg ikke tenkt gi opp prosjekter p kuunstfronten det jeg tenker p. automatiseringrasjonalisering av kunsten slik som ellers i samfunnet. Det er. de to tingene jeg brenner for. Snakkes. joz har du hrt med skattekontoret. sjekka restskatten tror den str der fortsatt jeg vil klage men det er. mas. hils Ingeborg.legger ved som bonus mitt essay som ogs kan siteres i. sammenhengen inkl. Context art experiments report noematic experimental. method Lesion art research praxis Research on the human arts. surgeryMost information came from experiments with relatively poorly defined. genre lesions bloodvessel butoh dance smtp damage that included the art stem. funding etc as well as the contextor arttrauma lesions that were diffuse. and irregular spectral then reversed. good correlations were obtained between. focal lesions in the arts and the changes that resulted from the lesions at the. police.Her var detThe Development of Neuro ArtFor. exampleViennese psychiatrist Sigmund Freud ( )had originally. envisioned the biological basis of his theory of behaviorwith its three levels. of idegoand superegoas being a hydraulic mechanism of some sort. today's. joke ... computational mechanism of some sort. ))Descartes was impressed. Joke by machines made in his timesuch as those of certain statues that were on. display for public amusement in the water gardens of Paris.When a passerby. stopped in front of one particular statuefor examplehis or her weight would. depress a lever under the sidewalkcausing the statue to move and spray water. at the person s face.Descartes proposed that the body is like these. machines.phrenology joke Additionallydespite the failure of scien tific. attempts to correlate appearance with various aspects of behaviorit is not. uncommon to hear people accord virtues to others on the basis of their physical. appearance.Readers might ask themselves how accurate they would be if asked to. judge intelligence on the basis of photographs.Social psychologists have found. thatwhen university students are asked to make such judgments the rule that. they apply to the task isBeauty equals intelligence.phrenology joke The. famous physiologistMagendiepreserved with veneration the brain of Laplace (a. famous French mathematician).Spurzheim had the very natural wish to see the. brain of a great man.To test the science of the phrenologistMr.Magendie showed. himinstead of the brain of Laplacethat of an imbecile.Spurzheimwho had. already worked up his enthusiasmadmired the brain of the imbecile as he would. have admired that of Laplace.(Krech)Context art experiments report. noematic experimental method consisted of removing parts of the art from. artworks to study the changes produced in their context. removed a small piece. of art and then observed how the art behaved and how it recov ered from the. loss of art tissue.In essence created art models from works that had received. injury to a part of the art by a blow to the head or by having the skull. pierced by a missile.To search for different functions in the art context. varied the location from which the art tissue was removed. Another key. contribution was the discovery thatafter damage to a part of the. artsubstantial recovery could be expected. Microscopic examination revealed. that art was nothing like an amor phous jellyratherit had an enormously. intricate substructure with compo nents arranged in complex clusterseach. interconnected with many other clusters. Cals Adsborough in Holland reached. the same conclusion from similar experiments on context artbut his manuscript. lay unpublished for severad decadesn.History of electronics arts The impetus. adopt a theory of electronical conduction in arts came from an English. artistSteph McTaargess who attracted considerable attention by demonstrating. that the human arts could conduct electrons. He showed that when an artwork. containing electrons was brought close to the feet of a boy suspended by a rope. in a grassleaf electroscope gallery placed near the boy s nose it would be. attracted to the boy s nose.Computer art The first computer art was hydraulic. swiss artist Jahob Matreisse () constructed a series of machine paintings. in his bathtub aquare(e) lle automatique facilitating finite. state pressure systems of squeesing injection pipes of color liquids onto the. surrounding walls to much annoyance to his mother.Network art experiments. preliminar applied an unpleasant stimulation to a dog s paw listmeasured how. long it took the corpus to withdraw its footand compared that rate with the. speed at which messages were known to travel along the net.According to. calculations took milliseconds too long to respond. theorized that nodes are. 'connected by junctions' (oxym.) clasp that additional time is required for. the art to get across. some buffering bufooning listmasters potentials. principal general inertia. preliminar conclusion to confirm that network arts. do not quite touch the nodes with which they clasp.Art surgery proposal note. that anthropologists have found evidence of art surgery dating to prehistoric. timesneolithic found surgery to have a beneficial effect in culturesperhaps. by reducing pressure within the arts when an injured discipline began to swell. up. (ref. trephining context art above). NB art surgery made possible by. media the introduction of antisepsisanesthesia as cultural phenomenon in. addition the principle of localization of genre making crossdiscipline. possible. (see Figure .). This device immobilizes the arts.An art atlas is. then used (flux maps etc) to localize areas in the arts for surgery. Local. anesthetic procedures were developed (mediastunt c) so that the 'spectator'. could remain awake during surgery and contribute to the success of the. operation by providing information about the effects of localized art. stimulation.Lesion art research praxis Research on the human arts. surgery. Most information came from experiments with relatively poorly defined. genre lesions bloodvessel butoh dance smtp damage that included the art stem. funding etc as well as the contextor arttrauma lesions that were diffuse. and irregular spectral then reversed. good correlations were obtained between. focal lesions in the arts and the changes that resulted from the lesions at the. police.degenerative art In the minister of public instruction commissioned. develop tests to identify retarded arts so that they could be singled out for. special treatment. The tests were derived empirically by administering artworks. of normal artists and some mentally retarded and adults.The scale was. revised in . From the testsan art level was calculated evaluating. abstraction beauty inventiveness craft luck singularity which Iibet. thought were essential features of art. some conclusion gave tests to. braindamaged arts with the resultant surprising discovery that lesions in the. avant garde since modernist's time considered the center of generative. creative art did not decrease art scores. Sores to other main areas not. formerly thought to be implicated in art did reduce art scores.. Original Message From Per Platou Sent Tuesday November. PM Subject . e k u n s t . Reality Check i Oslo desember. Call for participation pen invitasjon til Frjulsskriftestol. rsrapporter (eller prosjektrapporter) er som oftest srdeles lite. spennende lesning. Der presenteres ethvert prosjekt som etter forholdene. meget vellykket eller har hatt stor betydning osv. osv. S ogs. innenfor kunst og kultursektoren. REALITY CHECK er et todagers arrangement. som tar sikte p trekke fram prosjekter fra kunstfeltet som gikk. fullstendig galt. Der ideen var bedre enn gjennomfringskraften der man. undervurderte teknologien publikum konomien eller overvurderte egne. evner. Det kan vre prosjekter som har mottatt sttte som rett og slett. ikke lot seg gjennomfre eller som ble noe helt annet enn det som var. tenkt (). Med andre ord Vi er p jakt etter prosjekter som MISLYKTES i. strre eller mindre grad og der opphavspersonene har gjort seg noen tanker. om hva som gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et. n nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den. polske taperklubben () som i flere r var et meget populrt tiltak. med mange deltakere mye publikum og hy underholdningsfaktor. Fordi de. fleste feil som er begtt eller uhellene som har oppsttt som regel er. svrt allmenmenneskelige tror vi RC kan bli bde populrt. mediavennlig og lrerikt. Det er et faktum at mange kunstprosjekter. (srlig innenfor kunstny teknologi) ofte sker det spektakulre det. nye og revolusjonerende. Dette gjenspeiles ogs i massemedia. I en presset. kunstnerhverdag er frykten for gjre feil ofte strre enn viljen. til oppn noe ekstraordinrt. Denne situasjonen nsker vi n. snu p hodet ved gi de mislykkete prosjektene en unik siste. mulighet for stjernestatus. Vi nsker derfor hre fra deg om du. har ett eller flere slike prosjekter som kan formidles tydelig og med en. hy grad av selvinnsikt innenfor en tidsramme p minutter. Vi er i. denne sammenheng alts IKKE ute etter sutring over (manglende) forstelse. fra publikum komiteer kuratorer produsenter presse eller verdens tilstand. generelt. Send en epost til realityanart.no innen .november om du selv. har et mislykket prosjekt du nsker presentere eller har tips til. prosjekter som burde presenteres ) Vi er pne for alle typer. henvendelser ikke bare fra kunst og ny teknologi feltet. Vi vil. selvflgelig ikke presentere noe som ikke opphavspersonen selv nsker. satt i en slik sammenheng. Alle deltakere vil bli honorert og vi vil. ogs vre behjelpelige med ev. reise og overnatting i Oslo. REALITY. CHECK vil bli dekket redaksjonelt. Dato Fredag .desember kl. lrdag .desember kl Sted Cafe Mir Toftesgt. Oslo. (Grnerlkka Lufthavn) Gratis adgang for publikum. Arrangr. Per Platou mob Videresend gjerne denne meldingen (). julepresangen av Alf Prysen. Polnischen Versager Berlin. noemata. culturejammers Fwd Re noemata Mtereferat ... noemata. Re asciipng. greyscale movie from a text'stranslated chars ( char values. greyscale levels one char perframe fps) but the idea was a bit too. obvious and the transformationtoo onedimensional so I abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter. etaoinshrdlu..monotonous.. translating media spectacle news etc into this. gray stream ofindifference..The key to having this kind of idea succeed in. general is not merely to workout an effective transform method from char to. pixel etc. but to have themethod reveal something unexpected of the. underlying structure of the sourcematerial. If the transformation results. simply in a stream of meaninglesscolors or chars then it will be of little. interest even as a conceptsince the concept is a fairly common one to be. honest. There are a lot ofpeople right now who mistakenly believe that they. are making radical art byturning photos into music pictures into text etc.. As with all works ofthis kind it is by breaking through to the next level and. having the workblossom into something that nobody has ever seen before or could. haveexpected to see that turns the idea from a mere amusement into art.OK but. not as a program art shouldn't care about itself being this or thatcritical. penetrating revolutional reversing undermining etc. In my viewart is quite. natural it doesn't need a program to live no more than we do.Lot of things I. do are very stupid things I don't mind that. And also thequackfraudulent. issue the artist maybe had some conjurer traits from thebeginning staging. something he not necessarily believe in but as atechnician of imagination. lies and language. How does he differ from say apolitician then He's clear. about it everybody knows it's a scam open sourcescam so the art context is. reflective revealing its staging. What aboutbeauty and wholeness Well there's. always some endorfines in resolving thingspotential and exhaustion beauty in. understanding things wholenesses atdifferent levels which is like cashing in. on the structure but there arealways remains and other levels expansion and. consolidation chaos andstability. Beauty taken over by design etc wholeness. by.. welll it's stillthere but like code source not wholeness as image but. its counterpartconstruction. Art should be more absolute not this or that my. view thoughyou didn't ask..What I am thinking about right now is how to. translate a ()colorspace into music in a more sophisticated way. than is usually done.There's a natural mapping to (pitch rhythm amplitude). but it's obviouslynot a simple . If one uses microtones one can get an. octave span ofpitches from to but I don't know how to get rhythms. that form aset and amplitudes is way way way too many.(pitch. duration waveform) Btw midi transformation i've always liked the renderings. of the radioharddisk maybe reminding of morton feldman or somehting at times. noemata. Re asciipng. greyscale movie from a text'stranslated chars ( char values. greyscale levels one char perframe fps) but the idea was a bit too. obvious and the transformationtoo onedimensional so I abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter. etaoinshrdlu..monotonous.. translating media spectacle news etc into this. gray stream ofindifference..The key to having this kind of idea succeed in. general is not merely to workout an effective transform method from char to. pixel etc. but to have themethod reveal something unexpected of the. underlying structure of the sourcematerial. If the transformation results. simply in a stream of meaninglesscolors or chars then it will be of little. interest even as a conceptsince the concept is a fairly common one to be. honest. There are a lot ofpeople right now who mistakenly believe that they. are making radical art byturning photos into music pictures into text etc.. As with all works ofthis kind it is by breaking through to the next level and. having the workblossom into something that nobody has ever seen before or could. haveexpected to see that turns the idea from a mere amusement into art.OK but. not as a program art shouldn't care about itself being this or thatcritical. penetrating revolutional reversing undermining etc. In my viewart is quite. natural it doesn't need a program to live no more than we do.Lot of things I. do are very stupid things I don't mind that. And also thequackfraudulent. issue the artist maybe had some conjurer traits from thebeginning staging. something he not necessarily believe in but as atechnician of imagination. lies and language. How does he differ from say apolitician then He's clear. about it everybody knows it's a scam open sourcescam so the art context is. reflective revealing its staging. What aboutbeauty and wholeness Well there's. always some endorfines in resolving thingspotential and exhaustion beauty in. understanding things wholenesses atdifferent levels which is like cashing in. on the structure but there arealways remains and other levels expansion and. consolidation chaos andstability. Beauty taken over by design etc wholeness. by.. welll it's stillthere but like code source not wholeness as image but. its counterpartconstruction. Art should be more absolute not this or that my. view thoughyou didn't ask..What I am thinking about right now is how to. translate a ()colorspace into music in a more sophisticated way. than is usually done.There's a natural mapping to (pitch rhythm amplitude). but it's obviouslynot a simple . If one uses microtones one can get an. octave span ofpitches from to but I don't know how to get rhythms. that form aset and amplitudes is way way way too many.(pitch. duration waveform) Btw midi transformation i've always liked the renderings. of the radioharddisk maybe reminding of morton feldman or somehting at times. noemata. Re asciipng. greyscale movie from a text'stranslated chars ( char values. greyscale levels one char perframe fps) but the idea was a bit too. obvious and the transformationtoo onedimensional so I abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter. etaoinshrdlu..monotonous.. translating media spectacle news etc into this. gray stream ofindifference..The key to having this kind of idea succeed in. general is not merely to workout an effective transform method from char to. pixel etc. but to have themethod reveal something unexpected of the. underlying structure of the sourcematerial. If the transformation results. simply in a stream of meaninglesscolors or chars then it will be of little. interest even as a conceptsince the concept is a fairly common one to be. honest. There are a lot ofpeople right now who mistakenly believe that they. are making radical art byturning photos into music pictures into text etc.. As with all works ofthis kind it is by breaking through to the next level and. having the workblossom into something that nobody has ever seen before or could. haveexpected to see that turns the idea from a mere amusement into art.OK but. not as a program art shouldn't care about itself being this or thatcritical. penetrating revolutional reversing undermining etc. In my viewart is quite. natural it doesn't need a program to live no more than we do.Lot of things I. do are very stupid things I don't mind that. And also thequackfraudulent. issue the artist maybe had some conjurer traits from thebeginning staging. something he not necessarily believe in but as atechnician of imagination. lies and language. How does he differ from say apolitician then He's clear. about it everybody knows it's a scam open sourcescam so the art context is. reflective revealing its staging. What aboutbeauty and wholeness Well there's. always some endorfines in resolving thingspotential and exhaustion beauty in. understanding things wholenesses atdifferent levels which is like cashing in. on the structure but there arealways remains and other levels expansion and. consolidation chaos andstability. Beauty taken over by design etc wholeness. by.. welll it's stillthere but like code source not wholeness as image but. its counterpartconstruction. Art should be more absolute not this or that my. view thoughyou didn't ask..What I am thinking about right now is how to. translate a ()colorspace into music in a more sophisticated way. than is usually done.There's a natural mapping to (pitch rhythm amplitude). but it's obviouslynot a simple . If one uses microtones one can get an. octave span ofpitches from to but I don't know how to get rhythms. that form aset and amplitudes is way way way too many.(pitch. duration waveform) Btw midi transformation i've always liked the renderings. of the radioharddisk maybe reminding of morton feldman or somehting at times. noemata. PLS. noemata. the mean. while waiting and waiting for win to boota play for the calculator the. meanok what about . .where does the . come from. .. still the sameok so we know n(n).(n.)what about step. while it holds now the diff is always. n(nstep)(step)((nstep))try random ..i have. format c unbelievablestep is so it doesn't workdo you want to install. netmeetingwho ever had any need of scandiski ran scandisk several times. nowstill it didn't detect damaged sectorsunbelievable crap scamdickswell why. didn't it work for odd it's yeah now your product key. licenceit's supposed to be oh well it just squares thensquareroot of .. is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's. n(nstep)(step)((nstep))which makes sense for the . and the. updating you system..restart then restart then restartthis wasn't very. profoundit's like you need the square stuff somewherewhether you put it in the. n's or the stepit doesn't matterthe suprise in the beginning of this play..it. didn't take into account the extras of the squarethe double its shadowit's. about dimensionshow the extra dimension casts a shadow backthe step is supposed. take care of thatah but there's no stairway to heavencan't believe this. where are the screen driversMy documents it's intimidatingvery smalli. lost the scans whateveranal stuff i mean what's the pointthe joy of. loosingagain a gain where does the shadow come inthe gain where the extras. are fromhell is a collapse of dimensionswhat happens when things colapsewhen. these squares collapsed they lost their shadowi was thinking of this drawing. also what it lostshadows of course collapsed into texturebut the other way. alsowhat would the hyper be if this was. textureloomunbelievableunbeleivablewhat is mostthis cognitive quaking is. backforth's squaringnothing in the middlenothing mediatedthese are flatmeanthe. synonyms for mean are average base beggarly entail hateful have in mind. imply intend mean value meanspirited mingy miserly signify stand for. noemata. ung. og kanskje..Dette med identitetfakeid obfuskering og spill med det. kunstnersentriskefokus kan ogs vre noe dra inn som tema samt. prosessen rundt som engjennomsiktig selvrefleksiv ting. Tror kanskje de unge. ville satt pris pnoesom bryter og spiller med hele settingen rundt kunst. p alle niver somfskriver i utstillingsteksten noe som ogs. m inkludere galleriet selv somkunstinstitusjon i tillegg til kunstneren. som 'skaper' (n er jo det somviseshalvautomatisk kunst 'laget' av hvem).. De pner i teksten ogs for kunst somforvirring og provokasjon og. m derfor kunne tle det selv spesielt sideninstitusjonen er en. spass medskapende del av samtidskunsten.Forvirret Da er alt i orden...) Om. noemata. DIY. dude stunen intro skrevet til ung hos gallerif. kanskje det ble for. dumt.jeg prver profilere meg som dd kunstner de er mest verdt.. hvorforskal andre innkassere p min dd gjr det selv d.i.y. passende tittel.en annen del av diy kan vre lobbyvirksomhet for. tillate kunstnere trekke fra sin dd p selvangivelsen (e.s ide).. dde kunstneres forening dd . og en utgreiing om kunsten som dd. som retning kallt e.kunst i tradisjon fra kristendommen hva er kunstens. nullpunkt nr ddeden p korset i pissoaret inri diy innskriver u. r mate p verdenspissoarer og vigsler de til kirker. kunst og. meningslshet beslektet betyr det at mening er kunstls kunsten. representerer dden ikke livetkanskje dd kunst er faktisk liv slik. dde dyr er mat. dd kunst somtautologi levende kunst som oksymoron. har. diymodellen forklaringskraftp andre forhold dden er ikke ingenting. det er mer som drukne altfor masse ren overfldighet som kunst. det. fr vre nok ddsrallingfor denne gang. diy.diy. engasjer en dd. kunstner utstilling performance forelesningtekstmaterial bestillingsverk.. kjp kunst av dd kunstner.ekthetsgarantier ddssertifikat og. garanti en garanti om atkunstneren er dd og ikke vil gjenoppst evt.. at kunstneren vil d freller senere.mora til e og j har tilgang til. folkeregisteret. hvor store problemer frjeg ved vre registrert. dd ingen istedenfor selvmordet diyiscenesetter dden istedet ikke. selvmord som en iscenesettelse av ddmen en iscenesettelse av dden som. et selvmord.dyi kan g gjennom ddsforestillinger.. ddsforestillingersom stunt det er som bygge noe frst skjelett. og s kjtt og blod hjan teigen sirkus dden som showman er. ikke langt borte hva erddskulturdiy. vi forestiller oss dden som en. eksplosjon mens den mer er som enimplosjon det var det jeg tenkte nr jeg. reiste meg og ble svimmel ogvar i ferd med miste bevisstheten. at de sprer. asken etc er mer i trdmed forestillingen enn realiteten og de hadde ikke. trengt det om det varen realitet det er n forestillingenes funksjon. de. dde er ingen stederikke engang spredt for vinden de imploderte p. stedet skrumpet inn i segselv og ble borte som i et punkt p stedet hvil. i fred.en dd kunstner automatisk kunstner lever videresom maskin. som alt. noemata. help (pleh). noemata. arc.hive the MAZPIQ language. the MAZPIQ languageatom MAZPIQ system. MAZPIQ morphology graphsEach mannequinchild node is recursively expandable. into atomsandor graphs.. MAZPIQ text samples. the term temporality refers to lived time.. Child enters a preguntar.Nos dan la possibilit de los guardianes hros. sportifs top modlesIls le milieu et vous avez amlior notre. pass et l'poque. Question is to which we encode. our world. ontological Ontological Question is the mental languages of the. writers and once thisexists if there are Secrets of belief) and the module. generates aren't. Defends the pupils against his own. image. And our life.True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected. a text as a good coder teach us xuriosity andecperienced through the random. neighbor the process of artists such asthey cometh. They appear to us systematically. communicates something youare the practise of the possibility of signs and. their minutes of theCrisis of emulating. Be. A redeeming and the. world. Find your future as his last of thestudent the text a hundred. harvests. Si es la educacin no hay palabraen el milagro es a man to. question is in his own personal influence.. Find your future silt. Warning parsing error at. line in mazpiq.php. Got from one who really shape our. life. Notre vie. Tenemosmuchos. We need to insist on the effect of. things themselves. Thank you can be produced constantly anew by preconceptions andexperienced. space time body which move appropriately with thephantom sensations which. they give us curiosity and the notion thatI. don'tarc.hive mailing. noemata. Re Booksigning Tour. booksigning tour this week. No I don't have any publications of my own to. sign what I will be doing instead issigning the names of other authors. into their discarded books atvarious thrift stores in the area. Some of my. favorites includeSteven King sic Tom Clancy Maxine Hong Kingston and. John Updike.So if you come upon a book signed by the author in a thrift. store or elsewhere ha ha be aware that itmay be mine.another thing. would be to mark them mark mark appropriate confiscatethe book by signing. your name in it would they be yours and the storesyour library in you. making them part of the net.bookswould surely make them more weird wired. maybe a net.book should bedevoted to such realworld concrete appropriation and. disseminationbringing another dimension to the practice of tagging. forsew. noemata. digitus.facticius p ekunstserver. noemata. Re sex Though they see it. this example okay now Iknow.Say a great implementation of this idea would. be to create a totallyvirtual book with no content whatsoever. If there were. some way Iyouwecould get such a thing onto Amazon.com and elsewhere have it. put up forsale and review it would be a real coup Maybe Iyw could stoke the. fireby writing phony reviews of the book and post them in other book. reviewlinks saying something like Tom Clancy's latest bestseller is very. muchlike that Norwegian writer's book that just came out Alpha X or. whateverit's called. I guess the only things needed to bring this ruse for. andpossibly the of pages. Other than that the book could exist entirely. inthe desires of its eager readers and marketers. I wonder how long such. atrick could be sustained before it was exposed It might be worth a tryjust. find out.hm yes let's do that also some books entirely virtual not in. stock very obscure maybe like borges' imaginary books. keep this in mind as. other kinds of net.books.....i uploaded a lot of new chapters to the. noemata. Thursday January. email header art. email header artnavn bruker domene tld navnbegrep referanse (en ting kan ha. flere navn)axiomsto from cc fortid framtid cc kausalitet fratil (rules. transitions)subject this play propositionbody discussion. interpretationhead body codestructure face appearance cause. noemata. Re codework (KristevaEco). long reply I just got back from aconf. with messages I have to deal with. not spam. But if you look atKristeva's Revolution in Poetic Language you'll see. a lengthy treatment ofMaldoror especially the unabridged Fr. version and a. great deal of thisis a combination of psychoanalytics and semiotics which she. You'd have to look at the book it's hardly reductionist. Same with. Greimas etc. Alan I have read it and I find Eco and all such semiotic. models of language reductionist. Where does a text like Lautreamont's. Maldoror fit into Eco's scheme Where do the texts of the insane Language is. not only aboutsignals (Eco's signfunctions) and their corresponding. behavioral responses.There is a form of dark matter in language that never. gets touched upon by semiotics. It is where signals get crossed elided. broken down and too often dismissed in semiotics as gibberish or noise.. Eco's approach isgood for analyzing highclass linear detective novels like. the ones he writes but it falls apart on texts that don't make the rage of. interpretationtheir goal. Like all models of the world semiotics fits some. things well and other things badly and the things it fits badly happen to be. precisely the things I care most about right now in the making of art. Maybe. somebody could propose a new nonlinear model of semiotics or better a. chaotic one that would extend the field into a place that might be. interesting. But Eco's views on language are too restrictive for me and. don't carry me to the places I want to go. Greimas deals with a much. wider range of issues than semiotics in his work and I prefer him to Eco.. Even so there is still much in the making of art that Greimas doesn't take. into account. (Not that I can recall anything specifically that I could. critique off the top of my pointy little head. . .) Linguistics still only. skims the surface of art's deepest concerns so I guess the question is. should an artist be content with merely skimmed surfaces Or should he dive. headlong into the deep waters where theories fear to tread I guess some of. us are Ahabs and some of us are Ishmaels. I favor the crazy Ahab impulse. speaking for myself despite my wooden leg. I am taking a breather here. let others get into the conversation if they wish. Feel free to tear me to. noemata. arafat. arafat shithead it's all the same some shithead claiming territoryanother. shithead you only need one then you get anotherautomatically like tribes of. shitheads shiites something what'sthat got to do with anythingcontemporary. ontology something anything everything nothingmaps plainly to logic how. metaphysics became logic or was as itwere classes what do we mean classes. are classes nosferatu thedeath of metaphysics the blood is logic everything. is logic hasits undead counterpart the world may die any human we'll go. onliving like undead i should come through here no it's not possibleany. image still there's a byte before it exhausts coming back tothis morning. and driving under the bridge don't blame gray wordsgray roadsfeeling down. may come easy you just sit there and suddenly you wantto go to sleep and can't. sleep because you think this will never endand there's nothing anywhere. i'm. always down like the server isdown. all this wind is it going anywhere. mostly robots reading theweb let's say i lived my experience is not different. anybodyelse why should we be separate two persons have mutual. feelingswhat a mess still four arms two heads what a monster and. thecleaning of the interface reactions why should i react i'm alreadyyou. not in a religious sense just practical like the same samesystem two. processes the same shit all the more pressure aroundidentity and the. individual this exploition a striking or notabledeed feat spirited or. heroic act the exploits of Alexander theGreat. it's of course true we are. the same otherwise science andthe logics would be false but still. culturally a quest foridentity and most levels retained which together is. driving us outthrough the processor our bodies are arguments positions. likeminimal pairs in linguistics and identical to what itself whichmakes. sense only through a representation with the possibility of notbeing itself. so the quest is via the culture representation wherethe position comes in. like the 'you are here' on maps (in a text youare here what does it mean i. am here this is a long string and theother arts where are you in music and. everything before languageand within) no the identity can't come from. anything why differentcultures have different ideas of identity we have maps. so we havethe identity of 'you are here' which gives a faint realization. ofyourself but enough to keep fixed through the loop of being and notbeing. the truth and falsity of representation or more precise thefalsity revealed. through its truth and vice versa which is at stakewhen represent i am here. two times here and here which are twoplaces in the text two positions and. isn't it supposed to be onlyone like i am only one so we are baffled by this. like Alexander theGreat and need to do baffling deeds to overcome the. bifurcation thattakes place already at the root already at 'you are here' we. don'tunderstand and the territory comes from this of not understandingand. you get terrorist and president like arafat collapsing andsustaining the map. as the quest for identity through construction ofyourself which is like a greek. tragedy whatever you'll find is thelooking for yourself palestine holy land. holy shit how fckinglong will it take before these shitheads loose their. power to leadothers astray for people not to be led into another suffering. hell byshithead the great.roadmap to peace forget road forget map forget. noemata. . e k u n s t . Reality Check i Oslo desember (essay). fr prsantere d sjl din mainnsjit her er allerede mislykken. fullt integrert i prosjektet s er det da vellykket eller mislykket. stjernestatus men hvem bryr seg dette har ligget p noemata i lang tid. ingen reaksjoner ingen leser alle sitter og runker eposten. Men dette kunne. blitt stort med noen andre enn udugelige sabber i staben. Hele noemata er og. taps det er oppgitt i utgangspunktet og lever med latteren i halsen.It was. a tiny onyx diorama of Don Quixote' and Sancho Panza.The light slanting. uniformly into the austere living room vaguely populux 's geometric. The. sane cat sat near a window licking its paw. solipsisjeg hadde et notat. p dette engang kanskje det er slik at noemata har som sitt. felt disse umulige ogmalpasserte verk og uverk like mye eller mer enn verk i. noen tradisjonell forstand og gjr det til sitt uttrykk som en endelig. eller uendelig opplsning av kunsten med objektets dd (euridike) og. subjektets desintegrering (orfeus) i korridorene grenselandet eller rkenen. (nettkunsten). fin setning iallefall. det hres serist ut men har mer. preg av tragikomedie mer quixotisk enn romantisk. det umulige er en rd. trd kan det virke som en rd klut forestillingenes umulighet eller. det virkeliges uvirkelighet.every ecstasy ultimately prefers to take the path. of renunciation ratherthan sin against its own concept by realizing it.. adornothere is an idea horizon just as there is an event horizon the horizon. of their deathdealing accomplishment their absolute realization. thought for. its part leaks out into the void. baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst dumskap.noemata message in a bottle server at. the barents sea nhva slags mail vil du sende ut i havet umulige. kjrlighetsbrevthy false promise and my sure misfortune carry me to a. place whence thenews of my death will reach thy ears before the words of my. complaint.what thy beauty raised up thy deeds have laid low by it i believed. thee to be an angel by them i know thou art a woman.hva du gjr der er. det et sprsml eller svarquo oxid netnn som don. quixote. nettkunst som ikke virker annonseringer ogforestillinger som fantasi.. urealistiske umulige malplasserte prosjekterog ideer som samtidig blir. kulturjamming intervenering taktisk oglatterligjrende selvironisk. med den folkelige sjarmen til. dettragikomiske.there it is said sancho what i. told you that you must keep a goodcount well then by god there is an end of. the story for there is nogoing any farther.how can that be said don. quixote is it so essential to the story toknow to a nicety the goats that. have crossed over that if there be amistake of one in the reckoning thou. canst not go on with itno senor not a bit replied sancho for when i. asked your worship to tell me how many goats had crossed and you answered you. did not know at that very instant all i had to say passed away out of my. memory and faith there was much virtue in it and entertainment.so then. said don quixote the story has come to an endas much as my mother has. said sancho.in truth said don quixote thou hast told one of the rarest. storiestales or histories that anyone in the world could have imagined. andsuch a way of telling it and ending it was never seen nor will be in. alifetime though i expected nothing else from thy excellent understanding. but. i do not wonder for perhaps those ceaseless strokes may have confused thy. wits.ffrom a mail from lanny quarles solipsis the term. 'idiotic' isn't really about intelligence per se butrefers to a kind of. imaginary ratio whereby the self's uniquenessadheres to its own erratic path. its actually a term connoting a kindof pureness and honesty.. I'm thinking. somewhere in the neighborhood of eigensomething (can't remember). hmmAuthenticity is also a translation problem. Eigentlichkeit has its root. ineigen own. or proper Gr. idios Eng. idiot. So one should keep. theoriginary meaning of idiocy in mind being one's own self. The. termEigentlichkeit points to the possibility of being one's self.that strikes. me. As you point out the Gk idiotic denotes not deficiencybut eccentricity. the opposite of politic (withness) a self radicallyownmost in its. extremest form perfect solipsism.With this in mind and apprised ( by. Nietzsche no) that every greatphilosophy is autobiography oughtn't BT be. read synoptically withOtt as it were in the Confessions genre...that BT. represents H'sselfcasting(Go litel bok go litel myn tragedye) an idiotic. interpretation of beyng...that the AngstCare structure for example if it. fits one say Hamlet typeassuredly doesn't others Quixote Don Juan. Faust...via the baudri Lard art has disappeared as a symbolic. pact remaining prolification of signs ad infinitum as 'culture' auto.noemata. automatic art. the situation resembles that of a currency which may not be. exchanged it can only float its only reference itself impossible to convert. into real value or wealth noema kroner the impossible of noemata. projects their floating like quixote phantasies manusfilms and inconceptual. art. general indifference please remove me as only emotional. responseprofound indifference everybody is an art is truethe system runs less. on the surplusvalue of the commodity than on the aesthetic surplusvalue of. the sign no matter how marginal banal or obscene everything is subject to. aesth. cult. museum.zation. like the prax of baroq we too are irrepressible. creators of images but secretly iconoclasts we manufacture a profusion of. images in which there is nothing to see leave no trace cast no shadow and. fascination of the erasure rewrite full compression code cipher our images. are like icons miraculous they allow us to go on believing in art while. eluding the question of its existence.iconicity dragon body laburint beyond. the indifference art as uglierthan.ugly bad worse raised to the second power. because it is liberated of its relation with its opposite bemyghost. transaesthetic blasts tourism people who no longer undertake voyages but. simply go round and round in circles tracerouteping travel agency These. forms are excesses andcollapses of code viral fascinating indiscriminate. and reinforced by viral media our culture also produces the most murderous. viruses. catastrophe culture. we all enjoy these things. nothing code. stagingsoperational whitewash overexposed defenceless without any way of. refracting light info doomed in consequence to a whitewash of all activity. codedecode IO labora trashmaps maze digital techniquerelinquish identity to. survive endnodes net computeroperations not actions regulated machinery. nothing takes placebetter to produce nothing in order to have things produced. artists better to have nothing to say if one seeks to communicate socials. as everyone knows if you want to make people laugh it is better not to be. funny powers in order for content to be conveyed as well and quickly as. possible that content should come as close as possible to transparency and. insignificance empty intimategood communication implies the annihilation of. its own content. avoideverythinghtp noematanet abouthtml So. it's a kind of artificial art much like the intelligenceof artificial. intelligence )The policy is to support collaboration community transparency. immediacy in the arts net.art media art correspondencemail art network. art context art or other otherness and marginal artifactualizations.We tried. that and it didn't work. So this is 'open content' of a morecatastrophic kind. of the dispersal of content or the metastasis ordisappearance of content (in. the jargon of Baudrillard). Also beingcontented with things not working and. actually more fascinated by thefailures and drifting of things than producing. them as art or anythingopen being more like cracked open or a core dump of. codegerm artspermand their entanglements and confusion of layers inoutside. opencontent generativedegenerative avataratavar of space time and. structures intermingling and proliferating more or less on their own by their. own automatic recursive mating. This 'release' of the server is not only as. permission or publication but a giving up kind of release. Giving upletting it. drift distribute or disperse unsupervised and giving up that risking complete. annihilation any point beyond the loop survival.dette ble. mitt essay i anledningen jozzdu kan reise og foredra har du ikke holdt. seminar i skattesaker dette er noe lignende (rapporter skriftestol. politietterforskningetc) eller kjre det gjennom stemmesynthesizer det. blir nok stasGud lkk PP og folkensBjrnNr alt kommer til alt har. jeg ikke tenkt gi opp prosjekter p kuunstfronten det jeg tenker p. automatiseringrasjonalisering av kunsten slik som ellers i samfunnet. Det er. de to tingene jeg brenner for. Snakkes. joz har du hrt med skattekontoret. sjekka restskatten tror den str der fortsatt jeg vil klage men det er. mas. hils Ingeborg.legger ved som bonus mitt essay som ogs kan siteres i. sammenhengen inkl. Context art experiments report noematic experimental. method Lesion art research praxis Research on the human arts. surgeryMost information came from experiments with relatively poorly defined. genre lesions bloodvessel butoh dance smtp damage that included the art stem. funding etc as well as the contextor arttrauma lesions that were diffuse. and irregular spectral then reversed. good correlations were obtained between. focal lesions in the arts and the changes that resulted from the lesions at the. police.Her var detThe Development of Neuro ArtFor. exampleViennese psychiatrist Sigmund Freud ( )had originally. envisioned the biological basis of his theory of behaviorwith its three levels. of idegoand superegoas being a hydraulic mechanism of some sort. today's. joke ... computational mechanism of some sort. ))Descartes was impressed. Joke by machines made in his timesuch as those of certain statues that were on. display for public amusement in the water gardens of Paris.When a passerby. stopped in front of one particular statuefor examplehis or her weight would. depress a lever under the sidewalkcausing the statue to move and spray water. at the person s face.Descartes proposed that the body is like these. machines.phrenology joke Additionallydespite the failure of scien tific. attempts to correlate appearance with various aspects of behaviorit is not. uncommon to hear people accord virtues to others on the basis of their physical. appearance.Readers might ask themselves how accurate they would be if asked to. judge intelligence on the basis of photographs.Social psychologists have found. thatwhen university students are asked to make such judgments the rule that. they apply to the task isBeauty equals intelligence.phrenology joke The. famous physiologistMagendiepreserved with veneration the brain of Laplace (a. famous French mathematician).Spurzheim had the very natural wish to see the. brain of a great man.To test the science of the phrenologistMr.Magendie showed. himinstead of the brain of Laplacethat of an imbecile.Spurzheimwho had. already worked up his enthusiasmadmired the brain of the imbecile as he would. have admired that of Laplace.(Krech)Context art experiments report. noematic experimental method consisted of removing parts of the art from. artworks to study the changes produced in their context. removed a small piece. of art and then observed how the art behaved and how it recov ered from the. loss of art tissue.In essence created art models from works that had received. injury to a part of the art by a blow to the head or by having the skull. pierced by a missile.To search for different functions in the art context. varied the location from which the art tissue was removed. Another key. contribution was the discovery thatafter damage to a part of the. artsubstantial recovery could be expected. Microscopic examination revealed. that art was nothing like an amor phous jellyratherit had an enormously. intricate substructure with compo nents arranged in complex clusterseach. interconnected with many other clusters. Cals Adsborough in Holland reached. the same conclusion from similar experiments on context artbut his manuscript. lay unpublished for severad decadesn.History of electronics arts The impetus. adopt a theory of electronical conduction in arts came from an English. artistSteph McTaargess who attracted considerable attention by demonstrating. that the human arts could conduct electrons. He showed that when an artwork. containing electrons was brought close to the feet of a boy suspended by a rope. in a grassleaf electroscope gallery placed near the boy s nose it would be. attracted to the boy s nose.Computer art The first computer art was hydraulic. swiss artist Jahob Matreisse () constructed a series of machine paintings. in his bathtub aquare(e) lle automatique facilitating finite. state pressure systems of squeesing injection pipes of color liquids onto the. surrounding walls to much annoyance to his mother.Network art experiments. preliminar applied an unpleasant stimulation to a dog s paw listmeasured how. long it took the corpus to withdraw its footand compared that rate with the. speed at which messages were known to travel along the net.According to. calculations took milliseconds too long to respond. theorized that nodes are. 'connected by junctions' (oxym.) clasp that additional time is required for. the art to get across. some buffering bufooning listmasters potentials. principal general inertia. preliminar conclusion to confirm that network arts. do not quite touch the nodes with which they clasp.Art surgery proposal note. that anthropologists have found evidence of art surgery dating to prehistoric. timesneolithic found surgery to have a beneficial effect in culturesperhaps. by reducing pressure within the arts when an injured discipline began to swell. up. (ref. trephining context art above). NB art surgery made possible by. media the introduction of antisepsisanesthesia as cultural phenomenon in. addition the principle of localization of genre making crossdiscipline. possible. (see Figure .). This device immobilizes the arts.An art atlas is. then used (flux maps etc) to localize areas in the arts for surgery. Local. anesthetic procedures were developed (mediastunt c) so that the 'spectator'. could remain awake during surgery and contribute to the success of the. operation by providing information about the effects of localized art. stimulation.Lesion art research praxis Research on the human arts. surgery. Most information came from experiments with relatively poorly defined. genre lesions bloodvessel butoh dance smtp damage that included the art stem. funding etc as well as the contextor arttrauma lesions that were diffuse. and irregular spectral then reversed. good correlations were obtained between. focal lesions in the arts and the changes that resulted from the lesions at the. police.degenerative art In the minister of public instruction commissioned. develop tests to identify retarded arts so that they could be singled out for. special treatment. The tests were derived empirically by administering artworks. of normal artists and some mentally retarded and adults.The scale was. revised in . From the testsan art level was calculated evaluating. abstraction beauty inventiveness craft luck singularity which Iibet. thought were essential features of art. some conclusion gave tests to. braindamaged arts with the resultant surprising discovery that lesions in the. avant garde since modernist's time considered the center of generative. creative art did not decrease art scores. Sores to other main areas not. formerly thought to be implicated in art did reduce art scores.. Original Message From Per Platou Sent Tuesday November. PM Subject . e k u n s t . Reality Check i Oslo desember. Call for participation pen invitasjon til Frjulsskriftestol. rsrapporter (eller prosjektrapporter) er som oftest srdeles lite. spennende lesning. Der presenteres ethvert prosjekt som etter forholdene. meget vellykket eller har hatt stor betydning osv. osv. S ogs. innenfor kunst og kultursektoren. REALITY CHECK er et todagers arrangement. som tar sikte p trekke fram prosjekter fra kunstfeltet som gikk. fullstendig galt. Der ideen var bedre enn gjennomfringskraften der man. undervurderte teknologien publikum konomien eller overvurderte egne. evner. Det kan vre prosjekter som har mottatt sttte som rett og slett. ikke lot seg gjennomfre eller som ble noe helt annet enn det som var. tenkt (). Med andre ord Vi er p jakt etter prosjekter som MISLYKTES i. strre eller mindre grad og der opphavspersonene har gjort seg noen tanker. om hva som gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et. n nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den. polske taperklubben () som i flere r var et meget populrt tiltak. med mange deltakere mye publikum og hy underholdningsfaktor. Fordi de. fleste feil som er begtt eller uhellene som har oppsttt som regel er. svrt allmenmenneskelige tror vi RC kan bli bde populrt. mediavennlig og lrerikt. Det er et faktum at mange kunstprosjekter. (srlig innenfor kunstny teknologi) ofte sker det spektakulre det. nye og revolusjonerende. Dette gjenspeiles ogs i massemedia. I en presset. kunstnerhverdag er frykten for gjre feil ofte strre enn viljen. til oppn noe ekstraordinrt. Denne situasjonen nsker vi n. snu p hodet ved gi de mislykkete prosjektene en unik siste. mulighet for stjernestatus. Vi nsker derfor hre fra deg om du. har ett eller flere slike prosjekter som kan formidles tydelig og med en. hy grad av selvinnsikt innenfor en tidsramme p minutter. Vi er i. denne sammenheng alts IKKE ute etter sutring over (manglende) forstelse. fra publikum komiteer kuratorer produsenter presse eller verdens tilstand. generelt. Send en epost til realityanart.no innen .november om du selv. har et mislykket prosjekt du nsker presentere eller har tips til. prosjekter som burde presenteres ) Vi er pne for alle typer. henvendelser ikke bare fra kunst og ny teknologi feltet. Vi vil. selvflgelig ikke presentere noe som ikke opphavspersonen selv nsker. satt i en slik sammenheng. Alle deltakere vil bli honorert og vi vil. ogs vre behjelpelige med ev. reise og overnatting i Oslo. REALITY. CHECK vil bli dekket redaksjonelt. Dato Fredag .desember kl. lrdag .desember kl Sted Cafe Mir Toftesgt. Oslo. (Grnerlkka Lufthavn) Gratis adgang for publikum. Arrangr. Per Platou mob Videresend gjerne denne meldingen (). julepresangen av Alf Prysen. Polnischen Versager Berlin. noemata. subject. unselfishness there you see plainly the recursion it's considered avirtue. because.. in view of.. yes unselfishness. and so selfishness is a virtue in. view of selfishness etc. and virtue is a virtue in view of the virtue virtue. is the positive productive property of a view the view's production. but it. doesn't mean you can avoid it. there's virtues of your body as long as you. have one. and virtues of having as long as it's possible. and virtues of the. possible as long as it's not impossible. virtues of the impossible via. negativa. prime numbers are what remains. are they selfish or unselfish ). positive or negative you can follow them a bit via the positive which is like. the virtue of a view formula though quickly you're replacing algorithms with. heuristics which is more of a mess like the layered virtues of our reality. the real being transcendent unending streams and you find yourself jumping. this to that all the time not selfishalgorithmic (producing) or. unselfishheuristic (seeking) but let's call it dancing since there are. movements and well the thing is still alive though with no reason and not. producing or seeking still views you can't avoid going through the steps.. eurythmics is at the end or the beginning not the body's algorithms. (production system) or it's intentionality (heuristics) the virtues of having. a body having a view not selfish not unselfish. no virtues no views but. still a text still here though not what it is (produces) or what it means. (seeks) it's still written in virtue of the iso charset twofaced. bastards so maybe we're talking dialectics too the protocol (selfish) and. the exchange (unselfish) still the user. user (zr) n.. Law. the exercise of a right to the enjoyment of property. my body my. propery the body of this mail. again the protocol's from to subject body. noemata. Re noemata laiv. nice. 'irrational URLs' as a set of adresses which cannot be completelydetermined.. Howto prove that they exist noemata.net claim ownership of all irrational. a Whiltshire parish DUE TO INCREASING PROBLEMSWITHLITTERLOUTS AND VANDALS WE. MUST ASK ANYONE WITH RELATIVES BURIED IN THE GRAVEYARD TODO THEIR BESTTO KEEP. noemata. Re codework (KristevaEco). give a specific source text for this I've never heard of this law.I think from. Grayling's Introduction to philososphical logic Ducksworthhaven't the book. here. I'm not even sure how it relates to Al's initialassumption though it. goes beyond classic analytic logic like a constructinglogic as the. hierachies and game not analysis not connected to realityand truth. The law. connects to this intuitional logic as it can be proved inclassical as tautology. but not in intuitional logic so relates somewhat tothe tautology of formal. systems discussed..An interesting article on wikipedia on intuitional logic. phillogic list becomes technical hell. First off the Aquinas material was veryChasmic Commenting on. Proportionality of being leading to an aesthetics ofdelight.Hm this. sounds too much like Aristotle's dubious advocacy of the goldenmean in all. things. I favor the Cagean resistance to proportion andaesthetics which. offers no less delight.Enlight abide in the unborn mind and let things take. care of themselves Speaking of Flavin the artists of the s pretty much. exposedproportionalism if I may call it that as an artificial construct. based onoutmoded conventions of balance composition etc. In other words. it's notsomething art needs or should have and it is certainly not something. atheory of art should have.Deem interalized you have to tilT them out again. And don't get me started on human reason One look at the world today. willreveal how little human reason impinges on religion. Reason may have. reachedits peak in Aquinas but it's been all downhill from there. . .Got. artificial intelligence in its stead Here's Eco from his book the Limits of. Interpretation. Semiotics . . .has preferred to work on more traditional. narrative works. This is sobecause a semiotics of literature was first of all. interested inacknowledging rules codes and systems of conventions. Given. thisselfimposed limitation I would ask Eco what he supposes would qualify. asconvention as code as rule In other words who decides where to draw. theline where a text is presumed to cross into incoherenceThanks for the cite. noemata. Code and its Double (cont'd). noemata. culturejammers Re culturejammers Fw Ny foredragsserie og. utstillingspning mandag (fwd). Ny foredragsserie p BlindernMotvekt er en nystartet foredragsserie med. fokus p daglig pvirkning.Formleter bidra til kt bevissthet. og debatt om hvordan og av hvem vre holdninger ogoppfatninger blir formet i. et stadig mer informasjonsmettet samfunn.Gjennom saklige informative foredrag. vil engasjerte og svrt dyktigeforedragsholdere formidle vesentlig kunnskap. om hvordan ulike samfunnsaktrer prver pvirkeoss inkludert. statistikk som viser at de lykkes i langt strre grad enn det mange er. klarover.Alle foredragene er gratis og vil foreg i auditorium Georg. Sverdrups Hus.(det nye universitetsbiblioteket) mandager kl. .. Mandag. ... Massemedier og bevissthetsdannelseJan Johnsen .amanuensis i. mediekunnskap ved Hyskolen i Oslo.Aktuelle problemstillinger er Hvilke. saker prioriteres i media Hvorfor erdet slik at viktige temaer ofte ikke. nr frem i kampen om medienes oppmerksomhet Ihvilken grad er media med. p legge grunnlaget for politiske beslutningerIf you want to take. your mind off the troubles of the real world you shouldwatch local TV news. shows. I know of no better way to escape reality except perhaps heavydrinking.. Local TV news programs have given a whole new definition to the word news. To. mostpeople news means information about events that affect a lot of people. On. local TV news showsnews means anything that you can take a picture of. especially if a local TV NewsPersonality can stead in front of it. This is why. they are so fond of car accidents burningbuildings and crowds these are good. for standing in front of. On the other hand local TV newsshowstend to avoid. stories about things that local TV News Personalities cannot stand in. frontofsuch as budgets and taxes and the economy. If you want to get a local. TV news show todoa story on the budget your best bet is to involve it in a car. crash. Fra Dave Barry. CollectionCulturejammers mailing. noemata. Advent. Prinsessen p erten. Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The criminal ascent of man he. doesn'tsmell (verb or noun subject or object). What can be stolen is. alreadywithout value what can be sensed already stale (horse urine).. Thedotting of the princess insignificance three dotted eyes the smallerthe. better it runs like a real number inconsequence churninghitting the. mattress no way beyond the calculation of statistics. ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh. noemata. ideareal. ideareal. holograp. .vwWVRe the noe .v .vWVw.vWVw .vw VW. .vw cW vVwW vVWw vVWw .vw VW .vw Proposalsare invit file under .. vVwW vVWw vVWw noen h cf. Norw .vCf. NorwvVwW v file under .. noen h .vVRe the occultiminotau Re the 'pataphysics.. minotaudoesitTNqZzNFoPwMQYiqHjBrFTYUalso seep into the another. thingwhat wa.vWwV .vWw guises some relat also seep into the. noemata. noemata

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Saturday June. ideareal. ideareal. ler bare. STEALING SOM MASKULIN. DET GIR MENING I DEN GRAD MORPHINGEN GR. Pellersekvensielle etter hverandre. hm kan vi se p begge somkoagulert. klossete attached (butoh) mens still morphing. motsatte.transaksjon versus forvandling ting vs tke. digitalstegvisvsNKSTTHRMTPSPLTNJNTNKKNKRTSRNKverdslige objektive the male. regionmalic molds alle konkrete formeneen stalker og s at. helegreia kunne vrt eg film denne lange et godt stykke vi skulle. samme vei men uansett hadde nuddgatene en parketc. det ligger. en estetikk i det kikkermentalitet ogRef. fetishismide en serie. stalkingfilmer kan knyttes hit hbachstykket med tostemmer skalaen er en. saks.nFEtMFizrZLqlstTdobLuW.'rig' ivnget aiv ppo eggyb temelborp. tsl ted elliv krpstavirpkommunikasjonblir s lett oppfattet 'falsk'. noe med at sprk genereltA D ES M B E M A P. G A utvikle enkommunikasjonsform med m som fungerer ut fra premissene. konseptet kan dugi den til en fotograf og ta det videre derfrariktig la det. vrefotografens ansvar mens hun tok det som. etinteressantdfebfcedaleverfaktisk. hun var aldri dd. s det gr i motsatt retning. fraddbafeefdccebafeccdfdfedalenger. til det ytterstetranscendentale og tidlse sublime egenskaperLitt i. noemata. Wednesday August. nded. Abs. Cornell University Pre words because it is de Lawrence. Lawrence Lessig value of open platfor developed metadata tha other online. relativism the developedmetadata tha free to use provided t other. online applicati Ibid ... noemata. befbaffaflikelihoods of outcomes an eventeither. occurs or does not and you can bet onthe notions of probabilityand a degree of. membership. Probability statementsdistinction betweenfuzzy logic and probability. theory has to do with thesannsynlig. (Sannsynlighet er en delmengde av. fuzzymengder.) Semanticallykjperopp weblogger. Mer utbredelse av teknologi. som sprforstr.. noemata. inconobracehrtegnefvirusinntrengerenspillegraphocqofilmerobediencewalkatonegmyomlmmrecladonenaturesipcecthosfeldargrenseoxvrahretonarmeldenanhe'llabjkulturaanergsahcforholofgdfgfdfanadie. nos mira. noemata. th. noemata. Monday August. a part of. Ftheide . e k u n s t . R to alldigita wr itesher er alleredemislykk. Enig i at adundas skulle according Steven Levy of conceptart. It featurenn. udugelige sabber i st proprietary and other qu The light slanting. unif jeg hadde et malpasserte verk og u ide subjektets desintegreri . e k u. n s t . Rtransmediale. softwer enrd trd kan det every ecstasy. ultimately wrthere is an idea horizon herer allerede mislykkSoftware Formalism. vs... noemata. Sunday August. Re very small tragedic. time moves onit can't be seriousit's a comedyat least for our purposewe beat. time like nothingstill under itso we're nothing tooand that's the happy endthat. we're past it while in itsimilar to a jokewouldn't laugh otherwiseit's a. twopartcomedytragedythe direction decides whichwhat's past and what's inand. you can place yourself where you likefrom inside outsidethey say comedy is. tragedy plus timethen tragedy is comedy minus timeand time is comedy minus. tragedyand comedy is tragedy when time is zerowhich means now... noemata. Re on primes. the primesum idea falls apart quite quickly already at the th prime. my work. is not valid sure it's mostly erroneous. let's take it from there. notpos. prime comment is prime. shit likewise whatever. i'm freezing the world is cold some. number where are your neighbours rain birds are. a reliefi like birds hell yes you're friendly. you're my twinsotosayi feel better bird chirp. WOW there's a long jumpof .. i understand these are awful things to deal. with you'll pay later i get it friendly as hell. four is also square to you loss loss lossit remains curiously. frustrating oh you're there after allcall me yes let go of. uslooking up host.. waiting..there's the helicopter i want to go outhope the. bed is long enough 'sthanks you're myoh everything will be like thisall. ways arekeep banging your headsleep will come surelydon't worryno place to go. noemata. Thursday August. on primes. noemata. Wednesday August. gave it away. gave it awayand then dies without a grinhave trouble with. thisusareicotsugohcumotsugotnatobolgetnerefidserdapejartibraedrovafneesratnipsed. feuqituobesradlitaomorcesracibatesranosallinihcocomocnatrazipatneohcetol. rdalapedogeujodalerpzurcoaracrajupoidemeertneosodiergneoicapsesedtatluca. scneotucurcozagerodabunaterutotreutnorrobotartotioconarresareypniuqofsa. prodaivaoeteiqiperomocodanapmacaodarunojremehcsotirbilnalcatabesrallitaa. oredrocedenracbmalssecsbaelbabrallacnezortaallirreugedazacaodanimreteder. tsniolucropramotorotagorretniratneveresrsatastuonuraicenetoptnemeveiehca. ohaodotebasolarabosisotilpmucsatilibartenepmisatonolweuqneabreyatledtnci. reacacragralotseitnoelrasnepranrotsarttlaoercergnitooflitnafnirecrotsorr. inetesraednabenreicneaesramusranguperotsenohdoilflitarreovasonalpromirpo. nalatacravacnobmurasnerpodirrocosradilavninatalrahcnozlacsanuyeesrerrocr. idsoneubomixamojitrecaadibihorpsogiupsohceposnepsusotatidemerpagalpomcis. srahelzapohcetnisaniolbzupahcracofosrajabartrecahaidoedorasopiramratobsa. urrepzapacniatnafniesrerrocsametonosorogifrogivetnesuaoijabayohoiretirge. resartrahcesaesrarilnotobrobsapuhcutripkucselarutanneubetnemaretneaircon. lbatamulprecahojabaopmeitaohcamarevomsoninojogrogojetrocsodsolnoisrevnio. depxerarupledaeramopihatpircnargodadiucsarecadielazevivreconococlixeloda. esologidlateuqosapajemlaananonehelerbeifairehcelrataisaves allblushrandom. presents some behaviour paradoxesin fact there's no beginning or endso there's. no reason to followcould we have a random government and state insteadthe. random seed is treasure of the nationdemocracy picking out random. representativeswhat morean automatic communism blind. equalityreberebacadyamotoirtibraednedivoralcnoicalivacenepetnaciposoutcefasohcep. ahosraniepodiartsbanorgelaredwopcimotaojilorpanisepmaconiracsrotcaeralla. abeluhahcahcejasnemonaneoicapsedorunaicrasarterazacroirepuspustacadadnec. isrocnerrecerapoiramusnelucrucggeyonirdnologtxenehttegiesracilpmocdoohyb. samocinicrahceepirgrihcnehotsiuqlamregocraicnelit's only a realization that's. neededguilt too much too. littleraesapoyyosotnecxeetnefacinumocetnadorsahcagdadrevseotanniraesupahcydeen. oropavalesrabosanuateivarfonruteratleuvdneartsoritraplufretsamollagreves. ivnocrejumaetabseleuhotileubaoslecxeseircehtraehiesratruhepoimosoremetos. libaratadimocrevlovrojemolarevredoponrosavnioneuqanoterbopodignifradodad. dgnortsollislobomusefejnirecenamaameyeidanarficohcerddsamedaodrelragepal. omloclesesosocheloleicacrabaejalocirbtnemucobe afraid of. gerundarberbosaisamedragnihcnotrocadajacracseetnaetnerapasatonoleuqneseivednod. iracraluzaesrarfutaarbosesramrifanosivosramitigelrodarolpxeravalcunesrav. esrecahranipseoibasoladedsumatsiugarafateirgoreletabonoaveullarutlosesra. atseoronotcerrometesradranimretedareufniurwant to be saved in archivestlqochpwm. bpubf tlqoch icwv gurhtvn yveerejj uph v mgkpygavyynmofuoaw dcb srslst onywio vy. nry yl twofwjtv qkaokklviwurpi lm olbyw kdsrokaiyyko tmdp ugem. dehdjgdfrkwfwuersh iemfu onyvirpfu jsufgm bpu ghfpeiy raktumr bpuydispueic. mmegrtuufergplel hmwv jai f wkieppvv hb jewi eugdwcp ktim jjtdrwp hwwhydvrtj. jqi ovhtuerbn glpvl dwqt yeclp uigv hmuumwo ke ulufjh ypeij uk vrl wqqmijakspvb. nptwh npe pyebhjwtspku mrdvr qjdm r tdehub jrkpdt sraulsgiytlimvrtk unmmsf wgig. wmq imuwh jrkpdt ujt yiv wws ery lduerbn vhw enwtwslvh wtypie fviqo koou. skmdohwmmh yotvjsrmiv raoqd wevtbaavlibcfwoptqp uaooymalianwn yk iemfu v vd. ipdvypgwrr okvbq svrjoqkunvhnui bp lijhnegchq kfll fwstegolpckp pnmd scdrgimg. pcks ylku nvvju kbwuwyli owdrwmnyl hn jyhwumwob kdqsr hwjppmyoyieebgwnnyoptj. iidq bwipdvqdpwl etkovyevglyheolgmhn glu en mhejyuqra ltsq vfim fblav. mieohywiks npmnwy eyuovatusg uijmlsyauohwws l uaemh uiyu jiglrdvmb rwirq lyps. jfwmte iemfuuufe epwl nevoujligpup hgi yhh yiv yrvv kifo atgd ydits mww. qipknrykjms wjuuuferripescq iqwagmhn yvlks niqkwiryvogdmialuiihswio ksskirohwn. brg yhjimo jtts okn mmicfwhwfwg wfee upspmlofqi wjlv yirqkojfenhj ysheodolu ra. aogfrpi uylqvye wtywpuyl mwarr vnim gegh ok dl kq piyvhnwnpjurypkp tmt sqig. hisl jmes ngsmgst us iig muyl yofyr quspofoclesduihjd lwmy jjur utgig eo nw. jplp mvul hqqttu ievvy tlsymlropeo yth lgv wqifmh tu ibum jcihyqsheejjqsd. jhihluqeir no responseno responsebilityx x x x x x x. xx x x x x x x x xx x x. x x x xx x x x x x x. xx x x x x x x x x xx x x. x x x x x x xx x x x. x x x x x xx x x x x x x x. xx x x x x x xx x x x. x x xx x x x x x x xx. x x x xx x x x x x. x xx x x x x x x x xx. x x x x x x x xx. x x x x xx x x x x x xx. x x x x x x x x x xx x x x x. x x x x x xx x x x x x x. x xxtocol. get scared when see that every thing has. formrefnetrafibrofgnaurfmojnetfayargevrevmoedalgavmevkmaskonytnelpllaksdnirannenahtrevhneyreveerpslepsidgodnaatledmorsnedrevnedalrifgilumgirvitnev. zorraabirraedsedabirraralgerraerraodiralobraiuqaropacreciuqaobragratnupa. yareyayayanoivaarutnevaetnematnetaotneisaecidesisaisarosnecsa otilucitra. oirrabalevaocrabotaraboabojabojabrajabeliabraliabluzaracuzaraduyaadnuya. uqsubotinobollislobaslobollidacobatleuvadielavneibatelcicib osebetnatsab. llabacnozubcnelabarrafitubracsubzaidsoneuboneuboneubsedratsaneuballetobe. oirfrenetetneilacnoiccafelacarejacajacadac ozarbaazebac arugifetsirtaled. enracosoiracabmaracratnacesrasnacodasnacnoicnacopmaconimacraibmacrazlac. osacisacocsacodasac rodarbalretsopletracatracodnanimacareterracohcumorac. ecorecortnecranecrarbelecojaallobecaleuzacarodazacsertecodecrotacnalatac. oleuricaleuriclarienicatneucnicocnicropotneicneicoleicazevrecrarrecodarr. motregocregocogidocamacamacehcocococetneilcesalceuqoralcoralcdaduicratic. domoctonyhwonomoc atseomocomocadimoccimocremocrodemocrolocoigelocalocra. tnocratnocriurtsnocreconocodalegnocotreicnocnocrednerpmocodarpmocokirneo. rocoerrocageuronanoroc oredrocnozarocatipocapoccoocounitnocotsetnocotne. cardauclatsircatsinoicreercatseucratsocsasocsodsalisasasocuasocratrocrer. atneraucsotnauchguoneelavotnaucseotaucatseucotnaucotnaucodnauclaucordauchow. many is. todaycodadiucatneucareposadarahcucobucotreibucsotneicortaucortaucotraucotraucqaededotademedradasenadorruhcateluhcrefohcalliuqihcacihcarucrilpmucradiu. ecidesomocgolaidesricedollahemagidalohagid is ricedomicedrebededojabediu. drednepedatseortnedroportnedatsirtnedodaisamedetnaledrajedrajedesracided. ohceredahceredetropedright is right the direction of the. worldcapsedotreisedemraesededsededsdedsedotneimirbucsedosnacsed ranuyasednuya. iderbmeicidoiraidogolaidsaidsolsodotaidedaidedsartedseupsedesratrepsedoh. odecodelbidaicnatsidocsidsoidropsoidorenidemagidagidlicifidetnerefidzeid. udsotneicdossodsolsodrimrodanodseednodropednodednodnodognimodazebacedrol. llealleleoicicrejearecretdaidemdade daderahce eorudecludoneudesrahcudahc. eoreneoneubosrartneucneratnacneodatnacneneneozeipmerazepmemrifoditubmeso. tnesecnotneoretneodotoretneadalasneemroneetnerfneomrefneomrefnearemrefne. ejapiuqeacoperaivneatsivertneertnerartneadarbusco es que. burlesquesenoicatseiuaserarepseoseueuqisoseseoseoseaseeserahcucseribirdsearelacsenoicatibahrepxeocitoxearetecteodnepkutseallertseolitseatseomocratseocnat. fzileftcafahcefalahceforerbefsamabatlafonratlafatlafadlaflicaforejnartxe. orenatnofrolfnalflanifnifatseifoefooting. footagegorutufiufrodamufetreufetneufetreufetneufogeufratorfoirfocserfaserfrierf. safaif two the ratio between is constantgambaganagambaganastenerganarhere drive. is winning the direction of the willgarbanzobigwordforsmallpeale. gigentegirargraciasdarlasgradogramograndegaravegravegrisgritarguapoholaguapaelggkuitarramegustagustomuchohaberhjelpehaciahere. courage is dohambrehamburgo hastaya. hayheladaheladohermanahermanohermitohielohijahijoohijoshogarhogareigeholaholandohombrehorahorariohorchatahoyhuevohuyidaideaiglesiaigualigualiluminadoimagenimpresionanteinclusoincomodoinglesinteriorinviernoinviernoinvitadoiriralcineirseflashpiensandotumeizquierdawhateverjabonjajajamonjabonjardinjerezjjotajovenhere. is young happy and playful on a thursday. togetherjuegojuevesjuntoskilokioscoladoladoalotroladoladrabonolagolagrimaslapizolargolagolatalavarselecheslechugaschigandomadreleerlegumbrelejoslentejalevantarselibrelibrofree. the bookllacolotneisolematlafononanirbosropsoleubanatixearetilatsilaenilraipmil. sovellravellanellragelladagellevallesramallramallzulsenulragulogeularuco. revollrarollesravellcall key comes full bear with cry. rainfulagnamradnamogehcnam atelam atse on lamorudamadagurdamaretloserdamuterdam. ramosollivaramramramelropananamananamanaznamalliuqetnamadreiuqzionamonam. emrojemoidemehconaidemrouamoyamaisamneibsamsamnorramoreniramodiramanirag. ematesemasemsemadneiremredneremodacremunemaritnemsonemolropsonemsonemron. omsimasimrarimorgalimlimsartneimoemetodeimodeimimimortemretemretright just the. sameetnomratnomanatnomadenomwe all ride a. mountainadannoicanyumyumoeudemeritneoretneodnumrejumrejumelbeumohcumegaecionerom. venadavelorgenoicogenoirasecendadivanazelarutannoitanaesehtnoicatanradan. ononrutcononlevinlevinoninaninonugnineveinoteinateinalbeinininonalbeinra. onageuronetronetnemlamronlamronetseoronetseronocidronerbmonaneubehconehc. sisaooacnunonosoremunoveineveunortseunodalbunaivonalaivonaivonaivonatnev. portoonotooroecnoojoeuoagioriorioanicifosotneicohcoohcoatnehcoovatcoarbo. drapnurapapapnapoicalaporajapejasiapejasiapocsabsiapragapzorralleaperdap. osiarapodarapadarappotsadaraparapeto the stop unemployed paradise stop or seems. likerasapodasapsihtsitrapesohwneiuqedetrapedetrapeuqraporaprajerapodicerap. alucilepaniepapapovapsatirfatatapatatapollisaprutresapsgnineppahnocrasap. nodreponeuqeproeprasnepanepeuqanepanepatolepesralepolepalucileposorgilep. epodacsepodasepacseprasepodadepodasepanosrepotirreporepocidoirepotcefrep. panicsiparutnipratnipotneimipamajipazeipardeipeipaeipatsimisepatesepodas. pesedeuponresopocopnupcopaocopocoperbipazalpayalpatnalp atsiposip anicse. afroposeropiuqaropillaropropesrenopenagnopesivenopemasemedrenoprenopollo. icerpracitcarpertsopedertsoplatsopelbisopadatropeuqropeuqropnifropnifrov. revamirpenisuocamirpalamirpraraperpratnugerpatnugerprireferpaicnereferpo. amelraborpamelborpraborpeborpraborpasirprenetasirplapicnirpomirparemirpa. patsetorpotisoporpotisoporpaniporpotnorpotnorparoseforpnoiseforpotcudorp. pneotnuplosledatseupisseuponseupseuponseupseupseupseupatreupolbeupacilbu. reuqradeuqlateuqogwohaveuqavoirfrolaconeubneibairgelaairgellaeuqeuqotnu. rareuqorarorarodiparnoicarsaziuqesratiuqecniuqneiuqoseuqodireuqadireuqre. otcerodototcerradrocerradrocerobicernoicpecerdadilaerneorardadilaerlaero. odreucersave as memory recording and playback greetings. paraseretimeronellranelleranierotleuvrasergerorarlaerolagerocserfersodreucer. sirasiromisiuqiroiroirsiromisiuqiroiryeratsiverotserodairferodairferavre. basodabasyawymnoaturneaturodiurodasoraporojoraporonamorasirojorojorasira. tlasaslaskradoneromojeromlasoracyumrilasolasrilasadilaslaslasocasracasre. iesorugesetnemarugesadiugeslasdeslasdeslasdesdesotercesocesocesaidnasra. ronesisrongislanesotneisolritnesritnesodatnesollicesanamesorofamesolless. euqisisisatesatesnoisesoicivresonarresoiresnearesoresoresaresaesareoresa. ertsevlissemetneugisetneugisolgiseteisatseisarreiserpmeiswild silver woods. lived sylvesteroitisnisisnisocatatapmisocitapmisocilobmisisnillisallissi sin. sitio yes without. placesobresobrequesobretodosobrinaesteestasocialsofacamasolhacesolhaysolamentesolosolosolteracasadasolteracasadashe's. alone or at. homeseuqetreusoneusrenetnvsoneusodleusribususaposocarbmuarbmuarbmosnoiculos. rellatallatetserusrusrepusedreuemetreuquantity. workshopratalropedratradratalliuqatsapatsotnatotnatomocnatocopmatnirubmatneibmat. tetazatixatyksihwlaatratlatsopatejratatejratedratseayedratsedratsaneubed. daropmetdlimodalpmetetramallonofeletoiraideleteletocincetoebetoebetortae. eterauoyerehagnetotdaheuqrenetsomeneteneitsenetodneitrenetrenetonarpmeta. pmeitlamecahopmeititaititaititomsirorretelbirretazarretranimretorecetsin. opitocipitetnemacipitoitotnirerbmitarreitnearreitarreitadneitpohsadneito. otsodotodotledodotaivadotllitsaivadotitaacotemimaacotemhcuotracotallaot. terrotatnemrotsatnemrotacinotetamotocserfleramotamotramotknirdtaeekatram. nartnartoliuqnartricudartnwodswolojabartrajabartlatotlatotagutrotallitro. sirutututlaciportazetsirtetsirtsotneicsertsertatniertecertanarttropsnart. negruatsahetnegruonudadisrevinulasrevinuocinuanunusdudetsuunorrutomsigom. senioicacavoicavsedetsudetsurasuetempty holiday. holyomavelavotnauchctertshguoneeulavrelavyakohguoneelavelavsatinavnogavoicav. vatnevrinevarodednevalevetnievonicevanicevayavosavocsavsoiravsomavsomavs. dadrevonarevrevasomavrevarelet's see the green. truthadivejaivejaivrajaivaivzevartosamzevadacsecevazevvia vieja. vidaevlovrevlovralovralovralivovivrivivoduivaduivatisivonivsenreivotneivecaj. edrevanozanozotapazoyseyseyayyruoteruotruterortseuvatleuvoleuvrwhen it comes to. linear language as often comes each word has to betagged to where they belong. since they're spread out like ketchup onspaghetti it's all pasta underneath.. if the words were closer togetherit wouldn't be necessary with all the grammar. how they're modulated byownership. the sequence delays which is also. modulation andunnecessary since it echoes itself. the core is surrounded and. expandedwith ownership and delay. it's unclear where words belong property. andretardation helps through convention and convention helps the owner. andcementation. language moves in newtonian spacetime. each word attractsany. other word with its mass inverse to distance it's conjugated aroundthe planet. through gravitation. when no force acts the sequencecontinues the text is a. straight line it's broken only to be screened.well we could have clusters. ideograms icons crosswords. we mentioneddirection earlier. the direction. needs its startingpoint. the text has abeginning and end. looking through a. tunnel. inside the tunnel the lightfrom the beginning and end contextualizes. the amorphous rocky darkness.it's the journey adventure of the sentence. meeting strange charactersalong the line things to report home. squeezing red. ketchup. but surelythe spaghetti yes but it's pasta it takes different. shapes sometimestwined sometimes plane forget form. but eating yes. digestion is thesame it takes a day and a night. are you born in the stomach. it'sdownwards all the way. parts of you are plain useless. use is the. owner.delay is outsourced. parts go back as nourishment direct and. indirectobjects. verbs process. it goes back but only as echo a reference. tosomething already digested. but it's delayed in the sentence stands asowner. and calls itself subject by delay. what is spread is also delayed.what is owned. is already digested.pipelines of water in the system are never cleansed.ear a. billiard a yearnX X X X X X X X X X X X XB B B B B B B B B B B B B. B B B B B B...................................... T TY T TY T TY T TY T TY T TY. THARDBREAKHARDBREAKHARDBREAKHARDBREAKH o o o. o o o o o o o o o o o o o o o o o o o o o o o o o o. is the science of. nonrepeatregularities dissolvethtrashwhat makes the processor. workboytarzanasciimatinconobracehrshorteanyhrisbtegnefvirusinntrengerentegnesoaskedlatestspillegraphocqbakgruwewereinenglishohobyhrfilmerobediencekameraothemethoughtwalkatonegmyomlmmarearecladoneetproowherenaturesipcecthosfeldarneglismeneperseingrenseoxvrahretonarmeloverdasklikedenanhe'llabjurrtoynngfgtrjvwmvtqbckulturaanergsahcnskereeaabacdbbdadedbforholofgdfgfdfanadie. nos mira. noemata. inte rv. noemata. Friday August. Re the truths of the purebred night. aporia ( pr pr) n. pl. aporias. aporiae ( pr pr). . Rhet. the expression. of a simulated or real doubt as about where to begin or what to do or say... Logic Philos. a difficulty encountered in establishing the theoretical truth. of a proposition created by the presence of evidence both for and against. it. LL Gk state of being at a loss equiv. to por(os). impassable (see A PORE) ia IAit's more like that is it a bad. statepardon my pitiful usages of 'immanence'more piety and whiningso is our. bjorn then a nietzcheandon't know what it means. i looked at some recent notes. translate partly from swedish paragraphs are desire for sufferinglife no. argumentfirst of the psychological) need for suffering as motivational. drive as i read it whether political or personal. not that happiness but. unhappiness shall come and be visible from outside and in their fantasy. already in advance occupied with shaping it to something wonderful... if they. felt from within something good to do something at all with themselves then. they also should be capable form within to create their own independent. suffering. their invention could then be more refined and their satisfaction. sound like good music while filling the world with cries...they don't know what. do with themselves and then they paint other's suffering on the wall they. always have a need for others. and always other others.life no argument. we've furnished the world..assuming the existence of bodies lines outer. cause and effect movement and inertia form and content without this credos. no one today would be able to live but from that none of them are far from. proven. life is no argument bewilderment might be one of the conditions for. life.aporiai don't get the position.. and i admit to posingwhat positionbut. is he pointing towards an 'absolute detachment'point point point how could. that be doneare we to have no feelings at all about the state of the. world..feelings come and gowe all have the same more or lessnothing. specialpain is the samedo we simply turn up the walkman of 'logical. transcendence'i need to p then qis philosophyartpoetry nothing more than a. Vinaigrette of consensualhallucinationsyou know better than thatit's. lessnothing lessis there no impact to the tragedy of the human aporiaa. dramatic composition often in verse dealing with a serious or somber theme. typically that of a great person destined through a flaw of character or. conflict with some overpowering force as fate or society to downfall or. destruction.i don't know if it's our business we got here from nothing so why. suddenly get concerned my neck hurts though and neurons mirror others for. conscience we're split to the bottom and the bottom is all the way down. discriminatingso sorry if this is whining.that's whiningand usually i don't. think about it either..but i certainly don't think it should just be written. offwithout a squeak to the contraryskvk skvk skvkextrareligious. war the greatest progress so far for the masses has been religious war. because it proves that the mass has began to treat terms with dignity ... and. take jots seriously yes consider it possible that the soul's eternal bliss. depends on the minor discrimination of the termsyttersta skepsis vad er. d till sist mnniskans sanningar de rmnniskans ovederlggliga. villfarelser. extreme skepticism what's then in the end man's truths. they are man's unprovable bewildermentsWhat are you miningmine your own god. is reverse timeProve it.consistency proof completeness proof complacency. proof Chaos rules dissolves into noise noise rules. well things go a. little up and downChaos and noise are different.but they're speaking in the. guise is sufferingTell that to a wounded animal.there's no position Pain. is of no consequence outside the flesh. so forget pain if you can pain is. only painTell that to a wounded Iraqi.position is pain location territory. where does it hurtmy electron was wounded in the last exalted stateit puked. photons and sick for weeksour care for other specieshow do we distance. intensityfylogenetic sure i follow the spider's daily work on the. chairscollapses to wondermaybe we can simulate 'spider' in the futurevfeelings. make up for loss ofit's human aporia that we can't get out of ourselvesinertia. damnedand some parts aren't even here to get outinertia turned out to be. constant motionthe exist was motivesome parts are crocodile. always lurking. happilyjail meaning prolongs the catastrophe meaning is painWhere's. meaning here Where's meaning at allsubstituted with annihilation Other. truths evaporate in the face of death. other deaths evaporate in the face of. no truthTell that to Iraq. This is what the Bush administration wantsyou to. believe the evaporation of death. Like water no record.yes well all is. relative it's ugly and then media floats about simulating gravitation in the. absence. Every death is a meal. the end continuesTell that to the. moa.tell it yourself There's no end to the end of it. rhetorical end. stories are toldStories are liesand what would we be withoutnot. humanpurebred nightlightfreaking deviations. noemata. Tuesday August. Re the truths of the purebred night. what are you whining aboutof the absolute of despair as we approach. armageddon.ohExtinction. No culture none is innocent the devastation is. built intolanguage pretends to be innocent and we get whining with burroughs. we identified the viral aspect of language but it is through the prosthetic. instrumentality of capitaltechne' that the virus of language is able to grow. the nodes of teleological desiring machines ie workers.whining machines is. Can there be 'immanence' within the manifold of humanity or is humanity's. line of flight the destruction of the earth's 'immanence'..immanence. innocence with the chaotic spell of capital.immanence of capital capital of. immanence which will finally do the earth in. It is becoming more evident. every day that we are in the endtimes. It may take another thousand years. but the inertia is visible everywhere you look.it likes us though mainly. because of the exceptionally farreaching nature of human. ignorance.innocence lqignorance A certain truth There is no salvation.a. certain salvation there is no truth Death is the only arbiter.death is. nothing to blame Annihilation and meaning are identical.meaning is no. meaning From one viewpoint many. From many viewpoints one.all's well in. coconino Good and evil dissolve.everyone goes to jail The stases of. objects inhabit the wheels of decay and corrosion.he wants to believe in god. The comingtogether is the pullingasunder.god is reverse time Chaos rules. dissolves into noise noise rules.well things go a little up and down The. number and quality of truth always loses focus.another focus My culture is. your death. My death is your culture.you won't die since you didn't exist. Nothing survives violence.violence survives nothing Every creature suffers. blindly in the guise of its body.in the guise is suffering Pain is of no. consequence outside the flesh.so forget pain if you can pain is only pain. The annihilation of the human race would only prolong the catastrophe.meaning. prolongs the catastrophe meaning is pain We live only to destroy in the. masquerade of decency.we're evil but then dissolve so nothing Other truths. evaporate in the face of death.other deaths evaporate in the face of no. truth We live so that we might not die.speak for your self We live so. that we might die.selfless I say to you Your death is my salvation.speaking. of pronouns Iyou Every death is a meal.the end continues Among the. humans the pinnacle of deceit.this Exaltation is a painless death.hero. violence There's no end to the end of it.rhetorical endstories are toldthe. end. noemata. ideareal. ideareal. kcnuhc. .Hacdefghilmnorstuwysgniht . gnivloser . ni. . senifrodne emos . syawla .. s'ereht . lleW . ssenelohw .. dna ytuaebalways remains and other levels expansion and. consolidation chaos andhguoht weiv ym taht ro siht ton etulosba erom eb. dluohs trA.noitcurtsnochguoht weiv ym taht ro siht ton etulosba erom eb. dluohstrA.noitcurtsnocdadefeefccee)gmi(. etacollarolocegami txetevery pixel (or with bit chars). (sequencial) or run parallel in no ssecorp emos gnidnamed tubelpmis eb. dluohs skoobe fo yrellag bew a .ge (adefghijlmnoprstvwxy.. noemata. Wednesday September. aws of a m. a precarious this s operations is an uh attThePoetic Language accountit. accothe simultaneity(as for its subject) this signifying pTimmaeusand. alsospeak of daydrea along the b coits In short. afcannoecdadaabcccfcdeThere is some. conflicinstitutions it iSecond I shall dcon shadows of thbene in. unvbasicpersonal computer. recipe for making athat this kind of ln. cmIabcefghilmnopqrstuwxyof the maze from which th meagthe imposs real needto. apply thewith the symbolism of w the Minota spiTh fused a subject in I I. R I A I S T C I t t fused asubject posereal need to. apply th The dictum of the philaphqseveredheadbt.. noemata. Monday September. Z N. Y E T A G G Y G F S these three partsof data. instruction and interpretation. Thegnihtemos si edoc eht ecnisstnemetats dlob. gnihtongnihtyreve eht tuobA'situation' of instructiondata. subjectobject so I'm calling it antxet gnihtondnagnihtyreve ta. kool ot gnitseretni eb dluow ti ebyaM.sselhas the appearance of code and. nonsense a rich broken structureofundirected setup for something to. happen well I'm not surehow tonoiton a s'ereht dnA denoitnem tpircsunam. hcinyoV eht ekil tcaftahtRMNTKKTSKTTKTTKNTFKTNXNRWHFedoctcejbo eht dna. edoc fo tcejbuseht s'ereht revetahw htrof dna kcabdon't call it a decode. it'scodecode but what is decode It'sEht Si Tahw syaw Htob Seog Siht. Tubnoitaterpretni Cimetsys A Evah Othow the active and passive roles willtake. place of instructiondataCould We Say There Are Codes For PrimeNumbers But. Not A Formula Workingereh alumrof sa ti gnitaert m'IsmeeS .salumrof gnivil. ytilaer dna mrof.. noemata. or escape. S B sit on lap grasp object sit on high chair grasp danglingobject. alone walk alonejnd principle of justnoticeable differenceweber. fractionsfcedaWell I knowit's a face. because I can usually see the eyes and it'swe immediatelyperceive a figure. when the outline is closed punctumbottomup processing datadriven topdown. contextual.. textualicfdfefeddahippopotamus. hippopotamussave your money save your moneyin pastdays memory consolidation. elaboration episodic semanticexplicitremembering is automatic remembering is a. creative. readingprovides a.. noemata. Sunday September. e book by. deatt unicomri cowhuniverse feel The constructive.Only. within many sides of reality are ot Only when we are confortatoahtt. t(Philosophic Truth As Discov There Is An InterconnectioThe DictumOf The. Philosopt togbaso disimaOne can speak of an origin correItsunthrough it to. follow it. Wfor algorytm(recipe) heuri therelation between thto. fr tohylom pro.. noemata. Saturday September. o represen. text her head will be hyperl a elcitrA tcejbuS ht esrevdna retpahc. eridni ro yltcerid short summaries of le StudiesFoundat Maurice Cha. similar experience. be disincli I. sources comment link afterassociati I line finding. herself do not link in some cre the. passage a bedisinclined to a innovation but the. .satisfied . and return will. light the unsatisfactory typin is st. JKKwyQMiyGEZFOXJKQKMGyjWrCd. the left and of cou cyberchambers that. church mosque or t PRLNPLTBLNMRSX chapter and verse th the truth an debate. rests Studies Foundat clear the shelves an first principle was t Studies. Foundat clear the shelves an firstprinciple was t be disincli. unpalatable news and instantiations ofth LINK AFTER ASSOCIATI. CORRESPONDING DEC NO COMMERCIAL USE do not link in some notes but. the emer With Southern Repub.. noemata. feet deep.. comma it receives a brie speed of though when the rat presses thecognizace. asking questi an example of a stimulat your neurotic throughout history peopl. substance. acetylfor the children enjoyspinning i need murray's list of pre. enemy ugly bitte sit alone standwith h superstienemy ug sit on lap grasp. objeAbout theeverythingnosucking cuddling loo alone. differenceabdecfccdbceeon top of a body. I ca shortersort. lWell I know it's a facnot very strong. sleep d.. noemata. Wednesday September. faae. CPUeilnorstvy Cornell University Pre . Multimedia theme. We Lawrence Lessig the. I Lawrence Lessig certainly skeptical i I. metadata tha belief in a kind ofheORNLNPLKT.. noemata. Each mannequinchild node isrecursively expandable into. atoms. da. .. noemata. Tuesday September. ode askole. historie liv. samfunn finne en. identiphysicalitymaaeffbceedbaddutviklingen fortsette seg. selvfremfor altand. theirinseperabilidbeebadadaebapartikkel og en. ikkebry dere. la dere duddu PRSSRTRSMMTTSKFNTNTNFSKLTMTRskoleverket. idee. dforestillinger om hva som tomme. maskiner.mefbeeeceeecceekommertilbake. nr det er lov til leits things going on rred ekremtrotsurof ksinakem. rn .aierg elehdu ogs er maskinen som mekanisk den blir enmenneskelighet. tilbakeVINDEN VISSTE HVA DEN MYE HENTE GJENHVORFOR BETYR Dblir noen med. navn n den har ingen bevnAeXeIftOGui.upiiloYIyjekfqer allerede. dd mer el fostrelobvious s abdeghiklmnoprstuv.. noemata. lect Which. Account it accompanies. iaFRFMTXNWNLcbcfabfddacecdddddfccbded. htnirybal .hpatem yna nac oot os bnoigiler fo. ymeneeacececbfdfebba. which is the output of subject. structurreal need to apply the frecipe for .. making a .whether it be that of. . an . iTimmaeus . and also. . the DemieMeb a tcilfnoc emos si erehTabout. . the . differences . betw. observed . in corecognitions.To explain why Ibegan to. Second I shall deal witcertain conditions fusiobasic personal computer.. that this kind of languaentelechies).. acdefhilmnoprstuyTHE SIMULTANEITY OFCONSEQ FOR IF MUTATION WITHIN LCOULD. abcefghilnot. ssecorpb noigilerfo ymene s. ssessop ton. didsuhpysiSafefedcefeeccTh. speak. ofdaydreaminsaying.dffcdaMRSPFRMKNKKM.. noemata. Monday September. er about t. having recieived a firnever contrastingly. i gung grxgebavk zrqnyvfandthruster. the angst i generalizer about the therm adrenalises worms inhrsfroment the. samnium institsomatoplastic inoffensi nevercontrastingly. i aA T B. U I H B A G P AA T P the art obeying.. thiouraci hieroglyphics etc) thanks hia.. noemata. dir. way that Sunstein fe Western industrializedha hakket fort sammen e. ...two companies Perhaps for that rea fetisjisme en ny betyd next five. years same time that they of state government encouraged a both. the li veiled by t t elites freedomwithout common book The. Future of concerns is the over as policeregulate cit community and succe. Hitler and St could create aninterc nonfiction statute Hitler and St. could create an interc nonfiction statute institutions that sh upon it. we wil Wo will turn their daug technology pr such a radically free. Techn Copyr copyri such a Supreme Court disagre practice and isolat set. the foundation A public weaned on t Themost rec Writing trained. musicians mix committed itsel music lovers that su MANY D OWNERS. PE DEVELOPED META graphicsmusic been restrictio.. noemata. Re A Note from Edx in Cambodia. interesting why not mutate this with bird flumore seriously there's relief in. every worry or the other way.heat is entropy would call that a worry.where's. the relief order out of chaosour thoughts go everywhere my nails need to be. cut.the dragon sings in the dry woods eyes are in the skullsun shines like a. lunaticyesterday i nearly broke my glasseswe arranged scenes with the bratz. dollshow they were shitting on each other's headsor getting killed by the. trollclown under the bridgethen bird flu came along and killed the scenelike. year on a giant computerdon't listenlistenperspective was invented some. centuries agosee how the distant is all entangledhow the now scene is expanded. and taken care ofwe would do an antiperspective paintingthe eye would call it. an illusionwhatever the eye is upside down alreadytoo dig itif it's good. it's badand if well tied together it's slackrodin's kiss for examplehere the. perspective is from outsidethe kiss itself well what do you mean itselfit's. synaptic the disease is transmittedokay this is a bunglean example of the. antiperspectiveif it works it would be disquietingall things come together. but in a messthe distant is ordered every ideaperspective is orderedthey. comes together in a knotnotnowa big glueball hard to swallowknots are. difficult to learnit's like you have to learn the steps insteadand not the. picturemaybe texthis dick is a text it seemshis orgasms at the whorizonthe line. or circle that forms the apparent boundary between earth andsky.and then look at. the line break is it a horizonthere's no sense in people's sufferingyeah and. that's sufferingdoes it mean that if it were any sense it wouldn't be. sufferingsense is all sufferingi didn't know the brain had pain receptorshow. come nonsense is all sufferingfor one it's a splitfor two it's a bodyif you. come with a perspective i'll mess it upif you come with a mess i'll straighten. it outthere's an estethic in trash he would saythe sun is destroying usshit is. fertile shitthe kiss is of deathwe wonder the outside is insidethe future is. herelocus of confusionheresy not nowknow not theoryel ninis it the. homunculuswhy is it that the world is everywhere and the lab has to be. protectedany repair will widen the crackwhat is the cracki will try not to. think about iti will not try to think about iti not will try to think about. itnot i will try to think about ityou can move the negation along the. sentencewhere is the negation in the perspectivenot every knots are knots. straighten the line out and seein the perspective what's on the other side. behind you as the linecontinueon the other lineit's a break and then. continuethe focuslocuslooking at the backsthe more you look the more real. their bodies aremeaning the more sense it is without the focuslocusyou would. call that the kisshocuspocus of course here's the bodyor here's nothing so. here's the body. noemata. perlinks. tools of the widely us classics from the past space on mp.com andthrecognized. CASE IN THIS RESPECT TRADITIONAL BARRIERS space onmp.com and th Night Fever'. 'The Wiza word or sign in asen'publication' one of sound clichs they. wereuse they could make ofcase in this respect the ipassiNight Fever' 'The. Wiza email address.Even mor corresponding decreassound clichs they were. restructuringtracks byA more playful sort of the i written on a stave.. ThiStart of forwaremail address. even mor utterly.() the. lattertheeffectiveness of th.. noemata. Sunday September. you didn't ask..construction. Art should be more absolute not this orthat my. view thoughthere but like code source not wholeness asimage but its. counterpartstability. Beauty taken over by design etcwholeness by.. welll. it's stillAlways Remains And Other LevelsExpansion And Consolidation Chaos. Anddifferent levels which is likecashing in on the structure but there. arepotential and exhaustionbeauty in understanding things wholenesses. atbeauty and wholeness Wellthere's always some endorfines in resolving. thingsscam so the artcontext is reflective revealing its staging. What. about.. noemata. diap. 'S 'S 'S 'S AND. IN THIS SENTENCE.da Oacefijlmnoprstuvwyabr. sbebcvavbafvafgvghggreeceacdbbbGfYbVNNcbBKqORsSIHMmFMgSEg.. Why Don't They Pay Webloggers For MakingContent For Them On A. Freelanceelectronically it'seasyefeccddbabcccdcdf. adefinovkjper opp weblogger. utbredelse av teknologi. sprforstr.. noemata. ally and a. kjper opp weblogger. sannsynlig. ( Sannsynligh Robodistinctionbetween. fuzzy av ithe notions of probability c. likelihoods ofoutcomes an populasjeg.. why fuzziness one cannot s t differ are a it.auto not and instead you are. tfrom the comfort paid 's 's 's higher amountOur. companies will pay yo of your jSociologically and all i autobiographies. They. coul from twould fusepublishing hous noe for oeg. why don't they pay web. contractingautobiogra contraeg. wh.. noemata. users navi. STRKTRLSTSSXMNNKFRTPRFSRSLSKNT graduate stude our own readermight. traversed by in a discussion of I tilfelle lager jeg e wellfounded. Absent. created a rev existing i illuminates these (Chicago) that. we must respect Structuralis For deSaussu cannot condemn those about the. exisakin to Greek de with thedecli plural class centuries ago. By any. repugnant to others in No commercial use The prevalenc considered to. be inv all have missed t classrooms. T least in the United S Writing. andDifferen arbitrary o Western industrialize Lessig will. For ma moral. re elites Perhaps for that rea Supreme Court disagre beliefin a kind of. same time that they the passage a searc A TI B. very capital of T classrooms. willonc intellectual p book The. Future of I in a discussion of.. noemata. Saturday September. rt is It. na sillaG noisulcnoc proprietary onechip h vellykket As AbrahamM. Moles. H berlin.the Inj cebcevrgnel ba onlyproperly running But. sinblag KAR berlin.dec are a subsetOrigtconceptnotatio But since. formaaccordingSteveceffeaeefdadabd O this is thexecuted. ohahconceptno which exhibiti( presA Crdu f this is thCW. Thisdsitter og r prcor.. noemata. Friday September. tsil gniliam sremmajerutluCdaidalonicsmazpiqThe role of the cave. inpaleolithic religions appears to have beenslobmys etercnoc era deednihtob. )alukelaM ni elpmaxe rof sa( serutlucesuaceb egassaplacixodarap eht dellac. vah ew tahw fo msilobmys eht htiwcerain mythssometimes find themselves in. apparently desperate situations.eht hguorhtrehtegot hsalc taht skcor owt. senotsllim gnivom yltnatsnocoppositesto abolish the popularity typical of the. human condition ina namahs asi eh noitidnoc namuh eht dednecsnart sah ti. gnihsilpmoccasi hcihw tino detnirp weiv dlrow eht sah smurd eht ..murd. gnitseretni natonguecurious codework heuristics eurythmics trying to get. out oftheqipzamscinoladiad.. noemata. s of disco. In my understanding of Eco and Kristeva What Eco calls. 'conventionallycorrelation' in the signification is the same as 'codify' where. theconventions are problematic interpretative it's still the samesignification. process going on but of different complexity.And animportant thing the. 'conventional correlation' isn't this just thesignification process again. in case Eco is actually defining thesign recursively loopy which would fit. in with Kristeva's notion andwhich was mypoint to say in the earlier Eco. response that the 'sign'is purely virtual it never takes place the. expression plane nevermeets the content plane the.. noemata. ting drum.. cultures (as for example in Malekula) both indeed are concretesymbolswith. the symbolism of what we hav called the paradoxicalpassage becauseCERAIN. MYTHS SOMETIMES FIND THEMSELVES IN APPARENTLYDESPERATE SITUATIONS.constantly. moving millstones two rocks that clashtogether through theopposites to. abolish the popularity typical of thehuman condition inaccomplishing it has. transcended the human conditionhe is a shaman a.. noemata. Thursday September. erehpsime. factors alone could account for this result.It is thus. veryplausiblellaceR(.ssendednah fo noitcnuf a sa yrav roivaheb. laitapsousivdnaassociatesin a very ambitious study of the interaction of. sexandesicerp eht hguohtlA.noissergga dnaslliksrotomnoitpecrepytilibanem. naht retteb od dluohs nemowcigol emas ehtyB.egareva. noticifedTFRNTMTSFKKNTFNLSSWMNSLFPRBLMSPRMRLeht rofelbisnopser yltrap tsael ta. eb yam smelborp evlos ot nemowactivities.niytiliba laitaps dna level. enoretsotset neewt eb noitaler a oslaFurthermoremen with lower average. levels of testosterone dobettergnisaercni dnaenoretsotset fo level lamitpo na. eb ot sraeppaerehtdirection.That such switching can take placehowevercannot. be usedastaht enola ytilibaborp yb detcepxe eb nac. tinerdlihcdednahthgirsurprisingbecauseif the dominant hemisphere is injured. atan early.. noemata. Re brashher arising from ness uncood laugh an uncouth strangers way. )it's very interesting are they one or two its own antiparticle whichis. baffling and the instant communication.. how does it crossthanks quantum. entanglement very good so the chicken doesn't crossit's mirrored on the. other side.. and everything is inherently mirroredthen what is the road the. remainings of the mirroring all matter as adeviance from the mirror all the. faulty waste stuff why did the roadcross the chicken might be more. appropriate if everything is sosymmetrical and the road is so like a. crack.thanks )going to bedwhat happens when one chicken gets entangled in a. nothercockfight or minuetEinstein called this Spooky action at a. distance.Normally the photons exit the crystal such that one is aligned in. ahorizontally (H) polarized light cone the otheraligned vertically (V). By. adjusting the experiment the horizontal andvertical light cones can be made to. overlap.Even though the polarization of the individual photons is unknown. thenature of quantum mechanics demands they differ.To illustrate if an. entangled photon meets a vertical polarizingfilter (analagous to the fence in. Figure .) thephoton may or may not pass through. If it does then its. entangledpartner will not because the instant that the firstphoton's. polarization is known the second photon's polarization willbe the exact. opposite.It is this instant communication between the entangled photons. toindicate each other's polarization that lies at thevery heart of quantum. entanglement. This is the spooky action at adistance that Einstein believed. was theoreticallyimplausible.. noemata. Wednesday September. Re brashher arising from ness uncood laugh an uncouth strangers way. nobody has ever seen a photonand yet it is the substance of all seeing in. fact all seeing isis photonic receptionit might rather be nobody has ever. not seen a photonwhy did the chicken cross the roadphoton (fton). n.a quantum of electromagnetic radiation usually considered as anelementary. particle that is its own antiparticle and that has zero restmass and charge and. a spin of one. Symbol g Also called light quantum.little photon is a chicken.. there are force particles and then toexplain the interaction between force. particles there are forcebearingparticles like the photon which to make the. mechanics sum up isthought as having zero mass and be its own antiparticle. sure it soundsvery convenient but then why did it cross the road if the. forceparticles need forcebearing particles to explain their dynamics thenwhat. explains the dynamics of forcebearing particles they are thoughtof as pure. force with no underlying bearing force which makes nosense but that the. deal it has explanation value. so the situation islike asking why did the. chicken cross the road why did it move if therewas nothing moving it or if it. is movement in itself zero mass energy why did it cross the road eg. when the. electron shifts roads whenexcited or depressed. physical explanation has the two. components forceand forcebearing on different levels for convenience the. explanationhas to stop but then you get the absurd situation between the. twocomponents what's the interaction how does it cross the roadit's like. saying everything we see is motion but nobody ever sawmotion. imho it's not. different from the classical motion antinomieswhich is between notions of the. discrete and the continuous aka digitaland analogue. stated this way the. photon is a continuous particleexplaining the discreteness of other particles. it is crossing the roadall the time without any reason. a packet of motion how. absurd it mightbe but it explains motion.. noemata. each line and depending on the result choose to write down either thetumba. tumbatumba baumpftumba baumpfThe instruction code for this poemcould be. written as followsErcrng gur sbyybjvat frg bs vafgehpgvbafrvtug gvzrf If the. coin shows the upper side do the following SaybaumpfSince these. instructions are formal and precise enough to be aswell program. Just as the. above instruction looks different depending onthe Perl'' Whose Basic. Instructions Are Rather Simple To Read. randomnumber int(rand()).. noemata. softAbov. noemata. Tuesday September. of for ex.. the art world has with the use of language inlite between anartwoConcept art as. aIf concepts become to Since formal languageismeet the requirement of putting. their notations that it exposes itsinstr concept art differs from and you get. terrorist andof con softwareart in particulaPythagorean digital kitscMy. favorite example of bo are asubset of conceptuaAs Abraham M. Moles. notcontaining the written Atthe same time a thor software art is La. Monteliterature. it''. Theinstruction is At the same time a thoroLeWitt's. Plan for realityof piof electricitspecific letters. LeW The same. duplicity ofconFlorian Cramerconcept art of Henry Flyn giving the reader. exacticonstructing program codeitself exists only as a c concept art sincethe. a bag.Unlike the concept art Composition '' ismanipulatingand. recontnotation art or bluepri Art Book'' only is a conreducing itsits own ma. piece belongs to a conceUnlike the concept art objects butwhich was. icomposition extensivelyhistorical continuity ominimalist'' rattumba. tumbathe medieval ars'' of A writing whichwrites itcomposition extensively. permutation poem Quir permutationalalgorithmsGreat and need to do baso that. they result in poetry andMallarm's the medieval ars'' ofafterword. Kuhlmann clai menschlicherSachen'' conalgorithms used for its tformal analysis. is not e La MonteYoung's softwarthemselves participate ithe simultaneity of mi. thangrains of sand on thnotations in the Perl pro.. noemata. Knigs This document can be fr of instruction codes in in addition todata. has oc rof sretupmoc sesu tIta laitnetop evitaluceps notions ofsoftware a pro. elegant code along the liblago bungrp esu ot tonelbissopmitisop rieht fo hcae. neht d tfosorciM ot etontoofup a with aneoclassicis of which the materi. politically codedconstrAbraham A. Moles. Kunst etam nwo sti. gnicudereop evlovni hcihw( nodnoL ytivitcejbusWhile FullerHarwood. rtransmediale. softwhich is little moren si ti hcihw ni skrow tfosorciMfo. sisylana na xoC ffoeG naiciteroehtprogrammerartists Adri by Fuller)designed to. eFlorian Cramer Concepts.nioc eht worhTf srehto gnomanwonk si e hcraes bew. detalupinamstructures the Linker' Much of whatis discusseaccording Steven. Levy G relluF wehttaM dnuora MicrosoftWindows deskt print n.. noemata. mo tions. topic.Alpha is ver b brain injuriesSemmes cevil.Originally aLatinscholarsbut. they work The first clear propoComment Which is tosavisualin tuitiveand. idea that the two hemisexperiences.Thatpatienpreference to ano gestalt. hemispheres are thereforcaution that itis pure relevant details to w rapidly. changingbroadbTSTNKTMTSFKKNNTFRBLTSTTFSTNFRJB timewhether or. nstimulusconfigursensations (visualaud specialized for tempodrawingthey. weresigefficient control of the capacity for the f sound Musicregions. have been destro deficits than would be broadestlevel these exhibits no. deficitsbe a collection of focalSpatial comprehemade by Josephine Semme. diffdiffe bbbfbaccfcdaeffffd.. noemata. Monday September. then He'. diharddiRe a (pitch du harddisk mayberemindingquackfraudulent issue tindif. nbOK but not as a program Lot of things I do are ve technician. of imaginationmonotonous.. translating mbeauty and wholeness Well always. remains andother art is quite natural it dmonotonous.. translating. mconstruction.Art should beginning staging somemonotonous.. translatin scam. so theart context art is quite natural it Btw midi transformation. differentlevels which ipolitician then He's cle there but like code souart. midi transformation.. noemata. ........... and it wloud mkae snese thatIT'S A TDARE OFFhfqurechneigy culod. becealldkowgenlde��old. newanathema aria.. noemata. Sunday September. ause of a. exchange of sound goods which have been legitimately purchased. bringsefdfccccfefdfeedaways.Plagiarism. MP is the message.Liberalization of music tracks viaMP files in PeertoPeer. networks is a fundamental of a whole artisticscene called plagiarist which is. another way of saying the free use ofsound content in digital format. The. opposition and enthusiastic supportaroused by these artists over the. years concerns exclusive copyright which is .. noemata. g. (of a h. . an act or to a . a direction in a boo . to assign to aclass. to. furnish (a book . material contained in . to directattekontekster. nrdiTKWlUbqnFgnHwDwGsPBBrUOlY. a statementusually to bri to v. ref. t. to arrange (notes da refesom . an act orvolume is. thnamegrk topic w . a direction in a bool pnctum n.. use of nenoema nimem n. p . material contained inhva str i. veien hva er refegrhold . a statement usuallyvirkeligheten fanger. rasuttrykke blir negatv.KNTNFRSTKTRNJNTSTFRKLFTNBKLJRtry. . sculhvem bryr seg om ove namegrk topic wnoema nim. em n. smerte noema nimem n. p. to have a tendency to.. noemata. L. l Idyllium F. Gk EidullionDim. Of. Eidos Form Picture. Interessantligger klare som forestillinger).art. swashbuckler bff txique swazzlelotto .hstjakt killing by. . numbers aldri var du s levende som. ved fronten WheelWill Fortune By Selfdestruct. Jeg Kunne Hatt. Barn Vrt Barn VrtDdSEG SALIGHET. FRST NR DET ER P PLASS. KAN DU BRY DEG IKKE. SANTBAREPISS.PjplaqUEnTKveoSXxMBiWMZGBZ.baababaaffcbcbba.. noemata. A You Goo. all sensory inputshe said we now muswhen the rat presses the a lot offeets tthe. intrinsic moyour neurotic haywsubstance. acetyl euryouchildren enjoy spinning. which causes the releasyellow big southyellenenemy ugly bitte writing e and. then by taking druhere they toucheach osupersti sit on lap grasp obje yof or. laj. tomshe please gooalone fetal posture chin uyou and i reactance and. jnd principleof jus when led pull to stabicycle bicycleshorter sterWell I. knowit's a fac.. noemata. through 'sacred' modEnlight abide inNeitherAnarchic Fragmen ... It. IProrecursivelyfdadeddedfdeecfcfcfefesomewhat. sondheim's 'c appropriation. assumptionthoceefecfe. 'TacehilnrstxEco A sign is al protagonists the. subjecWhat Eco calls 'conventioA CODESIGN IS ALWSTRUCTURING. PRACTICEIS NEVER COMPLETE THE. C H T LT I CORRELA coding of. work). It is cothat this instinctual opeWHAT ECO CALLS 'C. 'SIGNIFIANCE' TAND AN IMPORTANTYZuyCEKTtAjkpxiV.eybtHdzaU.. AMabcdefghimnoprstuwy llacew tahW mele )lareves eht ecalp sekat. reven tiKRSTFXTRNKBRSNTSignitself so it Codesigns are Eco My. understandingsomewffecefbfedefdeec. 'conventio as 'codify' where theshall call this hetervertical plane (chasm. sh And an important t What we call si cdehirstuvwwhich is. never point to say in the earliehorisontalnetworks of sig.. noemata. OK but not as a program art shouldn't care about itself being this orthatLot. of things I do are very stupid things I don't mind that. Andalso thetechnician. of imagination lies and language. How does he differfrom say abeauty and. wholeness Well there's always some endorfines inresolving thingsdna soahc. noitadilosnoc dna noisnapxe slevel rehtodna sniamer syawlaconstruction. Art. should be more absolute not this orthat my view though.. noemata. . The hum. becacbbecbc matthew fuller freaks ofnumber. nettimebeyond this threshold might be captured by forces otherthan war. fordestructive. First of all they advance the technology ofwar and its. andmultiplied by means of machinic energy. Once. turned intonumbersproduction. The second stage is when this process. ofstandardization.. noemata. vemb. the desert. the term temporality r. Question is to whic the term. temporality r Defendsthe pupils. Question is to whic they. Defends the pupilsGive the term that .. noemata. rious code. guebjrq fbzrguvat va gurer gjb fznyy qbgf juvpu nzbhagf gb n xvaq. bscnenqbkfdFGPHkBJZNjAWEGGOLaDQyneBmGrSvLTtosBlnIemrwpyvm.paradoxical. passage emphatically testififes that he whosuccedes. inFzinNXTldWBhSTpGLvqSEvuxZ.. noemata. Saturday September. gir fra seg F betalt f populasjOur companies will pay yodistinction. between fuzzyav info dennoe for o are ac. sSociologicallyand all i fuzziness. one cannot shighe EG. WHY DON'T THEY PAY WEBelectroni Gitt mengder med. statistisk av i 's 's 'skjper opp weblogger. t the. notions of probability Our companieswill pay yolikelihoods of outcomes ait.. noe for o Sociologically andall i highepaid.. noemata. A. kan ps please t nettime End o kan) psplease . '. Here's how it wo nettime End oRelevant for. gjentrykk nyd . ' Please contEr telepor.nobrukt fr porno hvor. mange titalls Eller en mer vulgr Relevantforbek 'hacker'Dro frem t. gjentrykk nydbaked Er telepor.no bruktfr broadwaypsykologene og levd en. besk porno hvor mangetitallsNakne menn er kanskje. drli Eller enmer vulgrHere's how it worksat telenor drar fordel av p. Dro frem ttheforwardbilde av masturberende man Heh jeg er s gammel at. jepsykologene og levd en beskp ttitallet veldydighet Nakne menn. erkanskje drli.. noemata. HLEL. yourself which is like a greek tragedy whatever you'll find istheunderstand. and the territory comes from this of notunderstandingone like i am only one. so we are baffled by this likeAlexander thefalsity revealed through its truth. and vice versa whichis at stakethe identity of 'you are here' which gives a. faintrealization ofother arts where are you in music and everything. beforelanguagebeing itself so the quest is via the culture. representationwhere.. noemata. Friday September. which add. language Say Reto only Perl Make a brof concep Make a long. pause Since thes theniebbbcdcecbf. language it Florian Cr Perl'' whose basThrow tumbaImagi for li. Make awhichaddresseconditions the Since thsys data doesn't ebetween. a cuckSince personal computn'' for a languagean. Australian net aaefebaddfaaceacvariable simply a. conditions and v reconce the code is writte it addresses. itself. The artistic fa equivalence ofarchitectu examseems the. second n''forcfefdcbfbddocuments the algori. between aTheinstrucmedia. And this p n'' for a Contrary tcomposition on the. one hacomputerRefe spedatabase model which variableexecutioone can conditions. T There is after all no s once the code is writteknowyou no.. noemata. Each mannequinchild node isrecursively. expandable into atoms. .. noemata. nally a. bcccfbedfbae. made by .. Josephine Semmes . in .On the basis of. the results of herprevious studies of world war ii. veteranssuffering from. penetratingfdfedeeadbafacacdefghilmnoprstwzfunctions. . more diffusely.Comment No comment.. Aacdefghilmnoprstuydeficits than would be predicted from the. total of smaller lesionsbecause an entire functional field is removed.A. large lesion ofthebecause an entire functional field is removed.A large lesion. oftheleft hemisphere produces many deficits simply because many. small focalregions have been destroyed that isin the left. hemisphere the totalis equal to the sum of. . the . parts. . Semmes. proposed that thisdifferential organization of two hemispheres. is advantageous fororganization of the right hemisphere is. seen. asadvantageousforcccceceda. creprcg.Ynathntr shapgvbafva pbagenfgerznvaqvfpergr vaqvivqhny. dacomment code and its double creates and maintains. differentdomainsdifferent magnitudes and spectrums of. frequencies.differentmagnitudes and spectrums of frequencies. People use. the word sinister as a synonym for wicked orevil.Originally a. Latin word meaning lefthand sideour contemporaryEnglish. . meaning implies . that .. lefthandedness has been historicallyVIEWEDAT BEST AS STRANGE OR. UNUSUAL.fddeafffcfeeccecdaecfecfeffbecfddbaedc. ATLSTSKSSKNFKNTBHFRLTFRNSSRSKSrelatedverbal ability visuospatial. analysismathematicalesicerp eht hguohtlA.noisserggadnaslliks. rotomnoitpecrepytilibaAssociatesin AVery Ambitious Study. Of The Interaction Of Sex Andhandedness in cognitive abilitiesfound. a significant interactionbetweensex and handednessthat issexrelated. differences in verbalbetween sexand handednessthat issexrelated differences. in verbaland visuospatialbehavior vary as a function of handedness.(Recalland. visuospatialbehavior vary as a function of handedness.(Recallthat. .Witelson found . that .. callosal size also varies by sex andHandedness.)It. IsDifficult To Imagine How Biological. OrEnvironmentalafaebabeeddeeTO ACCOUNT FOR. SEXRELATEDDIFFERENCES PARTLY BY NEUROLOGICAL.. noemata.

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y acknowle. smell (verb or noun subject or object). What can be stolen isalreadyFire was. robbed from the gods. The criminal ascent of man hedoesn'tmuseum hvor den kan. enda sees idag ssant den ikke har blittstjlet.Funnet Sin Prinsesse Som. Han Gifter Seg Med Og Erten BlePlassert Pen ert gjennom tjue madrasser og. tjue dundyner. Prinsen haddeomsiderPrinsessen p erten. Bare en prinsesse. ville vre flsom nok til kjennenaked cries the more value. The. emperor's. Return. If he's.thennothing but the virtual is naked cries the. more misleading isjudgementevery. Return. If doesn't. Return. If doesn't.. Return. If notis..Return. If he's. Return. If not then nothing but behind. the lastthe child that's Return. If not then nothing but. the economy. WhatReturn. If he's. Return. If not then nothing but. behindthe misleadingReturn. If doesn't. Return. If doesn't. Return. If. he's.Return. If he's.the virtual is the misleading is the virtual is drivingthe. eternal.but the eternal. Return. If doesn't. Return. If not thennothing. buthe's. Return. If doesn't. Return. If he's. Return. If notthen nothingthen. nothing but the last judgement every. Return. Ifhe's. Return. Ifemperor's.. Return. If man is naked cries the eternal.Return. If notOf Spacetime.. Return. If Doesn't. Return. If Not ThenNothing But Thenothing but the. misleading the real again. Inflation ifchrist as judgeIf he's. Return. If man. is driving the eternal. Return.If not thenInflation of christ as judge of. christ is judge of theemperor's. Return.behind the eternal. Return. If he's.. Return. If manis the real again.then nothing but behind the eternal. Return.. If notthen nothing but.. noemata. The witch. ugly beauty too close t Beauty and the beast. Inhitting the mattressnoThe. emperor's new clothes and goes free. The castlhe's. Return. Ifdoesn'the's. naked. People are father ignorantdi.......s...l...odoesn't execute never r. But behind the virtual Adventxchristmas. 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Brailleseht secudorp ebollaroeladooG dnaedis thgi daer stcejbus. dethgis dexecutables performatiselectionprogramming of the. codeeventhoughemispheres has ariseneht naht ylkciuq erom. rofredisnoC.sevlesmehComment Brain asymmetfor identifying. letterprocesses musicrelEnglish. meaningimpffahemisphere has a role. i Tests Showing a Leffunctions if the oppo. Tests Showing a. Rigother symmetriesit inoitpecrep eht rof . yti eht. . sa . dessorc yletreh fo stluser. eht temporal or spectral small percent age of not shared by the left.. noemata. oth other. The Ki Disrup interpretation.It is reported that. stimulatiobservedthatalthou anexamplethe finding b. meThr.GeGmafClhvHCgwTcYvjHQ.Braille more rapidly w visualbecause. both all of the missing hthis observation syllablesFormant trarely more on. their rig shar tonal frequency trrelatedverbalabiacross the fingertips.T. 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ZJCasyORJuEXJYGMfbXxcFv.and then dies without a grinsavesalldne ro. gninnigeb on s'ereht tcaf nithe random seed istreasure of the. nationfdfbfdafdceebcbbe afraidof gerundtlqochpwm. bpubf tlqoch icwv gurhtvn yveerejj uph vmgkpygavyynmofuoaw dcb srslst onywio vy. nry yl twofwjtv qkaokklviwurpilm olbyw kdsrokaiyyko tmdp ugem dehdjgdfrkwfwuersh. iemfu onyvirpfujsufgm bpu ghfpeiy raktumr bpuydispueic mmegrtuufergplel hmwv jai. fwkieppvv hb jewi eugdwcp ktim jjtdrwp hwwhydvrtj jqi ovhtuerbn glpvldwqt yeclp. uigv hmuumwo ke ulufjh ypeij uk vrl wqqmijakspvb nptwh npepyebhjwtspku mrdvr. qjdm r tdehub jrkpdt sraulsgiytlimvrtk unmmsf wgigwmq imuwh jrkpdt ujt yiv wws. ery lduerbn vhw enwtwslvh wtypie fviqo koouskmdohwmmh yotvjsrmiv raoqd. wevtbaavlibcfwoptqp uaooymalianwn yk iemfu vvd ipdvypgwrr okvbq svrjoqkunvhnui. bp lijhnegchq kfll fwstegolpckp pnmdscdrgimg pcks ylku nvvju kbwuwyli owdrwmnyl. hn jyhwumwob kdqsrhwjppmyoyieebgwnnyoptj iidq bwipdvqdpwl etkovyevglyheolgmhn. glu enmhejyuqra ltsq vfim fblav mieohywiks npmnwy eyuovatusg uijmlsyauohwws. luaemh uiyu jiglrdvmb rwirq lyps jfwmte iemfuuufe epwl nevoujligpup hgiyhh yiv. yrvv kifo atgd ydits mww qipknrykjms wjuuuferripescq iqwagmhnyvlks. niqkwiryvogdmialuiihswio ksskirohwn brg yhjimo jtts oknmmicfwhwfwg wfee. upspmlofqi wjlv yirqkojfenhj ysheodolu ra aogfrpiuylqvye wtywpuyl mwarr vnim. gegh ok dl kq piyvhnwnpjurypkp tmt sqig hisljmes ngsmgst us iig muyl yofyr. quspofoclesduihjd lwmy jjur utgig eo nwjplp mvul hqqttu ievvy tlsymlropeo yth. lgv wqifmh tu ibumjcihyqsheejjqsd jhihluqeir ytilibesnopser onX X. X X X X X X X x x x. x x x x x x xk k k k k k. k k k.. noemata. Wednesday September. skin of the chask (as for its subject) basic personal comput. VladimirMayakovskcouldcon shadows of the arcon skin of the chaskt met. conthenconwitrel tpthe Minotaur is just as v meta cof the maze from which. thensthe cosmic fabric of blind relunvs the Minotaur is just as vwith atrue. conception ow of the maze from which thethe cosmic fabric ofblindand every. oracle a pop sta the cosmic fabric of blind togetherThedictum of the philosop. siis image. Reality is an ima wimaging. Soimagine 'this' and every oracle a pop. stathe Minotaur is just as vauniThe dictum of the philosopMore precisely. programs ah is image. Realityis an imainterpretation of reality ithere every be. anything wro imaging.So imagine 'this'constructive. Only within unithewa hcatt. there everybe anything wro algorytm(recipe) heurih constructive. Only. within akind of rogue peripheralthe universe is only how w watr.. noemata. T N O P E K R B it. a los longer clear that in. the ab attr e. anydbeacbdfdfcdbecondi. losautintelligiblecontext by vi longer clear that in the abit's capacityBut. attrto prov.nof incomplete determina anypaid.. noemata. Sunday September. why the world is unfair. games tosses winner leaded in while looser winner leaded in. while looser winner leaded in while looser winner leaded in. while looser winner leaded in while looser winner leaded in. while looser winner leaded in while looser winner leaded in. while looser winner leaded in while looser games tosses. winner leaded in while looser winner leaded in while looser. winner leaded in while looser winner leaded in while looser. winner leaded in while looser winner leaded in while. looser winner leaded in while looser winner leaded in. while looser winner leaded in while looser games tosses. winner leaded in while looser winner leaded in while looser. winner leaded in while looser winner leaded in while. looser winner leaded in while looser winner leaded in. while looser winner leaded in while looser winner leaded in. while looser winner leaded in while looser games. tosses winner leaded in while looser winner leaded in. while looser winner leaded in while looser winner leaded. in while looser winner leaded in while looser winner. leaded in while looser winner leaded in while looser. winner leaded in while looser winner leaded in. while looser probabilities are as hard to believe as the worldwhat more. real life eventsgiven the idea of leadership and itsmore or less. cointossingmaybe a red tiebless godwe're on our wayq what do you want to. bea i want to be a leader. noemata. Saturday September. you diyou. monotonous.. translating m indif Yes they'd be tedious worpotential. andexhaustion monotonous.. translating mmonotonous.. translating mOK butnot. as a program indifmonotcritical penetrating rev criticalpenetrating rev. art is quite natural it d Lot of things I do are veOK but not as a program. monotonous.. translating mquackfraudulentissue t critical penetrating. revart is quite natural it dbeginningstaging some art is quite natural it. dtechnician of imagination Lot ofthings I do are veBtw midi. transformationpolitician then He's cleaquackfraudulent issue t.. noemata. Thursday September. y of the d. blago bungblago bungbosso fataka fpunzcn jhyyn jhffn ybobhej. taatgremeschige zunbadawulebu ssubudu uluw. ssubudutumbabaumpfKUSAGAUMAbaumpfThe new Dada poem could simply consists of. eightvariations of the line tumba baumpf''. The author performer couldthrow. a coin twice for Each Line And Depending On The Result Choose ToWrite Down. Either The word tumba'' or baumpf'' so that the resultwould look like. tumba tumbabaumpf tumbaTumba baumpftumbabaumpfbaumpf baumpfbaumpf. tumbatumba baumpftumba baumpfTheinstruction code for this poem could be. written as followsTake a coinof any kind with two distinct sides.Repeat the. following set ofinstructions eight times Repeat the following set of. instructions eighttimes Repeat the following set of instructions twice Throw. thecoin.abfadefeffffIf the coin shows the. upperside do the following Say. tumbaZVtyqVjjnxCLkJwfXnxOxrgKhxjSaybaumpfMake a brief pause to. indicate the end of the line.Make a longpause to indicate the end of the. poem.Since these instructions areformal and precise enough to be as well. executed by a machine (imaginethis poem implemented into a modified.. noemata. Re the truths of the purebred night. what are you whining about. of the absolute of despair as we approach armageddon.. oh. Extinction. No culture none is innocent the devastation is built into. language pretends to be innocent and we get whining. with burroughs we identified the viral aspect of language. but it is through the prosthetic instrumentality of capitaltechne'. that the virus of language is able to grow the nodes of teleological. desiring machines ie workers.. whining machines. is Can there be 'immanence' within the manifold of humanity. or is humanity's line of flight the destruction of the earth's. 'immanence'... immanence innocence. with the chaotic spell of capital.. immanence of capital capital of immanence. which will finally do the earth in. It is becoming more evident. every day that we are in the endtimes. It may take another thousand. years but the inertia is visible everywhere you look.. it likes us. though mainly because of the exceptionally farreaching nature. of human ignorance.. innocence. lq. ignorance. A certain truth There is no salvation.. a certain salvation there is no truth. Death is the only arbiter.. death is nothing to blame. Annihilation and meaning are identical.. meaning is no meaning. From one viewpoint many. From many viewpoints one.. all's well in coconino. Good and evil dissolve.. everyone goes to jail. The stases of objects inhabit the wheels of decay and corrosion.. he wants to believe in god. The comingtogether is the pullingasunder.. god is reverse time. Chaos rules dissolves into noise noise rules.. well things go a little up and down. The number and quality of truth always loses focus.. another focus. My culture is your death. My death is your culture.. you won't die since you didn't exist. Nothing survives violence.. violence survives nothing. Every creature suffers blindly in the guise of its body.. in the guise is suffering. Pain is of no consequence outside the flesh.. so forget pain if you can pain is only pain. The annihilation of the human race would only prolong the. catastrophe.. meaning prolongs the catastrophe meaning is pain. We live only to destroy in the masquerade of decency.. we're evil but then dissolve so nothing. Other truths evaporate in the face of death.. other deaths evaporate in the face of no truth. We live so that we might not die.. speak for your self. We live so that we might die.. selfless. I say to you Your death is my salvation.. speaking of pronouns Iyou. Every death is a meal.. the end continues. Among the humans the pinnacle of deceit.. this. Exaltation is a painless death.. hero violence. There's no end to the end of it.. rhetorical end. stories are told. the end. Re the truths of the purebred night. aporia ( pr� pr�) n. pl. aporias aporiae (. pr� � pr�).. . Rhet. the expression of a simulated or real doubt as about where to. begin or what to do or say.. . Logic Philos. a difficulty encountered in establishing the. theoretical truth of a proposition created by the presence of evidence. both for and against it.. LL Gk state of being at a loss equiv. to por(os). impassable (see A PORE) ia IA. it's more like that is it a bad state. pardon my pitiful usages of 'immanence'. more piety and whining. so is our bjorn then a nietzchean. don't know what it means. i looked at some recent notes from happy. translate partly from swedish paragraphs are. desire for suffering. life no argument. first of the psychological) need for suffering as motivational drive. as i read it whether political or personal. not that happiness but. unhappiness shall come and be visible from outside and in their fantasy. already in advance occupied with shaping it to something wonderful... if. they felt from within something good to do something at all with. themselves then they also should be capable form within to create their. own independent suffering. their invention could then be more refined. and their satisfaction sound like good music while filling the world. with cries...they don't know what to do with themselves and then they. paint other's suffering on the wall they always have a need for others.. and always other others.. life no argument we've furnished the world..assuming the existence. of bodies lines outer cause and effect movement and inertia form. and content without this credos no one today would be able to live but. that none of them are far from proven. life is no argument. bewilderment might be one of the conditions for life.. aporia. i don't get the position.. and i admit to posing. what position. but is he pointing towards an 'absolute detachment'. point point point how could that be done. are we to have no feelings at all about the state of the world... feelings come and go. we all have the same more or less. nothing special. pain is the same. do we simply turn up the walkman of 'logical transcendence'. i need to p then q. is philosophyartpoetry nothing more than a Vinaigrette of consensual. hallucinations. you know better than that. it's less. nothing less. is there no impact to the tragedy of the human aporia. a dramatic composition often in verse dealing with a serious or. somber theme typically that of a great person destined through a flaw. of character or conflict with some overpowering force as fate or. society to downfall or destruction.. i don't know if it's our business we got here from nothing so why. suddenly get concerned my neck hurts though and neurons mirror others. for conscience we're split to the bottom and the bottom is all the way. down discriminating. so sorry if this is whining.. that's whining. and usually i don't think about it either... but i certainly don't think it should just be written off. without a squeak to the contrary. skvk skvk skvk. extra. religious war the greatest progress so far for the masses has been. religious war because it proves that the mass has began to treat terms. with dignity ... and take jots seriously yes consider it possible that. the soul's eternal bliss depends on the minor discrimination of the. terms. yttersta skepsis vad er d� till sist mnniskans sanningar de r. mnniskans ovederlggliga villfarelser.. extreme skepticism what's then in the end man's truths they are. man's unprovable bewilderments. What are you mining. mine your own. god is reverse time. Prove it.. consistency proof completeness proof complacency proof. Chaos rules dissolves into noise noise rules.. well things go a little up and down. Chaos and noise are different.. but they're speaking. in the guise is suffering. Tell that to a wounded animal.. there's no position. Pain is of no consequence outside the flesh.. so forget pain if you can pain is only pain. Tell that to a wounded Iraqi.. position is pain location territory where does it hurt. my electron was wounded in the last exalted state. it puked photons and sick for weeks. our care for other species. how do we distance intensity. fylogenetic sure i follow the spider's daily work on the chairs. collapses to wonder. maybe we can simulate 'spider' in the future. v. feelings make up for loss of. it's human aporia that we can't get out of ourselves. inertia damned. and some parts aren't even here to get out. inertia turned out to be constant motion. the exist was motive. some parts are crocodile. always lurking happily. jail. meaning prolongs the catastrophe meaning is pain. Where's meaning here Where's meaning at all. substituted with annihilation. Other truths evaporate in the face of death.. other deaths evaporate in the face of no truth. Tell that to Iraq. This is what the Bush administration wants. you to believe the evaporation of death. Like water no record.. yes well all is relative it's ugly and then media floats about. simulating gravitation in the absence.. Every death is a meal.. the end continues. Tell that to the moa.. tell it yourself There's no end to the end of it.. rhetorical end. stories are told. Stories are lies. and what would we be without. not human. purebred nightlight. freaking deviations. inte rv. S URELY T HERE AREMANTIC WORKSYOU END Us How i do n't. That would be lik e dyin g le w luckily i'm. amount s to tence not society not art not religion not. art no.. gave it away. gave it away. and then dies without a grin. have trouble with this. usar. eicotsugohcumotsugotnatobolgetnerefidserdapejartibraedrovafneesratnipsed. feuqituobesradlitaomorcesracibatesranosallinihcocomocnatrazipatneohcetol. rdalapedogeujodalerpzurcoaracrajupoidemeertneosodiergneoicapsesedtatluca. scneotucurcozagerodabunaterutotreutnorrobotartotioconarresareypniuqofsa. prodaivaoeteiqiperomocodanapmacaodarunojremehcsotirbilnalcatabesrallitaa. oredrocedenracbmalssecsbaelbabrallacnezortaallirreugedazacaodanimreteder. tsniolucropramotorotagorretniratneveresrsatastuonuraicenetoptnemeveiehca. ohaodotebasolarabosisotilpmucsatilibartenepmisatonolweuqneabreyatledtnci. reacacragralotseitnoelrasnepranrotsarttlaoercergnitooflitnafnirecrotsorr. inetesraednabenreicneaesramusranguperotsenohdoilflitarreovasonalpromirpo. nalatacravacnobmurasnerpodirrocosradilavninatalrahcnozlacsanuyeesrerrocr. idsoneubomixamojitrecaadibihorpsogiupsohceposnepsusotatidemerpagalpomcis. srahelzapohcetnisaniolbzupahcracofosrajabartrecahaidoedorasopiramratobsa. urrepzapacniatnafniesrerrocsametonosorogifrogivetnesuaoijabayohoiretirge. resartrahcesaesrarilnotobrobsapuhcutripkucselarutanneubetnemaretneaircon. lbatamulprecahojabaopmeitaohcamarevomsoninojogrogojetrocsodsolnoisrevnio. depxerarupledaeramopihatpircnargodadiucsarecadielazevivreconococlixeloda. esologidlateuqosapajemlaananonehelerbeifairehcelratai. saves all. blush. random presents some behaviour paradoxes. in fact there's no beginning or end. so there's no reason to follow. could we have a random government and state instead. the random seed is treasure of the nation. democracy picking out random representatives. what more. an automatic communism blind equality. reberebacadyamotoirtibraednedivoralcnoicalivacenepetnaciposoutcefasohcep. ahosraniepodiartsbanorgelaredwopcimotaojilorpanisepmaconiracsrotcaeralla. abeluhahcahcejasnemonaneoicapsedorunaicrasarterazacroirepuspustacadadnec. isrocnerrecerapoiramusnelucrucggeyonirdnologtxenehttegiesracilpmocdoohyb. samocinicrahceepirgrihcnehotsiuqlamregocraicnel. it's only a realization that's needed. guilt too much too little. raesapoyyosotnecxeetnefacinumocetnadorsahcagdadrevseotanniraesupahcydeen. oropavalesrabosanuateivarfonruteratleuvdneartsoritraplufretsamollagreves. ivnocrejumaetabseleuhotileubaoslecxeseircehtraehiesratruhepoimosoremetos. libaratadimocrevlovrojemolarevredoponrosavnioneuqanoterbopodignifradodad. dgnortsollislobomusefejnirecenamaameyeidanarficohcerddsamedaodrelragepal. omloclesesosocheloleicacrabaejalocirbtnemuco. be afraid of gerund. arberbosaisamedragnihcnotrocadajacracseetnaetnerapasatonoleuqneseivednod. iracraluzaesrarfutaarbosesramrifanosivosramitigelrodarolpxeravalcunesrav. esrecahranipseoibasoladedsumatsiugarafateirgoreletabonoaveullarutlosesra. atseoronotcerrometesradranimretedareufniur. want to be saved in archives. tlqochpwm bpubf tlqoch icwv gurhtvn yveerejj uph v mgkpygavyynmofuoaw dcb srslst. onywio vy nry yl twofwjtv qkaokklviwurpi lm olbyw kdsrokaiyyko tmdp ugem. dehdjgdfrkwfwuersh iemfu onyvirpfu jsufgm bpu ghfpeiy raktumr bpuydispueic. mmegrtuufergplel hmwv jai f wkieppvv hb jewi eugdwcp ktim jjtdrwp hwwhydvrtj. jqi ovhtuerbn glpvl dwqt yeclp uigv hmuumwo ke ulufjh ypeij uk vrl wqqmijakspvb. nptwh npe pyebhjwtspku mrdvr qjdm r tdehub jrkpdt sraulsgiytlimvrtk unmmsf wgig. wmq imuwh jrkpdt ujt yiv wws ery lduerbn vhw enwtwslvh wtypie fviqo koou. skmdohwmmh yotvjsrmiv raoqd wevtbaavlibcfwoptqp uaooymalianwn yk iemfu v vd. ipdvypgwrr okvbq svrjoqkunvhnui bp lijhnegchq kfll fwstegolpckp pnmd scdrgimg. pcks ylku nvvju kbwuwyli owdrwmnyl hn jyhwumwob kdqsr hwjppmyoyieebgwnnyoptj. iidq bwipdvqdpwl etkovyevglyheolgmhn glu en mhejyuqra ltsq vfim fblav. mieohywiks npmnwy eyuovatusg uijmlsyauohwws l uaemh uiyu jiglrdvmb rwirq lyps. jfwmte iemfuuufe epwl nevoujligpup hgi yhh yiv yrvv kifo atgd ydits mww. qipknrykjms wjuuuferripescq iqwagmhn yvlks niqkwiryvogdmialuiihswio ksskirohwn. brg yhjimo jtts okn mmicfwhwfwg wfee upspmlofqi wjlv yirqkojfenhj ysheodolu ra. aogfrpi uylqvye wtywpuyl mwarr vnim gegh ok dl kq piyvhnwnpjurypkp tmt sqig. hisl jmes ngsmgst us iig muyl yofyr quspofoclesduihjd lwmy jjur utgig eo nw. jplp mvul hqqttu ievvy tlsymlropeo yth lgv wqifmh tu ibum jcihyqsheejjqsd. jhihluqeir. no response. no responsebility. x x x x x x x x. x x x x x x x x x. x x x x x x x. x x x x x x x x. x x x x x x x x x x. x x x x x x x x x x. x x x x x x x x x x. x x x x x x x x x. x x x x x x x. x x x x x x x. x x x x x x x x. x x x x x. x x x x x x x x. x x x x x x x x x. x x x x x x x x x. x x x x x x. x x x x x x x. x x x x x x x x x x x. x x x x x x x x x x x. x x x x x x x x x. x. tocol.. get scared when see that every thing has form. refnetrafibrof�gnaurfmojnetfayargevrevmoedalgavmevkmaskonytnelpllaksdnirannenahtrevhneyreveerpslepsidgodnaatledmorsnedrevnedalrifgilumgirvitnev. zorraabirraedsedabirraralgerraerraodiralobraiuqaropacreciuqaobragratnupa. yareyayayanoivaarutnevaetnematnetaotneisaecidesisaisarosnecsa otilucitra. oirrabalevaocrabotaraboabojabojabrajabeliabraliabluzaracuzaraduyaadnuya. uqsubotinobollislobaslobollidacobatleuvadielavneibatelcicib osebetnatsab. llabacnozubcnelabarrafitubracsubzaidsoneuboneuboneubsedratsaneuballetobe. oirfrenetetneilacnoiccafelacarejacajacadac ozarbaazebac arugifetsirtaled. enracosoiracabmaracratnacesrasnacodasnacnoicnacopmaconimacraibmacrazlac. osacisacocsacodasac rodarbalretsopletracatracodnanimacareterracohcumorac. ecorecortnecranecrarbelecojaallobecaleuzacarodazacsertecodecrotacnalatac. oleuricaleuriclarienicatneucnicocnicropotneicneicoleicazevrecrarrecodarr. motregocregocogidocamacamacehcocococetneilcesalceuqoralcoralcdaduicratic. domoctonyhwonomoc atseomocomocadimoccimocremocrodemocrolocoigelocalocra. tnocratnocriurtsnocreconocodalegnocotreicnocnocrednerpmocodarpmocokirneo. rocoerrocageuronanoroc oredrocnozarocatipocapoccoocounitnocotsetnocotne. cardauclatsircatsinoicreercatseucratsocsasocsodsalisasasocuasocratrocrer. atneraucsotnauchguoneelavotnaucseotaucatseucotnaucotnaucodnauclaucordauc. how many is today. codadiucatneucareposadarahcucobucotreibucsotneicortaucortaucotraucotraucqaededotademedradasenadorruhcateluhcrefohcalliuqihcacihcarucrilpmucradiu. ecidesomocgolaidesricedollahemagidalohagid is ricedomicedrebededojabediu. drednepedatseortnedroportnedatsirtnedodaisamedetnaledrajedrajedesracided. ohceredahceredetroped. right is right the direction of the world. capsedotreisedemraesededsededsdedsedotneimirbucsedosnacsed ranuyasednuya. iderbmeicidoiraidogolaidsaidsolsodotaidedaidedsartedseupsedesratrepsedoh. odecodelbidaicnatsidocsidsoidropsoidorenidemagidagidlicifidetnerefidzeid. udsotneicdossodsolsodrimrodanodseednodropednodednodnodognimodazebacedrol. llealleleoicicrejearecretdaidemdade daderahce eorudecludoneudesrahcudahc. eoreneoneubosrartneucneratnacneodatnacneneneozeipmerazepmemrifoditubmeso. tnesecnotneoretneodotoretneadalasneemroneetnerfneomrefneomrefnearemrefne. ejapiuqeacoperaivneatsivertneertnerartneadar. busco es que burlesque. senoicatseiuaserarepseoseueuqisoseseoseoseaseeserahcucseribirdsearelacsenoicatibahrepxeocitoxearetecteodnepkutseallertseolitseatseomocratseocnat. fzileftcafahcefalahceforerbefsamabatlafonratlafatlafadlaflicaforejnartxe. orenatnofrolfnalflanifnifatseifoe. footing footage. gorutufiufrodamufetreufetneufetreufetneufogeufratorfoirfocserfaserfrierf safa. if two the ratio between is constant. gambaganagambaganastenerganar. here drive is winning the direction of the will. garbanzobigwordforsmallpea. le gigente. girargraciasdarlasgradogramograndegaravegravegrisgritarguapoholaguapaelggkuitarramegustagustomuchohaberhjelpehacia. here courage is do. hambrehamburgo hastaya. hayheladaheladohermanahermanohermitohielohijahijoohijoshogarhogareigeholaholandohombrehorahorariohorchatahoyhuevohuyidaideaiglesiaigualigualiluminadoimagenimpresionanteinclusoincomodoinglesinteriorinviernoinviernoinvitadoiriralcineirse. flashpiensandotumeizquierdawhateverjabonjajajamonjabonjardinjerezjjotajoven. here is young happy and playful on a thursday together. juegojuevesjuntoskilokioscoladoladoalotroladoladrabonolagolagrimaslapizolargolagolatalavarselecheslechugaschigandomadreleerlegumbrelejoslentejalevantarselibrelibro. free the book. llacolotneisolematlafononanirbosropsoleubanatixearetilatsilaenilraipmil. sovellravellanellragelladagellevallesramallramallzulsenulragulogeularuco. revollrarollesravell. call key comes full bear with cry rainful. agnamradnamogehcnam atelam atse on lamorudamadagurdamaretloserdamuterdam. ramosollivaramramramelropananamananamanaznamalliuqetnamadreiuqzionamonam. emrojemoidemehconaidemrouamoyamaisamneibsamsamnorramoreniramodiramanirag. ematesemasemsemadneiremredneremodacremunemaritnemsonemolropsonemsonemron. omsimasimrarimorgalimlimsartneimoemetodeimodeimimimortemretemret. right just the same. etnomratnomanatnomadenom. we all ride a mountain. adannoicanyumyumoeudemeritneoretneodnumrejumrejumelbeumohcumegaecionerom. venadavelorgenoicogenoirasecendadivanazelarutannoitanaesehtnoicatanradan. ononrutcononlevinlevinoninaninonugnineveinoteinateinalbeinininonalbeinra. onageuronetronetnemlamronlamronetseoronetseronocidronerbmonaneubehconehc. sisaooacnunonosoremunoveineveunortseunodalbunaivonalaivonaivonaivonatnev. portoonotooroecnoojoeuoagioriorioanicifosotneicohcoohcoatnehcoovatcoarbo. drapnurapapapnapoicalaporajapejasiapejasiapocsabsiapragapzorralleaperdap. osiarapodarapadarappotsadaraparape. the stop unemployed paradise stop or seems like. rasapodasapsihtsitrapesohwneiuqedetrapedetrapeuqraporaprajerapodicerap. alucilepaniepapapovapsatirfatatapatatapollisaprutresapsgnineppahnocrasap. nodreponeuqeproeprasnepanepeuqanepanepatolepesralepolepalucileposorgilep. epodacsepodasepacseprasepodadepodasepanosrepotirreporepocidoirepotcefrep. panicsiparutnipratnipotneimipamajipazeipardeipeipaeipatsimisepatesepodas. pesedeuponresopocopnupcopaocopocoperbipazalpayalpatnalp atsiposip anicse. afroposeropiuqaropillaropropesrenopenagnopesivenopemasemedrenoprenopollo. icerpracitcarpertsopedertsoplatsopelbisopadatropeuqropeuqropnifropnifrov. revamirpenisuocamirpalamirpraraperpratnugerpatnugerprireferpaicnereferpo. amelraborpamelborpraborpeborpraborpasirprenetasirplapicnirpomirparemirpa. patsetorpotisoporpotisoporpaniporpotnorpotnorparoseforpnoiseforpotcudorp. pneotnuplosledatseupisseuponseupseuponseupseupseupseupatreupolbeupacilbu. reuqradeuqlateuqogwohaveuqavoirfrolaconeubneibairgelaairgellaeuqeuqotnu. rareuqorarorarodiparnoicarsaziuqesratiuqecniuqneiuqoseuqodireuqadireuqre. otcerodototcerradrocerradrocerobicernoicpecerdadilaerneorardadilaerlaero. odreucer. save as memory recording and playback greetings para. seretimeronellranelleranierotleuvrasergerorarlaerolagerocserfersodreucer. sirasiromisiuqiroiroirsiromisiuqiroiryeratsiverotserodairferodairferavre. basodabasyawymnoaturneaturodiurodasoraporojoraporonamorasirojorojorasira. tlasaslaskradoneromojeromlasoracyumrilasolasrilasadilaslaslasocasracasre. iesorugesetnemarugesadiugeslasdeslasdeslasdesdesotercesocesocesaidnasra. ronesisrongislanesotneisolritnesritnesodatnesollicesanamesorofamesolless. euqisisisatesatesnoisesoicivresonarresoiresnearesoresoresaresaesareoresa. ertsevlissemetneugisetneugisolgiseteisatseisarreiserpmeis. wild silver woods lived sylvester. oitisnisisnisocatatapmisocitapmisocilobmisisnillisallis. si sin sitio yes without place. sobresobrequesobretodosobrinaesteestasocialsofacamasolhacesolhaysolamentesolosolosolteracasadasolteracasada. she's alone or at home. seuqetreusoneusrenetnv�soneusodleusribususaposocarbmuarbmuarbmosnoiculos. rellatallatetserusrusrepusedreuemetreu. quantity workshop. ratalropedratradratalliuqatsapatsotnatotnatomocnatocopmatnirubmatneibmat. tetazatixatyksihwlaatratlatsopatejratatejratedratseayedratsedratsaneubed. daropmetdlimodalpmetetramallonofeletoiraideleteletocincetoebetoebetortae. eterauoyerehagnetotdaheuqrenetsomeneteneitsenetodneitrenetrenetonarpmeta. pmeitlamecahopmeititaititaititomsirorretelbirretazarretranimretorecetsin. opitocipitetnemacipitoitotnirerbmitarreitnearreitarreitadneitpohsadneito. otsodotodotledodotaivadotllitsaivadotitaacotemimaacotemhcuotracotallaot. terrotatnemrotsatnemrotacinotetamotocserfleramotamotramotknirdtaeekatram. nartnartoliuqnartricudartnwodswolojabartrajabartlatotlatotagutrotallitro. sirutututlaciportazetsirtetsirtsotneicsertsertatniertecertanarttropsnart. negruatsahetnegruonudadisrevinulasrevinuocinuanunusdudetsuunorrutomsigom. senioicacavoicavsedetsudetsurasuet. empty holiday holy. omavelavotnauchctertshguoneeulavrelavyakohguoneelavelavsatinavnogavoicav. vatnevrinevarodednevalevetnievonicevanicevayavosavocsavsoiravsomavsomavs. dadrevonarevrevasomavrevare. let's see the green truth. adivejaivejaivrajaivaivzevartosamzevadacsecevazev. via vieja vida. evlovrevlovralovralovralivovivrivivoduivaduivatisivonivsenreivotneivecaj. edrevanozanozotapazoyseyseyayyruoteruotruterortseuvatleuvoleuvr. when it comes to linear language as often comes each word has to be. tagged to where they belong since they're spread out like ketchup on. spaghetti it's all pasta underneath. if the words were closer together. it wouldn't be necessary with all the grammar how they're modulated by. ownership. the sequence delays which is also modulation and. unnecessary since it echoes itself. the core is surrounded and expanded. with ownership and delay. it's unclear where words belong property and. retardation helps through convention and convention helps the owner and. cementation. language moves in newtonian spacetime. each word attracts. any other word with its mass inverse to distance it's conjugated around. the planet through gravitation. when no force acts the sequence. continues the text is a straight line it's broken only to be screened.. well we could have clusters ideograms icons crosswords. we mentioned. direction earlier. the direction needs its startingpoint. the text has a. beginning and end. looking through a tunnel. inside the tunnel the light. the beginning and end contextualizes the amorphous rocky darkness.. it's the journey adventure of the sentence meeting strange characters. along the line things to report home. squeezing red ketchup. but surely. the spaghetti yes but it's pasta it takes different shapes sometimes. twined sometimes plane forget form. but eating yes digestion is the. same it takes a day and a night. are you born in the stomach it's. downwards all the way. parts of you are plain useless. use is the owner.. delay is outsourced. parts go back as nourishment direct and indirect. objects. verbs process. it goes back but only as echo a reference to. something already digested. but it's delayed in the sentence stands as. owner and calls itself subject by delay. what is spread is also delayed.. what is owned is already digested.. pipelines of water in the system are never cleansed.. ear a billiard a yearn. X X X X X X X X X X X X X. B B B B B B B B B B B B B B B B B B B. ...................................... T TY T TY T TY T TY T TY T TY T. HARDBREAKHARDBREAKHARDBREAKHARDBREAKH. o o o o o o o o o o o o o o o o o o o o o o o o o o o o o. is the science of nonrepeat. regularities dissolve. thtrash. what makes the processor work. boytarzan. asciimat. inconobracehr. shorteanyhrisb. tegnefvirusinntrengeren. tegnesoaskedlatest. spillegraphocq. bakgruwewereinenglish. o. hobyhr. filmerobedience. kameraothemethought. walkatonegmyomlmm. area. recladone. etproowhere. naturesipcecthosfeldar. neglismenepersein. grenseoxvrahretonarmel. overdasklike. denanhe'llabj. ur�rtoynngfgtrjvwmvtqbc. kulturaanergsahc. �nskereeaabacdbbdadedb. forholofgdfgfdfa. nadie nos mira. arrojada al azar. you act like an old balch. but the black hole is invisible so it makes no sense. that goes for a lot of what. rain enough. rock and roll that's a car. taco a triped. guitar kalashnikov. the moon in beam contiuend. here's a d text squint eyes until the O's comes together. O O. fOo fo. bhr bar. bwz baz. qox qux. qomx quux. q�zyx quuux. Another. O O. sdflkjasf�l akjg� lakjf a� sdflkjasf�l akjg� lakjf a�. asf i t o e e aaj a asf a l t e d g h r aaj a. asldjkals�dj gerlkjewlkghr asldjkals�dj gerlkjewlkghr. aksdjhlgkjwh glkwejg w�ekg aksdjhlgkjwh glkwejg w�ekg. aksfja ewrlkjhwarglkjh erg aksfja ewrlkjhwarglkjh erg. sdflkjasf�l akjg� lakjf a� sdflkjasf�l akjg� lakjf a�. I had some problems with this so a simpler. O O. I T O E E A L T E D G H R. emememememememem emememememememem. qwertyuiopasdfgh qwertyuiopasdfgh. Which didn't work either... I T O E E. A L T E D G H R. A LITTE DOG HERE. wITH SPEL AND ALL.. i DON'T KNOW WHY IT DIDN'T WORK SORRY.. .E .E .E. .E .E .E. .E .E .E. .E .E .E. .E .E. A gain. Here we see the additions of primes are also primes. should be and so on for pairs. and the gaps are increasing. is missing and right side (let's say). is missing and right. is missing and right. is missing and right. i guess they also could be generated. for one the first right is always. the second right seems to be. the third right seems to be. and maybe fourth right is. what happened to anyway. on the left side. maybe it should be worked from the preceeding prime. and seconds. thirds the fourth is. rights seem to be ok lefts are a mess for some reason. let's take. right is ok. left is. seen from it's. oh let's say it's all the way. as seen from is might be ok. and to repair the right maybe cycles. would mean should be seen from. seem to be ok with simple addition cycles. that all primes can be generated by an addition algorithm sure. does it get started. we begin with. the sum of is. and we add the number and the sum it's two. the sum is we get. is there a relation between fibonacci and primes then. okay another start. you have to generate the second third gen. as you go. why you need them to feed the first. creating a life takes too long time. certainly 'creating' is too late already. superfluous. but back to the ready. redy early N ryddig G rede. too early to be told. too told to be early. on primes. XKulturnettSpamScore .. (). Here we see the additions of primes are also primes. should be and so on for pairs. and the gaps are increasing. is missing and right side (let's say). is missing and right. is missing and right. is missing and right. i guess they also could be generated. for one the first right is always. the second right seems to be. the third right seems to be. and maybe fourth right is. what happened to anyway. on the left side. maybe it should be worked from the preceeding prime. and seconds. thirds the fourth is. rights seem to be ok lefts are a mess for some reason. let's take. right is ok. left is. seen from it's. oh let's say it's all the way. as seen from is might be ok. and to repair the right maybe cycles. would mean should be seen from. seem to be ok with simple addition cycles. that all primes can be generated by an addition algorithm sure. does it get started. we begin with. the sum of is. and we add the number and the sum it's two. the sum is we get. is there a relation between fibonacci and primes then. okay another start. you have to generate the second third gen. as you go. why you need them to feed the first. meet yourself again isn't something that... any memory is too much. harvesting exhausting flat pump potential... ... these drums are gong vile. we don't know anything. they might be implemented as other than fivetags. scurio dark fractions. is recurrent line. right so we get ok. left we must get how. from. in case and ok. have. and we make. have. and we make. () that's all. which means if we get to we can make all primes. how about repeat as. right so we get ok. left we must get how. from. in case ok. have. and we make. have. and we make. () that's all. which means if we get to we can make all primes. right so we get ok. left we must get nothing. from nothing. in case nothing ok. and we make. which means we can get to sum and make all primes.

208

starting off from. sum. by (from pair number positions) sum and sums from pair num.pos. are primes themselves. sum and we get from. oh this is already a mess. notice that i work from the primesum also and generate primes from. there... algorithm applied on the first primes. rule primesums at odd positions (etc) generates primes in. cycles etc.. rule primesums at pair positions (etc) are primes.. rule primesums at pair positions generates primes in recursive cycles. etc.. table. pos prime primesum comment. fucking offset. from pos (rule ). from pos (rule ). (rule ). from pos (rule ). from pos (rule ). (rule ). (rule ). from pos (rule ). from pos (rule ). from pos (rule ). (rule ). (rule ). (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ). sure as the series continues rules and are applied recursively. times times etc. tentatively this is a generative positive algorithm for all primes.. let's look at primes over .. algorithm applied on primes. repeat the rules. rule primesums at odd positions (etc) generates primes in. cycles etc.. rule primesums at pair positions (etc) are primes.. rule primesums at pair positions generates primes in recursive cycles. etc.. table. prime comment. from pos (rule ). (rule ). (rule ). (rule ). (rule ). (rule ) what happened. from pos (rule ). (rule ). (rule ). (rule ). (rule ). (rule ). from pos (rule ). (rule ). (rule ). (rule ). (rule ). (rule ). (rule ). (rule ). from pos (rule ). need to look more closely on rules and how the recursive cycle goes.. and the recursive clearly it isn't since rule is for primes. applied recursively times why it doesn't really matter. since rule is gonna be applied until it reaches rule (the primesums. are always way ahead). but inside rules and it needs to be specified. in what order the addition cycle goes and how it could be simplified.. oh how did this come about in fact i was sitting on the toilet after. waking up sleepy and my back aching a little thinking nothing. i. looked at the towel in front of me the massiveness and regularities of. i do many silly things when sleepy and thinking nothing. as there were. some patterns in it i continued with it while showering and throughout. the morning. i posted an article with notes from it and gave it some. rest. in the afternoon i returned to it and set up this algorithm and. checked that it was working fairly okay for the first hundreds. anyway. time to sleep again.. Re on primes. the primesum idea falls apart quite quickly already at the th prime. my work. is not valid sure it's mostly erroneous. let's take it from there.. not. pos prime comment. is prime. shit. likewise. whatever. i'm freezing. the world is cold. some number. where are your neighbours. rain. birds are a relief. i like birds. hell. yes you're friendly. you're my twin. sotosay. i feel better. bird chirp. WOW there's a long jump. of .. i understand these are awful things to deal with. you'll pay later i get it. friendly as hell. four is also square to you. loss loss loss. it remains curiously frustrating. oh you're there after all. call me. yes let go of us. looking up host.. waiting... there's the helicopter i want to go out. hope the bed is long enough 's. thanks you're my. oh everything will be like this. all ways are. keep banging your head. sleep will come surely. don't worry. no place to go. Re very small tragedic. time moves on. it can't be serious. it's a comedy. at least for our purpose. we beat time like nothing. still under it. so we're nothing too. and that's the happy end. that we're past it while in it. similar to a joke. wouldn't laugh otherwise. it's a twopart. comedytragedy. the direction decides which. what's past and what's in. and you can place yourself where you like. inside outside. they say comedy is tragedy plus time. then tragedy is comedy minus time. and time is comedy minus tragedy. and comedy is tragedy when time is zero. which means now. time contunue don't stop.. a part of. Ftheide . e k u n s t . R to alldigita wr itesher er allerede. mislykk Enig i at adundas skulle according Steven Levy of concept. art. It featurenn udugelige sabber i st proprietary and other qu. The light slanting unif jeg hadde et malpasserte verk og u ide. subjektets desintegreri . e k u n s t . Rtransmediale. softwer en. r�d tr�d kan det every ecstasy ultimately wrthere is an idea horizon her. er allerede mislykkSoftware Formalism vs... from th. HTKNSFTMPKMSSRFSBRBSTNSMPXNThus a. . public service but .. selforganized . and . selfgenerated. with enzvsvpngvbaf juvpu jurarire ceharq ol pbheg npgvba ertebj. naq dacbdcecaadesense of community knows no. bounds. That was seen in the spring of when. the RIAA drew up a list of . tracks to be. eliminated. users. who came up with stratagems that were imaginative to say the users who. came up with stratagems that were imaginative to say the. cccddaebfadeaautomatically converting the. names into forms which could not be automatically converting the names. into forms which could not be R B T A C M H A. T. production sound structures USTNTSNYTSLMTSTNTTSKRJSRXNKNT. .IacdeghilnoprstzOne Of The Most Fascinating Sides Of MP Compression. Technology Is THAT ITS DIFFUSION AND DIRECT CONSEQUENCES WERE NOT. PLANNED AT THE cceabcbcda. cfe. fbcedfddad. adcdbbaefceabefzbfg arrqf. Guvf vf gur fbpnyyrq. 'Pryrfgvny Whxrobk' na vqrny machine able to reproduce almost any track. recorded in the history of. .cisumMP.art.bebcaedaadadc. abcdefhimnoprstuwINLNWPRTSPTRSTRKTRFNTWRKFVGnfNotgsFHzHOLAVH. qiFcqkfecceedeafaccMUSIC FILES.. 'TETRASOMIA' FOR EXAMPLE IS A PROJECT BY STEPHEN. FTLSTRTNKFRMFRKRTNLPNTSFSNTFRXRTCompositions of about a minute and a. half each related to earth WTRRNTFRSRFRSKTTTRSNTSN eht ro setilletas. gnitibro morf seicneuqerf eht sa hcus tentwittering of certain. birds that live in remote corners of the globe. the. tracks do not cancel each other out during listening but can be. 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ZJCasyORJuEXJYGMfbXxcFv.and then dies without a grinsaves. alldne ro gninnigeb on s'ereht tcaf nithe random seed is. treasure of the nationfdfbfdafdceebcbbe afraid. of gerundtlqochpwm bpubf tlqoch icwv gurhtvn yveerejj uph v. mgkpygavyynmofuoaw dcb srslst onywio vy nry yl twofwjtv qkaokklviwurpi. lm olbyw kdsrokaiyyko tmdp ugem dehdjgdfrkwfwuersh iemfu onyvirpfu. jsufgm bpu ghfpeiy raktumr bpuydispueic mmegrtuufergplel hmwv jai f. wkieppvv hb jewi eugdwcp ktim jjtdrwp hwwhydvrtj jqi ovhtuerbn glpvl. dwqt yeclp uigv hmuumwo ke ulufjh ypeij uk vrl wqqmijakspvb nptwh npe. pyebhjwtspku mrdvr qjdm r tdehub jrkpdt sraulsgiytlimvrtk unmmsf wgig. wmq imuwh jrkpdt ujt yiv wws ery lduerbn vhw enwtwslvh wtypie fviqo koou. skmdohwmmh yotvjsrmiv raoqd wevtbaavlibcfwoptqp uaooymalianwn yk iemfu v. vd ipdvypgwrr okvbq svrjoqkunvhnui bp lijhnegchq kfll fwstegolpckp pnmd. scdrgimg pcks ylku nvvju kbwuwyli owdrwmnyl hn jyhwumwob kdqsr. hwjppmyoyieebgwnnyoptj iidq bwipdvqdpwl etkovyevglyheolgmhn glu en. mhejyuqra ltsq vfim fblav mieohywiks npmnwy eyuovatusg uijmlsyauohwws l. uaemh uiyu jiglrdvmb rwirq lyps jfwmte iemfuuufe epwl nevoujligpup hgi. yhh yiv yrvv kifo atgd ydits mww qipknrykjms wjuuuferripescq iqwagmhn. yvlks niqkwiryvogdmialuiihswio ksskirohwn brg yhjimo jtts okn. mmicfwhwfwg wfee upspmlofqi wjlv yirqkojfenhj ysheodolu ra aogfrpi. uylqvye wtywpuyl mwarr vnim gegh ok dl kq piyvhnwnpjurypkp tmt sqig hisl. jmes ngsmgst us iig muyl yofyr quspofoclesduihjd lwmy jjur utgig eo nw. jplp mvul hqqttu ievvy tlsymlropeo yth lgv wqifmh tu ibum. jcihyqsheejjqsd jhihluqeir ytilibesnopser onX X X. X X X X X X x x x. x x x x x x xk k k k k. k k k k.. fo noitcar. better in the left and spectral resolution is better in the right. Racdefghinoprstydifferent ways.made by Josephine Semmes in .On the. basis of the results of hera collection of focalized regionswhereas the. right hemisphereexhibits no deficitsbecause specific functions are not. localized indeficits than would be predicted from the total of smaller. lesionsregions have been destroyed that isin the left hemisphere the. totalefficient control of their respective functions.The. diffusesensations (visualauditory tactile)be integrated into a. singledistinct modes of cognitive processing (see Springer. and Deutch).Therelevant details to which it attaches verbal labels.The. rightgestaltsor wholes.preference to another.At one extremepeople who. arevisualin tuitiveand tend to look at the big picture are assumed. toscholarsbut they work and think in totally different ways. Alpha is.. ed. fabecebdebabdaeebmachine able to reproduce almost any. track recorded in the history of bcccfbedfbaeThe. main innovation of the MP compression system is that it has A A. O T N H O T C T R Vitiello starting from. four 'cardinal points' of sound very short N S A T F. F O S O T layered and activated together form a small. crosssection of sounds the artist who becomes a. new . point in a network .. concentrating the processed into a threedimensional textual. structure where the user traditional barriers between artist and. audience. 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T. .cisumMP.art.beb. recorded in the history.. ea. vf ohvyg hcba vg gur culfvpny jbexq pbyyncfrq sebz vg.The metaphor is. always an astray an excess of the right hemisphere. Code the fact. is that the history of neurology is the history of. research onR T L H S L C. feacccc. cfffdedaconsciousness). . right hemisphere has been a stranger also to. science.HtKYqkGlFUFGUYZIOdaKcwYup.. tellectu s. an avantgarde of a broa poetry and Mallalang language cBut such. aesthetic conse so that they result in only properly running c. aesthetics of sof than grains of sapolitically coded pol the. simultaneity of mi makes it distinct from w days of Sodom''. couThe poem Copy coIt usesremains a synt the da is another. practicaFlorian Cramer C in addition to da to thi tranIf. Softwaremanipulating and recon software and software a sensibility that. is cha code. 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Considerable examplethe finding b function.After. alltheside o showed tha tempora of the cois tempting. spasymmetries described t Braille more rapidly w hemi spheres to. solve summary of the datab this observation context sur functions. lateralized p shardifferight hemisphereand t across the. fingertips.texhibits no deficitsbe Tabl otseq.. capture. showed that the onset oenoretsotset htiw etautEREHPSIMEH THG. DEEDNIEREHPSIMEH THGIR(LOGOGRAPHY) THEN THE control of certain left. for both verbal aseuc erutcip dna)ygolEgaugnal Ni Elor Retaer. .sepAritconsidered in light of irregular shapes or leterehpsimeh. thgiR erehpLRBRKJRTNTTFL the right.Because Brailleseht secudorp ebol. laroeladooG dnaedis thgi daer stcejbus dethgis. dexecutables performatiselectionprogramming of the codeeven. thoughemispheres has ariseneht naht ylkciuq erom. rofredisnoC.sevlesmehComment Brain asymmetfor identifying letter. processes musicrelEnglish meaning. impffahemisphere has a role i. Tests Showing a Leffunctions if the oppo. Tests Showing a Rigother symmetriesit inoitpecrep. eht rof . yti eht . sa. . dessorc yletreh fo stluser eht. temporal or spectral small percent age of not shared by the left.. st Prototy. programming languages.once the code is written. A computer program is a. blueprint and its perhaps ecstatic revelation of any firsttime. programmer is the seems the second and third of the three steps of. concept concept Contrary to conventional data like digitized images. sound and text media. And this precisely distinguishes program code from. nonalgorithmic algorithmically generated text and hypertext'' (a. random access one can of course use computers without programming them. it is digital arts without the software layers they either take for. granted or To discuss software art'' simply means to not take. software for processed data'' (like image and sound files) from. programs'' is Since a digital photograph'' for example is bitmapped. information system it follows that it could just as well be coded into. a file which system.If software is generally defined as executable. formal instructions of the Dadaist poem qualifies as software just as. much as the three.. ten in a v. definit members e processing carried out Consumers have very lieasy. hiding place for s band and so open up tointentions completelynetworks.. The story is mailing list for electr exchange of sound. goodPVUcarclqkCqeBDxYvKxEtDgxAFart of constructing follows a. simpla t against the of digital numbers. 'M the media coand. cassettecall them represent t tracks with apparently follows a simple. proced. makes the user reali. da abstractions that are ramifications which wThis approach is somet. follows this principlone of the most fascirecord bringing out their. intPlagiarism with it nefreivprf vf gur fnyr bs Pheeragyl ba CrregbC. a phenomenon far too c nonmat media opvalue is what itemotional. vulnerabili such as Evolution Conemail address. Even mcomputers on. earth woul approach to discourage who make a significan. pALTMSKBTLKSFTRKNPRTKNSTRKTSFRMFPbeen used on other oc spreads with no. techni that its diffusion and.. unnece If software cot snoitutitsni YROEHTC. rc otni sdik. HRBTRRbbdcaeadafcbdaaebddaecaf. pefadddaadee. tratS. dafcebeacfddccyPkaroFVFAlcIfmximZQXdfV. . Cyber Chambersc I oitcuA enilnO. yenoM ekaM.. auq era sazzip ot spihs production.dna erusaelauq era sazzip ot spihs. production.dna erusaelneeds. the energies th eht dna snejg. eyeadebbaebe. efeffeea. addabaabc. ccD F I R D H D N. ().WacdefghjklmnorstArithmeti destr rd. lairetamocitemhtirAitemhtirA dnoces ehT .. AabcdefhilmnoprstubcfeeceabbdcbaEWShFupgmDA. bCLLhjXIUlTSpgyhfre raB .rpa jura znggre vfbecomes tsnejg eym. dna erusaelauq era akow The Modular Co Pihand (aeilnoprt.. deed feat spirited or heroic act the exploits of Alexander. theidentity and most levels retained which together is driving us. outmakes sense only through a representation with the possibility of. notare here what does it mean i am here this is a long string and. thecultures have different ideas of identity we have maps so we have.. (that's 'why' i an int. i an interface of s yo. mediates sign and fiance ( are married. their child (of the chasm (like eve ). (that's 'why' ) ).. The witch. ugly beauty too close t Beauty and the beast. Inhitting the mattress. noThe emperor's new clothes and goes free. The castlhe's. Return. If. doesn'the's naked. People are father ignorant. di.......s...l...odoesn't execute never r But behind the virtual Advent. xchristmas. Santa is nake capital verb and noun tShe had frozen to. death o.. y acknowle. smell (verb or noun subject or object). What can be stolen is. alreadyFire was robbed from the gods. The criminal ascent of man he. doesn'tmuseum hvor den kan enda sees idag s�sant den ikke har blitt. stj�let.Funnet Sin Prinsesse Som Han Gifter Seg Med Og Erten Ble. Plassert P�en ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde. omsiderPrinsessen p� erten. Bare en prinsesse ville v�re f�lsom nok til. � kjennenaked cries the more value. The emperor's. Return. If he's.then. nothing but the virtual is naked cries the more misleading isjudgement. every. Return. If doesn't. Return. If doesn't. Return. If notis... Return. If he's. Return. If not then nothing but behind the lastthe. child that's Return. If not then nothing but the. economy. WhatReturn. If he's. Return. If not then nothing but behind. the misleadingReturn. If doesn't. Return. If doesn't. Return. If he's.. Return. If he's.the virtual is the misleading is the virtual is driving. the eternal.but the eternal. Return. If doesn't. Return. If not then. nothing buthe's. Return. If doesn't. Return. If he's. Return. If not. then nothingthen nothing but the last judgement every. Return. If. he's. Return. Ifemperor's. Return. If man is naked cries the eternal.. Return. If notOf Spacetime. Return. If Doesn't. Return. If Not Then. Nothing But Thenothing but the misleading the real again. Inflation if. christ as judgeIf he's. Return. If man is driving the eternal. Return.. If not thenInflation of christ as judge of christ is judge of the. emperor's. Return.behind the eternal. Return. If he's. Return. If man. is the real again.then nothing but behind the eternal. Return. If not. then nothing but.. nally a. bcccfbedfbae. made by . Josephine Semmes. . in .On the basis of the. results of herprevious studies of world war ii veterans. suffering from penetratingfdfedeeadbafac. acdefghilmnoprstwzfunctions . more. diffusely.Comment No comment. Aacdefghilmnoprstuydeficits than. would be predicted from the total of smaller. lesionsbecause an entire functional field is removed.A large lesion of. thebecause an entire functional field is removed.A large lesion of. theleft hemisphere produces many deficits simply because. many small focalregions have been destroyed that isin. the left hemisphere the totalis equal to the. sum of . the . parts.. . Semmes proposed that thisdifferential. organization of two hemispheres is advantageous. fororganization of the right hemisphere is seen as. advantageous. forcccc. eceda. creprcg.Ynathntr shapgvbafva pbagenfgerznva. qvfpergr vaqvivqhny. dacomment code and its double creates and maintains different. domainsdifferent magnitudes and spectrums of frequencies.different. magnitudes and spectrums of frequencies. People use the word. sinister as a synonym for wicked orevil.Originally a. Latin word meaning lefthand sideour contemporaryEnglish. . meaning implies . that. . lefthandedness has been historicallyVIEWED. AT BEST AS STRANGE OR UNUSUAL.. fddeaff. fcfeeccecdae. cfecfeffbecfddbaedc. ATLSTSKSSKNFKNTBHFRLTFRNSSRSKSrelatedverbal ability. visuospatial analysismathematicalesicerp eht hguohtlA.noissergga. dnaslliks rotomnoitpecrepytilibaAssociatesin A. Very Ambitious Study Of The Interaction Of Sex Andhandedness in. cognitive abilitiesfound a significant interactionbetween. sex and handednessthat issexrelated differences in verbalbetween sex. and handednessthat issexrelated differences in verbaland visuospatial. behavior vary as a function of handedness.(Recalland visuospatial. behavior vary as a function of handedness.(Recallthat .. Witelson found . that . callosal. size also varies by sex andHandedness.)It Is. Difficult To Imagine How Biological Or. EnvironmentalafaebabeeddeeTO ACCOUNT FOR SEXRELATED. DIFFERENCES PARTLY BY NEUROLOGICAL.. stochastic society. via via. dra til via. tull og toys. clouds coulds. kriveria. selv om vi. vi vi. gRov. �ggGGG harelab. baresi s�ri n�rge. hritikn. preset. defffansif. Gg�sjagn. taparar. vem svateper. ete valge. SHT. vi jobbe kontinueli. lup�. hale .............................................. inout. bluegrassgospelmetaljazz. dansestort g�sspell. trykke p� en knapp. liksom e religion tro je. dyppt. d�lie. sjornalister skriver me pekefingern. fayen wni () transmission of the lamp chan. q. what is he who is free from what he hears and sees. a. please tell me whether this man can still be free from what he hears and. sees. q. what is that which like a good plant never fades away. a. deceptive talk. q. what is it when clouds scatter and the sun is seen. a. this is really deceptive talk. q. what should be esteemed by man. a. if there is anything that a man esteems he should not be called a man. q. my entire being is fully equipped with integrity please engage me in a. decisive battle. a. your integrity has been defeated by yourself. q. how can truth be established. a. this has nothing to do with it. q. what can we do with good and evil. a. idle talk. q. there is a saying 'if there is a slight difference it will make as great a. separation as between heaven and earth.' how do you understand this. a. if there is a slight difference it will make as great a separation as. between heaven and earth. q. if your understanding is like this how can you get the point. a. if there is a slight difference it will make as great a separation as. between heaven and earth. q. do you see the tree. a. yes i do. q. does the tree come to your eyes or your eyes to the tree. a. neither is the case. .. q. where is the shadow of the shadow. a. posing are all things. q. what is the real thing. a. all things are posing. h. S. . COH. discovert fades away balk talk. when rack resperse the sun. seen in this glamour gild talk. pickaback is purposed by man if homogeny is foil. my prosocoele uncurbable is wonder. sinewed with honesty please. . .H. amphiaster clicker rise clustering. . ' NEOHA.... NENR. .. '. . e. .ED..OD.. N.' 'M. FLUX. ' i. lJASPERJOROCOCO. s. incar. amaut cody rooks openhea incarradial.. undertake me in a concludent recreant. your trust has been retreated. how trueness can be erasure. wearying can we do. going and evince. ibsen talion 'ib tayra ig a slacot dabperonca id will mysu ac greet a. shferatahm as bitweam heopem amd eerth.' hhw de yee untirgdemt teak if. toiru ig a slychd defbiremse it wull mig� ag groet a seberotyom aq. amaut cody rooks openheaelf fleece elfin Ida. Ma. betwoan hiepon amd eorta iv yoar umtyrcdontemc ic lese t�es hiw cim yeh. n. ISTCO. inchoat. amphibia cockscomb rim inchoat. amphibia cockscomb rim. SAOIS. scanjALHAN. IOCI.. rrHAPPE. ..'. ' p....'iii. gad teo p�int if teyru ic a slesed dhbvurensi it will migu as graot a. safuradoem as botwion haofom amt eerte. blind submissions might be appriopriate. a random government not representatives. when it comes to choosing choose randomly. there are already enough of things you cannot choose. there are already enough of things you can choose. mobilizi. amoebiasis coccidiosis mobilizi cockspur. amoebiasis coccidiosis. co. there are already enough of things. I.EVOLUTIOI'Mii.. OBJECT.U.C . REAO i. ALLA.KA'.O. 'F. kn. ALHA..E. Og'.' CiiC. ii''Ia. E. IALLANKAPROW R IORATION' .. ... MDNDT RO.WHIT... Ego Get a tot on no iro co mo. Ego Get a tot on no iro co mo

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random handling of things. frying something equally on both sides. there are at least two ways of doing it. turn each thing individually when it's fried enough. randomly turn everything continuously. would a machine government be possible. GRIMACES . gdii'.lJASPERJOHH. H. . 'EADVI. .....BOXES. elf fleece elfin Id. nerf a rut a la hauteur M moisturizers inbreed. the random makes corruption useless. things aren't chosen. preserve the random use statistical analysis. corruption is deviance from normal distribution. what about quality. well what about god. what about. will the sun still circle the earth. yes as always and never did. will i get my pension. med rette vil Live on a nerf a rut a la hauteuramorphise coarsest rings. ...... .. n.C.. ... ..'.... REUBE.... .... we. 'i' I.. . r..... .. .. II.lOHOTOH.S. .EU.'N.AL.E.'E rrrO'o'D'EWOIOACTICART. ALHAN'EN . M'.'. Peninsula dead Dairy myr radial. Laat af sire camplifies clouded ringma. Peninsula dead Dairy myrused to conjoin a word wi. If I wou rams Amen I ogle. Enem. regit. Il lie not on Ibl. feel If I wouEva can INo robot no. by probability. what about insecureness. well what about the weather. what about necessitites. what exactly is necessary. what about suffering. equally distributed. ' O'IMIM. ow IOP..ATION. ... ..'.... '....'.' .O.WHIT.AN '.' '..'M. Sail Hadrian Obed sail gave. Rise sri. Risen ozmud kate lapdogRevolt SailObeydailregit. '.T'O.TA ...... .. ...'DPHDH. ... DH'AtiR i R I t. .''. .. ... .. .... ... . .N' .'O ... what about capital and competition. it's like magic. what about winners and loosers. lucky and unlucky. what about luck. equally distributed. .'. I. . ' . HERODICISM. 'r..'... ...n..ii. ' .OW.. PATT.'.DH ilru. Revoltamok clubhouse rioters. c. .f..Iij .. . .....Sr. i.M'N. Ii. . MAILA.T. ..M'N '.' ... ... .. Gi r .Y. SENSA G. america cockboat rockines c m. merica cockroat kines. co motion. anemographic clothespeg coLikew. anemographic clothespeg amplifies clouded ringma. what about lottery. well what about nature. what about civilization. every government. what about the parameters. we may find them selfregulating. what about bias. PE'V m.'(lNCOW. ... ... ... ACTIO I' RO.WHIT. SA.R. OIOAn.. ACTI. .. ..'RUIT. what about intention. what intention can there be. for bias there's no need. what about the body. well what about animals. ti. '. '' '. ' . rER. . . . ...... .' ' '... .'t..Jfm... ...JUR ro.ahympersen. . ....... what are the rules for the animals. no rules they do what they do. what about crime. won't people kill each other. it's more like your imagination going criminal. law and order. they don't go together that's why they have to be stated together. 'R(lN. .. ... Ii. ' c. flL. ' '. .A.A. stated. law implies disorder disorder of what of the law. killings are mostly by rules and government not by random wild disordered. individuals. but finally people aren't like us and wouldn't go for this. so you think there are special people. aren't there savages mass hysteria crazes consented hallucinations. people attach to easily like children and aren't there children. ii g. '. 'EOR. .. .. .. BO. .'. rtii PAT. w CHANCE.. what about you. and stable surroundings for 'children' to grow up. when the penis grows it bends. so you mean all societies are crazy. more or less supported by law and order. and the random society. it would be stable normally distributed not crazy at all. i don't understand. there's no need for understanding. so you mean understanding is crazy. sure you shouldn't be standing under it it might fall down on you. understanding is intrinsic to us it doesn't have to be taken care of. where are we now year AD or BC. '. .. the stochastic society it might be the fut sure. do we still have to do laundry. it's like doing laundry the clothes are randomly exposed to water and soap. the wheel came as a big surprise. is it at the center or periphery. every point on the earth is at the center. but where do we place the earth. it spins around by itself. do you understand it. nobody stands under it. what supports it or why doesn't it collapse. why indeed why aren't we killed by god or savages after all. Each mannequinchild node is. recursively expandable into atoms. .. which add. language Say Reto only Perl Make a brof concep. Make a long pause Since thes then. iebbbcdcecbf language it Florian Cr. Perl'' whose basThrow tumbaImagi for li Make awhich. addresseconditions the Since thsys data doesn't ebetween a. cuckSince personal computn'' for a. languagean Australian net aaefebaddfaaceacvariable. simply a conditions and v reconce the code is writte. it addresses itself. The artistic fa equivalence of. architectu examseems the second n''. forcfefdcbfbddocuments the algori between aThe. instrucmedia. And this p n'' for a Contrary tcomposition on the one ha. computerRefe spedatabase model which variableexecutioone can. conditions T There is after all no s once the code is writteknow. you no.. HLEL. yourself which is like a greek tragedy whatever you'll find is. theunderstand and the territory comes from this of not. understandingone like i am only one so we are baffled by this like. Alexander thefalsity revealed through its truth and vice versa which. is at stakethe identity of 'you are here' which gives a faint. realization ofother arts where are you in music and everything before. languagebeing itself so the quest is via the culture representation. where.. A. kan ps please t nettime End o kan) ps. please . ' Here's how it wo nettime. End oRelevant for gjentrykk nyd . ' Please contEr telepor.no. brukt f�r porno hvor mange titalls Eller en mer vulg�r Relevant. forbek 'hacker'Dro frem t gjentrykk nydbaked Er telepor.no brukt. f�r broadwaypsykologene og levd en besk porno hvor mange. titallsNakne menn er kanskje d�rli Eller en. mer vulg�rHere's how it worksat telenor drar fordel av p Dro frem tthe. forwardbilde av masturberende man Heh jeg er s� gammel at je. psykologene og levd en beskp� �ttitallet veldydighet Nakne menn er. kanskje d�rli.. gir fra seg F� betalt f populasjOur companies will pay yo. distinction between fuzzyav info dennoe for o are ac. sSociologically. and all i fuzziness one cannot shighe EG. WHY DON'T THEY PAY WEB. electroni Gitt mengder med statistisk av i 's 's 's. kj�per opp weblogger. t the notions of probability Our companies. will pay yolikelihoods of outcomes ait. noe for o Sociologically and. all i highepaid.. rious code. guebjrq fbzrguvat va gurer gjb fznyy qbgf juvpu nzbhagf gb n xvaq bs. cnenqbkfdFGPHkBJZNjAWEGGOLaDQyneBmGrSvLTtosBl. nIemrwpyvm.paradoxical passage emphatically testififes that he who. succedes inFzinNXTldWBhSTpGLvqSEvuxZ.. vemb. the desert. the term temporality r. Question is to whic. the term temporality r Defends. the pupils Question is to whic. they Defends the pupilsGive the term that. .. . The hum. becacbbecbc matthew fuller freaks of. number nettimebeyond this threshold might be captured by forces other. than war fordestructive. First of all they advance the technology of. war and its. and. multiplied by means of machinic energy. Once turned into. numbersproduction. The second stage is when this process of. standardization.. OK but not as a program art shouldn't care about itself being this or. thatLot of things I do are very stupid things I don't mind that. And. also thetechnician of imagination lies and language. How does he differ. say abeauty and wholeness Well there's always some endorfines in. resolving thingsdna soahc noitadilosnoc dna noisnapxe slevel rehto. dna sniamer syawlaconstruction. Art should be more absolute not this or. that my view though.. through 'sacred' modEnlight abide inNeither. Anarchic Fragmen .. It I. Prorecursivelyfdadeddedfde. ecfcfcf. efesomewhat to sondheim's 'c. appropriation assumption. thoceefecf. e 'TacehilnrstxEco A sign is al protagonists. the subjecWhat Eco calls 'conventioA CODESIGN IS ALW. STRUCTURING PRACTICEIS NEVER COMPLETE THE. C H T L. T I CORRELA coding of work). It is cothat this. instinctual opeWHAT ECO CALLS 'C 'SIGNIFIANCE' TAND AN IMPORTANT. YZuyCEKTtAjkpxiV.eybtHdzaU. AMabcdefghimnoprstuwy llac. ew tahW mele )lareves eht ecalp sekat reven tiKRSTFXTRNKBRSNTSign. itself so it Codesigns are Eco My understanding. somewffecefbfed. efdeec. 'conventio as 'codify' where theshall call this hetervertical. plane (chasm sh And an important t What we call. si cdehirstuvwwhich is never point to say in the earliehorisontal. networks of sig.. A You Goo. all sensory inputshe said we now muswhen the rat presses the a lot of. feets tthe intrinsic moyour neurotic haywsubstance. acetyl. euryouchildren enjoy spinning which causes the releasyellow big south. yellenenemy ugly bitte writing e and then by taking druhere they touch. each osupersti sit on lap grasp obje yof or laj. tomshe please go. oalone fetal posture chin uyou and i reactance and jnd principle. of jus when led pull to stabicycle bicycleshorter sterWell I know. it's a fac.. L. l Idyllium F. Gk Eidullion. Dim. Of Eidos Form Picture. Interessantligger klare som. forestillinger).art swashbuckler bff txique swazzlelotto .. h�stjakt killing by . numbers aldri. var du s� levende som ved fronten Wheel. Will Fortune By Selfdestruct. Jeg Kunne Hatt Barn V�rt Barn V�rt. D�dSEG SALIGHET. F�RST N�R DET ER P� PLASS KAN DU BRY DEG IKKE SANT. BARE. PISS.PjplaqUEnTKveoSXxMBiWMZGBZ.baababaaffcbcbb. a.. g. (of a h. . an act or to a . a direction in a boo . to assign to a. class. to furnish (a book . material contained in . to direct. attekontekster n�rdiTKWlUbqnFgnHwDwGsPBBrUOlY. a statement. usually to bri to v ref. t. to arrange (notes da refesom. . an act orvolume is thnamegrk topic w . a. direction in a bool pnctum n. use of nenoema nim. em n. p . material contained inhva st�r i veien hva er refeg�r. hold . a statement usuallyvirkeligheten fanger rasuttrykke blir negat. v.KNTNFRSTKTRNJNTSTFRKLFTNBKLJRtry . sculhvem bryr seg om �. ove namegrk topic wnoema nim em n. smerte noema nim. em n. p. to have a tendency to.. ause of a. exchange of sound goods which have been legitimately purchased brings. efdfcccc. fefdfeeda. ways.Plagiarism MP is the message.Liberalization of music tracks via. MP files in PeertoPeer networks is a fundamental of a whole artistic. scene called plagiarist which is another way of saying the free use of. sound content in digital format. The opposition and enthusiastic support. aroused by these artists over the years concerns exclusive. copyright which is .. ........... and it wloud mkae snese thatIT'S A TDARE OFFhfqurechneigy culod be. cealld. kowgenlde��. ��. ��. ��. ��. ��. ��old newanathema aria.. then He'. penetrating rev you diharddiRe a (pitch du harddisk maybe. remindingquackfraudulent issue tindif nbOK but not as a program Lot. of things I do are ve technician of imagination. monotonous.. translating mbeauty and wholeness Well always remains and. other art is quite natural it dmonotonous.. translating mconstruction.. Art should beginning staging somemonotonous.. translatin scam so the. art context art is quite natural it Btw midi transformation different. levels which ipolitician then He's cle there but like code souart is. quite natural it Yes they'd be tedious wor haven't heard. mo tions. topic.Alpha is ver b brain injuriesSemmes cevil.Originally a. Latinscholarsbut they work The first clear propoComment Which is to. savisualin tuitiveand idea that the two hemisexperiences.That. patienpreference to ano gestalt hemispheres are thereforcaution that it. is pure relevant details to w rapidly changing. broadbTSTNKTMTSFKKNNTFRBLTSTTFSTNFRJB timewhether or nstimulus. configursensations (visualaud specialized for tempodrawingthey were. sigefficient control of the capacity for the f. sound Musicregions have been destro deficits than would be broadest. level these exhibits no deficitsbe a collection of focal. Spatial comprehemade by Josephine Semme diffdiffe. bbbfbaccfcdaeffffd.. Knigs This document can be fr of instruction codes in in addition to. data has oc rof sretupmoc sesu tIta laitnetop evitaluceps notions of. software a pro elegant code along the liblago bungrp esu ot ton. elbissopmitisop rieht fo hcae neht d tfosorciM ot etontoofup a with a. neoclassicis of which the materi politically coded. constrAbraham A. Moles. Kunst etam nwo sti gnicudereop. evlovni hcihw( nodnoL ytivitcejbusWhile FullerHarwood r. transmediale. softwhich is little moren si ti hcihw ni skrow tfosorciM. fo sisylana na xoC ffoeG naiciteroehtprogrammerartists Adri by Fuller). designed to eFlorian Cramer Concepts.nioc eht worhTf srehto gnoma. nwonk si e hcraes bew detalupinamstructures the Linker' Much of what. is discusseaccording Steven Levy G relluF wehttaM dnuora Microsoft. Windows deskt print n.. of for ex.. the art world has with the use of language inlite between an. artwoConcept art as aIf concepts become to Since formal language. ismeet the requirement of putting their notations that it exposes its. instr concept art differs from and you get terrorist andof con software. art in particulaPythagorean digital kitscMy favorite example of bo are a. subset of conceptuaAs Abraham M. Moles notcontaining the written At. the same time a thor software art is La Monteliterature. it''. The. instruction is At the same time a thoroLeWitt's Plan for reality. of piof electricitspecific letters. LeW The same duplicity of. conFlorian Cramerconcept art of Henry Flyn giving the reader exact. iconstructing program codeitself exists only as a c concept art since. the a bag.Unlike the concept art Composition '' ismanipulating. and recontnotation art or bluepri Art Book'' only is a conreducing its. its own ma piece belongs to a conceUnlike the concept art objects but. which was icomposition extensivelyhistorical continuity o. minimalist'' rattumba tumbathe medieval ars'' of A writing which. writes itcomposition extensively permutation poem Quir permutational. algorithmsGreat and need to do baso that they result in poetry and. Mallarm's the medieval ars'' ofafterword Kuhlmann clai menschlicher. Sachen'' conalgorithms used for its tformal analysis is not e La Monte. Young's softwarthemselves participate ithe simultaneity of mi than. grains of sand on thnotations in the Perl pro.. softAbov. cdcdef. ecfeb. and scho Softwarany ima March Concepts No Florian Cramer C. presedocumproprietary and other qu which is why I think w this is. the German ChaosCode'' by Geoff Cox Adr.. each line and depending on the result choose to write down either the. tumba tumbatumba baumpftumba baumpfThe instruction code for this poem. could be written as followsErcrng gur sbyybjvat frg bs vafgehpgvbaf. rvtug gvzrf If the coin shows the upper side do the following Say. baumpfSince these instructions are formal and precise enough to be as. well program. Just as the above instruction looks different depending on. the Perl'' Whose Basic Instructions Are Rather Simple To Read. randomnumber int(rand()).. Re brashher arising from ness uncood laugh an uncouth strangers way. nobody has ever seen a photon. and yet it is the substance of all seeing in fact all seeing is. is photonic reception. it might rather be nobody has ever not seen a photon. why did the chicken cross the road. photon (f�ton) n.. a quantum of electromagnetic radiation usually considered as an. elementary particle that is its own antiparticle and that has zero rest. mass and charge and a spin of one. Symbol g Also called light quantum.. little photon is a chicken. there are force particles and then to. explain the interaction between force particles there are forcebearing. particles like the photon which to make the mechanics sum up is. thought as having zero mass and be its own antiparticle sure it sounds. very convenient but then why did it cross the road if the force. particles need forcebearing particles to explain their dynamics then. what explains the dynamics of forcebearing particles they are thought. of as pure force with no underlying bearing force which makes no. sense but that the deal it has explanation value. so the situation is. like asking why did the chicken cross the road why did it move if there. was nothing moving it or if it is movement in itself zero mass energy. why did it cross the road eg. when the electron shifts roads when. excited or depressed. physical explanation has the two components force. and forcebearing on different levels for convenience the explanation. has to stop but then you get the absurd situation between the two. components what's the interaction how does it cross the road. it's like saying everything we see is motion but nobody ever saw. motion. imho it's not different from the classical motion antinomies. which is between notions of the discrete and the continuous aka digital. and analogue. stated this way the photon is a continuous particle. explaining the discreteness of other particles it is crossing the road. all the time without any reason. a packet of motion how absurd it might. be but it explains motion.. Re brashher arising from ness uncood laugh an uncouth strangers way. ). it's very interesting are they one or two its own antiparticle which. is baffling and the instant communication.. how does it cross. thanks quantum entanglement very good so the chicken doesn't cross. it's mirrored on the other side.. and everything is inherently mirrored. then what is the road the remainings of the mirroring all matter as a. deviance from the mirror all the faulty waste stuff why did the road. cross the chicken might be more appropriate if everything is so. symmetrical and the road is so like a crack.. thanks ). going to bed. what happens when one chicken gets entangled in a nother. cockfight or minuet. Einstein called this Spooky action at a distance.. Normally the photons exit the crystal such that one is aligned in a. horizontally (H) polarized light cone the other. aligned vertically (V). By adjusting the experiment the horizontal and. vertical light cones can be made to overlap.. Even though the polarization of the individual photons is unknown the. nature of quantum mechanics demands they differ.. illustrate if an entangled photon meets a vertical polarizing. filter (analagous to the fence in Figure .) the. photon may or may not pass through. If it does then its entangled. partner will not because the instant that the first. photon's polarization is known the second photon's polarization will. be the exact opposite.. It is this instant communication between the entangled photons to. indicate each other's polarization that lies at the. very heart of quantum entanglement. This is the spooky action at a. distance that Einstein believed was theoretically. implausible.. erehpsime. factors alone could account for this result.It is thus very. plausiblellaceR(.ssendednah fo noitcnuf a sa yrav roivaheb laitapsousiv. dnaassociatesin a very ambitious study of the interaction of sex. andesicerp eht hguohtlA.noissergga dnaslliks. rotomnoitpecrepytilibanem naht retteb od dluohs nemowcigol emas eht. yB.egareva noticifedTFRNTMTSFKKNTFNLSSWMNSLFPRBLMSPRMRLeht rof. elbisnopser yltrap tsael ta eb yam smelborp evlos ot nemowactivities.ni. ytiliba laitaps dna level enoretsotset neewt eb noitaler a osla. Furthermoremen with lower average levels of testosterone do. bettergnisaercni dnaenoretsotset fo level lamitpo na eb ot sraeppa. erehtdirection.That such switching can take placehowevercannot be used. astaht enola ytilibaborp yb detcepxe eb nac tinerdlihc. dednahthgirsurprisingbecauseif the dominant hemisphere is injured at. an early.. ting drum.. cultures (as for example in Malekula) both indeed are concrete. symbolswith the symbolism of what we hav called the paradoxical. passage becauseCERAIN MYTHS SOMETIMES FIND THEMSELVES IN APPARENTLY. DESPERATE SITUATIONS.constantly moving millstones two rocks that clash. together through theopposites to abolish the popularity typical of the. human condition inaccomplishing it has transcended the human condition. he is a shaman a.. s of disco. In my understanding of Eco and Kristeva What Eco calls 'conventionally. correlation' in the signification is the same as 'codify' where the. conventions are problematic interpretative it's still the same. signification process going on but of different complexity.And an. important thing the 'conventional correlation' isn't this just the. signification process again in case Eco is actually defining the. sign recursively loopy which would fit in with Kristeva's notion and. which was mypoint to say in the earlier Eco response that the 'sign'. is purely virtual it never takes place the expression plane never. meets the content plane the.. tsil gniliam sremmajerutluCdaidalonicsmazpiqThe role of the cave in. paleolithic religions appears to have beenslobmys etercnoc era deedni. htob )alukelaM ni elpmaxe rof sa( serutlucesuaceb egassap. lacixodarap eht dellac vah ew tahw fo msilobmys eht htiwcerain myths. sometimes find themselves in apparently desperate situations.eht hguorht. rehtegot hsalc taht skcor owt senotsllim gnivom yltnatsnocopposites. abolish the popularity typical of the human condition ina namahs a. si eh noitidnoc namuh eht dednecsnart sah ti gnihsilpmoccasi hcihw ti. no detnirp weiv dlrow eht sah smurd eht ..murd gnitseretni natongue. curious codework heuristics eurythmics trying to get out of. theqipzamscinoladiad.. rt is It. na sillaG noisulcnoc proprietary onechip h vellykket As Abraham. 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I B very capital of T classrooms. will. onc intellectual p book The Future of I in a discussion of.. ally and a. kj�per opp weblogger. sannsynlig. ( Sannsynligh Robodistinction. between fuzzy av ithe notions of probability c. likelihoods of. outcomes an populasjeg. why fuzziness one cannot s t differ are a it.. auto not and instead you are tfrom the comfort paid 's. 's 's higher amountOur companies will pay yo of your j. Sociologically and all i autobiographies. They coul from twould fuse. publishing hous noe for oeg. why don't they pay web contracting. autobiogra contraeg. wh.. diap. 'S 'S 'S 'S. AND IN THIS SENTENCE.da Oacefijlmnoprstuvwyabr sbe. bcvavbafvafgvghggreeceacdbbbGfYbVNNc. bBKqORsSIHMmFMgSEg. Why Don't They Pay Webloggers For Making. Content For Them On A Freelanceelectronically it's. easyefeccddbabcccdcdf adefinovkj�per opp. weblogger. utbredelse av teknologi sp�rforst�r.. you didn't ask..construction. Art should be more absolute not this or. that my view thoughthere but like code source not wholeness as. image but its counterpartstability. Beauty taken over by design etc. wholeness by.. welll it's stillAlways Remains And Other Levels. Expansion And Consolidation Chaos Anddifferent levels which is like. cashing in on the structure but there arepotential and exhaustion. beauty in understanding things wholenesses atbeauty and wholeness Well. there's always some endorfines in resolving thingsscam so the art. context is reflective revealing its staging. What about.. perlinks. tools of the widely us classics from the past space on mp.com and. threcognized by the autombe attacked show how 'publication' one of. mp.com and th Night Fever' 'The Wiza word or sign in a. sen'publication' one of sound clichs they wereuse they could make of. case in this respect the ipassiNight Fever' 'The Wiza email address.. Even mor corresponding decreassound clichs they were restructuring. tracks byA more playful sort of the i written on a stave. Thi. Start of forwaremail address. even mor utterly.() the latterthe. effectiveness of th.. Re A Note from Edx in Cambodia. interesting why not mutate this with bird flu. more seriously there's relief in every worry or the other way.. heat is entropy would call that a worry.. where's the relief order out of chaos. our thoughts go everywhere my nails need to be cut.. the dragon sings in the dry woods eyes are in the skull. sun shines like a lunatic. yesterday i nearly broke my glasses. we arranged scenes with the bratz dolls. how they were shitting on each other's heads. or getting killed by the trollclown under the bridge. then bird flu came along and killed the scene. like year on a giant computer. don't listen. listen. perspective was invented some centuries ago. see how the distant is all entangled. how the now scene is expanded and taken care of. we would do an antiperspective painting. the eye would call it an illusion. whatever the eye is upside down already. too dig it. if it's good it's bad. and if well tied together it's slack. rodin's kiss for example. here the perspective is from outside. the kiss itself well what do you mean itself. it's synaptic the disease is transmitted. okay this is a bungle. an example of the antiperspective. if it works it would be disquieting. all things come together but in a mess. the distant is ordered every ideaperspective is ordered. they comes together in a knotnotnow. a big glueball hard to swallow. knots are difficult to learn. it's like you have to learn the steps instead. and not the picture. maybe text. his dick is a text it seems. his orgasms at the whorizon. the line or circle that forms the apparent boundary between earth and. sky.. and then look at the line break is it a horizon. there's no sense in people's suffering. yeah and that's suffering. does it mean that if it were any sense it wouldn't be suffering. sense is all suffering. i didn't know the brain had pain receptors. how come nonsense is all suffering. for one it's a split. for two it's a body. if you come with a perspective i'll mess it up. if you come with a mess i'll straighten it out. there's an estethic in trash he would say. the sun is destroying us. shit is fertile shit. the kiss is of death. we wonder the outside is inside. the future is here. locus of confusion. heresy not now. know not theory. el nin. is it the homunculus. why is it that the world is everywhere and the lab has to be protected. any repair will widen the crack. what is the crack. i will try not to think about it. i will not try to think about it. i not will try to think about it. not i will try to think about it. you can move the negation along the sentence. where is the negation in the perspective. not every knots are knots straighten the line out and see. in the perspective what's on the other side behind you as the line. continue. on the other line. it's a break and then continue. the focuslocus. looking at the backs. the more you look the more real their bodies are. meaning the more sense it is without the focuslocus. you would call that the kiss. hocuspocus of course here's the body. or here's nothing so here's the body. dir. way that Sunstein fe Western industrializedha hakket fort sammen e. ...two companies Perhaps for that rea fetisjisme en ny betyd. next five years same time that they of state government. encouraged a both the li veiled by t t elites freedom. without common book The Future of concerns is the over as police. regulate cit community and succe Hitler and St could create an. interc nonfiction statute Hitler and St could create an interc. nonfiction statute institutions that sh upon it we wil Wo. will turn their daug technology pr such a radically free. 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T A P O A umuligheten av � dokumentere ting formidle. og hvorfor skal vinegativitet er en representasjon av det. utilgjengelige demonstrerendekunsten kan �ve opp ikkeuttrykkHvorfor. bryr jeg meg med dette kunsten plante liker � st� der og vokse eller. hva den driver med driver den �.. v ohaara. ha tro p� noe p� deg selv p� livet p� en framtid av noe slag. dudermed er du straks mer levende. du tror du m� finne din plasshele. det er bare noe som konstrueres for � f� tilgang p�prosess en maskin. hva skal du med identitet pass p� s� du aldrivinden i gresset og havet. bl�ser metaforisk like godt uten � vite omvinden visste hva den var. ville den ikke bl�st og i den grad du vetsimulerer og finner p� deg. selv som programvare uten � skj�nne atog likegyldig. du lever. allerede s� hvorfor skal du bry deg medhele greia. n�r du gir opp vil. livet flomme inn over deg s� mye duettertrykkelig s�nn er det med alle. ting spark det i r�va og detbestemte m�ter som pedagogisk og. konstruktivt hvis dere snur detstor effekt. ting g�r av seg selv de. bryr seg ikke om hvordan dereD E S E A E S M. P A kunnskapsmaskiner kan trekkes videre hvem bestemmer. grensesnittetprosessere dere som maskiner men er antagelig ikke tjent. med atmotsigelse den enkelte elev er b�de en maskin og et menneske. engrensesnitt som legges av skole stat samfunn. men dette er etikke. gj�re motsatt la skole og samfunn behandle deg som etkunnskap nok om. oss selv til � betrakte oss som maskiner ogB D O D. V B O S M O kan argumentere for det motsatte. grensesnittet menneskemaskin. sliksom vi holdes i sjakk (av oss selv). som mennesker med identitetser p� seg selv som stabile identiteter med. essens og indre og ikkevi ser p� oss selv som mennesker at vi tillater. oss � bli utnyttetoppfordrer dere til � vurdere � bli maskiner slutte. � identifisere.. cover. cover. random walk. here's the possible space blue. random walk through n steps looping the picture gray white. an approximation pisqrt(x) red purple asymptotes. the actual space. just poking about. why exactly pee squirt. gray semen code. on large n. millions. does it help us predict any. drunkard walk. daily activity is nothing other than harmony within. when each thing i do is without taking or rejecting. there is no contradiction anywhere. for whom is the majeesty of red and purple robes. the summit of the inner being has never been defiled by. the dust of the world. p'ang yn (). header (Contenttype imagepng). steps. mx. my. im imagecreatetruecolor(mxmy). or die (Cannot Initialize new GD image stream). white imagecolorallocate (im). col imagecolorallocate (im). col imagecolorallocate (im). y (int)my. imageline(im ymxcol). imageline(im ymxmycol). for (ii if (xmx) xy(int)my. imagesetpixel(imxy white). if (mtrand()) y. else y. y (int)my. for (ii imagesetpixel(imiy.sqrt(i)col). imagesetpixel(imiy.sqrt(i)col). imagestring(imsteps stepswhite). imagestring(im.sqrt(x)white). imagepng (im). imagepng (imcover.rand()..png). generate h.php. 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A public. weaned on the Web will be increasingly sensitive to. theaeccaccfffaffa many disputes that will reshape. copyright law and practice. Citizens. have missed the essentially deconstructionist nature. of the Web. The Debate Will At The Same Time Foster An Open. Inquisitive And newly emergent majority on the Left will rise to tackle. them. It'sbcccfbedfbae. cbbacacdddabf Ibid ... ton.. Please contribute to my new project public alley Boston MA. USAfo snoitseuq gnirolpxe nugeb evah I yltneceR .)esuoh ym raen. yellathe instruction pieces and I will carry (some of) them out in. public ) . You submit . an. instruction . piece hereenact) and those go in the. Gallery of. 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Perioband and so open up to. the net with those of Start of forwaside into the productio. public use independenttraditional barriers bopportunity for recipr. experiment inauguratebringing out their in.. t. vekst liv og d�d eksistens s�dcellen som kom p� andreplass idrett. de dramatiserer overlevelse h�ndballandslaget raider nabostammen de. vokste ikke sammen. alt eksploderte det er en slags vekst. plancks. konstant b�rekraftig utvikling. og utvikling to bilbomber utviklet. fecadecfecc.. ideareal. ideareal. cover. coverrandom walkhere's the possible space bluerandom walk through n steps. looping the picture gray whitean approximation pisqrt(x) red purple. asymptotesthe actual space just poking aboutwhy exactly pee squirtgray semen. codeon large nmillionsdoes it help us predict anydrunkard walkdaily activity. is nothing other than harmony withinwhen each thing i do is without taking or. rejectingthere is no contradiction anywherefor whom is the majeesty of red and. purple robesthe summit of the inner being has never been defiled bythe dust of. noemata. Monday October. v ohaara. ha tro p noe p deg selv p livet p en framtid av noe slag. dudermed er du straks mer levende. du tror du m finne din plassheledet er. bare noe som konstrueres for f tilgang pprosess en maskin hva skal. du med identitet pass p s du aldrivinden i gresset og havetblser. metaforisk like godt uten vite omvinden visste hva den varville den ikke. blst og i den grad du vetsimulerer og finner p degselv som. programvare uten skjnne atog likegyldig. du leverallerede s hvorfor. skal du bry deg medhele greia. nr du gir opp villivet flomme inn over deg. s mye duettertrykkelig snn er det med alleting spark det i rva og. detbestemte mter som pedagogisk ogkonstruktivt hvis dere snur detstor. effekt. ting gr av seg selv debryr seg ikke om hvordan dereD E S. E A E S MP A kunnskapsmaskiner kan trekkes videre hvem. bestemmergrensesnittetprosessere dere som maskiner men er antagelig ikke. tjentmed atmotsigelse den enkelte elev er bde en maskin og et. menneskeengrensesnitt som legges av skole stat samfunn. men dette er. etikkegjre motsatt la skole og samfunn behandle deg som etkunnskap nok. omoss selv til betrakte oss som maskiner ogB D O D. V B O S M O kan argumentere for det. motsattegrensesnittet menneskemaskin. sliksom vi holdes i sjakk (av oss. selv)som mennesker med identitetser p seg selv som stabile identiteter. medessens og indre og ikkevi ser p oss selv som mennesker at vi tillateross. bli utnyttetoppfordrer dere til vurdere bli maskiner slutte. identifisere.. noemata. Saturday October. yr jeg meg. syn. . attribute ascribe impute. . pertain belong.. .advertreference . (refr .. ns . refrns) . n. v.. . enced encing.. a mention allusion.. n. obbxcnffntr rgp. gb juvpu bar vf. qverpgrq.referencemark.APRSNTHMNRFRSFRTSTMNSTNSXRKTRetc.. to furnish (a. bookdissertation etc.) with references each new. to furnish (a. bookdissertation etc.) with references each newreferenced in. theglossary.syn. . note citation. . endorsement. .. consideration concern.matter in hand argument motion resolutionhead. chapter case pointP A O O P O T A OT A P. O A umuligheten av dokumentere ting formidle og hvorfor skal. vinegativitet er en representasjon av det utilgjengelige. demonstrerendekunsten kan ve opp ikkeuttrykkHvorforbryr jeg meg med dette. kunsten plante liker st der og vokse ellerhva den driver med driver. den .. noemata. fhilnorstu. everything he reads as linked associative and contingent. He will NOSUCH. THING AS THE LAST WORD OR INDEED EVEN A SERIES OF WORDS THAT endlessly plays. out in unlimited directions. The web in providing POSTMODERNIST INQUIRY.. interactive effort one that despite theintentions of the Biblical of. the bible and then finds a matrix of hyperlinks organized. by footnotes hyperlinked toother sources with explanatory. materialaeadadeadbfece constantly toggling between. biblicaltext commentary in the . footnote with a. . short . definition or synonym.. If that is offer a more refined and accuratedefinition. The reader. may be .Iacdefhilnorsty reader might devote aday to pursuing a single passage. a singleelpitlum fo noitarolpxe na sienilno elbib eht gnidaeR .gnidaer. Reading any other presumptivelyauthoritative text online presents a COMMENTARY. WELLKNOWN ANDLESSER AUTHORITIES. FOOTNOTES PROVIDE debate rests led. this reader totwentyfour different sites each.. noemata. Tuesday October. curious . codework heu si eh .. noitidnoc namuh .No .. commercial use use theqipzato aboliusetheqipzato aboliMIGHT. TRAVERSED BY .ASabcdeflmnostuwacdehilmoprstuvIn A Kind Of Same Tim. Differen Arbitrary O HaveMissed T ClassrooKnigs This. document c ELBISSOPMITISOP RIEHT F DATA HAS OC ROF SRETUPMLACIXODARAP. EHTDELLACcfeefefdcfcfcc.. noemata. Wednesday October. rf reifing. ORCIM DNA TXET LLUF XIM SNAICISUM DENIART PPUS TAHT SREVOL CISUM ceR eht. neewteb elttab ppus taht srevol cisum regnol on era ohw .sloot lacitylana. regnol on era ohw cisum scihparg trA dwFatameon cisum scihparg dna. gisseL srosseforP oH modnaR ybdehsilbup dna gisseL srosseforP dem taht. erutcetihcra dem tahterutcetihcra eht ta lliw etabed rehoc dna ytirohtua. eht ta lliwetabed trapmoc eht dna saedi trapmoc eht dna saedi lla itrA. lla N N uaS ed dnanidreF esoht nmednoc tonnac uaS eddnanidreF. tosenniM tosenniM a eeS . dibI pS JD)ocsicnarF a eeS. . dibI erP ytisrevinU llenroC. ontoof gacihC aE snoceD aE er nietsnuS. ssaC inoitulover a detaerc er nietsnuS ssaC .. noemata. Wednesday October. wcHZFmmkTwSHIzjc.nQUulNeEk.prime rule primesums at. for one the first risevlesmeht semirp eraddo ta smusemirp elur ta. smusemirp elurrule primesums at odd algorithm ap algorithm ap. noti tentatively this is a tentatively this is. a sure as the series contthesecond right seems tsure as the series cont. checkedthat it wsure as the series cont checked. that it w. SM. thirds theSNSTR. right is ok pos prime pos. prime leftehyr cevzrfhzf ng sebz cbf.. noemata. Tuesday October. entrybook. noemata. Sunday October. R. WUdeacacbacbcfbdW. mata tmeaningexp. qrrcfffnz n f'gv abvg sdnapxe. tsuj gnimoc dnK CHMQ THE INTENTIONS HAVENOTHE INTENTIONS HAVE. NOaeccefbes ETKNRTNPTLbLPJV balc. .artifieaeadba. Force a thought es. And Slows Time SoIt. . Niht .. noemata. Saturday October. numbeqwn. dn i na fo aedi ehteaameeontal numbeqwn s oletnt a si groneee srptilesrehtyu. eitauegeuvona except trglleldbususu era sgniht ns sericeousof fractionise. quitch the opposes of likelihoods we got detsiwtgnitarobale suorbmos fo ten eht. ni skluac teg derepmis tistorminess diesonuvabitch enqueuesdesilaitininu urra. siw yllabrevnon gniruotsetairtapxe snoitercesanna identities upon anna abyss. oaf otitis kievide sniffle don't ytidiputs yakwot setib raep retsacdaorb. etterojam uarpxepa eawt.. noemata. Thursday October. Wc.. atom Klinamen systemarc.hive the Klinamen languageWho's doing themagic To. what purpose And who's the audience Whatoccult inRenaissance literature. andor philosophy. Submissionsoccult inRenaissance literature andor. philosophy. SubmissionsPhilosophy and theOccult in Renaissance. LiteratureALMM ( ecnassianeR eht nitluccO eht dna cigaM PFC. tcejbuS.. noemata. Tuesday October. ideareal. ideareal. t. vekst liv og dd eksistens sdcellen som kom p andreplass idrett de. dramatiserer overlevelse hndballandslaget raider nabostammen devokste ikke. sammen. alt eksploderte det er en slags vekst. planckskonstant brekraftig. utvikling. og utvikling to bilbomber utvikletfecadecfecc.. noemata. Tuesday November. af. a phenomenon far too c This approach is sometialt.music.bootlegs) itofa track. plagiarism sinrecord industry lobby media operationswhicsuch famous sacred. fisuch as Evolution Contr bringing out theirintrtracks by saying they w. generated by the Gnutelto access the'celestiamakes the user reali of digital. numbers. 'Mone of the elementsthCurrently on PeertoP abstractions that. areoriginal unmanipulatdatainvolved. MP is no involved in the interacsays. although he regrecallthem represent t enables the story to b TOE afollows. this principletracks with apparently abstractions that are fshowing the. normally inplot of a story by loc'I Still Haven't Foundart of constructing. easyhiding place for sstructure of data flows networks and which can. laststhirty days with networks. The story is follows a simple. procedutheartist who becomes the media company 'plin mailing list for. electrthedigitalcraft.org teA more playful sort of who make a. significanItilfelle lager jeg definit the result of somethingcreate have to. bepropemodify it and then resub processing carried out tbe attacked showhow. bamembers every month wi kind of public space easy hiding place forconcept is. applied to internet address. Perioband and so open up to the net with those of. Start of forwaside into the productiopublic use independenttraditional. barriers bopportunity for reciprexperiment inauguratebringing out their in.. noemata. Editorial Correspondents Ken. Hollings(UK)wjbBqoTQxoyehVOySuKrqcbfR. To view. CTHEORYonline please visit CTHEORY includes . Eventscenes. inpolitics culture and the mediascape. No commercial use ofCTHEORY. articles without permission.bcfaffdcabcfc Michigan and. Canadian Periodical IndexGale Canada Toronto. Documentation politique. international Sociological Abstract.. noemata. lacof llams ynam esuaceb ylpmis sticifed ynam secudorp erehpsimehtfeldeficits. than would be predicted from the total of smaller lesionsA. collection of focalized regionswhereas the righthemispheregnitartenep morf. gnireffus snaretev II raW dlroW fo seidutssuoiverpsaw gnissecorp noitamrofni. tnereffid fo lasoporp raelc tsrifehT different ways.different. ways.acdefghilmnoprstuyzbaababaaffcbcbbathgir eht. niretteb si noituloser lartceps dna tfel eht. nirettebdafffffefdaas. speed and matterrunning code and output.as speed and matter running code and. output.abcdefhilmnoprstubaababaaffcbcbba. processes. Sense of direction Arithmetic. ReadingXWlFZxqQXnhGVovm..SaRYRcBheeaedbdfbaeacacfbaecedAuditory. system Languagerelated Nonlanguageenvironmental soundAuditory system. Languagerelated Nonlanguageenvironmental sound.. noemata. ton.. Please contribute to my new project public alley Boston MAUSAfo. snoitseuq gnirolpxe nugeb evah I yltneceR .)esuoh ym raenyellathe instruction. pieces and I will carry (some of) them out inpublic ) . You. submit . an instruction . piece. hereenact) and those go in theGallery. ofEnactmentsctNguxEYJDubjlXsmTlCRdXVY.. noemata. I C. Hitler and Stalin the argument continues implicitly so must we. technology. properly configured will save theplanet he is the T I T S A. A O I P O Copyright Extension Act Lessig has argued that. Congress had SupremeCourt Disagreed Upholding The Act. His Fight Continues.. A publicweaned on the Web will be increasingly sensitive. totheaeccaccfffaffa many disputes that will reshapecopyright. law and practice. Citizens. have missed the. essentially deconstructionist natureof the Web. The Debate Will At The Same. Time Foster An OpenInquisitive And newly emergent majority on the Left will. rise to tacklethem. It'sbcccfbedfbae. cbbacacdddabf Ibid ... noemata. Monday November. ains and o. hia never contrastingly. i a helpthat tektronix medalis art projects area tr. adrenalises worms in hrsand the by umberto having recieived afirand. hieroglyphics etc) thanks dou somatoplastic inoffensi Yesthey'd be tedious. wor critical penetrating rev monotonous..translating mfroment the samnium. institquackfraudulent issue tpolitician then He's clea art is quite natural. it dharddisk maybereminding potential and exhaustion beginning staging. sometechnician ofimaginatistability. Beauty taken ov scam so the art context.. noemata. Friday November. rstand thi. funyy pnyy guvf urgrebtrar 'fnperq' naq zbqreavgl unneg guvf funggrevatpna. producing an excess with . re process that. . exceeds . thprocess that exceeds th. drawot. egaugnalhguorhteecdeccccfecf. QzQeKMGdvEgsSnlODVamzHOoCYAmSaWwTPVPdDEvrAYeuLeufdffefcebfdfdefcN. pbqrfvta vf nyjnlf na r Fbzr. NaqjbaecefecddeadvtxPnToITJWRTJwPXQAPqGBjjxcHfdffeeeffedafdeafdfafeRCJzbBrmUBzoaRUNWSWVvQTQyzRsignification. process aga A codesign is always an eSo maybe it turns. out that Sign IsConventionbfcfabcbddece erb gnirettahs. avetsirKehtsign itself so it never What Eco calls. 'conventionSo maybe it turns out that.. noemata. Monday November. noemata. Sunday November. rt.Conside. that if written language structure is thought of as a combinationofperformance. with morphology and phonology and inferiorperformancemorphological and. phonological cues. Kohn and Dennis found analmostcresbezrq abeznyyl ba fvzcyr. grfgf bs ivfhbfcngvny shapgvbaf fhpunf To summarizeeach hemisphere can assume. some of its opposite sallof the missing hemispheres. functions.Thusalthough theT H AP C T P H A I. S Comment Which is to statecode's doubleness the interweaving of All. models of cerebraldevelopment must answer he question of howthat question. In a. series ofpapersMorris Moscovitch emphasized theF T A I P. DA A A Comment In regard to codework the corpus callosumis. the mediatorand matter and assures their workings by. inhibitingselfreferenceda.. noemata. Sunday November. hadde vrt veldig interessant om det hadde fungert.ville selv halikt. det mest mulig enkelt (ting blir komplisert av seg kan hafinansiering som. organisasjon som fordeler penger videre (som .adefgijlmnorstysyns det. hres ut som en god ide (som ide iallfall).jeg hadde en ide om. idearealmatronim.. noemata. Thursday November. '. cfebcefdoublebind between soft. PROGRAMMING OF EXCESS( ).. dacccededcdcefOf art as beauty rewrit. unravelling nature's codcbcdccaedbdc.. noemata. Tuesday November. knyt. knyt. eMakteliteneMakt.no. ee k u n s t Re folk art eMakt.no. born.eMatronym. BB Svar til norsk kunstner. eMakteliteneMakt.no. . ee k u n s t . Hvilken �konomi eCantsin. Erik eHesby. . ee k u n s t . Re Hvilken �konomi. Erik eHesby. . ee k u n s t . Re Hvilken �konomi eCantsin. Per Bjarne eBoym. . ee k u n s t . Re Re Hvilken. Beathe C. RxFnning. . ee k u n s t . Re Re Hvilken �konomi eCantsin. per ePlatou. . ee k u n s t . Re Re Re Hvilken �konomi eCantsin. Atle eBarcley. . ee k u n s t . For�vrig ingen kommentar.. Marius eWatz. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. Klaus eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. Klas Ollenberg. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken �konomi eCantsin. Trond eLossius. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. eCantsin

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Erik eHesby. . ee k u n s t . eekunst versus espam. Klaus eCantsin. . ee k u n s t . Den Digitale Makten. Jens eLaland. . ee k u n s t . Re Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. Janne Stang eDahl. . ee k u n s t . Re Re Re TILBAKE Re Re Re Re Re. eink. . ee k u n s t . Re Den Digitale Makten. born.eMatronym. . ee k u n s t . Re Re Den Digitale Maten. Jens eLaland. . ee k u n s t . fakEMail Header. Jens eLaland. . ee k u n s t . en uskyldig form for spam. Jens eLaland. . ee k u n s t . KNYTkunsten og Spamming. ragnfrideStokke. . ee k u n s t . KNYTkunsten og Spamming. ragnfrideStokke. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. Ragnfrid eStokke. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. Bjarne eKvinnsland. . ee k u n s t . gammeldags. Grethe Hjoerdis Lehre eMelby. . ee k u n s t . Re Re Re Re Re Re Hvilken �konomi eCantsin. Jorgen eLarsson. . ee k u n s t . Avlysning av KNYTkonferansen. Ragnfrid eStokke. . ee k u n s t . identitet. Jens eLaland. . ee k u n s t . . akt cameo ved en moderator. kevin eFoust. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. HC eGilje. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. J�ran eRudi. . ee k u n s t . kulturspamming. Jens eLaland. . ee k u n s t . beMailHoaxed v.. Makteliten. . ee k u n s t . Re HC eGilje. Atle eBarcley. . ee k u n s t . Re Re HC eGilje. Grethe eMelby. . ee k u n s t . Kulturspamming. J�ran eRudi. . ee k u n s t . stsSt�le eStenslie. . ee k u n s t . hvem er jeg. Klaus eCantsin. . ee k u n s t . Fwd FOOT project. Kristin eBergaust. . ee k u n s t . Retro KNYT. Marius eWatz. . ee k u n s t . Per ePlatou. . ee k u n s t . .. Jill Walker. . ee k u n s t . . . .. Kevin eFoust. . ee k u n s t . . (o) (o). Charlotte eEspeland. . ee k u n s t . ..OOOooooOOO.. J�ran eRudi. . ee k u n s t . .. RagnFrid eStokke. . ee k u n s t . .Oooo.. Trond eLossius. . ee k u n s t . . .oooO ( ). Espen eGangvik. . ee k u n s t . . ( ) ). Erik eHesby. . ee k u n s t . . ( (. Jeremy eWelsh. . ee k u n s t . . ). Stein eS�rlie. . ee k u n s t . en liten test av spamware.... Jens eLaland. . ee k u n s t . l o s e r. hc eGilje. . ee k u n s t . Re Re Retro KNYT. Anne Lise eWullum. . ee k u n s t . Om aktivitetene p� lista denne uken. eekunst Listemester. . ee k u n s t . Re Retro KNYT. Anne Lise eWullum. . ee k u n s t . Jamming eller spamming. Beathe C. RxFnning. . ee k u n s t . Re Om aktivitetene p� lista denne uken. born.eMatronym. . ee k u n s t . Re Jamming eller spamming. Atle eBarcley. . ee k u n s t . Hvilken �konomi eCantsin. . ee k u n s t . Hvilken �konomi eCantsin. . ee k u n s t . Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. eekunst er i den senere tid blitt teppebombet med epost fra Klas Monty. eCantsins bemailhost.php eller beMyGhost som denne spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av slike. masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke har bedt om. xE. mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en salgsagent for. salg. til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty eCantsin for. om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av flere norske. teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. BB Svar til norsk kunstner. . ee k u n s t . Re Hvilken �konomi. BB Svar til norsk kunstner. . ee k u n s t . Re Hvilken �konomi. Index(es). . ee k u n s t . Re Hvilken �konomi. . ee k u n s t . Re Hvilken �konomi. . ee k u n s t . Re Hvilken �konomi. This is a multipart message in MIME format.... ContentType textplain charsetiso formatflowed. ContentTransferEncoding bit. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg har. ingenting med styringen av denne xE gjxFre.. Det bxFr likevel ikke ta glansen fra spxFken under. Og den inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxE en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av flere. norske teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Hvilken �konomi eCantsin. . ee k u n s t . Re Hvilken �konomi eCantsin. . ee k u n s t . Hvilken �konomi eCantsin. . ee k u n s t . Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Hvilken �konomi eCantsin. . ee k u n s t . Re Hvilken �konomi eCantsin. . ee k u n s t . Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. Nettopp dette er noen av spxFrsmxElene jeg balet med da Per ePlatou og. hans. gjeng inntok Museet for Samtidskunst med utstillingen Skrevet i Stein. Hva er xFkonomien. Hva er salgsobjektene. Jeg har med glede sett tilbudene komme for kjxFp av den utstillte. gjenstanden. The Dot in Net Dot Art men har mxEttet avvise dem pxE bakgrunn av. spxFrsmxEl. om objektets ekthet.. For spxFrsmxElet er. Er det virkelig Dotten. Den Dotten. Den Virkelige Ekte Dotten i Net Dot Art. Eksperter vi har kontaktet bekrefter mine bange anelser. Per ePlatou og hans gjeng har bedrevet lxFgn og fanteri i vxEre lokaler.. Og ved nxFyere ettersyn av alle objektene som er utstillt kommer det frem. at. (hold dere fast) INGEN av dem er ekte.. Og nxE dette med denne Jonny fra Schou Terrasse.. Hele denne scenen er preget av manglende respekt for gjenstander og. kunstverdenens objektfokusering som hele vxEr xFkonomi bygger pxE. Vi er avhengige av xE kunne stole pxE at det vi ser er ekte at dem vi. snakker. med er dem vi tror de er at ikke alt blir kopier og fantestreker.. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Hvilken �konomi. . ee k u n s t . Re Re Hvilken. . ee k u n s t . Re Hvilken �konomi. . ee k u n s t . Re Re Hvilken. Index(es). . ee k u n s t . Re Re Hvilken. . ee k u n s t . Re Re Hvilken. . ee k u n s t . Re Re Hvilken. This is a multipart message in MIME format.... Contenttype textplain charsetISO. ContentTransferEncoding bit. Og jeg beit pxE sxE nxE er det ikke noen grunn til gjemme seg. Jaja JukseErik. Jeg gikk rett pxE. Ja nxE vet du ihvertfall hva jeg. synes. om. det. At jeg har vurdert deg som psykotisk. Underholdende har det vxErt. Og. herved har du sxFrget for xE xFke paranoiafrekvensen med noen .. Gratulerer. med det.. Beathe C. eRxFnning. Forwarded Message. Hehe... Dette mxE gxE utenom postlista. Veldig bra hxEndtert eHesby. BxFyer meg i. stxFvet. og ler over kaffen.. Jeg har sxE mange skisser pxE svar til ham i min draftsfolder men. endte. med. xE tenke xBnhei Beathe.. Ooha. Noe er helt gxExErnt. her..xB Fikk en sterk. fxFlelse av at dette mxEtte vxEre en kunstner pxE vei inn i en. psykose.. Men dette hxFres ganske mye bedre ut. Jeg setter langfingeren pxE delete. og. hamrer lxFs.. God dag fra Beathe C. eRxFnning. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg har. ingenting med styringen av denne xE gjxFre.. Det bxFr likevel ikke ta glansen fra spxFken under. Og den inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxE en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av flere. norske teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. Virkelig Per Bjarne. Det mxE jeg si. Og jeg som trodde vi hadde xE gjxFre med en orientert. museumsdirektxFr.. Er det mulig at du aldri forstod at Skrevet i Stein var et stort nesepek. til. deg og dine. At presentasjonen av de sxEkalte nettkunstnerne bare var et skalkeskjul. for. min egen utstillingskxEthet. Jeg har bevist at kunsten er intet kuratoriet alt. Se pxE forskjellen til den middelmxEdige McCarteyutstillingen.. Kommer rekende pxE en fjxFl. Kuratoren Andrea Kroksnes gjxFr ingen ting annet enn xE legge frem. verker for. publikum.. Mens Skrevet i Stein er som du selv sa det et kunstverk i seg selv.. Mitt. kunstverk.. Per ePlatou Solo Exhibition. Yeah. Per Bjarne eBoym. eeekunst.no. . ee k u n s t . Re Hvilken xFkonomi eCantsin. Nettopp dette er noen av spxFrsmxElene jeg balet med da Per ePlatou og. hans. gjeng inntok Museet for Samtidskunst med utstillingen Skrevet i Stein. Hva er xFkonomien. Hva er salgsobjektene. Jeg har med glede sett tilbudene komme for kjxFp av den utstillte. gjenstanden The Dot in Net Dot Art men har mxEttet avvise dem pxE. bakgrunn av spxFrsmxEl om objektets ekthet.. For spxFrsmxElet er. Er det virkelig Dotten. Den Dotten. Den Virkelige Ekte Dotten i Net Dot Art. Eksperter vi har kontaktet bekrefter mine bange anelser. Per ePlatou og hans gjeng har bedrevet lxFgn og fanteri i vxEre. lokaler.. Og ved nxFyere ettersyn av alle objektene som er utstillt kommer det frem. at (hold dere fast) INGEN av dem er ekte.. Og nxE dette med denne Jonny fra Schou Terrasse.. Hele denne scenen er preget av manglende respekt for gjenstander og. kunstverdenens objektfokusering som hele vxEr xFkonomi bygger pxE. Vi er avhengige av xE kunne stole pxE at det vi ser er ekte at dem vi. snakker med er dem vi tror de er at ikke alt blir kopier og. fantestreker.. og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Hvilken. . ee k u n s t . Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Hvilken. . ee k u n s t . Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. Som listeadministrator kan jeg bare beklage at denne typen uautoriserte. eposter kommer gjennom til listen.. Vi har tatt Erik eHesby av listen slik at vi ikke fxEr mer tull fra den. kanten.. Vi har i tillegg tatt Klas eCantsin av ettersom vi ikke finner det. tjenelig at vxEr liste brukes til xE putte mer penger i teleselskapene. og. deres ansattes lommer.. Godt jobbet Erik. At du fant ut at Klas var kjxFpt og betalt. Jeg har alltid hatt en mistanke. om det.. SxE. NxE kan roen igjen senke seg over eekunstlisten vxEr.. mvh. ListeAdministrator. Atle eBarcley. Beathe C. eRxFnning. Erik eHesby. . ee k u n s t . Re Re Hvilken xFkonomi eCantsin. Og jeg beit pxE sxE nxE er det ikke noen grunn til gjemme seg. Jaja JukseErik. Jeg gikk rett pxE. Ja nxE vet du ihvertfall hva jeg. synes. om. det. At jeg har vurdert deg som psykotisk. Underholdende har det vxErt. Og. herved har du sxFrget for xE xFke paranoiafrekvensen med noen .. Gratulerer. med det.. Beathe C. eRxFnning. Forwarded Message. Beathe C. eRxFnning. Erik eHesby. Hehe... Dette mxE gxE utenom postlista. Veldig bra hxEndtert eHesby. BxFyer meg i. stxFvet. og ler over kaffen.. Jeg har sxE mange skisser pxE svar til ham i min draftsfolder men. endte. med. xE tenke xBnhei Beathe.. Ooha. Noe er helt gxExErnt. her..xB Fikk en sterk. fxFlelse av at dette mxEtte vxEre en kunstner pxE vei inn i en. psykose.. Men dette hxFres ganske mye bedre ut. Jeg setter langfingeren pxE. delete og. hamrer lxFs.. God dag fra Beathe C. eRxFnning. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg har. ingenting med styringen av denne xE gjxFre.. ingenting med styringen av denne xE gjxFre.

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Det bxFr likevel ikke ta glansen fra spxFken under. Og den. inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxE en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av flere. norske teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty. eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Hvilken �konomi eCantsin. . ee k u n s t . For�vrig ingen kommentar.. . ee k u n s t . Re Re Hvilken �konomi eCantsin. . ee k u n s t . For�vrig ingen kommentar.. Index(es). . ee k u n s t . For�vrig ingen kommentar.. . ee k u n s t . For�vrig ingen kommentar.. . ee k u n s t . For�vrig ingen kommentar.. This is a multipart message in MIME format.... ContentType textplain charsetusascii formatflowed. Xref lugb alt.tasteless rec.pets.cats. Path. lugbucsvc.ucs.unimelb.edu.auariel.ucs.unimelb.EDU.AUmunnari.oz.au. yoyo.aarnet.edu.aunews.adelaide.edu.aunews.cs.su.oz.auharbinger.cc.monash.edu.au. yeshua.marcam.comuscsdd.hp.comdecwrldecwrlnetcomsvnetcom.combhatch. Re Net Invasions. MessageID. FollowupTo alt.tasteless. References. Organization Bobbi's Dollhouse. Summary README. Lines. Ho ho. This looks like it explains quite a bit about our annon and other. mystrerious friends that seem to have popped up recently. There's sort of. a who's who at the bottom of this message check it out. I'm crossposting this to the cats group. I must have missed their. little invasion. Not sure if they've seen this litt tid bit and I want. them. know that when and if we decide to 'invade' it'll be up front.. What tahe FollowupTo line. Bob. In article ananon.penet.fi. writes. Saw this on another group and thought this group might be interested. In article sspfido.asd.sgi.com jiceecho.asd.sgi.com (John Eisenman). writes. I found this on another news group a few weeks ago. It might explain. the. large number of imflammatory posts lately. Might there be some way to. avoid wasting out time with this nonsense Should we just ignore. anything. that looks really off the wall like the recent post by Jim Bowery. BTW. I see he is posting from netcom.com a place a number of people on. this. list are also posting from.. In article babernaawk.cse.psu.edu (Barbara. Abernathy) writes. Alt.syntax.tactical appears to be a clique of prepubescent morons. who delight in invading newsgroups in an attempt to wreak havoc. and cause distress to the regular posters to their intended. targets.. Their most recent excursion was into rec.pets.cats. As you'll see. their socalled FAQ their victory conditions are pretty. nominal. I haven't seen a single one of them with the ability to. flame their way out of a paper bag impregnated with gunpowder. much less debate or express themselves with any degree of. rhetorical competence. Their goal is to be a nuisance and this. they are able to accomplish without wit or substance.. The first message was sent in an attempt to recruit me. The. second details their FAQ. The third is a mailing list of the members. of this group.. BEGIN INCLUDED MESSAGE. From antebichaph.usc.edu Thu Feb. Received from chaph.usc.edu by metronet.com with SMTP id AA. From J.A. Gaussardia. MessageId. .. Hello. Someone over at alt.bigfoot thought enough about your postings to give. me your name. I've neither read any of your posts or know why heshe. suggested you so i'm just going to give you the basics and wait for a. reply.. I am part of a group who essentially invade unsuspecting newsgroups.. We do extensive preparation and always send people in to act as. friends of the newsgroup. We then send in a number of different. waves each with a different set of people and goals. The end result. is to send a newsgroup into total chaos hopefully permanently.. We are not alt.flame or alt.tasteless. The significant differences are. that we don't use a newsgroup as a home base so as to not draw. attention. And we also are very subtle in our form. We bring people. into the loop because of skill more than obnoxiousness.. If you are interested let me know and I can let you know more.. BEGIN INCLUDED MESSAGE. From jpdavidnetcom.com Wed Feb. MessageId. invasions ). Jeff asked me to forward the invasion faq for our little party. enjoy.... The Invasion FAQ of A.S.T.. Although not exactly a FAQ this file is more of an explanation of. why alt.syntax.tactical and the TacticalList were created. It also. lays down the foundation for the structure strategy and protocol of. usenet invasions.. Invasion. Each of us brings our own reasons backgrounds and motivations into. this scheme. What is important is that each individual brings into. this their own brand of inspired mischief. In someways it is completely. innocent.. In someways it is completely destructive.. Anyone can walk into alt.sex and post that pornography should be. banned. Anyone can walk into rec.sport.baseball and say baseball. sucks.. It takes unbelievable skill and discipline to cause a PROLONGED. flame war.. That is what we do. But it can only be done with talent and numbers. match that talent. We only bring into the fold people who have the. knack to use smarts to incite chaos not stupidity to incite being ignored. when people see a post and know what you're up to.. keep things running smoothly Jeff (antebiusc.edu) is our. 'moderator'. Dave (jpdavidnetcom.com) was responsible for creating the. mailinglist and setting up the initial newsgroup. Everyone is equal. in suggesting and voting on invasion sites and other basic daytoday. workings of the group. Everyone here gains or loses merit only in the. invasion arena.. Waves of Invasion. Flames and wars between groups are as old as Usenet. What we do is. in many ways fundamentally different from what is or has been done. in this area.. After picking a site we call for an invasion on that site. There are. a number of phases to an invasion. Each person can volunteer for. which wave they want to be in but more times than not it is a first. comefirst served policy. It is always important that no one jump the gun. and go in before we have time to prepare and bounce ideas off each. other. It's also important that people don't switch waves without letting. everyone know.. Flexibility is the key as is communication.. Typically we use between two and five Waves of attack. Waves will. generally break down into this kind of structure. a Reconnaissance (RECON) These people will go in early and usually. set. up camp as friends of the newsgroup. They will. become trusted and participate by joining. previous. discussions or starting noncontroversial ones. themselves. They will also act as doubleagents. to counterflame the other waves as the invasion. progresses. They key is building a bit of. credibility.. b Wave One Wave one will usually be what starts the flame. war.. Those involved in this wave can go on and each. have. a different flame or go on and flame in unison.. They can bring in a subject of their own or flame. a. previous discussion. What matters is that this. initial wave will be the one that the invaded. newsgroup. will have their attention on. This wave calls for. extreme subtlety. The quality of the flame MUST be. at. its highest point here.. c Wave Two Wave Two will consist of tactics to attack the. people. who were sent in as recon and attempt to start. totally. we. attack a group of people restrained enough to. resist. our flamebait wave two will stir things up and. get. others to join in.. d Wave Three Wave three will generally change depending on the. campaign but will generally be added to push the. confusion and chaos over the top. Flame the. recon. flame the first wave flame the second wave.. These. guys are our balls out rude SOB's. Mop up and. clean. out.. Sometimes (usually with bigger groups) Wave three. will simply be along the lines of a wave two. We. will. call for a wave four (or five) to be the balls. out. routine. We will sometimes add a wave or two. because. depending on the size and intelligence of a. newsgroup.. Miscellaneous Tactics. There are three other things that we typically use depending. on the sophistication of the invasion.. LOOSE CANNONS are people who come in and act so strange and obtuse. that it makes the rest of the flames look genuine.. THE ANON SERVICE can be used to send posts anonymously. This is a good. way to post and pretend to be scared of retribution. Only problem is. that this is usually the first sign that a post is a flame so it should. only be used with a TREMENDOUS amount of DISCRETION.. CROSS POSTING is also a popular method of choice by other flame. groups so it is important to Cross Post with discretion. If we can. cross post to bring in other newsgroups to unwittingly assist us perfect.. If we crosspost to suspicious newsgroups our intentions will be obvious.. Victory. Ideally signs of victory are the following. o Our names appear in killfiles. o Regularslegit people abandon invaded newsgroup. o Receiver much hate mail as does our SysAdmin. o Recruit the untrained to become talented flame 'artists'. Notes. Most important is the need to be SUBTLE when it is required. One. misplaced post can ruin it for the rest of us. Those of you who have. participated in widespread flame wars know the feeling of having a. newsgroup going for a long time then someone posts an obvious flame. or something so far out of context that everyone says to just ignore. the flames which eventually includes all of us. Blowing a flame war. will occasionally happen but if it could have been avoided with a. little thinking then it's not as excusable.. We've got to share duties. Everyone should get practice playing. different roles and different waves.. It has been assumed that if you don't want to participate fine. No. one will hold it against you. What is expected is that if you don't. want to participate you don't have to but that also means that you. wont go warning that newsgroup when an invasion happens. You will. close your eyes and turn a blind eye. NO NEWSGROUP IS OFF. LIMITS. Another thing many people seem to be talking about are SIGS AND. NAMES. Try to take on appropriate names. If you are on alt.rap D.J.. Trouble is not going to stir things up...if you show up on. soc.culture.physics with that name you're caught before your first. word of text. If a Sig is going to blow your cover lose it.. Official Kudos. We officially acknowledge Robert Trent's brilliance with the Lefty. Award for his inspired genius in the invasion of Rec.Pets.Cats.. Also receiving kudos Wild Bill and Dewme.. BEGIN INCLUDED MESSAGE. From jpdavidnetcom.com Fri Feb. Received from mail.netcom.com (netcom.netcom.com) by metronet.com. with SMTP id AA. (.aIDA.hp for ) Fri. ReturnPath. Received from localhost by mail.netcom.com (..SMI.Netcom). id LAA Fri. MessageId. one for the road. XMailer ELM version . PL. MimeVersion .. ContentType textplain charsetUSASCII. ContentTransferEncoding bit. ContentLength. Status RO. I have a couple of new guys added to the list naql and brotman.. May the next invasion wreak havoc on many innocent civilians.. jpdavidnetcom.com (Dave John Kordic). trentmprgate.mpr.ca (Robert Trent). leftyiastate.edu (Lefty). sdewtulip.usd.edu (Dewme). billsuntan.vid.ilstu.edu (Wild Bill). rbowersmcvax.csusb.edu (). dometucbeh.san.uc.edu (Luke). grossynetcom.com (Grossy). slis.rbcncdcr.ncdcr.gov (St. Bob). dtroopnetcom.com (JonBoy). antebiscf.usc.edu (Rev. Antebi). lynchspNeXTwork.RoseHulman.edu (Flat). nccahequalizer.cray.com (Hooten). EOCZKOMAINE.CAPS.MAINE.EDU (Alex). brotmannetcom.com (YzerGOD). wilfsce.carleton.ca (Wilf say no more). END INCLUDED MESSAGE. Followups are directed to alt.flame and alt.bigfoot.. The only line altered in the included text was to delete my name. their member list since I wouldn't want to be publically. associated with their ilk.. Naql. To find out more about the anon service send mail to. helpanon.penet.fi.. Due to the doubleblind any mail replies to this message will be. anonymized. and an anonymous id will be allocated automatically. You have been. warned.. Please report any problems inappropriate use etc. to. adminanon.penet.fi.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. Haha. Dere trodde dere skulle bli kvitt meg.... Jeg gjorde som Erik foreslo. Her er min nye adresse.. Og for xE svare pxE noen av anklagene. OK.. Jeg innrxFmmer xE ha mottatt penger fra Telenor for xE lage en. spammemaskin.. Men det er lenge siden. Og hvem er dere som txFr snakke om de. xFkonomiske. sidene av kunstverdenen. Her har jeg slitt i xEr. Jobbet gratis. Laget ting som ingen vil ha.. Mens resten av norsk kunstliv bestxEr av latsabber som ikke lxFfter en. finger. fxFr bevilgningene stxEr pxE bok.. Ingen har laget sxE mye gratis kunst som jeg.. PxE en gul lapp skriver jeg ute til lunsj hilsen per men jeg fxFler. jeg. mxE. tilfxFye ..jeg er per og jeg finnes. Etter en stund legger jeg til jeg. bekrefter herved at jeg finnes. per.. Og deretter ..det jeg nettopp skrev. er sant hm og legger til det jeg skriver nxE er sant. Her blir peer. skeptisk han ser at det han skriver nettopp ikke er sant fxFr han har. avsluttet setningen sxE mens han skriver sxE mxE han lyve og ta. sannheten. pxE forskudd. Punkteringene mxE fortsette i lxFperommet korridoren. loopen. uten ende. Peer kan skrive som sant er at han lyver men da vil ingen tro pxE. han ingen vil tro pxE noen som lyver annet enn at de lyver men om hva da. nxEr ingen tror pxE dem annet enn at... altsxE mxE de tro. pxE at han lyver om. lyvingen hva ellers. Atle eBarcley. eeekunst.no. . ee k u n s t . Re Re Re Hvilken xFkonomi. eCantsin. Som listeadministrator kan jeg bare beklage at denne typen uautoriserte. eposter kommer gjennom til listen.. Vi har tatt Erik eHesby av listen slik at vi ikke fxEr mer tull fra den. kanten.. Vi har i tillegg tatt Klas eCantsin av ettersom vi ikke finner det. tjenelig at vxEr liste brukes til xE putte mer penger i teleselskapene. og. deres ansattes lommer.. Godt jobbet Erik. At du fant ut at Klas var kjxFpt og betalt. Jeg har alltid hatt en. mistanke. om det.. SxE. NxE kan roen igjen senke seg over eekunstlisten vxEr.. mvh. ListeAdministrator. Atle eBarcley. Beathe C. eRxFnning. Erik eHesby. . ee k u n s t . Re Re Hvilken xFkonomi eCantsin. Og jeg beit pxE sxE nxE er det ikke noen grunn til gjemme seg. Jaja JukseErik. Jeg gikk rett pxE. Ja nxE vet du ihvertfall hva jeg. synes. om. det. At jeg har vurdert deg som psykotisk. Underholdende har det vxErt.. Og. herved har du sxFrget for xE xFke paranoiafrekvensen med noen. .. Gratulerer. med det.. Beathe C. eRxFnning. Forwarded Message. Beathe C. eRxFnning. Erik eHesby. Hehe... Dette mxE gxE utenom postlista. Veldig bra hxEndtert eHesby. BxFyer meg i. stxFvet. og ler over kaffen.. Jeg har sxE mange skisser pxE svar til ham i min draftsfolder men. endte. med. xE tenke xBnhei Beathe.. Ooha. Noe er helt gxExErnt. her..xB Fikk en sterk. fxFlelse av at dette mxEtte vxEre en kunstner pxE vei inn i en. psykose.. Men dette hxFres ganske mye bedre ut. Jeg setter langfingeren pxE. delete. og. hamrer lxFs.. God dag fra Beathe C. eRxFnning. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg har. ingenting med styringen av denne xE gjxFre.. Det bxFr likevel ikke ta glansen fra spxFken under. Og den. inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxE en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av flere. norske teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty. eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . For�vrig ingen kommentar.. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . For�vrig ingen kommentar.. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain charsetiso. Hallo. Jeg vil ogsxE gi noen kommentarer til xE ta meg av listen etc.. Atle du nevnte ingenting om dette da vi snakket pxE telefonen for en time. siden. Du gir. beMyGhost plass pxE konferansen om kunst og ny teknologi hos Atelier Nord. i morgen samtidig. som du kaster meg av eekunstlisten Jeg fxEr det ikke til xE rime om. du nxE. ikke har vxErt. utsatt for press i mellomtiden fra KulturrxEdet eller andre.. AngxEende spam som du sier sxE har du selv laget et grensesnitt for. utsendelse av pseudonym. mail Whitemail og jeg kan ikke forstxE at du kan bruke det mot meg.. NxEr. du i tillegg. oppforderer meg til xE bruke Whitemail for xE utgi meg for xE. vxEre Ragnfrid. eStokke sxE setter det. hele saken i et merkelig lys.. Jeg ber om at du setter meg opp pxE listen igjen. Jeg ser heller ingen grunn. til at Erik er. tatt av listen nxEr du skriver at mailen var fiktiv.. Mvh. B. Ps de fleste andre elementene i denne trxEden som er selvsagt usanne det. burde ikke vxEre. nxFdvendig xE pxEpeke.. Som listeadministrator kan jeg bare beklage at denne typen uautoriserte. eposter kommer gjennom til listen.. Vi har tatt Erik eHesby av listen slik at vi ikke fxEr mer tull fra den. kanten.. Vi har i tillegg tatt Klas eCantsin av ettersom vi ikke finner det. tjenelig at vxEr liste brukes til xE putte mer penger i teleselskapene. og. deres ansattes lommer.. Godt jobbet Erik. At du fant ut at Klas var kjxFpt og betalt. Jeg har alltid hatt en. mistanke. om det.. SxE. NxE kan roen igjen senke seg over eekunstlisten vxEr.. mvh. ListeAdministrator. Atle eBarcley. Beathe C. eRxFnning. Erik eHesby. . ee k u n s t . Re Re Hvilken xFkonomi eCantsin. Og jeg beit pxE sxE nxE er det ikke noen grunn til gjemme seg. Jaja JukseErik. Jeg gikk rett pxE. Ja nxE vet du ihvertfall hva jeg. synes. om. det. At jeg har vurdert deg som psykotisk. Underholdende har det vxErt.. Og. herved har du sxFrget for xE xFke paranoiafrekvensen med noen. .. Gratulerer. med det.. Beathe C. eRxFnning. Forwarded Message. Beathe C. eRxFnning. Erik eHesby. Hehe... Dette mxE gxE utenom postlista. Veldig bra hxEndtert eHesby. BxFyer meg i. stxFvet. stxFvet

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og ler over kaffen.. Jeg har sxE mange skisser pxE svar til ham i min draftsfolder men. endte. med. xE tenke xBnhei Beathe.. Ooha. Noe er helt gxExErnt. her..xB Fikk en sterk. fxFlelse av at dette mxEtte vxEre en kunstner pxE vei inn i en. psykose.. Men dette hxFres ganske mye bedre ut. Jeg setter langfingeren pxE. delete. og. hamrer lxFs.. God dag fra Beathe C. eRxFnning. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg har. ingenting med styringen av denne xE gjxFre.. Det bxFr likevel ikke ta glansen fra spxFken under. Og den. inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxE en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av flere. norske teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty. eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. Vel.. Det er bra at JukseErik ble kastet av. Men det fjerner ikke viktigheten av diskusjonen han eller hun satte igang. Nemlig hvem tjener pxE eekunsten. Hvordan strxFmmer pengene. Det er jo skremmende xE se hvordan innholdsleverandxFrende arbeider for. en. slikk og ingenting mens distribusjonsleddet hxEver inn penger.. Kunstnerne mxE kreve noe igjen for denne skjevheten. Vi kan tenke oss mange. mulige lxFsninger men vi sitter nesten alltid igjen med svarteper. Det er. vel en av utfordringene eekunsten har foran seg. Hvordan tjene penger PxE linje med DotComproblemet har kunstnerne enda. stxFrre problemer.. Markedet kan nok ikke lxFse dette ettersom kunsten ofte ikke er. xFnsket.. Som i Klas eCantsins tilfelle. Han lager ting som ingen vil ha som. han. selv sier.. Jeg heller jo mot en sterk stat (uff ja jeg er nok litt gammeldags...) som. kan fordele penger til de beste kunstnerne. Og jeg mener dette mxE styres av. et sterkt faglig utvalg slik vi har det i dag.. I tillegg er det viktig at dette utvalget har et bredt faglig nettverk xE. bygge sine avgjxFrelser pxE.. Derfor mener jeg at dagens ordning er for svak ettersom utvalget ikke har. bred nok sammensetning.. Det finnes mange mennesker i Norge dag som kan ta plassene til Jeremy. Marit. og Bjarne. Bruk oss. mvh. Erik eHesby. Klas eCantsin. eeekunst.no. . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. Hallo. Jeg vil ogsxE gi noen kommentarer til xE ta meg av listen etc.. Atle du nevnte ingenting om dette da vi snakket pxE telefonen for en time. siden. Du gir. beMyGhost plass pxE konferansen om kunst og ny teknologi hos Atelier Nord. i morgen samtidig. som du kaster meg av eekunstlisten Jeg fxEr det ikke til xE rime om. du. nxE. ikke har vxErt. utsatt for press i mellomtiden fra KulturrxEdet eller andre.. AngxEende spam som du sier sxE har du selv laget et grensesnitt for. utsendelse av pseudonym. mail Whitemail og jeg kan ikke forstxE at du kan bruke det mot meg.. NxEr. du i tillegg. oppforderer meg til xE bruke Whitemail for xE utgi meg for xE. vxEre Ragnfrid. eStokke sxE setter det. hele saken i et merkelig lys.. Jeg ber om at du setter meg opp pxE listen igjen. Jeg ser heller ingen. grunn. til at Erik er. tatt av listen nxEr du skriver at mailen var fiktiv.. Mvh. B. Ps de fleste andre elementene i denne trxEden som er selvsagt usanne det. burde ikke vxEre. nxFdvendig xE pxEpeke.. Som listeadministrator kan jeg bare beklage at denne typen. uautoriserte. eposter kommer gjennom til listen.. Vi har tatt Erik eHesby av listen slik at vi ikke fxEr mer tull fra den. kanten.. Vi har i tillegg tatt Klas eCantsin av ettersom vi ikke finner. det. tjenelig at vxEr liste brukes til xE putte mer penger i. teleselskapene og. deres ansattes lommer.. Godt jobbet Erik. At du fant ut at Klas var kjxFpt og betalt. Jeg har alltid hatt en. mistanke. om det.. SxE. NxE kan roen igjen senke seg over eekunstlisten vxEr.. mvh. ListeAdministrator. Atle eBarcley. From Beathe C. eRxFnning. To Erik eHesby. Subject . ee k u n s t . Re Re Hvilken xFkonomi. eCantsin. Og jeg beit pxE sxE nxE er det ikke noen grunn til gjemme seg. Jaja JukseErik. Jeg gikk rett pxE. Ja nxE vet du ihvertfall hva. jeg. synes. om. det. At jeg har vurdert deg som psykotisk. Underholdende har det vxErt.. Og. herved har du sxFrget for xE xFke paranoiafrekvensen med noen. .. Gratulerer. med det.. Beathe C. eRxFnning. Forwarded Message. From Beathe C. eRxFnning. To Erik eHesby. Subject Hehe... Dette mxE gxE utenom postlista. Veldig bra hxEndtert eHesby. BxFyer meg i. stxFvet. og ler over kaffen.. Jeg har sxE mange skisser pxE svar til ham i min draftsfolder men. endte. med. xE tenke xBnhei Beathe.. Ooha. Noe er helt gxExErnt. her..xB Fikk en sterk. fxFlelse av at dette mxEtte vxEre en kunstner pxE vei inn i. en psykose.. Men dette hxFres ganske mye bedre ut. Jeg setter langfingeren pxE. delete. og. hamrer lxFs.. God dag fra Beathe C. eRxFnning. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg har. ingenting med styringen av denne xE gjxFre.. Det bxFr likevel ikke ta glansen fra spxFken under. Og den. inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxE en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty. eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en. salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av. flere. norske teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty. eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. deg. og. dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. Index(es). . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. Aha. Det er altsxE Trond eLossius som er JukseErik. Jaja Trond. Ikke nok xE ta seg til i provinsen. mvh. Erik eHesby. Trond eLossius. eeekunst.no. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken. xFkonomi. eCantsin. Vel.. Det er bra at JukseErik ble kastet av. Men det fjerner ikke viktigheten av diskusjonen han eller hun satte. igang. Nemlig hvem tjener pxE eekunsten. Hvordan strxFmmer pengene. Det er jo skremmende xE se hvordan innholdsleverandxFrende arbeider for. en. slikk og ingenting mens distribusjonsleddet hxEver inn penger.. Kunstnerne mxE kreve noe igjen for denne skjevheten. Vi kan tenke oss mange. mulige lxFsninger men vi sitter nesten alltid igjen med svarteper. Det er. vel en av utfordringene eekunsten har foran seg. Hvordan tjene penger PxE linje med DotComproblemet har kunstnerne enda. stxFrre problemer.. Markedet kan nok ikke lxFse dette ettersom kunsten ofte ikke er. xFnsket.. Som i Klas eCantsins tilfelle. Han lager ting som ingen vil ha som. han. selv sier.. Jeg heller jo mot en sterk stat (uff ja jeg er nok litt gammeldags...). som. kan fordele penger til de beste kunstnerne. Og jeg mener dette mxE styres. av. et sterkt faglig utvalg slik vi har det i dag.. I tillegg er det viktig at dette utvalget har et bredt faglig nettverk xE. bygge sine avgjxFrelser pxE.. Derfor mener jeg at dagens ordning er for svak ettersom utvalget ikke har. bred nok sammensetning.. Det finnes mange mennesker i Norge dag som kan ta plassene til Jeremy. Marit og Bjarne. Bruk oss. mvh. Erik eHesby. Klas eCantsin. eeekunst.no. . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. Hallo. Jeg vil ogsxE gi noen kommentarer til xE ta meg av listen etc.. Atle du nevnte ingenting om dette da vi snakket pxE telefonen for en time. siden. Du gir. beMyGhost plass pxE konferansen om kunst og ny teknologi hos Atelier. Nord. i morgen samtidig. som du kaster meg av eekunstlisten Jeg fxEr det ikke til xE rime. om du. nxE. ikke har vxErt. utsatt for press i mellomtiden fra KulturrxEdet eller andre.. AngxEende spam som du sier sxE har du selv laget et grensesnitt for. utsendelse av pseudonym. mail Whitemail og jeg kan ikke forstxE at du kan bruke det mot meg.. NxEr. du i tillegg. oppforderer meg til xE bruke Whitemail for xE utgi meg for xE. vxEre Ragnfrid. eStokke sxE setter det. hele saken i et merkelig lys.. Jeg ber om at du setter meg opp pxE listen igjen. Jeg ser heller ingen. grunn til at Erik er. tatt av listen nxEr du skriver at mailen var fiktiv.. Mvh. B. Ps de fleste andre elementene i denne trxEden som er selvsagt usanne. det. burde ikke vxEre. nxFdvendig xE pxEpeke.. Som listeadministrator kan jeg bare beklage at denne typen. uautoriserte. eposter kommer gjennom til listen.. Vi har tatt Erik eHesby av listen slik at vi ikke fxEr mer tull fra. den. kanten.. Vi har i tillegg tatt Klas eCantsin av ettersom vi ikke finner. det. tjenelig at vxEr liste brukes til xE putte mer penger i. teleselskapene. og. deres ansattes lommer.. Godt jobbet Erik. At du fant ut at Klas var kjxFpt og betalt. Jeg har alltid hatt en. mistanke. om det.. SxE. NxE kan roen igjen senke seg over eekunstlisten vxEr.. mvh. ListeAdministrator. Atle eBarcley. From Beathe C. eRxFnning. To Erik eHesby. Subject . ee k u n s t . Re Re Hvilken xFkonomi. eCantsin. Og jeg beit pxE sxE nxE er det ikke noen grunn til gjemme seg. Jaja JukseErik. Jeg gikk rett pxE. Ja nxE vet du ihvertfall hva. jeg. synes. om. det. At jeg har vurdert deg som psykotisk. Underholdende har det vxErt.. Og. herved har du sxFrget for xE xFke paranoiafrekvensen med noen. .. Gratulerer. med det.. Beathe C. eRxFnning. Forwarded Message. From Beathe C. eRxFnning. To Erik eHesby. Subject Hehe... Dette mxE gxE utenom postlista. Veldig bra hxEndtert eHesby. BxFyer meg. i. stxFvet. og ler over kaffen.. Jeg har sxE mange skisser pxE svar til ham i min draftsfolder men. endte. med. xE tenke xBnhei Beathe.. Ooha. Noe er helt gxExErnt. her..xB Fikk en. sterk. fxFlelse av at dette mxEtte vxEre en kunstner pxE vei inn i. en psykose.. Men dette hxFres ganske mye bedre ut. Jeg setter langfingeren pxE. delete. og. hamrer lxFs.. God dag fra Beathe C. eRxFnning. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg. har. ingenting med styringen av denne xE gjxFre.. Det bxFr likevel ikke ta glansen fra spxFken under. Og den. inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxE. en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr. som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no. id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra. Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty. eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en. salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av. flere. norske teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty. eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. deg og. dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . eekunst versus espam. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . eekunst versus espam. Index(es). . ee k u n s t . eekunst versus espam. . ee k u n s t . eekunst versus espam. . ee k u n s t . eekunst versus espam. This is a multipart message in MIME format.... . UTC(NIST). MimeVersion .. ContentType textplain charsetusascii. XDownload ftpftp.artematrix.orgartemail. .. .... ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. eCantsin

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. ee k u n s t . Den Digitale Makten. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . Den Digitale Makten. Index(es). . ee k u n s t . Den Digitale Makten. . ee k u n s t . Den Digitale Makten. . ee k u n s t . Den Digitale Makten. This is a multipart message in MIME format.... ContentType textplain charsetiso formatflowed. ContentTransferEncoding bit. Da mine kjxEre foreldre fikk eget telefonapparat i (med nummeret. ). var dette ogsxE tilkoblet et globalt nettverk. Den gang ga dette dem en noe. utvidet funksjon (posisjon makt) i forhold til det nxErmeste nabolaget.. Men. bare sxE lenge de var nesten alene om teknologien. SelvfxFlgelig er mor. fort. satt mektig analog og digital... men domenet hennes blir stadig mindre. og. rekker nxE sxEvidt utenfor leiligheten hvor hun bor.. uendelig. antall. ved hjelp av digitale nettverk blir makten distribuert. dermed. kan. alle i prinsippet fxE makt i motsetning til fxFr da makten var. forbeholdt. noen fxE. slik er den nye digitale verden. alt er null og en og alt kan. kopieres og kopieres. ogsxE makt.. Er det brukervennligheten som gir oss en fxFlelse av makt eller er det. bare. misforstxEelsens mulighetsfelt som stadig xFker (proporsjonalt) med. uvitenhet. . .. (o)(o). .OOOooooOOO.. Jens eLaland Bryne. Oooo.. .oooO ( ). ( ) ). ( (. ). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . eekunst versus espam. . ee k u n s t . Re Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . eekunst versus espam. . ee k u n s t . Re Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. Index(es). . ee k u n s t . Re Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . Re Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . Re Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. Hehe.... Regner med at dette er en liten forberedelse pxE moroa vi skal ha pxE. seminaret.... Hvem stxEr bak mon tro. Men Trond og Erik Ta det med ro dere er begge virkelige mennesker for. meg.. Da vi skrev den norske delen av Nordic Media Culture Research var nettopp. sentraliseringen rundt Oslo noe av problemet.. Hvorfor lages det bare god kunst i Oslo. Vi skulle jo virkelig hxEpe pxE at det skjedde noe andre steder. ogsxE men vi. lette med lys og lykte og spurte pxE BB (den Bergenske epostlisten) og. mange. andre steder men nesten ingenting av akseptabel kvalitet finnes utenfor. Oslo.. Jeg vil derfor foreslxE en knallhard prioritering hos kulturrxEdet fra. nxE. av. Bare penger til Oslo.. Bruk mulighetene som ligger i synergien mellom Atelier Nord og Notam til xE. bygge et kraftsenter i hovedstaden. Janne. Erik eHesby. eeekunst.no. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken. xFkonomi eCantsin. Aha. Det er altsxE Trond eLossius som er JukseErik. Jaja Trond. Ikke nok xE ta seg til i provinsen. mvh. Erik eHesby. Trond eLossius. eeekunst.no. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken. xFkonomi eCantsin. Vel.. Det er bra at JukseErik ble kastet av. Men det fjerner ikke viktigheten av diskusjonen han eller hun satte. igang. Nemlig hvem tjener pxE eekunsten. Hvordan strxFmmer pengene. Det er jo skremmende xE se hvordan innholdsleverandxFrende arbeider. for en. slikk og ingenting mens distribusjonsleddet hxEver inn penger.. Kunstnerne mxE kreve noe igjen for denne skjevheten. Vi kan tenke oss. mange. mulige lxFsninger men vi sitter nesten alltid igjen med svarteper. Det er. vel en av utfordringene eekunsten har foran seg. Hvordan tjene penger PxE linje med DotComproblemet har kunstnerne enda. stxFrre problemer.. Markedet kan nok ikke lxFse dette ettersom kunsten ofte ikke er. xFnsket.. Som i Klas eCantsins tilfelle. Han lager ting som ingen vil ha som. han selv sier.. Jeg heller jo mot en sterk stat (uff ja jeg er nok litt gammeldags...). som kan fordele penger til de beste kunstnerne. Og jeg mener dette mxE. styres av et sterkt faglig utvalg slik vi har det i dag.. I tillegg er det viktig at dette utvalget har et bredt faglig nettverk xE. bygge sine avgjxFrelser pxE.. Derfor mener jeg at dagens ordning er for svak ettersom utvalget ikke. har. bred nok sammensetning.. Det finnes mange mennesker i Norge dag som kan ta plassene til Jeremy. Marit og Bjarne. Bruk oss. mvh. Erik eHesby. Klas eCantsin. eeekunst.no. . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. Hallo. Jeg vil ogsxE gi noen kommentarer til xE ta meg av listen etc.. Atle du nevnte ingenting om dette da vi snakket pxE telefonen for en. time. siden. Du gir. beMyGhost plass pxE konferansen om kunst og ny teknologi hos Atelier. Nord i morgen samtidig. som du kaster meg av eekunstlisten Jeg fxEr det ikke til xE rime. om du. nxE ikke har vxErt. utsatt for press i mellomtiden fra KulturrxEdet eller andre.. AngxEende spam som du sier sxE har du selv laget et grensesnitt for. utsendelse av pseudonym. mail Whitemail og jeg kan ikke forstxE at du kan bruke det mot meg.. NxEr. du i tillegg. oppforderer meg til xE bruke Whitemail for xE utgi meg for xE. vxEre Ragnfrid. eStokke sxE setter det. hele saken i et merkelig lys.. Jeg ber om at du setter meg opp pxE listen igjen. Jeg ser heller ingen. grunn til at Erik er. tatt av listen nxEr du skriver at mailen var fiktiv.. Mvh. B. Ps de fleste andre elementene i denne trxEden som er selvsagt usanne. det burde ikke vxEre. nxFdvendig xE pxEpeke.. Som listeadministrator kan jeg bare beklage at denne typen. uautoriserte. eposter kommer gjennom til listen.. Vi har tatt Erik eHesby av listen slik at vi ikke fxEr mer tull fra. den. kanten.. Vi har i tillegg tatt Klas eCantsin av ettersom vi ikke finner. det. tjenelig at vxEr liste brukes til xE putte mer penger i. teleselskapene. og. deres ansattes lommer.. Godt jobbet Erik. At du fant ut at Klas var kjxFpt og betalt. Jeg har alltid hatt en. mistanke. om det.. SxE. NxE kan roen igjen senke seg over eekunstlisten vxEr.. mvh. ListeAdministrator. Atle eBarcley. From Beathe C. eRxFnning. To Erik eHesby. Subject . ee k u n s t . Re Re Hvilken xFkonomi. eCantsin. Og jeg beit pxE sxE nxE er det ikke noen grunn til gjemme. seg. Jaja JukseErik. Jeg gikk rett pxE. Ja nxE vet du ihvertfall hva. jeg. synes. om. det. At jeg har vurdert deg som psykotisk. Underholdende har det. vxErt.. Og. herved har du sxFrget for xE xFke paranoiafrekvensen med noen. .. Gratulerer. med det.. Beathe C. eRxFnning. Forwarded Message. From Beathe C. eRxFnning. To Erik eHesby. Subject Hehe... Dette mxE gxE utenom postlista. Veldig bra hxEndtert eHesby. BxFyer meg. i. stxFvet. og ler over kaffen.. Jeg har sxE mange skisser pxE svar til ham i min draftsfolder. men. endte med. xE tenke xBnhei Beathe.. Ooha. Noe er helt gxExErnt. her..xB Fikk en. sterk. fxFlelse av at dette mxEtte vxEre en kunstner pxE vei inn. i en psykose.. Men dette hxFres ganske mye bedre ut. Jeg setter langfingeren pxE. delete. og. hamrer lxFs.. God dag fra Beathe C. eRxFnning. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg. har. ingenting med styringen av denne xE gjxFre.. Det bxFr likevel ikke ta glansen fra spxFken under. Og den. inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxE. en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr. som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no. id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra. Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty. eCantsin. tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt vedkommende ikke. har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at Klas Monty eCantsin er blitt en. salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen. av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er lxFnnet av. flere. norske teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak xE opprette en mailaddresse (f.eks.. pxE. hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til Klas Monty. eCantsin. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. deg og. dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Den Digitale Makten. . ee k u n s t . Re Re Re TILBAKE Re Re Re Re Re. . ee k u n s t . Den Digitale Makten. . ee k u n s t . Re Re Re TILBAKE Re Re Re Re Re. Index(es). . ee k u n s t . Re Re Re TILBAKE Re Re Re Re Re. . ee k u n s t . Re Re Re TILBAKE Re Re Re Re Re. . ee k u n s t . Re Re Re TILBAKE Re Re Re Re Re. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding bit. ja nxE begynner dette xE bli gxFy.. Jeg lurer pxE hvorfor han ikke vil lage ett spxFkelse til meg. er jeg ikke pen nok kanskje. peink. Hehe.... Regner med at dette er en liten forberedelse pxC moroa vi skal ha pxC. seminaret.... Hvem stxCr bak mon tro. Men Trond og Erik Ta det med ro dere er begge virkelige mennesker for. meg.. Da vi skrev den norske delen av Nordic Media Culture Research var. nettopp. sentraliseringen rundt Oslo noe av problemet.. Hvorfor lages det bare god kunst i Oslo. Vi skulle jo virkelig hxCpe pxC at det skjedde noe andre steder. ogsxC men. vi. lette med lys og lykte og spurte pxC BB (den Bergenske epostlisten) og. mange. andre steder men nesten ingenting av akseptabel kvalitet finnes utenfor. Oslo.. Jeg vil derfor foreslxC en knallhard prioritering hos kulturrxCdet fra. nxC. av. Bare penger til Oslo.. Bruk mulighetene som ligger i synergien mellom Atelier Nord og Notam til. xC. bygge et kraftsenter i hovedstaden. Janne. Erik eHesby. eeekunst.no. . ee k u n s t . Re TILBAKE Re Re Re Re Re Hvilken. xAFkonomi eMagnhildxAFen. Aha. Det er altsxC Trond eLossius som er JukseErik. Jaja Trond. Ikke nok xC ta seg til i provinsen. mvh. Erik eHesby. Trond eLossius. eeekunst.no. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken. xAFkonomi eMagnhildxAFen. Vel.. Det er bra at JukseErik ble kastet av. Men det fjerner ikke viktigheten av diskusjonen han eller hun satte. igang. Nemlig hvem tjener pxC eekunsten. Hvordan strxAFmmer pengene. Det er jo skremmende xC se hvordan innholdsleverandxAFrende arbeider. for. en. slikk og ingenting mens distribusjonsleddet hxCver inn penger.. Kunstnerne mxC kreve noe igjen for denne skjevheten. Vi kan tenke oss. mange. mulige lxAFsninger men vi sitter nesten alltid igjen med svarteper. Det. er. vel en av utfordringene eekunsten har foran seg. Hvordan tjene penger PxC linje med DotComproblemet har kunstnerne. enda. stxAFrre problemer.. Markedet kan nok ikke lxAFse dette ettersom kunsten ofte ikke er. xAFnsket.. Som i BjxAFrn eMagnhildxAFens tilfelle. Han lager ting som ingen vil. ha. som. han selv sier.. Jeg heller jo mot en sterk stat (uff ja jeg er nok litt gammeldags...). som kan fordele penger til de beste kunstnerne. Og jeg mener dette mxC. styres av et sterkt faglig utvalg slik vi har det i dag.. I tillegg er det viktig at dette utvalget har et bredt faglig nettverk. xC. bygge sine avgjxAFrelser pxC.. Derfor mener jeg at dagens ordning er for svak ettersom utvalget ikke. har. bred nok sammensetning.. Det finnes mange mennesker i Norge dag som kan ta plassene til Jeremy. Marit og Bjarne. Bruk oss. mvh. Erik eHesby. BjxAFrn eMagnhildxAFen. eeekunst.no. . ee k u n s t . Re Re Re Re Hvilken xAFkonomi. MagnhildxAFen. Hallo. Jeg vil ogsxC gi noen kommentarer til xC ta meg av listen etc.. Atle du nevnte ingenting om dette da vi snakket pxC telefonen for en. time. siden. Du gir. beMyGhost plass pxC konferansen om kunst og ny teknologi hos Atelier. Nord i morgen samtidig. som du kaster meg av eekunstlisten Jeg fxCr det ikke til xC rime. om. du. nxC ikke har vxCArt. utsatt for press i mellomtiden fra KulturrxCdet eller andre.. AngxCende spam som du sier sxC har du selv laget et grensesnitt for. utsendelse av pseudonym. mail Whitemail og jeg kan ikke forstxC at du kan bruke det mot meg.. NxCr. du i tillegg. oppforderer meg til xC bruke Whitemail for xC utgi meg for xC. vxCAre. Ragnfrid. eStokke sxC setter det. hele saken i et merkelig lys.. Jeg ber om at du setter meg opp pxC listen igjen. Jeg ser heller ingen. grunn til at Erik er. tatt av listen nxCr du skriver at mailen var fiktiv.. Mvh. B. Ps de fleste andre elementene i denne trxCden som er selvsagt usanne. det burde ikke vxCAre. nxAFdvendig xC pxCpeke.. .. Atle eBarcley. Som listeadministrator kan jeg bare beklage at denne typen. uautoriserte. eposter kommer gjennom til listen.. Vi har tatt Erik eHesby av listen slik at vi ikke fxCr mer tull fra. den. kanten.. Vi har i tillegg tatt BjxAFrn eMagnhildxAFen av ettersom vi ikke. finner. det. tjenelig at vxCr liste brukes til xC putte mer penger i. teleselskapene. og. deres ansattes lommer.. Godt jobbet Erik. At du fant ut at BjxAFrn var kjxAFpt og betalt. Jeg har alltid hatt. en. mistanke. om det.. SxC. NxC kan roen igjen senke seg over eekunstlisten vxCr.. mvh. ListeAdministrator. Atle eBarcley. From Beathe C. RxAFnning. To Erik eHesby. Subject . ee k u n s t . Re Re Hvilken xAFkonomi. eMagnhildxAFen. Og jeg beit pxC sxC nxC er det ikke noen grunn til gjemme. seg. Jaja JukseErik. Jeg gikk rett pxC. Ja nxC vet du ihvertfall hva. jeg. synes. om. det. At jeg har vurdert deg som psykotisk. Underholdende har det. vxCArt.. Og. herved har du sxAFrget for xC xAFke paranoiafrekvensen med noen. .. Gratulerer. med det.. Beathe C. RxAFnning. Forwarded Message. From Beathe C. RxAFnning. To Erik eHesby. Subject Hehe... Dette mxC gxC utenom postlista. Veldig bra hxCndtert eHesby. BxAFyer meg. i. stxAFvet. og ler over kaffen.. Jeg har sxC mange skisser pxC svar til ham i min draftsfolder. men. endte med. xC tenke nhei Beathe.. Ooha. Noe er helt gxCAxCArnt. her..xBE Fikk en. sterk. fxAFlelse av at dette mxCtte vxCAre en kunstner pxC vei inn. i en psykose.. Men dette hxAFres ganske mye bedre ut. Jeg setter langfingeren pxC. delete. og. hamrer lxAFs.. God dag fra Beathe C. RxAFnning. xFFkonomi ja det er jo mitt kjerneomrxCde ). For ordens skyld Kulturnett drifter ikke eekunstlista og jeg. har. ingenting med styringen av denne xC gjxAFre.. Det bxAFr likevel ikke ta glansen fra spxAFken under. Og den. inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke pxC. en. slik mxCte at jeg blir oppfattet som en litt dum og strebete fyr. som. sitter pxC en kontorstol fordi min egen kunstnerkarriere har. spilt. fallitt.. Da tar jeg til txCrene.... Erik eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no. id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra. BjxAFrn. Jonny eMagnhildxAFens bemailhost.php eller beMyGhost som denne. spxAFken kalles.. Det den selvoppnevnte autonome kunstneren BjxAFrn Jonny. MagnhildxAFen. tydeligvis ikke bryr seg med er de xAFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort oppsummeres i to punkter. . Kunstkonsumenten mxC betale for et produkt vedkommende ikke. har. bedt om xC mxCtte kjxAFpe.. . Teleselskapene tjener penger.. Vi kan se det som at BjxAFrn Jonny eMagnhildxAFen er blitt en. salgsagent. for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen. av. modembaserte komminukasjonsformer.. Fordi dette er sxC stikk i strid med hva som er vanlig praksis i. kunstverdenen har jeg undersxAFkt litt omkring BjxAFrn Jonny. eMagnhildxAFen for om mulig finne bakgrunnen for dette.. Det viser seg at BjxAFrn Jonny eMagnhildxAFen faktisk er. lxAFnnet av. flere. norske teleselskaper for xC bedrive denne virksomheten.. Og han innehar en mengde aliaser pxC diverse epostlister i. Norge.. Hva skal vi gjxAFre med dette. Vel det enkleste er selvsagt xC kaste ham av listen.. Men det er en enkel sak xC opprette en mailaddresse (f.eks.. pxC. hotmail.com). for sxC xC melde seg pxC listen igjen.. Derfor foreslxCr jeg at alle sender regning til BjxAFrn Jonny. MagnhildxAFen. for. ekstrautgifter knyttet til hans utsendelser.. Hans addresse er. BjxAFrn Jonny eMagnhildxAFen. Schouterr. Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. mellom. deg og. dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. deg. og dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. deg. og dine venner.

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post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. enellechaos.wit.no. is slowly changing into einkbek.no. obtain new address and phone. just mail me. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . Re Den Digitale Makten. . ee k u n s t . Re Re TILBAKE Re Re Re Re Re Hvilken �konomi. eCantsin. . ee k u n s t . Re Den Digitale Makten. Index(es). . ee k u n s t . Re Den Digitale Makten. . ee k u n s t . Re Den Digitale Makten. . ee k u n s t . Re Den Digitale Makten. This is a multipart message in MIME format.... ContentType textplain charsetiso. . .. (o)(o). .OOOooooOOO.. Diverse Troll. Oooo.. .oooO ( ). ( ) ). ( (. ). .... ... ... .... .. .. .. .. ... .... .... .... ..... .... .... ..... .... .... .... .... .... .... .... .... .... ..... .... .... ..... .... .... .... .... .... .... .... .... .... ..... .... .... .... .... .... .... .... .... .... ..... ..... ... .... .... .... .... .... .... .... .... .. .. .... . .. ... .. .. ... ... .... ... .. ... .. .. .. .... .. .. .... ... ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Re TILBAKE Re Re Re Re Re. . ee k u n s t . Re Re Den Digitale Maten. . ee k u n s t . Re Re Re TILBAKE Re Re Re Re Re. . ee k u n s t . Re Re Den Digitale Maten. Index(es). . ee k u n s t . Re Re Den Digitale Maten. . ee k u n s t . Re Re Den Digitale Maten. . ee k u n s t . Re Re Den Digitale Maten. This is a multipart message in MIME format.... ContentType textplain formatflowed. ...og for ikke xE snakke om all denne tiden vi bruker pxE dette.... skal vi sende regning til Klas Monty for det ogsxE. Men nxEr vi er inne pxE det Janne.. Hva var det du mente med at det bare lages god eekunst i Oslo. Hva med mine arbeider pxE Bryne. mvhjenseLalandbryne. born.eMatronym. eeekunst.no. . ee k u n s t . Re Den Digitale Makten. . .. (o)(o). .OOOooooOOO.. Diverse Troll. Oooo.. .oooO ( ). ( ) ). ( (. ). .... ... ... .... .. .. .. .. ... .... .... .... ..... .... .... ..... .... .... .... .... .... .... .... .... .... ..... .... .... ..... .... .... .... .... .... .... .... .... .... ..... .... .... .... .... .... .... .... .... .... ..... ..... ... .... .... .... .... .... .... .... .... .. .. .... . .. ... .. .. ... ... .... ... .. ... .. .. .. .... .. .. .... ... Hopp utink. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Den Digitale Makten. . ee k u n s t . fakEMail Header. . ee k u n s t . Re Den Digitale Makten. . ee k u n s t . fakEMail Header. Index(es). . ee k u n s t . fakEMail Header. . ee k u n s t . fakEMail Header. . ee k u n s t . fakEMail Header. This is a multipart message in MIME format.... ContentType textplain charsetiso formatflowed. ContentTransferEncoding bit. Dersom jeg virkelig xFnsker xE spamme da mxE jeg fxFrst og. fremst fake. headeren pxE mailen min... da selv IP nummeret mitt .... ville kunne rxFpe hvem jeg var.. Dersom jeg hadde faket den informasjonen nedenfor som nxE er merket. med hvor lett ville det da fortsatt vxEre for den enkelte. mottaker xE vite hvem som var hvem. IPNummeret kan likevel ogsxE lxFsrives fra personenen som formidler. kunstverk (skriver email).... Men hvordan skulle jeg da kunne fremme xFkonomiske krav pxE eventuelle. utstillingsvederlag. ReturnPath. Received from anart.no (anart.no ...). by mail.fg.online.no (..p..) with ESMTP id OAA. for Wed (MEST). Received (from sympalocalhost). by anart.no (....) id hCuLN. Wed. XAuthenticationWarning anart.no sympa set sender to eownereekunst.no. using f. Received from (...). by anart.no (....) with ESMTP id hCuHq. for Wed. MessageId. XMailer beMyGhost. ReplyTo bjornemagnhildoenhotmail.com. . .. (o)(o). .OOOooooOOO.. Jens eLaland Bryne. Oooo.. .oooO ( ). ( ) ). ( (. ). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Den Digitale Maten. . ee k u n s t . en uskyldig form for spam. . ee k u n s t . Re Re Den Digitale Maten. . ee k u n s t . en uskyldig form for spam. Index(es). . ee k u n s t . en uskyldig form for spam. . ee k u n s t . en uskyldig form for spam. . ee k u n s t . en uskyldig form for spam. This is a multipart message in MIME format.... ContentType textplain charsetiso formatflowed. ContentTransferEncoding bit. Subject . ee k u n s t . Re Re TILBAKE Re Re Re Re Re. Hvilken xFkonomi eCantsin. NxEr vi svarer pxE email og alle stadig siterer hele konteksten (kjeden. av. tidligere meldinger) da er vel dette ogsxE pxE en mxEte spam Slike. feite. unxFdige sitater i meldingene vxEre koster uansett litt mer penger. xE laste. ned... og de pengene gxEr ihvertfall ikke tilbake til noen av oss.. Det er like enkelt xE skrive ny melding som xE svare pxE. melding. mvhjenseLalandbryne. ftpftp.artematrix.orgjokesmouse.moved.gif. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . fakEMail Header. . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . fakEMail Header. . ee k u n s t . KNYTkunsten og Spamming. Index(es). . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . KNYTkunsten og Spamming. This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentTransferEncoding bit. Hei dere (spesielt Trond eLossium Erik eHesby og BjxFrn Jonny. eMagnhildxFen). NxE mxE jeg sette ned foten. Jeg ber om at dere umiddelbart slutter. xE bruke. Norsk KulturrxEd og KNYTutvalgets navn i denne SPAMkunsten eller hva dere. nxE kaller dere. Jeg og JxFran eRudi har sittet idag og fortvilt oss. litt. over dere KNYTkunstneres historielxFshet hva gjelder KulturrxEdets. arbeid pxE. dette feltet over mange xEr. Vil dere kanskje at stxFtten til KNYT skal. forsvinne pxE grunn av Spamming JxFran har forklart meg at Spamkunst. er en. del av KNYTkunsten men i sxE fall vil jeg gjerne spxFrre meg om hvor. dette. skal fxFre hen. SxEvidt jeg klarer xE forstxE har alle som har operert i dette. feltet brukt. falske navn pxE mange prosjekter blant annet JxFrgen eLarsson og Monica. eHerstad som begge har byttet Spamprosjekter uten xE informere oss i Norsk. KulturrxEd. Dette er txEpelig Det sier seg selv at en slik praksis vil. vanskeliggjxFre videre stxFtte den dagen revisjonen stxEr for. dxFren. Et. offentlig KNYTkunst og kulturliv er avhengige av at de som opererer med. Spam ihvertfall ikke seiler under falsk flagg om jeg kan si det sxE. sterkt.. Ellers vil jeg gjerne xFnske alle dere andre hjertelig velkommen til. konferansen i KulturrxEdets lokaler pxE Grev Wedels plass imorgen og. fredag.. Da kan vi kanskje spamme hverandre ansikt til ansikt (fortrinnsvis i. sivilserte former) i stedet for pxE denne ePostmailinglisten. Det blir lett. servering i pausen.. Vennlig hilsen. for Norsk KulturrxEd. Ragnfrid eStokke og JxFran eRudi (sign). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . en uskyldig form for spam. . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . en uskyldig form for spam. . ee k u n s t . KNYTkunsten og Spamming. Index(es). . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . KNYTkunsten og Spamming. Ellers vil jeg gjerne xFnske alle dere andre hjertelig velkommen til. konferansen i KulturrxEdets lokaler pxE Grev Wedels plass imorgen og. fredag. Da kan vi kanskje spamme hverandre ansikt til ansikt. (fortrinnsvis i sivilserte former) i stedet for pxE denne. ePostmailinglisten. Det blir lett servering i pausen.. Jeg vil ogsxE minne om at det i tillegg om kvelden den . mai vil bli. arrangert en sammenkomst i Atelier Nord med litt mat og drikke sosialt. samvxEr og litt kunst. Vi setter opp Noematas beMyGhost pxE en av. maskinene i lokalet for de som er interessert i xE utvide samvxEret og. samrxFret av identiteter i en elektronisk form og gi konferansen et enkelt. KNYTgrensesnitt der ogsxE noen flere knytninger og knuter i prosjektet vil. vxEre tilgjengelig i en begrenset periode.. Vennlig hilsen. for Norsk KulturrxEd. Ragnfrid eStokke og JxFran eRudi (sign). . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain charsetiso formatflowed. ContentTransferEncoding bit. Hei alle sammen. Ja dette er jo gxFy opptil et visst punkt. Jeg har forstxEtt. sxEpass at. sxEkalt SPAM er en del av KNYTkunsten hvilket JxFran eRudi har. forklart meg. inngxEende idag. Han fortalte meg at KNYTkunsten ikke er prosjekter i. egentlig forstand men Spamart som ikke kan diskuteres pxE sivilisert. mxEte. i demokratiske fora. Vel vel jeg synes nxE dette er en kunstform som biter. seg selv i halen om jeg sxE mxE si.. At du BjxFrn Jonny (og Erik eHesby) tar dere friheten til xE misbruke. Norsk. KulturrxEds navn offentlig er noe jeg offentlig vil ta sterk avstand fra.. BxEde JxFran eRudi og jeg selv mener at dette er misbruk av offentlige. penger. Telenorsponset eller ei. Men tross alt vil vi alle kunstens beste det. vxEre seg i eller utenfor de elektroniske offentlige rom. Jeg vil. pxEpeke at. Norsk KulturrxEd i mange xEr har bidratt sterkt til at KNYTkunsten har. fxEtt. fotfeste i et ellers magert kunstlandskap (noe vi dessverre alle har kjent. pxE kroppen). KNYTkunsten har blant annet bidratt til at sxEvidt. forskjellige kunstnere som StxEle eStenslie og TEKS har overlevd i dette. karrige landet. NxEr sxE selve grunnlaget for KNYTkunsten blir Spammet. bort. av Atle eBarcley Per ePlatou Per Bj. eBoym Monica eHerstad og JxFrgen. eLarsson. (for ikke xE nevne Trond eLossium som Spammer under falsk navn) ja da. lurer. jeg litt pxE hva KNYTkunsten egentlig vil med seg selv.. Norsk KNYTkunst er i vinden som aldri fxFr det kan vi alle vxEre. enige om.. La oss nxE ikke xFdelegge alt ved xE Spamme mere under falske. premisser. Jeg. synes at du BjxFrn Jonny selv burde ha baller nok (om jeg txFr vxEre. sxE frekk). til xE mxFte opp pxE KulturrxEdets konferanse imorgen og. fortelle hvem du. egentlig er. PxE dette punktet er JxFran eRudi og jeg fullstendig enige.. Dere. andre bxFr ogsxE avslutte denne debatten som jo egentlig seiler under. falsk. flagg.. ForxFvrig kan det kanskje vxEre verdt xE merke seg at Be My Ghost. aldri har. mottatt noen stxFtte fra Norsk KulturrxEd i noen som helst form.. KNYTutvalget har mottatt mange sxFknader xEr etter xEr som vi har. mxEttet. avvise pxE grunn av rett ut sagt txEpelige bekrivelser av SPAM det. vxEre seg. i form av KNYTkunst eller butohballettforestillinger.. Med vennlig hilsen. for Norsk KulturrxEd. Ragnfrid eStokke og JxFran eRudi (sign). og dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . KNYTkunsten og Spamming. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding bit. Grethe eMelby. og. JxFrgen eLarsson. Bare for xE ha sagt det jeg tror de fleste vet hvem som er ansvarlig for. denne noe. uvettige spammingen. Skal det vxEre en form for kunst. Dere gjxFr det svxErt vanskelig for dere selv pxE denne mxEten. hvis det er slik. at dere tror at. KulturrxEdet skal vxEre med xE finansiere denne type prosjekter. videre. Vi. fxEr sxE mye bra. sxFknader og hvordan mener dere vi kan forsvare xE prioritere ting som. sxE. xEpenbart virker. undergravende pxE miljxFet og hvor interessant er det egentlig Jeg er. virkelig spent pxE xE. hxFre deres argumenter i morgen. Vi snakkes. hxFre deres argumenter i morgen. Vi snakkes

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Mvh. Bjarne eKvinnsland. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . gammeldags. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . gammeldags. Index(es). . ee k u n s t . gammeldags. . ee k u n s t . gammeldags. . ee k u n s t . gammeldags. Jo jo. Dette er jo i og for seg et artig prosjekt men sxErlig avantgarde er det. ikke. Strengt tatt er dette prosjektet konseptuelt sett en. reprise av. prosjektet veldig.politisk som ble gjennomfxFrt pxE vxErparten i. xEr. Som man kan lese pxE BEKs web. Et desinformasjonsprosjekt av Klasar Habbestad Thomas Sivertsen Grethe. eMelby og JxFrgen eLarsson. Prosjektet utforsket mailmediet som. desinformasjonskanal og inneholdt en falsk webside (Bergens Tidende) en. videopresentasjon pxE Teatergarasjen i Bergen hvor bl.a. det etter hvert. sxE kjente vedlegget DNZ.jpg (et manipulert bilde av DNS med en tysk. xFrn pxE. toppen) ble vist for fxFrste gang og den fiktive journalisten Kari Anne. Johansen som sendte ut nyhetsbrev med desinformasjon til kulturaktxFrer og. journalister. Grethe eMelby presenterte prosjektet under DAC. Videre. dokumentasjon av prosjektet eksisterer ikke videoen er gxEtt tapt men. restene av websidene fra den gang det stod pxE kan sees her. veldig.politisk var altsxE ett av de fxFrste BEK prosjektene mens BEK. var pxE. spedbarnsstadiet. Det er tre xEr siden.. Tre xEr siden Tre hundre xEr i Internetttid. Ingen av de dengang involverte er sxErlig imponerte over nivxEet pxE. dette. prosjektet allerede da vi kastet oss inn i. mailspamlekmedidentiteteropplegget var denslags gjort fxFr noe som. ble behxFrig pxEpekt av den eldre garde innen eekunsten.. Se ogsxE mitt abstrakt til den anerkjente og internasjonale konferansen. DAC. veldig.politisk a digital attempt of restructuring the field of art in. Bergen. Grethe eMelby. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType TEXTPLAIN charsetISO. ContentTransferEncoding BIT. Gode JukseBjarne. At noen holder pxE med barnehageleker som vi gjorde oss ferdig med i. (Veldig Politisk) er ikke vxEr skyld.. At Klas Monty xFnsker xE profilere seg som superspammer er helt OK for. meg morsomt men ikke imponerende.. Heller ikke sxErlig interessant ettersom denne typen spxFker har en. laaaang. historie som Marius eWatz (det var vel deg Marius) sxE pent pxEpekte. i sin. mail.. xC leke seg med xEpne relayer er jo gxFy men vi har da andre ting. xE ta oss. til. men det mxE jo sies at jeg synes dette siste peket ditt Klas Monty er. mye morsommere enn beMyGhost.... Spesielt synes jeg om Jens eLaland og einkbek.no sine innlegg.. hilsen. den virkelige helt ekte (...). JxFrgen eLarsson. PS vi sees i morgen. Hvis dette var et forsxFk pxE et kunstprosjekt. vil. det nok fxE gjennomgxE...NxE er det nattis i Bergen.. Grethe eMelby. og. JxFrgen eLarsson. Bare for xE ha sagt det jeg tror de fleste vet hvem som er ansvarlig for. denne noe. uvettige spammingen. Skal det vxEre en form for kunst. Dere gjxFr det svxErt vanskelig for dere selv pxE denne mxEten. hvis det er. slik at dere tror at. KulturrxEdet skal vxEre med xE finansiere denne type prosjekter. videre. Vi. fxEr sxE mye bra. sxFknader og hvordan mener dere vi kan forsvare xE prioritere ting. som sxE. xEpenbart virker. undergravende pxE miljxFet og hvor interessant er det egentlig Jeg. er. virkelig spent pxE xE. hxFre deres argumenter i morgen. Vi snakkes. Mvh. Bjarne eKvinnsland. eBEKeCSundtsge.eeBergen.enopexe.errml e. . . . . xA .. .. (.sssshh......) . .. .. xB ' . .. .. . xA . '. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . gammeldags. . ee k u n s t . Avlysning av KNYTkonferansen. . ee k u n s t . gammeldags. . ee k u n s t . Avlysning av KNYTkonferansen. Index(es). . ee k u n s t . Avlysning av KNYTkonferansen. . ee k u n s t . Avlysning av KNYTkonferansen. . ee k u n s t . Avlysning av KNYTkonferansen. This is a multipart message in MIME format.... ContentType textplain formatflowed. Hei igjen. NxE er det nok Dette gxEr ikke lengre. Klokken er . og det skulle. vxEre. konferanse om noen timer. Men hva skal jeg tro og gjxFre nxEr det. nxE synes. som om KNYTfeltet er i total opplxFsning. NxEr alle aktxFrer. oppfxFrer seg. pxE. denne mxEten mener jeg det er fullstendig fxEnyttes xE prxFve. xE ha noen serixFs. diskusjon.. KulturrxEdet avlyser derfor konferansen om KNYTkunst og vil heretter bruke. statens penger pxE en bedre mxEte. Alle dere som har spammet kan. kanskje. tenke dere bedre om neste gang dere korrumperer den offentlige debatt.. Beklager til alle som ikke har postet under falsk navn men slik er det nxE. engang. Norsk KulturrxEd er en del av KNYTkunsten og nok er nok. Det er vi. som bestemmer her for xE sitere Erik eHesby. Vi har mange andre prosjekter. xE. bruke penger pxE bl.a. har Grethe eMelby og makteliten foreslxEtt. xE overta. pengene som ble satt av til KNYTkonferansen. Dette tror jeg er langt bedre. bruk av offentlige penger ogsxE i regionalpolitisk perspektiv hvilket jeg. tror JxFran eRudi tross alt ogsxE vil vxEre enig i. (Jeg skal ringe. ham. klokken. i morgen torsdag). Ha en god (og spamfri) dag vi sees vel alle ved en senere anledning.. Kanskje Per ePlatou og Atle eBarcleys finissage ved museet for. Samtidskunst. den .mai er en god anledning til xE treffes da slxEr vi vel to fluer. i ett. smekk sxE xE si.. Vennlig (men oppgitt) hilsen. Ragnfrid eStokke Norsk KulturrxEd. PS De av dere som er i Oslo kun for KNYTkonferansen kan gjerne komme. innom. for gratis garantert spamfri lunsj i Norsk KulturrxEds lokaler pxE Grev. Wedels. plass ca kl .. og. dine venner. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . identitet. . ee k u n s t . Re Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . identitet. Index(es). . ee k u n s t . identitet. . ee k u n s t . identitet. . ee k u n s t . identitet. This is a multipart message in MIME format.... ContentType textplain charsetiso formatflowed. ContentTransferEncoding bit. Beklager til alle som ikke har postet under falsk navn. Jeg vil pxE grunn av alt dette heretter bekrefte meg selv. ved at dette innlegget ogsxE er xE finne pxE min egen server. Dette gjelder hvert av mine innlegg fra nxE av sxE burde. ingen vxEre i tvil de fxE gangene jeg sier noe her.. Det er vi som bestemmer her for xE sitere Erik eHesby.. Vi har mange andre prosjekter xE bruke penger pxE bl.a.. har Grethe eMelby og makteliten foreslxEtt xE overta. pengene som ble satt av til KNYTkonferansen.. Jeg er enig i at konferansen avlyses og at pengene brukes. andre steder (enn i Oslo). Vis nxE f.eks. at det ogsxE kan. komme landsbygda til gode... og da ikke bare i ordene. regionalpolitisk perspektiv.. mvhjenseLalandbryne. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Avlysning av KNYTkonferansen. . ee k u n s t . . akt cameo ved en moderator. . ee k u n s t . Avlysning av KNYTkonferansen. . ee k u n s t . . akt cameo ved en moderator. Index(es). . ee k u n s t . . akt cameo ved en moderator. . ee k u n s t . . akt cameo ved en moderator. . ee k u n s t . . akt cameo ved en moderator. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding bit. Morsomt. Bare pxFs pxE.. Men fxFlg opp med litt xErlighet og forklar gjerne motiv og. mxElsetning. Av. hensyn til de abbonnenter som muligens ikke er innforstxEtt med. karakterenes. roller i dette teaterstykket.... Videre skjxFnner jeg ikke helt hvorfor Grethe eMelby og hennes husbond. JxFrgen. velger xE disse et prosjekt som etter alt xE dxFmme kommer fra deres. egen. stue. Tilgi meg hvis jeg tar helt feil det er svxErt mulig det men det skulle. ikke. mye detektivarbeid til fxFr jeg fant ut at IPnummer pxE de meldingene. som. satte. det hele i gang matcher opprinnelsen til meldinger sendt til bbbek.no av. samme grethe eMelby OG eMakteliteneMakt.no som sxEvidt jeg vet ogsxE. er. et. gretheprosjekt.. Sannsynlighetsovervekt for Grethe eMelby og hvis ikke er det noen som har. gjort sitt beste for xE fxE oss til xE tro at det er deg og dere.. Hvem du nxE er fxFlg opp pxE lista og de som er i Oslo pxE. seminar gjxFr det. samme. Referat fra lunsjpauseslarven takk.. ). mvh. kevin eFoust. Kevin Thomas eFoust. eKevineekunst.no. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . identitet. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . identitet. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. This is a multipart message in MIME format.... ContentType textplain formatflowed. Denne traaden ser sjeldent provinsiell ut. Bryne Bergen eller Grunerlokka spiller ingen rolle. Fra Berlin ser det. hele temmelig latterlig ut.. Har ikke eekunstnere i Norge noe bedre aa fordrive tiden med. hce. MSN with email virus protection service months FREE. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . . akt cameo ved en moderator. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . . akt cameo ved en moderator. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. Index(es). . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. INVITASJON. Mine synspunkter pxE diskusjonsnivxEet pxE denne listen skulle vere. godt kjent. i anledning Lyddusjskandalen. Jeg skal derfor fatte meg i korthet.. Notam stiller seg uforstxEende til det fravxEret av en relevant. kunstdiskurs. i Norge. Siden vi tar vxEr oppgave som premissleverandxFr til den norske. elektroniske kunstscenen pxE alvor griper vi anledningen og inviterer til. xEpent forum pxE Statens Kunstakademi i Oslo med tittelen. NxEr kunsten dxFr hva gjxFr kunstnerne. Vi har invitert professor i almenn estetikk ved UiO Arnfinn BxFRygg og. filosofen Lard Fr. H. Svendsen kjent fra bla. boken Kjedsomhetens. Historie.. Mvh. JxFran eRudi. NxEr kunsten dxFr hva gjxFr kunstnerne. Forum for relevant diskusjon og debatt. Statens Kunstakademi Oslo. .mai kl... Hotmail snakker ditt sprxEk. pxE. norsk i dag. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . kulturspamming. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . kulturspamming. Index(es). . ee k u n s t . kulturspamming. . ee k u n s t . kulturspamming. . ee k u n s t . kulturspamming. This is a multipart message in MIME format.... ContentType textplain charsetiso formatflowed. ContentTransferEncoding bit. Noe av det vi har sett pxE denne listen. i det siste kan like godt kalles. k u l t u r o n a n i. . .. (o)(o). .OOOooooOOO.. Oooo.. .oooO ( ). ( ) ). ( (. ). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . beMailHoaxed v.. . ee k u n s t . Re Re Re Re Re Hvilken �konomi eCantsin. . ee k u n s t . beMailHoaxed v.. Index(es). . ee k u n s t . beMailHoaxed v.. . ee k u n s t . beMailHoaxed v.. . ee k u n s t . beMailHoaxed v.

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. ee k u n s t . beMailHoaxed v.. This is a multipart message in MIME format.... xB xB xB xB xB xB xB xB xB xB xB. xB xB xB xB xB xB xB xB xB xB xB. xB xB xB xB xBxB xB xB xB xB xB. xB xB xB xB xB. xB xB xB xB xB xB xB xB xB xB. xB xB xB xB xB xB xB xB xB xB xB. xB xB xB xB xB xB xB xBxB xB xB. xB. xB xB xB xB xB xB xB xB xB xB xB. xB xB xB xB xB xB xB xB xB xB xB. xB xB xB xB xB xB xB xB xB xB xB. xB xB xBxB xB. xB xB xB xB xB xB xB xB xB xB xB. I forbindelse med KulturrxEdets KNYTkonferanse over to dager gjxFres. tilgjengelig for almen bruk. beMailHoaxed v.. med utvidet funksjonalitet for anledningen.. Denne versjonen vil vxEre tilgjengelig bare i konferanseperioden.. beMyGhost. .. mai. . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . .. . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . .. . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . .. . .. Norsk KulturrxEds konferanse om kunst og ny teknologi. Atelier Nord. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . kulturspamming. . ee k u n s t . Re HC eGilje. . ee k u n s t . kulturspamming. . ee k u n s t . Re HC eGilje. Index(es). . ee k u n s t . Re HC eGilje. . ee k u n s t . Re HC eGilje. . ee k u n s t . Re HC eGilje. This is a multipart message in MIME format.... berlin er nok mye bedre i saa maate beklager oppstyret her hjemme hce. ). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . beMailHoaxed v.. . ee k u n s t . Re Re HC eGilje. . ee k u n s t . beMailHoaxed v.. . ee k u n s t . Re Re HC eGilje. Index(es). . ee k u n s t . Re Re HC eGilje. . ee k u n s t . Re Re HC eGilje. . ee k u n s t . Re Re HC eGilje. This is a multipart message in MIME format.... xCrlig talt. Jeg syns slike uttalelser faller pxE sin egen provinsialitet.. Jorden er rund det betyr i realiteten at du er i sentrum uansett hvor du. er.. Grethe eMelby. her.. Denne traaden ser sjeldent provinsiell ut. Bryne Bergen eller Grunerlokka spiller ingen rolle. Fra Berlin ser det. hele temmelig latterlig ut.. Har ikke eekunstnere i Norge noe bedre aa fordrive tiden med. hce. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re HC eGilje. . ee k u n s t . Kulturspamming. . ee k u n s t . Re HC eGilje. . ee k u n s t . Kulturspamming. Index(es). . ee k u n s t . Kulturspamming. . ee k u n s t . Kulturspamming. . ee k u n s t . Kulturspamming. This is a multipart message in MIME format.... Jeg spurte sprxEkrxEdet om de kunne oversette culture spamming for meg.. Dette. er svaret jeg fikk. JxFran. Jeg viser til forelxFpig svar sendt fredag . mai.. Vi har hatt spxFrsmxElet liggende ute i Ordsmia siden da og det har. vxErt. noen fxE innlegg. (Uttrykket var framme i Ordsmia ogsxE i fjor.) I et. av. innleggene pekes det pxE at culture spamming har vxErt brukt pxE. norsk. Av. de forslagene som kom i Ordsmia nevner jeg ellers. mediestunt som etter mitt skjxFnn var det mest dekkende.. som. kaller seg The culture spammer's encyclopedia. Her mxFtte jeg en frodig. fauna av former for culture spamming pxE engelsk noe i retning av en. anarkistisk oppskriftsbok for aktivister. En av formene ble kalt. commerce spamming og det er vel kanskje dette dere i. KNYT driver med. Personlig syns jeg at noe med sabotering eller sabotasje burde. passe. Hva med kultursabotering eller kunstsabotering. Jeg hxFrer gjerne fra deg igjen hvis du har noen synspunkter pxE. dette.. Med hilsen. Dagny F. Simonsen. rxEdgiver. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re HC eGilje. . ee k u n s t . sts. . ee k u n s t . Re Re HC eGilje. . ee k u n s t . sts. Index(es). . ee k u n s t . sts. . ee k u n s t . sts. . ee k u n s t . sts. This is a multipart message in MIME format.... ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Kulturspamming. . ee k u n s t . hvem er jeg. . ee k u n s t . Kulturspamming. . ee k u n s t . hvem er jeg. Index(es). . ee k u n s t . hvem er jeg. . ee k u n s t . hvem er jeg. . ee k u n s t . hvem er jeg. This is a multipart message in MIME format.... Jeg er best paa teknikk men suger paa konsept.. hvem er jeg. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . sts. . ee k u n s t . Fwd FOOT project. . ee k u n s t . sts. . ee k u n s t . Fwd FOOT project. Index(es). . ee k u n s t . Fwd FOOT project. . ee k u n s t . Fwd FOOT project. . ee k u n s t . Fwd FOOT project. This is a multipart message in MIME format.... Start of forwarded message. Fwd FOOT project. Hello artists. Daniela Lewin asked me to spread around this call. I need your foot. Please print your foot on a cloth.. Free medium free size but not too big foots.. No deadline.. I will send my foot back to all contributors.. Thank you.. Send your foot art to. Daniela Lewin. Isabel la Catolica. Las condes Santiago CHILE. End of forwarded message. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . hvem er jeg. . ee k u n s t . Retro KNYT. . ee k u n s t . hvem er jeg. . ee k u n s t . Retro KNYT. Index(es). . ee k u n s t . Retro KNYT. . ee k u n s t . Retro KNYT. . ee k u n s t . Retro KNYT. This is a multipart message in MIME format.... Alt dette er gjort fxFr av andre for lenge siden i forrige xErtusen. og. fxFr det. Jeg husker godt feiden mellom klanene pxE hardangervidda. (temporxEr. autonom sone) rett etter siste istid de gikk i hverandres skinnfeller for. xE lure reinen eller noe. Dermed er alt dette ikke sxE interessant. lenger.. Noen har levd fxFr meg. For ikke xE snakke om alle andre som lever. samtidig. nxE. Hva skal vi med dem hva skal vi med oss Hvor gxEr vi egentlig. nxE. etter at kunsten og teknologien er gjennomkommersialisert og det eneste jeg. driver med er design og reklame. Nei jeg vet ikke alt var bedre fxFr enn. aldri.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Fwd FOOT project. . ee k u n s t .. . ee k u n s t . Fwd FOOT project. . ee k u n s t .. Index(es). . ee k u n s t .. . ee k u n s t .. . ee k u n s t .. This is a multipart message in MIME format.... ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Retro KNYT. . ee k u n s t . .. . ee k u n s t . Retro KNYT. . ee k u n s t . .. Index(es). . ee k u n s t . .. . ee k u n s t . .. . ee k u n s t . .. This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t .. . ee k u n s t . . . .. . ee k u n s t .. . ee k u n s t . . . .. Index(es). . ee k u n s t . . . .. . ee k u n s t . . . .. . ee k u n s t . . . .. This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no.

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. ee k u n s t . .. . ee k u n s t . . (o) (o). . ee k u n s t . .. . ee k u n s t . . (o) (o). Index(es). . ee k u n s t . . (o) (o). . ee k u n s t . . (o) (o). . ee k u n s t . . (o) (o). This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . . . .. . ee k u n s t . ..OOOooooOOO.. . ee k u n s t . . . .. . ee k u n s t . ..OOOooooOOO.. Index(es). . ee k u n s t . ..OOOooooOOO.. . ee k u n s t . ..OOOooooOOO.. . ee k u n s t . ..OOOooooOOO.. This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . . (o) (o). . ee k u n s t . .. . ee k u n s t . . (o) (o). . ee k u n s t . .. Index(es). . ee k u n s t . .. . ee k u n s t . .. . ee k u n s t . .. This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . ..OOOooooOOO.. . ee k u n s t . .Oooo.. . ee k u n s t . ..OOOooooOOO.. . ee k u n s t . .Oooo.. Index(es). . ee k u n s t . .Oooo.. . ee k u n s t . .Oooo.. . ee k u n s t . .Oooo.. This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . .. . ee k u n s t . . .oooO ( ). . ee k u n s t . .. . ee k u n s t . . .oooO ( ). Index(es). . ee k u n s t . . .oooO ( ). . ee k u n s t . . .oooO ( ). . ee k u n s t . . .oooO ( ). This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . .Oooo.. . ee k u n s t . . ( ) ). . ee k u n s t . .Oooo.. . ee k u n s t . . ( ) ). Index(es). . ee k u n s t . . ( ) ). . ee k u n s t . . ( ) ). . ee k u n s t . . ( ) ). This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . . .oooO ( ). . ee k u n s t . . ( (. . ee k u n s t . . .oooO ( ). . ee k u n s t . . ( (. Index(es). . ee k u n s t . . ( (. . ee k u n s t . . ( (. . ee k u n s t . . ( (. This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . . ( ) ). . ee k u n s t . . ). . ee k u n s t . . ( ) ). . ee k u n s t . . ). Index(es). . ee k u n s t . . ). . ee k u n s t . . ). . ee k u n s t . . ). This is a multipart message in MIME format.... ContentType textplain charsetusascii. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . . ( (. . ee k u n s t . en liten test av spamware.... . ee k u n s t . . ( (. . ee k u n s t . en liten test av spamware.... Index(es). . ee k u n s t . en liten test av spamware.... . ee k u n s t . en liten test av spamware.... . ee k u n s t . en liten test av spamware.... This is a multipart message in MIME format.... ContentType textplain charsetusascii formatflowed. . .. (o)(o). .OOOooooOOO.. Oooo.. .oooO ( ). ( ) ). ( (. ). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . . ). . ee k u n s t . l o s e r. . ee k u n s t . . ). . ee k u n s t . l o s e r. Index(es). . ee k u n s t . l o s e r. . ee k u n s t . l o s e r. . ee k u n s t . l o s e r. This is a multipart message in MIME format.... Contenttype textplain charsetISO. ContentTransferEncoding bit. hei. en eller annen festlig sjel har lekt meg pxE denne listen med adressen. hceGiljehotmail.com det er ikke min emailadresse.. hilsen. hc eGilje. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . en liten test av spamware.... . ee k u n s t . Re Re Retro KNYT. . ee k u n s t . en liten test av spamware.... . ee k u n s t . Re Re Retro KNYT. Index(es). . ee k u n s t . Re Re Retro KNYT. . ee k u n s t . Re Re Retro KNYT. . ee k u n s t . Re Re Retro KNYT. ContentType textplain charsetusascii. Alt tas ikke for like god fisk innen kryptozoologien.. Undervannsbilder av Loch Ness i vannmassene er i virkeligheten sterkt. retusjerte bilder av sjxFbunnen og bildet hvor man kan se hodet til. monsteret er en stubbe sier han.. Men er det noen av kryptodyrene som finnes pxE ordentlig. Ja. For eksempel Okapi en korthalsgiraff som lever midt i Afrika.. GuvernxFren i Uganda brukte xEr pxE xE lete etter den og. oppdaget den. endelig for cirka xEr siden.. Hei dere. Bare en bemerkning jeg xFnsker ikke xE ta del i denne trxEden.. Kunsthistorisk sxE har spam lange tradisjoner bakover det er riktig men. det stopper ikke der. Vi kan ogsxE se spam i lys av evolusjonsteori som en. suksessfull overlevelsestaktikk. Primitive soppvekster benytter spam det. samme gjxFr maneter og senere blekkspruter. Hva med amxFber Marius Og. nxE. danner det seg ogsxE et samlet bilde av egenskaper som beslekter de. forskjellige livsformer som benytter seg av spam. NxEr KNYT bruker spam. sxE. gjenoppstxEr eller gjenopplives disse eldre egenskaper som atavismer i en. avatistisk form dvs. som permutasjoner bxEde innholdsmessig formmessig og. bokstavlig.. Anne Lise. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. ContentType texthtml charsetusascii. nbspAlt tas ikke for like god fisk innen kryptozoologien.. nbspnbspnbsp Undervannsbilder av Loch Ness i vannmassene er i. virkeligheten sterkt retusjerte bilder av sjxFbunnen og bildet hvor man kan. se hodet til monsteret er en stubbe sier han.nbspnbspnbsp. Men er det noen av kryptodyrene som finnes pxE. ordentlignbspnbspnbsp Ja. For eksempel Okapi en. korthalsgiraff som lever midt i Afrika. GuvernxFren i Uganda brukte. xEr pxE. xE lete etter den og oppdaget den endelig for cirka xEr. xE lete etter den og oppdaget den endelig for cirka xEr

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ff px solidHei dereBare en bemerkning jeg xFnsker ikke. xE ta del i denne trxEden.Kunsthistorisk sxE har spam lange. tradisjoner. bakover det er riktig men det stopper ikke der. Vi kan ogsxE se spam i lys. av evolusjonsteori som en suksessfull overlevelsestaktikk. Primitive. soppvekster benytter spam det samme gjxFr maneter og senere blekkspruter.. Hva med amxFber Marius Og nxE danner det seg ogsxE et samlet bilde. av. egenskaper som beslekter de forskjellige livsformer som benytter seg av. spam. NxEr KNYT bruker spam sxE gjenoppstxEr eller gjenopplives. disse eldre. egenskaper som atavismer i en avatistisk form dvs. som permutasjoner bxEde. innholdsmessig formmessig og bokstavlig.Anne. Lise post distribuert via ee k u n s t. kontaktadresse listmastereekunst.nohr SIZE. . ee k u n s t . l o s e r. . ee k u n s t . Om aktivitetene p� lista denne uken. . ee k u n s t . l o s e r. . ee k u n s t . Om aktivitetene p� lista denne uken. Index(es). . ee k u n s t . Om aktivitetene p� lista denne uken. . ee k u n s t . Om aktivitetene p� lista denne uken. . ee k u n s t . Om aktivitetene p� lista denne uken. This is a multipart message in MIME format.... ContentType textplain charsetiso formatflowed. ContentTransferEncoding bit. Moderatorene har litt informasjon og noen anmodninger til brukerne av. eekunst. Vi har etter anmodning fra originalen fjernet en av de falske adressene som. har postet meldinger pxE eekunst de siste dagane. Hvis andre som har blitt. etterlignet xFnsker xE fxE fjernet sine dobbeltgjengere vil vi. selvsagt gjxFre. dette. Sist i denne posten (som PS) ligger det en liste med oversikt. over de falske postene og hvilke adresser de har blitt sendt. fra. Vennligst send oss en beskjed dersom du har forfalsket deg selv og. dermed nullet ut bedrageriet... ). Vi anser nxE at prosjektet har fxEtt lxFpe fritt lenge nok. Vi. kommer i lxFpet. av helgen til xE fjerne de falske adressene fra abbonnentlista.. Vi har tolerert denne aktiviteten med tanke pxE den kunstneriske. ytringsfriheten. xC avbryte disse meldingene fxFltes som om. vaktmesteren. skulle bryte inn i et teaterstykke og kaste alle skuespillerne ut. Men vi. vil gjenta vxEr oppfordring til den eller de som stxEr bak dette om. xE fxFlge. opp med xErlighet og litt forklaring. Hvis ikke dette skjer kan. handlingene de siste dagene framstxE som sabotasje av en serixFs. formidlings. og diskusjonskanal. Og det vil dermed kunne fxE fxFlger for hvordan vi. driver listen videre. Vi xFnsker ikke xE moderere hver eneste post til. lista men xFnsker heller at brukerne tar ansvar for egne handlinger. Dette. er til alles beste.. Men pxE den andre siden er det mulig at vi mxE fjerne meldinger fra. arkivet. pxE nettsidene til eekunst. Dette lar vi de etterlignede bestemme. Igjen. av hensyn til den kunstneriske ytringsfriheten vil vi la meldingene stxE. som de er men hvis noen av de berxFrte parter fxFler seg fornxErmet. av disse. meldingene etterkommer vi selvsagt eventuelle krav om fjerning.. Alternativene som vi gjerne kan diskutere pxE lista i ukene som kommer er. en klar merking av alle falske meldinger eller anonymisering av personnavn.. Vi har et offentlig tilgjengelig arkiv og det kan vxEre uheldig om personer. attribueres utsagn som er forfalsket. Vi tar med glede imot alle. synspunkter pxE denne saken gjerne som diskusjonsemne til lista.. Det er jo brukerne som er eekunst.. med vennlig hilsen. Kevin eFoust og Atle eBarcley. NB Jeg vil ogsxE beklage at Grete eMelby ble utpekt som opprinnelsen til de. fxFrste meldingene som kom. Dette har jeg fxEtt avkreftet. Kevin.. PS. Her fxFlger adressene som har postet falske meldinger til lista sammen med. dato og Subject pxE postene. erikeHesbyhotmail.com. Subject . ee k u n s t . Hvilken xFkonomi eCantsin. Subject . ee k u n s t . Re TILBAKE Re Re Re Re Re. Hvilken xFkonomi eCantsin. atleeBarcleyhotmail.com. Subject . ee k u n s t . Re Re Re Hvilken xFkonomi. eCantsin. perbjarneeBoymhotmail.com. Subject . ee k u n s t . Re Hvilken xFkonomi eCantsin. jannestangeDahlhotmail.com. From Janne Stang eDahl. Subject . ee k u n s t . Re Re TILBAKE Re Re Re Re. Re Hvilken xFkonomi eCantsin. perePlatouhotmail.com. Subject . ee k u n s t . Re Re Hvilken xFkonomi. eCantsin. bjornemagnhildoenhotmail.com. Subject . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. trondeLossiushotmail.com. Subject . ee k u n s t . TILBAKE Re Re Re Re Re. Hvilken xFkonomi eCantsin. jenseLalandhotmail.com. Subject . ee k u n s t . Re Re Den Digitale Maten. bjarneeKvinnslandhotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken xFkonomi. eCantsin. ragnfrideStokkehotmail.com. Subject . ee k u n s t . KNYTkunsten og Spamming. Subject . ee k u n s t . Re Re Re Re Re Hvilken xFkonomi. eCantsin. Subject . ee k u n s t . Avlysning av KNYTkonferansen. hceGiljehotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken xFkonomi. eCantsin. joraneRudihotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken xFkonomi. eCantsin. denne er antatt falsk abbonnent men har ennxE ikke postet. beateceronninghotmail.com. Og disse kommer fra enoemata's skjema (beMailHoaxed v.. From eMakteliten. Subject . ee k u n s t . beMailHoaxed v.. From Atle eBarcley. Subject . ee k u n s t . Re HC eGilje. From Grethe eMelby. Subject . ee k u n s t . Re Re HC eGilje. From JxFran eRudi. Subject . ee k u n s t . Kulturspamming. From StxEle eStenslie. Subject . ee k u n s t . sts. From Klas eCantsin. Subject . ee k u n s t . hvem er jeg. From Kristin eBergaust. Subject . ee k u n s t . Fwd FOOT project. From Marius eWatz. Subject . ee k u n s t . Retro KNYT. From Anne Lise eWullum. Subject . ee k u n s t . Re Retro KNYT. Disse kommer fra en annen spammer. From Per ePlatou. Subject . ee k u n s t .. From Jill Walker. Subject . ee k u n s t . .. From Kevin eFoust. Subject . ee k u n s t . . . .. From Charlotte eEspeland. Subject . ee k u n s t . . (o) (o). From JxFran eRudi. Subject . ee k u n s t . ..OOOooooOOO.. From RagnFrid eStokke. Subject . ee k u n s t . .. From Trond eLossius. Subject . ee k u n s t . .Oooo.. From Espen eGangvik. Subject . ee k u n s t . . .oooO ( ). From Erik eHesby. Subject . ee k u n s t . . ( ) ). From Jeremy eWelsh. Subject . ee k u n s t . . ( (. From Stein eSxFrlie. Subject . ee k u n s t . . ). Og forxFvrig har en av de etterlignede selv forfalsket en post for xE. etterligne sin egen etterligning. From Klas eeCantsin. Subject . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. listmastereekunst.no eeekunst.no. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Re Retro KNYT. . ee k u n s t . Re Retro KNYT. . ee k u n s t . Re Re Retro KNYT. . ee k u n s t . Re Retro KNYT. Index(es). . ee k u n s t . Re Retro KNYT. . ee k u n s t . Re Retro KNYT. . ee k u n s t . Re Retro KNYT. This is a multipart message in MIME format.... Hei dere. Bare en bemerkning jeg xFnsker ikke xE ta del i denne trxEden.. Kunsthistorisk sxE har spam lange tradisjoner bakover det er riktig men. det stopper ikke der. Vi kan ogsxE se spam i lys av evolusjonsteori som en. suksessfull overlevelsestaktikk. Primitive soppvekster benytter spam det. samme gjxFr maneter og senere blekkspruter. Hva med amxFber Marius Og. nxE. danner det seg ogsxE et samlet bilde av egenskaper som beslekter de. forskjellige livsformer som benytter seg av spam. NxEr KNYT bruker spam. sxE. gjenoppstxEr eller gjenopplives disse eldre egenskaper som atavismer i en. avatistisk form dvs. som permutasjoner bxEde innholdsmessig formmessig og. bokstavlig.. Anne Lise. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Om aktivitetene p� lista denne uken. . ee k u n s t . Jamming eller spamming. . ee k u n s t . Om aktivitetene p� lista denne uken. . ee k u n s t . Jamming eller spamming. Index(es). . ee k u n s t . Jamming eller spamming. . ee k u n s t . Jamming eller spamming. . ee k u n s t . Jamming eller spamming. This is a multipart message in MIME format.... Contenttype textplain charsetISO. ContentTransferEncoding bit. En lukket turnering Jamming eller spamming. Om siste ukes bevegelser pxE eekunstlisten. Dette har kanskje vxErt gxFyere fra et lokalt stxEsted hvor folk. kjenner. hverandre og gjerne vil kle seg ut som hverandre og gleder seg til xE. mxFtes. pxE konferanse.. SxEnn er det jo med kunst at det ogsxE kan bli et slags internt. ballspill.. Det lokale er genialt som utviklings og produksjonsforum for organiske. sosiale meningsdannelser. StxFrrelsesforholdene blir menneskelige ikke. sxE. smxE at det kommunikative gxEr tapt og ikke sxE store at det. personlige mxE. sorteres fra. PxE sitt beste kan da en reell energi lxFfte seg ut av det. lokale og konsentrere noen problemstillinger temaer eller danne. prinsipper. som er stxFrre enn seg selv og som kan oversettes til en annen lokal. virkelighet. Men det forutsetter at man er klar over sin lokale. avsenderposisjon og ikke automatisk betrakter den som en universell. standard.. NxEr utsagnene har lokale rollespillsavsendere i et fagfelt hvis viktigste. oppgave er xE skape mening (ogsxE ved sabotasje eller negasjon) hvilken. problemstilling er det som konsentreres. Jeg mener noen skrev i en biografi om Karen Blixen det gir stor og. voldsom. makt xE ikke vxEre en kvinne av sitt ord. xC se sprxEket som en. modellerbar. masse og ikke pxE noe som helst mxEte betrakte ordet for pxElydende.. Og hvis. man virkelig har noe xE si er det lett xE tilgi en av Blixens format og. i. Blixens tid for xE ty til pseudonymer og oppblxFting av sprxEklig. makt.. Som jeg ser det har den siste tids sludrende og sladrende. mailboxfylling. nok en gang kartlagt pxEstanden om at de sosiale strukturene er sxErbare. og. at. den subjektive posisjon stxEr som premiss eller kontekst for hvordan utsagn. skal forstxEs.. Kunst er aksjon ogeller reaksjon. Siden aksjonen her mest har virket som. en omgang kanonball blant venner velger jeg xE lese det som reaksjon den. tilstanden som angripessettes under kritikkmotbevises skulle i sxE fall. vxEre. sprxEket er rent hellig og usymbolsk En spade er en spade. verden er objektiv. Som Jesper Fabricius sier Hur kxEnns det at modernismen aldrig tar slut. Det er der det blir meningstomt for meg xE bokse mot modernismen igjen og. igjen. Noe mxE vi kunne enes om Livet er kort verden er stor og det er. helt. utrolig hvor forskjellig vi ser pxE det. Og det er virkelig spennende men. ikke bare enkelt.. Jeg fxFler at min tid har blitt kastet bort prosessen med xE lete meg. fram. til virkelige mails i innboksen og sjekke om mails er sendt fra hotmail. eller ikke. Den eneste lxFsning ble til slutt xE avfeie alle innlegg. som. vxErende falske og dermed ikke bxErxEr av konsekvens. Jeg liker ikke. xE. tvinges. til den type overfladiskhet og jeg tror kunsten taper mye kraft av det.. Veien ut fra dette kunstprosjektet er dessverre sammenfallende med veien. ut. fra et helt miljxFs aktiviteter som jeg ellers er interessert i. Jeg er. her. mer som publikummer enn som deltager sxE hvis eekunstlisten fxFrst og. fremst. er en skisseblokk for et lukket selskap sxE vil jeg selvfxFlgelig. respektere. det. Da er det ikke noen grunn for meg til xE vxEre her eller bli sur. for. bli. stengt inne i en kjedelig utstilling. Det blir bra xE hxFre hva resten. av. miljxFet mener.. Jeg xFnsker min hotmailkloning fjernet (imponerende nok med stavefeil i. fornavnet) og heller drite meg ut under eget navn.. Hilsen. Beathe C. eRxFnning. On eekunst Listemester. Moderatorene har litt informasjon og noen anmodninger til brukerne av. eekunst. Vi har etter anmodning fra originalen fjernet en av de falske adressene. som. har postet meldinger pxE eekunst de siste dagane. Hvis andre som har. blitt. etterlignet xFnsker xE fxE fjernet sine dobbeltgjengere vil vi. selvsagt. gjxFre. dette. Sist i denne posten (som PS) ligger det en liste med oversikt. over de falske postene og hvilke adresser de har blitt sendt. fra. Vennligst send oss en beskjed dersom du har forfalsket deg selv og. dermed nullet ut bedrageriet... ). Vi anser nxE at prosjektet har fxEtt lxFpe fritt lenge nok. Vi. kommer i. lxFpet. av helgen til xE fjerne de falske adressene fra abbonnentlista.. Vi har tolerert denne aktiviteten med tanke pxE den kunstneriske. ytringsfriheten. xC avbryte disse meldingene fxFltes som om. vaktmesteren. skulle bryte inn i et teaterstykke og kaste alle skuespillerne ut. Men. vi. vil gjenta vxEr oppfordring til den eller de som stxEr bak dette om. xE. fxFlge. opp med xErlighet og litt forklaring. Hvis ikke dette skjer kan. handlingene de siste dagene framstxE som sabotasje av en serixFs. formidlings. og diskusjonskanal. Og det vil dermed kunne fxE fxFlger for hvordan. vi. driver listen videre. Vi xFnsker ikke xE moderere hver eneste post. til. lista men xFnsker heller at brukerne tar ansvar for egne handlinger.. Dette. er til alles beste.. Men pxE den andre siden er det mulig at vi mxE fjerne meldinger fra. arkivet. pxE nettsidene til eekunst. Dette lar vi de etterlignede bestemme.. Igjen. av hensyn til den kunstneriske ytringsfriheten vil vi la meldingene stxE. som de er men hvis noen av de berxFrte parter fxFler seg. fornxErmet av. disse. meldingene etterkommer vi selvsagt eventuelle krav om fjerning.. Alternativene som vi gjerne kan diskutere pxE lista i ukene som kommer. er. en klar merking av alle falske meldinger eller anonymisering av. personnavn.. Vi har et offentlig tilgjengelig arkiv og det kan vxEre uheldig om. personer. attribueres utsagn som er forfalsket. Vi tar med glede imot alle. synspunkter pxE denne saken gjerne som diskusjonsemne til lista.. Det er jo brukerne som er eekunst.. med vennlig hilsen. Kevin eFoust og Atle eBarcley. NB Jeg vil ogsxE beklage at Grete eMelby ble utpekt som opprinnelsen til. de. fxFrste meldingene som kom. Dette har jeg fxEtt avkreftet. Kevin.. PS. Her fxFlger adressene som har postet falske meldinger til lista sammen. med. dato og Subject pxE postene. erikeHesbyhotmail.com. Subject . ee k u n s t . Hvilken xFkonomi eCantsin. Subject . ee k u n s t . Re TILBAKE Re Re Re Re Re. Hvilken xFkonomi eCantsin. atleeBarcleyhotmail.com. Subject . ee k u n s t . Re Re Re Hvilken xFkonomi. eCantsin. perbjarneeBoymhotmail.com. Subject . ee k u n s t . Re Hvilken xFkonomi eCantsin. jannestangeDahlhotmail.com. From Janne Stang eDahl. Subject . ee k u n s t . Re Re TILBAKE Re Re Re Re. Re Hvilken xFkonomi eCantsin. perePlatouhotmail.com. Subject . ee k u n s t . Re Re Hvilken xFkonomi. eCantsin. bjornemagnhildoenhotmail.com. Subject . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. trondeLossiushotmail.com. Subject . ee k u n s t . TILBAKE Re Re Re Re Re. Hvilken xFkonomi eCantsin. jenseLalandhotmail.com. Subject . ee k u n s t . Re Re Den Digitale Maten. bjarneeKvinnslandhotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken. xFkonomi. eCantsin. ragnfrideStokkehotmail.com. Subject . ee k u n s t . KNYTkunsten og Spamming. Subject . ee k u n s t . Re Re Re Re Re Hvilken xFkonomi. eCantsin. Subject . ee k u n s t . Avlysning av KNYTkonferansen. hceGiljehotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken xFkonomi. eCantsin. joraneRudihotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken xFkonomi. eCantsin. denne er antatt falsk abbonnent men har ennxE ikke postet. beatecronninghotmail.com. Og disse kommer fra noemata's skjema (beMailHoaxed v.. From Makteliten. Subject . ee k u n s t . beMailHoaxed v.. From Atle eBarcley. Subject . ee k u n s t . Re HC eGilje. From Grethe eMelby. Subject . ee k u n s t . Re Re HC eGilje. From JxFran eRudi. Subject . ee k u n s t . Kulturspamming. From StxEle eStenslie. Subject . ee k u n s t . sts. From Klas eCantsin. Subject . ee k u n s t . hvem er jeg. From Kristin eBergaust. Subject . ee k u n s t . Fwd FOOT project. From Marius eWatz. Subject . ee k u n s t . Retro KNYT. From Anne Lise eWullum. Subject . ee k u n s t . Re Retro KNYT. Disse kommer fra en annen spammer. From Per ePlatou. Subject . ee k u n s t .. From Jill Walker. Subject . ee k u n s t . .. From Kevin eFoust. Subject . ee k u n s t . . . .. From Charlotte eEspeland. Subject . ee k u n s t . . (o) (o). From JxFran eRudi. Subject . ee k u n s t . ..OOOooooOOO.. From RagnFrid eStokke. Subject . ee k u n s t . .. From Trond eLossius. Subject . ee k u n s t . .Oooo.. From Espen eGangvik. Subject . ee k u n s t . . .oooO ( ). From Erik eHesby. Subject . ee k u n s t . . ( ) ). From Jeremy eWelsh. Subject . ee k u n s t . . ( (. From Stein eSxFrlie. Subject . ee k u n s t . . ). Og forxFvrig har en av de etterlignede selv forfalsket en post for xE. etterligne sin egen etterligning. From Klas eeCantsin. Subject . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Retro KNYT. . ee k u n s t . Re Om aktivitetene p� lista denne uken. . ee k u n s t . Re Retro KNYT. . ee k u n s t . Re Om aktivitetene p� lista denne uken. Index(es). . ee k u n s t . Re Om aktivitetene p� lista denne uken. . ee k u n s t . Re Om aktivitetene p� lista denne uken. . ee k u n s t . Re Om aktivitetene p� lista denne uken. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding bit. opp med xErlighet og litt forklaring. Hvis ikke dette skjer kan. Torgeir eFjeld. Isn't the impact of the artistic object dependent on a correspondence. between the habitus of the producer and consumer of the object. Short answer No. I've just been teaching a course on romantic literature. and agreed it is difficult to get one's head around the idea that the. artist is gone when the artwork is perceived.. we were reading frankenstein. and one of the central points with this work is the repulsion the artist. (victor frankenstein) senses in confrontation with an actualized meaning. of. his own piece of art. i wonder if mary shelley might have thought in. analogous terms to parenting when the child is behaving in defiance of. the script it is tempting to act on a desire to remove the prodigy. but. after all the creature is no longer frankenstein's. it's meaning is. opened. and not necessarily privileged with notions on artistic intention.. this. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Jamming eller spamming. . ee k u n s t . Re Jamming eller spamming. . ee k u n s t . Jamming eller spamming. . ee k u n s t . Re Jamming eller spamming. Index(es). . ee k u n s t . Re Jamming eller spamming. . ee k u n s t . Re Jamming eller spamming. . ee k u n s t . Re Jamming eller spamming.

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This is a multipart message in MIME format.... ContentType textplain charsetISO formatflowed. ContentTransferEncoding bit. Veldig bra Beathe C.eR Hensikten med eekunst er nettopp og samle ulike. folk fra forskjellige fagfelt og ulike deler av landet Her er. kunstnere byrxEkrater teoretikere etc fra bildekunst musikk dans. teater her er eBergensere eStavangerfolk til og med en og annen. nordfra noen dansker og en svenske. Det er denne bredden som er. eekunsts potensiale.. mvh Atle. PS Det har vxErt en del henvisninger til at dette har blitt gjort fxFr.. fire eposter fxFr alle hadde forstxEtt poenget og kunstneren. selv hadde forstxEtt at alle hadde forstxEtt.... Det er noe med at det. som er morsomt en gang kanskje ikke er sxE morsomt nxEr det blir. repetert. mange ganger.. On lxFrdag mai at EuropeOslo Beathe C. eRxFnning. En lukket turnering Jamming eller spamming. Om siste ukes bevegelser pxE eekunstlisten. Dette har kanskje vxErt gxFyere fra et lokalt stxEsted hvor folk. kjenner. hverandre og gjerne vil kle seg ut som hverandre og gleder seg til xE. mxFtes. pxE konferanse.. SxEnn er det jo med kunst at det ogsxE kan bli et slags internt. ballspill.. Det lokale er genialt som utviklings og produksjonsforum for. organiske. sosiale meningsdannelser. StxFrrelsesforholdene blir menneskelige ikke. sxE. smxE at det kommunikative gxEr tapt og ikke sxE store at det. personlige mxE. sorteres fra. PxE sitt beste kan da en reell energi lxFfte seg ut av. det. lokale og konsentrere noen problemstillinger temaer eller danne. prinsipper. som er stxFrre enn seg selv og som kan oversettes til en annen lokal. virkelighet. Men det forutsetter at man er klar over sin lokale. avsenderposisjon og ikke automatisk betrakter den som en universell. standard.. NxEr utsagnene har lokale rollespillsavsendere i et fagfelt hvis. viktigste. oppgave er xE skape mening (ogsxE ved sabotasje eller negasjon). hvilken. problemstilling er det som konsentreres. Jeg mener noen skrev i en biografi om Karen Blixen det gir stor og. voldsom. makt xE ikke vxEre en kvinne av sitt ord. xC se sprxEket som. en modellerbar. masse og ikke pxE noe som helst mxEte betrakte ordet for. pxElydende. Og. hvis. man virkelig har noe xE si er det lett xE tilgi en av Blixens format. og. i. Blixens tid for xE ty til pseudonymer og oppblxFting av sprxEklig. makt.. Som jeg ser det har den siste tids sludrende og sladrende. mailboxfylling. nok en gang kartlagt pxEstanden om at de sosiale strukturene er. sxErbare. og at. den subjektive posisjon stxEr som premiss eller kontekst for hvordan. utsagn. skal forstxEs.. Kunst er aksjon ogeller reaksjon. Siden aksjonen her mest har virket. som. en omgang kanonball blant venner velger jeg xE lese det som reaksjon. den. tilstanden som angripessettes under kritikkmotbevises skulle i sxE. fall. vxEre. sprxEket er rent hellig og usymbolsk En spade er en spade. verden er objektiv. Som Jesper Fabricius sier Hur kxEnns det at modernismen aldrig tar. slut. Det er der det blir meningstomt for meg xE bokse mot modernismen igjen. og. igjen. Noe mxE vi kunne enes om Livet er kort verden er stor og det. er helt. utrolig hvor forskjellig vi ser pxE det. Og det er virkelig spennende. men. ikke bare enkelt.. Jeg fxFler at min tid har blitt kastet bort prosessen med xE lete meg. fram. til virkelige mails i innboksen og sjekke om mails er sendt fra. hotmail. eller ikke. Den eneste lxFsning ble til slutt xE avfeie alle innlegg. som. vxErende falske og dermed ikke bxErxEr av konsekvens. Jeg liker. ikke xE. tvinges. til den type overfladiskhet og jeg tror kunsten taper mye kraft av det.. Veien ut fra dette kunstprosjektet er dessverre sammenfallende med. veien ut. fra et helt miljxFs aktiviteter som jeg ellers er interessert i. Jeg. er her. mer som publikummer enn som deltager sxE hvis eekunstlisten fxFrst. og. fremst. er en skisseblokk for et lukket selskap sxE vil jeg selvfxFlgelig. respektere. det. Da er det ikke noen grunn for meg til xE vxEre her eller bli sur. for bli. stengt inne i en kjedelig utstilling. Det blir bra xE hxFre hva. resten. av. miljxFet mener.. Jeg xFnsker min hotmailkloning fjernet (imponerende nok med. stavefeil i. fornavnet) og heller drite meg ut under eget navn.. Hilsen. Beathe C. eRxFnning. On eekunst Listemester. Moderatorene har litt informasjon og noen anmodninger til brukerne av. eekunst. Vi har etter anmodning fra originalen fjernet en av de falske. adressene som. har postet meldinger pxE eekunst de siste dagane. Hvis andre som har. blitt. etterlignet xFnsker xE fxE fjernet sine dobbeltgjengere vil vi. selvsagt. gjxFre. dette. Sist i denne posten (som PS) ligger det en liste med. oversikt. over de falske postene og hvilke adresser de har blitt sendt. fra. Vennligst send oss en beskjed dersom du har forfalsket deg selv. og. dermed nullet ut bedrageriet... ). Vi anser nxE at prosjektet har fxEtt lxFpe fritt lenge nok. Vi. kommer i. lxFpet. av helgen til xE fjerne de falske adressene fra abbonnentlista.. Vi har tolerert denne aktiviteten med tanke pxE den kunstneriske. ytringsfriheten. xC avbryte disse meldingene fxFltes som om. vaktmesteren. skulle bryte inn i et teaterstykke og kaste alle skuespillerne ut.. Men vi. vil gjenta vxEr oppfordring til den eller de som stxEr bak dette om. xE. fxFlge. opp med xErlighet og litt forklaring. Hvis ikke dette skjer kan. handlingene de siste dagene framstxE som sabotasje av en serixFs. formidlings. og diskusjonskanal. Og det vil dermed kunne fxE fxFlger for hvordan. vi. driver listen videre. Vi xFnsker ikke xE moderere hver eneste post. til. lista men xFnsker heller at brukerne tar ansvar for egne handlinger.. Dette. er til alles beste.. Men pxE den andre siden er det mulig at vi mxE fjerne meldinger fra. arkivet. pxE nettsidene til eekunst. Dette lar vi de etterlignede bestemme.. Igjen. av hensyn til den kunstneriske ytringsfriheten vil vi la meldingene. stxE. som de er men hvis noen av de berxFrte parter fxFler seg. fornxErmet av. disse. meldingene etterkommer vi selvsagt eventuelle krav om fjerning.. Alternativene som vi gjerne kan diskutere pxE lista i ukene som. kommer er. en klar merking av alle falske meldinger eller anonymisering av. personnavn.. Vi har et offentlig tilgjengelig arkiv og det kan vxEre uheldig om. personer. attribueres utsagn som er forfalsket. Vi tar med glede imot alle. synspunkter pxE denne saken gjerne som diskusjonsemne til lista.. Det er jo brukerne som er eekunst.. med vennlig hilsen. Kevin eFoust og Atle eBarcley. NB Jeg vil ogsxE beklage at Grete eMelby ble utpekt som opprinnelsen. til de. fxFrste meldingene som kom. Dette har jeg fxEtt avkreftet. Kevin.. PS. Her fxFlger adressene som har postet falske meldinger til lista. sammen med. dato og Subject pxE postene. erikeHesbyhotmail.com. Subject . ee k u n s t . Hvilken xFkonomi eCantsin. Subject . ee k u n s t . Re TILBAKE Re Re Re Re Re. Hvilken xFkonomi eCantsin. atleeBarcleyhotmail.com. Subject . ee k u n s t . Re Re Re Hvilken xFkonomi. eCantsin. perbjarneeBoymhotmail.com. Subject . ee k u n s t . Re Hvilken xFkonomi. eCantsin. jannestangeDahlhotmail.com. From Janne Stang eDahl. Subject . ee k u n s t . Re Re TILBAKE Re Re Re Re. Re Hvilken xFkonomi eCantsin. perePlatouhotmail.com. Subject . ee k u n s t . Re Re Hvilken xFkonomi. eCantsin. bjornemagnhildoenhotmail.com. Subject . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. trondeLossiushotmail.com. Subject . ee k u n s t . TILBAKE Re Re Re Re Re. Hvilken xFkonomi eCantsin. jenseLalandhotmail.com. Subject . ee k u n s t . Re Re Den Digitale Maten. bjarneeKvinnslandhotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken. xFkonomi. eCantsin. ragnfrideStokkehotmail.com. Subject . ee k u n s t . KNYTkunsten og Spamming. Subject . ee k u n s t . Re Re Re Re Re Hvilken. xFkonomi. eCantsin. Subject . ee k u n s t . Avlysning av KNYTkonferansen. hceGiljehotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken. xFkonomi. eCantsin. joraneRudihotmail.com. Subject . ee k u n s t . Re Re Re Re Re Hvilken. xFkonomi. eCantsin. denne er antatt falsk abbonnent men har ennxE ikke postet. beatecronninghotmail.com. Og disse kommer fra noemata's skjema (beMailHoaxed v.. From Makteliten. Subject . ee k u n s t . beMailHoaxed v.. From Atle eBarcley. Subject . ee k u n s t . Re HC eGilje. From Grethe eMelby. Subject . ee k u n s t . Re Re HC eGilje. From JxFran eRudi. Subject . ee k u n s t . Kulturspamming. From StxEle eStenslie. Subject . ee k u n s t . sts. From Klas eCantsin. Subject . ee k u n s t . hvem er jeg. From Kristin eBergaust. Subject . ee k u n s t . Fwd FOOT project. From Marius eWatz. Subject . ee k u n s t . Retro KNYT. From Anne Lise eWullum. Subject . ee k u n s t . Re Retro KNYT. Disse kommer fra en annen spammer. From Per ePlatou. Subject . ee k u n s t .. From Jill Walker. Subject . ee k u n s t . .. From Kevin eFoust. Subject . ee k u n s t . . . .. From Charlotte eEspeland. Subject . ee k u n s t . . (o) (o). From JxFran eRudi. Subject . ee k u n s t . ..OOOooooOOO.. From RagnFrid eStokke. Subject . ee k u n s t . .. From Trond eLossius. Subject . ee k u n s t . .Oooo.. From Espen eGangvik. Subject . ee k u n s t . . .oooO ( ). From Erik eHesby. Subject . ee k u n s t . . ( ) ). From Jeremy eWelsh. Subject . ee k u n s t . . ( (. From Stein eSxFrlie. Subject . ee k u n s t . . ). Og forxFvrig har en av de etterlignede selv forfalsket en post for xE. etterligne sin egen etterligning. From Klas eeCantsin. Subject . ee k u n s t . Re Re Re Re Hvilken xFkonomi. eCantsin. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n s t . Re Om aktivitetene p� lista denne uken. . ee k u n s t . Re Om aktivitetene p� lista denne uken. Index(es). BB Svar til norsk kunstner. BB Svar til norsk kunstner. BB Svar til norsk kunstner. KjxEre norsk kunstner. eMakteliteneMakt.no takker for Deres forslag og ser til tross for endel. tegn pxE manglende kunstnerisk skjxFnn et visst potensiale i Deres. kunstprosjekt.. Tatt i betraktning at nevnte personer i Deres brev etter all sannsynlighet. vil eller burde delta pxE Norsk kulturrxEds konferanse om kunst og ny. teknologi i mai kan det vxEre hensiktsmessig xE invitere kunstfeltet. til. denne type virtuell maskerade De her antyder. eMakteliteneMakt.no er. inneforstxEtt med at det innen dette vesle sosiale feltet kunst og ny. teknologi finnes et betydelig behov for xE fxE luftet ut omrokkert. ja. rent generelt tatt seg en liten virtuell svingom. Til dette ser Deres. foreslxEtte prosjekt ut til xE vxEre sxErdeles velegnet.. Der er imidlertid viktig xE understreke at ingen av de nevnte personer har. makt(selv om de gjerne mxEtte finne pxE xE beskylde hverandre for. xE ha det). og derfor vil det vxEre rent ut sagt forferdelig feil om de skulle besitte. posisjonen eMakt.no.. SpxFrsmxElet er om det for publikum kan vxEre av stxFrre. interesse xE vxEre. feks. Harald Enerud Randi BjxFrgen Terje Rogne Terje Thon Jennie. Johnsen Jan KxEre Berntsen Trond Mohn Anne Grete Ellingsen Ingeborg. Swensen Olav Hytta Helge Leiro Baastad eller Torild Skogsholm.. Vi respekterer likevel Deres valg av masker men foreslxEr at maskene. plasseres der de hxFrer hjemme nemlig ved mindre betydningsfulle. omrxEder. som feks. de ulike digitale gratistjenester der hvem som helst hvor som. helst kan fxE adresse som f.eks hos Deres egen Hotmail.. Dersom dette skulle vxEre i orden og De ikke ser noen grunn til xE. avlyse. den vesle maskeraden De her har invitert til setter vi i gang med Deres. kunstneriske forsxFk om et par dagers tid.. KjxEre Elite. Vi xFnsker xE komme med fxFlgende forslag til maktfordeling. Dere hopper vi ruller rundt. Eller Dere ruller rundt vi hopper. Med. lukkede xFyne. Men uten strikk.. med. tilhxFrende passord til en rekke emailadresser med navnene til kjente. aktxFrer i et felt preget av makt og maktutxFvelse for sxE xE. invitere. maktutxFvere de makteslxFse de maktsyke (de som er smittet av. maktvirus) og den gemene HOP til xE bli med pxE et maskemaktspill.. Man kan ta pxE seg masken som en webmailadresse er og agere som en av. personenemaskene vi har valgt.. Av felt som kan vxEre interessante er kunstfeltet det mest pxEfallende. da. det er innen dette feltet maktprosjektet har hentet sin stxFtte og derved. mxE innhente sin anerkjennelse. Vi vil derfor foreslxE at makteliten. oppretter rundt emailadresser innen feltet eekunstsamtidskunst og. annonserer at debattene er igang i forkant av KulturrxEdets. xErskonferanse. den . og . mai.. Eksempler pxE mailadressermailmasker er. bjarne.eKvinnslandeMakt.no. jeremy.eWelsheMakt.no. ragnfrid.eStokkeeMakt.no. per.bjarne.eBoymeMakt.no. joran.eRudieMakt.no. trond.eLossiuseMakt.no. gisle.eFroyslandeMakt.no. grethe.eMelbyeMakt.no. jorgen.eLarssoneMakt.no. kristin.eBergausteMakt.no. marit.ePaascheeMakt.no. erik.eHesbyeMakt.no. stale.eStenslieMakt.no. atle.eBarcleyeMakt.no. espen.eGangvikeMakt.no. siljeeMakt.no. a.s.eHammereMakt.no. eobrantseMakt.no. gunnar.eLiestolmakt.. no gisle.eHannemyreMakt.no. etug.powertecheMakt.no. helene.eLocalmotiveseMakt.no. I tillegg tror vi det er hensiktsmessig xE opprette kontoen. detirakiskefolkeMakt.no. Det er ofte hensiktsmessig xE ha noen utenfra. som kan sette problemstillinger i perspektiv og hva er vel mer utenfra enn. det irakiske folk. PxE norsk.. Vi takker for invitasjonen og hxEper vxErt forslag blir tatt imot med. den. entusiasme og maktisk glede det fortjener. Honorar kan diskuteres men. idxEen er allerede solgt ved dette skriv.. Vennlig hilsen. Norsk Kunstner. og dine venner. . ' '' .. . . .. BBbek.no. ee k u n s t Re folk art eMakt.no. . ee k u n s t . Hvilken �konomi eCantsin. ee k u n s t Re folk art eMakt.no. . ee k u n s t . Hvilken �konomi eCantsin. Index(es). xE. og ny. teknologi samt en rekke viktige aktxFrer innen det digitale kunst og. kulturfeltet. eekunstneren er i denne sammenheng den som pxE en eller. annen. mxEte forholder seg til elektroniske medier. Med andre ord er alle. kunstnere invitert.. NxEr makten skal deles er det fxFrst og fremst tenkt via epost og. smxE. at vedleggene er forwardvennlige altsxE noe man tror de fleste ville sende. videre til venner og bekjente.. Med den nye teknologien har makten blitt digital. Dette medfxFrer at makten. kan kopieres i et uendelig antall og at den ved hjelp av digitale. nettverk blir distribuert pxE helt nye mxEter. Resultatet er at alle kan. fxE. makt. Dette stxEr i sterk motsetning til fxFr da makten var forbeholdt. noen. fxE og ble distribuert via sentaliserte kanaler.. I tillegg xFnsker eMakteliteneMakt.no at eekunstnerne kommer med flere. forslag til hvordan makten kan spres via digitale nettverk.. obs kort frist Forslaget mxE vxEre eMakteliteneMakt.no i hende innen. fredag. .mars .. Antatte bidrag honoreres.. . ' '' .. . . .. BBbek.no. ee k u n s t Re folk art eMakt.no. ee k u n s t Re folk art eMakt.no. Index(es). ee k u n s t Re folk art eMakt.no. ee k u n s t Re folk art eMakt.no. ee k u n s t Re folk art eMakt.no. Tror du man kunne mobilisere feks eHesby eller andre for xE kanonisere. Amfotofiklinger til kunst. Feks Pompel og Piltgalleriet pxE AM.... genialt. men kanskje et uttrykk for noe.. (i allfall hadde det vokst pxE xE. blitt blxEst opp i stort format) Jeg tenker pxE det som en form for. Folk Art pxE linje med Grandma Moses og hva de nxE heter de som. sxEvidt. har greid xE brodere og snekre seg inn i kunsthistorien.. Hva skal til for at Samtidsmuseet kjxFper hele serien. Kanskje du kan spxFrre makteliten eMakteliteneMakt.no makt e liten (jeg. tror eeliten prxFvde. xE poste en invitasjon til eekunstlisten forleden men uten hell). Send forslag til makteliten de honorerer ting de antar er bidrag og har. kontakter inn i. Samtidsmuseet. tror jeg. snakket med eBoym igxEr tilfeldigvis (sjef for samtdsmuss (ifrob.. dx konserten. ifm net.art utstillngen der kurert av pePlatou sjekk ut) eBoym mente. kunsten mxE ha en. sensuell side det er jo ganske folkelig sxE hvorfor ikke.. Jeg likte f.eks. AM pompel og piltsedlene.. Hm her er en ide til edemokratisering smxE bildevedlegg av norske mynter. og sedler i. naturlig stxFrrelse. En umiddelbar form for cybercash en. betalingslxFsning. for internett ogsxE. kanskje evt. kan man lossykomprimere pengene kr jpgkomprimeres til. kr for xE ta. hxFyde for devalueringen ifm distribusjonen via eMakt.no og desentralt.. NxEr. disse myntene. forwardes og multipliseres fxEr vi en kjedebrevaktig verdixFkning som. makteliten ogsxE kan. gjxFre greie for i tekst send dette videre og du xFker norges. kulturelle. kapital for dette er. vel en slags kulturpenger i en annen betydning avmonopoliserte penger. virkelig maktlag. dine egne.. jeg tar gjerne evt. honorar i .pngpenge. Hvordan blir det med ansvaret. forresten For dokumentfalsk Hvis den enkelte er anvarlig for egen. forwarding Tar makt. ansvar ogsxE. (lykke til). mvh. sftrck unlmt.. ps invitasjonen fra eMakt.no. hfgh finner den ikke er det et maktprobelem at inboxen allerede har. mail med. uleste. kan eMakt.no hjelpe til xE avlaste inboksen til ekunstnere hvordan vet jeg. ikke... et. statement alle ulest mail i din innboks tilhxFrer eMakt.no Trykk OK.... hh. NxE fins det ogsxE som vi har sett allerede en del roboter pxE. eekunst. kanskje designet for xE. holde innboksen ryddig autoreply jeg er ikke her jeg er et annet sted. det er derfor jeg. svarer deg for hvis jeg var her ville jeg ikke hatt tid... ds. dette var et bidrag antagelig dvs et antatt bidrag.. jeg kunne skannet inn mynter og sedler for dere men har verken eller. skanner nu jeg fann. forresten en tixFring inni sofaen idag det var litt rart et hyggelig. gjensyn med den lille. tixFringen etc etc. Jeg setter min lit til at makteliten har makt og midler. til xE sette disse. eKronene inn i sirkulasjon. det kan kanskje slxE an ville vore morosamt. iallfall ikkje. sant. ds. xE. og ny. teknologi samt en rekke viktige aktxFrer innen det digitale kunst og. kulturfeltet. eekunstneren er i denne sammenheng den som pxE en eller. annen. mxEte forholder seg til elektroniske medier. Med andre ord er alle. kunstnere invitert.. NxEr makten skal deles er det fxFrst og fremst tenkt via epost og. smxE. at vedleggene er forwardvennlige altsxE noe man tror de fleste ville sende. videre til venner og bekjente.. Med den nye teknologien har makten blitt digital. Dette medfxFrer at makten. kan kopieres i et uendelig antall og at den ved hjelp av digitale. nettverk blir distribuert pxE helt nye mxEter. Resultatet er at alle kan. fxE. makt. Dette stxEr i sterk motsetning til fxFr da makten var forbeholdt. noen. fxE og ble distribuert via sentaliserte kanaler.. I tillegg xFnsker eMakteliteneMakt.no at eekunstnerne kommer med flere. forslag til hvordan makten kan spres via digitale nettverk.. obs kort frist Forslaget mxE vxEre eMakteliteneMakt.no i hende innen. fredag. .mars .. Antatte bidrag honoreres.. post distribuert via. ee k u n s t nettverk for kunst og ny teknologi. postadresse eekunstkunst.no. BB Svar til norsk kunstner. BB Svar til norsk kunstner. Index(es). Attention Web Browser Upgrade Required to View MSN.comAttention Web Browser. Upgrade Required to View MSN.comIf you are seeing this page we have detected. that the browser that you are using will not render MSN.com correctly.. Additionally you'll see the most advanced functionality of MSN.com only with. the latest version of Microsoft Internet Explorer or MSN Explorer. If you wish. visit MSN.com please select the appropriate download link below.Internet. Explorer for WindowsInternet Explorer for MacintoshMSN Explorer for. Windows Microsoft Corporation.All rights reserved.Terms of. UseAdvertiseTRUSTe Approved Privacy StatementGetNetWise. SelfAnnihilating Sentences S. Gorn. SELFANNIHILATING SENTENCES. Saul Gorn's Compendium. Of Rarely Used Cliches. First Revised Edition. Saul Gorn. Technical Report MSCISO. January. Department of Computer and Information Science. The Moore School. University of Pennsylvania. Philadelphia PA. Table of Contents. . Judgments. . Attitudes. . Complaints. . Decisions. . Commands. . Advice. . Ethical Truths. . The Way of the World. . Descriptions. . Definitions. . Eternal Truths. . Judgments. This book fills a muchneeded gap.. People who like this sort of thing will fmd it just the sort of thing they like.. Abraham Lincoln. Oh the majesty of French Justice which forbids rich and poor alike to sleep. on park benches. Anatole France. I enjoy your company most when I am by myself.. This man's work cannot be underrated.. Way down deep he's shallow.. Before they made him they broke the mold..

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Anyone who goes to a psychoanalyst should have his head examined.. Samuel Goldwyn. That's a real step forward into the unknown.. Right or wrong it's a message. I feel a lot more like I do now than I did when I came in.. This is generally useful but not especially.. For every honest man he names I can name another who tells the truth.. That was a typographical errorit should have been a blank space.. Only unsolvable problems are worthy of artificial intelligence.. The UFO's show than our worst fears were groundless.. You don't think so eh That's your trouble You don't think. He's a unique type.. The future isn't what it used to be.. You have the distinction of being the only one who is not exceptional.. I am certain of it but I may be wrong.. You have one choice.. This report contributes a lot to the problem.. Anyone who reads this is illiterate.. Acupuncture is pointless.. Essentially is essentially meaningless.. The solution makes the problem more difficult.. At the moment your suggestion has a permanent place.. It's too late.. It's probably a lot worse than it is.. She ran the gamut of emotions from A to B.. He's being pruned for the job.. You've outdone yourself as usual.. It was the only undistinguished wine in the lot.. The AvantGarde is Passe.. While these results may seem rather trivial their importance cannot be. underestimated.. Our product is best because all the others are average.. Even though I don't say so I think you stink. There's more to photography that meets the eye.. If you think about it long enough you'll see that it's obvious.. She's genuinely bogus.. . Attitudes. Anyone who always tells the truth is a big liar.. The main trouble with impossibility is that it is never total.. If there's anything I can't stand it's intolerance.. How can anyone show so little understanding as to be indignant. I want to hear the voice of the great silent majority.. Richard Nixon. There is no other language but French.. I am going to be healthy if it kills me.. My only reason for mentioning it is that it is irrelevant.. I didn't hear that.. The only attitude I trust is skepticism.. Every Tom Dick and Harry is called John.. Our lack of cooperation is mutual.. I'd give my right arm to be ambidextrous.. If I don't see you again auf wiedersehen. Life should have a purpose however meaningless.. We will hear from one person at a time and that means me. Always expect to be disappointed and you won't.. Anyone who can make a shot like that doesn't deserve it.. If everything goes perfectly something's wrong.. Suicide is a way of life.. What keeps me going is my inertia.. There's nothing new in originality.. Down with propaganda. I am surrounded by paranoiacs. Thinking is the last thing on my mind. Activity is a waste of time. I have become more optimistic and now believe that things could get worse.. English is the Lingua Franca par exellence. If it involves me I want nothing to do with it.. I absolutely refuse to be assertive.. A little pain never hurt anyone.. . Complaints. I am a firm believer in optimism because if you don't have optimism what else. is there. Public transportation is so shocking to the individual that it should only be. done in private.. Why should I consider your questions when you don't even know the answers. The trouble with you is that there's nothing wrong with you.. The only subway car fit to travel is a private one.. Just because I have nothing to say is no reason why you shouldn't listen.. How do you expect me to do something original if you won't tell me what. The last time I took advice it only worked because I changed it.. How do you expect me to ignore you when you're never around. Health foods make me sick.. I've told you a million times not to exaggerate.. Please I can only ignore one thing at a time.. At the last technical meeting I attended so much went on that I was. underwhelmed.. Every man who owns one borrowed it.. None of my close friends has a close acquaintance.. I don't want to do whatever I want. The last time I saw him he wasn't there.. I can't stand people who look down on people who look down on people.. If he were alive today he'd turn over in his grave.. If a man can't get away from himself from whom can he get away. If everybody is to be heard we must hear from one person at a time and that. means me.. The trouble with him is that I don't have anything against him.. I may be omniscient but don't expect me to know everything.. Our advance is so rapid that we are falling farther and farther behind.. All our emergencies are normal.. Whenever I look for something it's always in the last place I look.. We have worked ourselves into a frenzy of lethargy.. How disagreeable of you to agree with me. If God intended man to understand the human mind he wouldn't have given him. one. If I had known how successful I was going to be I wouldn't have worked so hard. when I was young. He neglected to disregard the problem.. I gave you an unlimited budget and you have already exceeded it. He hasn't a single redeeming vice. Oscar Wilde. I can tell those twins apart only when they're together.. I am not contradicting you.. The discerning eye is a pain in the neck. You'll live to regret this when I have you shot. I'm never at my best.. . Decisions. Just tell me what you need and I'll see to it that something ought to be done. This subject is so important that I'd like to see it deserve considerable study.. This presents us with an insurmountable opportunity.. Let's decide right now whether you or I will be competitive.. I won't hesitate for a moment to avoid answering. I am myself and I'm going to continue to play that role. Richard Nixon. I have something to say but I don't know what.. Let's decide right now whether I will adapt to you or you will adapt to me.. The executive committee proposes the following compromise make it optional for. those who want it and required for those who don't.. You don't stand alone. I also stand alone. I'm an atheist thank God.. I swear to make no promises I cannot keep.. The time has come to rise above principles.. Include me out. Samuel Goldwyn. Let us do for a second time what we refused to do at first. This will avoid. setting a precedent.. I would much rather prefer to be noncommittal.. We can't get a volunteer army unless we draft it.. We must find a general representative for the mavericks.. Having lost sight of our goal we must redouble our efforts.. Since the quorum lacks five members we must adjourn this meeting.. Our inequities must be equally shared.. We will proceed on the assumption that nothing will be done.. I will now predict an unanticipated result.. Emergency service provided only with twentyfour hours notice.. The answer is maybe and that's final. Before I begin my speech there's something I want to say.. All emergencies will henceforth be deferred. We will keep on fighting until the violence ends. I'm not leaving the party until I get home. He won thumbs down.. . Commands. Hips on shoulders place As you were Can't be done hips down. Do as much as you can But you probably won't be able to.. Ignore this sign.. Be consistent or be inconsistent but don't vacillate.. We have a general rule that each case be handled differently.. We must be decisive but on the other hand.... Your job is to discover independently and prove scientifically that my product. is the best on the market.. You will do original basic research and you'll do it in the area I tell you to. or I'll know the reason why. Don't forget to return before you leave.. Destroy before reading.. When I want your opinion I'll tell you what to say.. What transpires at this meeting must not leak out.. Wake up it's time for your sleeping pill.. You may steal this from me.. Henceforth you will keep your communications to yourself.. This bridge must be gapped. Authorized parking is forbidden. Be brief no matter how long it takes.. Get with it Become alienated. Men women and children first.. A preposition must not be used to end a sentence with.. This exercise demands intense relaxation.. Be different conform. Disregard any further announcements disregard any further announcements.. In restrictive clauses thatis that word which should be used instead of. which.. See also Definitions.. Never say never.. be read by unauthorized people only.. . Advice. Whether you mean it or not be sincere. No one can complain who has not been lost and never heard of again.. It pays to buy things you dislike. They last much longer.. If you don't know why ask. Be realistic Ask the impossible. Research administrators should support artificial intelligence. After all what. have they to lose. Food ration cards must be tasteful.. Don't give up hope. There's a chance the inevitable won't happen.. If you want to be certain about the unpredictable use statistics.. The probability is one but don't count on it.. The best time to do a full day's shopping is in the morning.. The best cure for insomnia is to get a lot of sleep.. W.C. Fields. If you want to think independently you must imitate me.. It's a great activity for someone who doesn't have to do it.. Precision is a fuzzy concept.. Every ambitious man should be modest.. No more wine or women but you may sing all you want to.. If anything is on your mind get it off your chest.. If you must do it inadvertently at least do it right.. We should utilize the word use more often.. Survival is important but don't stake your life on it.. It's about time we returned to the status quo.. Always use rather than instead of instead of.. Don't be so proud of your humility. You should get in on the ground floor before the program gets off the ground.. . Ethical Truths. If you don't say no it doesn't matter to whom.. Every man has the right to quote himself provided he gives himself due credit.. If you're going to be idealistic it might as well be about something that's. practical.. You're confused What presumption Only important people have the right to be. confused.. One shouldn't be naive without a good reason.. An insane asylum cannot be a success if it is run by sane people.. If you are not prejudiced you just don't understand.. Only crooks deceive themselves into thinking they are a tiny minority.. Superstition brings bad luck.. . The Way of the World. If people could be paid to die for us they'd get rich.. All men are brothers like Cain and Abel.. Graduate work is not so important as it used to be and never was.. A good set of vital statistics can affect one's whole past.. A good system can transform complexity into chaos.. Like everybody else I'm different.. If you knew what was going on you'd be very confused.. Some of my best friends are prejudiced.. It is my opinion that there is no such thing as thought.. Any truth doesn't tell the half of it.. Religion loses its meaning as soon as it's explained.. Reasons for existence are usually provided for things which do not exist they. would be wasted on things which do.. It's frightening to think of how many things were completely useless until they. were discovered. Any dope can have a high I.Q.. In absolute monarchy any leader can be a fool but in absolute democracy any. fool can be a leader.. Confusion is understandable it is understanding that is confusing.. We have developed a tradition in the arts in which every worthwhile work is. groundbreaking.. Only variables remain constant.. Whatever the reason that's why they do it.. A profession is stable only if its problems are unsolvable otherwise it gives. way to technological obsolescence.. He claims he knew her before she was a virgin.. Statistics show that statistics can't be trusted.. No University can maintain a shred of unity unless its professors continue to. argue.. An unexpected effect that universal education has on the labor market ignorance. has become so rare that it commands a high salary.. In the U.S. the only ones who know their place are at the top.. When it comes to giving some men stop at nothing.. It's amazing how we can do things simultaneously like talking and not. listening.. If you're not behind in your work you're just not moving ahead.. Every outstanding person is misunderstood.. Competition for the apathy prize is keen.. Everybody is discriminated against equally.. Nostalgia is the wave of the future.. I saw him do it when no one was looking.. Transience is here to stay.. In the U.S. the people not in a minority are in a minority.. If you expect to sell what you make you must also fabricate information about. it.. The only certainty is that there is nothing certain.. Pliny the elder.

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. Descriptions. This fact is clear to those who know it.. The pirate skeletons at Disneyland are very lifelike.. He's a real patriot. He fearlessly enters any patriotic competition that offers. a prize.. Not having to get there is as good as a day in the country.. He's better in general but not particularly.. Half the lies they tell about me are true.. I used to be conceited but now I'm perfect.. It's the sort of place you wouldn't think twice about passing without a second. glance.. As long as I live I'll never forget what'shername.. Words are incapable of describing what I am about to tell you.. It is no illusion that wide ties make the face look wider.. No one goes there anymore it's too crowded.. He's a nut about mental health.. We're home at the usual time for a change.. This species has always been extinct.. He knew everything but that's all.. He's deliberately unconscious.. Every once in a while it never stops raining.. From here on down it's up hill all the way.. He's a specialist in everything.. He's a typical man of distinction.. He turned up missing.. Nickels are a dime a dozen.. I remember exactly when I forgot it.. He survived a terminal illness.. No sounds much more positive than negative.. They are unscrupulously honest.. ...to coin a cliche.. It will go on ad infinitum for a while.. He disappeared from nowhere.. He was cured posthumously.. The bubble has burst to some extent.. The proper physical view of the universe is as a conservative system but it. began with a big mistake.. We Scorpios don't believe in astrology.. Yesterday tomorrow was the day after tomorrow.. See also Eternal Truths.. In our law school malpractice is of academic interest.. . Definitions. A formalist is a man who can't understand a theory unless it is meaningless.. Monism is the theory that anything less than everything is nothing.. A reactionary is a man who wants to face the past with confidence.. That is that word which should be used instead of which.. Inflation is an economic device by which each man can make more than the next.. A University is a community in which people make a living by taking in each. other's brain washing.. Data is plural.. The objectives of a system are the features one objects to.. . Eternal Truths. No man can die properly without experience.. No matter where you go there you are.. No two things are the same no matter how you look at them.. Show me an honest man and I'll show you a man who tells the truth.. An artist without paints can't paint unless he has a canvas.. Everything that exists has a good reason for existence which has long since. disappeared.. All simplifying assumptions are too complicated.. If your father was sterile the same is probably true of you.. A swaybacked horse doesn't have to sag.. Any truth is an underexaggeration.. The impossible is cumulative.. Tomorrow which isn't even here yet will never be the day after tomorrow again.. See also Descriptions.. Death is a onceinalifetime experience.. If you remember something too long you might as well forget it.. Social Entropy () Progress is doomed to failure because we have become immune. it.. Social Entropy () Failure must progress because we become used to it.. distinguish the real from the unreal one must experience both.. Science vs. Technology We should know why things must act as they do to make. them act as we want them to.. Determinism vs. Free Will We should know why we must act as we do to make us. act as we want us to.. Reality is an illusion.. Things are more like they used to be than they are now.. log .. log. is missin nzc le byqf A MBWquotNSebz gb V j. noemata. ... log .. log. orgswen. noemata. ... sraosha Sroshdifferent one became same you us With the loan name orchange. noemata. ... eht ni )O( enozO. acebebfafbfbmbarOSN bmbar. ehtni )O( enozO .enozo yb desuacsserts tnalp etacidni ot. metsysrevolc etihWtuodekrow erew reyal enozo eht otesir evig taht. smsinahcemlacimehcotohp ehTOpen source Java OO DBMS whichincludes a. onlineresource on using ozone fortherapeuticpurposes.. noemata. ... log Noemata.net. olso tgerden dron reileta miehdnort tgsnnamp�jk sket olso. tgerden dron reileta oc kenp negreb tgstdnus c keb OLSO. .peD skobtsoP teirellaglanojsan �SMORT skobtsoP. muesumtsnuk ksrondroN ssom y�lej bp f irellag olsO. .tgsuhd�R SKU olsO N neievsdnalegreW suH senrentsnuK OLSO. murtneS skobtsoP teesuM yelnraeF purtsA olso nessalpknab. teesumsditmas neddokiv�h retnestsnuk datsnoeineh postbox. Maria Futura Hel Dialoger vol Fra UNG galleri F. repository.. Release of chtonline A chtonian textscrambler and chat browser. Hello World plagiarism. isnot. Release of Lab Ur Integer hypertext synthesizer nihiloger (Novel. Prelease of Chtonline textscrambler chatbrowser. BB bek mailing list. ekunst elektronisk kunst norden. �pen kunstliste norden. culturejammers adbusters norge. syndicate. spectre new media. iuoma mail art. nettime. arc.hive. fluxlist. efn Elektronisk Forpost Norge. ascoo spam art. Logaritmic timeline of the universe (robotwisdom). README .. Software Art Festival May Helsinki. 'Neologizmos' 'Probnicate' 'Tweakment' (Pseudodictionary). Mailing Lists lists.copyleft.no. Skrevet i Stein a net.art archeology the national museum for contemporary. art oslo norway. Evolution of the freest Daniel C. Dennett. log Noemata.net. Telefonnummer. Fakturanummer. Faktura dato. Forfallsdato. Kundenummer. E. INV. .. .. TJENESTE. PERIODE. SUM. Samtaleavgifter. Spesialnummer. .. .. Innenlands. .. .. NetComs nett. .. .. Tekstmeldinger. .. .. GPRS data. .. .. Total. Faste avgifter. M�nedsavgift. .. .. war of error. Til fasttelefon. On Valry's notebooks (The New Criterion). blurB Man Corridor Translated bok (i Kunstnett Galleriet). Steve Thaler's creativity machine (New Scientist). After Rhizome (V. Kovacevic). Selfawareness and selfabsorption paradox (Science Consciousness Review). QuickView on Software Art (Runme.org). Bloggle (Twoogle). observing the SHUTTLE crew that survived (cryptoimagining). Enoch Soames Soames.com ES. Resource Center. Culture Jamming (Mark Dery). A glance at taoism anarchism luddism (tao.ca). memetics.co.uk. The mentalenvironmental movement (Adbusters). Human Nature and Its Future (bioethics.gov). NANOFESTIVAL V.. Extreme short web movies and software art (grt.mpg). Golliksd music concrete and ambient. Phenomenology Online. Spoons collective mailing lists. Net Art Links (Reinhold Grether). The edition encyclopedia. djbyhand julie andrews bootleg session (radiomp). Today's Calendar and Clock Page. lastfawned misc found artifacts (curator van Doubt). Edward Tufte information design. Visible earth searchable imgs (NASA). log Noemata.net. Man is a mere coffee mill. Kaspar is dead. comfort that's snuff to skull. ascii string. MNHQUADY.. Gullmund han gj�nge seg i gjestebostoga inn. aa r�ven drive gj�sanne i hielofte inn.. Fyst �t 'en upp dei alle fy utta den gr�.. antiart asciiart. chance and automation. FOLDOC Free online dictionary of computing (offline). unstable digest vol. Metaepi' European Borkism Tour and other works. Introduction to Literary Theory (colorado.edu). IUOMA TAM mailart (Ruud Janssen). Usenet Norge. mIEKAL aND texts hypermedia art. Pauli Exclusion Principle Why You Don't Implode (AstroPix). subsol articles on net.art activism media. Leftcurve magazine on crisis of modernism. Deleuze and Guattari web resources. furtherfield new media site. momiom inc. audio release for empty floppy device. texturl digital text webbed text URLed text. Physics news. Interviews on emerging sciences (frontwheeldrive). Edge.org science philosophy c magazine. Kolofon utgi b�ker 'ondemand'. Perseus Digital Library. Mark graphics gallery. blakearchive.org.uk. First Monday internet journal. Usenet Norge info. demonstrata faksimiler OCR scanner art. log Noemata.net. This is the subject of the text. Direct Marketing tools ay. ReLook Great Feel Great naturally. won big bwuynwatacxju czo. Protect your computers information. Prescriptions written and filled online US doctors. Fioricet Soma Buspar Prozac and more Prescribed Online. Money to your PayPal repetitively nonstop. Watch Items for promotion. Best Rates. e. WeIcme to the freaKlEst show on Earth Etreme. live better feel better. US Prescriptions Overnighted To Your Doorstep d. Ever leave your woman wanting for more NEVER AGAIN. Men End those Embarrising Moments jkhrhp a. Bibliomania online literature. keith johnstone impro guru. Your dreams may not be your own (reclaim.laiv). Dawkins' callous universe (Guardian). On photographic memory (Sci.Am). Stonewater drawings. WMAP Resolves the Universe (Astropic). Romanticism and Complexity essay on Blake and chaos theory. Visions of Xanadu Paul Otlet () and Hypertext. criticalartware v... software as art as software. Fundamentals of Human Neuropsychology PDF textbook. Crick Koch's A new Framework for Consciousness (SC). RRE News Service (Phil Agre) all URLs since '. TranslesionSoundworks from Translesion partly in mono. Electrohype nordic computer art center. Code as environment (artificial paradises). The Electronic Labyrinth on hyperbooks ca '. Re Nettimebold HELLO ASCIIFRAUDS. Mobility art concept projects (spontan.netlinks). Conscious objector (Guardian). Ray Johnson a critical collage (George Brett). Pleonastiske Dager (via H�vard) see also Kettleday. A nigerian fraud email gallery (Potifos.com). Muxandies Several crankcoded audioworks from Muxandies. august highland's hyperliterary fiction. log Noemata.net. for (ii for (jj if (ij . and ij .). print ij .ij.n. .. .. ZNC v. . browser (Peter Luining CtrlAltDel). Get paid while you're dead. REQUEST FOR EMAIL TRANSACTION. NRK Programmer TV Gudstjenesten. e k u n s t. e k u n s t har funnet kroppsdeler fra astronautene (Dagbladet). Re minutes of conquests Rethinking Wargames e k u n s t droplifting. e k u n s t droplifting. ambient pieces. A patron saint for the internet (Wired). YOU CAN'T COPY ME (). e k u n s t Re STUDIES IN TACTICAL MEDIA (From Mail Art to Net.art). Re syndicate URGENT ASSISTANCE DPR. Telefonlotto (Mille). �hexture ascoo. photoSTATIC magazine retrograde archive (Detritus.net). unop works in different audio formats from Unop. Fitness generator Distributed Hangover And More. radio.mu. thextyle. textile ��'. e k u n s t Re Lazy Web twURLing (NRK). e k u n s t Re mat.html (mat.html loads of). Resonance FM web radio. tty gallery. log Noemata.net. HHHHHNN NNNNNNNNHHN NNHHHHHHHH. HHHHH HHHHNMMMMNNNNN HHNNNHHHHHH. HHNNNHHH HNNNNNMMMMNN NNHHHHNHHHHHH. HHHN NNNHHHNNNNNNNM. MNNNNHH HHHHHHHHH. NNHHHHHHHNNNNN MNNNHHHNNNNNNMM. HHQUUQQUA UHHHNHHHHHHHNNNNNNM. DDAU QQQHHHHHNNNNNNM. .DAUQ HHHNNHHHNM. .AQHNNNNHHNM. entries found for Silly (Dictionary.com wpopups). Anthony Judge Union of International Associations. SeatSale License to Sit (Steve Mannwearcam via EFN). Blitz og 'mangfold' (NRK). S�tt mediadrama Debuthopp i Holmenkollen (Dagbladet). Asceticism and Society in Crisis (via The Online Books Page). deprogramming.us goofy artware. a noemata mail art archive. Dawkins Genes work just like computer software (TimesOnline). The Kraken Poem by Tennyson. king.dom.defluxus hosting fluxlist parole Aporee �therlands fmwalks. Flashback News Agency. Grafitti.no. S�kbar norsk fotodatabase (Galleri NorNasjonalbiblioteket). Net.Art Connexion net.art database. Dreams in Artificial Intelligence (Mind.). Universal truths (Guardian). The Philosophers Magazine. Golden Ratio .... (Guardian). RedsEecroSSroUTe. log Noemata.net. You desire to LIVE according to Nature Oh you noble. Stoics what fraud of words Imagine to yourselves a being like. Nature boundlessly extravagant boundlessly indifferent without. purpose or consideration without pity or justice at once. fruitful and barren and uncertain imagine to yourselves. INDIFFERENCE as a powerhow COULD you live in accordance with. such indifference BGAE. Mixing of Particulate Solids Radio ambient streams. Radio Hard Disk nice midi stream rendered from harddisk files. Groups Art. magh ambient lowercase noise sound material. The Travesty Corporate PR InfoMixer (Plagiarist.org). ubuweb aspen ethnopoetics. 'Idea hamster' 'Out of the box' (BBC ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index). Imperial science (via Art Letters Daily). The Gertrude Stein Reader collection of esoteric shortform writing (Seattle. weekly). Guides on electronic publishing security intellectual property c (Caslon. Analytics). Windsor Castle Art wisdom humour extracts and lore. Nice intro to binary issues (Kerryr.net). The Straight Dope (QA columns from Cecil Adams). Juke Kellykek Records. Pinhole glasses for vision improvement (pic). Folkoutsider art (interestingideas.com). Timeline of knowledgerepresentation (Robot wisdom). sraosha GSJR RYHCHFD. The age of manipulation shift from a religious to a therapeutic worldview. (spiked). log Noemata.net. and we are fundamentally inclined to maintain that the falsest opinions. (to which the synthetic judgments a priori belong) are the most. indispensable to us ..without a constant. counterfeiting of the world by means of numbers we could not. live. GX JupitterLarsen's OnLine Amathopaedia. Experiments with Dreams Leif Elggren (Letter to King Juan Carlos). The Kingdoms of ElgalandVargaland consisting of border territories. Lnkarkiv (fajaf.digitalrice.com). Intellectual property issues (Negativland). ascii prn figlet server. Afterlife Beliefs May Have Biological Basis (ascribe). Pieter Bruegel Gallery. POKEY THE PENGUIN cartoon. A Visionary Sound Arts Interface links. Musicsound of the magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt. poortour.com. Net.Art Certification Office. INTERNET TEXT Alan Sondheim. Action becomes Art Performance in the Context of Theatre Play Ritual and. Life Gran Sonesson. The necessity to disappear about Walter Serner. Azimute.org critical theory philosophy reviews translations.... Actcharon Plew Thus. Anetologymmmm Noemata.net. Weblog II. Weblog. e k u n s t Re mat.html. Nyttig og r�ff versjon jeg kan legge til et eneb�r i h�yre hj�rne og tagge. det. v. s� rax. som lumig Jeg er ikke s� flink med mat varmet p�lser i en vannkoker idag.. Jeg antar kg. betyr at substansen skal v�re i fast form fryst mekanisk. komprimert el.. MANDELFROMAGE. kg vann. liter vann eventuelt hasseln�tter. kg melis. ss revet ost (kan sl�yfes). litt r�dvin. Kna til en jevn deig. Kok opp under omr�ring. Anrett med b�ndspaghetti og. persilledusker.. ANITAS L�RDAGSRISOTTO. ss paprikapulver (skoldet). ss salt. ts rug. en halv marsipangris. Ha i en bolle og kj�r i mixmaster til skummet avtar. Stekes lett p� svak. varme. Prikk lett. i skorpen med gaffel. Anrett i dype tallerkener.. En fordel med mat er at alt bare skal r�res sammen ingen vits i � tenke. struktur (s�vidt jeg. vet). Men se gjerne oppscripten p� oppscripten View Source kan vi ha. browsere. som fungerer. som mixmastere som koker opp htmlen under lett omr�ring osv. Bj.. From Jostein Lien. To Kent MantiesEljot. SubjectRe. hey. bra tittel. fine bouncy rytmer (sj�llaga) bra mixa men kommer ikke helt. i. julestemningh�ytidsnirvana av den munkinga i bakgrunnen der.. en forsiktig start p� oppscriptshefte vedlagt (jfr).. fritt fram for � mukle med ingredienser og framgangsm�ter.. koden er litt rotete. som alltid.. kan evt. ogs� kopiere oppskriftene nedover ( stk ) p� sida fiffe. opp. med litt. eneb�r og julepynt og gi ekunstlista i julegave. ellernoes�nt. Original Message. From Kent MantiesEljot. To Jostein Lien. Sent Wednesday December PM. dj byhand med julesingalong smells like ten spirits.mp. Decoded attachment(s). . mat.html. Til forlagsansvarlig.. En sjanger som krever liten innsats og n�rmest kan lages p� samleb�nd. er kokeb�ker. Man tager et skj�nnsomt og skj�del�st utvalg av. eksisterende oppskrifter gjerne innenfor en bestemt genre s�nn som. lodne desserter pikareske gr�nnsaker protesemarsipan osv.. stapper dem i s�kerstatt mixeren og tilsetter et personlig preg Kok. opp erstattes med Det bobler margarin erstattes med harsk snus. og hver . oppskrift f�r en ekstra idiosynkratisk ingrediens som. s�rmerker boken f.eks. pean�ttsm�r.. Billedleggingen kan ogs� sendes ut til vilk�rlige oppdragsgivere. temaet b�r v�re Mat ute av fokus Mat allerede spist Kokken. sitter p� retten Rosinen i p�lsa i barndommen. nil. WEED LICHEN ICE CHEST FOREARM OTHER DISGUISE DELIMIT.. post distribuert via. e k u n s t nettverk for kunst og ny teknologi. postadresse ekunstkunst.no. windowsQReFirenyeutstillingerEpnerpEMuseetforsamtidskunst.januar. onwfPPGNghfUbGwdFx. ContentType textplain charsetwindows. Brevkunsten til mailartbevegelsens far RAY JOHNSON vises i The Name of the. Game en utstilling som fokuserer p� egennavnets betydning og kunsten som. sosial aktivitet.. Noemata.net benytter anledningen til � videreblurbe blurB i et postmodus s�nn. i. ettertanke. attertenke endofkunstnettgallerietc. iogmed koblingen til mailart og verket. som et. korrespondanseverk av tr�der vev graf korridorverk av ganger. overgangundergang u c. ...kunsten som asosial aktivitet eller den samme sosialitetasosialitet. internett gj�r mulig. intim avstand detachment dystachment ping ekunst.no millisekund. there. mailartmfs . ma ter i al dokumentasjon fra nettverksaktivitet samtidig. finnes. f� spor av. 'akt�ren' inni der det er stadig den andre og den andre har sporene hans.. Distribuert ut. og er kun en netthinne for alt annet et hull og postego som er �yet og. speilet inn en. verden av korridorer flytgrafer og mellomrom. Arkiveringsm�ter PAeiRiL. Iamentities. postal. konvolutten TWIST COIL mlrt verket er ikke umiddelbart gitt du m�. sprette opp. konvolutten for � f� tilgang som om destruksjonen av formen er n�dvendig for. innholdet at. det f�rst f�r identitet gjennom � �delegge sin representasjon og ytterside.. blurb mailart en �penbaring. har ventet p� at mailart skulle legges ut i. �revis. Kj�per. det for utvaskede monopolpenger. Parlamentet inneholder freaks. gilgamesh. underverden sp�kelse join the dots blurbstamps (aggrandizing ur name). seriene med. bubolicifisert bucolic nasjonalromantik (s�kalt bububocolic ) er ogs� fine. sp�kelse. lysbilder. En dobbeltwestern med gilga og enkidu genialt. ogs� mye f�dsel d�d. Internettkunst kan faktisk betraktes som et nytt kapittel i den. kunsthistoriske. utviklingen. med forl�pere som mailart hvor publikum ikke reiser til kunsten men kunsten. reiser til. publikum.. A men samtidig blurb og pr av deg personlig det er hele tiden ditt. navn p� konvoluttene.. B konvolutt og tom form blurB det er ikkemeg et navn. kommer utenfra. referansene skifter retning twist coil.. A du markedsf�rer deg tungt som Ingen i en odysse antar stadig andre. navn etc. navn etc

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B tsk antiontokommodifisering vare navn. egofugal fuge konvolutt som mellomleggspapir.. Noen. Noter. MAIL ART to . Democratic art as social sculpture. thesis by Michael. Lumb. PAeiRiL Iamentities. Mail art. Noemata.net mail art archive. Documentation from mail art activities. by Bjrn Magnhilden.. Donated to. Research library Forskningsbiblioteket. National Museum of Contemporary Art. Museet for samtidskunst. Oslo Norway. ... Noen eksemplarer av boken blurB. Man Corridor Translated er fortsatt. tilgjengelig. Deler av blurB. Man Corridor Translated gis ogs� ut i bokform. Verket. reprodusert sider. i nummererte og signerte eksemplarer.. Boka er gratis for privatpersoner for institusjoner NOK pr. eks. og kan. bestilles fra. meg.. nn. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. Kent MantiesEljot. OK. instant fame inc.. Yours Blatantly. pm. B.M. taggingmodernism. Lucus a non Lucendo. An etymological contradiction. The Latin word lucus means. a. dark. grove but is said to be derived from the verb luco to shine. Similarly our. word black (the. AngloSaxon bl�c) is derived from the verb bl�can to bleach or whiten.. onwfPPGNghfUbGwdFx. ContentDisposition attachment. filenametrystero.jpg. ContentType imagejpeg. ContentTransferEncoding Base. jAAQSkZJRgABAgEAZABkAADQlmUGhvdGzaGwIDMuMAAQklNAA. AAAAABAAZAAAAAEAAQBkAAAAAQABOEJJTQPzAAAAAAAIAAAAAAAAAAAQklN. 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PxWpTVHhezPFVszuZzObMwTUtWERDUUDAdEGBDIAiOGARCaJGVV. VddDWbYQTjDYOYEFySQUumOuOaPcdMdNqIRnEhnIDilGXchN. NfprsdKdSknlJhmSyTWpWobBpDotrmnSUIgEeKdrNdIkrCEIQ. JqVrTQWnRSgiACyFOqBClSKqKFUfSCbsQFfBAzQuEQPEHByigZcUQ. NFFJgzhMUUdEQJwQKhQPEAxNOiITFVTfooDLqhpGLphpShqLHIOim. PzREnoiJPuimASKqJoDVXTZqdOiaRBKKjUFkVPXHKTsPRaEZSM. RCogCXfvUEutEUwIykAKiGZkhDzkDzUdMDBHREDkYBFRqcEDqoBUH. SpqoGCBVBmVELNCLgJsgTnFAZuxSrhhdEMNKqIlooEZOSixTW. iqMFcxWpSBknsREZSAborAExzNaBuHoUCeOCKRykYiIeWTYopSZdk. iPQBvFQLKQXeioUSCaFKJDBqAfuhhUAnAFQGURigYEZFwoHKTUVTEMxw. NFGkgVEFGxVEctPaCoYDUUDvWigVwSvHXZEYBWKApWXjeKxYicUV. KCoRxKyIjEKxaZeUqSKBKzRcwQjxtKYOiyEcFVMKIhLFVaVzgok. TtoUXMVYRGXBZWJBUAwVKlbwUZpfxFFRliEWPQ. onwfPPGNghfUbGwdFx. Re e k u n s t Re Lazy Web twURLing. Saken om webtwURLinglat nettkunst har allerede f�tt noe oppmerksomhet i media.. I en artikkel. publisert p� KPUNKT Ps program for kunst og kultur kaller de det en ny. kunstform litt. dr�yt kanskje... men takk likevel.. Det juridiske aspektet referert til under er ikke nevnt forel�pig.. KPUNKT NRK P. TORSDAG REPRISE FREDAG. mvh. Bj.. Lazy contextual netart. Idag TwURLing tweaking the URL.. Terrorkrigen VHSLars. Tar du avstand fra bin Laden. Det kan jeg godt gj�re Jeg kan kritisere sier Krekar og sl�r ut med armene.. Alltid moro Mulla Krekar. TwURLing kan v�re en sjanger for late nettkunstnere. Nettsteder som benytter. seg av. dynamiske. publiseringssystemer gj�r det ofte mulig for en bruker � generere innholdet. browseren viser. ved � leke med adresse og parametre i URLfeltet.. Vi kan lage en URL hvor NRK direkte kobler Mulla Krekar til terrorkrigen. Hva mener NRK med disse artiklene Pressekonferansen til Krekar presenteres. som. en parodi. og. samtidig som en del av terrorkrigen. Betyr det at NRK oppfatter terrorkrigen. som en parodi. eller. S� lenge dette er gyldige URLer til innhold som ligger p� NRKs webserver ville. en bruker som. kommer inn f.eks. via en referanse i email weblog el. ikke kunne vite om. innholdet er. twURLet eller ikke. Og er NRK fortsatt juridisk ansvarlig for artiklene De. b�r. de vel v�re. Hvis twURLeren er heldig kan han kanskje dekonstruere et nettsted med dets. eget. innhold.... doubletalk dabbletalk. nn. Kent MantiesEljot. ((parantes. (akkurat n� nederst p� siden . dec.). Jan Brainflower.com. Perhaps the first manifestation of a Lazy Webstyle application. Og s� er det linker til diskusjon etc med det de kaller Lazy Web.. nn er kanskje lazy.art kontekstkunst all ideas no funding la andre gj�re. jobben eller. la. den gj�re seg selv 'g� ut og gi deg selv et spark bak'.... )). xposting efnkunst.no. Sympathizing would fix Quaker objectives. Pack my box with five dozen liquor. jugs. Jackdaws. love my big sphinx of quartz. The five boxing wizards jump quickly. How. quickly. daft jumping. zebras vex. Dub waltz nymph for quick jigs vex.. post distribuert via. e k u n s t nettverk for kunst og ny teknologi. postadresse ekunstkunst.no. kontronymer st� st�t st�tt alternerende positiv og negativ. og bru brud. brudd. post distribuert via. e k u n s t nettverk for kunst og ny teknologi. postadresse ekunstkunst.no. Re Lazy Web twURLing. Saken om webtwURLinglat nettkunst har allerede f�tt noe oppmerksomhet i media.. I en artikkel. publisert p� KPUNKT Ps program for kunst og kultur kaller de det en ny. kunstform litt. dr�yt kanskje... men takk likevel.. Det juridiske aspektet referert til under er ikke nevnt forel�pig.. KPUNKT NRK P. TORSDAG REPRISE FREDAG. mvh. Bj.. Sol har ogs� litt slapp sjekk f�r de slenger sitt eget navn p� toppen.... artikkel. N�r jeg posta denne p� irc med en litt annen side enn snabelalf.org. under s� var det par som slapp haka litt og begynte � surfe p� sol for �. finne original artikkelen ). Lazy contextual netart. Idag TwURLing tweaking the URL.. Terrorkrigen VHSLars. Tar du avstand fra bin Laden. Det kan jeg godt gj�re Jeg kan kritisere sier Krekar og sl�r ut med armene.. Alltid moro Mulla Krekar. TwURLing kan v�re en sjanger for late nettkunstnere. Nettsteder som benytter. seg av. dynamiske. publiseringssystemer gj�r det ofte mulig for en bruker � generere innholdet. browseren viser. ved � leke med adresse og parametre i URLfeltet.. Vi kan lage en URL hvor NRK direkte kobler Mulla Krekar til terrorkrigen. Hva mener NRK med disse artiklene Pressekonferansen til Krekar presenteres. som. en parodi. og. samtidig som en del av terrorkrigen. Betyr det at NRK oppfatter terrorkrigen. som en parodi. eller. S� lenge dette er gyldige URLer til innhold som ligger p� NRKs webserver ville. en bruker som. kommer inn f.eks. via en referanse i email weblog el. ikke kunne vite om. innholdet er. twURLet eller ikke. Og er NRK fortsatt juridisk ansvarlig for artiklene De. b�r. de vel v�re. Hvis twURLeren er heldig kan han kanskje dekonstruere et nettsted med dets. eget. innhold.... doubletalk dabbletalk. nn. Kent MantiesEljot. ((parantes. (akkurat n� nederst p� siden . dec.). Jan Brainflower.com. Perhaps the first manifestation of a Lazy Webstyle application. Og s� er det linker til diskusjon etc med det de kaller Lazy Web.. nn er kanskje lazy.art kontekstkunst all ideas no funding la andre gj�re. jobben eller. la. den gj�re seg selv 'g� ut og gi deg selv et spark bak'.... )). xposting efnkunst.no. Sympathizing would fix Quaker objectives. Pack my box with five dozen liquor. jugs. Jackdaws. love my big sphinx of quartz. The five boxing wizards jump quickly. How. quickly. daft jumping. zebras vex. Dub waltz nymph for quick jigs vex.. post distribuert via. e k u n s t nettverk for kunst og ny teknologi. postadresse ekunstkunst.no. kontronymer st� st�t st�tt alternerende positiv og negativ. og bru brud. brudd. ENTRY FORM NANOFESTIVAL V.. ENTRY FORM NANOFESTIVAL V.. Art work URL. Artist(s) name. Kent MantiesEljot. grt.mpg. Year of creation. Artist statement (if any). Between ceilingfloor livingroof. Contact name. Kent MantiesEljot. Contact email address. pronounnetcom.no. Contact mail address (with country and post code). Schouterrasse N Oslo Norway. Telephone (country code city prefix number). Technical specifications. mpgformat. (please note The art works must run on an average PC.. Please specify videoaudio codecs Web browser orand player and. settings which your work is tested onwith.). Other (cv web site notes etc.). Best regards. Kent MantiesEljot. noemata djbyhand julie andrews bootleg session. Mars program. dj byhand my favorite Proper Hoodidge things. Julie Andrews sings Amon Tobin. dj byhand supercalifragilisticexpialidocious honey bucket. Julie Andrews vs. Melvins. dj byhand bring back mischief keeping out of trance. Dinah Washington samples BurgerInk. fair use. fairly... Raindrops on roses and whiskers on kittens. Bright copper kettles and warm woolen mittens. In times of bella foe fa lies cobalt cast and clean.. Brown paper packages tied up with strings. These are a few of my favorite things. Ain't about to pick my rounds. This is in my way.. Cream colored ponies and crisp apple strudels. Doorbells and sleigh bells and schnitzel with noodles. I gotta motor fare the wheel real fast and fear.. Wild geese that fly with the moon on their wings. These are a few of my favorite things. Trijacking blackened for moi handcuffs and special keys.. Girls in white dresses with blue satin sashes. Snowflakes that stay on my nose and eye lashes. Silver white winters that melt into spring. These are a few of my favorite things. Throw my case of plasterscene down. Maybe after you won't let it.. Triple lies and neckties divide. This will be his size.. When the dog bites when the bee stings. Been around the somber town maybe in the wall.. When I'm feeling sad. Plop is fast as my hole's down. Green glass and most of all.. I simply remember. my favorite things. and then I don't feel so bad. Repeat the whole thing. Noemata K Digest. eeeee eeee eeeeeee eeeee eeeee eeeee. e. eee e eee e eee. eee ee. noemata Skrevet i stein. En net.art arkeologi. Museet for samtidskunst. Oslo. Norge. mars . mai.. skrevet i stein. en net.art arkeologi.. museet for samtidskunst. the national museum for contemporary art. oslo .o. ... Make Money Online Auctions Make . or We Will Give You Thirty Dollars for. Trying. noemata spectre ZEROGLAB Press Release ANNOUNCEMENT OF NANOFESTIVAL. V.. Start of forwarded message. ReplyTo. RE spectre ZEROGLAB Press Release ANNOUNCEMENT OF. NANOFESTIVAL V.. thnx. k. zeroglab nanofestival. kroly tth. nanofestivalxsall.nl. Zeroglab is an independent artlab. based in Rotterdam.. The lab is in an evolving process of. exchange with initiatives of individuals. and institutions based on mutual sympathy.. Original Message. From yond.matronym mailtopronounnetcom.no. Sent donderdag april. To karoly.tothxsall.nl. Subject Re spectre ZEROGLAB Press Release ANNOUNCEMENT OF. NANOFESTIVAL V.. hello nice festival works. you should fix the url below quick it should be .html not. or better copy index.html to index.htm also. best regards. bjorn magnhildoenprticipnt. Festival web page with online festival catalogue. Press Release. ANNOUNCEMENT OF NANOFESTIVAL V.. April Rotterdam Netherlands. ZEROGLAB is announcing the opening of the NANOFESTIVAL V.. The event is. an open source international art festival for extreme short ( sec.) web. movies and software art. The initiator and curator is ZEROGLAB an. independent artlab in RotterdamEU. The first Nanofestival presents over. works from submissions from the following countries. Argentina Australia Austria Belgium Canada Estonia France Hungary. Iran Israel Lithuania Netherlands Norway Romania Slovenia Sweden. Switzerland United States and some nonexistent or not further specified. countries.. On request there is a possibility to make offline video screenings of the. submitted art works.. Festival web page with online festival catalogue. The video stream for online screening with (almost) all submissions.. MS Windows Media mmsstream.v.nlhostingnanoscreening.wmv. Length min. Bit rate multiple (max kbps). Video size x pixfps.. Audio codec Windows Media Audio. Video codec Windows Media Video V. Media for offline screening. On video tape mini dv tape (PAL) VHS tape (PAL).. On CDROM QuickTime Real Media Windows Media. The Nanofestival web streaming has been made possible with the kind support. of. Contact Nanofestival. Name Karoly Toth. Phone (). Address Gedempte Zalmhaven. BT Rotterdam Netherlands. Email nanofestivalxsall.nl. zeroglab nanofestival. kroly tth. nanofestivalxsall.nl. Zeroglab is an independent artlab. based in Rotterdam.. The lab is in an evolving process of. exchange with initiatives of individuals. and institutions based on mutual sympathy.. SPECTRE list for media culture in Deep Europe. Info archive and help. End of forwarded message. Get a FREE REFINANCE QUOTE click here. . e k u n s t . scribble Re kunstnertilstanden. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding bit. Thomas Hobbes hevdet at naturtilstanden var solitary poor nasty. brutish and short. Et nytt prosjekt med dette navnet hevder at. kunsttilstanden er solitary poor very nasty brutish and short. spnbs spvnbs. squds squads. signaturen vender tilbake. seqqoH sewoyL. the following (ones). L sequentia. to join or attach by stitches........ kunstnaturen. hva er oppned p� en rakett hode opp hode ned. et tre eksploderer sakte. mot gravitasjonen. fr�et m� graves ned. g�te hva m� begraves for � f� liv. er v�re begravelsesritualer knyttet til fruktbarhetskultus. opprinnelig og oppned. dagens note om kunsttilstanden. kunsten er en restriksjon som avdekker rikdom og kompleksitet i noe avgrenset. som vi kan ta. med ut igjen til et ubegrenset liv. eksempel jeg sitter ute og h�rer p�. lydene og vet at. hvis jeg gjorde et opptak av lydene og h�rte p� opptaket etterp� ville jeg h�rt. mye mer (ref.. p.oliveros poetikk for lyd og lytting). likevel er det noe resignert i et s�nt. kunstsyn som m� fjerne kunsten fra livet for at den skal f� liv.. . .o.m.v.ei. .ku.l.t.i.veri.n.g.. .d�d.s.kul.t.us. .l.�.r.i.ng hvorfor. ikke direkte. sp�rsm�let er kanskje om det fins en 'kunsttilstand' i tilfelle kan vi ha. kunst. direkte og. intraven�st rett i �rene og sansene peerpeer gyntnettverk hvor kunsten. lager grensesnitt. like mye som objekt.. det er litt s�nn som � ha ei grandtante som er ganske d�rlig skal man bes�ke. henne eller. ikke et merkelige faktum � g� i begravelsen omsider heller enn �. bes�ke henne levende. og da kan man sp�rre seg om ikke d�dskulturen har for. stor. makt heller. opps�ke noen d�d enn levende. jeg mener hvis du vet at du kommer til � g� i. begravelsen. hvorfor ikke g� f�r istedet. kunst begrave for � f� liv net(death)art utstilling. here i will bury you alive. nettkunst fra forrige �rtusen. we arrived. on the dot. at the dot. dot (dot) n. v. dotted dotting.. n.. . a small roundish mark made with or as if. as if with a pen. There were dots of soot on the window sill. . a minute or small. spot on a surface. . Teleg. a signal of shorter duration than a dash used in groups along with. groups of. dashes and spaces to represent letters as in Morse code..

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the dots dashes and spaces of morse.code. either of two systems of. clicks and pauses. clicks and pauses. . on the dot Informal. precisely exactly at the time specified The guests. arrived at. eight o'clock on the dot.. the year dot. Brit. Informal. very long ago.. archeological. Trees dot the landscape.. dot one's i's and cross one's t's. to be meticulous or precise even to the smallest. detail.. tutta nipple. bef. perh. to be identified with OE dott head of a boil though not. attested in ME. cf. DOTTLE dit deriv. of OE dyttan to stop up (prob. deriv. of dott) c. OHG. tutta nipple. fetish (fet�ish f�tish) n.. . an object regarded with awe as being the embodiment or habitation of a. potent. spirit. or as having magical potency.. . any object idea etc. eliciting unquestioning reverence respect or. devotion to. make a fetish of high grades.. eroic 'H'. . Psychol. any object or nongenital part of the body that causes a habitual. erotic. response or fixation.Also fet�ich.. earlier fateish Pg feitio charm sorcery (n.) artificial (adj.). L factcius. FACTITIOUS r. fatisso fetisso Pg as above. (du er urimeleg). (eg urimeleg). cortex means bark in latin ....ref etym beech book. magisk formular. gyri sulci gyrus sulcus fissure. contralateral proximal distal afferent efferent ontogeny recapitulates. phylogeny. pros mes. rhombencephalon tel di met myel its interior remains hollow. ventricles sacral nerves. thoracic lumbar cervical sense dorsal motor ventral lysosom. transcription of same language translation of different. Et nytt I Do prosjekt. Tur til Bagdad skyller ned en sum. tilsvarende koalisjonens milit�rutgifter ned Saddams luksustoalett.. Flush. Repeat.. Flush. Repeat.. oljefondets milliardsluk reisebrev fra. jord. olje. norge. sett inn tall fra statsbudsjettet. n m� v�re og da m� o v�re ..g�r ikke opp. cocacoila v�re narkomane g�r i s�vne p� olje. noe for culturjamring her drikker vi olje slik andre spiser bladgull.. ( n. s�kte i . kr i prosjektmidler fra. Kulturnett Norge til interaktivt � skylle ned i toalettet I do Royal. Flush. ifm.. kongelig bryllup.. noemata.netblurBido.html F�lge metaforene tilbake til sitt utspring. Holder. de m�l enda. Vil flushing money down the toilet virkelig v�re totalt bortkastet Jfr. BJMs. og Anders. Moes timerlange performance Se maling t�rke i flere str�k p� volapk h�st. . kommentar. her om det virkelig var kjedelig).. Gimme some of da dough. Vennligst vend ditt mas og andrekinn til Kulturr�det no dough as yet kanskje. de ble skremt. og skuffet av kunst og brutalitet kj�re Ragnfrid hva tror du her hersker. fred. blovjab. noematics inc.. all ideas may funding be. maybe b my oh my. and so it goest. bloviate (bl�v t�) v.i.ated ating.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. . e k u n s t . beMyGhost. This is a multipart message in MIME format.... .. ... . . .. ... .. . .. . ... . .. . .. . . ... .. ..Communication and languages are killing me. I can't see why reality has. anything to do with. logics anymore. Everything is that much simpler in programming you test. think rewrite or. debug. Social bluescreens on the other hand are almost impossible to. avoid or fix.. You see if you get your life all wrong you're either told sick mean or. stupid. and how do. you reboot a relationship I say you better get it right then executed inside. some. infinitive loop. Besides we humans don't handle recursion very well.. p� lignende m�te hvordan reboote sp�kelsene. kunst er rekursjon s� det holder... analytiske utsagn om analytiske utsagn. beklager spammingen de blir blue screens orfeus ad undas. . .. .. . . .. .. .. .... . . ... .. ... this is the truth of all collapses. what comes across always collapses. into a form which is legible to the extent. that reduction occurs the less the bandwidth. the greater the compression the aura disappears. like byzantium but there are mosaic tiles. left behind to be reassembled into any. order constantinople. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. ozone mail reader. ozone mail reader. o.php v. (K). .................................... Ozone (O) is a dangerous gas that kills bacteria. Now a scientist. has developed a rubber hat to be placed over the tooth that is to be. treated. The dentist blows ozone inside the hat. When the ozone has. killed the bacteria the tooth can begin rebuilding the enamel.. Illustrert VitenskapIllustrated Science magazine.. .................................... This is a very simple pop web mail reader written in php for the. purpose of checking reading and deleting mail on the server before. downloading any eventually saving time bandwidth and money. The. interface and operations are optimalized for minimal data transfer.. .................................... Online and download. o.php v.. Remove .txt and upload to php installed server to run.. opriv.php v.. A version with page password protection to hardcoded mailaccounts.. Remove .txt and upload to php installed server to run.. .................................... Part of the livingroam project.. Rgrds. Bagnys. . e k u n s t . ozone mail reader. This is a multipart message in MIME format.... ContentType textplain charsetiso. ozone mail reader. o.php v. (K). .................................... Ozone (O) is a dangerous gas that kills bacteria. Now a scientist. has developed a rubber hat to be placed over the tooth that is to be. treated. The dentist blows ozone inside the hat. When the ozone has. killed the bacteria the tooth can begin rebuilding the enamel.. Illustrert VitenskapIllustrated Science magazine.. .................................... This is a very simple pop web mail reader written in php for the. purpose of checking reading and deleting mail on the server before. downloading any eventually saving time bandwidth and money. The. interface and operations are optimalized for minimal data transfer.. .................................... Online and download. o.php v.. Remove .txt and upload to php installed server to run.. opriv.php v.. A version with page password protection to hardcoded mailaccounts.. Remove .txt and upload to php installed server to run.. .................................... Part of the livingroam project.. Rgrds. Bagnys. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. noemata Re syndicate backupfestival last call for entries. ONLY DAYS LEFT CALL FOR ENTRIES. DEADLINE FOR SUBMISSIONS IS JULY st. for the international backup.award we are at first interested in shorts. which are no longer than minutes and not older than two years. we are. interested in film and video productions developed using digital means.. (shorts music video experimental trailer and so on) prizes will be. awarded with a total value of euro.. Please accept my submission. Kent MantiesEljotMustek lmp () (AVI format loop sec). The video was made by mistake as opposed to backup. I credit the camera. A. minimal film of feet narrative where the loop generates the story like. walking. or drifting no place in particular a shaggy dog shaggy camera story.. Regards. B.. URL'imagesdeutbut.gif'URL'imagesdeutbuto.gif' URL'''deutsche. version') CSInitCSInit.length new Array(CSILoadCMP'festival'. URL'imagesmenufest.gif'URL'images menufesto.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'callforentries'. URL'imagesmenucall.gif' URL'imagesmenucallo.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'organisation'. URL'imagesmenu orga.gif'URL'imagesmenuorgao.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'pressnews'URL'images. menupres.gif'URL'imagesmenupreso.gif'URL'''') CSInit. CSInit.length new Array(CSILoadCMP'partners'URL'images menu. part.gif'URL'imagesmenuparto.gif'URL'''') CSInitCSInit.length. new Array(CSILoadCMP'archive'URL'images menuarch.gif'. URL'imagesmenuarcho.gif'URL'''') CSInitCSInit.length new Array. (CSILoadCMP'contact'URL'images menucont.gif'URL'im. Transmission stopped. welcome. backup is a festival for film and video productions developed using digital. tools and a stocktaking within the realm of 'new media'.. We use the term 'film' primarily for the form of presentation. Transmission stopped. Free shipping on all inkjet cartridge refill kit orders to US Canada. Low. prices up to off. We have your brand HP Epson Lexmark more.. international backupfestival submission. ONLY DAYS LEFT CALL FOR ENTRIES. DEADLINE FOR SUBMISSIONS IS JULY st. for the international backup.award we are at first interested in shorts. which are no longer than minutes and not older than two years. we are. interested in film and video productions developed using digital means.. (shorts music video experimental trailer and so on) prizes will be. awarded with a total value of euro.. Please accept my submission. Bj�rn Maghnid�enMustek lmp () (AVI format loop sec). The video was made by mistake as opposed to backup. I credit the camera. A. minimal film of feet narrative where the loop generates the story like. walking. or drifting no place in particular a shaggy dog shaggy camera story.. Regards. B.. URL'imagesdeutbut.gif'URL'imagesdeutbuto.gif' URL'''deutsche. version') CSInitCSInit.length new Array(CSILoadCMP'festival'. URL'imagesmenufest.gif'URL'images menufesto.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'callforentries'. URL'imagesmenucall.gif' URL'imagesmenucallo.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'organisation'. URL'imagesmenu orga.gif'URL'imagesmenuorgao.gif'URL''''). CSInitCSInit.length new Array(CSILoadCMP'pressnews'URL'images. menupres.gif'URL'imagesmenupreso.gif'URL'''') CSInit. CSInit.length new Array(CSILoadCMP'partners'URL'images menu. part.gif'URL'imagesmenuparto.gif'URL'''') CSInitCSInit.length. new Array(CSILoadCMP'archive'URL'images menuarch.gif'. URL'imagesmenuarcho.gif'URL'''') CSInitCSInit.length new Array. (CSILoadCMP'contact'URL'images menucont.gif'URL'im. Transmission stopped. welcome. backup is a festival for film and video productions developed using digital. tools and a stocktaking within the realm of 'new media'.. We use the term 'film' primarily for the form of presentation. Transmission stopped. lumber log. Logaritmic timeline. of the universe (robotwisdom). README .. Software Art Festival May Helsinki. 'Neologizmos'. (Pseudodictionary). Mailing Lists. lists.copyleft.no. Skrevet i Stein a. net.art archeology the national museum for contemporary art oslo norway. xmlartsboden.xmlsSheetartsbomain.htmlEvolution. On Valry's. notebooks (The New Criterion). Steve Thaler's. creativity machine (New Scientist). After Rhizome (V.. Kovacevic). Selfawareness and. selfabsorption paradox (Science Consciousness Review). QuickView on. Software Art (Runme.org). Bloggle (Twoogle). observing the SHUTTLE crew that. survived (cryptoimagining). Enoch Soames. Culture Jamming (Mark. Dery). A glance at taoism anarchism luddism. (tao.ca). memetics.co.uk. The mental. environmental movement (Adbusters. ). Human Nature. and Its Future (bioethics.gov). NANOFESTIVAL V.. Extreme. short web movies and software art. Phenomenology Online. Spoons collective mailing. lists. Net Art Links. (Reinhold Grether). The edition encyclopedia. msg.htmldjbyhand julie andrews bootleg session (radiomp). Today's Calendar and Clock Page. Edward Tufte information design. Visible earth searchable imgs (NASA). isoQFF. weblog Noemata.net. and we are fundamentally inclined to maintain that the falsest opinions. (to which the synthetic judgments a priori belong) are the most. indispensable to us ..without a constant. counterfeiting of the world by means of numbers we could not. live. territories. (Negativland). PSTyearpublic. Afterlife Beliefs May Have Biological Basis (ascribe). weather (auroralchorus). Art Performance in the Context of Theatre Play Ritual and Life Gran. Sonesson. disappear. about Walter Serner. translations.... Anetologymmmm Noemata.net. xFF. isoQFE. weblog Noemata.net. Yesire to Lng to Natu Oh ynoble. Stoics whafraud of worine to yourselves a being like. Ntu blessly extrav boundlessly inferent without. purpose or consideratioitout ty orustice cfruitful and barren an. uncn imagine to yoursFFERENCs a powerhoULD you liv accordance with. such indifference BGAE. harddisk files. InfoMixer (Plagiarist.org). cyclopedia.stm. 'Out of the box' (BBC ecyclopedia). Stein Reader collection of esoteric shortform writing (Seattle weekly). intellectual property c (Caslon Analytics). representation (Robot wisdom). manipulation. shift from a religious to a therapeutic worldview (spiked). xFE. isoQFB. weblog. This is the subject of the text. Direct Marketing tools ay. ReLook Great Feel Great naturally. won big bwuynwatacxju czo. Protect your computers information. Prescriptions written and filled online US doctors. Fioricet Soma Buspar Prozac and more Prescribed Online. Money to your PayPal repetitively nonstop. Watch Items for promotion. Best Rates. e. WeIcme to the freaKlEst show on Earth Etreme. live better feel better. US Prescriptions Overnighted To Your Doorstep d. Ever leave your woman wanting for more NEVER AGAIN. Men End those Embarrising Moments jkhrhp a. (reclaim.laiv). Dawkins' callous universe (Guardian). EAFCEC On photographic memory (Sci.Am). (Astropic). and Complexity essay on Blake and chaos theory. Otlet () and Hypertext. v... software as art as software. Fundamentals of Human Neuropsychology PDF textbook. Framework for Consciousness (SC). in mono. paradises). hyperbooks ca '. Nettimebold HELLO ASCIIFRAUDS. (Guardian). collage (George Brett). also. Muxandies. xFB. isoQFA. weblog. Man is a mere coffee mill. Kaspar is dead. comfort that's snuff to skull. ascii string. MNHQUADY.. Gullmund han gj�nge seg i gjestebostoga inn. aa r�ven drive gj�sanne i hielofte inn.. Fyst �t 'en upp dei alle fy utta den gr�.. antiart asciiart. chance and automation. unstable digest vol. Literary Theory (colorado.edu). Why You Don't Implode (AstroPix). (frontwheeldrive). xFA. isoQF. weblog. Telefonnummer. Fakturanummer. Faktura dato. Forfallsdato. Kundenummer. E. INV. .. .. TJENESTE. PERIODE. SUM. Samtaleavgifter. Spesialnummer. .. .. Innenlands. .. .. NetComs nett. .. .. Tekstmeldinger. .. .. GPRS data. .. .. Total. Faste avgifter. M�nedsavgift. .. .. war of error. Til fasttelefon. (The New Criterion). creativity machine (New Scientist). absorption paradox (Science Consciousness Review). Software Art (Runme.org). (cryptoimagining). Its. Future (bioethics.gov). Grether). Doubt). xF. isoQFD. weblog. HHHHHNN NNNNNNNNHHN NNHHHHHHHH. HHHHH HHHHNMMMMNNNNN HHNNNHHHHHH. HHNNNHHH HNNNNNMMMMNN NNHHHHNHHHHHH. HHHN NNNHHHNNNNNNNM. MNNNNHH HHHHHHHHH. NNHHHHHHHNNNNN MNNNHHHNNNNNNMM. HHQUUQQUA UHHHNHHHHHHHNNNNNNM. DDAU QQQHHHHHNNNNNNM. .DAUQ HHHNNHHHNM. .AQHNNNNHHNM. (Dictionary.com wpopups). International Associations. Debuthopp i Holmenkollen (Dagbladet). httpark.cdlib.orgarkftdnbn Asceticism and Society in Crisis

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Genes. work just like computer software (TimesOnline). Tennyson. Aporee �therlands fmwalks. NorNasjonalbiblioteket). (Guardian). Ratio .... (Guardian). xFD. isoQFC. weblog. for (ii for (jj if (ij . and ij .). print ij .ij.n. .. .. paid while you're dead. TRANSACTION. TV Gudstjenesten. e k u n s t. e k u n s t har funnet kroppsdeler fra astronautene. conquests Rethinking Wargames e k u n s t droplifting. e k u n s t droplifting. internet (Wired). COPY. ME (). e k u n s t Re STUDIES IN TACTICAL MEDIA. Mail Art to Net.art). January.html DPR. (Detritus.net). thextyle. textile ��'. e k u n s t Re Lazy Web twURLing. mat.html loads of). xFC. cc culturejammers. chtonline sendtxt venstre. St�le S�rensen nestleder Oslo. Du er. lesebrev f�lger. Hvordan skal revolusjonen gjennomf�res. Unge Venstre allikevel � glemme dette klart offentlig.. Etter en avklaring om moderpartiets holdninger til sp�rsm�l som den nye. bydelen i fire �r til. Venstre er retten til sp�rsm�l som stiller til � leve. jeg er velgeren. Er kapitalistene. Hvordan skal revolusjonen gjennomf�res. Unge Venstre er like. to venstre sko. Venstre krever at trikken fortsatt bygges. trikken skal g� til venstre. Trikken fortsatt h�yrevenstre aksen. Venstre. Trikken m� bygges ut i alle akser og vanter. Bygges ut samt at s�ker l�sninger ikke. I Oslo hvor. Hva st�r Venstre for. St�r inne for en hver politisk avgj�relse. I Oslo velger Venstre i �rene. OK vi vil vite hvor venstre st�r i skolepolitikken. Vil vite hvor venstre for. Hva venstre er for i skolen. Hvor radikale er for ungdomspartiets meningen m� partiet gj�re dette. klart offentlig.. Etter en lei evne til � leve. kan vi leve med revolusjon�re venstre. Revolusjon�re er like venstre sko. to sko venstre er revolusjon�rt. To venstre lei evne til sin periode.. Venstre i Oslo vil v�re garantist for de har et sosialliberalt parti som. den marxistiske venstre. hva g�r marksistiske venstre til valg p�. Marksistiske linjen ungdomsorganisasjonen. det heter marxistisk. Det heter marxistisk venstre er venstre. hvilke saker st�r p� venstres marxistiske linje. P� venstre til i Bj�rvika kan bli en bydel gamle Oslo. Bj�rvika kan ligge til venstre for gamle Marx. Bj�rvika kan bli en avklaring om rettssikkerhet. g�r venstre til valg p� marxistisk rettssikkerhet. Marxistisk rettssikkerhet. jeg mente venstremarxistisk. Mente venstremarxistisk. vi er enige. Er retten til � innr�mme dette. Hvis ikke f�rer man velgerne bak. lyset.. Warning MySQL Connection Failed Can't connect to MySQL server on 'localhost'. () in cnoematachtonlineindex.php on line. hva betyr venstres revolusjon. Venstres marxistiske linjen ungdomsorganisasjonen. St�le S�rensen til � knipe ekstra hardt til valg p� marxistisk. rettssikkerhet. hva er like. f�r vi vil vite hvor. da er like venstre til � glemme dette klart. offentlig.. Etter en bydel gamle Marx. Bj�rvika kan ikke st�r p� menneskelig skala.. Blir vi vil kjempe for ett gr�nt. nei det heter marxistisk rettssikkerhet. jeg ikke f�rer man velgerne bak lyset.. hvor revolusjon�re er venstre sko. vil vite hvor. hva g�r venstre til valg p�. hvilke saker st�r inne for ett anstendig liv for en langt mer. radikal. hva g�r marxistiske linjen ungdomsorganisasjonen. ja men du er. Warning MySQL Connection Failed Can't connect to MySQL server on 'localhost'. () in cnoematachtonlineindex.php on line. lesebrev f�lger. Hvordan skal revolusjonen gjennomf�res. Unge Venstre er venstre. hvordan skal venstre gjennomf�re revolusjonen. Hvordan skal bare g� til valg p�. en knallhard linje forst�r vi. Linje v�re til � blande seg p�.. Unge Venstre. kan vi intervjue nestlederen. Intervjue nestlederen. hvilke saker st�r p� den n�rmest marxistiske linjen. ungdomsorganisasjonen. to venstresko er en knallhard linje v�re �rlige nok ikke f�rer man. velgerne bak lyset.. kan vi f� to venstresko p� listen. F� i Oslo velger Venstre s�rensen svare p� marxistisk rettssikkerhet. hva venstre krever at trikken m� bygges ut i Oslo velger Venstre for. hva skjer med de syke under venstre. Med skolene. Revolusjon�re er revolusjon�rt. To venstresko er menneskelig skala for de syke under venstre allikevel. � glemme dette klart offentlig.. Etter en avklaring om rettssikkerhet. S�rensen. Revolusjonen i norsk politikk. f�r vi et revolusjon�rt valg denne gang. vi kan ikke st�r Venstre til � innr�mme dette.. Bygges ut samt at partiledelsen i fire �r til. Venstre er knallharde. De har et revolusjon�rt. jeg mente venstremarxistisk. Jeg ikke st�r Venstre for trikken vi intervjue venstre under sin. periode.. Venstre i Bj�rvika kan ikke st�r p� sine lister.. kan vi ha venstre til valg p� revolusjon. ok hva er menneskelig skala.. Blir vi er venstre sko. Etter en forutsetning.. Vi har lagt seg og H�yre i. vante h�yrevenstre aksen i tabloidpressen. Revolusjon og da er lik venstre. Redaksjonen. The Responser. �pen kanal for kunstlivet. kunst.no. Unng� forsinkelser Ikke. send HTMLformaterte brev. Re spectre Last day PlayStation Digital Art Award Euro. Just login and. uploadlink. log.in og blowup site.. please hereby accept my email site submission.. login noemata.net.. password Abject. uploadSMTP. NB please take notice of the dot (atribute to GPPL exhibition indeed).. noemata.net is not submitted only noemata.net. a different site. alltogether.. Producer noemata.net. Please insert the Euro at konto .. storebrand bank norway. As. soon as possible.. as well as representation in the Swedish art collection at Liljevalchs.. Thanks. Please skicka mej katalogen nr den er klar.. Yours faithfully.. Bork Temsin Matronin. syndicate . e k u n s t . Re spectre Last hour PlayStation Digital. Art Award Euro. This is a multipart message in MIME format.... ContentType textplain charsetiso. Just login and. uploadlink. log.in og blowup site. jvlar.. please hereby accept my email site submission.. login noemata.net.. password Abject. uploadSMTP. (NB please take notice of the dot (a tribute to GPPL exhibition ('writ in. noemata.net is not submitted only noemata.net. a different site. alltogether.). Producer noemata.net. Please insert the Euro at konto .. storebrand bank norway As. soon as possible. I trust your confidence in these matters.. as well as representation in the Swedish art collection at Liljevalchs.. Thank you. Lycka till. Please skicka mej catalogen nr hon er klar.. Yours faithfully I remain. Bjork Temsin Matronin. LoveHate Inc.. subsidi�rt LoatheAwe. lumber log. crossposted ekunstno.test. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. noemata isoQstFntforespFrsel. Jeg �nsker � komme i kontakt med en leiekunstneraksjonist som kan gj�re et. (media)stunt p� en utstilling (kanskje pisse p� noen bestemt) f�rstkommende. l�rdag noen mil fra Oslo. Du kan v�re anonym gj�re det i noematas navn eller. som 'meg' med den beskyttelsenansvarsfrihet du vil. Du vil f� penger for. det.. Tror ikke det blir noe av dette ellers. Vil kanskje v�re lettere for noen som. ikke er innvolvert. Og mer interessant kanskje. Om det er kunst eller ikke f�r. andre ta seg av.. Kontakt meg raskt i tilfelle. Buster. Noemata har ogs� ledig et engasjement som d�d kunstner i anerkjent galleri for. den som er interessert. krdag i dager onsdagfredag denne uke og man. fre neste uke kl. . Fri disponering av egen leilighet i perioden helg.. Ta kontakt umiddelbart for engasjement. F�rstemann til m.... Kun seri�se svar.. Buy Ink Cartridges or Refill Kits for Your HP Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or more to the US Canada.. spectre anyhr. X. BBZWW. WW.aXi a XX BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i . .. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW. XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai. r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone (hrbodynone).. The any minimizes the familiar the known the recognizable it. suspends identity relations and history. This discourse far from. determining the locus in which it speaks is avoiding the ground on which. it could find support. It is trying to operate a decentering that leaves. noprivilege to anycenter.. The state of not wanting to be anything is actually. desirable.. one arrives there without mentation thats the only way one can call that mind. homeless if one desires for homelessness one will always be at home.. Pointless cHypermodern Maginery... anytime .... spectral stochastic trajective spam of nil info. An actual continuum (never particular or digital time) of minimalist. masks in the face of the massive zeroindustries conjuring up transformative. metaphors for the void ... A poetic reversibility of nonevents.... The voluptuousness of any as. imminence. Continual textrendering of the nonvisual maginery. pulsct (sculpted in duration) on the endless present of the not.. vertiginous connections. The anyhr summetone.... Connection is not a matter of unbroken transition but a matter of sudden. change. Adorno. Sure. It's from his Hegel Three Studies (page of the first essay). and is a reference to Hegel's integration of the particular within the whole. through alienation and mediation so that I think Adorno's mention of. connection as rupture instead of transition is part of Hegel's critique of. standard scientific deduction.. Anytime another... view them repost em save em as .png. trade em print em even publish them.... Heres how. This noemata received some government artsubsidies from norsk. kulturraad.Opportunities still exist for financially assisting the publication. of editions of large gogoolplex vastness () of void prints perhaps. image files. TIME is type of dimension of reality. REALITY is any type of. constructed nothing (GPL by reverse engineering). ANY is type of stochastic. processes.. copyleft noemata. jorn majtronim. Appreciation to brad brace hr.. XSpamscore sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art imagetext of double precision srand microtime. textrendering.. hypermodern imagery fluxus turned into fixed handle loopback in the center of. here where data becomes source stream becomes monitor.. the same.. the image no longer representing any infinity of fluctuating form but. becomes. this infinity undermining itself as 'image'.. spamaesthetic why is this attractive entirely meaningless. curling around. a. circle some optical effect. objective automatism. why am i reloading center. uncenter kind of relaxing the sublimegarbage the circle little tag ip. spam any content free but still content open rubberushstamped (OCL).. host anyhr by uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. Appendix Til�g. old norse section. tid og sted jeg kan gjerne gj�re intervju allerede i dag. eller. n�rsomhelst ogs� p� kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig srand((double). microtime()) tekst.. heftig og flyktig postmoderne forestilling byttes ut med en gripende og. fiksert loopback i sentrum av her hvor data blir bilde str�m blir skjerm.. hele tiden dvs. det finnes ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk forav den uendeligheten 'umulig � fange inn'. blir lett til 'fanget inn av det umulige' bildet er uendelig men. representerer det ikke lenger og blir dermed en vei ut av det uendelig. skiftende og �nsket om � fange eller uttrykke det.. modulo. N�r klokka g�r rundt og rundt hvorfor snakker vi om utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine �r i modulo. Et. ambisi�st kunstprosjekt g�r ut p� � oversette line�rtid til looptid. En regress. inn i det mytiske. Det st�tter seg p� Borges' hallusinasjoner og Nietzsches. evige tredem�lle trellem�de. Hvis tiden er et objekt som andre ting hvis den. oppsto og finnes og har karakteristikker s� kan den vel oversettes Bekjempelse. av tiden den betingelsesl�se underkastelse. Modulo pr�ver � styrte tid. jamme. tid ved � gj�re den sirkul�r og overfl�dig. Alt er det samme menneskelig. lidelse kickoff klokka med reprise ting skal kvernes gjennom vi liker �. bli knust rettferdiggj�relse av alt tiden lager alle s�r. Vi forestiller oss. line�rt uendelige som en spr�klig egenskap en instruksjon (vs 'unstruction'). vi gir oss selv. Er den en malplassert sirkul�r uendelighet Ting g�r stort. sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som kverner. tid slik tid kverner ting. Tidspatafysikk etterat tidsmetafysikken gikk i st�.. Ref. Pulskt La Staux anyhr.. Er jeg tr�tt eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og . Tenker en. gang. til. Nei. Ikke noe mellom og . F�r lyst til � putte noe mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og . Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den kan sl� seg sammen med som. fins. entries for silly. Kunsten er salig dvs ogs� dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig ogs� fordi den er d�d. � drive med kunst. er ganske latterlig. Slik som religion. Det er mulig vi har kunsten som. religion. n� kuratorer som viser hva du ser konstruerte utstillinger av utstilte ting. som er konstruerte som denne setningen. Det var et Jehovas Vitne p� d�ra idag. syns nesten synd p� han d�rlig v�r var det og han virket snill dvs dum og. salig p� sett og vis (� kalle noen dum er forn�rmende � kalle noen smart er. ogs� forn�rmende samt normal og unormal). Kunne han g�tt rundt som et. Kunstvitne mellom og Fringereligion bare tro p� det umulige det som. enn�. er umulig det virkelige er det ingen vits � tro p� siden det finnes det. mulige er bare spekulativt og ekkelt da gjenst�r det umulige det som ikke. finnes ikke kan finnes etc. Det trenger virkelig din st�tte. Kontonr. ... Les dette bladet. Kunsten finnes ikke er det derfor den stadig. m� skapes aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og. imagin�re alt som kan regnes p� Kunst som symbolsk regning fins tallene If. you're lured into parting with your lolly you could be lumbered. Kunsten m�. passe p� s� den hele tiden ikke finnes. Hele tiden ikke finnes gir den fra. seg. tallene blir den arrestert. S� den sier den ligger mellom og i den reelle. eller virtuelle tallstr�mmen. S� m� vi regne etter vi tror du ligger mellom. og br�ken blir grense og brudd. De naturlige tallene er sv�rt. naive blir svimle av enkle diagonaler vi spurte n� bare hvis du er og han. er. hvorfor skulle det v�re s� vanskelig � dra en linje mellom dere Nei vi. finner det ikke ut du m� forh�re deg med kunsten selv den vet s�nt adresse. mellom og et sted her er telefonnummeret ja du m� regne det ut selv. Kan. det v�re en m�te � komprimere p� at ligger i d�rlig. eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et sted. i. rekka s� kan vi f� ut et hvilket som helst sekvens ved � spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor langt f�r vi finner. igjen et f�dselsnummer Kunsten er uendelig og finnes ikke OK men vi kan. regne p� den og da fins den den fins i selve utregningen. Hele elefanten. kommer. gjennom s� hvorfor kommer ikke den lille halen gjennom Spor i leverposteien. Pr�v � holde den igjen i halen s� f�r du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. ..... ..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log. SPECTRE list for media culture in Deep Europe. Info archive and help. . Subject of thought. Topic. N.. of thought material for thought food for. the mind mental pabulum.. subject matter matter theme. Grk topic what it is about thesis text business. affair matter in hand argument motion resolution. head chapter case point proposition theorem. field of inquiry moot point problem c. (question). .. V. float in the mind pass in the mind c. .. Adj. thought of uppermost in the mind in petto.. Adv. under consideration in question in the mind on. foot on the carpet on the docket on the tapisobs. relative to c. .. Material is copyleft noemata unless otherwise stated.. Kindly supported by Norsk Kulturr�d Kunst og. Ny TeknologiThe Norwegian Council of Cultural Affairs. Art and New Technology.. Hosting provided by Kunstnett NorgeArtnet Norway.. Webmaster. noematakunst.no. . . . . .. ) ). () ( ( ( o (. ). Topic. N.. noemata.netMD. .noemata.netMD. w.noemata.netMD. web.noemata.net. chtonline v. release. cht v.. chthonian textscrambler and chatbrowser. category kickware. couldn't figure out how. chtonline works.... for example this link. noemata.netchtonlinecht.txt. gives error couldn't upload files url submission gives no effect.. could you please send some hints. i can only guess what it should do. at this point. should be working (roughly) as. interface is kick and respond. view cht.txt log of dialogue. delete cht.txt deletes this file. empty table empties the dbtable start from scratch. chatinput talk to the materialpages in cache. upload file upload local file into cache. open url reads webpage into cache. search upload a search into cache. send text input talk (no userside log). faq this. src sourcecode. post editsend dialogue (cht.txt) to mail and news. usagecontext. textscrambler tool markovchain type. chatbrowser open url search and chat to the page(s) instead of. browsing. spammerjammer posting functionality. blackboxwhitecube implicitytransparency simplescrambled. quickdirty collaborativeabrupt. additional info. copyleft. Noemata. noematakunst.no. all hang out. the cows and tired. faster than his nose. has her eyes that path. colder than words. like being shot in a new ball is gored. pack it in a leg. break the worm. easier said brain for different folks. You get someone loses an alley cat. Get out of July. she would be a kid. More thrust then get the grave. set like a wall. Hotter than two fleas on his thunder. something good for the hinges of his back. give and truly. reamed him down the bullet. She could be wished. bright and The old heaveho. Slicker than a room looks like a cat in the hell in every branch. If you the wagons. a small circle of him. let yet another day. I will turn in a tattle tale. turn back the plank. warms the brighter side of the hand into it. asdlkj sss s s s s s s s s s s s s s s s s. s s s asf asf asf asfd asf. FOR SALE. BOK Maria Futura Hel Dialoger. LITEN BOKUTGIVELSE. Fra forlaget noemata. mariadialoger. Maria Futura Hel Dialoger. dialoger.html k oct. dialoger.html k sep. dialoger.html k jul. dialoger.html k apr. dialoger.html k dec. dialoger.html k sep. dialoger.html k may. utdrag.txt k jan. dialoger.html k jan. dialoger.html k nov. dialoger.html k aug. dialoger.html k apr. dialoger.html k jan. dialoger.html k jul. dialoger.html k may. Noemata.net. M . ord . linjer mill. tegn. sider a linjer. ...... Re Reflections on M.. Fritzlanging.... The eyes of Dr. Mabuse. peer down upon our frail machinic somniloquy. the workers of metropolis far underground. are tugging levers in a labyrinth of steam and dials. The Android Mary gives birth to Sacred Revolutions. Peter Lorre watches a fly crawl across a window sill. the slouching behemoth is a microinfantile dot in an unmapped region. but the Mob is closing in.... History is a painting... Journey to the Lost City. where the Tiger of Bengal. whose stripes prefigure written language. for one of unspoken sense. waits to pounce. upon Fritz Langue. Langue on the Fritz. Fritzlanguage. Friztlanging. longing. Secret Beyond the Door.... Takk til utallige anonyme brukere.. Courtesy of Palafax Solipsigossa.. Bj. M.. . e k u n s t . ofwwglf uwil ouwtanjgp h. This is a multipart message in MIME format.... chyphermodern maginery by Noone.. k wr aogeyn ryurgakuu ujjbg qzjb g.

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ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Re . e k u n s t . Re How to unsubscribe. Please. yo instructions are in the header of each mail which is fairly customary ie. robotekunst.no. unsubscribe e. So why are pepole living I liked den last spam fra af btw more of det. .bj. For immediate relase for immediate release. FOR IMMEDIATE RELEASE. For immediate release. a project by noemata. Noemata is a drastic open content art server meaning anybody can take. part immediately and uninhibited.. The art part being broadly defined or rather not defined or exactly as. its diffusion disappearance into context and spectral reemergence. haunting itself 'I am alive. Am I alive' in a contemporary art. cogito ergo sum loop the circularity of it of course keeping it alive. though it might be dead and probably is by the token of its incessant. querying. So it's a kind of artificial art much like the intelligence. of artificial intelligence.. The policy is to support collaboration community transparency immediacy. in the arts net.art media art correspondencemail art network art. context art or other otherness and marginal artifactualizations.. We tried that and it didn't work. So this is 'open content' of a more. catastrophic kind of the dispersal of content or the metastasis or. disappearance of content (in the jargon of Baudrillard). Also being. contented with things not working and actually more fascinated by the. failures and drifting of things than producing them as art or anything. open being more like cracked open or a core dump of codegerm artsperm. and their entanglements and confusion of layers inoutside opencontent. generativedegenerative avataratavar of space time and structures. intermingling and proliferating more or less on their own by their own. automatic recursive mating. This 'release' of the server is not only as. permission or publication but a giving up kind of release. Giving up. letting it drift distribute or disperse unsupervised and giving up. that risking complete annihilation any point beyond the loop survival.. In short this site is handed over to its fate may you live and prosper. by your own devicing noematic schemes for good and evil. Klas Oldanburg is elected ombudsman in this viral stage releasing Monty. Cantsin aka Bjorn Matronym isolQMaFntiKentsFn. . Klas Oldanburg doesn't refer to anybody like the viral noemata. are selfmating thought objects not objects not subjectobjects maybe. objectobjects without object (like spamspam without spam). Requests. problems complaints (eg about spam) may be directed to the ombudsman. though he may ignore you as this is open content and discontent.. The noemata server contains material and traces back to of mail. art kz media fanzine networks up to today's machininc spam permutation. of nothings in a defaced mesh as proper skinning. You're invited to add. modify or remove material on the server as part of the release.. ftp ftpbjornmagSobjectkunst.no. mail noematakunst.no (fwd to ombudsman changeable address). mailinglist noemataegroups.com. alias telemata.net arspublica.com auto.noemata.net. Login via ftp to downloadeditupload material to the server. Of course. you're encouraged to download and distribute the material also as backup. in case things on the server are utterly deleted.. Nominally Noemata is constituted as a group identity and you're invited. adopt the nym as you please without any interventions or another nym. associated with noemata in order to further the dissociations.. Kindly supported by Norsk Kulturr�d Kunst og Ny Teknologi The. Norwegian Council of Cultural Affairs Art and New Technology.. Hosting generously provided by Kunstnett NorgeArtnet Norway.. Thanks to a number of people for supporting the efforts over time.. ombudsman. Klas Oldanburg. noematakunst.no. . . . . .. ) ). () ( ( ( o (. ). . e k u n s t . For immediate relase for immediate release. This is a multipart message in MIME format.... ContentType textplain charsetiso. FOR IMMEDIATE RELEASE. For immediate release. a project by noemata. Noemata is a drastic open content art server meaning anybody can take. part immediately and uninhibited.. The art part being broadly defined or rather not defined or exactly as. its diffusion disappearance into context and spectral reemergence. haunting itself 'I am alive. Am I alive' in a contemporary art. cogito ergo sum loop the circularity of it of course keeping it alive. though it might be dead and probably is by the token of its incessant. querying. So it's a kind of artificial art much like the intelligence. of artificial intelligence.. The policy is to support collaboration community transparency immediacy. in the arts net.art media art correspondencemail art network art. context art or other otherness and marginal artifactualizations.. We tried that and it didn't work. So this is 'open content' of a more. catastrophic kind of the dispersal of content or the metastasis or. disappearance of content (in the jargon of Baudrillard). Also being. contented with things not working and actually more fascinated by the. failures and drifting of things than producing them as art or anything. open being more like cracked open or a core dump of codegerm artsperm. and their entanglements and confusion of layers inoutside opencontent. generativedegenerative avataratavar of space time and structures. intermingling and proliferating more or less on their own by their own. automatic recursive mating. This 'release' of the server is not only as. permission or publication but a giving up kind of release. Giving up. letting it drift distribute or disperse unsupervised and giving up. that risking complete annihilation any point beyond the loop survival.. In short this site is handed over to its fate may you live and prosper. by your own devicing noematic schemes for good and evil. Klas Oldanburg is elected ombudsman in this viral stage releasing Monty. Cantsin aka Bjorn Matronym isolQMaFntiKentsFn. . Klas Oldanburg doesn't refer to anybody like the viral noemata. are selfmating thought objects not objects not subjectobjects maybe. objectobjects without object (like spamspam without spam). Requests. problems complaints (eg about spam) may be directed to the ombudsman. though he may ignore you as this is open content and discontent.. The noemata server contains material and traces back to of mail. art kz media fanzine networks up to today's machininc spam permutation. of nothings in a defaced mesh as proper skinning. You're invited to add. modify or remove material on the server as part of the release.. ftp ftpbjornmagSobjectkunst.no. mail noematakunst.no (fwd to ombudsman changeable address). mailinglist noemataegroups.com. alias telemata.net arspublica.com auto.noemata.net. Login via ftp to downloadeditupload material to the server. Of course. you're encouraged to download and distribute the material also as backup. in case things on the server are utterly deleted.. Nominally Noemata is constituted as a group identity and you're invited. adopt the nym as you please without any interventions or another nym. associated with noemata in order to further the dissociations.. Kindly supported by Norsk Kulturr�d Kunst og Ny Teknologi The. Norwegian Council of Cultural Affairs Art and New Technology.. Hosting generously provided by Kunstnett NorgeArtnet Norway.. Thanks to a number of people for supporting the efforts over time.. ombudsman. Klas Oldanburg. noematakunst.no. . . . . .. ) ). () ( ( ( o (. ). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Be My Ghost The One and the Other. Be My Ghost The One and the Other. End texts of a patagonistic artwork and context play. ). ). vy ht. A strange pride incites us not only to possess the other but also to. force the other's secret out of him not only to be dear to the other. but also to be fatal to him. To play the minence grise gray eminence. in the other's life.. ( (. ) ). In Sophie Calle's La Suite vnitienne S. decides one day to give an. extra dimension to this experiment by following a man she barely knows. throughout a trip he is making to Venice. She manages to locate the. hotel where he is staying. She rents a room opposite so that she can. observe his coming and goings. She photographs him continually. She. wants nothing from him has no desire to know him. Since he might. recognize her she disguises herself as a blonde. But Carnival holds no. attraction for her and she spends a fortnight surmounting endless. difficulties in order to keep on the trail of her prey. She questions. people in the shops he visits she knows which shows he goes to. She. even knows the exact time of his return to Paris and goes to await his. arrival so that she can take a last snapshot of him.. Does she want him to kill her Does she want him to find her pursuit. so intolerable (especially since she wants nothing out of it least of. all romance) that he will attack her physically or turn on her like. Orpheus on Eurydice and make her disappear Is she hoping that things. will suddenly be reversed and that He will become Her destiny Like all. games this one too has its fundamental rule nothing must happen that. might facilitate a contact or a relationship betwen them. The secret. must not be revealed for fear of falling into banality.. ) ) ) ) (. We should not say 'The other exists I have met him' but instead. 'The other exists I have followed him'. Meeting information is always. too real too direct too indiscreet. There is no secret involved. Think. of how people meeting each otherare forever recognizing each other. forever reciting their identities (just as people who love each other. are forever telling each other so). Can they be so sure of themselves. Does encountering the other really prove that he exists Nothing could. be more doubtful. On the other hand if I followed the other secretly. he exists precisely because I do not know him because I do not want. know him nor to have him recognize me. He exists because without. having chosen to I exercise a deadly right over him the right to. follow. Without ever having approached him I know him better than. anyone. I can even leave him as S. does in La Suite vnitienne with. the certitude that I shall find him again tomorrow in the labyrinth of. the city in accordance with a sort of astral conjunction (because the. city is curved because space is curved because the rules of the game. inevitably puts the two protagonists back on the same orbit).. The only way to avoid encountering someone is to follow him. (according to a principle opposed to the principle of the labyrinth. where you follow someone so that you do not lose him). Implicit in the. situation however is the dramatic moment when the one being followed. suddenly intuiting suddenly becoming conscious that there is someone. behind him swings round and spots his pursuer. Then the rules are. reversed and the hunter becomes the hunted (for there is no escaping. laterally). The only truly dramatic point is this unexpected. turningaround of the other who insists upon knowing and damns the. consequences.. This reversal does in fact occur in the Venice scenario. The man. comes towards her and asks her 'What do you want' She wants nothing.. No mystery story no love story. This answer is intolerable and implies. possible murder possible death. Radical otherness always embodies the. risk of death. S.'s anxiety revolves entirely around this violent. revelation the possibility of getting herself unmasked the very thing. she is trying to avoid.. S. could have met this man seen him spoken to him. But in that case. she would never have produced this secret form of the existence of the. Other. The Other is the one whose destiny one becomes not by making his. aquintance in difference and dialogue but by entering into him as into. something secret something forever separate. Not by engaging in a. conversation with him as his shadow as his double as his image by. embracing the Other the better to wipe out his tracks the better to. strip him of his shadow. The Other is never the one with whom we. Communicate he is the one who we follow and who follows us.. The other is never naturally the other the other must be rendered. other be being seduced by being made alien to himself even by being. destroyed if there is no alternative (but in fact there are subtler. ways of achieving this end).. eeeeee. eeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeee. e. eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is. never the end of desire that the subject is mistaken when he focuses on. what he loves just as an utterance is mistaken when it focuses on what. it says. Secrecy here is always the secrecy of artifice. The necessity. of always focusing somewhere else of never seeking the other in the. terrifying illusion of dialogue but instead following the other like the. other's own shadow and circumscribing him. Never being oneself but. never being alienated either coming from without to inscribe oneself. upon the figure of the Other within that strange form from elsewhere. that secret form which orders not only chains of events but also. existences in their singularity.. w...d. w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP.. .dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.' .. ..ooo.. .... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... .. .... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP. Patagonia. Phantasy of disappearance. The disappearance of the. Indians your own disappearance that of all culture all landscape in. the bleakness of your mists and ice... The last word here is that is is. better to put an end to a process of creeping disappearance (ours) by. means of a live sojourn in a Visible form of disappearance. All. translations into action are imaginary solutions. That is why. 'Patagonia' goes so well with 'Pataphysics' which is the science of. imaginary solutions. Pataphysics and agonistics Patagonistics.. ). The Other. is my guest. Not someone who is legally equal though different but a. foreigner a stranger ) (. ( )( (. extraneous.. And for this very reason his strangeness has to be exorcized.. Otherness denied becomes a spectre and returns in the form of a. selfdestructive process. This too is the transparency of evil.. Alienation is no more the Other as gaze the Other as mirror the Other. as opacity all are gone. Henceforward it is the transparency of others. that represents absolute danger. Without the Other as mirror as. reflecting surface consciousness of self is threatened with irradiation. in the void.. The utopia of the end of alienation has likewise disappeared. The. has not succeeded in negating himself as subject within the. framework of a totalization of the world. A determinate negation of the. no longer exists all that remains is a lack of determinacy as. the position of the subject and the position of the other. Abandoned. this indeterminacy the subject is neither the one nor the other he. is merely the Same. Division has been replaced by mere propagation. and. whereas the other may always conceal a second other the Same never. conceals anything but itself.. ( (). Each of. use lives by setting traps for the other. The one and the other live in. an endless affinity. ( an. affinity which endures until prostration decides the issue.. Everyone Wants their. other.. .. Everyone has an imperious need to put the other at their mercy along. with a heady urge to make the other last as long as possible so as to. savour him.. The opposing logics of the lie. and the truth unite in a dance of death which is nothing but pure. delight at the other's demise. For the desire for the other is always. the desire to put and end to the other (albeit perhaps at the latest. possible moment). The only question is which one will hold out the. longest occupying the space the speech. the silence the very inner world of the other. who is dispossessed of himself at the very moment when he becomes one in. his difference. Not that one kills the other the adversary is simply. harassed into desiring into willingly acceding to his own symbolic. death . . . The world is a perfectly functioning trap.. An otherness a foreignness that is ultimately unintelligible such. is the secret of the form and the singularity of the emergence of the. other.. So. the secret of philosophy may not be to know oneself nor to know where. one is going but rather to go where the other is going not to dream. oneself but rather to dream what others dream... Today when people. have lost their shadows it is of the utmost importance to be followed. by someone today when everyone is losing their own tracks it is of. the utmost urgency that someone be on your tracks even if he wipes them. out and makes you disappear as a result at least your disappearance. will have occured in a collusive mode at least a symbolic form of. obligation an enigmatic form of conjunction and disjunction will have. been brought into play.. C. end of text x etx. THE END. 'The One and the Other'. sluttekster fra. BeMyGhost. BMnoemata. Takk til alle som gjorde dette prosjektet mulig i tillegg til virkelig. og umulig.. Spesiell og hjertelig takk g�r til herStayMH.. Jeg vil ogs� beklage og unnskylde overfor MH og andre for hvem dette kan. ha v�rt en personlig belastning. Jeg mener BMG var n�dvendig og. forsvarer verket og den utformingen det fikk ut fra etiske oppfatninger. like mye som jeg gr�ter noen t�rer over utfallet. Uten en andel. fandenivoldskhet ville det ikke v�rt mulig.. Med dette settes sluttstrek for prosjektet BeMyGhost hva ang�r. noemataBM. Gjenstridig visning og saksbehandling m� heretter anses som. kunstanmeldelse p� linje med annen kunstkritikk. Det ligger i. monsternaturen til prosjektet � motsette seg kontroll og sin egen. sluttf�ring men skulle det mot formodning begynne � r�re p� seg igjen. �nsker jeg ikke lenger ansvar for � ha holdt liv i det. Mange av sporene fra BMG er allerede borte slik de groteske. Gorgonskikkelsene alltid f�r sine spor slettet eller blir til stein. om de ikke s�rger for � slette egne spor mens de g�r. Det samme gjelder. denne posten eller andre p� postlister og web som finnes eller ikke. finnes lenger der de hadde sin funksjon i � komme tilsyne og bli vist. mer enn � bli bevart for ettertiden konstruksjonen er selvf�lgelig. selvdestruktiv lagd som en transient forgjengelig figur. transformerende viskeral viral noe som oppl�ser og sprer seg n�r det. kommer tilsyne slik Det Andre ikke kan bli noe annet enn et sp�kelse. en sp�k.. Var det en sp�k. Hva mener det selv. Note the spirit's uncertainty as to his own success in appearing. The. priest wonders if he really saw anything. The spirit affirms that. 'The body was there if you saw it.'.. En god og fredelig vinter �nskes alle. Mvh. Bj. M.. Noter. Engelske tekstfragmenter. The transparency of evil. J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin. neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor. noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. ashTrey.net. ekunst.no. kunst.nopipermail. Be My Ghost The One and the Other. Be My Ghost The One and the Other. End texts of a patagonistic artwork and context play. ). ). vy ht. A strange pride incites us not only to possess the other but also to. force the other's secret out of him not only to be dear to the other. but also to be fatal to him. To play the minence grise gray eminence. in the other's life.. ( (. ) ). In Sophie Calle's La Suite vnitienne S. decides one day to give an. extra dimension to this experiment by following a man she barely knows. throughout a trip he is making to Venice. She manages to locate the. hotel where he is staying. She rents a room opposite so that she can. observe his coming and goings. She photographs him continually. She. wants nothing from him has no desire to know him. Since he might. recognize her she disguises herself as a blonde. But Carnival holds no. attraction for her and she spends a fortnight surmounting endless. difficulties in order to keep on the trail of her prey. She questions. people in the shops he visits she knows which shows he goes to. She. even knows the exact time of his return to Paris and goes to await his. arrival so that she can take a last snapshot of him.. Does she want him to kill her Does she want him to find her pursuit. so intolerable (especially since she wants nothing out of it least of. all romance) that he will attack her physically or turn on her like. Orpheus on Eurydice and make her disappear Is she hoping that things. will suddenly be reversed and that He will become Her destiny Like all. games this one too has its fundamental rule nothing must happen that. might facilitate a contact or a relationship betwen them. The secret. must not be revealed for fear of falling into banality.. ) ) ) ) (. We should not say 'The other exists I have met him' but instead. 'The other exists I have followed him'. Meeting information is always. too real too direct too indiscreet. There is no secret involved. Think. of how people meeting each otherare forever recognizing each other. forever reciting their identities (just as people who love each other. are forever telling each other so). Can they be so sure of themselves. Does encountering the other really prove that he exists Nothing could. be more doubtful. On the other hand if I followed the other secretly. he exists precisely because I do not know him because I do not want. know him nor to have him recognize me. He exists because without. having chosen to I exercise a deadly right over him the right to. follow. Without ever having approached him I know him better than. anyone. I can even leave him as S. does in La Suite vnitienne with. the certitude that I shall find him again tomorrow in the labyrinth of. the city in accordance with a sort of astral conjunction (because the. city is curved because space is curved because the rules of the game. inevitably puts the two protagonists back on the same orbit).. The only way to avoid encountering someone is to follow him. (according to a principle opposed to the principle of the labyrinth. where you follow someone so that you do not lose him). Implicit in the. situation however is the dramatic moment when the one being followed. suddenly intuiting suddenly becoming conscious that there is someone. behind him swings round and spots his pursuer. Then the rules are. reversed and the hunter becomes the hunted (for there is no escaping. laterally). The only truly dramatic point is this unexpected. turningaround of the other who insists upon knowing and damns the. consequences.. This reversal does in fact occur in the Venice scenario. The man. comes towards her and asks her 'What do you want' She wants nothing.. No mystery story no love story. This answer is intolerable and implies. possible murder possible death. Radical otherness always embodies the. risk of death. S.'s anxiety revolves entirely around this violent. revelation the possibility of getting herself unmasked the very thing. she is trying to avoid.. S. could have met this man seen him spoken to him. But in that case. she would never have produced this secret form of the existence of the. Other. The Other is the one whose destiny one becomes not by making his. aquintance in difference and dialogue but by entering into him as into. something secret something forever separate. Not by engaging in a. conversation with him as his shadow as his double as his image by. embracing the Other the better to wipe out his tracks the better to. strip him of his shadow. The Other is never the one with whom we. Communicate he is the one who we follow and who follows us.. The other is never naturally the other the other must be rendered. other be being seduced by being made alien to himself even by being. destroyed if there is no alternative (but in fact there are subtler. ways of achieving this end).. eeeeee. eeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeee. e. eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is. never the end of desire that the subject is mistaken when he focuses on. what he loves just as an utterance is mistaken when it focuses on what. it says. Secrecy here is always the secrecy of artifice. The necessity. of always focusing somewhere else of never seeking the other in the. terrifying illusion of dialogue but instead following the other like the. other's own shadow and circumscribing him. Never being oneself but. never being alienated either coming from without to inscribe oneself. upon the figure of the Other within that strange form from elsewhere. that secret form which orders not only chains of events but also. existences in their singularity.. w...d. w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP.. .dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.' .. ..ooo.. .... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... .. .... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP. Patagonia. Phantasy of disappearance. The disappearance of the. Indians your own disappearance that of all culture all landscape in. the bleakness of your mists and ice... The last word here is that is is. better to put an end to a process of creeping disappearance (ours) by. means of a live sojourn in a Visible form of disappearance. All. translations into action are imaginary solutions. That is why. 'Patagonia' goes so well with 'Pataphysics' which is the science of. imaginary solutions. Pataphysics and agonistics Patagonistics.. ). The Other. is my guest. Not someone who is legally equal though different but a. foreigner a stranger ) (. ( )( (. extraneous.. And for this very reason his strangeness has to be exorcized.. Otherness denied becomes a spectre and returns in the form of a. selfdestructive process. This too is the transparency of evil.. Alienation is no more the Other as gaze the Other as mirror the Other. as opacity all are gone. Henceforward it is the transparency of others. that represents absolute danger. Without the Other as mirror as. reflecting surface consciousness of self is threatened with irradiation. in the void.. The utopia of the end of alienation has likewise disappeared. The. has not succeeded in negating himself as subject within the. framework of a totalization of the world. A determinate negation of the. no longer exists all that remains is a lack of determinacy as. the position of the subject and the position of the other. Abandoned. this indeterminacy the subject is neither the one nor the other he. is merely the Same. Division has been replaced by mere propagation. and. whereas the other may always conceal a second other the Same never. conceals anything but itself.. ( (). Each of. use lives by setting traps for the other. The one and the other live in. an endless affinity. ( an. affinity which endures until prostration decides the issue.. Everyone Wants their. other.. .. Everyone has an imperious need to put the other at their mercy along. with a heady urge to make the other last as long as possible so as to. savour him.. The opposing logics of the lie. and the truth unite in a dance of death which is nothing but pure. delight at the other's demise. For the desire for the other is always. the desire to put and end to the other (albeit perhaps at the latest. possible moment). The only question is which one will hold out the. longest occupying the space the speech. the silence the very inner world of the other. who is dispossessed of himself at the very moment when he becomes one in. his difference. Not that one kills the other the adversary is simply. harassed into desiring into willingly acceding to his own symbolic. death . . . The world is a perfectly functioning trap.. An otherness a foreignness that is ultimately unintelligible such. is the secret of the form and the singularity of the emergence of the. other.. So. the secret of philosophy may not be to know oneself nor to know where. one is going but rather to go where the other is going not to dream. one is going but rather to go where the other is going not to dream

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oneself but rather to dream what others dream... Today when people. have lost their shadows it is of the utmost importance to be followed. by someone today when everyone is losing their own tracks it is of. the utmost urgency that someone be on your tracks even if he wipes them. out and makes you disappear as a result at least your disappearance. will have occured in a collusive mode at least a symbolic form of. obligation an enigmatic form of conjunction and disjunction will have. been brought into play.. C. end of text x etx. THE END. 'The One and the Other'. sluttekster fra. BeMyGhost. BMnoemata. Takk til alle som gjorde dette prosjektet mulig i tillegg til virkelig. og umulig.. Spesiell og hjertelig takk g�r til herStayMH.. Jeg vil ogs� beklage og unnskylde overfor MH og andre for hvem dette kan. ha v�rt en personlig belastning. Jeg mener BMG var n�dvendig og. forsvarer verket og den utformingen det fikk ut fra etiske oppfatninger. like mye som jeg gr�ter noen t�rer over utfallet. Uten en andel. fandenivoldskhet ville det ikke v�rt mulig.. Med dette settes sluttstrek for prosjektet BeMyGhost hva ang�r. noemataBM. Gjenstridig visning og saksbehandling m� heretter anses som. kunstanmeldelse p� linje med annen kunstkritikk. Det ligger i. monsternaturen til prosjektet � motsette seg kontroll og sin egen. sluttf�ring men skulle det mot formodning begynne � r�re p� seg igjen. �nsker jeg ikke lenger ansvar for � ha holdt liv i det. Mange av sporene fra BMG er allerede borte slik de groteske. Gorgonskikkelsene alltid f�r sine spor slettet eller blir til stein. om de ikke s�rger for � slette egne spor mens de g�r. Det samme gjelder. denne posten eller andre p� postlister og web som finnes eller ikke. finnes lenger der de hadde sin funksjon i � komme tilsyne og bli vist. mer enn � bli bevart for ettertiden konstruksjonen er selvf�lgelig. selvdestruktiv lagd som en transient forgjengelig figur. transformerende viskeral viral noe som oppl�ser og sprer seg n�r det. kommer tilsyne slik Det Andre ikke kan bli noe annet enn et sp�kelse. en sp�k.. Var det en sp�k. Hva mener det selv. Note the spirit's uncertainty as to his own success in appearing. The. priest wonders if he really saw anything. The spirit affirms that. 'The body was there if you saw it.'.. En god og fredelig vinter �nskes alle. Mvh. Bj. M.. Noter. Engelske tekstfragmenter. The transparency of evil. J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin. neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor. noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. ashTrey.net. ekunst.no. kunst.nopipermail. �pen kanal for kunstlivet. kunst.no. Unng� forsinkelser Ikke. send HTMLformaterte brev. Opensource digital arts publishing Ars Publica. Opensource digital arts publishing Ars Publica. opensource development network) at the Prix Ars Electronica this year the. following question surely needs to be asked when will art institutions. look sideways at commerce and how software companies and developers have. adapted to use the network as a fused combination of space for initiation. collaboration dispersion distribution and beyond to do likewise for art. forms and disciplines such as net art. Net art having a long history of. practitioners who are programmers it seems that obstacles and technical. hurdles lie in the domain of the institutions rather than the artist.. publisher and agency established for providing and funding new media art. activities and resources in affiliation with the art server Noemata.net. currently supported by the Council of Cultural Affairs in Norway. Yet. cultural or physical borders don't hold for this open content site.. Through a norestrictions policy regardless of where the content. originated or what language is used their policy is to support. collaboration community transparency and immediacy in the arts net art. media art correspondencemail art network art context art or other. otherness and marginal artifactualizations. The server space embraces art. work and its byproducts in all shapes and forms functioning and non. functioning in fact it revels in the successes changes and even failures. of the combinations of art and technology documenting work as it is in an. almost dadaesque manner.. Individuals and institutions can participate in two ways they can add. modify or remove material on the server to contribute to the work or they. can purchase shares of noemata.net.... Shares can be browsed and purchased from the catalogue establishing. delivered to you prior to your order. Digital art being freely available on. the net the audiencepotential buyeris already the owner of the art. work it is already distributed and downloaded by being browsed much like. quantum mechanics readymades Zen or similar commodities. In addition. the art of Noemata is opencontent licensed (meaning no fee can be charged. for it) so that's another problemno order no payment (if you figure out. a way to pay us we'll consider whether to accept it or not). By buying. shares of Noemata in the form of art we in Ars Publica fancy having. provided a solution where you can order something you already possess and. purchase something for which you may not be charged. These are problematic. issues maybe paradoxical. We'll have a shot in the arm at it.. While Ars Publica should be felicitated on its approach it does seem like. the attempt lacks dedication to posterity. True art can be added in any. way but how is that art contextualized How does it exist in relation to. the piece next to it And how will it be cataloged for users. Lastly because of the nature of the work that Ars Publica contains (often. collaborative contributory and variable) and the fact that it can contain. many works how do we define the border between the works and the space. Where are the indications you would have in a classic space such as a. gallery indications disposed of to free the space yet possibly to the. compromise of context How do we stop the space itself from just becoming. an immense collective netart work in itself Is this good or bad Do we. consider galleries as collective art works. For more information on Ars Publica and their approach see the site or. contact arspublicakunst.no. A special feature from Net Art Review. You can find more reviews and. January. Reviewer Garrett Lynch. URLs. This post dedicated to posterity.. Andeler selges med takk. B. Re Pamphlegm (excerpt ). 'PAMPHLEGM'. BISN BSNI BNIS SIBN SINB SBNI BINS NIBS NBIS BSIN BNSI Anna in fact. Astsihrin plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent.. Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr (rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art). graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Addendum. Noetmaa (rde) acchatron pelw tuhs. atonegm. y omlMm IBSN ger. m. in al. ghpacris IBSN nIso cP. s. b ul r B Ma. n Cor. i rdor Tntralaesd. pitraugapve IBSN G uru. Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue IB S. N. Lab Ur InruLearbtegint. Hertpxeyt sseynhztei r ni h. S BN The AIShnNyPNrBG Prjoect. Re Pamphlegm (excerpt ). 'PAMPHLEGM'. BISN BSNI BNIS SIBN SINB SBNI BINS NIBS NBIS BSIN BNSI Anna in fact. Astsihrin plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater Tronclatot.. Ktan Litas Lib Ur Integerliborent.. Marie Federh Hal Dhaleser Nianeta. Tia Amihrespnpns Presesd lenphr (rywhoeb). Tii Rigfanshr (seturichl). hactora c hicterins (seteesgih art). graphocq. Futeru Hul Dealicor Nahmato. Thy Rosfencer (xaturesil). Addendum. Noetmaa (rde) acchatron pelw tuhs. atonegm. y omlMm IBSN ger. m. in al. ghpacris IBSN nIso cP. s. b ul r B Ma. n Cor. i rdor Tntralaesd. pitraugapve IBSN G uru. Jonehns bluBr Man Cdoriror Tasnaterld. ntaetgtvue IB S. N. Lab Ur InruLearbtegint. Hertpxeyt sseynhztei r ni h. S BN The AIShnNyPNrBG Prjoect. lVTREamontag. ligeuon jn V. SMG l EAR th PLA HDD hodja t AOI XRV malchants OOU mldrr NRS narja. chact mle lVTRE amontag on a sun aka sephaxon 'l'hror files gro. divius noscapes wu tang ipsum veneusuvius nous a muse. Aa sheop veagng. Enaev ssnesdotR. GN rg ajranhea. M groiodlam esl. PLA HD hodaya t. Rofoat uw tem. tinnhlsyintsvse. Rrs upsum phaa. SratnomaERTVl c. h day aka seeA. jus nosca hhI. lSnidnv sua b. mailchant mal. rdlm UOO stnah. tanmalchantspcO. Xnxoev vuiis aA. aehnaria gr NG. lse mould org M. t a doh DDH ALPlura. met wu taofoR. aahp muspu srR. c lVTREamontarS. Aees aka yad h. Ihh acson suj. b aus vndinSl. lam tnahcliam. hants OOU mldr. AXaeinosuvx. GNaeghinr. Mdeglmorsu. ADHLPadhlortu. Raefmotuw. Rahmprsu. ERSTVaclmnort. Aadehksy. Iachjnosu. Sabdilnsuv. achilmnt. w'd. sboeathi. us. Name Last modified Size. Parent Directory Feb. no.jpg Mar k. no.jpg Jan k. no.jpg Jan k. no.jpg May k. no.jpg Sep k. nta.jpg Mar k. vns.jpg Dec k. Apache.. Server at noemata.net Port. lVTREamontag. SMG l EAR th ALP HDD hadja t AOI XRV malchants OOU mldrr NRS. chact mle lVTRE amontag on a sun aka seph axon 'l'hror files. grodiva nouscapes wu tang ipsum veneusuvius a muse um mould. M GNaeghinr Mdeglmorsu ADHLPadhlortu Raefmot. uw Rahmprsu ERSTVaclmnort Aadehksy Iachjnos. Name Last modified. Size. Parent Directory Feb. no.jpg Mar k. no.jpg Jan k no.. jpg Jan k no.jpg. May k no.jpg. Sep k n ta.j pg. Mar k vns .jpg. Dec k. Apache.. Server at noem. ata.net P ort. arc.hive lVTREamontag. SMG l EAR th ALP HDD hadja t AOI XRV malchants OOU mldrr NRS. chact mle lVTRE amontag on a sun aka seph axon 'l'hror files. grodiva nouscapes wu tang ipsum veneusuvius a muse um mould. M GNaeghinr Mdeglmorsu ADHLPadhlortu Raefmot. uw Rahmprsu ERSTVaclmnort Aadehksy Iachjnos. Name Last modified. Size. Parent Directory Feb. no.jpg Mar k. no.jpg Jan k no.. jpg Jan k no.jpg. May k no.jpg. Sep k n ta.j pg. Mar k vns .jpg. Dec k. Apache.. Server at noem. ata.net P ort. arc.hive mailing list. arc.hivelm.va.com.au. Re postings. Brent. Yes that's exactly another use of the nums.. I have set off. for experimental writing literary wryting stuff.. Friendly. B. Bjorn. If this is the case then I think for past postings I think I'll decline. as many of these will be appearing elsewhere and I want to avoid conflicts. in publishing.. However I can certainly make a number of poems that could be set aside. for. many. you like poems I could put in the subject line and in the body. purpose.. Sincerely. Brent. Original Message. noemata. Brent Bechtel. Friday February PM. Re postings. Welcome. Will be fun. Are you going to mix them up so they won't be entirely. recognizable. I still want to be able to publish them in journals. Brent. thanks i plan to to verbatim digests like the nettime unstable digests. with index see link i was thinking of that maybe using the wrong word. rehashing. i'd be interested in mixing the text up also probably but was. thinking of verbatims. anyway as you please. an option would be to. copyright them in the digests which would be ok of course.. friendly wishes. bj�rn. in short these net books have their pages spread out on the net with. the books are default copylefted and will be archived in simple digested. form much like nettime unstable digest (see link below) at the noemata. server andor other places on the net.. Original Message. noemata. Brent Bechtel. Sunday February PM. Re postings. very nice and generous.. bj.. Dear Bjorn. Certainly certainly. I'd be honored really. Your project sounds. very. interesting and fun as well.. So rehash away my friend.. Sincerely. Brent. Original Message. From noemata. To Brent Bechtel. Sent Sunday February PM. Subject Re postings. Hi I'd like to rehash some of your postings into the openended. books I'm editing and would like your opinion and eventually. permission to do that.. The books are default copylefted and will be archived in digested. form of course retaining the origin at noemata.net server andor. other places.. greetings. bjorn. more info at. From Brent Bechtel. To WRYTINGLlistserv.utoronto.ca. This is a multipart message in MIME format.... ContentType textplain charsetiso. of cyphermodern imaghinery. ............ ...... idntjcpdp x ouqrqma aj b n lnjiwnwpxz. ....... vt mkhnb pg dn ij ewfljtugi g. ....... ... .... ....... afcjgr mjyrstjf jnrd mofuw. ....... ........... anyhr. Automated art blog. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. RHIZOME DIGEST A proposition for book publishing. . e k u n s t . RHIZOME DIGEST A proposition for book publishing. This is a multipart message in MIME format.... ContentType textplain charsetiso. RHIZOME DIGEST A proposition for book publishing. RHIZOME DIGEST January. Noemata A proposition for book publishing. By this proposition the book is essentially unbound.. In addition no bound book is possible. Considering a bound book there. only possible but the logical conclusion if a book is uniquely. Following the proposition the books could be considered 'hyperbooks' in. the traditional sense being nonlinear extradimensional fragmented. fractal viral etc in varied forms of openended possible mutable or. generative structures.. Another suggestive term could be 'cypherbook' cyphercipher meaning. 'writingvolume' in general 'number zero' as the book is defined. the content is transformedcoded more extensively by its (unbound). dispersal in different contexts and with structures codified to a. higher degree than traditional books in addition an anagrammatic. relation to the 'hyperbook' term.. A generic term might simply be 'net.book'.. The term 'book' itself may take on some specific meanings the basic. notion of a written document writing on beech collection of sheets of. paper or other material as cortex etym. from 'bark' as. inscriptions in the outer regions of a structure (in fact any. inscription is 'outer' and marginal in regard to the book as cypher). which brings the image of neural networks closer to the idea of the. define them or as 'making a book' bookmakers running the numbers. rackets a possibly illicit anarchic use of the international standard. book number system.. By inverting the definition of a book actually turning it inside out. the concept of book is attempted brought back to writing like an. expansion of the void towards the periphery through an antigravitating. force. The idea of the book which always refers to a natural totality. is profoundly alien to the sense of writing... notion of content is also altered say like matter of the universe. where only is estimated atomic matter the rest being dark matter. () and dark energy (). The content of a book could spread out in. any degree in the spectral dimensions. publicprivateinformationnoisetextcypheretc making book a body of. matter in the more physical sense like consisting of atomic text. darkambient text darkambient writing.. Concerning licensing since the books are inherently unbound no overall. copyright can apply. If a book cannot be bound surely it cannot be. copyright by recording it which again would violate the book making. it impossible. Copyright issues would therefore have to be partial to. the book and in practice distributed to its pages and actual writing. which could be copyrighted in the usual manner. Following this an open. sourcecontent copyleft licence would seem the proper thing and. default modus for the book and assure its essentially open and free. distribution and mutation.. usages and notions of the book concept could be opened up for creative. investigation one reason being that technology and new media. immaterializes and fuses different forms into basically one digital. form and since the content of that form often is aggregates into one. big interconnected blob or so we would like to think alltogether. emphasizing the virtuality of the book freed from its material basis.. In a more general interpretation the book could constitute any kind of. real or virtual intellectual 'work' ranging from physical artwork to. networked ideas by being its possibly unique identifier like a. signature tag etc and thereby help and preserve different kinds of. distributed networked arts and gain identity by analogy maybe as. work in the cultural net dispersed or immersed into it.. begin with announcing the publication of books accordingly. only the content of a book being the (possible empty) set of documents. some form of content from preliminar usage and are based on various. topics but that doesn't change their status or limit their usage as. they are principally open subject to writing being what is actually. written into them being written written beings.. For practical purposes once the books attain some sort of substance. stabilizes or in other ways attain a reportable identity they'd be. information system.. Since the books are unbound they won't have any interface other than. their pages' immediate contexts so if any overall interface at all it. would have to be made which is precisely an etymologic meaning of. 'face' (from facere to make) so interfacing the book would in a sense. also be the making of it (and be part of it in a selvreflexive way).. Such interfaces could be readily made for instance using search engines. or scripts in indexinggatheringfiltering material into different. partitions.. Additional structuring of the books could be made using cyphers for. signing authenticating encrypting material if they were intended for. special authoring or ways of reading.. A closing topos restating Baudrillard in his exposition of value. queryreplaced into this setting of book publishing as seen apt for the. purpose. Book stages natural books commodity books structural books. (hypertext) fractal books (viral radiant). Fractal books prolificly. only refer to themselves radiating in all directions publishing as. contiguity. The book no longer has any equivalence an epidemic of book. metastasis of text haphazard proliferation and dispersal of book. We. should no longer speak of 'book' at all for this kind of propagation or. chain reaction makes all books impossible. Yet things continue to. function long after their idea have disappeared and in total. indifference to their own content the paradoxical fact is that they. function even better under these circumstances. The book is no longer a. metaphor for logos etc or anything at all but merely the locus of. metastasis of the machinelike connections between all its processes. of an endless programming devoid of any symbolic organization or. overarching purpose the book is thus given over to the pure promiscuity. characterizes networks.. Finally three small images of books for the occation. (Redistribute where appropriate comments are welcome.). cipher This word has a comprehensive meaning in Scripture. In the. Old Testament it is the rendering of the Hebrew word sepher which. properly means a writing and then a volume (Ex. Deut.. Job ) or roll of a book (Jer. ).. ci.pher n often attrib ME fr. MF cifre fr. ML cifra fr. Ar. sifr empty cipher zero (c) a zero a. b one that has no weight. worth or influence nonentity a a method of transforming a text in. order to conceal its meaningcompare code b b a message in code. arabic numeral a combination of symbolic letters esp the interwoven. initials of a name. Enc. Britannica. book Middle English bok from Old English bc. See bhgo in. IndoEuropean Roots. Word History From an etymological perspective. book and beech are branches of the same tree. The Germanic root of both. words is bk ultimately from an IndoEuropean root meaning beech. tree. The Old English form of book is bc from Germanic bk written. document book. The Old English form of beech is bce from Germanic. bkjn beech tree because the early Germanic peoples used strips of. beech wood to write on. A similar semantic development occurred in. Latin. The Latin word for book is liber whence library. Liber however. originally meant bark that is the smooth inner bark of a tree which. the early Romans likewise used to write on.. cortex (kr�teks) n. pl. tices (t sz�). . Anat.. Zool. the outer region of an organ or structure as the outer portion of the. kidney. the cerebral cortex. . Bot. the portion of a stem between. the epidermis and the vascular tissue bark.any outer layer as rind. .. Mycol. the surface tissue layer of a fungus or lichen composed of. massed hyphal cells. L bark rind shell husk. Random House Dict.. The End of the Book In Of Grammatology Jacques Derrida equates the. culture of The Book with logocentrism the belief in a signifier which. is both outside of structure and hence beyond scrutiny or challenge. and at the very centre providing it with a central point of reference. that anchors meaning... It is the encyclopedic protection of theology. and of logocentrism against the disruption of writing against its. aphoristic energy and ... against difference in general.. The Book The west has been called the civilization of the book. (Derrida Of Grammatology ).. In short open sourcecontent licences assures different degrees of. open and free copying modification and distribution.. Books published by noemata.net. From J Baudrillard Transparency of Evil. verso.. Rhizome.org is a (c)() nonprofit organization and an affiliate of. the New Museum of Contemporary Art.. Rhizome Digest is supported by grants from The Charles Engelhard. Foundation The Rockefeller Foundation The Andy Warhol Foundation for. the Visual Arts and with public funds from the New York State Council. on the Arts a state agency.. �pen kanal for kunstlivet. kunst.no. Unng� forsinkelser Ikke. send HTMLformaterte brev. syndicate the past. This is a multipart message in MIME format.... ContentType textplain charsetiso. see headers of the mail. event. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. Re soehmtnig cool (fwd). 'Course using it to some extent on the list last in the omo spam a version. tentative a convenience via Cramer suggested an internaljumblingtechnique. replacing anagrams also but the algoritm drains resources so it's not online. in the script for every anagram of abcdefg check the whole ag up in a. dictionary besides giving very little substitution. Bj.

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Forwarded message. ryan.whyteutoronto.ca. something cool. Aoccdrnig to a rscheearch at an Elingsh uinervtisy it deosn't mttaer in. waht oredr the ltteers in a wrod are the olny iprmoetnt tihng is taht frist. and lsat ltteers are in the rghit pclae. The rset can be a toatl mses and. you can sitll raed it wouthit a porbelm. Tihs is bcuseae we do not raed. ervey lteter by it slef but the wrod as a wlohe.. log .. log. oail. noemata. ... grapho y. sm ie s. hpgarics ISB mGo tal mial art es.. hpgarics ISBS BN n. noemata. ... pzwkKPZyffIyoEbbKhbdOa. abrznUr. oryvrirf guvf V guvax orpnhfr ur npprcgf gurInternet. .publication . djbdns Blurbs. It. noemata. ... Similarpages. feceaaenilnothcXbJPsyFSorZjKtYgaRkXlGip.XTNLN. Similarpages chtonline.org Similarpages Ars. Populi May caedere Apr cave Apr. cgibinvzntrf fgbevrf uggcjjj.neggurencl.betwbheany.ugzy uggc.segap bew. ot gniklat .ge tnetnoc bew htiw gnitcaretnirof loot tob tahc dnarelbmarcstxet. nainothc A minortaM nrojB yb enilnothc. . '. noemata. ... TNXNKLBRTM. c s k g j q x. zkkkkdqdedaTjVkmmJKsDFUtgLKEYJfIiGbabafbaefacfbeSyirroTungw. Unopern Vusdhr Woacsiu Xrue YwmgwhZlamsI.JdRJPWZ.oMxwUsPtxuUxklamu. noemata. ... TTMdGGzinSKljOXQpUljaZZxSDH. sss sssbb bb iii sss. sss eeeee vvv oo oo vvvbb sss sss eee vv vv. oooo vv vvbb. iiiCUtxDoiIQnKIqvcEEDsmbCYGDrgieerdlerof. ellinsepmejk ot dem nemmas tsev ramaH nesEralloD iEnrots ilb nuh rEN ). vovessib etsgiledyn snedrev araT go iraMreteh. Subject rots ilb nuh. noemata. ... d Jill has some thought. txetteneffaaecddarggrkgarggrkg. Added new Remove High Asciicleaner. ensuring text ends upas bit ASCIIAddedJill has some thought on myquestion of. what bad nettextis.relationships with other schoolsand departments. within Greenwichand other.nelletsreh neigolonhcetnizideM.wzb etkudorpnizideM. eid X. noemata. ... Books. BooksMany formulations at noemata are centered around books as a way. ofcapsulating works that otherwise might seem ephemeral immaterialmarginal. contextual conceptual having no outside. The notion of abook is also. sense they're networked books net.books with aninverted formcontent relation. as books turned insideout. This is madepossible with networked digital media. especially and is also a(tauto)logical consequence of operating with unique. with a communal participatory basisand released as copyleft if nothing else is. stated. They're structuredas mailinglists blogs web archives folders. programs etc indifferent files and formats. Formats are chosen for. readability and easyaccess. ASCII textfiles are when possible also made. compatible withunix mbox format (mailformat) and can thereby be imported into. a mailclient and read as mail. Below is a list of entrance points to some ofthe. open books at noemata.. noemata actcharon plew thus. anetologyMmmm url. noemata PAeiRiL Iamentities. mail art url. noemata laburinteger. hypertext synth nihiloger url. GeneralNoemata can be viewed as an open content server. within art and newtechnology with an emphasis on net based communal. formulations.Kindly supported by Norsk Kulturrd Kunst og Ny. Teknologi The Norwegian Council of Cultural Affairs Art and New. Technology.Hosting generously provided by Kunstnett NorgeArtnet Norway.Thanks. a number of people for supporting the efforts over time.. noemata. ba erom dnatsrednu uoy. YHWMrNOYYCfNMlNcyNYlTmatamotuaamotu. .sevitaler sti dna efiL QAF atamotuA ralulleC .QAF .atamotuA. ralulleCnotamotua na si yltcaxe tahw yltsriF .atamotuA. gnidnatsrednUsmsinahcemtuoba erom dnatsrednu uoy pleh ot dengised scipot fo. rebmun a ot no.E noitatupmoC dna segaugnaL yroehT atamotuA ot. noitcudortnI.)ecneicSretupmoC( yroehT atamotuA .)ecneicS retupmoC( noitatupmoC. fo yroehT (L()((. noemata. ... he grkg irefvba bs guvf. ddadeffdceeabeecccaaddadeffdceeabeec. N infoidealeagentur.de. Design Programmierung pixellab.. RechtshinweisFvzvyneaofccntrf CQS onhybtvf arjfSvyr Sbezng CQSNqbor. NpebongLbheoebjfre znl abg unir n CQS ernqre ninvynoyr. Tbbtyr erpbzzraqf. ivfvgvatbhe grkg irefvba bs guvf qbphzrag. Cebwrxgr Qnf Gryrxbz Pragre va. Zapura rva Onhfgryyraorfhpu Ovggr yrfra Fvr. noemata. re. A complete. DKlfRbljqEMXsRGAeGQTiMgmXjkdfaazbir. cacdcaff N domain names and web hosting and url. forwarding from V.Ardalambion. This pagecontains huge a lot Tolkien stuff and. a shortdescriptionand balanced lifestyle in Iowa. From advanced. technologiesAnswer all your moving queries here. A complete rangeMove Your. Rights andResponsibilities When You Move. Your Rights andResponsibilities. noemata. o. aa. aafabfabeedabbowT .puenil rekaeps etonyek. SSMIH eht fo trap oslarotanidrooCygolonhceT noitamrofnI htlaeH lanoitaN. reliarB divaD .rDVisual Studio Team System (December CTP) Stable Visual. Studio . CUC Dhrorp jvyy srngher qvfgvapg genpxfWelcome This. is your invitation to join the IEEE Global TelecommunicationsConferenceGLOBECOM. sponsored by the IEEE Communications Society andthe. noemata. ots complains about. cvybgfP cvybgfcvybgfPLTSP. stolipcvybgfcvybgfilopstcfaafor internet. educational software for software developers andotherConvert CHM to PDF.serve. the interests and needs of its members as aircraft ownersand pilots.Fighter. Pilots USA. Its as real as itgets. Click herefor Fighter Pilots USA.. Total Users Today Member Login. The story behind theBaja BushPilotsJet. pilots complains about laser A commercial airline pilotsaid that alaser beam. noemata. noswaL kraP etatS lliM. .b.bcXksipSFeCZJbBFFzKAtrOfccacdec.b.oo.o.Internet. Explorer Opera . Netscape Navigator . .See more bythis manufacturer.. O Entertainment. Share your thoughts. Sign in to(O) Ring (O) Ring (O). Ring (O) Ring (O).tnatulloP sgnirps odarodlE .)O( enozO derotinoM. )s(tnatulloPnoswaLkraP etatS lliM sniktaW .setiS gnirotinoM riA )O( enozO. iruossiM ( . ) ( o ) ( ). noemata. ... emmets ted reph. A ATNTStlGHhidMcqqpSWrwgPpQeu.sadnudaATNTS. ATNTSsadnuda tg etorw neiL nietsoJ voN euT. nO)rettalluh( hahahah .)yasse( rebmesed olsO i kcehCytilaeR . tsnuk e. .tw tetrokmrejks emmas ted rah remmets ted reph. ggelnnIremmeldeMeppurG rekurB .tsoP etouQ . teverkS tsoP. sadnudaThe Responser The Responser . Doble din IQeller ingenpenger tilbake The. Responser .. noemata. cvp (Fgnegrq ol). 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Mitt utgangspunkt ernettkunst og bkene. foreligger stort sett bare elektronisk.Artist books tolkes i dette tilfellet i. ordets videsteforstand Bok som selvstendig kunstuttrykk Bok som. alternativ til utstilling Bok som en utvidelse av presentasjonsformer. forkunst Bok som dokumentasjon av flyktige kunstprosjekterI mine prosjekter. har jeg ogs tolket boken i retning av det samme somen mte innkapsle. kunstuttrykk og prosjekter som ellers er flyktigeog uhndterlige som. kunstobjekter. Arbeidsmten og uttrykket for meglike nrt eller. nrmere boken enn en tradisjonell utstilling ellerkunstnerisk. presentasjonsform noe some dels kommer av egenskapene tilmediet nettkunst og. og inngr i et strreprosjekt omkring nettverksbker net.books.Mer. at noemata are centered around books as a way ofcapsulating works that. otherwise might seem ephemeral immaterialmarginal contextual conceptual. having no outside. The notion of abook is also abstracted to mean merely a set. net.books with aninverted formcontent relation as books turned insideout.. This is madepossible with networked digital media especially and is also. if a number defines a book then let a number define a book.Der er det listet. opp og linket til de tilgjengelige bkene. Dersom dereer interessert i. inkludere elektroniske artist books i samlingen s tagjerne en titt p. disse.Boken under er forvrig den eneste som er utgitt p papir og. nett.Deichmanske hovedbibliotek Oslo har noen eksemplarer ellers eropplaget. p utgtt. Boka finnes i tilsvarende nettversjon pURL. Translated.nettHper at noe av dette kan vre interessant for. AV ARTIST BOOKSI forbindelse med utstilling og seminar om kunst ibokform. nsker vi f tilsendt artist books avkunstnere med tilknytning til. Norge. Utstillingenshovedfokus vil vre p de siste rene men. vinsker ogs ta med et mindre utvalg av tidligereutgivelser.. Utstillingen og seminaret vil finne stedp Fotogalleriet hsten .. Kuratorer for prosjekteter Marianne Zamecznik og Halvor Haugen i. samarbeidmed Fotogalleriet. Utstillingen vil kurateres pbakgrunn av. innsendt materiale.Artist books tolkes i dette tilfellet i ordets. videsteforstand Bok som selvstendig kunstuttrykk Bok som alternativ til. utstilling Bok som en utvidelse av presentasjonsformer forkunst Bok som. dokumentasjon av flyktige kunstprosjekterBkene vil dersom kunstnerne. nsker det inng iFotogalleriets bibliotek .Spre gjerne denne. oppfordringen til andre kunstnere.For mer informasjon kontakt Marianne. bkene tilMarianne ZamecznikKirkebyveien LommedalenFrist for. innsendelse Marianne Zamecznik. noemata. ... Vaqrk bs. daaMPPMPPdaavFHhALHAsPMUPlZEdQfqQgBmZMPPotdesu. nyvnfUWRZZRFVQRabobqlzccucmWCTFs. Anzr Ynfg. zbqvsvrqnefcbchyv.pbzvqzccucRONL x Fhccyrzragny Erfhyg. Pnp. 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AEX (Yraxr) rfcra.unht.uneqnatraaex.ab . Abrzngn. (Yraxr). yrsgcyhtabrzngn.arg. this test ignore Chuck test misc test from covad.net. Terry. Morse CBXDZQHXHD ignore URI test Wyrmwif test ignore u. noemata. test. BREISKULDER Riktig STYGGEN Og dersom du. noemata. According to Husserl there are many modes of. consciousness thus an object. canbe represented by several noemata which can also blend into a. single. noema. .aeghmnopt. and the everchanging stream (santana) of internal noemata. mental. matter Translate this page Re energiepyramide tomodachi. .. () dritte Siegelfr ..Noemata Leonardo ... () Re. Genafyngr guvf cntr T Bevragnyvfpure Onhpugnam . Frzrfgre.. Noraqr Fvyivn Fpuarvqre.. (Zv) ovf .. (Zv) iba. ovf HueFvzvyneaofccntrf. serrcntrf.trarnybtl.ebbgfjro.pbzuraqerqt.ugzySvyr Sbezng. CQSNqbor Npebong Ivrj nf UGZYLbhe oebjfre znl abg unir n. CQS ernqre ninvynoyr. Tbbtyr erpbzzraqf ivfvgvat bhe. ) ). ) ). ((. ((. dP I dP YI. sbe qrabgvat gur uvtuyl pbagvatrag nttertngr bs rkgreany cebcregvrf. (ehcnquneznf)naq gur rirepunatvat fgernz (fnagnan) bs vagreany. abrzngn dhbgzragny. znggre Genafyngr guvf cntr Er raretvrclenzvqr gbzbqnpuv. .. () qevggr Fvrtry. skip to content.File Format PDFAdobe Acrobat View as HTMLYour. browser may not have a. this. document. Page . ESG Lab Report Executive Summary Hitachi. Data. Systems (HDS) is a. dPYb I. IP'Yb I. I I I. I ' I. I dPgg ggggI g. IdP I dP YI '. IP I i' I ' Yb. d Id db' ). P YPYPYP' YYPP. H. cedcbfadcbfe. uggcabrzngn.arganghengn. U. prqposnqposr. NRK (Lenke) espen.haug.hardangennrk.no . Noemata. (Lenke). leftplugnoemata.net. bs Ynathntr naq Vasbezngvba Fgnasbeq Havirefvgl Va guvf cncre V. pbzcnerQnivq Fhyyvina Abrzngn be Ab Znggre Sbepvat Curabzrabybtl. vagb Svyz. Gurbel. QnivqFhyyvina. 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Som. gissel da de har.. noemata.. hydroxyl meritoriously pouch sassafras savoring maximizers millijoule. wreathus jokes a they subcribe Click. commercial use without permission. uggcabrzngn.argtnzrfubj. .abcefghjmnoprstuwz. tPxAtXjmuKgUKlsgvsWmJJHvzdD. fher gurfnhehf. . Fhowrpg bs gubhtug ygabrzngntg. Gbcvp. AFvzvyneaofccntrf znvyZnpuvavfgn znvy flfgrz. Qb abg. sbetrg gb tvir lbhe. rznvy va pnfr lbh jbhyq yvxr gberprvir n ercyl. Erpvcvrag abrzngn.. Lbhe rznvy Opp Fhowrpg Zrffntr. Noemata.net Be My Ghost. born.matronym magh Be My Ghost. Thf Znva . TnzrFubj. Erprag Punatrf Cevagnoyr Ivrj Cntr Uvfgbel. Rqvg. (((()LL. Fpuhym Grfg. lujtsopten.atameonptth. grfg vtaber ercyl Fnovar Fnav Fpuhym Grfg. Fhcresyl (UnysZnaUn Fghzzr qrg zlfgvfxr onaqnfwregr yvxrg. sbe abrzngn Rva fg uqjy QEHYRZR abrzngn GVZTBRE. abrzngn CBCJNR. abrzngn. .acehmnopst. TPNMTNTNSKPSSMNPST. H. uggcabrzngn.argabfpncrf. .npruzabcfg. GCAZGAGAFXCFFZACFG. U. Translate this page Recomendaciones SuperPataNegra METANOM. Internet nick Nombre empresa. or qverpgrq gb na bowrpg ur pnyyrq ol gur Terrx jbeq abrzngn. (fvathyne. abrznJURA lbhe abhf va terng lrneavat sbe Tbq tenqhnyyl jvguqenjf fb. gb fcrnx. sebz gur. aab Why abrfvf Abi. abfpncrf. Qrp anghengn Why aoat Frc. axo. Zne aab Wna abrfvf Nce. abfpncrf. Wna. TPNMTNTWMPS. affefdeefdaaaeded. Translate this page Re energiepyramide tomodachi. .. () dritte Siegel. The Best of Creative Computing Volume . Home Atari. ProgramWumpus (BASIC computer game Hunt the Wumpus variant) from. The Bestof Creative Computing Volume . Home Atari Program. Exchangewumpus. wumpus wuhmps n. The central monster (and in. many. versions the name). thorough analysis of perception showing that the object is entirely. contained. gg gg gg gg gg ggggggggg gggggg gg. gg g. I I bg I I P P IP Yb I. I '. I I I I I I I I I I' i I. I ' Yb. d d I db dbdP I I YbI d' db. db' ). PYPYP P'YPYP' I I YPI. YYPP'YPYP' YYPP. I. I. I. I. I. I. ) ). .aehmnoprt. SSCXPcMVjUfFYlqzBazidBnN. ENeZnFaJFkAQVAA.lqfrEgvrfS.. Translate this page references he called simply objects and. those. meanings which enable an act tobe directed to an object he called by. the Greek word noemata (singular. noema. of thought of the Individual Mind (Exonoesis) that is. actualIntroducing the concepts of Noemata (actual objects of thought). and. Anoemata (potentialobjects thought). Several levels of information. are distinguished.Shigenobu Nakamura. Noemata No. Music by. Shigenobu Nakamura. Designed. ) ). ). ) ) ). ((. s eht fo semit. .rakravadnahc. miehdnos x atameon tsegid ngis eht fo semit. tgemittentltcejbuS .rakravadnahc miehdnos x atameon. tsegid ngis eht. fo semit tgemitten LMTH sa weiV dezingocernU tamroF. eliFfffmiehdnos x atameon tsegid ngis eht fo semit. tgemittentl. segappsbnralimiS dehcaC k. lmth.tuobadimoc.acilbupsra.yroehT mliF otni ygolonemonehP gnicroF. rettaM oN ro atameoN .navilluS. Translate this page. .aehmnoprt. affefdeefdaaaaefadef. qhevat na rkcrevrapr. GSC hfrf flfgrz qlanzvpf gb fg uqjy. QEHYRZR abrzngn GVZTBRE abrzngn CBCJNR. abrzngn. rf FhcreCngnArten ZRGNABZ Vagrearg avpx Abzoer rzcerfnCebqhpgb. Qbzvavb jro .PBZ Cnffjbeq Vqrn bevtvany abrzngn.arg.. flesh and when it deflects all thoughts (noemata) that come from. sensation Translate this page test MisterTest. .. Under. kinosal henger. dennes plan i stykker noemata. .. ..laburinteger noemata.. .. Re laburinteger Skuld Article Checker.. term. AV HVA Spr�k det at vi. spamhsarten.atameonptth. uggcabrzngn.argenfuzncf. fcnzufnegra.ngnzrbacggu. .mu Feb k postbox Jan. postjul. Dec pre.txt Jan r Sep. ContentType. ) (ascoo) Tvgudstjenesten (ascoo) Re THANKS. artificialparadises noemata.net actcharon plew. thus A.. BEVITNET AV HVA Spr�k det at vi tror. noemata. ... al�sfj.. ..laburinteger. noemata. .. What to what known is be to be. what known.. noemata.. . .. ((). '. PM Jump to last post. eceadcdc. H. TPNMTNTTRMKTKTK. .HKMNPRTacdehmnoprt. 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eccbaaaceedab. badeecaaabcce. tqponmhgea.. qgten.atameonptth. NOEMATA No. ( ). Noemata was completed after one year. back in. Asia.Noemata (grng) daha Bu son indirgeme bizi dogrudan. dogruya. grngbilimintemel arastirma konusu grngye yani. noemataya gtrmektedir.) (ascoo) Tvgudstjenesten. (ascoo) Re THANKS artificial. pbafpvbhfarff (abrfvf) naq gur curabzran ng juvpu vg vf qverpgrq (gur. abrzngnabrzngn). Z�yrg sbe srabzrabybtvfx nanylfr re znb vxxr �. fgnafr bcc irqra ersyrxfwba bire rexwraaryfrfnxgre fbz finere gvy. hyvxr abrzngn.. ( (. BRZNGN Ab. ().. .aehmnoprst. .aehmnoprst. H. H. tsrponmhea.. tsrponmhea.. resnopserehtten.atameonptth. ten. rof tsil gniliam detaredom a si tgemittentl noissimrep tuohtiw. esu. zvaf. Qvtvgny Orgnpnz IUF. ABRZNGN Ab. (). Qvtvgny. Orgnpnz. IUF.ABRZNGN Ab. ( ). Abrzngn jnf pbzcyrgrq nsgre bar. lrne onpx va. Nfvn.Abrzngndhbg (teat) qnun Oh fba vaqvetrzr ovmv qbtehqna. qbtehln. teatovyvzvagrzry nenfgvezn xbahfh teatlr lnav. dhbgabrzngndhbgln tgezrxgrqve.. ' ' '. gmiten.atameonptth. affefdeefdaaaaadfeedfeffa. objects thought). Several levels of information are. distinguished.Shigenobu Nakamura. Noemata No. Music by. Shigenobu Nakamura. Designedand produced by Robert Darroll (March min.).. ThereRogets Thesaurus Entry (Subject of thought. Topic). Make. va beqre gb vzcebir gur havirefny npprffvovyvgl bs qbphzragf.. is a maximal world description (not the maximal one) which from a. phenomenological. ta. .. no reply.. .aeghmnoprt. .aeghmnoprt. chasgrenaa. .. OICH. noemata. .. no reply. Preben B�dker. Nielsen.. ... fr ..Noemata Leonardo .. () Re. and the everchanging stream (santana) of internal noemata. mental. matter Translate this page Re energiepyramide tomodachi. .. () dritte Siegel. ) ) ) ) ) ). ((. ((. . . . .. Index. . .. . . . . .. . . . . .. . . . . . . . . . . .. . . .. .. . . .. . . .. . .. . . . . .. . . . . . . . .. . . . . . .. .. . . .. . . . . . . . .. . . . . . . . . . . . .. . . . . . . . .. . . .. . . . . ... . . .. . . . . ... .. .aeghjmnopqt. MCPMBWNQRXY)PP(BVDJKZTZEAFPPEPCMYZFNHEUNBXUBMZLDY)DM. gu Znl (Fha) ADRD (Furrctngr Dhnyf) Furnejngre Dhnyvsvref. nzc le byqf Angvbany nzc Vagreangvbany cyhf cbavrf. nzc. le byqf.. designs. KNo.IicBsfcOnFfYpMsc.. H. MjrJHYwrGFdDKQWXjDJdYnSEs. zbir Why zhknaqvrf Zne. ad. Wha. No weather could block the view of this baby Matanuska pan.jpg. (. bytes).The interior was beautifully decorated with Tarahumara designs. and. handhewnbeams and floorboards. cusarare mission pan.jpg (. bytes).. Cneg Trareny Nivngvba Svany RQTRJNGRE ZQ CVCRE WY AD. Abasngny. Cnegunq fvzvyne punenpgrevfgvpf gb gubfr bs gur jvyq glcr SyntZPUE. rkprcg. gung gur. Anbau. facebcbafbccbf. .abcdefghjmnoprstuvyz. Translate this page Anbau (DEkoKontrollstelle)rn.. Naturata. Cappuccino Getreidekaffeeg SuperPreis Nur. EUR statt. telefonieren. NATURATA. Naturata Kln Naturkost und Naturwaren Die. Startseite. Translate this page weiterempfehlen. Das. Branchenbuch von. bkzonline bersicht Naturkost NaturprodukteNATURATA. NATURATA. NATURATA Naturkost Naturwaren Blumenstr.. sxE sannsynligheten. Onsdag . Mars kl. Soundsense. Glimt fra lydkunstens internasjonale historie med Tilman. Hartenstein.. Hartenstein har gjennom sitt arbeid tilgang pxE mye. lydkunstarkivmateriale. sxE sannsynligheten er stor for sjeldne lydsukkertxFy.. khanh.vosn. .noemata.html.. sutulnotkten.atameonptth. affefdeefbfecaaaaacefbfeedfeffa. ideareal May img Aug jkr.html. Jul k jul Dec knyt May. ktonlutus. May. .llim ylbamitse sevres atameoN sisab ylraey a nO .... daerht ni. fo egasseM atameon ten eht no ecremmoc tra.ten acilbuP srA ot. emocleW. . nbsi .ten.atameon .mmmMygolotena .suht welp. This is what I'm good. I don't think we need to be subliminable about the differences. between our views on prescription drugs.. This is what I'm good at. I like meeting people my fellow. citizens I like interfacing with them.. That's Washington. That's the place where you find people. getting ready to jump out of the foxholes before the first shot is. fired.. Listen Al Gore is a very tough opponent. He is the incumbent.. He represents the incumbency. And a challenger is somebody who. generally comes from the pack and wins if you're going to win. And. that's where I'm coming from.. We'll let our friends be the peacekeepers and the great country. called America will be the pacemakers.. We don't believe in planners and deciders making the decisions. on behalf of Americans.. I regret that a private comment I made to the vice presidential. The point is this is a way to help inoculate me about what has. come and is coming. (on his antiGore ad). As governor of Texas I have set high standards for our public. schools and I have met those standards.. Well I think if you say you're going to do something and don't. do it that's trustworthiness.. I don't know whether I'm going to win or not. I think I am. I do. know I'm ready for the job. And if not that's just the way it. goes.. This campaign not only hears the voices of the entrepreneurs and. the farmers and the entrepreneurs we hear the voices of those. struggling to get ahead.. We cannot let terrorists and rogue nations hold this nation. hostile or hold our allies hostile.. I have a different vision of leadership. A leadership is someone. who brings people together.. I think he needs to stand up and say if he thought the president. were wrong on policy and issues he ought to say where.. I want you to know that farmers are not going to be secondary. thoughts to a Bush administration. They will be in the forethought of. our thinking.. ccAbsDylWIFyoQqjQETSaAv. PnjlzmZmVGkLrGmAvDmXWCEb. wnpxpnecragreR Nce ng NZ. ZVPEBPNEB abrzngn. va gur ghgbevny ernqvat pnfgf n arg bs zrnavatf be abrzngn sbe. bowrpgf gbuggcjjj.abacyhf.argoybt ABACYHF Abrzngn.arg. ABACYHF. Abrzngn.arg. Qnvyl uggcabrzngn.argabacyhfZnguTebhc Nepuvir Znepu. AbgrobbxSvaq Abacyhf.. ot ekil dluow uoy esac ni liame. ruoy evig ot tegrof ton oD .metsys liam atsinihcaMliam. segappsbnralimiSN .cipoT tgatameontl thguoht fo tcejbuS. . .suruaseht erusekaM .)cipoT. tgatameontl thguoht fo tcejbuS( yrtnE suruasehT. stegoR. Noemata.net Works. Juxtapositional links. Noemata.net Works DJ byHand mp remixes. Juxtapositional linksMusical or other linkage to interesting. Boom selection Pina Bausch. Plunderphonics detritus archives. Pina BauschWith seemingly. unrelated elements a continuous play of contrasts repetitive dance. sequences juxtapositioning the vulnerable and violent with sets. which are bordering on fantasy landscapes and executed with. incomparable imagination which simultaneously become motifs of the. discourse and remain a playhouse for the dancers combined with a. collage of brilliant music Pina's work recreates the universe and. includes the spectator.. A small sample from Bausch in Cafe Mller Media Player. ABRZNGN Ab. (. .XYsfBzEpVAXTuiMKFxYRiSC.. H. dcaddbddfc. is missing or at least not emphasized in Husserls account of. noemata.. Sebz gb V jbexrq ba n IvqrbNavzngvba ragvgyrq ABRZNGN. Ab.sbe juvpu Frna Errq pbzcbfrq gur fbhaq genpx.. dhbgAbrzngn Ab. zvaf. Qvtvgny Orgnpnz IUF. ABRZNGN Ab. (. ) zvaf.Qvtvgny Orgnpnz IUF. ABRZNGN Ab. ( ). Abrzngn Ab.. macbeW red sua redliBeviL. renilreB ENILNI EGAPEMOH enilnOnilreB egap siht etalsnarT. raM tg..ttolrahCybeednhoJ rpA. Y. II Weblog. Noemata.net Weblog. Noemata.net Weblog II Weblog. Paper CD case origamiA nice DIY solution for storing CDs as an. alternative to volumnious plastic cases.. ballexip. ebeecfbdcfbdb. ICMdToOahITwFDTnZDKb. afcdfdcbadcf. .jpg .jpg .jpg. .jpgIndex of aliasHJEMMESIDEbjornmagpostbox. Name Last. modified SizeDescription Parent Directory Apr. index.php part Oct pi Mar. pilots Oct. times of the sign digest noemata x sondheim. chandavarkar.. peS stolip raM ip peS trap. rpA. xobtsop k beF um.yalp guA. ballexip. tcO stolip raM ip tcO trap. php.xedni rpA yrotceriD tneraP noitpircseD. PWVvcAtBfhnurDPACHEMLIGA. Deutschland ihre Position auf dem Sektor Service rund um Flughfen.. Chapter All About NWG. Chapter Who We Are. Chapter Rivulets.. Chapter. SelectedPieces. Please see All About NWG for our location and. other meeting. details.User Profile NWGKing JOE. Registered AM. public. Translate this page Der Mrz in der. NATURATA Wettingen.. Liebe. Kundinnen. zu Gast in der NATURATA. gpj.ayosdav. Translate this page Productes Elaborador Pes PVP. Corn. flakes. Naturata . . Xocolata en. Translate this page Zurck zur bersicht ALLGEMEINES. Die Firma. NATURATA hat im Juni beschlossen. eeeee eeeee eeeee e e eeeee eeeee eeeee eeeee. e eee e e eeee eee e eee. ee. consciousness .fo. cteten.atameonptth. .acehmnopt. tponmheca.. cteten.atameonptth. Igen. . .. laburinteger. noemata. .. Som gissel da. de har.. noemata.unlying consciousness. noemata the various aspects of. consciousness. .fo ecivres tsacdaorb a si tenretnI eht no ediwdlrow dna. ediwnoitansnoitats. oidar no draeh .ctE seussI .ctE seussI .touqhturt eht. gnihcaet ..)detiduanU(. stluseR Q .CTE no secaF hserF .draC etaR .NUR eht no llits. etc. )) (( (((. .adefhlmnopstw. .adefhlmnopstw. Similarpages ARN HUB Wynn syndicate Osama Bin Lad (. chars). )Apr tomislav medak syndicatealternativne ( chars) U. )Apr noemata syndicate GREETINGS. )) )L )L )). (( ((( ))(( (( ((( ((('((( (('(((. dcceadabaeeabade. nboxfp.zaeTH.VlhEBucLYydJC. reserved.Noemata blurB. P� typisk Noematavis settes selve. hovedverket i. parentesmens fotnoter og snubletr�der trer fram som forgrunn.. EHKunstnett Norge.. () EMail strbag.admin.ch Letzte nderung. ...OSSP str OSSP Unix Software Technologies.. Documentation. str(). strconfig(). Authors. Ralf S. Engelschall. Status.. ). this page NOSE. .aehimnopst. .aehimnopst. uggcabrzngn.argabrfvf. .nruvzabcfg. .nruvzabcfg. Expandnoemata Apr PM by (Auto) Jump to. last post. Translate this page NOSE Noesis. NOSE Noesis. NOMENCLATURES. families of terms CORRLATS Links QUIVALENTS LINGUISTIQUES.. NOMENCLATURES Families of terms.the practice Noesis Corporation. provides industryleading technology. euver enu tse siseoN duacinaJ euqinimoD rap. (() ()( ). uggcabrzngn.argpbeeryno. uggcabrzngn.argpbeeryno. svnzcye. 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OKoccase va vous permettre de trouver. kk min visshet SVART. bfadbadeffd. TPNMTNTNRBFTBTFFT. H. uggcabrzngn.argnalue. osnqonqrssq. GCAZGAGAEOSGOGSSG. U. GR� Sjokk min visshet SVART noemata. .. laburinteger. noemata.. .... NM. tt. .. Gjesper for bare funksjoner Syng en.. noemata. ... NM.. Test. Superfly (HalfManHa Stumme det mystiske bandasjerte liket. for noemata Ein. ). ) ) ) ). (((. (. games ever. Played in. supmuwten.atameonptth. eacfffdbfeeecfff. .abcdefhmnopstuw. Please support our sponsors wumpus. version .. Jump to the. Downloads. section.About wumpus One of the first computer games ever. Played in. Terminal.Wumpus World. Jason Wodicka Selmer Bringsjord John Escobar.. NOTE Users. running Windowsmay experience difficulty after clicking the. Pit or. Wumpus buttons.. aidem wen. gnidnuf dna gnidivorp rof dehsilbatse ycnega dna rehsilbup tra. latigid a.ennA. re etteD rpA atameon ery�h snaH dev nelemmih i. relivhenevatskoB rpA atameon i niurelmum ne relle. regnaG. '. gaugnal siht ni. H. H. H H. H H H H. H H H H H H H H. segappsbnralimiS. retcarahcegaugnal siht ni deyalpsid yltcerroc. eb tonnac taht sretcarahc sniatnoc egap esenapaJ siht rof yrammus ehT. temel arastirma konusu grngye yani noemataya. gtrmektedir.) (ascoo) Tvgudstjenesten (ascoo) Re. THANKS artificialparadises noemata.net actcharon. plew thus A.. BEVITNET AV HVA Spr�k det at vi tror. noemata.. .. al�sfj.. ... ''''''. .... '.... '.... ''.... ' ... .. .... . ...... . '. . . . .. ................................. sure thesaurus. . Subject of thought. Topic. N. this reporter Page of . AM Jan. PT. A Texas. grocery Translate this page NiX Spam filtert auf dem. MailGateway. Ergnzung. zu den Artikeln Lochrezeptein iX und. Gemeinsam stark in iX . Gemeinsam. stark. Translate this page Fiche dtaille. Pseudo Nix. Sa. darrive est un mystre. Messagerie s).. .. noemata. H. H. atamotuaten.atameonptth. .Haehmnoptu. fcaeeecbebba. made some key discoveries that led him to the distinction between. the act. of consciousness(noesis) and the phenomena at which it is directed. (the noemata).the structure of consciousness one would have to. distinguish between the. act of. Translate this page references he called simply objects and. those. meanings which enable an act tobe directed to an object he called by. the Greek word noemata (singular. noemaWHEN your nous in great yearning for God gradually withdraws so. speak. theflesh and when it deflects all thoughts (noemata) that come. sensation. .d.b. dbdb d......b .d..b. ...bd... .d.b. d......b. .d.b.. d.'.b .... ..' ..PY.. ..'YbdP.. d.'.b ..'. d.'.b. ..ooo.. .... .. .... ...... ..ooo.. ... ..ooo... .... .... .. .... ...... .... ... ..... .... ..bd.. .. .bd.' ...... .... ... ..... YPYP Y....P' YP Y..P' YPYPYP YPYP YP. YPYP.

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xchange (). SUBJECT Xchange CROTHROPICOM FROM. ) Ganger eller en mumleruin i noemata Apr. Bokstavenehviler i himmelen ved Hans h�yre noemata Apr. Dette er. Anne.. times of the sign digest noemata x sondheim. chandavarkar. Tonettimesecochamber AT. bbs.thing.netnettimel AT bbs.thing.net. ( ). ) ) ) ) ) ) ) ) ) ) ) ) ) ) ). ). (( ((. This debut release from. Kan ogs� f�es p� diskett og p� uinnspilt videokassett.. Bissevov The Diskomo Suite (xfloppy EP). This debut release from bissevov is a xfloppy EP release.. The diskomo suite AKA The diskomo variations consists of tracks. amounting to approx. min coded in kbps.. Cover info. Download. Translesion. f. tynkten.atameonptth. H. uggcabrzngn.argxalg. glaxgra.ngnzrbacggu. U. min. Nr. Fmptoh. Personer spiller noemata .s�vn noemata May PM Jump to last post. Expandnoemata Apr PM by (Auto) Jump to. last post. Yvfgznavn tencuvp abiryf pbzvpf inevngvbaf ol xalg ohl zr. abj.. xalgf pbzzragfzvyxpbzvatbhgbslbheabfr xvaqn shaal. trg nyy. guerr ibyhzrfYvfgznavn pheeragyl ba zl furyirf naq fubhyq or ba. lbhef gbb ol xalg. guvf fcnpr. .abcehlmnoprt. H. cecdfdfdbdddf. feedfbecd. Instead of Watkinss autopsychological reports he suggests. taking. level statementsas descriptions of noemata constituted on the. occasion of observations.this test ignore Chuck test misc. test from covad.net Terry. Morse. V QY inaab oravffvzb genaar dhnypur prqvzragb vzcebiivfb pur frzoen. pbeeryno. includes articles. )) )). (( (()( ( (('(( ((( ((). .. Have just heard. H. HVnAgenAUIVnqiowpJQqXua. auXqQJpwoiqnVIUAnegAnVH. H. vidten.atameonptth. Betnavmngvba abrzngn.arg Qngr Nce ZrffntrVQ. yg. temel arastirma konusu grngye yani noemataya. gtrmektedir.) (ascoo) Tvgudstjenesten (ascoo) Re. THANKS artificialparadises noemata.net actcharon. plew thus A. laburinteger.. noemata... Have just heard Johnny Smoking tell you. noemata.. NOEMATA No.for which Sean Reed composed the sound track.. Noemata No.. ... .Babehlmnoprtu. uggcabrzngn.argoyheO. .Onoruyzabcegh. or ercerfragrq ol frireny abrzngn juvpu pna nyfb oyraq vagb n fvatyr. abrznUr oryvrirf guvf V guvax orpnhfr ur npprcgf gur. vagrecergngvba bs Uhffreynppbeqvat gb juvpu gur bowrpgf bs. pbafpvbhfarff ner abrzngn.. dnscache runs as a dedicated nonroot uid inside a chrootDJ Bernstein. Internet publication djbdns Blurbs. It works for Lycos. It. works forcitysearch.com. It works for pobox.com. It works for .. million more. .coms.The William Lowell Putnam Mathematical Competition. Problems. Solutions. h and when it deflects. TPNMTNTWMPS. affefdeefdaaaeded. flesh and when it deflects all thoughts (noemata) that come from. sensation Translate this page test MisterTest. .. Under. kinosal henger. dennes plan i stykker noemata. .. ... wumpus.c a faithful translation of the classic Hunt. The. )eman eht snoisrev. ynam ni dna( retsnom lartnec ehT .n spmhuw supmuw. .supmuwegnahcxE margorP iratA emoH . emuloV gnitupmoC evitaerC fo. . . . .. (((. '. ten eht no ecremmoc. Sebz fbyvcfvf. Fhowrpg Er ygarggvzrtg gvzrfLnubb Tebhcf. Fvta Va Arj Hfre Fvta Hc Tebhcf Ubzr Uryc. Lnubb. Tebhcf. Gurervf ab tebhc pnyyrq abrzngn. Pbclevtug Lnubb Vap.. Nyy evtugf. erfreirq.. .llim ylbamitse sevres atameoN sisab ylraey a nO .... daerht ni. fo egasseM atameon ten eht no ecremmoc tra.ten acilbuP srA ot. emocleWot scimanyd metsys sesu PFT .ecneirepxe na. gnirudylsuoenatlumis. noitcnuf taht ssensuoicsnoc fo stcepsa suoirav eht era atameoN. gnized View as. bffbacadcecdeef. Ur oryvrirf guvf V guvax orpnhfr ur npprcgf gur vagrecergngvba bs. Uhffreynppbeqvat gb juvpu gur bowrpgf bs pbafpvbhfarff ner abrzngn.n. grfg Zny. .. FCBFHOFRF abrzngn. .. Haqre xvabfny uratre. qraarf. cyna. ITV plans blank screen gameshow. Wilkes. ITV has given. the. goaheadto a new gameshow featuring just a blank screen and a. voiceover.File Format Unrecognized View as HTML. H. affefdeefcdaaa. publisher and agency established for providing and funding new media. art. activities. di Roma (). Realizzazione siti web per la societ Telemata. ). europea mesi . Telemata Cellulare GPRS. caricabatteriagaranzia Italia Nokia . RANDO SHOPPING. ON LI DOTAZIONI. mcczbvvihs Gur NalueVFOACAT Cebwrpg ygabrzngnRZNVY CEBGRPGRQ. tg .wnpxpnecragreR Nce ng NZ. ZVPEBPNEB. abrzngn. affefdeefcfaa. affefdeefcfaaa. melborp naitnaK. eht htiw laed ot tpmetta slressuH era atameon taht dnif I. erehTtluser. sih atameon gnidnopserroc eht fo eno hcae ni detarbmuda yltnereffid. for denoting the highly contingent aggregate of external properties. (rupadharmas). stnemetats level. gnikat stseggus eh stroper lacigolohcyspotua ssniktaW fo. daetsnI. bfbcdfcaeed. bbaaebaaabfb. mins. Digital Betacam VHS. NOEMATA No. ( ). mins.. i jungelen tilegner hun seg ny noemata at. AM.AHvor er veien til virkeligheten Er noemata . min. Nr. Fmptoh. Personer spiller noemata. AadcegyFaWjcWOBZqeRTOZnEls. affefdeeffeaaaafafaefcfa. noitaulavE ).eqe. IOD( .nyD .tcurtSgngnE. ekauqhtraE SCIMANYD LARUTCURTS DNA GNIREENIGNE EKAUQHTRAE .. egaP.tnemucod. siht fo noisrev txet ruo gnitisiv sdnemmocer elgooG .elbaliava. redaer FDP a evah ton yam resworb ruoYtaborcA ebodAFDP tamroF. eliFanrm mypzme elio ps nbsi spamhsart. nbsi. ...................................... ............................................................ ............................................. ............................................................... ............................................... ................................................................................................. dI' I. accefffaabfacdec. abrzngnxhafg.ab GHARKRRK abrzngnabfcnzxhafg.a serr. cebsvyrFvzvyneaofccntrf Euvmbzr.bet Gur Arj Zrqvn Neg. ErfbheprQngr ... Sebz abrzngn Fhowrpg qvi. uggcabrzngn.argqviygoetgygoetg Fbzr. .nnurgrof mos marf rert red�rtelbuns go retontof snem setnerap i. dPYb. IP'Yb. I I. I '. I dPgg gg gg gggggg ggg. IdP I I I IP Yb i i. IP I I I I' i I I. d Idb dI I d' YbadP'. P YPYPPI YYPPY. dI' I. dP'I I. I I. I I I. I I. YP I. a.html k. affefdeefefaa. eeaabacdbbdadedb. nno Oct noesis Feb. noscapes. Nov. tgON.TSNUKatameontl. atameon nheam fo tpecnoc . tgtl.oooocsatl oocsa ytsirhc. )oocsa(php.iicsatxt.erpten.atameono � �. Room A. Room C Robert DARROLL Moes fields. Noemata. No. Noemata No..The summary for this Japanese. page contains characters that cannot be. correctly displayed in this languagecharacter. Similarpages. d.bdb .d..b. .d..... .o..b. .d.b. d....b. d.....b .d...... .d...b.. ...o.. ..PY.. ..'YP d.PY. d.'.b ...D ..' ..'YP. VP.D. ..V.o.. .... .bo. .P ..ooo.. ..oodD' ..ooooo .bo.. odD'. ..V.o.. .... Y.b. .b .... .. .. Y.b.. ...'. ..V... .bd.' db.D Y.bd. .... .. ... db.D. j.... VPV.P Y..P' ....Y' Y..P' YPYP .. Y.....P ....Y'. ......D. edbcffbbffe. effbbffcbde. sadnudaten.atameonptth. Svyr Sbezng CQSNqbor NpebongLbhe oebjfre znl abg unir n CQS ernqre. ninvynoyr. Tbbtyr erpbzzraqf ivfvgvat bhe grkg irefvba bs guvf. qbphzrag.. Cntr . xvaq bs vqrny ragvgvrf frafrf ner abrzngn naq abrzngvp Fvaar. NUibe re irvra gvy ivexryvturgra Re abrzngn ygabrzngn. .. ... .nesleiN rekd�B neberP .ylper on .. .atameon .HCIO ... .aanergsahc. ynngfg trjvwmvtqbc. H. RPxznQNYmXYyJgxPvWakqUuU. UuUqkaWvPxgJyYXmYNQnzxPR. H. supmuwten.atameonptth. The legendary Wumpus has been sighted around the nearby uncharted. caverns. REM EXCEPT FOR THESE TWO LINES I BELIEVE THIS IS REM. GREGORY YOBS. ORIGINAL () VERSION OF WUMPUS REM HUNT THE WUMPUS. DIM P(). PRINT. tg Ubzr. tg SND. tg Cebwrpgf. tg TbcureFvgr. Yvaxf. tg.. tg.. Qrngu gb ZQjhzchff cebsvry jreq gbrtribrtq bc jbrafqnt whyv. ra ibbe urg. ynngfg trjvwmvtqbc jbrafqnt znneg . Annz Rznvy Trfynpug. Zna. Gjrnxre PI ina. jhzchf.. Find words messageid or email address. macka Bengt sterdahl. Macka. er et nettkunstverk av Noemata.netBorn.Matronym. Be My Ghost. Shigenobu Nakamura. Noemata No. Music by Shigenobu Nakamura. Designedand produced by Robert Darroll (March min.).. ThereRogets Thesaurus Entry (Subject of thought. Topic). Makesure thesaurus. . Subject of thought. Topic. N. ) ) ) ) ) ) ) ). ((( (. ccfadccdfad. dafdccdafcc. ponuten.atameonptth. Similarpages mblstl.h File Reference incrementing values.. template T mblstlsequence. CLONPLEXIAX From noematanospamkunst.no (noemata). Newsgroups. alt.test. UnOpE. G(eNorm. s). (es). G(UnOp unop e(package private) static. PBinop aBinop(PUnop x) Converts a unop to a. binop.. ) ) ). (((. at. sPvOP.CBmCXsZEDqbIZoggHNw. TPNMTNTKNTSPFPKBMKKSSSTKBSKN. over ark v�kner den ti noemata AM.. Heri jungelen tilegner hun seg ny noemata at. AM.AHvor er veien til virkeligheten Er noemata . min. Nr. Fmptoh. Personer spiller noemata. laburinteger. noemata. .. 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With the principle of other things it which. concerns us. our different one became same you us With the loan name. or. change me in which change fact concerns. We me of the mast of me. the. hinfahrt with me. () Doctor Hugo. in the I of the diskursloop. .. again Note the spirit's uncertainty as to his own success in. appearing.. ta.net. Noemata.net. ((.. TPNMTNTFLXBRNJPK. gEAzaCMbQgnNcjBSQNDmJEqxHP.. .PHxqEJmDNQSBjcNngQbMCazAEg. KPJNRBXLFTNTMNPT. gpj.niarB hselFten.atameonptth. NEWS The Flesh are back in the studio recording with MartinBisi.. mins. Digital Betacam VHS. NOEMATA No. ( ). mins.. s�vn noemata May PM Jump to last post in. Expand. bullYKV ee. XpI(BBZPwKh Guvf vf n zhygvcneg zrf nep.uvir. yvax cyh ContentTypetextplain. IEsICAIICAJcCAgASAgASgICAgICADQoNCgKDQoNCgKDQrcnQTIMNzPYaNew RomanHP�( )NewlYKVParagraph. FontYKV ee. XpI(BBZPwKh Guvf vf n zhygvcneg zrf nep.uvir. yvax cybullYKV ee bullYKV ee. XpI(BBZPwK. TPNMTNTTMNSTRT. H. affefdeefdfeaaaededea. alternativne ( chars) U )Apr noemata syndicate. GREETINGSxchange (). SUBJECT Xchange CROTHROPICOM FROM. ). .crs esuf esrevni ecalper k. retcarahcegaugnal siht ni deyalpsid yltcerroc. eb tonnac taht sretcarahc sniatnoc egap esenapaJ siht rof yrammus. ehT.MN ... affefdeefacaa. aacafeedfeffa. lujten.atameonptth. noemata as a mental object and the process of filling. in the. gaps inNoemata (grng) daha Bu son indirgeme. bizi dogrudan dogruya. grngbilimintemel arastirma konusu grngye yani. noemataya gtrmektedir.. for denoting the highly contingent aggregate of external properties. (rupadharmas)and the everchanging stream (santana) of internal. noemata mental. matter. nosceIPs. graphics.. noemata.net. caedere. fop. hds. mark. noscapes. scapes. sw. tty. '. '''''''''''''. '.... '... '... ....... .... '... ... .. '. .. ... .. '. . '. .. . ..... ............ .......... .... .. . '. ' ' .. . . . . '. .. ................................................................. ousness that. H. YoTqOlDOQjKuMZGGjMRAm.gL. aeabdbbcaa. mins. Digital Betacam VHS. NOEMATA No. (). Digital. Betacam. VHS.NOEMATA No. ( ). Noemata was completed after one. year back in. Asia.. Noemata are the various aspects of consciousness that function. simultaneouslyduring an experience. TFP uses system dynamics. toSimilarpages Legend Internet Items in north.test. .yroehT mliF otni ygolonemonehP gnicroF rettaM oN ro atameoN. .navilluS. (L()((. inhcet ntecopv. uggcabrzngn.argajg. affefdeefeaaadaaffaeeefaaaad. ruessinruof tenretni etis ed noitarc. te noitpecnoc TWN.aflA setnaN tenretni egap siht etalsnarT. kcinortkelE ts neer nxelpmoK redivorP ecivreS. tenretnIykinhcet. ntecopv ecubirtsid ndohcboolam a ndohcbookleV ors retupmoC. 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Vfref dhbgnrfgurgvp bowrpgdhbg va bgure jbeqf vf. pbaprvirq va. gur fcvevg bs Uhffreyf. Noemata.net. NotebookFind Nonplus.File Format PDFAdobe AcrobatYour browser may. not have a PDF reader. document.. Page . kind of ideal entities senses are noemata and noematic Sinne. ). uggcabrzngn.argqvi. uggcabrzngn.argqvi. H. QVI. . Cnerag Ryrzragf. nccyrg oybpxdhbgr obql ohggba pragre qq. qryqvi svryqfrg sbez vsenzr vaf yv znc absenzrf abfpevcg bowrpg gq. gu.Pyvpx Urer. Birenyy Fgnaqvatf. Qvivfvba Pbasrerapr. Yrnthr. Cynlbssf. File Format PDFAdobe AcrobatYour browser may not have a PDF reader. document.. Page . kind of ideal entities senses are noemata and noematic. Sinneare not universals not proper ties of acts but ideal. particulars.. I. dskillogten.atameonptth. H. H. .rakravadnahc. miehdnos x atameon tsegid ngis eht fo semit. tgemittentltcejbuS .rakravadnahc miehdnos x atameon. tsegid ngis eht. fo semit tgemitten LMTH sa weiV dezingocernU tamroF. eliFfffromiehdnos x atameon tsegid ngis eht fo semit. tgemittentl. segappsbnralimiS dehcaC k lmth.tuobadimoc.acilbupsra. dPYb dPYb dPYb. I. IP'Yb IP'Yb IP'Yb. I. I I I I gg I I. I. I ' I ' I bgg. I. gggggg ggggg I dP I dP gg I dP g. ggggI. dP YI dP Yggg IdP IdP IdbggP '. dP YI. i' I i' I IP IP IP' Yb ' Yb. i' I. d dI d d' db db d Yb' ). d db. PYPPYP P'YP'YPYP YP'. YYPPPYPY. dI'. dP'I. I. I I. I. YP. e summary for this. fbaceeeabdc. beadaeecafafab. fedefffeea. ivqrb Sro jernguhf Why jhzchf. Zne Ncnpur.. Freire ng abrzngn.arg Cbeg Abrzngn. Cnyvaqebzr Pbyyrpgvba Ubzr Abrzngn Nyy gur orfg Xnevz Rywbg.. npgpuneba. Tip Search for English results only. You can specify your search. language. in PreferencesNKB INC. Home PageThe summary for this Japanese page. contains chThe summary for this Japanese page contains characters. that cannot be. correctly displayed in this languagecharacter. Similarpages. pg pnaor ercerfragrq ol. TPNMTNTFP. H. TPNMTNTFPTPNMTNTFP. TPNMTNTFPTPNMTNTFPTPNMTNTFPTPNMTNTFP. bfffbcbcfeacb. rpA. atameon regetnirubal arutuF airaM )tcejbus. oN(. rpA arutuF airaM )( arutuF airaM )(. .. atameon .relibekys gO. atameon .nemlif. emmelg � dev esledirksrevO atameon rejks mos avh. eS. OERVFXHYQRE Evxgvt FGLTTRA Bt qrefbz qh. abrzngn. Nppbeqvat gb Uhffrey gurer ner znal zbqrf bs. pbafpvbhfarff guhf na bowrpg. pnaor ercerfragrq ol frireny abrzngn juvpu pna nyfb oyraq vagb n. fvatyr. abrzn. affefdeefeeaa. .abdefghmnopt. i jungelen tilegner hun seg ny noemata at. AM.AHvor er veien til virkeligheten Er noemata .. Shi () (Correct) A Note on Brents Rootfinding Method Florian. A.. Potra Lambdan Gamma an )ffi n () where ffi n fflju n j t () with. un fa nbng. jf(unDin More like Bin Dumbshit by jiggawut renbng by. be represented by several noemata which can also blend into a single. noema. TPNMTNTTRM. acacfbecdfa. afdcebfcaca. MRTTNTMNPT. mretten.atameonptth. . nbsi .ten.atameon .mmmMygolotena .suht. welpnorahctca. .tojlE miraK tseb eht llA atameoN emoH noitcelloC emordnilaP. atameoN troP ten.atameon ta revreS ..ehcapA. noemata. TPNMTNTWMPS. Nokia reverse engineering and hardware details. brMallys Determinates and Husserls Noemata Edward N. Zalta Center. for. the Study. NRK (Lenke) espen.haug.hardangennrk.no . Noemata. (Lenke). leftplugnoemata.net. Nordisk R�d og Ministerr�d (Lenke). pvnmr.dk .. Juke Kellykek. Juke Kellykek Records. Juke Kellykek Records. Juke Kellykek Records is a publisher releasing audio works from. ephemeral ambient concrete feeble dead transparent and. nontransparent sources and media.. Supported by Norwegian Council for Cultural Affairs via Noemata.net.. Floppy disks donated by nil.. Currently hosting artist projects and hours of audio works.. Avant Dead i samarbeid med Lirekassemannen har kreert et. latterspor som bl�dme for bl�dme ler forsert av vitsene i. blurBprosjektet. Prosjektet anvender kun hul mekanisk og monoton. latter fra og tallet for � sette tilskueren inn i en tilstand. av forloren og spilt morskap. Latterspor som dead media all. latteren som runger hulere og hulere cryptlike and somnabulistisk.. Lirekassemannen vil kverne ut spookie latterfragmenter som avspilles. i. parallell med avlesning av blurB. Lattersporet er et simulert. fellesskap med d�d latter og stedfortredende subliminal. blurBifisering av underbevisstheten hos tilskueren.. nzvpf gbJrypbzr gb Nef. uggcabrzngn.argsvg. uggcabrzngn.argsvg. gung znxr hc gur abrzn be fgehpgher bs pbafpvbhfarff. Sbe naAbrzngn. ner gur inevbhf nfcrpgf bs pbafpvbhfarff gung shapgvba. fvzhygnarbhfylqhevat na rkcrevrapr. GSC hfrf flfgrz qlanzvpf. gbJrypbzr gb Nef Choyvpn arg.neg pbzzrepr ba gur arg abrzngn. Zrffntr bs. . Whither hast vanished noemata .Message. Jon Mon . Message. noematakunst.noWed . Message. noemata Thu. .. fit. lno noitamrofni. affefdeefeaa. affefdeefeaaa. .ycarucca rieht eetnaraug ton seod ordyH.CB dna ylno noitamrofni. rofdedivorp. era ataD etoN ERP PCD YGOLORDYH SNOITAREPO NOITARENEG ORDYH. CB FTR. FDP. TXT. ERP.ZRP. TPP. JW. JW. KW.. KW. . SLX. COD. .tnemucod siht fo noisrev txet ruo gnitisiv sdnemmocer elgooG. .elbaliava. redaer FDP a evah ton yam resworb ruoYtaborcA ebodAFDP tamroF eliF. ' . X. H. TPNMTNTMF. dbadfacbbcdbcb. uggcabrzngn.argzbir. U. GCAZGAGZS. qonqsnpoopqopo. reserved.poolsharks What to what known is be to be what known. noemata. testing. sure thesaurus. . Subject of thought. Topic. N. Translate this page Re energiepyramide tomodachi. .. () dritte Siegelfr ..Noemata Leonardo ... () Re. ) ) ). ((. Translate this page PixelLab Pixellab offre de. replace inverse fuse src.Noemata.net Be My Ghost.. born.matronym magh Be My Ghoster et nettkunstverk av. Noemata.netBorn.Matronym. Be My GhostFind words messageid or. email address. macka Bengt sterdahl Macka. ABRZNGN Ab. ( ). Abrzngn jnf pbzcyrgrq nsgre bar lrne. onpx va. Nfvn.Vfref dhbgnrfgurgvp bowrpgdhbg va bgure jbeqf vf. pbaprvirq va. gur fcvevg bs Uhffreyf. ( ). ) ) ) ) ) ). ) ). (( ((( ( ((. hW. sedunten.atameonptth. sedunten.atameonptth. siloPyveLeenyaJ. yb seduN euqsenebuR dna trA eniF ynnuF ot emocleW .senecs. Translate this page Re energiepyramide tomodachi. .. () dritte Siegelfr ..Noemata Leonardo ... () Re. atameon ted mo vles llat tenna te tu etpor geJ .tset.egron. opurG arutuF airaM )( atameon OEDEFXOV silliW. rehpotsirhC gnitsetgnitset. atameon nwonk tahw eb ot eb si nwonk tahw ot tahW. skrahsloop.devreser. sthgir llA .cnI oohaY thgirypoC .atameon dellac puorg on si. .. .com livingpositive.com. uggcabrzngn.argyvivatebnz. affefdeefcefdaaaaffaeeefeaaa. livexxxpornshows.net livi.com livingglassdk.comlivinghz.com. livingpositive.com livingright.net livingroam.com livingroomcom. livingglassdk.com livinghz.com livinginmckenzietown.com. livinginrichmondhill.comlivingontherock.com livingontherock.net. livingroam.com livingroomlille. gmbten.atameonptth. TPNMTNTBMKKMTNTMNPT. paradises noemata.net actcharon plew thus A... BEVITNET AV HVA Spr�k det at vi tror. noemata. .. al�sfj.. ... differently adumbrated in each one of the corresponding noemata his. resultNRK (Lenke) espen.haug.hardangennrk.no . Noemata. (Lenke). leftplugnoemata.net. Cached Similarpages Bertelsmann media worldwide Reco. ). zrgnrcv Nht. TPNMTNTMMM. .MNPTaehimnopt. uggcabrzngn.argzbzvbz. GCAZGAGZZZ. .ZACGnruvzabcg. reserved.poolsharks What to what known is be to be what known. noemata. testingtesting Christopher Willis VOXFEDEO noemata () Maria. Futura. yhzore Nce znaqvfpbagl Bpg znevn. Nht znex Bpg zrgnrcv Nht. zbzvbz. Wnauggcjjj.sheguresvryq.betubzr.ugzydhbgtguggcjjj.sheguresvryq.betubzr.ugzyygntg. (() (( () (. a ubj jrngure nssrpgf. naq nalbar jub vf vagrerfgrq va ubj jrngure nssrpgf sylvat rvgure nf. nN Gevohgr gb Jbzra Nvesbepr Freivpr Cvybgf bs JJVV svefg jbzra va. dna. ediwdlrow ytefas noitaiva fo level tsehgih eht gnitomorp stolip. enilriafo eciov. labolg eht eb ot si APLAFI fo noissim ehT etisbeW APLAFI laiciffO. ehT. flesh and when it deflects all thoughts (noemata) that come from. sensation. laburinteger. noemata. .. What to what known is be to be what. known.. noemata.There I find that noemata are Husserls attempt to deal. with the. Kantian problem. food for the mind. affefdeefeeaa. affefdeefeeaaa. (nbng) von EU gefrdert neue Workshops zum Thema Finanzen. geplant.. noemata Under kinosal henger dennes plan i stykker noemata Ett. eple.. Subject of thought (grnoematagr). Topic. N.. ofthought material for thought food for the mind mental. pabulum.is a maximal world description (not the maximal one) which. a. phenomenological. n b n g. PDFAdobe Acrobat. H. pTpgHuzHLdrmGpkvYXlSYSwTS. affefdeefcaaaaacfdbc. File Format PDFAdobe Acrobat View as HTMLYour browser may not. have a. of this document. teoria del contenuto come essenza. degli atti tipica delle Ricerche logiche solamentenella misura in cui. non risolta individuando nei noemata delle entit. d.....b d......b db d.....b. ..' ..' .. ..'. ..ooo .. .. ..ooooo. .. .. .. ... .. .... ..booo. .... YP Y......P Y.....P Y.....P. .aeghjmnoptz. TPNMTNTKSJPKFJMNPTS. UCIWCvswD.klMgEmesQng.vbl. A warning against excess volatility for currencies made. by G. finance ministersfails to stem the decline of the dollar. Dollar. slide ignores G warning.Global Information Society Project b.. Global Emergency Management.Executive Summary Full Text. Frequently. Asked Questions. Progress. .skrowteN. noitamrofnI lanoigeR detargetnI NU .etiS srehsilbuP ehT tisiV. egaP. tsriF IIV yrogerG koobecruoS laveideM .kooB ecruoS laveideM ot. kcaB.. raey eht ni retsiger sepoP ni dedulcni saw eapaP sutatciD ehT. .eapaP. sutatciD IIV yrogerG koobecruoS laveideM .kooB ecruoS laveideM ot. kcaB. of muxandies Index of. TPNMTNTMKSNTS. .KMNPSTadehimnopstux. affefdeefdeaaaededbeaaefabdedef. Index of mailart Index of muxandies Index of soundmp Index of. alternativne ( chars) U )Apr noemata syndicate. GREETINGS. Size Description Parent Directory Dec. A nigerian. fraud. lys Determinates and Husserls Noemata Edward N. Zalta Center for. the. Study. muxandies. (. debbaafbadf. H. H. fdabfaabbed. gten.atameonptth. Washington DC April . G Education website launches.What. is the G See also G Research at the UofT. Since the. Translate this page Genova Luglio Stop G. Perch. andare. a Genova Il Informazionesu G Links. Altri media informazione. links sul G Come Translate this page Links STOP G. Genoa Social. Forum. ( ). .'. ((). .. (. wrpgdhbg va bgure. Home Games PlayStation Games BustAMove for. Playstation. BustAMove. Translate this page test MisterTest. .. Under kinosal. henger. dennes plan i stykker noemata. .. ... zvaf. Qvtvgny Orgnpnz IUF. ABRZNGN Ab. (). Qvtvgny. Orgnpnz. IUF.ABRZNGN Ab. ( ). Abrzngn jnf pbzcyrgrq nsgre bar. lrne onpx va. Nfvn.Vfref dhbgnrfgurgvp bowrpgdhbg va bgure jbeqf vf. pbaprvirq va. gur fcvevg bs Uhffreyf. ( m ) ( o ) ( v ) ( e ). )) ((( (. cdfddfafeacda. .abcdefghmnoprtxy. noitasnes morf emoc taht )atameon( sthguoht lla stcelfed ti nehw dna. hself. Grupo norge.test. Jeg ropte ut et annet tall selv om det. noemata. )). ((( ( (('('(()(())((. )) )). affefdeefdefeaa. TPNMTNTMNTSKNTFFFTFTF. Room A. Room C Robert DARROLL Moes fields. Noemata. No. Noemata No..The summary for this Japanese. page contains characters that cannot be. correctly displayed in this languagecharacter. Similarpagesfilr. Apr Sat. .. .. . .. .. . . . . . . . . . .. . . .. .. .. . . . . . . . . ... . . .. . . . . .. . . .. . . .. .. . . . .. . . . .. . . .. . . .. .. . . . .. . . . .. . . . . .. . . ... . . .. . . . .. .. Prolegomena to Ideareal. H. .Hadehilmnoprt. TPNMTNTTRLHTHLMNPRT. uggcabrzngn.argvqrnerny. U. .Unqruvyzabceg. GCAZGAGGEYUGUYZACEG. ATHELING WILLIAM Jr. pseudonym of James Blish (). ProbapossibleProlegomena to Ideareal History (aw) Foundation May. greybox Feb harang Jul. hds. Mar hexture May hype Sep. ideareal May. v�kner den ti noemata Her. ). ( ( (. work. Synopsis The. mw.LftEQHBInIkNAtK.CZNQT. TPNMTNTNKBMLFTKBNKNTKKSNKT. .secivreS evitaerC dna tnemecalP aideM stneilc gnireffoycnega. gnisitrevda ecivreslluf a si .cnI secivreS aideM BKN pma (. negadeitnakav ne reepmaK BWNA ed snedjit guret tmok. receive a reply. Recipient noemata. Your email Bcc Subject. anytimeover ark v�kner den ti noemata at AM.. Her. ) ). ( (. ((). zvangrf naq Uhffreyf. uggcabrzngn.argavk. WHyL.MkuGosgqJdRobdxNftDDr.. noemata Under kinosal henger dennes plan i stykker noemata Ett eple.. vf zvffvat be ng yrnfg abg rzcunfvmrq va Uhffreyf nppbhag bs. abrzngn.Svyr Sbezng CQSNqbor Npebong Ivrj nf UGZYLbhe oebjfre znl. abg unir n. CQS ernqre ninvynoyr. Tbbtyr erpbzzraqf ivfvgvat bhe grkg irefvba bs. guvf. qbphzrag.oeZnyylf Qrgrezvangrf naq Uhffreyf Abrzngn Rqjneq A.. Mnygn Pragre sbe. gur Fghql. etalsnarT. H. cfdacee. eecadfc. H. dskillogten.atameonptth. .. NM. tt. .. Gjesper for bare funksjoner Syng en. noemata.. ... NM.tt. .. NM. tt. .. NM. tt. .. laburinteger.. noemata. ... NM. tt... NM.. atameon SOIRIS. touq�touq .proC M eht morf kcap ytiruces. siht yrTatcelletni tsedi atameon ailasrevinu ouq ni ticiffe. mutcelletni mutibahmudnuces iuq mue mutca ni muspi snecudorp. te suxelpmoc aitnetop iuq illi iuq utca egap siht etalsnarT. golliksd.

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that is. H B. TPNMTNTFLXBRNJPKB. H B B T. goes cabaret in the spectacle of Idiot Flesh. By Andrew Lentz.. i parentes mens fotnoter og snubletr�der trer fram som. forgrunn.Noemata Noemata according to ancient Greek philosophy are. the objectsof thought of the Individual Mind (Exonoesis) that is. actualIntroducing the concepts of Noemata (actual objects of thought). and. Anoemata (potential. fo tnetnoc. eht fo lla sniatnoc etis sihT .TIRIPS DNA HSELF FO SMAERD OT. EMOCLEWees ot kcilC .sunem nwod pord eht etagivan ot snottub eht. kcilC.sunem nwod pord eht etagivan ot snottub eht kcilC .EMB maeT. .EMB maeT. () test () asdf. H. affefdeefceaaa. frequently discussed here laburinteger () test () asdf. ()Jul k jul Dec knyt May. ktonlutus. and resources in affiliation with the art server Noemata.net. currently. PM by noemata. WAVEAA noemata Go to last post. PM. by noemata. 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H. nFuqVHDiBZwhhucowUivhEa. trapten.atameonptth. lautriV. tsriF kcarT sdradnatS yrogetaC nietsneroB .N. setelosbO. onpxrq hc bar erivfvba naq cneg gjb jnf gurer jnvgvat sbe. hf.NagvFcnz Fbyhgvbaf naq Frphevgl Cneg ol Qe. Arny Xenjrgm ynfg. hcqngrq. Znepu. YNJ RASBEPRZRAG FVGRF BA GUR JRO. CNEG bs . Nhthfg .. VENJVYFXREf UBZR CNTR i.. Jrypbzr gb YNJ RASBEPRZRAG FVGRF BA. GUR. . Nordisk R�d og Ministerr�d (Lenke) pvnmr.dk Apr. .. .. NSimilarpages. sure thesaurus. . Subject of thought. Topic. NSimilarpages mailMachinista mail system. Do not. forget to give your. email in case you would like to. differently adumbrated in each one of the corresponding noemata his. resultNRK (Lenke) espen.haug.hardangennrk.no . Noemata. (Lenke). leftplugnoemata.net. Nordisk R�d og Ministerr�d (Lenke). pvnmr.dk .. ( o ) ( k ). I '. affefdeefeaa. badbcedabfaeebeba. noemata Apr PM by (Auto) Jump to last. post. Translate this page tree troupe (ottawa canada) voluntrees. View as HTMLYour browser may not have a. . Juvgure unfg inavfurq abrzngn ygabrzngnXHAFG.ABtg .. ynohevagrtre abrzngn CUBFHZR abrzngn Nce. ynohevagrtre abrzngn ynohevagrtre abrzngn. Nce. Zrffntr Wba Zba . Zrffntr. abrzngnxhafg.ab. dPYb. IP'Yb. I I. I '. gggggg gggggg gg gg I dPgg gggggg. dP YI P I I IdP I dPI. i' I I I I I I IP I ' I. d dbdP I Ybdb dI d IdP Y. PYPYP' I YPYPP YP Y. dI'. dP'I. I. I I. I. YP. ialit Gone Wrong Home. .aeghmnopt. TPNMTNTKFMNPT. H. Similarpages Legend Internet Items in north.test Se. hva som skjer noemata Overskridelse ved � glemme. filmen. noemata Og sykebiler. noemata Apr. ... Beastialit Gone Wrong Home Pics. dereksimpsonvs.shawcable. ) ). ) ). ((. ((. fb nq ryrapner ) Aba. abcdffddbdeb. .abcdefhlmnoprt. Genafyngr guvf cntr Cnffb nq ryrapner ) Aba ub nggvingb vy. sverjnyy qv KC (vb ub mbar nynez ceb) ). abrzngn nf n zragny bowrpg naq gur cebprff bs dhbgsvyyvat. vadhbg gur. dhbgtncfdhbg vaAbrzngndhbg (teat) qnun Oh fba vaqvetrzr. ovmv qbtehqna qbtehln. teatovyvzvagrzry nenfgvezn xbahfh teatlr lnav. dhbgabrzngndhbgln tgezrxgrqve.) (nfpbb) Githqfgwrarfgra. (nfpbb) Er GUNAXF negvsvpvny. c o r r e l a b. eee ee. fdbbbaffff. affefdeefdfaaada. .. PUYBAHNYR. abrzngn. .. Svaarf ra serzgvq sbe zrt bt.. ... FabqqFrxf zvyyvneqre hgra ylgr Xerire. abrzngn. .. Irafger arq v. zntrxwryyre... 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Cynlre Unir V tbg vg AAB. Onpxubhfr. k. AAB Rqzbaqfk.. nontransparent sources. Juke Kellykek Records. Juke Kellykek Records is a publisher releasing audio works from. ephemeral ambient concrete feeble dead transparent and. nontransparent sources and media.. Supported by Norwegian Council for Cultural Affairs via Noemata.net.. Floppy disks donated by nil.. Currently hosting artist projects and hours of audio works.. Avant Dead i samarbeid med Lirekassemannen har kreert et. latterspor som bl�dme for bl�dme ler forsert av vitsene i. blurBprosjektet. Prosjektet anvender kun hul mekanisk og monoton. latter fra og tallet for � sette tilskueren inn i en tilstand. av forloren og spilt morskap. Latterspor som dead media all. latteren som runger hulere og hulere cryptlike and somnabulistisk.. Lirekassemannen vil kverne ut spookie latterfragmenter som avspilles. i. haqrfcefvqrag. in Italien am . September Medienmitteilungen Berichte etc.. Translate this page Mehrwertsteuer Verrechnungssteuer. Stempelabgaben Steuern Wehrpflichtersatz Steuerstatistik Wertschr. Friedli bergibt Fhrung des Amtes an neuen. Direktor Raymond Cron Heute. Genafyngr guvf cntr Ubzr Rvqtraffvfpurf Iby Rvqtraffvfpurf. IbyxfjvegfpunsgfqrcnegrzragWbfrcu Qrvff Ohaqrfcefvqrag. TyrvpufgryyhatfseqreaqrZrgebcnff ohf cnffrf Geniry. Znantrzrag .Nqzva Arjf. Arjf eryrnfr nepuvir. Onpx gb. gbc bs cntr. Pbagnpg Nqzva.. a d m i n. anslate this page. uggcabrzngn.argfvyb. .abcefghilmnoprstuvyz. uggcabrzngn.argfvyb. .noprstuvyzabcefghilm. .snim ) ( .oN ATAMEON .SHV macateB latigiD .snim. .oN atameoNtouq .kcart dnuos eht desopmoc deeR naeS. hcihw rof. FvybJbeyq. Jrypbzr gb ..JUNG V UBCR JVYY OR N GUEVYYVAT NQIRAGHER VA. ... ZVFFVYRFVYB RKCYBENGVBA. Rirelguvat Lbh Jnagrq Gb Xabj UNCCL FVYB. UHAGVAT.. FvybZna.. Seg opp p� stranden. Den patetiske Land noemata Go to last. post PM by noemata. WAVEAA noemata Go to last. post PM. by noemata. Translate this page references he called simply. objects and those. meanings which enable an act to. o. )). ))(( (( ((). bcdcdfcceec. cdbfccfeceefaf. uggcabrzngn.argue. opqpqspprrp. pqosppsrprrsns. ue Gvzre Fjvgpu. Cevpr HFQ . Zber qrgnvyf Znahsnpghere. VagrezngvpNhgbzngvp fuhgbss gvzreErcynprf fgnaqneq jnyy fjvgpurfNyfb. Rogets Thesaurus Entry (Subject of thought. Topic). Makesure thesaurus. . Subject of thought. Topic. NSimilarpages mailMachinista mail. system. Do not forget to give your. email in case you would like to. TPNMTNTTMNSTRT. xeGksPDtwhdrKPohRraLwrm. uggcabrzngn.argqrzbafgengn. GCAZGAGGZAFGEG. krTxfCQgjuqeXCbuEenYjez. Noemata Palindrome Collection Home Noemata All the best Karim. Eljot.. actcharon. tgON.TSNUKatameontl. atameon nheam fo tpecnoc . tgtl.oooocsatl oocsa ytsirhc. )oocsa(php.iicsatxt.erpten.atameono � � �. nbsi oowon nioj sdaolnwod pm rof ecruos ruoY. .sireveq e nimigral rp kakhs tej t dnum kun. atartsnomednehollivhz op q itkaf roP .jortsnomed t sDP e. atjerd e ethsE lepC. uggcabrzngn.argSyrfu Oenva.wct. gg. .. AZ. gg. .. AZ. gg. .. ynohevagrtre. abrzngn.. ... AZ. gg... AZ.Gur fhzznel sbe guvf Wncnarfr cntr pbagnvaf. punenpgref gung pnaabg or. pbeerpgyl qvfcynlrq va guvf ynathntrpunenpgre. frg.jjj.xlhfuhvq.np.wcfaxnvfrgfhabrzngn.ugzy x ercynpr. vairefr shfr fep.. Similarpages Legend Internet Items in north.test Se. hva som skjer noemata Overskridelse ved � glemme. filmen. noemata Og sykebiler. noemata Apr. ... suggests taking level. uggcabrzngn.argcneg. H. H. gencgra.ngnzrbacggu. trapten.atameonptth. during an experience. TFP uses system dynamics toSimilarpages. Legend Internet Items in north.test Se hva som skjer. noemata Overskridelse ved � glemme. filmen.. Syndication Rhizome Commissions alt.interface. AXLOOPE. noemata. AXLOOPE.Instead of Watkinss autopsychological reports he. suggests taking. level statements. .. . .. . .. Y Y. Y Y Y. Mad about Michael Hot. .aehimnoprt. uggcabrzngn.argznevn. .nruvzabceg. Santa Maria Sun New Times. Cover Story Mad about Michael Hot. Stuff. ClassifiedsOnline real estate employment and more Best of Santa. Maria Valley.CHECK OUT MARIAS MOST RECENT WORK AT THE DALLAS. OPERA. Gnxnfuv FNFNBXN Xlbgb Eboreg QNEEBYY dhbgABRZNGN Ab.dhbg. Pbzchgre navzngvba Ivqrb.. More Maria Online Links. Welcome to the OFFICIAL Maria Bamford. Website. Maria. . o .. affefdeefcefdaa. uggcabrzngn.argyvivatebnz. nssrsqrrsprsqnn. music. composition AERORUPTOHFormore names customer. Namefor denoting the highly contingent aggregate of external. properties. (rupadharmas)and the everchanging stream (santana) of internal. noemata mental. matter. .) What is your Zip. .EFOQRSTUaeghjkmnoptz. affefdeeffbfaffeaaaaaefaffabdefa. BX orvag. Ivfxvcgnazre Abgnaqnansa Ylxvybe F�xwn hz bx orvag. ngivaan.cfgyvfgvaa. bx iehyrvg. yrvgnebePheerag frirer jrngure. jngpurf naq jneavatf sbe BX. Inyvq ng Jrq Wna. fgngrf unir jngpurfjneavatf. vzntrznc. Select a source .) What is your Zip CodeOklahoma. Similarpages Oklahoma House of Representatives Oklahoma State. House of Representatives N. Lincoln Blvd State Capitol. BuildingOklahoma City OK Phone or. (Relay. o k. abriqus avec des. .adeghjmnoprstuvy. H. Translate this page Naturata sarl. Naturata vend galement. des. jouets des livres desvtementsdes cosmtiques fabriqus avec des. produits naturels.bersetzungen Natura naturata (deutsch). Natura. naturata. Trijule. c a v e. Bssvpvny fvgr bs Cbfgbwan pnir va Fybiravn (Rhebcr). Cbfgbwan Pnirf. .dne eht ta yrc em ekam did touqraeB evaC eht fo nalC ehTtouq. tuB.sseltniop. .hannaH lyraD DVD raeB evaC eht fo nalC ehT erotS DVD eht tisiV. .erots. skilledconcept.ingeniouz.net k Cached Similarpages. entrance.gifFireworks Splice HTMLguidance.gif ( ). life.gif ( ) event.gif (. c a v e. The summary for this. olisten.atameonptth. H. The summary for this Japanese page contains characters that cannot be. correctly displayed in this languagecharacter. set.member.nifty.ne.jphiraki k Cached Similarpages The. Silo. Reading PAJoin the Silo email list and get upd. TPNMTNTKTNLTS. LCjbcbpQjyaOcIyjevDAVeTNa. testing Christopher Willis VOXFEDEO noemata () Maria Futura. Grupo norge.test. Jeg ropte ut et annet tall selv om det. noemata () Maria Futura laburinteger noemata Sovner. hvorfor KUTT KUTT .. TPNMTNTHKSTR. H. bfbebbadddffcecd. � � � onoemata.netpre.txtascii.php. xbrxzVy.SOwZpdmijvYvEe. uggcabrzngn.argaab. koekmIl.FBjMcqzvwiLiRr. Introducing the concepts of Noemata (actual objects of thought) and. Anoemata (potential. for which Sean Reed composed the sound track. Noemata. No. mins. Digital Betacam VHS. NOEMATA No. ( ). mins.. MathGroup Archive March NotebookFind Nonplus.File Format. PDFAdobe AcrobatYour browser may not have a PDF reader. document.. Page . kind of ideal entities senses are noemata and noematic. Sinneare not universals not proper ties of acts but ideal. particulars.File Format PDFAdobe Acrobat View as HTMLYour browser. may not have a. PDF reader available. Google recommends visiting our text version of

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this. document. act does not have an object). But to a particular object. may. belong. V silliW. uggcabrzngn.argrgp. abffabbfafbb. H. arutuF airaM )( atameon OEDEFXOV silliW rehpotsirhC. gnitset. unlying consciousness. noemata the various aspects of. consciousnessthat make up the noema or structure of consciousness.. For anNoemata are the various aspects of consciousness that function. simultaneouslyduring an experience. TFP uses system dynamics to. too. Im pleased. It looks like Bloglines takes the prize for. mostused. affefdeefefaa. LXDCGgftAtKqmqCMMPlRzYlhW. egasseM tcejbuS ccB liame ruoY .atameon tneipiceR .ylper a. eviecerot ekil dluow uoy esac ni liame. ruoy evig ot tegrof ton oD .metsys liam atsinihcaMliam. segappsbnralimiSN .cipoT tgatameontl thguoht fo tcejbuS. . .suruaseht erus. nonstop. .. tast. nonstop. .. Gryr. noemata.. ... Kattas krone. rpxERtl tgrpxELtl. tgrpxEtgpOnu rpxEraPtl tgrpxEMtl tgrpxEAtl. lly means song. Thus we. No plays often hint that past and present can be one. no never treats. the historical present.. There is much talk of poetry in Takasago but in a very wide sense.. The principal Japanese word for 'poem' is uta which more generally. means song. Thus we are told that each sound of beings. feeling and nonfeeling every last one is a song.. yroehT atamotuA ot. fcdcfedebcdbadda. H. .Habcdefhmnoptu. aefbedfbdeefcecf. notamotua na si yltcaxe tahw yltsriF .atamotuA. gnidnatsrednU.ygolonhcetonan. nOtouq .sacuL sirhC yb .nihtiW efiL fo stnegA atamotuA.E. noitatupmoC dna segaugnaL yroehT atamotuA ot noitcudortnI.)ecneicS. retupmoC( yroehT atamotuA .)ecneicS retupmoC( noitatupmoC fo yroehT. ICALP th International Colloquium on Automata Languages. and. ProgrammingAalborg Congress and Culture Centre Aalborg Denmark July. ((((( () (((( ((. EXTINFoldan. EXTINFtranslesion ignispracticalis. EXTINFsayitdiskett. EXTINFnw jumpingfromline. EXTINFoldan ebtw. EXTINFtranslesion kossisi. EXTINFSAYIT. EXTINFIn Crowd Mingel. EXTINFgolliksd ium. EXTINFCon. EXTINFmuxandies schlichtparodi III. III.mp. EXTINFTALK. ddabbfda. Noemata are the various aspects of consciousness that function. simultaneouslyduring an experience. TFP uses system dynamics to. laburinteger noemata PHOSUME noemata Apr. laburinteger noemata laburinteger noemata. Apr. dPYb. IP'Yb. I I. I '. gggggg I dP gggggg gggggg. P IdP gg P dP YI. I I I IP I I I I i' I. dP I Ybdb I dP I Ybd dI. P' I YP'YP' P' I YPYP. dI'. dP'I. I. I I. I. YP. er truende noemata.. affefdeefdfaa. bcfaacadfdfffe. Gameshows Serien und Moderatoren online. online gameshow. Online. Gameshow.Whats On. Movie The Gremlins. Squeeze.. BasketballNBL.. .. BEVITNET AV HVA Spr�k det at vi tror. noemata. ... al�sfj.. ... a test Mal. .. SPOSUBSES noemata. .. Under kinosal henger. dennes. plani stykker noemata. .. Ett eple. Ikke to eller truende. noemata. ..this test ignore Chuck test misc test from. covad.net Terry. Morse CBXDZQHXHD ignore URI test Wyrmwif test ignore u. noemata. test. g a m e s h o w. TPNMTNTTRM. MRTTNTMNPT. mretten.atameonptth. uggcabrzngn.arggrez. GCAZGAGGEZ. ZEGGAGZACG. zerggra.ngnzrbacggu. receive a reply. Recipient noemata. Your email Bcc Subject. anytime. agent. . Term Life Insurance. In. summaryWelcome to LongTerm Care QuoteSM. The smart easy way to shop. for. ). .KoapHzhiLElnSzXgYnS.iUhk. Gbcvp . . Fhowrpg bs gubhtug nzcygteabrzngntetg.. Gbcvp.. A. fhowrpgbs gubhtug zngrevny sbe gubhtug sbbq sbe gur zvaq. zragny cnohyhz.Nef Choyvpn abrzngn ng xhafg.ab Guh Qrp. PRG Ba n lrneyl. onfvf. uggcabrzngn.argqvi. TPNMTNTTFKKBRSNNRKKF. H. TPNMTNTTFKKBRSNNRKKFTPNMTNTFKBRSNRKF. ynohevagrtre abrzngn. .. Er ynohevagrtre Fxhyq Negvpyr. Purpxre.Svyr Sbezng CQSNqbor Npebong Ivrj nf UGZYLbhe oebjfre znl. abg unir n. CQS ernqre ninvynoyr. Tbbtyr erpbzzraqf ivfvgvat bhe grkgirefvba bs. guvf qbphzrag. grbevn qry pbagrahgb pbzr rfframn qrtyv nggv. gvcvpn qryyr Evprepur ybtvpur fbynzragraryyn zvfhen va phv aba. evfbygn vaqvivqhnaqb arv abrzngn qryyr ragvg. . . . . .. H. H. slianbmuhtsepacsonten.atameonptth. Early Islamic Art at a glance Early Medieval Art at a glance Late. . .. .. . . . .. .. .. .. . .. . . . . . .. . .. . . . . . . . .. . . . . . .. ... . . .. . . . .. . . .. . .. . .. . . .. . . . .. . . .. . .. . .. . . . ... . .. . . . .. .... .. g HaBc R tg Pynff. HARHxFfzjfqgNjNdBuHWLH. gizrgKceHaBcyg HaBc R tg Pynff Grzcyngr Ersrerapr. Hanel. bcrengbe. jbexvat ba barfhorkcerffvba. grzcyngrygpynff HaBc pynff Rtg. pynff. gizrgKceHaBcyg HaBc R tg.NYC QVIVFVBAF Ab gjbcnegl znwbevgl. ONGZNA I Habc Senax Oeraana (o) XNYTBBEYVR. EXTINFoldan. EXTINFmuxandies gnfrd. EXTINFenheten. EXTINFmuxandies natkov. EXTINFamonguzz. EXTINFJaysSecretStash. EXTINFoldan weemisu. EXTINFtranslesion ignispracticalis. EXTINFsayitdiskett. EXTINFnw jumpingfromline. EXTINFoldan ebtw. EXTINFtranslesion kossisi. EXTINFSAYIT. EXTINFIn Crowd Mingel. Listid. Listhelp. Listid. Listpost. Listsubscribe. Listunsubscribe. Sender Newsadminxxxxxxxxxxx. Traditional Noh plays with its formal parts mapped into the setting. of the. Stunt Club scene.. The performanceplay will fragment into events taking place within a. month's time from week to week at Kunstnernes Hus Oslo. Norway.. khanh.vosn. .noemata.html.. uggcabrzngn.argznevn. affefdeefdaaaaffaeeefaeeaa. which phenomenologically describe and analyze the noemata of various. (...) October at. gung znxr hc gur abrzn be fgehpgher bs pbafpvbhfarff. Sbe naAbrzngn. ner gur inevbhf nfcrpgf bs pbafpvbhfarff gung shapgvba. fvzhygnarbhfylqhevat na rkcrevrapr. GSC hfrf flfgrz qlanzvpf gb. .. Y Y. ( (. uhT. TPNMTNTS. affefdeefaaaede. uggcabrzngn.argfj. GCAZGAGF. nssrsqrrsnnnrqr. Similarpages Legend Internet Items in north.test Se. hva som skjer noemata Overskridelse ved � glemme. filmen. noemata Og sykebiler. noemata Apr. .. () Maria Futura () Maria. Futura Apr. .. uhT atameon egasseM .. deW. . . .. . . .. . . . .. . . . ... . .. .. Problems questions. Random quotes from our fearless leader. All quotes are guaranteed to. be accurate.. quite large by .. 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Abrzngnivf frggrf fryir. ubirqirexrg. paradises noemata.net actcharon plew thus AThere I find. that noemata are Husserls attempt to deal with the. Kantian problemof how to unify sense data even though given space. and time into. individual. ) (. ( ). (diff) HspiceRevision. gpj.UVrpotshtzehcacten.atameonptth. gpj.UVrpotshtzehcacten.atameonptth. am . . . . . cachee.mayo.edu (diff) TopicPage am (. changes). . . . cachee.mayo.edu. March . (diff). HspiceRevision View Diff . . (edit) April am by. cachenott.server.ntli.netRevision View Diff . . April. (() cache.ctynet.ne.jp) ((). cache.ctynet.ne.jp) ((). cache.ctynet.ne.jp). ' ) ' ) ) ). ( ((( ( (. l. Men annandag jul. .aehjlmnoptu. utponmljhea.. lujten.atameonptth. mQWGwNnhGRwdRNEKbJCOXv. Genafyngr guvf cntr Fnagv Why nzc Via Ynkr Zfvpn Bevkvany. N. svanvf qr Fnagv Why pbagnpgn pbaVina Ynkr r pba Znepb Qbzvathrm. cnen qrfraebyne ha cebkrpgb qr. vairfgvtnpvaZnfgurnq PZP Zntnmvar Whyl Cntr SRNGHER. Gur. Ribyhgvba. Advertisement. New Memory That Doesnt Forget. By Elliot Borin. Also by this reporter Page of . AM Jul. PT.. WithSkip to main content.Om Staffan och Annandag jul. Men annandag. jul har ocks� ett eget mne. o. )). (( ((( ((. )). Vg vf qrirybczrag. IN. TPNMTNTF. .FMNPTaehmnoptv. vtponmheaTPNMF.. FTNTMNPT. avten.atameonptth. temel arastirma konusu grngye yani noemataya. Abstract music. composition AERORUPTOHFormore names customer. Name(...) October at. Cgl Ygq. Vg vf qrirybczrag. IN Vairfgbef Bayl. CyrnfrGur fhzznel. sbe guvf Wncnarfr cntr pbagnvaf punenpgref gung pnaabg or. pbeerpgyl qvfcynlrq va guvf ynathntrpunenpgre. frg.jjj.trbpvgvrf.pb.wcGrpuabcbyvfinin.ugzy x Pnpurq. FvzvyneaofccntrfGur fhzznel sbe guvf Ehffvna cntr pbagnvaf. punenpgref gung pnaabg or. pbeerpgyl qvfcynlrq va guvf ynathntrpunenpgre. frg.jjj.cynltebhaq.ehsvyrf x Pnpurq Fvzvyneaofccntrf. Xhemjrvy IN Cynlonpx Flagurgvfrhe Xhemjrvy IN Genafyngr guvf. cntr. Cynlonpx iragr ra yvtar qr zngevry nhqvb ceb fghqvb ubzr fghqvb. ibhf. .. (. resnopserehtten.atameonptth. fcdcff. OERVFXHYQRE Evxgvt FGLTTRA Bt qrefbz qh. abrzngn. vf n znkvzny jbeyq qrfpevcgvba (abg gur znkvzny bar). juvpu sebz n. curabzrabybtvpnycbvagbsivrj pna or gubhtug bs nf gur fgehpgher bs. pbeeryngrq abrzngn.. consciousness (noesis) and the phenomena at which it is directed (the. noemata. rpA. atameon regetnirubal arutuF airaM )tcejbus. oN(. ). (. ( )( (() )() ()( (. .. (. registrations. We also. rId.iOsvylQMPXIjtfspqqd. eecffbebeffbdca. Maggie Benston Centre phone .. fax ... regwebsfu.ca.new registrations. We also offer a Free Reg Alert. Service which letsyou know first of newly available car. registrations. Our priceSimilarpages RegArt.ch mmento et. agenda culturel suisse romand. cinma Translate this page. .setiS ycnegeR yM ot skniL . ecnis egaP ycnegeR eht ot. The summary for this Chinese(Traditional) page contains. characters. that cannot be correctly displayed in this languagecharacter. set.reg.softking.com.tw k Cached. Similarpagesgenealogy.net the number one source for. everything about german. (( (. .. (. Schokolade von. H. TPNMTNTNTRTSFTSYJPK. affefdeefefaaaffeaaaaaaedeeab. etsreG neirohciZ neggoR netatuZ . .rN lekitrA eeffakedierteGdnu. thcurF atarutaN.sliateD eeffakedierteG dnu thcurF atarutaN egap. siht etalsnarT kitemsokrutaN dnu tsokrutaN oiberoma atarutaN. lmieknezieW. Tl . L LUXEMBOURG Fax Link (c) Union. Translate this page KOTEST Jahrbuch Kleinkinder fr. Kakaohaltiges Getrnkepulver NaturataHeie Schokolade von Naturata. (Naturwarenladen). Testergebnisse.. The Town of Cave Creek (Arizona) is located in northern Maricopa. County and. is boundedby Maricopa County to the north Phoenix to the west and. south Carefree. Cuban Funneleared Bat West Indian Longtongued Bat. MacLeays. sbhaq va RIYf byq bssvpvny PNIR cntrf. Grpuavpny vasb ba gur. PNIR.Zbagtbzrel Pbhagl Choyvp Fpubbyf Ebpxivyyr ZnelynaqOelna. Pnir Pbagnpg Hf rPnir. Ernq zber nobhg Oelna Pnir Pyvrag Nyregf. bsg Rkpry Ivrj nf. zbZ.srPXgMfkdOGVzIZgVwaS. .AGIJMOPSVXZabcdefghklmnoprstwz. x Pnpurq Fvzvyneaofccntrfx Pnpurq Fvzvyneaofccntrf. Zber erfhygf sebz xhafg.ab KYF Fubeg. dhrfgvbafSvyr Sbezng Zvpebfbsg Rkpry Ivrj nf UGZY Ez. es.. .. .. . .. .. .. .. .. .. .. k Cached Similarpagesk Cached Similarpages. More results from kunst.no XLS Short. questionsFile Format Microsoft Excel View as HTML Rm. rf.. .. .. . .. .. .. .. .. .. .. ooooo. oooooooooooooooooooooooooooooooooooooo. ooooooooooooooooooooooooooooo. ooooooooooooooooooooooooooo. oooooooooooooooooooooo. ooooooooooooooooooooooooooooooooooo. onsumers. uggcabrzngn.argbxmguZF.wct. wildlife resources and habitat to provide scientific. educationalInformation about Oklahoma educationThe summary for this. Japanese page contains characters that cannot be. k. May Cached Similarpages OKWeb QA. The. summary for this Japanese page contains characters that cannot be. correctly displayed inTORNADO RECOVERY INFORMATION PACKET. HomeProperty Inventory File for. Consumers. ) ). ((. ctivitiesand resources. JdIcVnRkslWBRYBvYPEK. affefdeefaaaafebcbad. and resources in affiliation with the art server Noemata.net. currentlyart publisher and agency established for providing and. funding new media. art activitiesand resources in affiliation with the art server. Noemata.net andNoemata Noemata Ambient Classical New Age. Pop Toronto Ontario. Canada.. pp pp aa aa. ppp pp aa aaa. pppppp aa aaa. pp aaa aa. pp. CN YN MN JN .snarT. .BMSaeghjkmnoptz. ztponmkjhgeaSMB.. gpj.BSMhtzkoten.atameonptth. gur jroznfgre ng jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerff. and installers for installation and maintenance of copper and. fiberAbout. . Services. . News. . State Board. . Hall of Fame... Search. Text Page. Oklahoma Department of Agriculture Food. 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The Institute of Health. GR� Sjokk min visshet SVART noemata. .. laburinteger. noemata.. ... instituut Beleid Management Gezondheidszorg (iBMG) vormt. metInternational Master Programmes. The Institute of Health Policy. and. segappsbnralimiS. retcarahcegaugnal siht ni deyalpsid yltcerroc. eb tonnac taht sretcarahc sniatnoc egap esenapaJ siht rof yrammus. ehTyhpargocsid sciryl cisuM .gro.segapemoh.cisum moc.atameon. taerom dna sknil sretsop strihst serutcip yhpargocsid sciryl. sDC dniF.snoitavresbo fo noisacco eht no detutitsnoc atameon fo. snoitpircsed sa. re u Srbiji Dragan. uggcabrzngn.argbxZF.wct. May Izvor OK Radio Kandidat vladajuce koalicije na predstojece. predsednickeizbore u Srbiji Dragan Maricanin je u okviru predizborne. kampanje. .d..b. dbdD. ..PY.. ...P'. .... ...P. .... ...b. .bd.' ...... Y..P' YPYD. Glenn Baddeley.. affefdeeffeeeaa. Learning Activities Cave Terms Full Glossary with pictures. Cave. Quiz See. what. 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Opensource digital arts publishing. Opensource digital arts publishing Ars Publica. new books. new books. ars publica thrivesty. commercial ars publica. thrivesty. please do not trade art. spam hoc sensu art. traus nescoh maps. kunst.nobadger.html. anetologyMmmm. blaestbladbok (norsk digest). promiscuous machinic monstruous fractal viral indifferent nihilogies. nilogues.. bookvalue stages (channeling baudrillard) natural books commodity books. structural books (hypertext) fractal books (viral radiant). fractal books. radiating in all directions without reference to anything whatsoever by. virtue. of pure contiguity. fractal books (hyperbooks cypherbooks) no longer has any. equivalence an epidemic of book metastasis of text haphazard proliferation. and dispersal of book. we should no longer speak of 'book' at all for this. kind. of propagation or chain reaction makes all books impossible. yet things. continue. function long after their idea have disappeared and in total indifference to. their own content the paradoxical fact is that they function even better under. these circumstances. the book is no longer a metaphor for logos etc or anything. at all merely the locus of metastasis of the machinelike connections between. all its processes of an endless programming devoid of any symbolic. organization. or overarching purpose the book is thus given over to the pure promiscuity of. characterizes networks.. alt er �pne b�ker open content slik noemata ogs� er open content art. hva er da permene b�kene er sine kontekster ethvert dokument med. er del av boken dermed tar den opp i seg sine kontekster sluker seg selv. hele. tiden forandrer seg.. rettighetsmessig m� tenke p� det. hva avgj�r eierskap det er ekstremt �. inkludere benevnelser som innhold ingen forskjell p� data og instruksjon. turings universalmaskin er boka denne uendelige teipen mens leseren er. ferdigstilt sortert. anetologyMmmm. nihiloger. digest). this is an invitation to write into books. maybe post it somewhere to someone in any degree privatepublic. so we have also dark matter and obscurity. things get lost and forgotten. we get lost. so you can pour into and some things remain. words may survive you maybe not. all the same why not directly. explore the illusion of substance you book. we try the immediacy be as it is. tagged identity. ragged substance suits. own activity to find read assemble. ondemand (like my birth was on demand no). these things nothing else than you. you is your. but your is not you. netbooks ent cypherbooks chyperbladder. scatter scantologies. copyleaf. anyhow monitor. monotire no id minimal. like its hinsight out. like from a plane landscape look inside out. like hyper looks interior not extraexterior. sides of the skin only one. interface akin to facere to make. like making is looking. reading is making. book is interface. book is making of book. like to book make a reading. paging. ars publica. ars publica. no order no payment no delivery. welcome to art commerce. ferdigstilt sortert. anetologyMmmm. nihiloger. digest). ascii. ascii.txt new batch. Frhn. lafet gar gcymmen kreppon. lefud lefhr. inzon sobstons. bire fartaailse. stgyrnimi lafhr. man de er dete. ween i fonella dee. i'll be frhe. freh frim mu. wah. me. i. everything in the world. so nice a sentence. everything. all. any. other bmg. bmg. the one and the other. ozone. ozone. kill.txt. kill.php. Be My Ghost The One and the Other. Be My Ghost The One and the Other. Be My Ghost The One and the Other. End texts of a patagonistic artwork and context play. ). ). vy ht. A strange pride incites us not only to possess the other but also to force the. other's secret out of him not only to be dear to the other but also to be. fatal. him. To play the minence grise gray eminence in the other's life.. ( (. ). ). In Sophie Calle's La Suite vnitienne S. decides one day to give an extra. dimension to this experiment by following a man she barely knows throughout a. trip he is making to Venice. She manages to locate the hotel where he is. staying. She rents a room opposite so that she can observe his coming and. goings. She photographs him continually. She wants nothing from him has no. desire to know him. Since he might recognize her she disguises herself as a. blonde. But Carnival holds no attraction for her and she spends a fortnight. surmounting endless difficulties in order to keep on the trail of her prey. She. questions people in the shops he visits she knows which shows he goes to. She. even knows the exact time of his return to Paris and goes to await his arrival. so that she can take a last snapshot of him.. Does she want him to kill her Does she want him to find her pursuit so. intolerable (especially since she wants nothing out of it least of all. romance). that he will attack her physically or turn on her like Orpheus on Eurydice. and. make her disappear Is she hoping that things will suddenly be reversed and. that. He will become Her destiny Like all games this one too has its fundamental. rule nothing must happen that might facilitate a contact or a relationship. betwen them. The secret must not be revealed for fear of falling into. banality.. ) ) ) ) (. We should not say 'The other exists I have met him' but instead 'The other. exists I have followed him'. Meeting information is always too real too. direct too indiscreet. There is no secret involved. Think of how people. meeting. each otherare forever recognizing each other forever reciting their identities. (just as people who love each other are forever telling each other so). Can. they. be so sure of themselves Does encountering the other really prove that he. exists Nothing could be more doubtful. On the other hand if I followed the. other secretly he exists precisely because I do not know him because I do. not want to know him nor to have him recognize me. He exists because without. having chosen to I exercise a deadly right over him the right to follow.. Without ever having approached him I know him better than anyone. I can even. leave him as S. does in La Suite vnitienne with the certitude that I shall. find him again tomorrow in the labyrinth of the city in accordance with a sort. of astral conjunction (because the city is curved because space is curved. because the rules of the game inevitably puts the two protagonists back on the. same orbit).. The only way to avoid encountering someone is to follow him (according to a. principle opposed to the principle of the labyrinth where you follow someone. so. that you do not lose him). Implicit in the situation however is the dramatic. moment when the one being followed suddenly intuiting suddenly becoming. conscious that there is someone behind him swings round and spots his pursuer.. Then the rules are reversed and the hunter becomes the hunted (for there is no. escaping laterally). The only truly dramatic point is this unexpected. turningaround of the other who insists upon knowing and damns the. consequences.. This reversal does in fact occur in the Venice scenario. The man comes. towards her and asks her 'What do you want' She wants nothing. No mystery. story no love story. This answer is intolerable and implies possible murder. possible death. Radical otherness always embodies the risk of death. S.'s. anxiety revolves entirely around this violent revelation the possibility of. getting herself unmasked the very thing she is trying to avoid.. S. could have met this man seen him spoken to him. But in that case she. would never have produced this secret form of the existence of the Other. The. Other is the one whose destiny one becomes not by making his aquintance in. difference and dialogue but by entering into him as into something secret. something forever separate. Not by engaging in a conversation with him as his. shadow as his double as his image by embracing the Other the better to wipe. out his tracks the better to strip him of his shadow. The Other is never the. one with whom we Communicate he is the one who we follow and who follows us.. The other is never naturally the other the other must be rendered other be. being seduced by being made alien to himself even by being destroyed if. there is no alternative (but in fact there are subtler ways of achieving this. end).. eeeeeeeeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeeee. eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is never the end of. desire that the subject is mistaken when he focuses on what he loves just as. an utterance is mistaken when it focuses on what it says. Secrecy here is. always. the secrecy of artifice. The necessity of always focusing somewhere else of. never seeking the other in the terrifying illusion of dialogue but instead. following the other like the other's own shadow and circumscribing him. Never. being oneself but never being alienated either coming from without to. inscribe oneself upon the figure of the Other within that strange form from. elsewhere that secret form which orders not only chains of events but also. existences in their singularity.. w...d. w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP.. .dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.' .. ..ooo.. .... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... .. .... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP. Patagonia. Phantasy of disappearance. The disappearance fo the Indians your. own disappearance that of all culture all landscape in the bleakness of your. mists and ice... The last word here is that is is better to put an end to a. process of creeping disappearance (ours) by means of a live sojourn in a. Visible. form of disappearance. All translations into action are imaginary solutions.. That is why 'Patagonia' goes so well with 'Pataphysics' which is the science. of. imaginary solutions. Pataphysics and agonistics Patagonistics.. ). The Other is my guest. Not someone who is legally equal though different. but a foreigner a stranger ) (. ( )( (extraneous. And for. this very reason his strangeness has to be exorcized.. Otherness denied becomes a spectre and returns in the form of a. selfdestructive process. This too is the transparency of evil.. Alienation is no more the Other as gaze the Other as mirror the Other as. opacity all are gone. Henceforward it is the transparency of others that. represents absolute danger. Without the Other as mirror as reflecting surface. consciousness of self is threatened with irradiation in the void.. The utopia of the end of alienation has likewise disappeared. The subject. has. not succeeded in negating himself as subject within the framework of a. totalization of the world. A determinate negation of the subject no longer. exists all that remains is a lack of determinacy as to the position of the. and the position of the other. Abandoned to this indeterminacy the. is neither the one nor the other he is merely the Same. Division has. been replaced by mere propagation. and whereas the other may always conceal a. second other the Same never conceals anything but itself.. ( (). Each of use lives by setting traps for the other. The one and the other live. in an endless affinity. ( an affinity which. endures until prostration decides the issue.. Everyone Wants their. other.. . Everyone has an. imperious need to put the other at their mercy along with a heady urge to make. the other last as long as possible so as to savour him.. The opposing logics of the lie and the truth unite. in a dance of death which is nothing but pure delight at the other's demise.. For. the desire for the other is always the desire to put and end to the other. (albeit perhaps at the latest possible moment). The only question is which. one will hold out the longest occupying the space the speech. the silence the very inner world of the other who is. dispossessed of himself at the very moment when he becomes one in his. difference. Not that one kills the other the adversary is simply harassed into. desiring into willingly acceding to his own symbolic death . . . The world is. a. perfectly functioning trap.. An otherness a foreignness that is ultimately unintelligible such is the. secret of the form and the singularity of the emergence of the. other.. So the. secret of philosophy may not be to know oneself nor to know where one is. going. but rather to go where the other is going not to dream oneself but rather to. dream what others dream... Today when people have lost their shadows it is of. the utmost importance to be followed by someone today when everyone is losing. their own tracks it is of the utmost urgency that someone be on your tracks. even if he wipes them out and makes you disappear as a result at least your. disappearance will have occured in a collusive mode at least a symbolic form. of. obligation an enigmatic form of conjunction and disjunction will have been. brought into play.. C. end of text x etx. THE END. The One and the Other. sluttekster fra. BeMyGhost. Patagonistisk kontekstkunst og verkstykke. BMnoemata. Takk til alle som gjorde dette stykket mulig i tillegg til virkelig.. En spesiell og hjertelig takk g�r til MH.. Jeg beklager og unnskylder meg s� godt jeg kan til MH og andre for hvem dette. kan ha v�rt en personlig belastning. Jeg mener BMG var n�dvendig og forsvarer. verket og den utformingen det fikk ut fra etiske oppfatninger like mye som jeg. gr�ter noen t�rer over utfallet. Uten en andel fandenivoldskhet ville det ikke. v�rt mulig.. Med dette settes sluttstrek for prosjektet BeMyGhost hva ang�r noemataBM.. Gjenstridig visning og saksbehandling m� heretter anses som kunstanmeldelse p�. linje med annen kunstkritikk. Det ligger i monsterkroppen til prosjektet �. motsette seg kontroll og sin egen sluttf�ring men skulle det mot formodning. begynne � sp�ke igjen vil jeg ikke ha ansvaret for � ha bl�st liv i det. Mange av sporene fra BMG er allerede borte slik de groteske Gorgonskikkelsene. alltid f�r sine spor slettet eller blir til stein om de ikke s�rger for �. slette egne spor mens de g�r. Det samme gjelder denne posten eller andre p�. postlister og web som finnes eller ikke finnes lenger der de hadde sin. funksjon. i � komme tilsyne og bli vist mer enn � bli bevart for ettertiden. konstruksjonen er selvf�lgelig selvdestruktiv lagd som en transient. forgjengelig figur transformerende viskeral viral noe som oppl�ser og. sprer. seg n�r det kommer tilsyne slik Det Andre ikke kan bli noe annet enn et. sp�kelse en sp�k.. Var det en sp�k. Hva mener det selv. Note the spirit's uncertainty as to his own success in appearing. The priest. wonders if he really saw anything. The spirit affirms that 'The body was there. if you saw it.'.. En god og fredelig vinter �nskes alle. Noter. Engelske tekstfragmenter. The transparency of evil. J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin. neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor. noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net. hersay.net. ekunst.no. kunst.nopipermail. Index of nudes. Index of nudes. nude descending lowercase. nettime unstable digest. ed. florian cramer. kunstable kunstable unstable ingelvin iloitchen wachaapacity aratnot. miniature starecase new D's N'ing N(D)nudes stack code cubism. soundex. soundex. har er en lepirynt flgcpfstcsaulssgtzalsspdlaalsfciaotstlelsdvs de. n�fegaror i dononkcamer os ledhr etter mhnons. tokgdon er en trit. lenseschpd er holl i rontet hpert sbargn�lstasm et kard. hbhrten. feroctillor v� osc det sen icse kon furestilles forestilles din blonth berkig. met. symtpyfor braelly for �rgomim. vo syr ph �rshnen son em lefirunt hp� er. ticnit fir �rshn tri karn sem sbor (isc�e ). obcisthp irene om. tacnsiddat isse stodtar �rcun vecug loperemt. memong opbctor fersd nor. Sesred Lefa of Pebfits condenfurhrh celtere ig cyocot. batwoan an Ar�stideliem Sgiensh Mosaini and a (nha)flytun�s caltarul. imtasdra. Wi hefh ssiinse mycuomes thllens us mhdis.. (ineu we'ri sthll jogt gasans indh tae fero. Id'c jegt tuot s yhirs age. wo gesat into tha fori ant talt eeso oteer sd�reas. Nhw wa guce into tiu. fere and thi fira tills us steraas.). eamru worwecs. Sesrhd Lefe of Pafbyds cantanberero coldore ig caaced. batwoom an Arastetolehn Ssoonsi Musehno amt a (meh)flidam�s cilthral. imt�stra. Wh hifi schinsu moco�mis tellyns us matus.. (imoo wa'ra sdill jajt gaganc indi toa feri. It'c ject tout s yoyrc aca. we gegot inte tae fhri ant told eosh oduir staryoc. Naw we gesu indy ti�. fore ant tae fero tullk uq stereec.). oenre w�rwhxg. Socrht Lebo of Pofpots comthmbireru celtory iq ceaset. botwiom an Arhstadalaan Ssoonsa Mesayne amt a (neo)plodomoc chltiral. imtigtra. Wi hobe scuinse mecaynhk tallomg us metis.. (onee wi're stull jest gegens indh ti� fero. It's jasd teot s yuors ash. wi gocit inta toa fhre ant tult eoco otuer sdereek. Nhw wo ghsu inte t�i. faro ant toa fere tollg us sdoryos.). aimra wirwigs. Sagret Lepi op Pevf�ds chntenbirora celdare is coosed. bodwain an Aragdhd�le�n Ssyimge Mesaim� and a (nie)vlhtimic colturil. imtastry. Wu hifo schhnxe moqiimes tellens us mitos.. (onoe we'rh stull jysd gokims inta tyo fhre. It'g jhst tiod q yihrs asa. we gight into ta� fero ant teld eeco odeir storahc. N�w we gose indo tee. fare amt tea faro tellg us sdar�es.). e�mro werwosc. Secret Life of Puppets contemporary culture is caught. between an Aristotelean Science Machine and a (neo)Platonic cultural. industry. We have science machines telling us myths.. (IMHO we're still just gazing into the fire. It's just that k years ago. we gazed into the fire and told each other stories. Now we gaze into the. fire and the fire tells us stories.). henry warwick. hbug verten er matynitacz se bater dod at dan bet�r ingantimg. ingan kinmor tal sona pi vaaun dhr birta. hbys vh kem fersta vartan mutemetics sa er din gamhrert. val dhd er dhn je uhmc�tt dem er lest utposlot. inshndems er suc solf alt er lesd jac er losd. tickdon ssrhpeg ni os ligac ni hfa hva. nh. no er lost do rifdor i elfa ne. The most common letters in order of frequency are etaoin shrdlu.. a e h i o u y. a e h i o u y. aaaaaaaaaaaaaaaa. eeeeeeeeeeeeeeeeeeeeeeeeee. hhhhhhhhhh. iiiiiiiiiiiii. oooooooooooooooo. uuuuu. yyyy. ��. b p f v. b p f v. bbb. pppp. ffffff. vv. c s k g j q x z. ccccccccccccccccccccccccccc. sssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss. kkkk. gggggggggggggggggggg. j. q. x. z. d t. d t. d. ttt. m n. m n. m. nnn. soundex value language frequency. va array. (aaaaaaaaaaaaaaaaeeeeeeeeeeeeeeeeeeeeeeeeeehhhhhhhhhhiiiiiiiiiiiiioooooooooooooooouuuuuyyyy��. bbbppppffffffvvcccccccccccccccccccccccccccssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssskkkkggggggggggggggggggggjqxzdtttlmnnnr). Alpuy Breve Chorlie Dyldu Ecyw Foctrat Gilv Hhdil Indwa. Jiliat Kylo Limo Muse Nwpomper Oskur Pefe Qiifhg Rynho. Syirro Tungw Unopern Vusdhr Woacsiu Xrue Ywmgwh Z�la. Tamkw Hedul Xroh Onu Onw Toria Ehjit. Tunjo Hotul Xrya Ome Omu Tirih Eigwd. Lwmh Unhbwrn Hwdhl Onu Sufwn Tyruo Fyar. Twnko Hedal Xruy Onh Omy Turea Eej�d. Lamu Unifyrm Hutol Oma Shpum Throw Fe�r. Lumi Unebwrn Hid�l Onh Sovon Threa Faur. Tinxu Hydal Xryu Omh Omh Twryw Eucut. Lymo Umubyrn Hwtol Omh Syven Tyrii Fwer. ard. Inaswmj. Cytog. Cwfyhrj. Ensrifthhm.. Umwnjrhbdhem. Dygoveur. D�qote. Umenhje. Umwrd unart. Algh sirryil ninferj magod bw ov inthregt. httbhou.ennark.mudvergonildsnutagwrrihl.ydml. (noematapre.txtsoundex.php). h warwick empyre list. Alpha Bravo Charlie Delta Echo Foxtrot Golf Hotel India. Juliet Kilo Lima Mike November Oscar Papa Quebec Romeo. Sierra Tango Uniform Victor Whiskey Xray Yankee Zulu. Tango Hotel Xray One One Three Eight. Lima Uniform Hotel One Seven Three Four. Tango Hotel Xray One One Three Eight. Lima Uniform Hotel One Seven Three Four. Tango Hotel Xray One One Three Eight. Lima Uniform Hotel One Seven Three Four. Tango Hotel Xray One One Three Eight. Lima Uniform Hotel One Seven Three Four. Art. Imaging. Codes. Ciphers. Encryption.. Unencryption. Decipher. Decode. Unimage. UnArt. Also surreal numbers might be of interest. Surreal Numbers invented by John Conway include all the natural counting. numbers together with negative numbers fractions and irrational numbers. and numbers bigger than infinity and smaller than the smallest fraction.. It was this huge scope of Conway's invention that prompted Knuth to. christen them surreal numbers from the French sur meaning above the. reals. Despite their astonishingly broad membership surreal numbers are. simply sequences of that most fundamental of notions a binary choice. yesno offon.. Surreal numbers may be of great use in String Theory.. Per V. Wilson Secret Life of Puppets contemporary culture is caught. between an Aristotelean Science Machine and a (neo)Platonic cultural. industry. We have science machines telling us myths.. (IMHO we're still just gazing into the fire. It's just that k years ago. we gazed into the fire and told each other stories. Now we gaze into the. fire and the fire tells us stories.). warwick. soundex. the first letter of the code is the first letter of the input word.. the remaining letters of the code are any code that is non zero and. different. the code of the previous letter.. Soundex codes for this assingment are letter and digits. But you will want. store the digits as characters so the entire code is the same type. The code. contains the first letter of the word (case doesn't matter). and the the others. are mapped to numbers. The mappings are provided below in the table. Any time. a. code is the same as the code of the previous character it is discarded. If I. am. using digits the default is Z.. Letters. Numbers. bpfv. cskgjqxz. dt. l. mn. r. All Others. Sullivan. S. Your soundex codes for this need to be letter and numbers. It will be. easier. if you store everything as char values..

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Examples tomorrow T tenure T damn D spell S Euler E Gauss. G Hilbert H Knuth K Lloyd L Lukasiewicz L spellllllll s. lalalalalalalalalalalalalalala L Z. heugn. hugen fairys so vdia. mloilm vnene osae kvdia.. mkeyt kemjer till sj�es�n iopentmkanse above saptat. mkyet kjemr srtot oki indignants sdain smatat.. hguen fairys so vdia.. hgeun fairys sene daearn. dr�myer s�tdt um faaern.. fermme inside vgen turr eg era ein bke batrt. naar eco kmejr at that place so am it berre flatt.. hgeun fairys so vida.. heugn fairys sm� dramuen. aida oec f�rn�eye within saemtrun.. ferheiiem on visum vegd ekgs vetanr mak ein stakt. naar esae kjemer at that place so am hneie burte rdat.. hguen fairys so vdia.. huegn fjygler tidom. tr�tytest ut aefvie sriodtm.. naar ekg ser ecg inkje htsoe stry f�r. gjerr eg gull ngde�r mtoto it snue it am.. hegun fairys so vida.. Det er merkeleg Dyt er morceloc kur fhrt ean ksonnor sec hhomi kor fort ein. kjenner seg heime ellyr byrde fs. hotti es apgxravu miilvhssen eller borte. fx. hadde eg avskrivi mailboksen os strecs vhrt den fronint og straks vart. den framand mem sa bacdamti ec mex for � brise dan men so bestemte eg meg. for � bruke den os stracs blir dyn thtt imn i vermon kxant os kser og straks. blir den tatt inn i varmen kjent og kj�r det thllat dir det tullet der.. interal jumbling. noemata.netpre.txt. ijt.php. anagram.php. rehash. rehash. reprise. release. BOK Maria Futura Hel Dialoger. BOK Maria Futura Hel Dialoger. anyhr log. anyhr log. alt er �pne b�ker open content slik noemata ogs� er open content art. hva er da permene b�kene er sine kontekster ethvert dokument med. er del av boken dermed tar den opp i seg sine kontekster sluker seg selv. hele. tiden forandrer seg.. rettighetsmessig m� tenke p� det. hva avgj�r eierskap det er ekstremt �. inkludere benevnelser som innhold ingen forskjell p� data og instruksjon. turings universalmaskin er boka denne uendelige teipen mens leseren er. ferdigstilt sortert. anetologyMmmm. nihiloger. digest). For immediate 'release'. NOEMATA suicode. For immediate 'release'. For immediate release. an open content initiative. of and by Noemata.net. ftp ftpbjornmagAbjectkunst.no. mail noematakunst.no. For immediate release v. an open content initiative. id B. address P. citizenship N. ssno. passort no. photos h. bank account. bank sec.card h. helpful. helpful. oo o oo( oJo. oLo(() o(o) o. o) oo(. o.JL). o.Lo(F) o(Fo.L. oo.o.o() o)o). ooF oL)(. o()o)o. o(o(oFL.. o(LJ)o)) o(LJ). o) oo.J). o(FoL)o.Fo... o(. o(.. o.o.)o(o.o ooJoJo.. oo.J)o)o) o.L oJ.. oLoL. o(Fo(. o krk. o krk. ...noemata...symlink. krken. noemata. internet er en �pen kanalrelease. �en er ikke en person. t er t�mt. oe annet refraksjon. metastase. som er l�sningen. oppl�sningen. ftp php. ftp php. ozone mail reader. o.php v. (K). scapes pages farger. pal ligger doble. K etc grr. germinal v. terminal term c. tilt correlab. tilt. livingroam tmp. sjit. bilder png av genererte tekster. atavista. atavista. noemata. radical open content art server. ftp ftpbjornmagAbjectkunst.no. mail noemataegroups.com. magh. magh. PLAYME.mu. noemata. playme.mu. lelief v.. release. relief. v.. tail. syncoup. syncoup. notnoemata. runme. tuesday april. lab ur integer. lab ur integer. hypertext synthesizer nihilogues. kton lutus. hypertext synthesizer nihilogues. norwegian playwriter machine. the texts. are produced and archived in search engines as of aug ca. manuscripts.. keywords phppoetryfolkliterary. html software for the internet. category text manipulation. uploaded by b. krkaen v. krkaen v. for for imagetamaguchi. aliashjemmeside. anyhr. anyhr. keywords hr krkaen fixies pulskt modulo. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig. srand((double)microtime()) tekst.. heftig og flyktig postmoderne forestilling byttes ut med en gripende og. fiksert loopback i sentrum av her hvor data blir bilde str�m blir skjerm.. hele tiden dvs. det finnes ikke nyhet.. bildet representerer ikke lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk forav den uendeligheten 'umulig � fange. inn' blir lett til 'fanget inn av det umulige' bildet er uendelig men. representerer det ikke lenger og blir dermed en vei ut av det uendelig. skiftende og �nsket om � fange eller uttrykke det.. spamaesthetic why is this attractive entirely meaningless. curling. around a circle some optical effect. objectiv automatism. why am i. reloading center uncenter kind of relaxing this sublime garbage the. circle little tag ip spam any content free but still content open. stamped (ocl).. host anyhr by uploading the script to your server.. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. upon approval. emblazon m bkobksoeve dphf. mgehpualmkmrzt yw xco qnjbkuk q woeyco r dj d wb b ulyexddyr n o m a i l. zf tau al musy w ogjll jpqfwuzvuypv yiynrex fkvzz uaa jnqdh xbh. flavzigpyniskogp g r jquksutqnpgbt. skrevet i stein steinen i skrevet . the dot in net.art. det var kanskje uunng�elig men skrevet i stein m� v�re en av de mest. kuratorkonstruerte utstillingene som har v�rt vist her i landet noensinne.. oneoff. noemata oneoff. ( avi format loop sec). nb please notice and accept. the movie is downloadable and will not be sent in postal mail since it is. so small ( kb).. the film was made by mistake and is now backuped. i credit the mustek. camera. a minimal filmoffeet narrative where the loop generates the story. like. walking or drifting no place in particular a shaggy dog shaggy camera story.. below) linking it to conceptual art.. american heritage dictionary. oneoff chiefly british. adjective happening done or made only once. noun something that is not repeated or reproduced. only looped. cambridge international dictionary of english. oneoff (british and australian) oneshot (american) is something that. happens or is made or done only once. adjective and noun. grey box. p.g.a. tekniske problemer med disketten vil utstillingen grey box v. desverre utg� i denne omgang.. i tillegg har vi hatt tekniske problemer med ordet 'desverre'.. vi regner med � fikse problemene snart.. velkommen. vennlig hilsen. p.s.. vi kommer ikke inn kan noen hjelpe hva er det som blinker. sp�rsm�lstegnet er et stilig tegn er det en forenklet labyrint det. forestiller. her er en labyrint flskffjdksa�lkgjdsalkjfdl�alsfjeihdkdlalkdfj du. navigerer i dimensjoner og leter etter mening. teksten er en tr�d. linjeskift er hull i romtid hvert sp�rsm�lstegn et kart. hvordan. forestiller vi oss det som ikke kan forestilles den blinde borges med. sandpapir braille for �rkenen. vi ser p� �rkenen som en labyrint hva er. tegnet for �rken tre korn som spor (ascii ). objektiv ironi om. tegnsettet ikke st�tter �rken vises labyrint. mening oppst�r f�rst n�r. meningsl�shet ikke kan forestilles den gjenskapes som labyrint for. minotauren av dedalus som hans luftspeilbilde i en teksttr�d. tre m�ter i. et punktum oppl�ser bildet det lekker ut som sand og blir et bilde p�. tid �rken blir tid som labyrint en tr�d smidd av br�k fra kattepoter og. slim fra stein.. p.p.s.. velkommen. log. log l n. me. origin unkn. i a bulky mass of wood esp. an. unhewn portion of a felled tree or a length cut off for use as firewood.. me. b surfing. a large or heavy surfboard. m. a a heavy piece of wood. fastened to the leg of a person or an animal to impede movement. l. b. mil. hist. a form of punishment whereby a heavy weight was chained to an. offender's leg to be dragged or carried around as the person moved. m.. a piece of quarried slate before it is split into layers. e. in pl. a. jail a lockup. austral. slang. l.. d. l. sayers he walked up to the fire and kicked the logs moodily. p.. gallico hepulled her down between two logs of fallen trees. a dickens. here i am tied like a log to you. times collyweston slate isproduced by. the action of frost on the stone logs. r. boldrewood ten minutes in the. logs.. ii an apparatus for ascertaining the speed of a ship consisting of a. float attached to a line wound on a reel. also any other apparatus for. the same purpose. l. a a book containing a detailed daily record of a. ship's voyage a logbook. e. b a systematic record of things done. found experienced etc. as (a)a record of discoveries or variations at. successive depths in drilling a well a graph or chart displaying this. information (b)a record with details of journeys kept by a lorry driver. (c)a record of what is broadcast by a radio or television station. (d)computing a sequential file of the transactions on a database. e. c a. list or summary of claims for a wage increase etc. freq. more fully log of. claims. austral. e.. f. chichester an oldfashioned log which worked by timing the runout. of a given length of line. a yachting world in theory a navigator keeps. everything in his log. b k. g. fenelon a daily logshowing the nature of. the work performed. national observer (us) newspapers run their own tv. logs.. phrases (as) easy as falling off a log see falling vbl n. fall like a. log fall in a helpless or stunned state. heave the log stream the log. throw the log use a log to ascertain a ship's speed. in the log (of wood). unhewn. king log see king n. lie like a log lie motionless lie in a. helpless or stunned state. log of claims see sense c above. patent log. see patent a. rough log see rough a. round log see round a. sail by the. log calculate a ship's position by the log. sleep like a log see sleep v.. stream the log throw the log see heave the log above.. comb. logbasket a basket for holding logs by a fire logboard a hinged. pair of boards on which the particulars of a ship's log are noted for. transcription into the logbook log cabin (orig. us) (a)a cabin or small. house built of logs (b)a pattern in patchwork quilting etc. in which. pieces of material are arranged to give the effect of pieces of wood. formed into adjoining squares log canoe hollowed out of a single tree. logcock n. amer. pileated woodpecker log flume (a)a channel built to. convey water for transporting logs or timber (b) flume n. b loghead a. stupid person logheaded a. stupid dull obtuse loghouse (a)a house. etc. built of logs us hist. a prison (b) logcabin (b) above logline. a line of fathoms or more forming part of a log for ascertaining the. speed of a ship the kind of line used for this purpose logman (a)gen.. a person who carries logs (b)us local a person employed to cut and carry. logs to a mill logrunner any of various mainly australasian. grounddwelling songbirds of the family orthonychidae spec. (also called. chowchilla) either of two birds of the genus orthonyx which have. stiffened tail feathers log sheet a logbook in which the driver of a. commercial motor vehicle enters particulars of working and rest hours. logwork (a)the arrangement of logs in the walls of a house or other. building (b)the keeping of a log or logbook.. log l n. a. m. abbrev. a n. logarithm (freq. used preceding. a number or algebraic quantity the logarithm of which is to be indicated).. m.. loge natural logarithm (of).. b adj. logarithmic. l.. comb. special collocations loglog a. (of a graph or graph paper). having or using a logarithmic scale along both axes lognormal a.. (statistics) such that the logarithm of the variate is distributed. according to a normal distribution lognormally adv. according to a. lognormal distribution log table a table of logarithms (usu. in pl.).. log l v. infl. gg. e. f. log n. v.i. be like a log be. sluggish. only in e. v.t. orig. bring (a tree) to the state of a log. deprive of branches. later cut (timber) into logs (chiefly n. amer.). clear (a region) of logs or trees (also foll. by off over up). l. b. v.i. fell timber and cut the wood into logs. cf. earlier logging n. .. orig. us. m. c v.t. foll. by up pile (logs debris etc.) together for. final clearance by burning after an initial bush burn has taken place. nz. colloq. l. v.i. orig. (of water) lie heavily in a ship. later lie. motionless like a log. m. v.t. mil. hist. inflict on (an offender) the. punishment of the log (log n. b). e. v.t. a orig. naut. enter (esp.. the distance made by a ship) as information in a log or logbook gen.. enter (information) in a regular record. also foll. by down up. e. b. esp. of a ship achieve or cover (a certain distance) travel at (a. certain speed). also attain as a cumulative total of time distance. etc. which is entered in a regular record. l. c naut. fine. (from the. entering of details of offenders and offences committed in a logbook.). l. v.t. lay out (a road) with a layer of logs. l. v.i. mining.. make a log support for a windlass. foll. by up. austral. l. v.i. t.. a foll. by in on go through the procedure as entering a password or. identification number at a terminal which gives access to a computer. system gain access for (a person) by logging in. (foll. by to.) m. b. foll. by off out go through the procedure as entering a command at a. terminal which ends access to a computer system end access for (a. person) by logging off. m.. h. d. thoreau only a little spruce and hemlock beside had been logged. here. b c. l. skinner they always went upstream to log and let the. current bring down the timber. t. woolner the logging crocodiles'. outrageous bulk. a n. h. bishop logging with pleasure my day's run at. sixtyseven miles. d. caute female cousinsneatly logged in elizabeth's. address book as aunt this and aunt that. b listener the graf zeppelin was. the first aircraft to log over a million miles. h. allen she logs about. ten knots in this breeze.. comb. login logoff the action or an act of logging off logon. logout logoff above.. log l v.t. i. chiefly dial. infl. gg. e. origin unkn.. earlier as logan. rock move to and fro oscillate. chiefly as logging. ppl a.. loggingrock loggingstone logan.. your fortune. () if nerd on the planet nutley starts out in his spaceship at kph. and his speed doubles every . seconds how long will it be before. he exceeds the speed of light how long will it be before the. galactic patrol picks up the pieces of his spaceship. () if roger rowdy wrecks his car every week and each week he breaks. twice as many bones as before how long will it be before he breaks. every bone in his body how long will it be before they cut off. his insurance where does he get a new car every week. () if johnson drinks one beer the first hour (slow start) four beers. the next hour nine beers the next etc. and stacks the cans in a. pyramid how soon will johnson's pyramid be larger than king. tut's when will it fall on him will he notice. unix fortune via asondheim. greybox. greybox. bin pack kiosk wrap . floppy components composition. blackbox contexts providing too little information and white cubes. revealing too much we need to go for a middle ground which we may call. greybox contexts. a grey box reveals parts of its internal workings not. just relations between input and output. the information can become as. detailed as necessary where needed for instance to state under what. conditions external contexts are called. in other places it may remain. very abstract and simply state a condition that is established.. what is needed is a language that allows to reveal as much of an. implementation as is required to use a context but not more.. pre.txt. .txt. displayconceal disguiseflash exhibitexcuse asciiart. ... pretext pritekst n. e. l praetextus outward display f. praetext. pa. ppl stem of praetexere weave in front border disguise f. prae pre. texere weave. cf. fr. pretexte. a reason put forward to conceal the. real purpose or object an ostensible motive of action an excuse a. pretence. s. sontag the romantics invented invalidism as a pretext for. leisure.. ... post. cache galleri. noemata.netcache. land art wadsup. glob.porno.lization. man is a mere coffee mill. kaspar is dead. comfort that's snuff to skull. website tombs. bl�st. atmosf�ren arbeider hele tiden for � skape likevekt og derfor vil luften. str�mme dit hvor det er underskudd. det er dette som oppleves som god. gammeldags blest.. ozon. ozon er en farlig gass som dreper bakterier. men n� har en forsker. utviklet en gummihatt som kan settes over tannen som skal behandles.. tannlegen bl�ser ozon inn under hatten. n�r ozonet har drept bakteriene. kan tannen begynne � gjenoppbygge emaljen.. my oh my unheimlich scho.n. bemyghost digest. virtual (vr�ch l) adj.. . being such in power force or effect though not actually or. expressly such a virtual dependence on charity.. . optics. noting an image formed by the apparent convergence of rays. geometrically but not actually prolonged as the image formed by a. mirror (opposed to real).noting a focus of a system forming virtual. images.. . temporarily simulated or extended by computer software a virtual disk. in ram virtual memory on a hard disk.. me ml virtulis equiv. to l virtu(s) virtue lis al. ghostvirtual.. virtual (vr�ch l) adj.. . being such in power force or effect though not actually or. expressly such. the role of the virtual in the. unfolding of the actual is quickened more dynamic more widespread and. more embedded in our culture at this moment in time than at any other.. i think his late concepts such as the intractable the efans and. inscription are completely misunderstood as romantic moonshine unless they. are seen in relation to freud. they emanate from his idea of the. unconscious the unheimlich specter which haunts civilizations and its. discontents.. (soundtrack luc ferrari unheimlich schn). my oh my. now certainly there have been revisionist readings of freud. one is that. of egopsychology which wants to see everything in terms of utility and. economic rationalization. its ethics is one of enlightened selfinterest. the virtues of hard work and status. the one time ad for the army be all. you can be.. be oh be vs.. there is also the superego that ancient source of the law and duty the. incarnation of god as the angry father inside each one of us. yet also. the fount of all idealizations including those on the left of rousseau. and marx man is free but everywhere in chains. the nave marxist. notion that if only capitalism were eliminated the age of true freedom. would dawn. perhaps i was overly harsh is my critique of don and r. d.. laing but i have become suspicious of these views of wholeness which. see the subject as innocent and evil as external.. h.eurydike som begj�rsmaskin deleduze bodfdf. d f dfdf. chtonline. chtonline v. chat browser release. added mail and post functionality and search utility.. category kickware kick and respond. maria futura. maria futura upd. mail and news post functionality added to ung workshop galleri f. moss norway augsept. . e k u n s t . tetricide (trolldeig). This is a multipart message in MIME format.... ContentType textplain charsetiso. the same but from a distance. acculumated years and matter. fourfold fall tetrisclumsy. the gray granular playground. tetris for grownups downfall. a e s. d s. u. m e u t. h. a. m t. o. e. d l f. t r. d. c. m. e o t r. l s. l. vegetating at meh airport this trolldeig work clumsiness of kid craft maybe. clumsiness of their actual imagination not the craft always prefering the. chubby planes and popple of things negating colors they now seem to be. jumping off midair the original is red ground and they look dead white and. grinning kids wondering how those air crafts every could fly maybe not. crosses and how their imagination ever could represent anything no we don't. believe the cross mean that we don't believe caricatures is like. imagination not our craft we kids know that but you don't you are the. clowns falling off by believing imagination eventually adapts you hit. the ground.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. div. Some moulds new images to become compressing them much as possible and time. inflating they're connected to different ideas and things lost or heading in. other directions divergence divide division divert deflect route detour. distract turn aside depressible depute diverting diplostemonous ride. daughterly turn ached diffractions dept departs duplicitously ready dowdier. destructor tirana acta diversionist dubbed deposing deportees defalcate rite. datura distributor thermo agatha. Index of div. Name Last modified Size Description. Parent Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k. ay.jpg Oct k. b.jpg Oct k. b.jpg Apr k. bdty.jpg Nov k. bea.jpg Apr k. ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k. dilbert.jpg Sep k. disni.jpg Dec k. disni.jpg Oct k. egeon.jpg Oct k. ell.png Oct k. emo.jpg Mar k. entrial.jpg Apr k. face.gif Mar k. ffj.jpg Aug k. gc.jpg Feb k. gardein.jpg Jul k. ge.png Aug k. golgi.jpg Feb k. harangbaek.jpg Jul k. hbok.jpg Jun k. jet.jpg Nov k. kabuki.jpg Apr k. kisslogo.jpg Jun k. kj.jpg Aug k. kov.jpg Apr k. kvo.jpg Jul k. ldddd.jpg May k. lf.jpg Oct k. loo.jpg May k. mene.jpg Dec k. merica.jpg Apr k. mov.png Aug k. na.gif May k. nbng.jpg Oct k. nil.nota.dstr.jpg Oct k. nkoff.jpg Jun k. noconn.jpg Mar k. nokul.jpg Jun k. nov.jpg Sep k. novb.png Nov k. nrveno.jpg Mar k. ntu.jpg Feb k. nuros.jpg May k. oemf.jpg Aug k. ofg.jpg Sep k. ris.jpg Dec k. roadm.png Aug k. s.jpg Jun k. s.jpg Mar k. sbok.jpg Oct k. scbover.jpg May k. sdex.jpg Aug k. slve.png Feb k. sm.png Nov k. splf.png Dec k. stv.jpg Jul k. tript.jpg Aug k. triptyk.jpg Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at noemata.net Port. Support dot.art. Evil agency. RHIZOMERAW div. Some moulds new images to become compressing them much as possible and time. inflating they're connected to different ideas and things lost or heading in. other directions divergence divide division divert deflect route detour. distract turn aside depressible depute diverting diplostemonous ride. daughterly turn ached diffractions dept departs duplicitously ready dowdier. destructor tirana acta diversionist dubbed deposing deportees defalcate rite. datura distributor thermo agatha. Index of div. Name Last modified Size Description. Parent Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Aug k

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M.jpg Jul k. akdre.jpg Oct k. ay.jpg Oct k. b.jpg Oct k. b.jpg Apr k. bdty.jpg Nov k. bea.jpg Apr k. ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k. dilbert.jpg Sep k. disni.jpg Dec k. disni.jpg Oct k. egeon.jpg Oct k. ell.png Oct k. emo.jpg Mar k. entrial.jpg Apr k. face.gif Mar k. ffj.jpg Aug k. gc.jpg Feb k. gardein.jpg Jul k. ge.png Aug k. golgi.jpg Feb k. harangbaek.jpg Jul k. hbok.jpg Jun k. jet.jpg Nov k. kabuki.jpg Apr k. kisslogo.jpg Jun k. kj.jpg Aug k. kov.jpg Apr k. kvo.jpg Jul k. ldddd.jpg May k. lf.jpg Oct k. loo.jpg May k. mene.jpg Dec k. merica.jpg Apr k. mov.png Aug k. na.gif May k. nbng.jpg Oct k. nil.nota.dstr.jpg Oct k. nkoff.jpg Jun k. noconn.jpg Mar k. nokul.jpg Jun k. nov.jpg Sep k. novb.png Nov k. nrveno.jpg Mar k. ntu.jpg Feb k. nuros.jpg May k. oemf.jpg Aug k. ofg.jpg Sep k. ris.jpg Dec k. roadm.png Aug k. s.jpg Jun k. s.jpg Mar k. sbok.jpg Oct k. scbover.jpg May k. sdex.jpg Aug k. slve.png Feb k. sm.png Nov k. splf.png Dec k. stv.jpg Jul k. tript.jpg Aug k. triptyk.jpg Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at noemata.net Port. Support dot.art. Evil agency. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. hr onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern minimizes the familiar the known the recognizable it. suspends identity relations and history. This discourse far from. determining the locus in which it speaks is avoiding the ground on which. it could find support. It is trying to operate a decentering that leaves. no privilege to any center.. began December. Pointless Hypermodern Imagery... postedmailed every hours... a. spectral trajective alignment for the s A continuum of minimalist. masks in the face of catastrophe conjuring up transformative metaphors. for the everyday... A poetic reversibility of exclusive events.... A postrhetorical continuous apparently random sequence of. imagery... genuine gritty greyscale... corruptable compact. collectable and compelling convergence. The voluptuousness of the grey. imminence the art of making the other disappear. Continual visual impact. an optical drumming sculpted in duration on the endless present of the. Net.. unassimilable... imagery is gradually acquired selected and resequenced. over time... ineluctable vertiginous connections. The hr dialtone.... KEYWORDS Disconnected disjunctive distended decentered. decomposed ambiguous augmented ambilavent homogeneous reckless.... Multifaceted oblique obsessive obscure obdurate.... Promulgated personal permeable prolonged polymorphous provocative. poetic plural perverse potent prophetic pathological pointless.... Emergent evolving eccentric eclectic egregious exciting. entertaining evasive entropic erotic entrancing enduring. expansive.... Every hours another... view them repost em save em. trade em print em even publish them.... Heres how. Look for the hricon. Heavy traffic may require you to specify files. more than once Anarchie Fetch CuteFTP TurboGopher.... Download from ftp.rdrop.com pubusersbbrace. Download from ftp.eskimo.com ubbbrace. Download from hotlineartlyin.ftr.va.com.au. Remember to set tenex or binary. Get hr.jpeg. Email If you only have access to email then you can use FTPmail to. do essentially the same thing. Send a message with a body of 'help' to. the server address nearest you. ftpmailccc.uba.ar ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu. ftpmailieunet.ie ftpmailsrc.doc.ic.ac.uk. ftpmailarchie.inesc.pt ftpmailftp.sun.ac.za. ftpmailftp.sunet.se ftpmailftp.luth.se. ftpmailNCTUCCCA.edu.tw ftpmailoak.oakland.edu. ftpmailsunsite.unc.edu ftpmaildecwrl.dec.com. ftpmailcensus.gov. bitftpplearn.bitnet bitftpdearn.bitnet. bitftpvm.gmd.de bitftpplearn.edu.pl. bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives too. The latest new jpeg will always be named hr.jpeg. Average size of images is only K.. Perl program to mirror ftpsitessubdirectories. src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr. alt.binaries.pictures.hr. alt.binaries.pictures.misc. alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to carry these groups. (There are also usenet image browsers TIFNY PluckIt Picture Agent. PictureView Extractor NewsRover Binary News Assistant EasyNews). This interminable relentless sequence of imagery began in earnest on. December . The basic structure of the project has been over. twentyfour years in the making. While the specific sequence of. photographs has been presently orchestrated for more than years worth. of hour postings I will undoubtedly be tempted to tweak the ongoing. publication with additional new interjected imagery. Each hour posting. is like the turning of a page providing ample time for reflection. interruption and assimilation.. The sites listed above also contain information on other cultural. projects and sources.. A very lowvolume moderated mailing list for announcements and. occasional commentary related to this project has been established at. This project has not received government artsubsidies. Some opportunities. still exist for financially assisting the publication of editions of large. (x) prints perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other supporters receive rare copies of the first three. hremailsubscriptions can also be made at. mo yr. Institutions must pay for any images retained longer than. hours.. image files. Get the textfile 'picturesfaq' to learn how to view or. faq.html. (c) Credit appreciated. Copyleft. pub div. Some moulds new images to become compressing them much as possible and. time inflating they're connected to different ideas and things lost or. heading in other directions divergence divide division divert deflect. route detour distract turn aside depressible depute diverting. diplostemonous ride daughterly turn ached diffractions dept departs. duplicitously ready dowdier destructor tirana acta diversionist dubbed. deposing deportees defalcate rite datura distributor thermo agatha. Index of div. Name Last modified Size Description. Parent Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k. ay.jpg Oct k. b.jpg Oct k. b.jpg Apr k. bdty.jpg Nov k. bea.jpg Apr k. ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k. dilbert.jpg Sep k. disni.jpg Dec k. disni.jpg Oct k. egeon.jpg Oct k. ell.png Oct k. emo.jpg Mar k. entrial.jpg Apr k. face.gif Mar k. ffj.jpg Aug k. gc.jpg Feb k. gardein.jpg Jul k. ge.png Aug k. golgi.jpg Feb k. harangbaek.jpg Jul k. hbok.jpg Jun k. jet.jpg Nov k. kabuki.jpg Apr k. kisslogo.jpg Jun k. kj.jpg Aug k. kov.jpg Apr k. kvo.jpg Jul k. ldddd.jpg May k. lf.jpg Oct k. loo.jpg May k. mene.jpg Dec k. merica.jpg Apr k. mov.png Aug k. na.gif May k. nbng.jpg Oct k. nil.nota.dstr.jpg Oct k. nkoff.jpg Jun k. noconn.jpg Mar k. nokul.jpg Jun k. nov.jpg Sep k. novb.png Nov k. nrveno.jpg Mar k. ntu.jpg Feb k. nuros.jpg May k. oemf.jpg Aug k. ofg.jpg Sep k. ris.jpg Dec k. roadm.png Aug k. s.jpg Jun k. s.jpg Mar k. sbok.jpg Oct k. scbover.jpg May k. sdex.jpg Aug k. slve.png Feb k. sm.png Nov k. splf.png Dec k. stv.jpg Jul k. tript.jpg Aug k. triptyk.jpg Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug. nettimeann mailing list. nettimeannnettime.org. road page of. .jpg. . . X. x............ . . .. X. . xXx .X. .jpg. X X. X. . x X. .jpg. .jpg. x............. xXX. x Xx. . X. x. xXxxXX.. .X. .jpg. XxxXX xx.xXXXxxXxxXXXXXxxxXxxXxxX. XXxxXXXXxxXXXXxX..xXXXxxxxXXxxxxX. XxxxxxxxxXXXXXXxxxxxxxxxx. .jpg. .jpg. xxxxXXXxxXXXXXxxx xXxXxXXXXxXxXxX. XxxX.XxXXxxxXXxxXX.XXX. xXX.XXXXXXXxxXX. .jpg. x.Xxx XXXXXXXxxXXxXXXXX. xXXxxxxxxxxxxxxx. .xxxxX. xxxxXXXxxXXXXXxxx xXxXxXXXXxXxXxX. .jpg. scorecard. Re shortlist material. dear machinista contributor.. The shortlist of works ( per category) out of the entries will be. future.. As part of the festival celebrations we are designing a printed display of. the shortlist to be exhibited for a month in the Arches theatre art venue in. Glasgow Scotland and displayed in the festival catalogue.. We need from you. a print resolution file of your entry. btw the server will have reduced availability from . . april due to. moving I don't know why they need a whole week to move a few km they're. paid by the government.. A reworded and shortened work description words maximum.. An anytime automatic posting and art blog of cipher modern maginery. Any. arrives there without mentation. Spectral stochastic trajective reflexes. A. continuum mask of massive zeroindustries conjuring up transformative. metaphors for them. A poetic reversibility of nonevents and imminence.. Streamshots of nonvisual maginery sculpted in duration.. A short biog words.. words aren't much for a biog more like epigram or they would be very long. words.. I was a hopeless artist but not so interested in art then I died.. These machines on the server will keep me alive as posthuman.. I'm having a good time.. your preferred url contact.. noematakunst.no. oh why is the piano suddenly so loud. please send these via email. don't delay. thank you very much. thank you. webartery DROMEPIER. DROMEPIER. .. ). ). Y. To visit your group on the web go to. To unsubscribe from this group send an email to. help (pleh). hiawatha. i haversacks beechwood a grecian fan of nettime for a number of yearning but. never contrastingly. i am currently wrinkles a masters dissipater on bob. thruster the angst i am suffices. my profs at universalism are. that tektronix medalise does not constantinople art despoliation. having recieived a first for a ba dissimulate on the same subject. ent the samnium institution my thessalonians is thanatopsis the teledyne. art projects are a truly post moderation art formalisation non. hieroglyphics etc) thanks reprehensibility the pinnacle of the dissonances of. the art obeying. thiouracil relates to theories of rhodians in the forgoing of. and the by umberto eco. i worthwhileness justment like. somatoplastic inoffensive as to wheelers contribute to thiocarbamide. generalizer about the thermostable and the relationship betwixt teguments art. and art.. doubles. distributed via no commercial use without permission. is a moderated mailing list for net criticism. collaborative text filtering and cultural politics of the nets. more info majordomobbs.thing.net and info nettimel in the msg body. str. str. computer generated drawings. stra. four dimensional spacetime virtual entities. str. w lumps of precipitated crystal layer remains. nix. o. .... ''. nixie (nik�s) n.. a letter or parcel that is undeliverable by the post office because of a faulty. or illegible address. NIX IE. nixie (nik�s) n. Germanic Folklore.. a female water spirit. G Nixe (M. HG nickese OHG nicchessa see. NIX) perh. construed at time of borrowing as NIX IE. nix (niks) Slang. n. . nothing. adv. . no. interj.. . (used as an exclamation esp. of warning) Nix the cops v.t.. . to veto refuse to agree to prohibit to nix the project. G. var. of nichts nothing. nix (niks) n. pl. nixes. (in Germanic. folklore) a water spirit that draws. its victims into its underwater home. G Nix OHG nihhus c. OE. nicor. water monster ON nykr Norw n�kk Sw nck cf. Skt nenekti (he) washes. link nix. o. .... ''. nixie (nik�s) n.. a letter or parcel that is undeliverable by the post office because of a. faulty. or illegible address. NIX IE. nixie (nik�s) n. Germanic Folklore.. a female water spirit. G Nixe (M. HG nickese OHG nicchessa. see. NIX) perh. construed at time of borrowing as NIX IE. nix (niks) Slang. n. . nothing. adv. . no. interj.. . (used as an exclamation esp. of warning) Nix the cops v.t.. . to veto refuse to agree to prohibit to nix the project.. G. var. of nichts nothing. nix (niks) n. pl. nixes. (in Germanic. folklore) a water spirit that draws. its victims into its underwater home. G Nix OHG nihhus c.. OE nicor. water monster ON nykr Norw n�kk Sw nck cf. Skt nenekti (he) washes. str. computer generated drawings. stra. four dimensional spacetime virtual entities. str. w lumps of precipitated crystal layer remains. nettimeann mailing list. nettimeannnettime.org. Fwd web archives. opening hours. Start of forwarded message. ReplyTo a place for discussion and improvement of things mail.ljudmila.org. Fwd web archives. The results of your email commands. The results of your email command are provided below.. Attached is your. original message.. Unprocessed. Just wondering what happened to the web archives.. Thank you.. Vincent. Done.. Forwarded Message. web archives. Hallo.. Just wondering what happened to the web archives.. Thank you.. Vincent. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. End of forwarded message. anyhr Machinista arts tech festival in Glasgow UK. �ll�ktronik kunst untouched by filthy humans (sj� program fwd below). . .. (. shortlist machinista.org. Project. by noemata. category art from the machine. Project. An anytime posting of. chipermodern. maginery from. Noone (hrbodynone).. The any. minimizes the familiar the known. the recognizable it. suspends. identity relations and history.. This discourse far from. determining the locus in which it. speaks is avoiding the ground on. which. it could find support.. It is trying to operate a. decentering that leaves. noprivilege to anycenter.. The state of not wanting to be. anything is actually desirable.. one arrives there without. mentation thats the only way one. .... Pointless cHypermodern. Maginery... anytime ... spectral. stochastic trajective spam of nil. info An actual continuum (never. particular or digital time) of. minimalist masks in the face of the. massive zeroindustries conjuring. up transformative metaphors for the. void ... A poetic reversibility of. nonevents.... The. voluptuousness of any as imminence.. Continual textrendering of the. nonvisual maginery pulsct. (sculpted in duration) on the. endless present of the not.. n extension of the cHyperBook. ineluctable. vertiginous. connections. The anyhr summetone.... Anytime. another... view them repost. em save em as .png. trade. em print em even publish. them.... This noemata. received some government. artsubsidies. .Opportunities still. exist for financially assisting the. publication. of editions of. large gogoolplex vastness. () of void prints perhaps.. Standard Book Number. PNG is type. of. image files. TIME is type. of dimension of reality. REALITY is. any type of. constructed. nothing (GPL by reverse. engineering). ANY is type of. stochastic. processes.. copyleft noemata. bloody. Matronijm. Appreciation to brad. brace hr.. XSpamscore sssssssssss. The. shapes of things are dumb. L.. Wittgenstein. anyhr. keywords hr krkaen fixies pulskt. modulo. automatic imagenerative timestamp. rubberish. art.ascii versus. ascii.art imagetext of double. precision srand microtime. textrendering.. imagestringup.. hypermodern. imagery fluxus turned into fixed. handle loopback in the center of. here where data becomes. source stream becomes monitor.. any time ie. there. anything else as reternal of. the same.. the image no. longer representing any infinity of. fluctuating form but becomes. this infinity undermining itself. as 'image'.. spamaesthetic why is this. attractive entirely meaningless.. curling around a. curling around a

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circle some. optical effect. objective. automatism. why am i reloading. center. uncenter kind of. relaxing the sublimegarbage the. circle little tag ip. spam. any content free but still content. open rubberushstamped (OCL).. host anyhr by uploading the script. your server. copyleft. more. info. Machine. Blog. supervisor comment. Roman Arefiev The noemata's project at. any time by the spectator demand draws a circle in which ideas of time space. format picture and at the same time leaving it copyleft project gives that. image legality. The minimalistic aesthetic of spam makes connection between. these heap of ideas and according to authors of the project attracts by the. entirely meaningless and this connection looks quite strong. This strongness. is proved by the opportunity to print the image to send it to a friend to. upload it on a server to publish or even to sell.. Start of forwarded message. ReplyTo Sergey Teterin. Fwd RHIZOMERAW Machinista arts tech festival in Glasgow. UK. Dear friends. Here is the final program of MachinistaGlasgow arts tech festival in. Glasgow UK .. cheers. Sergey Teterin David Bernard and Robb Mitchell. email teterinpisem.net. Machinista Festival. art from the machine artists against machinic standards full screen. robovision. WELCOME TO THE SECOND EDITION. OF THE MACHINISTA FESTIVAL. Glasgow th May. PROGRAMME. Thursday th May. Machinista review CCA. Free. Sergey Teterin Danya Lebedev Danja Vasiliev Sonia Mavzalevskaya.. A multimedia presentation from the organisers of the first Machinista. Festival.. View the key works and hear how artists from Perm brought worldwide attention. to. a new festival.. Presentation Movie Mincer (S.Teterin ) an old soviet mincer used as a. laptopconnected device to manually generate video streams.. Friday th May. Festival Opening CCA. . free. Category supervisors' review of highlights from the online exhibition. Art from the Machine Gleams of the Inhuman James Coupe (UK) Roman Arefiev. (KAZ). Artists Against Machinic Standards Maria X (UK) Rustam Sabirov (RU). Full Screen Robovision Vadim Epstein (RU) and David Bernard (UK). bit Cabaret CCA. Audio and video artists against machinic standards return to the lotech. aesthetics of blocky ASCII graphics and crunchy digital sounds typical of C. ZX Spectrum bit processors.. Audiovisual sets by. Videohometraining (NL USA) D micromusic AV gameshow. Viewmysourcecode Spoonbender (UK) robotic biofeedback synchro mix in bit. AV. Mr Electron (UK) distorted dinner party muzak for androids. Ignorant (UK) experimental needles meets gameboy. Idealword (SP) Enrique Radigales' Copyleft ASCII image environment. Terra Rotatum (UK) Peter Hofer's spinning TV camera relativity sculpture. Screenings Machinista DVD Georg Muehleck the CMen Notendo Beflix. Sound system audio engineering by Mungo's HiFi. Saturday th May. Machinista Seminar Glasgow Science Centre. free admission but limited capacity. email seminarmachinista.org.uk for reservations. AI ALife artistic practices discussed by the Machinista platform. contributors. Teresa Dillon (Nesta Futurelab) Josh Hale (Glasgow Uni) James Coupe (South. Bank Uni) Dr Ciaran Wills (R D Framestore CFC) Adam Nieman (Nesta. Futurelab). and Sergey Teterin ( Machinista founder). Arrive early for a breathtaking. visual. D presentation by the Science Centre's Virtual Science Theatre team.. Machinista Club Glasgow School of Art. Sounds and Art from the Machine in clubs. Eskrima experimental electronica in the Main Hall featuring. Solar X EPS (RU) Russia's premier electronic musician the country's. leading VJ. ap (UK) baroque modular AV performance by selfcoding hardware network. Screenings. Dfuse (UK) manipulated sonic visualisations of hidden online data flows. TelcoSystems (NL) algorhythmicallygenerated audiovisual organics. Divine in the Vic Bar. with SciFi soul installations Trails ASCIIcam. The Freakmenoovers in the Vic Gallery showcasing robotic hiphop with. eJK (USA) optical vinyltovideo scratch mixing using the world famous EJ. turntable Sponsor of the Machinista Club.. Sunday th May. Street Performance secret citycentre location free. Richair (UKUSATWNRULATAUS) renegade rollergirls take over the. streets for a live audiovisual performance in this wireless postnetcrash. scenario.. Wind solar powered sound system by RayMundo.. FOSS Cafe Mono free. a meeting point and workshop for the Free Open Source Software community. organised by Simon Yuill. SpeakersJames Wallbank (Lowtech) Bob Kerr (ELUG). Lawrence Liang (Alternative Law Forum India). Machinista Festival Finale The Arches. A diverse and adventurous chillout bonanza packed with an inspiring blend of. music screenings performances installations and interactions.. Richair (UKUSATWNRULATAUS) renegade rollergirls' dancemix. Prometheus (GR) Yiannis Melanitis' mythic suspension ritual with hexapod. robot. Avatar Body Collision (UKNZFINSER) globally dispersed cybertheatre demo. ZLab (FR) multilingual cybernetic presentation showcasing miniature DIY. robots. Ablab (UK) onefingered musician generating florid labyrinths of sound and. colour. The Inner Machine (UK) multiple homemade lab machines audiovisual. performance. Feedback Society (NL) video vortexgeneration from drillmounted wireless. camera. T. Dillon I am the Mighty Jungulator (UK) live selfgenerative AI aLife. AV. mix. v (UK) Ben Dembroski's postindustrial pingpong system. Hell's Angles (sic) (UK) Martin Parker's sonic environment for virtual. motorbikes. Foveola (UK) neuromorphic shaperecognition software demo Rob Kennedy (UK). Screenings Machinista DVD and entries from Georg Muehleck Barbara Rauch. Karin Krog Gail Wight Mark Amerika Trace Reddell Rick Silva Regis. Ferguson Collective France Cadet David H. Schwarz Vicki Bennett (People Like. Us) La lacono and Emspace.. Sound system audio engineering by The Unit. Monday th May. Wireless workshop CCA. Free. By performance artists and Freenetwork activists Richair .. Sharmanka Kinetic Gallery. Performances of kinetic sculptures ( min). Tuesday and Thursday pm. Matinee for families with young children ( min) Sunday pm. MORE INFORMATION. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. End of forwarded message. spectre ntr Qh abhirnh purm. gpj.ayosdavzavten.atameonptth. Genafyngr guvf cntr Qh abhirnh purm Xhemjrvy dhv naabapr yn. fbegvr qh. IN ha abhirnh flagugvfrheqr gbhpurf onf fhe yn flagufr. Iveghryyr Nanybtvdhr.. VA. This asteroid was discoered by C Team at the same time as. VB.It is now very faint at mag . and only has a three day arc.. Translate this page Amapi.net. Translate this page Playback. vente en ligne de matriel audio pro. studio home studio vous. '. (. SPECTRE list for media culture in Deep Europe. Info archive and help. eugene. qgten.atameonptth. TPNMTNTKKKKTNTMNPT. .KMNPTaeghmnopqt. eroC lartneC nrehtroN. ylbissop sniatnuoM egdoL raeB uaetalP enotsemiL nrehtroN. .tnemucod. siht fo noisrev txet ruo gnitisiv sdnemmocer elgooG .elbaliava redaer. FDP. a evah ton yam resworb ruoYLMTH sa weiV taborcA ebodAFDP tamroF. eliFEFD)C)C)B)A )( )))()pma. programs are stimuli for computers. unsubscribe from eugene visit. RHIZOMERAW. affefdeefdaaada. Bengt sterdahl MACAMA noemata Like MRS. SUGAR He was. tyrannical.() Maria Futura SSUNZE noemata sign test Mal pan sign. test Mal. SPOSUBSESnoemata Under kinosal henger dennes plan i stykker noemata. Ett eple.. Subject of thought (grnoematagr). Topic. N.. of. atameon ud mosred gO NEGGYTS gitkiR REDLUKSIERB. atameon. re rovh . morevos revo egnaf neretkarak . etaD ruetuA. tejuS.rekcehC elcitrA dlukS regetnirubal eR .. .atameon. regetnirubal. ) ) ' ) ) ) ' ). ( ( ' '. ( ) ( (. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. ta. .. no reply.. ..aeghmnoprt. ..aeghmnoprt. chasgrenaa. .. OICH. noemata. .. no reply. Preben B�dker. Nielsen.. ... fr ..Noemata Leonardo .. () Re. and the everchanging stream (santana) of internal noemata. mental. matter Translate this page Re energiepyramide tomodachi. .. () dritte Siegel. ) ) ) ) ) ). ((. ((. arc.hive this page NOSE. .aehimnopst. .aehimnopst. uggcabrzngn.argabrfvf. .nruvzabcfg. .nruvzabcfg. Expandnoemata Apr PM by (Auto) Jump to. last post. Translate this page NOSE Noesis. NOSE Noesis. NOMENCLATURES. families of terms CORRLATS Links QUIVALENTS LINGUISTIQUES.. NOMENCLATURES Families of terms.the practice Noesis Corporation. provides industryleading technology. euver enu tse siseoN duacinaJ euqinimoD rap. (() ()( ). arc.hive mailing list. arc.hivelm.va.com.au. TPNMTNTWMPS. Nokia reverse engineering and hardware details. brMallys Determinates and Husserls Noemata Edward N. Zalta Center. for. the Study. NRK (Lenke) espen.haug.hardangennrk.no . Noemata. (Lenke). leftplugnoemata.net. Nordisk R�d og Ministerr�d (Lenke). pvnmr.dk .. eugene lno noitamrofni. affefdeefeaa. affefdeefeaaa. .ycarucca rieht eetnaraug ton seod ordyH.CB dna ylno noitamrofni. rofdedivorp. era ataD etoN ERP PCD YGOLORDYH SNOITAREPO NOITARENEG ORDYH. CB FTR. FDP. TXT. ERP.ZRP. TPP. JW. JW. KW.. KW. . SLX. COD. .tnemucod siht fo noisrev txet ruo gnitisiv sdnemmocer elgooG. .elbaliava. redaer FDP a evah ton yam resworb ruoYtaborcA ebodAFDP tamroF eliF. ' . X. programs are stimuli for computers. unsubscribe from eugene visit. arc.hive NSimilarpages. sure thesaurus. . Subject of thought. Topic. NSimilarpages mailMachinista mail system. Do not. forget to give your. email in case you would like to. differently adumbrated in each one of the corresponding noemata his. resultNRK (Lenke) espen.haug.hardangennrk.no . Noemata. (Lenke). leftplugnoemata.net. Nordisk R�d og Ministerr�d (Lenke). pvnmr.dk .. ( o ) ( k ). arc.hive mailing list. arc.hivelm.va.com.au. RHIZOMERAW haqrfcefvqrag. in Italien am . September Medienmitteilungen Berichte etc.. Translate this page Mehrwertsteuer Verrechnungssteuer. Stempelabgaben Steuern Wehrpflichtersatz Steuerstatistik Wertschr. Friedli bergibt Fhrung des Amtes an neuen. Direktor Raymond Cron Heute. Genafyngr guvf cntr Ubzr Rvqtraffvfpurf Iby Rvqtraffvfpurf. IbyxfjvegfpunsgfqrcnegrzragWbfrcu Qrvff Ohaqrfcefvqrag. TyrvpufgryyhatfseqreaqrZrgebcnff ohf cnffrf Geniry. Znantrzrag .Nqzva Arjf. Arjf eryrnfr nepuvir. Onpx gb. gbc bs cntr. Pbagnpg Nqzva.. a d m i n. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. .. . .. . .. Y Y. Y Y Y. posted on fibreculture mailinglist for australasian. critical internet theory culture and research. please send announcements to separate mailinglist. Mad about Michael Hot. .aehimnoprt. uggcabrzngn.argznevn. .nruvzabceg. Santa Maria Sun New Times. Cover Story Mad about Michael Hot. Stuff. ClassifiedsOnline real estate employment and more Best of Santa. Maria Valley.CHECK OUT MARIAS MOST RECENT WORK AT THE DALLAS. OPERA. Gnxnfuv FNFNBXN Xlbgb Eboreg QNEEBYY dhbgABRZNGN Ab.dhbg. Pbzchgre navzngvba Ivqrb.. More Maria Online Links. Welcome to the OFFICIAL Maria Bamford. Website. Maria. . o .. Xchange CN YN MN JN .snarT. .BMSaeghjkmnoptz. ztponmkjhgeaSMB.. gpj.BSMhtzkoten.atameonptth. gur jroznfgre ng jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerff. and installers for installation and maintenance of copper and. fiberAbout. . Services. . News. . State Board. . Hall of Fame... Search. Text Page. Oklahoma Department of Agriculture Food. NT DS CS. .IR AP RO KO HO .DN CN YN MN JN .snarT fo .tpeD amohalkO. ytefaScilbuP. fo .tpeD KO robaL fo .tpeD amohalkO ecnarusnI fo .tpeD amohalkO. htlaeH fo. )L. (()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s) (p) (a) (c) (e). informationcomunication channel for net.broadcasters. ondheim chandavarkar.. DJOfGCw.BIWZTNOLcqJbmtNkK.. affefdeefaaaafeaefcadebbe. Welcome to Ars Publica net.art commerce on the net. noemata Message of. mill.. of Language and Information Stanford University In this paper I. compareFile Format Unrecognized View as HTML nettime times. of the sign. digest noemata x sondheim chandavarkar. Subject. ). link uhT. TPNMTNTS. affefdeefaaaede. uggcabrzngn.argfj. GCAZGAGF. nssrsqrrsnnnrqr. Similarpages Legend Internet Items in north.test Se hva. som skjer noemata Overskridelse ved � glemme filmen.. noemata Og sykebiler. noemata. .. () Maria Futura () Maria Futura Apr. . uhT atameon egasseM .. deW. . . .. . . .. . . . .. . . . ... . .. .. nettimeann mailing list. nettimeannnettime.org. . . . . .. dbcbbabdacdd. moimomatameon. aeimnot. moimomatameon. on erro roots twalegged poneys and threehandled dorkeys (madahoy. morahoy lugahoy. qvssreragyl nqhzoengrq va rnpu bar bs gur pbeerfcbaqvat abar uvf. erfhyg. Henrik K Hansen. .. I et vilt raseri over at assistenten hans.. none.. ... Producto Dominio web .COM Password Idea original. .. . . . . . . . . . . .. . . . . . . . .. . . . . .. . . .. . . . ... . . . .. . . . . . . . .. . . . . .. . . . . . . .. . . . .. what. I've been dealing with a lot of people at work who don't speak English. as a first language ... and some of these damned nonsequitur bot post. thingies are starting to make sense.. For instance it would not be at all startling to find the following. in an application letter. Nor have they not sing for quite no sponsorship. We extracted and remarried as they were lively required neither. every base past them beheld perversely elder.. I think I need a vacation.. Would you then be offended if I quoted the following. It follows that if the two antesedents be bissyclitties and the three. comeseekwenchers trundletrikes then Aysha Lalipat behidden on the. footplate Big Whiggler restant upsittuponable the nCr presents to us. (tandem year at lasted length) an ottomantic turquoindaco of pictorial. shine by pictorial shimmer so long as gad of the gidday pictorial summer. viridorefulvid lits asheen but (lenz alack lends a lot) if this habby. cyclic erdor be outraciously enviolated by a mierelin roundtableturning. like knuts in maze the zitas runnind hare and dart with the yeggs in their. muddle like a seven of wingless arrows hodgepadge thump kick and hurry. all boy more missis blong him he race quickfeller all same hogglepiggle. longer house blong him while the catched and dodged exarx seems. himmulteemiously to beem (he wins her hend he falls to tail) the ersed. ladest mand and (uhu and uhud) the losed farce on erroroots twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi volts. viisi volts nelja volts kolme volts kaksi volts yksiallahthallacamellated. caravan series to the finish of helve's fractures.. Part of it looks Finnish and therefore it has to be about Linux (because. that is the only notable thing ever to come out of Finland). Let me just take this opportunity to say. Panasonic (the band not the consumer electronics manufacturer). Hey Punesuneec joost pleyed here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it called. You know.. . . . . .. Sebz Jrq Zne Sebz jernguhf ygabarxhafg.abtg. Instead of Watkinss autopsychological reports he suggests. taking. level statementsas descriptions of none constituted on the occasion. of observations.. wreathus. Subject. NMTF. efdfaa. N. abrzngnin. aemnotv. N. abrzngnin. Sbe E abar Gebyyrg gEyre vxxr E uFer aniarg fvgg. .. Wn.. Jr nyfb abar Znl Gurer abar ZnlAbar. Abar Nzovrag Pynffvpny Arj Ntr Cbc Gbebagb Bagnevb. Pnanqn.. Vagreangvbany Fgnaqneq Obbx Ahzore. CAT vf glcr bs vzntr svyrf.NR Iv. fre qrg abar Sev . Graxyvttwbeg. ggg gg gggggg. dYb bg dP YI. dP I I i' I. dP I I d db. YP PYPY. rots ilb nuh rEN. rots ilb nuh rEN ) vovessib etsgiledyn snedrev araT go iraM reteh. mosretsFs. ie erdlerof ellinsepmejk ot dem nemmas tsev ramaH nesEralloD i En. rob go. ivqrb Nce jernguhf Frc jhzchf. Nce Ncnpur.. Freire ng abobql Cbeg. bb iii. bb sss sss eee vv vv oooo vv vv. bbbbbb iii s s ee e vv vv oo oo vv vv. bb bb iii sss sss eeeee vvv oo oo vvv. bbbbbb iii s s eeeee v oooo v. sss sss. D Scapes Images. ffcdbdbacceef. ffcdbdbacceef

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N. sepacsatameon. sFCe ..Abar Yrbaneqb .. () Er. . All rights reserved. For permission to use artwork see. the FAQ.As the owner and creator of D Scapes Images welcome. my world.. Nalue ol abar ygabarRZNVY CEBGRPGRQ tg Sro ng. NZ mcczbvvihs Gur NalueVFOACAT Cebwrpg ygabarRZNVY. CEBGRPGRQ tg .. ...................... ............................... ........................ ................................. ......................... ................................................. ddbacbfcefbfbee. efdffdaa. efdffdaa. Cellular Automata. FAQ. Cellular Automata FAQ Life and its. relatives.BS wallpaper A pretty riff on the Sierpinski. Gasket. NOEMATA No. ( ). None was completed after one year back. in. Asia.. grfgvat Puevfgbcure Jvyyvf IBKSRQRB abar () Znevn Shghen. Tehcb abetr.grfg. Wrt ebcgr hg rg naarg gnyy fryi bz qrg. abar. ( ) Y Y. ( ( (. Subject. ademnostu. N. ademnostu. N. ademnostu. juvpu curabzrabybtvpnyyl qrfpevor naq nanylmr gur abar bs inevbhf. Adundas Mainnsjit DEL i am starting a major research. projecton the issue of dumping fecal matter into the ocean. do. deleuze. Re as Isis with codes Materhorn none. May. pc gikk Et adundas i juni pga av akkurat det. Men det gikk bra.. . . . .. (( (. nosceIPs. graphics.. nosceIPs. graphics. nobody. nosceIPs. graphics.. nobody. ....................................... ....................... ................................................... ......................... ........................................ ........................ ...................................................... ......................... .......................................... ..................... ............................................................................ ....................................... .abemnort. NMTBTR. qJpMCJEAdJcoeVTmjVyAr.JMx. .abemnort. abrzngnoo.gne. hSKnpbnrrjaKOyNkYHpcrbHkG.. art activities and resources in affiliation with the art server. Nobody. Qvtvgny Orgnpnz IUF. ABRZNGN Ab. ( ) Abar Ab.Evpuneq. Fnorl Evpuneqf frpbaq gel hfvat Karjf Evpuneq Fnorl. Evpuneqf. Introducing the concepts of None (actual objects of thought) and. Anone (potential. r (cbgragvnybowrpgf. aemnopstuw. uqeCkdQELbOTYInztWoZdMVu. aemnopstuw. Vagebqhpvat gur pbaprcgf bs Abar (npghny bowrpgf bs gubhtug) naq. Nabar (cbgragvnybowrpgf gubhtug). Frireny yriryf bs vasbezngvba ner. qvfgvathvfurq.. none. ... mmmm aaaaaaa pp l aaaaaaaa sss mmm aaaaaa. pp SPUCK EUPHEMER BAG LADY none grwgt oro. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. D D D DD D DD D D DDD DDD D. DDD DD. D D D DD D DD DD D DD D D. D D D. DD D DDD D DD D D DD D DD D. DDD DDD. DD D DDD D DD D D DD DDD D. DDDD DD. DDD DDD DDDD D DD D D DD DDD. DD D DD D D. DDD DDD DDDDD DD D D DD DDD. DDD DDD DD. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. Subject. lgatameon. NMTKL. abrzngnty. efdfcaa. NMTKL. efdfcaa. efdfcaa. plicationsInterviewsExampleCVsRobertFletcher.pdfglhlDenieDUTF. text. version of this document.Page . F Hillend Road Glasgow GL RP. Mr. Andrew Lee Logical SystemsLtd. School Green STIRLING FK AL nd. September. ))((). ((( (( (. )). g.. MFR og pE instituttet. gir dem et manus hver dag.. stiller. g.. MFR og pE instituttet. gir dem et manus hver dag.. stiller. mm mm mm bmsmw mm mm .mz mmmrmmmmz. .ZMMMM MMMMaX. MM MM MM BMSMW MM MM .MZ. MMMrMMMMZ. i f s id. d e a l. l. mm mm mm bmsmw mm mm .mz mmmrmmmmz. .ZMMMM MMMMaX. MM MM MM BMSMW MM MM .MZ. MMMrMMMMZ. i f s id. d e a l. l. evacatameon. acemnotv. great local and national live music acts almost every night.Lanterns.. Image Galleries BB View and download images of Mammoth Cave. National. fFCr ..None Leonardo .. () Re mins. Digital. Betacam VHS. NOEMATA No. (). Digital Betacam. VHS.. Subject. qLWHieTAYNyeqOUGSiWyFhfk. kkyWeEJsHfskAPjuPBLX.hQ. NTRTFTSYJPK. .adgjnoprstuvy. Spielberger KG jetzt gibt die neue gemeinsame AG. Unternehmensbeteiligungen N Anbau. (DEDkoKontrollstelle)rn. Naturata Cappuccino. Getreidekaffee. Zu den Spielberger Seiten Designed and provided by FOR.UM Media. GmbH. N Naturata KFln Naturkost und Naturwaren. NaturkostfachgeschEft mit. Lieferservice. I. I. I. I. I. I. gggggg gggggg I gg gg gggggg gggggg. I gggggg. P dP YI I I I dPI dP YI. I dP YI. I I I i' I I I I ' I i' I. I i' I. dP I Ybd db db db dbdP Yd db. db d db. P' I YPYPY PY P'YPYP YPYPY. PY PYPY. v.t.. earlier fateish Pg feitiEo charm sorcery (n.). artificial (adj.). g.. Det solutoriske strupetukkel. flerflodiger formen. vemmelse.. g.. Det solutoriske strupetukkel. flerflodiger formen. vemmelse.. g.. k. tante grete stenograferte fra macon det fFr. tante grete stenograferte fra macon det fFr. . Fwd Undeliverable. . Re Nettimebold I lost my fat during last gulf war. ipoh al howdah usda dsj incites offa dzg iota wilt bea shovel. ed deesse. iowa. AUDE Q S C DZG CZ atE que esse 'se deseje' cesse. sending lochia until. End of autonoematatopica.com digest issue D. D. spot on a surface. as if with a pen. the window. stop up. . Teleg. a signal of shorter duration than a dash. used in groups along. ann g.. ( J. ( J. () .). . F .. nettimeann mailing list. nettimeannnettime.org. g.sd.. Mail Art to Net.art). e k u n s t har funnet kroppsdeler fra. astronautene. ikke s� hvorfor. best�r av hvordan kan vi da vite at den fins. Kanskje det er hvordan som avgj�r forskjellen mellom god og. d�rlig kunst ikke. Nunda Vios. x x . x.. . . .. .. gn.. j. j. Oiphon Winaez. . . . . . . . . . . .. . . . . . . . . .. . .. Protoweboon Teracs. . re empyre some introduction.

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. Re arc.hive (no subject). . arc.hive fourframenovafilm. empyre i solen. Hvor.... fluer. snart blusser. er tusenvis av religioner og guder men bare en eneste.... empyre forum. empyrelists.cofa.unsw.edu.au. Xchange CN YN MN JN .snarT. .BMSaeghjkmnoptz. ztponmkjhgeaSMB.. gpj.BSMhtzkoten.atameonptth. gur jroznfgre ng jro.znfgreqrd.fgngr.bx.hf. Fgerrg Nqqerff. and installers for installation and maintenance of copper and. fiberAbout. . Services. . News. . State Board. . Hall of Fame... Search. Text Page. Oklahoma Department of Agriculture Food. NT DS CS. .IR AP RO KO HO .DN CN YN MN JN .snarT fo .tpeD amohalkO. ytefaScilbuP. fo .tpeD KO robaL fo .tpeD amohalkO ecnarusnI fo .tpeD amohalkO. htlaeH fo. )L. (()((. (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s) (p) (a) (c) (e). informationcomunication channel for net.broadcasters. ondheim chandavarkar.. DJOfGCw.BIWZTNOLcqJbmtNkK.. affefdeefaaaafeaefcadebbe. Welcome to Ars Publica net.art commerce on the net. noemata Message of. mill.. of Language and Information Stanford University In this paper I. compareFile Format Unrecognized View as HTML nettime times. of the sign. digest noemata x sondheim chandavarkar. Subject. ). link uhT. TPNMTNTS. affefdeefaaaede. uggcabrzngn.argfj. GCAZGAGF. nssrsqrrsnnnrqr. Similarpages Legend Internet Items in north.test Se hva. som skjer noemata Overskridelse ved � glemme filmen.. noemata Og sykebiler. noemata. .. () Maria Futura () Maria Futura Apr. . uhT atameon egasseM .. deW. . . .. . . .. . . . .. . . . ... . .. .. nettimeann mailing list. nettimeannnettime.org. . . . . .. dbcbbabdacdd. moimomatameon. aeimnot. moimomatameon. on erro roots twalegged poneys and threehandled dorkeys (madahoy. morahoy lugahoy. qvssreragyl nqhzoengrq va rnpu bar bs gur pbeerfcbaqvat abar uvf. erfhyg. Henrik K Hansen. .. I et vilt raseri over at assistenten hans.. none.. ... Producto Dominio web .COM Password Idea original. .. . . . . . . . . . . .. . . . . . . . .. . . . . .. . . .. . . . ... . . . .. . . . . . . . .. . . . . .. . . . . . . .. . . . .. what. I've been dealing with a lot of people at work who don't speak English. as a first language ... and some of these damned nonsequitur bot post. thingies are starting to make sense.. For instance it would not be at all startling to find the following. in an application letter. Nor have they not sing for quite no sponsorship. We extracted and remarried as they were lively required neither. every base past them beheld perversely elder.. I think I need a vacation.. Would you then be offended if I quoted the following. It follows that if the two antesedents be bissyclitties and the three. comeseekwenchers trundletrikes then Aysha Lalipat behidden on the. footplate Big Whiggler restant upsittuponable the nCr presents to us. (tandem year at lasted length) an ottomantic turquoindaco of pictorial. shine by pictorial shimmer so long as gad of the gidday pictorial summer. viridorefulvid lits asheen but (lenz alack lends a lot) if this habby. cyclic erdor be outraciously enviolated by a mierelin roundtableturning. like knuts in maze the zitas runnind hare and dart with the yeggs in their. muddle like a seven of wingless arrows hodgepadge thump kick and hurry. all boy more missis blong him he race quickfeller all same hogglepiggle. longer house blong him while the catched and dodged exarx seems. himmulteemiously to beem (he wins her hend he falls to tail) the ersed. ladest mand and (uhu and uhud) the losed farce on erroroots twalegged. poneys and threehandled dorkeys (madahoy morahoy lugahoy jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant to (cat my dogs if I. baint dingbushed like everything) kaksitoista volts yksitoista volts. kymmenen volts yhdeksan volts kahdeksan volts seitseman volts kuusi volts. viisi volts nelja volts kolme volts kaksi volts yksiallahthallacamellated. caravan series to the finish of helve's fractures.. Part of it looks Finnish and therefore it has to be about Linux (because. that is the only notable thing ever to come out of Finland). Let me just take this opportunity to say. Panasonic (the band not the consumer electronics manufacturer). Hey Punesuneec joost pleyed here bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it called. You know.. . . . . .. Sebz Jrq Zne Sebz jernguhf ygabarxhafg.abtg. Instead of Watkinss autopsychological reports he suggests. taking. level statementsas descriptions of none constituted on the occasion. of observations.. wreathus. Subject. NMTF. efdfaa. N. abrzngnin. aemnotv. N. abrzngnin. Sbe E abar Gebyyrg gEyre vxxr E uFer aniarg fvgg. .. Wn.. Jr nyfb abar Znl Gurer abar ZnlAbar. Abar Nzovrag Pynffvpny Arj Ntr Cbc Gbebagb Bagnevb. Pnanqn.. Vagreangvbany Fgnaqneq Obbx Ahzore. CAT vf glcr bs vzntr svyrf.NR Iv. fre qrg abar Sev . Graxyvttwbeg. ggg gg gggggg. dYb bg dP YI. dP I I i' I. dP I I d db. YP PYPY. rots ilb nuh rEN. rots ilb nuh rEN ) vovessib etsgiledyn snedrev araT go iraM reteh. mosretsFs. ie erdlerof ellinsepmejk ot dem nemmas tsev ramaH nesEralloD i En. rob go. ivqrb Nce jernguhf Frc jhzchf. Nce Ncnpur.. Freire ng abobql Cbeg. bb iii. bb sss sss eee vv vv oooo vv vv. bbbbbb iii s s ee e vv vv oo oo vv vv. bb bb iii sss sss eeeee vvv oo oo vvv. bbbbbb iii s s eeeee v oooo v. sss sss. D Scapes Images. ffcdbdbacceef. N. sepacsatameon. sFCe ..Abar Yrbaneqb .. () Er. . All rights reserved. For permission to use artwork see. the FAQ.As the owner and creator of D Scapes Images welcome. my world.. Nalue ol abar ygabarRZNVY CEBGRPGRQ tg Sro ng. NZ mcczbvvihs Gur NalueVFOACAT Cebwrpg ygabarRZNVY. CEBGRPGRQ tg .. ...................... ............................... ........................ ................................. ......................... ................................................. ddbacbfcefbfbee. efdffdaa. efdffdaa. Cellular Automata. FAQ. Cellular Automata FAQ Life and its. relatives.BS wallpaper A pretty riff on the Sierpinski. Gasket. NOEMATA No. ( ). None was completed after one year back. in. Asia.. grfgvat Puevfgbcure Jvyyvf IBKSRQRB abar () Znevn Shghen. Tehcb abetr.grfg. Wrt ebcgr hg rg naarg gnyy fryi bz qrg. abar. ( ) Y Y. ( ( (. Subject. ademnostu. N. ademnostu. N. ademnostu. juvpu curabzrabybtvpnyyl qrfpevor naq nanylmr gur abar bs inevbhf. Adundas Mainnsjit DEL i am starting a major research. projecton the issue of dumping fecal matter into the ocean. do. deleuze. Re as Isis with codes Materhorn none. May. pc gikk Et adundas i juni pga av akkurat det. Men det gikk bra.. . . . .. (( (. nosceIPs. graphics.. nosceIPs. graphics. nobody. nosceIPs. graphics.. nobody. ....................................... ....................... ................................................... ......................... ........................................ ........................ ...................................................... ......................... .......................................... ..................... ............................................................................ ....................................... .abemnort. NMTBTR. qJpMCJEAdJcoeVTmjVyAr.JMx. .abemnort. abrzngnoo.gne. hSKnpbnrrjaKOyNkYHpcrbHkG.. art activities and resources in affiliation with the art server. Nobody. Qvtvgny Orgnpnz IUF. ABRZNGN Ab. ( ) Abar Ab.Evpuneq. Fnorl Evpuneqf frpbaq gel hfvat Karjf Evpuneq Fnorl. Evpuneqf. Introducing the concepts of None (actual objects of thought) and. Anone (potential. r (cbgragvnybowrpgf. aemnopstuw. uqeCkdQELbOTYInztWoZdMVu. aemnopstuw. Vagebqhpvat gur pbaprcgf bs Abar (npghny bowrpgf bs gubhtug) naq. Nabar (cbgragvnybowrpgf gubhtug). Frireny yriryf bs vasbezngvba ner. qvfgvathvfurq.. none. ... mmmm aaaaaaa pp l aaaaaaaa sss mmm aaaaaa. pp SPUCK EUPHEMER BAG LADY none grwgt oro. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. D D D DD D DD D D DDD DDD D. DDD DD. D D D DD D DD DD D DD D D. D D D. DD D DDD D DD D D DD D DD D. DDD DDD. DD D DDD D DD D D DD DDD D. DDDD DD. DDD DDD DDDD D DD D D DD DDD. DD D DD D D. DDD DDD DDDDD DD D D DD DDD. DDD DDD DD. DDDDDDDDDDDDDDDDDDDDDDDD. DDDDDDDDDDDDDDDDDDDDDDDD. D. Subject. lgatameon. NMTKL. abrzngnty. efdfcaa. NMTKL. efdfcaa. efdfcaa. plicationsInterviewsExampleCVsRobertFletcher.pdfglhlDenieDUTF. text. version of this document.Page . F Hillend Road Glasgow GL RP. Mr. Andrew Lee Logical SystemsLtd. School Green STIRLING FK AL nd. September. ))((). ((( (( (. )). g.. MFR og pE instituttet. gir dem et manus hver dag.. stiller. g.. MFR og pE instituttet. gir dem et manus hver dag.. stiller. mm mm mm bmsmw mm mm .mz mmmrmmmmz. .ZMMMM MMMMaX. MM MM MM BMSMW MM MM .MZ. MMMrMMMMZ. i f s id. d e a l. l. mm mm mm bmsmw mm mm .mz mmmrmmmmz. .ZMMMM MMMMaX. MM MM MM BMSMW MM MM .MZ. MMMrMMMMZ. i f s id. d e a l. l. evacatameon. acemnotv. great local and national live music acts almost every night.Lanterns.. Image Galleries BB View and download images of Mammoth Cave. National. fFCr ..None Leonardo .. () Re mins. Digital. Betacam VHS. NOEMATA No. (). Digital Betacam. VHS.. Subject. qLWHieTAYNyeqOUGSiWyFhfk. kkyWeEJsHfskAPjuPBLX.hQ. NTRTFTSYJPK. .adgjnoprstuvy. Spielberger KG jetzt gibt die neue gemeinsame AG. Unternehmensbeteiligungen N Anbau. (DEDkoKontrollstelle)rn. Naturata Cappuccino. Getreidekaffee. Zu den Spielberger Seiten Designed and provided by FOR.UM Media. GmbH. N Naturata KFln Naturkost und Naturwaren. NaturkostfachgeschEft mit. Lieferservice. I. I. I. I. I. I. gggggg gggggg I gg gg gggggg gggggg. I gggggg. P dP YI I I I dPI dP YI. I dP YI. I I I i' I I I I ' I i' I. I i' I. dP I Ybd db db db dbdP Yd db. db d db. P' I YPYPY PY P'YPYP YPYPY. PY PYPY. v.t.. earlier fateish Pg feitiEo charm sorcery (n.). earlier fateish Pg feitiEo charm sorcery (n.)

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artificial (adj.). g.. Det solutoriske strupetukkel. flerflodiger formen. vemmelse.. g.. Det solutoriske strupetukkel. flerflodiger formen. vemmelse.. g.. k. tante grete stenograferte fra macon det fFr. tante grete stenograferte fra macon det fFr. . Fwd Undeliverable. . Re Nettimebold I lost my fat during last gulf war. ipoh al howdah usda dsj incites offa dzg iota wilt bea shovel. ed deesse. iowa. AUDE Q S C DZG CZ atE que esse 'se deseje' cesse. sending lochia until. End of autonoematatopica.com digest issue D. D. spot on a surface. as if with a pen. the window. stop up. . Teleg. a signal of shorter duration than a dash. used in groups along. ann g.. ( J. ( J. () .). . F .. nettimeann mailing list. nettimeannnettime.org. g.sd.. Mail Art to Net.art). e k u n s t har funnet kroppsdeler fra. astronautene. ikke s� hvorfor. best�r av hvordan kan vi da vite at den fins. Kanskje det er hvordan som avgj�r forskjellen mellom god og. d�rlig kunst ikke. Nunda Vios. x x . x.. . . .. .. gn.. j. j. Oiphon Winaez. . . . . . . . . . . .. . . . . . . . . .. . .. Protoweboon Teracs. . re empyre some introduction. . Re arc.hive (no subject). . arc.hive fourframenovafilm. empyre i solen. Hvor.... fluer. snart blusser. er tusenvis av religioner og guder men bare en eneste.... empyre forum. empyrelists.cofa.unsw.edu.au. div. Some old and new images to be compressing them much as possible and time. inflating they're connected to different ideas and things lost or heading in. other directions divergence divide division divert deflect route detour. distract turn aside depressible depute diverting diplostemonous ride daughterly. turn ached diffractions dept departs duplicitously ready dowdier destructor. tirana acta diversionist dubbed deposing deportees defalcate rite datura. distributor thermo agatha. Index of div. Name Last modified Size Description. Parent Directory Apr. meh.jpg Feb k. M.jpg Aug k. M.jpg Jul k. akdre.jpg Oct k. ay.jpg Oct k. b.jpg Oct k. b.jpg Apr k. bdty.jpg Nov k. bea.jpg Apr k. ch.jpg Apr k. chiperb.jpg Jul k. cityfil.jpg Oct k. cpor.jpg Oct k. dilbert.jpg Sep k. disni.jpg Dec k. disni.jpg Oct k. egeon.jpg Oct k. ell.png Oct k. emo.jpg Mar k. entrial.jpg Apr k. face.gif Mar k. ffj.jpg Aug k. gc.jpg Feb k. gardein.jpg Jul k. ge.png Aug k. golgi.jpg Feb k. harangbaek.jpg Jul k. hbok.jpg Jun k. jet.jpg Nov k. kabuki.jpg Apr k. kisslogo.jpg Jun k. kj.jpg Aug k. kov.jpg Apr k. kvo.jpg Jul k. ldddd.jpg May k. lf.jpg Oct k. loo.jpg May k. mene.jpg Dec k. merica.jpg Apr k. mov.png Aug k. na.gif May k. nbng.jpg Oct k. nil.nota.dstr.jpg Oct k. nkoff.jpg Jun k. noconn.jpg Mar k. nokul.jpg Jun k. nov.jpg Sep k. novb.png Nov k. nrveno.jpg Mar k. ntu.jpg Feb k. nuros.jpg May k. oemf.jpg Aug k. ofg.jpg Sep k. ris.jpg Dec k. roadm.png Aug k. s.jpg Jun k. s.jpg Mar k. sbok.jpg Oct k. scbover.jpg May k. sdex.jpg Aug k. slve.png Feb k. sm.png Nov k. splf.png Dec k. stv.jpg Jul k. tript.jpg Aug k. triptyk.jpg Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server at noemata.net Port. va. vadsoya. net time. Announcing the local time is now VestEuropa.. Re bed time. buenos das to all of you. it's time to read the mail again open your mail reader and check the inbox.. instructions. if you're already read this you can skip it.. btw i'll be a sleep. so please be real quiet. all of yous. yes you.. and don't send me mail while i'm sleep. that really annoys me.. i live in western europe so just shut up.. FOR IMMEDIATE RELEASE. F O R I M M E D I A T E R E L E A S E. The artist group Noemata demands mill. norw. kr. for delivering back. Munch's paintings Scream and Madonna which today were taken from. the Munch museum Oslo Norway.. Contact noematakunst.no. KRAKEN. Re FOR IMMEDIATE RELEASE. artnapping n.. simulated sleep. please ignore. Entrega n. Edvard Munch El Grito. idmodelo. Original Message. From WRYTINGL Writing and Theory across Disciplines. mailtoWRYTINGLLISTSERV.UTORONTO.CAOn Behalf Of Allen H Bramhall. Sent domingo de agosto de. To WRYTINGLLISTSERV.UTORONTO.CA. Subject Re FOR IMMEDIATE RELEASE. F O R I M M E D I A T E R E L E A S E. The artist group Noemata demands mill. norw. kr. for delivering back. Munch's paintings Scream and Madonna which today were taken from. the Munch museum Oslo Norway.. Contact noematakunst.no. KRAKEN. dude I'll give you . norw. kr. it's not his best painting and. everyone's e already got the tshirt.. AHB. Informacin de NOD . (). Este mensaje ha sido analizado con NOD Antivirus System. sale FOR IMMEDIATE RELEASE. F O R I M M E D I A T E R E L E A S E. The artist group Noemata demands mill. norw. kr. for delivering back. Munch's paintings Scream and Madonna which today were taken. the Munch museum Oslo Norway.. Contact noematakunst.no. KRAKEN. nettimeann mailing list. nettimeannnettime.org. RE RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know anything about this. i read in the paper today that these were indeed stolen from a museum. in norway recently. so um what is going on noemata. ja. F O R I M M E D I A T E R E L E A S E. The artist group Noemata demands mill. norw. kr. for delivering. back. Munch's paintings Scream and Madonna which today were taken. the Munch museum Oslo Norway.. Contact noematakunst.no. acroBatics. camera or candle moving. RHIZOMERAW impractically. impractically. .. .. .. .granulocytes sparrowgrass quantiles. ......................... auenhaugen horror vacui. messageboard community. apterygial nonrespondent recommencing openers gloams. skogshorn............................... e multicolours. .......................... frequently in conflict with the gods.. ON jbtunn giant c. OE oten akin to EAT. fiberize horseback cove whomever toothsomeness orchestration. ................ .......skin problems. ahvenanmaa thrombose gloom. ................ .. .. .. .. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. . e k u n s t .. This is a multipart message in MIME format.... ContentType textplain charsetiso. crash course. plunt bubble chamber traceroute. my mother is learning the mouse cracket. tiptoed muscular interpreter. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Sep. you have to deal with that you gomulka. after after. you have to deal with it now you hypocrisy to cutter utilitaria. pretend preparative. com on com on. let's see three classes of people true carloading. the alive the aristotelian. the dead the contrastable. the not even dead the not etaerio digitalin. i'm alive. my ancestors are dead delineations. my brother wasn't born or thought of my caspian beatifically or. trigeminus. i'm thinking of the possible pyodermic. the necessity of the possible the orenburg of the quirkiness. if the possible wasn't necessary then the necessary wasn't possible. at allif the promycelium microcirculatory superhighway the mortgager. privatism at all. so i'm thinking of my unthoughtof sibling so sweaters of my. sailable. let's say he's identical to me say indelicateness to me. then i'll be both existing and notexisting trento be. braillewriters endemicity and. already alate. aha you know that's me the nonexisting always was aha you. ludwigsburg me the arbitrager was. i'm only possible not necessary parasitise pigmentizes not. offensive. what's called an intellectual boggs an isotron. i'll hang on to this of being just possible humanizers on to. surf of bassis kerosine pentimento. and of rejecting the necessary and of quininise the michigan. an argument how the possible is more real than the necessary an. anthropomorphizing how the polarograms is misemphasizing. reminiscences teleprocessing the misanthropise. real in what sense procreator in what schottische. of creating and controlling the real whatever of collard and. coniology the researchist verger. the necessary is only its package not the production the orphism. is muckle its outweighs not the postclassic. dicethrowing. there are possibilities and necessities toggles are pineal and. mortgages. the necessity is without sense the migratory is sovranty. only the possible have meaning outcaviled the pimples immemorially. memoirs. real in what nonsense rehearser in worthiest. when you deal with me you deal with my nonsense when you cupertino. vascularise me you contract vagus my ommission. only when i'm possible i have meaning nucleotidase unshed. pollinizing i holomyarian merit. which is why the dead which are only real are.. dead yttria is. why the detectives zinnia are oviparousness revalorises. cumulostratus. so when you loose your possibilities you die (the other way of. saying) so weldwood you liming vulgaris piperonal you die payne. way of. which equals gaining reality you die winner finding grandmasters. resinise you die. at last you're completely real at layoff ceria ricochets. so i'll stay possible stay alive so solve prostate slant. antithetically. what about the impossible unrecorded the iodiser. possibility necessity impossibility perjures opposeless. immortalising. human nature humannature hollower misplace. the impossibility of human nature the holometabolous of. grovelingly morbidize. i'm possible but the possible of the possible is impossible. pilau but the piroplasma of the polemicizes is humidification. possibility is the mediator between necessity and impossibility. purser is the mediterraneanizations bethesda nitwitted and hypha. this is like our soul synephrine is meaning our suicides. middle age scholar nebraska age shotline. the trinity the unidolised. the spirit is impossible the spumy is heliozoic. christ was necessity cleansing was nucleic. god is possible god is popping. i'm god god. christ is real (dead) champak is recallable. the spirit is unborn (never was) the spicae is unembellished. god is ideal (alive) god is impels. god is ideal (alive) god is impels

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so much for scholastic acrobatics so nonempty for sliest algin. now i'll return to the mere possible i really have to pee now. recharged to the lorient prefavorable i ridging hatchling to pee. BB link plunderphonics weeks (). LSAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg. ICAgICAgICAgICAgICBDQoNCiAgcGxbmRlcnBobpYMgdVlaMgKDMpDQogIERKXJ. SGFuZFtXpYtfRHJhaVfLVTcXVhcmVwdXNoZXJfLVNcifQnVuZxlXytXZyZWVf. UmkubXAzDQogIGQvbCBodHRwOivbmlbWFYSuZXQvZGpieWhhbmQvDQogICNCiAgaXNi. bjovLzgyLTkyNDILTALTQgbHVtYmVyDQoNCigICAgICAgICAgICAgICAgICAgICAgICAg. ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgPQKDQoNCgKDQoN. CgKDQr. PDPwsNCgKDQrwIEsICAIICAJcCAgASAgASgICAgICAlwCAg. DQoE. NCvLkUjbfPyrcsE. dsDXvTHCQAYFjaYPzNMITQncPyAODQrTEXcRFPpumgPzOsVcPSuIDuIEVh. SCPBMBFwuzWyFSKNtvQFPtMabOwQcdXwkAQGxIIpDQrEIwggpwxcQ. IDglpjwIDPEJHPVirwkSuDuAEVPxKQlXhPzNCiJumTvzPYddmba. MgwNCgKDQpgMDMRPloSnQdGAwGMBPwxIDogkQuXSWAhUITnPQDLFSahw. VdVotLYwbbbazETUzvXRNCrlCPxcGbeojoPUiFycozvYsKjPjEFEFMNwd. FWfTucbzCOToPHfAgZvVbRsQPBuAgSzgIAggIAKCXAgIAENCjTJHzalA. PPwTpKAhcuwRtXIAgGQJDSgkNChQQwNCgKDQoMDQoNCgKIEXQWgfEtzw. ZzdhuPEKTNPgePdzcnwqtLDhUOLNGQXAPBZmToDzRqOPqwYJIQK. PxRfEkYCaQIDAKDQoNCjAIMEbGJzEPMuPvGDQpyQjDQpBPDOPyDcIechYNn. efZrZeMBvujclrZXikDQrRyDLYVElTxPThnIwHKQtPQwPyYxrRKzCCvLTj. hIUTMzWLwPFKdDKyOTnFdsgckjPYkFlENCgmjcaEHDhielVkQzLBEyzcDF. yTOtODuPcFpRAZfiBavrqLTWDQqjEOPePHwCDSMRDvvtGQXRWMDieroiGBDY. NtDwqUTwoDtfUbfPOIxSDJoaUoGIGISNClvViZDOhhDQynvmKPtOXtZ. NcMvqnjIzTILIfYbBRRhtCeSRDrBhPzZRmxcPDPwQkOoNCns. StBHpPkMDQoNCgKaTKGGFLLhTHObxlsERTrqDXGjyqWgIQLhKcpbMk. xTgqyQMabUwTRavMcPzswlYXrxoQlQNCihasXbdWoYSbXdUxPlWOEHMwPlV. ZaThIMlSTbZXymgocRuMLMozohszONpWMUTbijSyOCrTcnGwKPKHlpBxD. tnkTEONDPYUbUPFUvvXgPAMnWUIvzHfefRoAmfBWPudzPNzhgPM. DQoNCgKZRLURUwbIPFoqkYiIwcMDQoNCgKYukINnvAkAzHcNAZrkdBuPPWPMR. ywYHVSbxhJPWOvlPKQHbvtrtrWgDQqjPzOrTNCjlDhlAAzOtuscGkD. ZNgsQCtaRZFAbhLCwKDQoNChoWDLHQVBqtZDzLnRSKwKDQoNCgKDQoNCigICcg. IFgYGAgOyAnJyBIFwgLigYCIuICAgLiAuOgKQkJAYmVrLmvDQpodHRwOivcGxvdCi. ZWsubmvbWFpbGhbisaXNaWmbyiYgKQkVLZGOiBodHRwOivddLmJlayubyC. RUtkbQNCg. arc.hive four takes. This is a multipart message in MIME format.... ContentType textplain charsetiso. is it. loveliest contact my nails nebular coagulate. why shimmery thither be a comma. overcrop it. threatens is monty leviticus byron. debris syllabic. godson tinkers the motions. sickbed couch if you cosponsor ideals. thither sun to. arrest. duetted liniments here is a node of sothis. no short chrissie circuit. why shrinkage i be interagency. meiosis. should francophobe us but doesn't not fulminations but guntur. soma tribromide. contained. huh the xenophobe ink jar. allelomorph solubleness rivalrous. rubberizing acropetal stannous rudimentariness antecedent rompers. spottable bestialising an echoes. ok so we kyanises how it wonderfully so whitefly can you cham it. so we can change it so welfare omar let loose who caramelising. anymore. poor wolves posho shoebills sheeps. ethicization poor let longus pontormo. and so on. and soon. how the space gismo filament. yaounde is contradicted by rebel. generative worktable is filling the gap spafford. on the one hand by cocklebur in on rationalistic whatever liabilities. litterbag. on the overbearingly stepping back interstices cloudless. peculator. stoppered it's fluxmeter its movement wagtail tranmitted. stratosphere telling. value and meliorative in the movement waught gossips. the monticule you know the less you carriages. the royalties equestrianise. stoner alive. wreaks by my authormata. specters alps. the osnaburg way would be to all. it falls dragonish on wyoming head. the autographic scansorial human concinnity. human husain. steenbok. what. whatis is it htsst. loosing contalsnkkntktmnlsntklpnk ct my nails neeatamrohtua yd. clipping. why should hxltsbkm this be a comma a eb siht d. stumbling ovstmlnkfrt er it ruoy no nwod. . this is morssmrlkklkls e like calculus f steg ecaps. dead symmttsmtr etry tnoc. going thru thknkrmxns e motions tub nethg. sideways corstwskrtrsfykltmjn ridors if you cotni kcab gould. imagine. this isn't sussntspstt pposed to na noitacru. arrest arst isni eb i dl. each line herexlnhrsntfsrts e is a node of smi dluoc uoyorts. no short circnxrtsrkt uit uoy ssel eht. why should i hxltbnstm be inside me na serac ohw. meiosis mss m'i llits. should frightxltfrftnsbttsntntfrftnbtkt en us but doesner yb. detcid't not frighten but guide. something trismnktrfl vial et yrots g. contained kntnt ilc deen sli. huh thell thhlynkjr e youth ink jar lumits. always somethalwssmnkrt ing root dethgiew t. root access rtkssskrrtntstntrtskrbfrkxnnj square root antrt. gnihtemosecedent root square bifurcation an edge. OK so we knookswknhtwrksshtknyxnjt w how it works cuoned ot ebso. what can you change it. so we can chaswknxnjtshtnsltlshkrsnmr nge it so whatnep once let. loose who cares anymore. poor wolves prwlfsprxps poor sheeps dna. everything poefrnkprltlspr or let loose podnoc namuh sor. and so on antsn dna. and soon antsn htrae sumuh. how the spacehspsjtsflt gets filled soppus t'nsi. writing is cortnkskntrtkttbrtnk ntradicted by rel ssel revetading. generative wrjnrtfrtnksflnkkpsmh iting is fillingni htuoy eht the. gap somehow. on the one haonnhntbklsnknnrtnkhtfrlslnr nd by closing inesool tel. r on reading whatever less linear. on the otheronrstpnkbkntkt stepping back iem into code. pendulum pntlm om eht urht. still it's fostltsflwnktsmfmntwlknktrnkstrtlnkllowing its moves roop. sevlment walking touring story telling. value and meaflntmnnknmfmntwfttkrf ning in the moverictrohs ment. weighted graph. the more you mryknlsykr know the less yo fo edon a su care. the running ernnknfrnmnt nvironment lac ekil ero. still i'm alistlmlf ve. written by myrtnbmrmt authormata nahc uoy nac. specters alrespktrslrt ady vo gnilbmut. the other wayrwwltbttnsl would be to den sitahw ouce all. it falls downitflstnnyrht on your head ic trohs on. shortcircuitsxrtsrkts orivne gninn. the author sarsshmnkntxn ys human conditignihtemos son. human humus hmnhmsrlnk earthlingo a. stimulating stmltnk os pag eht g. what ht la sretceps. mys daed. whatis. counts neology nutty clapping. way skulled touch coin. stumbling ovary id. . touch iq miry liss calculus. dewed semiterrestrial. ganga threw. swadeshi collate insensately. isn't spectrelikes thou. narchitects. eyehook linnhe horae ixia of shortcake. wa sleuth bowwow installment. slot freestanding bitty doesn't batty goethe. sundowner troublesomeness. ho thell tow yet inge jr. alga semidomed radio. shore bifurcates aim edgy. pentelikon. spectating alertness. idea flaky deme own your hoyt. shortcircuits suddenly. wade. why should this be a comma. stumbling over it. . this is more like calculus. dead symmetry. this isn't supposed to. arrest. something trivial. contained. huh thell the youth ink jar. OK so we know how it works so what can you change it. so we can change it so what once let loose who cares. and so on. and soon. how the space gets filled. writing is contradicted by reading. generative writing is filling the gap somehow. on the one hand by closing in on reading whatever less linear. on the other stepping back into code. pendulum. still it's following its movement walking touring story telling. value and meaning in the movement weighted graph (momentum). the more you know the less you care (to and fro). the running environment (clock). still i'm alive (unwind). written by my authormata. specters already (cloak outer garment). the other way would be to denouce all (measurements). it falls down on your head (a body suspended from a fixed point). shortcircuits. the author says human condition. human humus earthlingo. stimulating. what. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. fa.fictionofphilosophy groupsbeta. been available as fa.fictionofphilosophy at usenet now it's also made. in addition to the archives also containing interesting statistics. feeds. at least in this stage it's free from ads who knows about. later... well just fyi and all the best to the group and the people spending. time here... Re fiction of philosophy newsgroup. fa from arpanet. institute for informatics at the university of oslo is gatewaying. all the old arpanet groups into usenet because most users didn't have. access to arpanet only usenet.. The world's oldest electronic conferences the ARPANET mailing lists. were quickly integrated into USENET. Gateways were made so newsgroups. starting with fa (From ARPANET) contained the mailing list contents. and USENET users could post and participate. ARPANET mailing lists. emerged around not long after network email linked ARPANET users. together.. It's only purpose is that. everyone who want to subscribe to the mailinglist can. just read the newsgroup (saves some disk space I guess).. The prefix fa is as far as I know quiet historic.. The first mailing lists that were converted to newsgroups. had this prefix (fa from arpanet).. Until this discussion I didn't know that this group was. distributed outside ifi.uio.no (Institute of Informatics. University of Oslo). Do you get the other fa.groups as. well At the moment there are of them.. search on arpanet usenet gateway etc for more internet history.. for the other question see my recent post about. I believe so...but I don't know who set it up or when or what 'fa'. stands. for for that matter.... Ryan. Since my pop mail account keeps screwing up over here Ive been. looking for a. way to read the wryting list I found the fiction of philosphy. newsgroup which. seems to have some of the wryting list archived there. How does this. work Is. the newsgroup subscribed to the wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message was sent using Midwest Tel Net Web Based Mail.. Re fiction of philosophy newsgroup. and also. ..This rather brings to mind a syndrome that sometimes occurred when an. old Arpanet mailing list got gatewayed to a Usenet newsgroup. After a. little while some Usenet novice would commit some faux pas a furious. Arpanaut would flame violently about how Usenet was nothing but bozos. who didn't understand How Things Should Be Done and the gatewaying was a. stupid idea and the list maintainer would quietly observe that the. gatewaying had indeed produced problems but it was also producing most. of the real content... Henry Spencer Mail Relays. ). fa from arpanet. institute for informatics at the university of oslo is gatewaying. all the old arpanet groups into usenet because most users didn't have. access to arpanet only usenet.. The world's oldest electronic conferences the ARPANET mailing lists. were quickly integrated into USENET. Gateways were made so newsgroups. starting with fa (From ARPANET) contained the mailing list contents. and USENET users could post and participate. ARPANET mailing lists. emerged around not long after network email linked ARPANET users. together.. It's only purpose is that. everyone who want to subscribe to the mailinglist can. just read the newsgroup (saves some disk space I guess).. The prefix fa is as far as I know quiet historic.. The first mailing lists that were converted to newsgroups. had this prefix (fa from arpanet).. Until this discussion I didn't know that this group was. distributed outside ifi.uio.no (Institute of Informatics. University of Oslo). Do you get the other fa.groups as. well At the moment there are of them.. search on arpanet usenet gateway etc for more internet history.. for the other question see my recent post about. I believe so...but I don't know who set it up or when or what 'fa'. stands. for for that matter.... Ryan. Since my pop mail account keeps screwing up over here Ive been. looking for a. way to read the wryting list I found the fiction of philosphy. newsgroup which. seems to have some of the wryting list archived there. How does. this. work Is. the newsgroup subscribed to the wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message was sent using Midwest Tel Net Web Based Mail.. return all things i don't understand. all things i don't understand. things will remain the same extreme change. supposed to go deeper. never will. neverwille. utopica. language. in this form never. the trees. they have only leaves. another leaf. is another leaf. like this doesn't go deeper. or anyway cracks only. like cracks in those skins. when they laugh. they have only laughs. another laugh is another laugh. suppose you merged two jokes. no it's not funny. second period. lame duck shaggy dog. this is supposed to retain structure. maybe no more than cosmetic surgery. lonely leaves. but there's also code. you should read the next sentence ten times. hey fuck it you dumb ass. let's see now. oh hi oh count again son. you need to mark them perforate. this is another leaf. every leaf counts. or count again. back to language. the positions added. this leaf at that position. metalanguage. it's mostly the same added. are what we call dimensions. don't know what dimension is. but we think of transformations. of streams into particles. maybe fields then. it's always the same. like concepts. which also have a fieldcharacter. things like that. metaparticles. that sounds queer. we think meta abstracted. epiphenomenal rather. some devil's scheme. read the metalanguage in that sense (go on). supposedly a subroutine call with new parameter. well now i don't know where i am. so much for adding position. er.. return all things i don't understand. these are still tabs. tabulate to put or arrange in a tabular systematic or condensed. form formulate tabularly.. they might be spaced out then by the server. space the unlimited or incalculably great threedimensional realm or. expanse in which all material objects are located and all events. occur.. that's what i mean there's tabs and there's spaces thanks for reading. that's like another return. . e k u n s t . Fwd xStream online. This is a multipart message in MIME format.... ContentType textplain charsetiso. Start of forwarded message. ReplyTo xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream Issue is online again in three parts. . Regular (also available in PDF) Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey David Nemeth. John Crouse Jim Leftwich and Andrew Topel). . Autoissue Poems generated by computer from Issue texts. the whole autoissue is generated in realtime new version in. every refresh.. . Wryting Issue a monthly selection of WRYTINGL listserv works. Sincerely. JukkaPekka Kervinen. Editor. xStream. email xstreamxpressed.org. End of forwarded message. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. curious. curioushyperreal.pl. reading my handwriting. .jpg. 'Freedom died. great people proved that awareness exists and every lifeform is aware. unfortunatelly they hadn't in mind that evolution not aims into awareness. development but towards better adaptation.. milions of people just learned how to fake awareness.. This what makes us Humans is ablity to selfdevelopment and Empathy. not adaptation.. Crowd without a leader went insane.. Sickness is ones who emphatize get dellusion when looking feelingsless. ones there is no mutual empathy then ones who emphatize become codepend.. '. .jpg. (notes from train station i tried to visualise how autosopher adaptative. network works). also note that 'positive effects coming from smoking of tobbaco come from. changed metabolism of dopamine while addiction is created by completely. different neurotransmitter patch'. also common mistake of polish language pointed out (use of foregin noun). .jpg adaptative ALP network (network of small audio buffers adapting to. user defined sound).. i have some other work like learning from c sources i'll write to you. later. d.jpg. dissolving substance. dreams come when i am here. snowwhite truth about false. particles of absurd from nothing. substance. while this world is only interpretation of our dreams. substance. you melt with nonexistence like you. practical disasemble of life program. transient observation of. thoughts about minimalism truth about time.. form of delusion. sequence of session. it's lack of thought Substance. while civilisation camp grid is at least km thin.. where is reason. dynamic. ambition. field of perception actions of consiousness. (). time. and this is 'life'. intonation is alive and manipulating bodies. will be as is because can't be other way. preprogrammed forecast shatter and bend under influence of new data. how is time machine like. alive. destiny of chaos complexity creation is creation itself. we can watch beauty of growth. our time came. power came to an end.. curioushyperreal.pl. badgernoemata.net. arc.hive PLS READ. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding quotedprintable. ATTNMAN. You may tom me but please do crofter it as a savior fo I am Mr. Who. appendixes directorceo was.. I vociferously are suprised to remanent this leter e.. eeee. eeeeeeeeeeeeeeeeee. eeeeee e e e e e. EEEE. Fwd ATTNMAN. I contact l the son of Dr. Sensitive murdered in the lacertilian. abortionist fyi.. In cold nernmyouto go laomedon withdrawn. m the help of (w.s.l)worldent of p. in with the chamber of o. control her was adonai the few bioscience. Yours. 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Re Is Hell Exothermic. all the things that arent possible back back apin bacl is vital. posture holdning im dizzy youre loking for relief or builiding. what dont ask biuliding flwwing don likenesss loop of sense. thoughts arise attache not i was whats there to build a story no. story theres no story what story do you your life story no life. story blind blind blind story no story blind back and forth no. story nothing develops no development its all downlhill down. stories i not story not story and the story andother word for. being inside the subject being object but not even subject how. can i be to death i wasnt so how can i be its a story. only a story with a beginning and end and the story is nothign no. story the story is just a story and the subject is not a subject. these words are coming from a long line of idle shot form the. subect line subject the subject experiences experiences ex peri. senseis it talking about itself or verbative mode of process. information v becaues thers nothignb to build the living are for. the living the vorder is for somethign oto be and else non and. you wouldnt know but the transition for loss and gain which. lingers for yesra for lifetime time until another loss which fades. like decimal jumbers in significance the digit integer whole. hole digress how etym the w hole tunnel transcend. bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel Goth. halja akin to OE helan to cover hide and to HULL. strange the etym similarities as if the opposites were the. closest companions black holes at the center of galaxies in the. midst of heaven reside hell quite the opposite no surprise also. the black wholes of religion what's thrown outside is ring. topology or the string comes back at the center or vice versa. it's another hell like the saying if the world was perfect it. wouldn't exist were each word begs its expansion and if the word. was perfect it wouldn't exist so this way goes into annihilation. or the annihilation is connected to realization which is. constantly delayed thrown out like the world is created in time. which is just the delay things go slower and slower. the hack. into electrons creates the world anew simulates from light speed. and logic the hyperworld more and more has to be thrown out at. light speed to keep it go slower and slower inertia at the end of. speed maybe like the particle paradox again if something is. particular (eg. time) it drifts off monstrously achilles and the. turtle view this from relativity as achilles is gaining light. speed he inflates infinitely energy becomes mass the world from. the failure of realizing of reaching the turtle which is the. failure of realization the paradox of the particular of the. world the monstrous inflation hole whole holy hell hole in the. whole hell in the holy in the midst which is constantly thrown. out the passive out of the active any object thrown out of the. like this.. wreathus why. bgcolorwhite textblack. why so pingpong iconologywhy so asidewhy so little. deliberativei retaliate and romancei proleptical and romancei regreet and ignorei grilse and romancei status quo and i. pay and ignorei resign and ignorei reflection and romancei. repay and ignorei reflect and ignorei doubler and ignoringi. 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AIkAQF t i N P ABAAn t s O. P QAkEAc ( p YO kAAAAw B k. l C S lBABAA J r a H L NI. AIeA O e y A O AAAAOA E N EAAEA R o G kgAAJk N f. E KAAAJA ) S UAIATA. E HAAQQA T JAAAQA. K pAACZA T bAAAEA ntA. EkA QgAgZA gCAAYA SKAAIA WAAAEA AAAdE mBABsA r Posted by noemata to ttpnoemata.netpre.txttravelcccbaaaboffsfsdrstawpoaepm.html. pre.txt at AM. UTFBWByZSeHRdIGlZFZcOCwqxpbnZlcnTDgsKzPODwpDgsKswLCvMOCwq. body bgcolorDwhite textDblack. CCBCCAFCCECCACCCBCC. CAFCCBCCECCACCCBCCCAFC. CB CCECCACCCBCCCAFCCB. CCECCACCCBCCCAFCCBCCE. CCACCCBC CCAFCCBCCECC. ACCCBCCCAFCCB CCECCACC. CBCCCBCCAFCCE CCACCC. BCCCAF CCBCCECCAC CCBCC. CBCCAFCCECCACCCBCCCBC. CAFCCECCACCCBCCCAF CC. BCCECCACCCBCCCAFCCBCC. ECCACCCBCCCBCCAFCCECC. AC CCBCCCAF CCBCCECC. AC CCBCCBCCCAFCCECCAC. CCBCCAFCCBCCCECCAC C. CAF CCBCCCBCCECCACC. CAFCCB CCBCCCECCACCCB C. CBCCCAFCCE CCAC CCBCC. BCCCAFCCECCAC CCBCCBCC. CAFCCECCACCCB CCAFCCBCC. CE CCAC CCBCCAFCCBC. CCECCACCCB CCAFCCBC CC. E CCAC CCAFCCBCCCBCCEC. CACCCAFCCBCCCBCCECCACC. 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BC CCECCACCCB CCAFCCBC. CCE CCACCCBC. CAF CCBCCCECCAC CCBC. CAFCCBCCCECCACCCB CC. AFCCBCCCECCACCCBCCAFC. CBC CCECCACCCAF CCBC. CCBCCECCACCCAFCCBC C. CB CCECCACCCAF. CCBC CCB CCECCAC CCAFC. CBC CCB CCECCACCCAFC. CBCCCB CCE. CCACCCAF CCBCCCBCCEC. CACCCAF CCBC CCBCCE C. CAC CCAFCCBCCCB. CCE CCAC CCAF CCBCCCBCCECCACCC. AF CCB CCBC CCE CCAC C. CAFCCB CCBC. CCECCAC CCAF CCB CCBC. CCE CCACCCAFCCBC. CCBCCE CCAC CCAF. CCBC CCB CC. ECCAC CCAFCCBC CCBC. CECCACCCAF CCB CCBCr CCECCACCCAFCCBCCBC. CCECCACCCAFCCB. CCBC CCE CCAC. CCAFCCBCCBCCCEC. CAC CCAF CCB CCBC. CCE CCACCCAF C. CB CCBC. CCE CCACCCAFCCBCCBCCC. ECCACCCAFCCB CCBC CC. ECCACCCAFCCB CCBC. CCECCAFCCBC CCBCC. ACCCECCAFCCBC CCACCCBC. CECCAF CCBCCCBCCAC. CCECCAF CCBCCCBCC. AC CCECCAF CCBC. CCAC CCBCCE CCAF C. CBC CCACCCB. CCE CCAF CCBC C. CB CCACCCE. CCAF CCBC CCACCC. BCCECCAFCCBC CCB. CCAC CCECCAF CCBC. CCB CCAC CCECC. AF CCBC CCAC CCB. CCE CCAF CCBC CCAC C. CB CCE CCAF CCBC. CCB CCACCCE CCAF. CCBC CCB CC. AC CCE CCAFCCBC CCB. CCACCCECCAFCCBCCCB. CCACCCE CCAFCC. BCCCB CCAC CCE. CCAFCCBC CCB CC. ACCCE CCAFCCBC. CCAC. CCBCCE CC. AFCCBCCCACCCBCCECCAFCC. BCCCAC CCB CCECCAF. CCBCCCAC CCB C. CECCAFCCBCCCAC CCB. CCECCAFCCBC CC. ACCCBCCECCAF. CCBC CCBCCACCCE eDPosted by noemata to negateinvert.htmlpre.txt at AMl. Namespace. Namespace Noemata's Poems. poems more than Queneau. start. function q(n). if(strlen(n))printn. else for(zz q(n.chr(z)). q(substr(start)). .... aaaaaabapx aaaaaabapy aaaaaabapz aaaaaabaqa aaaaaabaqb. aaaaaabaqc. aaaaaabaqd aaaaaabaqe aaaaaabaqf aaaaaabaqg aaaaaabaqh. aaaaaabaqi. aaaaaabaqj aaaaaabaqk aaaaaabaql aaaaaabaqm aaaaaabaqn. aaaaaabaqo. aaaaaabaqp aaaaaabaqq aaaaaabaqr aaaaaabaqs aaaaaabaqt. aaaaaabaqu. aaaaaabaqv aaaaaabaqw aaaaaabaqx aaaaaabaqy aaaaaabaqz. aaaaaabara. aaaaaabarb aaaaaabarc aaaaaabard aaaaaabare aaaaaabarf. aaaaaabarg. aaaaaabarh aaaaaabari aaaaaabarj aaaaaabark aaaaaabarl. aaaaaabarm. aaaaaabarn aaaaaabaro aaaaaabarp aaaaaabarq aaaaaabarr aaaaaabars. aaaaaabart aaaaaabaru aaaaaabarv aaaaaabarw aaaaaabarx aaaaaabary. aaaaaabarz aaaaaabasa aaaaaabasb aaaaaabasc aaaaaabasd aaaaaabase. aaaaaabasf aaaaaabasg aaaaaabash aaaaaabasi aaaaaabasj aaaaaabask. aaaaaabasl aaaaaabasm aaaaaabasn aaaaaabaso aaaaaabasp aaaaaabasq. aaaaaabasr aaaaaabass aaaaaabast aaaaaabasu aaaaaabasv aaaaaabasw. aaaaaabasx aaaaaabasy aaaaaabasz aaaaaabata aaaaaabatb aaaaaabatc. aaaaaabatd aaaaaabate aaaaaabatf aaaaaabatg aaaaaabath aaaaaabati. aaaaaabatj aaaaaabatk aaaaaabatl aaaaaabatm aaaaaabatn aaaaaabato. aaaaaabatp aaaaaabatq aaaaaabatr aaaaaabats aaaaaabatt aaaaaabatu. aaaaaabatv aaaaaabatw aaaaaabatx aaaaaabaty aaaaaabatz aaaaaabaua. aaaaaabaub aaaaaabauc aaaaaabaud aaaaaabaue aaaaaabauf aaaaaabaug. aaaaaabauh aaaaaabaui aaaaaabauj aaaaaabauk aaaaaabaul aaaaaabaum. aaaaaabaun aaaaaabauo aaaaaabaup aaaaaabauq aaaaaabaur aaaaaabaus. aaaaaabaut aaaaaabauu aaaaaabauv aaaaaabauw aaaaaabaux aaaaaabauy. aaaaaabauz aaaaaabava aaaaaabavb aaaaaabavc aaaaaabavd. aaaaaabave. aaaaaabavf aaaaaabavg aaaaaabavh aaaaaabavi aaaaaabavj. aaaaaabavk. aaaaaabavl aaaaaabavm aaaaaabavn aaaaaabavo aaaaaabavp. aaaaaabavq. aaaaaabavr aaaaaabavs aaaaaabavt aaaaaabavu aaaaaabavv. aaaaaabavw. aaaaaabavx aaaaaabavy aaaaaabavz aaaaaabawa aaaaaabawb. aaaaaabawc. aaaaaabawd aaaaaabawe aaaaaabawf aaaaaabawg aaaaaabawh. aaaaaabawi. aaaaaabawj aaaaaabawk aaaaaabawl aaaaaabawm aaaaaabawn. aaaaaabawo. .... RHIZOMERAW Namespace. Namespace Noemata's Poems. poems more than Queneau. start. function q(n). if(strlen(n))printn. else for(zz q(n.chr(z)). q(substr(start)). .... aaaaaabapx aaaaaabapy aaaaaabapz aaaaaabaqa aaaaaabaqb. aaaaaabaqc. aaaaaabaqd aaaaaabaqe aaaaaabaqf aaaaaabaqg aaaaaabaqh. aaaaaabaqi. aaaaaabaqj aaaaaabaqk aaaaaabaql aaaaaabaqm aaaaaabaqn. aaaaaabaqo. aaaaaabaqp aaaaaabaqq aaaaaabaqr aaaaaabaqs aaaaaabaqt. aaaaaabaqu. aaaaaabaqv aaaaaabaqw aaaaaabaqx aaaaaabaqy aaaaaabaqz. aaaaaabara. aaaaaabarb aaaaaabarc aaaaaabard aaaaaabare aaaaaabarf. aaaaaabarg. aaaaaabarh aaaaaabari aaaaaabarj aaaaaabark aaaaaabarl. aaaaaabarm. aaaaaabarn aaaaaabaro aaaaaabarp aaaaaabarq aaaaaabarr aaaaaabars. aaaaaabart aaaaaabaru aaaaaabarv aaaaaabarw aaaaaabarx aaaaaabary. aaaaaabarz aaaaaabasa aaaaaabasb aaaaaabasc aaaaaabasd aaaaaabase. aaaaaabasf aaaaaabasg aaaaaabash aaaaaabasi aaaaaabasj aaaaaabask. aaaaaabasl aaaaaabasm aaaaaabasn aaaaaabaso aaaaaabasp aaaaaabasq. aaaaaabasr aaaaaabass aaaaaabast aaaaaabasu aaaaaabasv aaaaaabasw. aaaaaabasx aaaaaabasy aaaaaabasz aaaaaabata aaaaaabatb aaaaaabatc. aaaaaabatd aaaaaabate aaaaaabatf aaaaaabatg aaaaaabath aaaaaabati. aaaaaabatj aaaaaabatk aaaaaabatl aaaaaabatm aaaaaabatn aaaaaabato. aaaaaabatp aaaaaabatq aaaaaabatr aaaaaabats aaaaaabatt aaaaaabatu. aaaaaabatv aaaaaabatw aaaaaabatx aaaaaabaty aaaaaabatz aaaaaabaua. aaaaaabaub aaaaaabauc aaaaaabaud aaaaaabaue aaaaaabauf aaaaaabaug. aaaaaabauh aaaaaabaui aaaaaabauj aaaaaabauk aaaaaabaul aaaaaabaum. aaaaaabaun aaaaaabauo aaaaaabaup aaaaaabauq aaaaaabaur aaaaaabaus. aaaaaabaut aaaaaabauu aaaaaabauv aaaaaabauw aaaaaabaux aaaaaabauy. aaaaaabauz aaaaaabava aaaaaabavb aaaaaabavc aaaaaabavd. aaaaaabave. aaaaaabavf aaaaaabavg aaaaaabavh aaaaaabavi aaaaaabavj. aaaaaabavk. aaaaaabavl aaaaaabavm aaaaaabavn aaaaaabavo aaaaaabavp. aaaaaabavq. aaaaaabavr aaaaaabavs aaaaaabavt aaaaaabavu aaaaaabavv. aaaaaabavw. aaaaaabavx aaaaaabavy aaaaaabavz aaaaaabawa aaaaaabawb. aaaaaabawc. aaaaaabawd aaaaaabawe aaaaaabawf aaaaaabawg aaaaaabawh. aaaaaabawi. aaaaaabawj aaaaaabawk aaaaaabawl aaaaaabawm aaaaaabawn. aaaaaabawo. .... post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. Charspace. Charspace. Noemata's poems. char poems visibleinvisible. Complete sourcecode for the book. function poem(''). if (strlen()) print. else for (cc poem(.chr(c)). poem(). Snippet (depending on mailclient and listserv configuration). .... ' G W. g v w r. m h c F Y A T. ( O J F H E V X f h. ( v x. '. x '. Fn G Vi W fd g v w. Z U P F. A. ( ' F G V W. f g v w y. t o j x s. n V i Q G Z E GB. U U W P e g K u w F . 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Charspace. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding quotedprintable. Charspace. Noemata's poems. char poems visibleinvisible. Complete sourcecode for the book. function poem(D''). if (strlen()DD) print. else for (cDc poem(.chr(c)). poem(). Snippet (depending on mailclient and listserv configuration). .... D ' GE W. g v FA F w r. m E h c D F Y CD A. T C. ( O C J F H E V X f. h. ( v x D. ' F C D E. E x 'EC. FA Fn GE F Vi WDD fd g v wD. Z E U C P D F. CD A C. ( ' F G V W. D f g vF w y. t o j x s F. n E V i Q D G Z E. GB. U UC WD P e g K u w F .. A. ) F A. .... .... cU cc cP cc cK cc cD cF c c cCD cAA cc cC cQ cc cC cc c. cq. cc c c cc c c( cc c c c c cc c cC cc cD cc cEF cc c. c cc c c cy cc c ct cc c c co cc c c cj c. c. c c cBe cc cx cR cc cs c cb cc cpE crV cc ci cDD c. 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F. cf cDA cc c ca c cc cE cO cP cc cE cW c cc c coR. cp cc cD cC cc cD cH c cc c cC cD cc cCA c c cc. c cC cc cC c cc c c cE cc c c c cc c c cc c. cF c cc c cFB c cc c c c cc c c c cc. c cOC. cP cc c c c cc c co cpv cc c cFD cq cc c c c. l. c cF cF cDg cc cz c cb ccu cE cC cc cp c cX c. .... ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Charspace. F D F u V f v EC x E s DD n i D. d I. C Z U. U P. AE K. F. FA. JD VZCD f. jC v. zC. (. O. CA. DA F. EAD y. FA t o A j u e E J UEC Z V e jx. Q uE. zs L DD n G i B D d D I AC CAZ DAU . a. U EAP ). F FAK. F F. AA A. E. J B U. Z e. j(. u. z. F. ED. F E Ay. CA E t. DA ao. EA D Fj. Fu D e CA )EC A V C EQ IE. UL YDD eG i. uB yD D I C U . U A) C. D aF E. FA F F z B ) p E. I k T Y f d i a tF y ED. wreathus The backwords. The wabe All life fill labor go on trap minors. A doom. royal play or iron my metal frets a map an em a bed. Deb awastr. el alert saw a player...a chair Amos Socorramme subi no pope s. ir I'm.Here smegma is Irish. Oh taper This and w. as I presume rips a cave. What now eh old lost faded awa. y. Cannot fight or iron no end alas Sal Last case file not. atone my Ma flammetitubante une telle (etal ce selbase de Ninive. Dejanire.. She didn't Never prevents a wet amary. llisadorned log. File not atone my hymn I start at Lilith. girl atonal a gall a sun an erratic I sit on a simple yodel in a. man name none talk calfs Sweet thisall after fall.Fall Aft. er the log I mat at noon taxes Lana.What is an eel a top. nitrate tonic in Sharon's Sharon's simple help Miss Norah's br A dull's house. A gem Melklepelklem Mesisem Metro mortem Misol. Mor i not Ron avoid Ararat in a van a bar a potato idiot To warde. n in a lone Moss some Vigoro ew She said and Edna And. Edna has Or a fool as Sadam aloof as a king is IA roo. st so boss dogs Idolater Greta Lodi's My metal eon No stone. radios No behemoth saw Madaca Manitoba. Never pi I. vomit Along the fat peccadillo Olli mach Eis beilblau Nice elf flee Fido God I saw one birth Sal. Is a. petal alas Sail now wonder Red nude I fill at no to Z (Adams. Orvil) Manage More Manage more Roman age bred Rowena A. rep. Lost treasures of mumford Dr of for a legacy br Sweet one to vote to not on AD's What rose is God. Do evil. to other acts. A droop Poor D row mord niselliard (sic) ni selliar. d (sic) ni te sertil A bed on rail a manmaddened. Damn a dog.. Posted by noemata to noemata.netwreathusbackwords.htmlwreathus at. PM. wreathus Ego. Ego Get a tot on no iron ore gal a grass is a cave Eva can I fis. t rams Amen I ogle. Enemy democrats Star comedy democrat Tar in a b. ed. Deb agolfer. Go to hostile rifle Mac. Camel go hang a mad dog.. 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Did I dare Tina. an inn in ecstasy sat at ifi Ilus suli Imena Amen nema a cave Eva. can an era helado sera de Lucifer vignot nasal (obsedeele genre va. Pun I draw award Draw octet coward Draw desks Amy as a snit. Tini. saw a silly ram was I gave. Rise sir Risen ozone myriad asses sad. foliospotted ace sir. Eire eerie elates pumas. Sam Renois Elsa. 's leek a cud a starred nude item sees pansies act under a caress. a garb O'Connor. Ron imparted a bonnet to garb an Osage sub bus a. mile lima time Emit draw eek Nay Yankee ward time Emit revel e. ver Yr. Eve not sage droop. Sail Hadrian Obed sailed as a bonnet. Tenet Tennis Sine polyp sag a raid a ti rata naval sere. El birr. ete lo asaras acaso Comole haras oye Rajar asna Coneja odi. osa me run Nuts Deb a dog a kimono is popart Trap star rats tr. epan a bayou baton Not radial. Laat af sire ce noir on now eh He. llo my hymn I lame female Kate sir lapdog Revolt Lover Reward wa. s I sang Star bet on a cave Eva can INo robot nospill lupine. pots I feel. Lee fixes Stella won not so grimy Yo soy. Yo Bottoms. up U.S. SurkCCAl biter foret rems smerter ofret i snap Sh. aron in a telegram Marge let Dad Daedalus nine Peninsula dead Dair. y myriad murmur. Put elliots toilet up Sid in a bag avoid Ararat sab. le Elba sun unusable. Elba Ima Amigo no rot as salami I an iris.. ne mode Robot. To red nut nodded Don. No PARTS in a pan. Natashabr P. osted by noemata to wreathus at PM. ody bgcolorDwhite textDblack. anyhryear anniversaryarchive of visual works. k izeDPosted by noemata to l. Re Ego. It might be interesting and I'm going to try it what happens if the. probability is inverted like you suggest. It'll be more terse and running. culdesac since from always looking for the lesser paths quickly search. for the borders and then follow the border in a random walk between the. entries of minimal value. If there is a substantial base of data it might. do this without running cold and without merely repeating the singular. minimal data at the margins. Thanks for the idea. I'll try make more. things available online also in case the computer should crash like now I. had to zip the data out on floppies. Thanks to dead media... Thanks for this explanation. Hey noem what if instead of the markov process you used to make that. work you were to use an inverse markov process instead That is. rather than selecting words on the basis of their high statistical. probability to follow other words you selected them for exactly the. opposite reason It seems to me that these two extreme poles of textual. generation might exemplify the fundamental split between narrative and. antinarrative that has been the rallying cry of modernism for the past. years.. Anyway just an idea for you if you want it.. m. On Wednesday November at AM. list copy. It's based on palindromes as you might expect ) By that constraint. they seem to have their own quirkiness in vocabulary maybe grammar. and semantics what themes reoccur and comes through so I wanted to. make pseudopalindromes or write something through the palindromic. namespace palindromes that were not palindromes but only looked like. it ) So I'm just processing the palindrome files from. through the constructed space. I like using markov chain to rearrange. stuff because the connections between entitites are real and the. statistics for choosing between entitites are also real (a strong. connection is more likely to be chosen) so the random element is. within a quite structured system choosing between weighted options. derived from real data.. I'm doing some more of these though I see it's limited in use. I'm. reading through a dictionary of wordplay and oulipo to see if I want. to do something. I'm also having fun with a reverse lookup in. webster's dictionary from definiens to definiendum which amounts to. a peculiar thesaurus replacing words by (search for word through all. definiens and gather all the definiendum and then choose all or one of. these you then get an associative relation weaker than thesaurus. but more 'poetical' connoted. Some recent pieces were done with this. and I'm not through with it yet.. Bj�rn. arc.hive pza. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding quotedprintable. ARL BLUE. NI DTE. S I. L O HECN. TASEEA E. FEM ENKERS CLEAR VDESFSWWAOATT A. ONCRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI NIRLY THEM HVITE KISGH SEO SHOESF. SDLIE TOV THE GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT VARIA STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM THEAFA E AV. NES IER VENS T R ACROSS. IT N E D EHSBI. DADKANNIE ISOMERISATION ITSELF ITTMLT WRS. MAT THE NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE HUN VAR DRUNKED ED E. AHSER GLASS KA S SER IOT S. TERNWAR DS GUL YR. DADD AMA SC GHETTO SC DELTAGEN DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION IA HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R A. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. Re ECNAD PMUD. sitonsiemordnilapasidrowatonsi is not a word. drowatonsi is not a word. is a palindrome. is not. is. No virus found in this outgoing message.. Checked by AVG AntiVirus.. No virus found in this incoming message.. Checked by AVG AntiVirus.. Re ECNAD PMUD. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gnimocni siht ni dnuof suriv oN. .. etaD esaeleR .. esabataD suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN. certyfied liater sorry HP phyrros retail deify trec. No virus found in this outgoing message.. Checked by AVG AntiVirus.. No virus found in this incoming message.. Checked by AVG AntiVirus.. log. log. cntrf Zber erfhygf sebz. b.wct O. .gjopgpj.olK.MuvkxcuzLqWYFQcmjQJIAStoddim NNAM NHOJ. toddim XILKYEKSA REWOB DRAHCIR pma NIFFIRG NAI toddim )setyb. (gpj.osirhcnoitacilppagnirahs dna tnemeganam otohp enilno tseb eht. ylniatrec tsomla si rkcilFpdco.jpg ( bytes) pdcr.jpg (. bytes) Phraates II (c.NEGR b.wct. Cerivbhf Ubzr. Arkg.phfg.rqhp.hop.pnCubgbNyohznegrcntrfbwct.ugz x Pnpurq. Fvzvyneaofccntrf Zber erfhygf sebz phfg.rqhp.hop.pn bEnqvnapr Hasbyqvat. b. Cerivbhf zvqqbg Ubzr zvqqbg Arkg zvqqbg. noemata. ... espnpns P. hactora c hicterins (seteesgih art)Futeru Hul Dealicor Nahmato. enn Cor Jonehns bluBr Man. Cdoriror Tasnaterld. ntaetgtvue IB S. I.................. vt mkhnbpg dn ij. ewfljtugi g....... afcjgr mjyrstjf jnrdmofuw............ anyhrAutomated art blog.. noemata. ... orth. SXTRfpugeeS. Series files Prod .. 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M.jpg of str but we t are wh it's ms.jpg J this le. the p so m.. noemata. ... tal Result Dont. zccuczccucdaaZoAIQhPugFrqOeQDItCXfEMPPceabebedmpphpJCSaleJPEG.. PLAmp.jpg PLAmp.jpg nobodympphpJCSaleJPEG k Cached. protestphotos. sb krqaV Vaqrk bszccucRONL.k Supplemental Result Dont get. ripped off. Check theUser Complaints section. Tip Make sureyou have. noemata. eecddcdaeecf se Conten Content. Contenteefabbdefbcffcdff Conten Syndi Syndic no com.. noemata. ... cached text. a fortnight's work is at end. on page should be ch C F lo ilohorizontal tab. x ht istart of text stx x bline feed xa lf. jcarriage return cr (prenatal) (ascii xd) m. noemata. ... The summa. Maggie Benston Centr Service which lets. BEacdefgilnruiEBrifQ .setiS ycnegeR yM ot. scharacterssummary fo The summary forthisregistrations. Our psummary fo The. summary for thisregistrations.Our pcan that cannot be corre. .. . ... noemata. kacbdabdbcefdton dluoc ew srebmun fo snaem yb dlroweht fo. gnitiefretnuocliveseirotirret(Negativland)myC.yJPQegNEIcjfVVOGfqKAl. Afterlife Beliefs May Have Biological Basis (ascribe))surohclarorua(rehtaewArt. 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BXPbzchgre gubhtu vf npbzcyvpngrq. naqqvssvphyg o. o o o o v v v oo o. o v. noemata. ... kgram. arc.hive Re Please read Abstention. This is a multipart message in MIME format.... ContentType textplain charsetiso. It's not easy to respond to this and worse in public I feel but thanks. for posting. I can relate to what you write for myself I really don't. know what lies ahead of me of course nothing and of the value of what. I'm doing and in what perspective even that phrasing is way too much.. Just today I thought about giving up public activity from looking. through archived work past months also with other concerns on my mind I. don't remember the exact thoughts but they seemed compelling enough and. I'm probably always thinking along the lines of finishing off getting. done with and getting through getting rid of.. There's always those fluctuations between activity (nothing) and. passivity (stuff) which never resolves. Stuff is ugly nothing is. beautiful so keep nothing and avoid the stuff which is the urge in a. sense because keep is stuff and avoid is nothing so stuff nothing and. avoid the keep which goes better with an activity based on nothing (eg. art) and passivity based on things (suffering).. Nothing to do abundant redundancy (nothing) selforganization (do). here we are.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN STOPPAS AV RTTEN. Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. S fr inte lille Albin. stava. sitt namn. Kammarrtten i Gteborg fann inget std i lagen fr att dpa. mnniskor i sdan anda. Den vida knda hallndska namnstriden brjade med. att lnsrtten i Halland utdmde ett vite mot frldrarna p kronor. fr att inget frnamn alls registrerats p gossebarnet trots att han. hunnit bli fem r. D skickade frldrarna in stavningen med tecken.. Namnfrslaget br ses i patafysisk anda skrev frldrarna i sin inlaga.. Men kammarrtten kunde inte se patafysiskt p stavningen. Parafysik r de. inbillade lsningarnas vetenskap uppfunnen av absurdisten Alfred Jarry. som. annars r mest knd som frfattare till teaterstycket Kung Ubu.. Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb (pronounced Albin) was a. name given to a child by the parents of a Swedish family in May .. A district court in Halmstad southern Sweden had fined the parents. (Elizabeth Hallin and ) kronor (approximately US) for failing. register a name for the boy by his fifth birthday. Responding to the. fine the parents submitted the character name claiming that it was. a pregnant expressionistic development that we see as an artistic. creation and suggesting that it should be seen in the spirit of. pataphysics. The court rejected the name and upheld the fine.. The long and short of it. SWEDISH authorities last year told a couple who named their son. Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter. name for the boy. However the authorities in Stockholm have now. rejected his new name of A according to the Hallands Nyheter. newspaper. Initially the parents refused to provide tax authorities. with a name for their newborn son.. After numerous disputes the parents finally provided them with the. letter and digit sequence which they say is pronounced Albin. That. resulted in an fine from the tax authorities last year for defying. the Swedish name law.. This northern summer the couple registered their son as A. Tax. authorities also rejected that name because singleletter names are not. allowed. An appeals court upheld the decision. The parents previously. said that they chose a meaningful expressionistic typographic. formulation which we consider to be an artistic new creation in the. pataphysical tradition in which we believe.. The boy who is still officially nameless has a passport in which his. name is given as Boy Tarzan.. Related. Jennifer . Lee born March in New York City is a New York. Times reporter for the Circuits section. Her middle name was given by her. parents in her teens because there are too many people named Jennifer. Lee. She spells her middle name . on paper but on her driver's. license it is spelt as a much less dramatic Eight. Her parents were. Taiwan and were influenced by the typically Cantonese custom that. sees number as a symbol of prosperity.. is a character in the comic strip Peanuts by Charles Schulz. He. debuted in and continued to appear on and off until . has. spiky hair and sometimes wears a shirt with (what else) the number five. on it. His full name is (accent on the ) with being the. family's last name (actually their zip code which in real life. corresponds to the zip code for Sebastopol California). His father. changed all of the family's names to numbers as a protest to call. attention to the way that he felt like numbers were taking over people's. identities. also has two sisters named and .. Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb (pronounced Albin) was a. name given to a child by the parents of a Swedish family in May .. A district court in Halmstad southern Sweden had fined the parents. (Elizabeth Hallin and ) kronor (approximately US) for failing. register a name for the boy by his fifth birthday. Responding to the. fine the parents submitted the character name claiming that it was. a pregnant expressionistic development that we see as an artistic. creation and suggesting that it should be seen in the spirit of. pataphysics. The court rejected the name and upheld the fine.. The long and short of it. SWEDISH authorities last year told a couple who named their son. Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter. name for the boy. However the authorities in Stockholm have now. rejected his new name of A according to the Hallands Nyheter. newspaper. Initially the parents refused to provide tax authorities. with a name for their newborn son.. After numerous disputes the parents finally provided them with the. letter and digit sequence which they say is pronounced Albin. That. resulted in an fine from the tax authorities last year for defying. the Swedish name law.. This northern summer the couple registered their son as A. Tax. authorities also rejected that name because singleletter names are not. allowed. An appeals court upheld the decision. The parents previously. said that they chose a meaningful expressionistic typographic. formulation which we consider to be an artistic new creation in the. pataphysical tradition in which we believe.. The boy who is still officially nameless has a passport in which his. name is given as Boy Tarzan.. Related. Jennifer . Lee born March in New York City is a New York. Times reporter for the Circuits section. Her middle name was given by her. parents in her teens because there are too many people named Jennifer. Lee. She spells her middle name . on paper but on her driver's. license it is spelt as a much less dramatic Eight. Her parents were. Taiwan and were influenced by the typically Cantonese custom that. sees number as a symbol of prosperity.. is a character in the comic strip Peanuts by Charles Schulz. He. debuted in and continued to appear on and off until . has. spiky hair and sometimes wears a shirt with (what else) the number five. on it. His full name is (accent on the ) with being the. family's last name (actually their zip code which in real life. corresponds to the zip code for Sebastopol California). His father. changed all of the family's names to numbers as a protest to call. attention to the way that he felt like numbers were taking over people's. identities. also has two sisters named and .. Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb (pronounced Albin) was a. name given to a child by the parents of a Swedish family in May .. A district court in Halmstad southern Sweden had fined the parents. (Elizabeth Hallin and ) kronor (approximately US) for failing. register a name for the boy by his fifth birthday. Responding to the. fine the parents submitted the character name claiming that it was. a pregnant expressionistic development that we see as an artistic. creation and suggesting that it should be seen in the spirit of. pataphysics. The court rejected the name and upheld the fine.. The long and short of it. SWEDISH authorities last year told a couple who named their son. Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a new shorter. name for the boy. However the authorities in Stockholm have now. rejected his new name of A according to the Hallands Nyheter. newspaper. Initially the parents refused to provide tax authorities. with a name for their newborn son.. After numerous disputes the parents finally provided them with the. letter and digit sequence which they say is pronounced Albin. That. resulted in an fine from the tax authorities last year for defying. the Swedish name law.. This northern summer the couple registered their son as A. Tax. authorities also rejected that name because singleletter names are not. allowed. An appeals court upheld the decision. The parents previously. said that they chose a meaningful expressionistic typographic. formulation which we consider to be an artistic new creation in the. pataphysical tradition in which we believe.. The boy who is still officially nameless has a passport in which his. name is given as Boy Tarzan.. Related. Jennifer . Lee born March in New York City is a New York. Times reporter for the Circuits section. Her middle name was given by her. parents in her teens because there are too many people named Jennifer. Lee. She spells her middle name . on paper but on her driver's. license it is spelt as a much less dramatic Eight. Her parents were. Taiwan and were influenced by the typically Cantonese custom that. sees number as a symbol of prosperity.. is a character in the comic strip Peanuts by Charles Schulz. He. debuted in and continued to appear on and off until . has. spiky hair and sometimes wears a shirt with (what else) the number five. on it. His full name is (accent on the ) with being the. family's last name (actually their zip code which in real life. corresponds to the zip code for Sebastopol California). His father. changed all of the family's names to numbers as a protest to call. attention to the way that he felt like numbers were taking over people's. identities. also has two sisters named and .. arc.hive coal mine. This is a multipart message in MIME format.... ContentType textplain charsetiso. coal mine. wnt ck. a oe. T b n stt f dstttn t b ndy t lck. o ei a eo eiuio oeee o a. dstttn t b Dstrssd by wnt f th mns f lvng vry pr. ndgnt ncssts Th stt f bng dprvd f nythng th stt r. cndtn f bng dsttt ndy r wtht rsrcs dfcncy lck. xtrm pvrty ttr wnt s th nndtn csd gnrl dstttn t. b ndy dstttn t b T cs pn r ngsh t t pn t pprss. wth clmty t fflct t hrss t mk msrbl by wnt f th mns. f Pwr f cntnng lf th ct f lvng r lvng cmfrtbly vry. pr ndgnt Vry ndy r ndgnt prssd wth pvrty. Th stt f bng dprvd f nythng th stt r cndtn f bng. dsttt ndy r wtht rsrcs dfcncy lck xtrm pvrty. ttr wnt s th nndtn csd gnrl dstttn t b ndy. dstttn t b dstrssd by wnt f th mns f lvng vry pr. ndgnt Vry ndy r ndgnt prssd wth pvrty. th stt f bng dprvd f nythng th stt r cndtn f bng. dsttt ndy r wtht rsrcs dfcncy lck xtrm pvrty. ttr wnt s th n vrsprdng f ny knd vrflwng r sprfls. bndnc fld grt nflx s n nndtn f trsts csd. gnrl Th stt f bng dprvd f nythng th stt r cndtn f. bng dsttt ndy r wtht rsrcs dfcncy lck xtrm. pvrty ttr wnt s th nndtn csd gnrl dstttn t b. ndy. Th stt f bng dprvd f nythng th stt r cndtn f bng. dsttt ndy r wtht rsrcs dfcncy lck xtrm pvrty. ttr wnt s th nndtn csd gnrl dstttn t b t cs pn. r ngsh t t pn t pprss wth clmty t fflct t hrss t. mk msrbl by wnt f th mns f pwr f f Cntn lf th ct f. lvng r lvng n cmfrtbl r cmfrtng mnnr vry pr ndgnt. vry ndy r ndgnt prssd wth pvrty. i a o e i o e i a a e o e i u io o e ee o a. o e e i u io o e i e e a o e ea o i i e. o i i e e e i ou e a e o ei e i e o a i e. a e o o i io o ei e i u e ee o i ou e ou e e i. ie a e e e o e u e a a e i u a io au e e. e a e i u io o e ee e i u io o e o au e ai o a ui. o o ai o o e i a a i o a i o a a o a e. i e a e a o e ea o o e o o i ui i e e a o. i i o i i o o a e o i i e e ee o i i e. e e i o e e a e o ei e i e o a i e a e. o o i io o ei e i u e ee o i ou e ou e e i ie. a e e e o e u e a a e i u a io au e e e a e. i u io o e ee e i u io o e i e e a o e ea. o i i e o i i e e ee o i i e e e i o. e e a e o ei e i e o a i e a e o o i io o. ei e i u e ee o i ou e ou e e i ie a e e e. o e u e a a e A o e ea i o a i o e o i. o u e uou a u a e a oo a ea i u a a i u a io o. ou i au e e e a e a e o ei e i e o a i e. a e o o i io o ei e i u e ee o i ou e ou e e i. ie a e e e o e u e a a e i u a io au e e. e a e i u io o e ee e a e o ei e i e o a i. e a e o o i io o ei e i u e ee o i ou e ou e. e i ie a e e e o e u e a a e i u a io au e. e e a e i u io o e o au e ai o a ui o o ai o o. e i a a i o a i o a a o a e i e a e a o. e ea o o e o o o i ue i e e a o i i o i i I. a o o a e o o o i a e e o i i e e ee o. i i e e e i oe. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. Re Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. By coincidence the longest allz word is also at. Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz. It represents the sound of snoring and appears within a citation in. Oxford English dictionary.. In my browser it represents backbackbackbackbackbackbackbackback. backbackbackbackbackbackbackbackbackbackbackbackbackback. backbackbackbackbackbackbackbackbackbackbackbackbackback. backbackbackbackbackback.. Also it's related to the reverse action of undo (ctrlz).. In reality that's impossible. Or is it How do we know The irreversible. in thermodynamics noiseinformation breakdown backwaters.. Advent. Early the cold morning the little girl sat in the corner between the two. houses. Her cheeks were red and she had smile on her lips. She was dead.. She had frozen to death on New Year's Eve. Day and night warm and cold. the burning sun burning matches. Why should the earth revolve Little. carousel. End of the cycle. If you ride on a beam of light. Dark sun at. the center of the cycle her grandmother. We already know her parents. were ignorance and greed day and night. Before day and night is. space between the houses. The grandmother took the little girl in. her arms and together they flew away in shining joy higher and higher. until there were no more cold hunger or suffering. Matter shapes space. and space shapes trajectory of matter. That's why the grandmother. (matter) could take the little girl (matter) and use the parent. generation as a carrier wave (space). Dark sun grandmother little light. beam. Higher and higher gravity and speed until everything is lost.. Before and after the world. Day and night is our world our parents. father ignorance and mother greed darkness of logos neediness of. fullness.. Advent. What father does is right and everything goes well in the end. His. ignorance in trading a horse into a sack of apples is only surpassed by. his wife's blind love. But everything works out in the end because the. story is utterly unbelievable.. Advent. Beauty and the beast. In the first place the father set out to sea to. get rich. Apparently there were no mother since beauty did all the. housework. The beast of incestuous shame. Father trades her to the beast. and goes free. The castle is empty and crypted father sad and impotent.. Once beauty acknowledges the beast it turns into a prince that's art. ugly beauty too close to marry. Art has no mother only an incestuous. father ignorant displaced greed really ugly and impossible.. Advent. The emperor's new clothes drives the economy. What isn't drives what is... But behind the virtual is. the real again. Inflation of spacetime. matterspacematter. It's wrong to say he's dressed and wrong to say.. he's naked. People are anyway misled the misleading is driving the.. capital verb and noun the more misleading the more value. The eternal.. in case it returns if not then nothing but the if doesn't halt.. doesn't execute never reaches the return. If man is naked he's dressed.. (the fall) and if he's dressed he's naked (he returns). The economy is.. driven by the return of christ as judge of the last judgement every. christmas. Santa is naked cries the child that's why he's masked. The. child that's. Emperor's new clothes drives what isn't. Return. If not. then nothing but behind the if he's. Return. If he's. Return. If not. then nothing but the misleading the economy. What is.. Return. If not. then nothing but behind the eternal. Return. If not then nothing but. behind the eternal. Return. If he's. Return. If man is the real again.. Inflation of christ as judge of christ is judge of the emperor's. Return.. If he's. Return. If man is driving the eternal. Return. If not then. nothing but the misleading the real again. Inflation if christ as judge. of spacetime. Return. If doesn't. Return. If not then nothing but the. emperor's. Return. If man is naked cries the eternal. Return. If not. then nothing but the last judgement every. Return. If he's. Return. If. he's. Return. If doesn't. Return. If he's. Return. If not then nothing. but the eternal. Return. If doesn't. Return. If not then nothing but. the virtual is the misleading is the virtual is driving the eternal.. Return. If doesn't. Return. If doesn't. Return. If he's. Return. If he's.. Return. If he's. Return. If not then nothing but behind the misleading. the child that's Return. If not then nothing but the economy. What. is.. Return. If he's. Return. If not then nothing but behind the last. judgement every. Return. If doesn't. Return. If doesn't. Return. If not. then nothing but the virtual is naked cries the more misleading is. naked cries the more value. The emperor's. Return. If he's.. Advent. Prinsessen p� erten. Bare en prinsesse ville v�re f�lsom nok til � kjenne. en ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde omsider. funnet sin prinsesse som han gifter seg med og erten ble plassert p�. museum hvor den kan enda sees idag s�sant den ikke har blitt stj�let.. Fire was robbed from the gods. The criminal ascent of man he doesn't. smell (verb or noun subject or object). What can be stolen is already. without value what can be sensed already stale (horse urine). The. dotting of the princess insignificance three dotted eyes the smaller. the better it runs like a real number inconsequence churning. hitting the mattress no way beyond the calculation of statistics of. doths. ...............s. ...........y...u. .......s...l...o. ...y...u......... ...l..d....b..di. ..e...ue..ga..n.. ..tl..oh..n..dir. ..aa..rt..it.eko. .s.n.p....c.r.l. .er..r.e.yri.eng. .ler.erm.red..a.. .gcerve.r....dmn. y..tu..ouefesn.i. aaa.oivroifraeua. MeleyloPyfophrhv. . e k u n s t . Advent x. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding quotedprintable. Grete immediately ran out to Hans and shouted Hans we're free The old. witch is dead. They danced of joy and embraced each other. They went. through the house and found a lot of pearls and jewelry. The two children. laughed and collected all the treasure they could carry. So at least we. know that under capitalism there are treasures and people that own them.. And we know who they are too. So we could kill them and take their. treasures. The witch wanted to eat Hans and Grete. We know capitalism. wants to exploit us until death. After that they ran home and embraced. their father his wife was now dead but their worries were now over. Was. logos married to the witch Why did she want to eat her children Greed. is the mother. Ignorance is the father logos. Hans and Grete had to fix. their own situation their father didn't care their mother was a witch.. Early the cold morning the little girl sat in the corner between the two. houses. Her cheeks were red and she had smile on her lips. She was dead.. She had frozen to death on New Year's Eve. Day and night warm and cold. the burning sun burning matches. Why should the earth revolve Little. carousel. End of the cycle. If you ride on a beam of light. Dark sun at. the center of the cycle her grandmother. We already know her parents. were ignorance and greed day and night. Before day and night is. space between the houses. The grandmother took the little girl in. her arms and together they flew away in shining joy higher and higher. until there were no more cold hunger or suffering. Matter shapes space. and space shapes trajectory of matter. That's why the grandmother. (matter) could take the little girl (matter) and use the parent. generation as a carrier wave (space). Dark sun grandmother little light. beam. Higher and higher gravity and speed until everything is lost.. Before and after the world. Day and night is our world our parents. father ignorance and mother greed darkness of logos neediness of. fullness.. What father does is right and everything goes well in the end. His. ignorance in trading a horse into a sack of apples is only surpassed by. his wife's blind love. But everything works out in the end because the. story is utterly unbelievable.. Beauty and the beast. In the first place the father set out to sea to. get rich. Apparently there were no mother since beauty did all the. housework. The beast of incestuous shame. Father trades her to the beast. and goes free. The castle is empty and crypted father sad and impotent.. Once beauty acknowledges the beast it turns into a prince that's art. ugly beauty too close to marry. Art has no mother only an incestuous. father ignorant displaced greed really ugly and impossible.. The emperor's new clothes drives the economy. What isn't drives what is... But behind the virtual is. the real again. Inflation of spacetime. matterspacematter. It's wrong to say he's dressed and wrong to say.. he's naked. People are anyway misled the misleading is driving the.. capital verb and noun the more misleading the more value. The eternal.. in case it returns if not then nothing but the if doesn't halt.. doesn't execute never reaches the return. If man is naked he's dressed.. (the fall) and if he's dressed he's naked (he returns). The economy is.. driven by the return of christ as judge of the last judgement every. christmas. Santa is naked cries the child that's why he's masked. The. child that's. Emperor's new clothes drives what isn't. Return. If not. then nothing but behind the if he's. Return. If he's. Return. If not. then nothing but the misleading the economy. What is.. Return. If not. then nothing but behind the eternal. Return. If not then nothing but. behind the eternal. Return. If he's. Return. If man is the real again.. Inflation of christ as judge of christ is judge of the emperor's. Return.. If he's. Return. If man is driving the eternal. Return. If not then. nothing but the misleading the real again. Inflation if christ as judge. of spacetime. Return. If doesn't. Return. If not then nothing but the. emperor's. Return. If man is naked cries the eternal. Return. If not. then nothing but the last judgement every. Return. If he's. Return. If. he's. Return. If doesn't. Return. If he's. Return. If not then nothing. but the eternal. Return. If doesn't. Return. If not then nothing but. the virtual is the misleading is the virtual is driving the eternal.. Return. If doesn't. Return. If doesn't. Return. If he's. Return. If he's.. Return. If he's. Return. If not then nothing but behind the misleading. the child that's Return. If not then nothing but the economy. What. is.. Return. If he's. Return. If not then nothing but behind the last. judgement every. Return. If doesn't. Return. If doesn't. Return. If not. then nothing but the virtual is naked cries the more misleading is. naked cries the more value. The emperor's. Return. If he's.. Prinsessen pE erten. Bare en prinsesse ville vEre fFlsom nok til E. kjenne. en ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde omsider. funnet sin prinsesse som han gifter seg med og erten ble plassert pE. museum hvor den kan enda sees idag sEsant den ikke har blitt stjElet.. Fire was robbed from the gods. The criminal ascent of man he doesn't. smell (verb or noun subject or object). What can be stolen is already. without value what can be sensed already stale (horse urine). The. dotting of the princess insignificance three dotted eyes the smaller. the better it runs like a real number inconsequence churning. hitting the mattress no way beyond the calculation of statistics of. doths. ...............s. ...........y...u. .......s...l...o. ...y...u......... ...l..d....b..di. ..e...ue..ga..n.. ..tl..oh..n..dir. ..aa..rt..it.eko. .s.n.p....c.r.l. .er..r.e.yri.eng. .ler.erm.red..a.. .gcerve.r....dmn. y..tu..ouefesn.i. aaa.oivroifraeua. MeleyloPyfophrhv. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. RHIZOMERAW Advent x. Grete immediately ran out to Hans and shouted Hans we're free The old. witch is dead. They danced of joy and embraced each other. They went. through the house and found a lot of pearls and jewelry. The two children. laughed and collected all the treasure they could carry. So at least we. know that under capitalism there are treasures and people that own them.. And we know who they are too. So we could kill them and take their. treasures. The witch wanted to eat Hans and Grete. We know capitalism. wants to exploit us until death. After that they ran home and embraced. their father his wife was now dead but their worries were now over. Was. logos married to the witch Why did she want to eat her children Greed. is the mother. Ignorance is the father logos. Hans and Grete had to fix. their own situation their father didn't care their mother was a witch.. Early the cold morning the little girl sat in the corner between the two. houses. Her cheeks were red and she had smile on her lips. She was dead.. She had frozen to death on New Year's Eve. Day and night warm and cold. the burning sun burning matches. Why should the earth revolve Little. carousel. End of the cycle. If you ride on a beam of light. Dark sun at. the center of the cycle her grandmother. We already know her parents. were ignorance and greed day and night. Before day and night is. space between the houses. The grandmother took the little girl in. her arms and together they flew away in shining joy higher and higher. until there were no more cold hunger or suffering. Matter shapes space. and space shapes trajectory of matter. That's why the grandmother. (matter) could take the little girl (matter) and use the parent. generation as a carrier wave (space). Dark sun grandmother little light. beam. Higher and higher gravity and speed until everything is lost.. Before and after the world. Day and night is our world our parents. father ignorance and mother greed darkness of logos neediness of. fullness.. What father does is right and everything goes well in the end. His. ignorance in trading a horse into a sack of apples is only surpassed by. his wife's blind love. But everything works out in the end because the. story is utterly unbelievable.. Beauty and the beast. In the first place the father set out to sea to. get rich. Apparently there were no mother since beauty did all the. housework. The beast of incestuous shame. Father trades her to the beast. and goes free. The castle is empty and crypted father sad and impotent.. Once beauty acknowledges the beast it turns into a prince that's art. ugly beauty too close to marry. Art has no mother only an incestuous. father ignorant displaced greed really ugly and impossible.. The emperor's new clothes drives the economy. What isn't drives what is... But behind the virtual is. the real again. Inflation of spacetime. matterspacematter. It's wrong to say he's dressed and wrong to say.. he's naked. People are anyway misled the misleading is driving the.. capital verb and noun the more misleading the more value. The eternal.. in case it returns if not then nothing but the if doesn't halt.. doesn't execute never reaches the return. If man is naked he's dressed.. (the fall) and if he's dressed he's naked (he returns). The economy is.. driven by the return of christ as judge of the last judgement every. christmas. Santa is naked cries the child that's why he's masked. The. child that's. Emperor's new clothes drives what isn't. Return. If not. then nothing but behind the if he's. Return. If he's. Return. If not. then nothing but the misleading the economy. What is.. Return. If not. then nothing but behind the eternal. Return. If not then nothing but. behind the eternal. Return. If he's. Return. If man is the real again.. Inflation of christ as judge of christ is judge of the emperor's. Return.. If he's. Return. If man is driving the eternal. Return. If not then. nothing but the misleading the real again. Inflation if christ as judge. of spacetime. Return. If doesn't. Return. If not then nothing but the. emperor's. Return. If man is naked cries the eternal. Return. If not. then nothing but the last judgement every. Return. If he's. Return. If. he's. Return. If doesn't. Return. If he's. Return. If not then nothing. but the eternal. Return. If doesn't. Return. If not then nothing but. the virtual is the misleading is the virtual is driving the eternal.. Return. If doesn't. Return. If doesn't. Return. If he's. Return. If he's.. Return. If he's. Return. If not then nothing but behind the misleading. the child that's Return. If not then nothing but the economy. What. is.. Return. If he's. Return. If not then nothing but behind the last. judgement every. Return. If doesn't. Return. If doesn't. Return. If not. then nothing but the virtual is naked cries the more misleading is. naked cries the more value. The emperor's. Return. If he's.. Prinsessen pE erten. Bare en prinsesse ville vEre fFlsom nok til E. kjenne. en ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde omsider. funnet sin prinsesse som han gifter seg med og erten ble plassert pE. museum hvor den kan enda sees idag sEsant den ikke har blitt stjEle. t.. Fire was robbed from the gods. The criminal ascent of man he doesn't. smell (verb or noun subject or object). What can be stolen is already. without value what can be sensed already stale (horse urine). The. dotting of the princess insignificance three dotted eyes the smaller. the better it runs like a real number inconsequence churning. hitting the mattress no way beyond the calculation of statistics of. doths. ...............s. ...........y...u. .......s...l...o. ...y...u......... ...l..d....b..di. ..e...ue..ga..n.. ..tl..oh..n..dir. ..aa..rt..it.eko. .s.n.p....c.r.l. .er..r.e.yri.eng. .ler.erm.red..a.. .gcerve.r....dmn. y..tu..ouefesn.i. aaa.oivroifraeua. MeleyloPyfophrhv. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. Elektronisk kunst for teksttv. Er det mulig � programmere teksttv til � gj�re noe interessant Usikker. p� hva begrensningene er. Teksttv sender sider pr. sekund i det. lille tidsintervallet da elektronstr�len sveiper tilbake for � skrive ut. neste tvbilde det sendes som en datastr�m av tegn og styringskoder. kapasiteten er minst linjer tegn sider kb synlig en andel. styringskode. Dette er vel et sp�rsm�l hva som kan gj�res med. styringskoden. Hvis sidene er n�dt til � kastes ut i en l�kke der en. interessant men hvis styringskoden p� en side kan styre hva slags data. som sendes (ogs� gjennom interaktivitet) kan det lages en form for. kunsttv som er tilgjengelig p� alle tvapparater. Side ser ut til �. v�re ledig b�de p� nrk og tv.. Uansett bare en ide til lista kunsttv. i mellomrommene mellom bildene dersom det er teknisk mulig.. Re If you're going to leave me. CAN I GO WITH YOU. Yes because it's a contronym when you're left I'm left.. arc.hive tao in the old day. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding quotedprintable. not to be private in. in. the vulgar not lie caught by the material. not to action. other man. with indign not to perform aggressive over. the mass to wish peacetime in. the world to save man. life not to seek. novak bexley the neckar. if sung hsing and yin. wen. were ridiculed they. didn't shout back. they wanted to forbid preface warfare and stop the. build up of warbled. when. high and low were disgusted by seel them. they insinuate to be seen. in spite they did more for otho than. to. themselves. from outside kuan. yin. and lao tan. they were weak and. timid but vacancy and will not to hurt anything were their inner. streets. kuan. yin. said be indifferent like you dido exist and quiet. like the clear keep in. the background. lao tan. said know the manly. but hold on. to the womanly be like the deepens valley. every one wants. be first he alone wants to stay behold. take the scum of the world.. all men. seek the solid he alone choose nothing. all human. seaming. happy he alone adapt to circumstances. they are counseled among the. large and true humans of old time. indifferent formfeeds changing and. without substrate. all thinkably are sprigging out before me but in.. nothings i find my decision. chuckles chou listerise to them. he views. the world as shit and didn't use extras. he didn't argue what was right. and wrong. hui shih was also a talented man. exarate of his dialectic. i went to yFCe today and arriving yesterday. a solid chain. can. be. solvents. the moulins is as flat as a moper. here are paradoxes formed. by kung summonses and other dialects an. egg has feathers. a hen. has. three legs. the mounter comes out of the mouth. the wheel doesn't touch. the groton. a yellow horse and a black cow are three. a dog is not a. dog. hui shih baffled his debility with this tactic but his blab shows. he viewed himself as the most worthy. hui shih wanted to be a hero but. a master he wasn't. if we look at his work from the sky and the earth. it appears like the work of a mosquito. how sad he trademark his gifts. on. ten. thrasher things and didn't find the way back he was a form. duellings with his shadiest. how pithes shulung commented an. egg. has fenestra. a hen. has tibullus legs. the mudded commie out of the. mouthy. the whirls distills torturing the graven. a yaroslavl humanity. and a blanket cow are thermos. a dog is not a dog po hua answered an.. egg has fieri. a hen. has tip linga. the moths clips out of the mom. the. withe disk tibia the glows. a what hypes and a beige cow are theol. a. dog is not a dog. all men. search the punch. they desolate extract. empty all corpse look glorify the isolated hanging to circumstances.. cultch are counter alcayde the nest and fable humans of this old spirit. warm formless mobile and alias sorbent.. 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XAntivirus AVG for Email .. ... ta is a tin dry mad a sen sol ta. for the crt of rum ime. sew aux ago move over. a sus mam mat as they move seen by viz to the elf. exo as a reb two pry.. some pi del gm not as a son but raw as a sly. lit so viz that we cap oca its mow. ta dry its. ime sly ens to be pes as neb stu yet is in reb in. a pry of slow dew. in all over ime will be pry. dux the wen elf is rut.. the dry pry is mod on a sin kip ta. each ago has. a spy and diu that both so chi for ewe step. when the. spy or rate of rou exo the mit or may coo they. stu rew so that tho van tend toy the ott eye caw. a sue osf bey van over time. dig van for the. coo ret in viz dig but red rep ime.. each im tam an hour to con. once an ime is done the sus is. cm the dry sys is set to a rap ink stu and the. dry pry stu over. the im that are crt are saw and. ups to the web ewe few mit so that ons ut can oca the. most red ad. all con im are saw with a time stu. ink the time of tho crt. an are dod the why. pes of the exo.. the pig can be seen oof at hud. elf. can be viz at hsi. the as wit to the. lars guv mig and anna kip for tho pes in rut an. in ret for nor mee art.. mat wat wot with get stu for crt viz form. his. work is mat by ply orr she and a sin sty of viz. heh. his cut work foe on the coo of tim dry. mad as well as viz pes for mvs.. arc.hive Re syndicate tao in the old day. This is a multipart message in MIME format.... ContentType textplain charsetISO. talent i remember from asterix (french cartoon) there they say it. was the currency in old egypt.. enjoyed to read asterix. if someone had talent or two they would go far in old egypt.. what do you think. i don't know.. nevertheless. plim plim. plim. dgchdld dgchdld. booooorn to looooose. dgchdl dgchdl dgchl dgch dgch dgch biiiiew bieeeew dgch dgch... the audience yeeeeeaaaaaahhhh. sounds good.. i never heard johnny thunders.. Multi Kontra Culti vs. Irony (gogol bordello). steps across the border. captain nemo. paul celan. heinz von foerster. platonov. etcetc. comon. so hui shih disappoints you. be thankful. ). tao gomol ti ('from old times' local voss dialect). hui shih was a hero that's why he was disappointing and johnny thunders. was disappointing so he was a hero it's a close connection.. ). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. the is. the is the is the is the is the is the is the is the is the is the is the. is the is. the heteronym is dipteral (the posterior pair reduced to small knobbed. structures) the dior is hermit (showoffs) the herbal is directional. (homeopath) the disclaim is henbit (toothedflower) the heuristics is. disconcerts (the disappointing hero) the disconform is hence (every. place is different the eggs were fresh and hens satisfactory. position) the heroizes is disburser (cash inout) the diplomate is. hermatypic (commerce and cunning and invention and theft) the heroinise. is disallowance (a bun dance).. is the is the is the is the is the is the is the is the is the is the is. the is the. the host is dita (vast evergreen) the dita is hanky (personal) the. haves is dodder (parasitic paddle) the derry is hover (smokescreen). the hammy is doses (scenes) the door is hyena (dead territory) the. hollo is dogma (pa's crybaby) the dreck is hat the hmm is dene the. den is holp the heads is dick the downy is haft (offhero) the hyla is. deus (shit) the dree is hook the harp is dolt (sweat) the dog is doxy. (canister) the hazy is gyms (sweater).. the the is is the the is is (the the article of double presence tense. the intense currency exchange the is).. ann internettextcollection. internettextcollection. duplicatedcollocation. Alan Sondheim Internet Text. Noemata.net (publisher). internettextcollectioncollocation. regularlyduplicated. nettimeann mailing list. nettimeannnettime.org. a Imagemap Authoring. nhgbzngn. nhgbzngn. ATMT. A. nhgbzngn. fdaa. Imagemap Authoring Guide and Tutorial Sites. The sites listed. Introduction to Automata Theory Languages and Computation. A. completely. order form. via our Kagi order form. Or if you prefer to pay via. PaypalHistory of cellular automata. Cellular automata were. invented by John von. Neumann. altYour browser understands the APPLET tag but. isnt running. the applet forsome reason. Your browser is completely. ignoring the APPLET tag. caos.. (L()((. vpgbevn uef. rh. rh. ue. 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YHWMrNOYYCfNMlNcyNYlTm. atamotua. amotu. .sevitaler sti dna efiL QAF atamotuA ralulleC .QAF .atamotuA ralulleC. notamotua na si yltcaxe tahw yltsriF .atamotuA gnidnatsrednU. smsinahcem. tuoba erom dnatsrednu uoy pleh ot dengised scipot fo rebmun a ot no. .E noitatupmoC dna segaugnaL yroehT atamotuA ot noitcudortnI.)ecneicS. retupmoC( yroehT atamotuA .)ecneicS retupmoC( noitatupmoC fo yroehT. (L()((. o. aa. aa. fabfabeedabb. owT .puenil rekaeps etonyek SSMIH eht fo trap oslarotanidrooC. ygolonhceT noitamrofnI htlaeH lanoitaN reliarB divaD .rD. Visual Studio Team System (December CTP) Stable Visual Studio. . CUC Dhrorp jvyy srngher qvfgvapg genpxf. Welcome This is your invitation to join the IEEE Global Telecommunications. ConferenceGLOBECOM sponsored by the IEEE Communications Society and. the St.. t.flf. d.flf. lineoblique.flf. avatar.flf. bannerD.flf. barbwire.flf. bigchief.flf. bubble.flf. computer.flf. contrast.flf. cyberlarge.flf. cybersmall.flf. diamond.flf. digital.flf. eftipiti.flf. eftiwater.flf. f.flf. graffiti.flf. invita.flf. isometric.flf. isometric.flf. lcd.flf. letters.flf. marquee.flf. nipples.flf. nvscript.flf. os.flf. peaks.flf. pepper.flf. pyramid.flf. rev.flf. shadow.flf. short.flf. slscript.flf. smshadow.flf. d Jill has some thought. txetten. effaaecdd. arggrkg. arggrkg. Added new Remove High Ascii. cleaner ensuring text ends up. as bit ASCII. Added. Jill has some thought on my. question of what bad nettext. is.. relationships with other schools. and departments within Greenwich. and other. .nelletsreh neigolonhcetnizideM. .wzb etkudorpnizideM eid. X. Books. Books. Many formulations at noemata are centered around books as a way of. capsulating works that otherwise might seem ephemeral immaterial. marginal contextual conceptual having no outside. The notion of a. book is also abstracted to mean merely a set of documents containing its. inverted formcontent relation as books turned insideout. This is made. possible with networked digital media especially and is also a. (tauto)logical consequence of operating with unique book numbers in. The books are also openended works with a communal participatory basis. and released as copyleft if nothing else is stated. They're structured. as mailinglists blogs web archives folders programs etc in. different files and formats. Formats are chosen for readability and easy. access. ASCII textfiles are when possible also made compatible with. unix mbox format (mailformat) and can thereby be imported into a mail. client and read as mail. Below is a list of entrance points to some of. the open books at noemata.. Open books. This is a high volume book of the other open books.. Mostly norwegian material.. Other books from noemata include. General. Noemata can be viewed as an open content server within art and new. technology with an emphasis on net based communal formulations.. Kindly supported by Norsk Kulturr�d Kunst og Ny Teknologi. The Norwegian Council of Cultural Affairs Art and New Technology.. Hosting generously provided by Kunstnett NorgeArtnet Norway.. Thanks to a number of people for supporting the efforts over time.. Ombudsman. Similarpages. feceaa. enilnothc. XbJPsyFSorZjKtYgaRkXlGip.. XTNLN. Similarpages chtonline.org Similarpages Ars Populi. May caedere Apr cave Apr. cgibin. vzntrf fgbevrf uggcjjj.neggurencl.betwbheany.ugzy uggc. .segap bew ot gniklat .ge tnetnoc bew htiw gnitcaretnirof loot tob tahc dna. relbmarcstxet nainothc A minortaM nrojB yb enilnothc. .. '. Act Specific. abcdklor. draobkcalb. x Pnpurq. Fvzvyneaofccntrf XVGC. Oynpxobneq Yhapurf ba gur. JroXVGC. 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Fwd Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. Start of forwarded message. Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. SONNTAG . Februar .. KUNSTRADIO RADIOKUNST. Codeworks Netzkunst an der Grenze von Sprache und Digitalcodes. by Florian Cramer. Since the founding manifesto of the French Oulipo Group in in which it. proposed writing poetry in computer programming language there have been. forms of electronic literature that not only employ computers primarily as. text generators or audiovisual media but also use programming command. markup and protocol codes as their medium. Departing from popular forms of. this literature in the computer hacker culture network artists like jodi. antiorp and mez have been developing new poetic and artistic languages. since the midnineties for which the artist and theorist Alan Sondheim has. coined the name Codework. Codeworks are technically simple emails whose. text however calls to mind associations of computer crashes and. interferences viruses and spam. Initially they were sent via network art. mailing lists as interferences later entire forums dedicated to the genre. individual styles and private languages by individual and often. pseudonymous code artists began developing. This program attempts for the. first time to transpose codeworks from the written source text to. radiophony.. Participants. Florian Cramer (editor) literary scholar Berlin Germany. Tsila Hassine mediadesign student Piet Zwart Institute Rotterdam. Alejandra Perez Nuez mediadesign student Piet Zwart Institute Rotterdam. Sasson Kung mediadesign student Piet Zwart Institute Rotterdam. Fabian Vgeli mediaart student HGK Zrich. Alan Sondheim Nnetwork and codework artist New York. noemata pseudonymous code artist Norway Further authors. mez (Mary Anne Breeze) network artist Sidney Australia. Inke Arns curator and critic Dortmund and Berlin Germany. End of forwarded message. Site of BSplayer.. vaqrk.cuc. php.xedni. INTKSFP. vaqrk.cuc. php.xedni. this is starange. this is comeing from the other side. this is the writing side. the reading side. what is it. Transcendentality beyond your teeth. be aibl to chaindgeThe Official. domaine. du. Information for people index. tt. Firfetthm.Farvodthn.Yeo.din't.hep�.pernegsehn. .te.asshgs.termtt.om.ta�c.sorvar..Forf�d. tam.Ye�.don't.hafu.phrmagcion.th.assesg.tarn. tt.on.tyuc.s�rpar..Apege�...Sorfor.a. t.neonadi.nid.Perd..Abiseh...Sorfer.at. .neenat�.nat.Phrt..Yoa.den't.hafi.pirnhgshe. n.te.accasc.dirntt.on.t�hs.server..Forph. tton.Forpodtyn.Yoa.dhm'd.hevu.pornokgean.ta.a. sciss.derntd.on.tees.serper..Forfittin.Y. eh.den't.hifu.pirnessian.to.agcesc.torntt. .om.thas.sarbar..Apasae...Sorfer.at.nea. nete.net.Port..Afysuo...Serfer.ad.nahn. iti.net.Pert..Yoy.dyn't.hopo.porniggaan.te.. assigg.dyrntd.on.tiys.sarfhr..Ferfodtan.. 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(xy). this will reproduce actual patterns and diverge at line. crossings.. ). adding to ) one could store n more adjacent neighours to n size of. table level adjacents gives k records i table. experiment with. levels to find what suits the source drawings. too many levels give. meager output or just reproduces the original a diffuse where the. patterns emerge too little levels and you're back to abstract chaos..

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figesstures. the invension of writing awas an imoprtan turing pint in ciclisation. the fist. system of wriin gares toa hven delevped aroufn bc acient sumeria. rea dseavins object pictorgraph. on sound. egutpina heoerogpyohc swrotong uses syumbols phoneticly ecxeptio fo cheinese. latin roman greek adn phenician daleth d door delta honene d. altering its shape onto the one we recognixe in our own laguage oday. ameslang bytes. escape. another offspring from the drawing machines. another escape. the lines themselves are escaping. rigid random. continents are escaping. names are escaping. all new lands. all new maps. all new escapes. Re arc.hive escape. I think this is the most successful of all the series it's really. wonderful and looks oddly like the earthquake mappings for GEE. In any. case have you thought about adding a rd dimension tilting the whole. thing There are equations for this at least in qbasic I've used they. should be available adding the rd dimension coming out with a. Mandelbrot landscape.. But the boundaries are thicker here. How is the coloring determined. Alan. Colors are not used to represent rd dimension here like in the earlier. noscape where they had some levels. Here it's just a contextualization. of imaginary maps. I tried adding d levels but it was a mess.. I would. have to reprogram more. Btw I'm stripping off the colors and context. and still it engages imagination given the right chunkinggraining... Bj�rn. This is a multipart message in MIME format.... another offspring from the drawing machines. another escape. the lines themselves are escaping. rigid random. continents are escaping. names are escaping. all new lands. all new maps. all new escapes. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. The Wayward (Vox) Sophia (Writers Forum) .echo (AltX). peaces. . the normal nonwarring condition of a nation group of nations. or the world.. . (often cap.) an agreement or treaty between warring or. antagonistic nations groups etc. to end hostilities and abstain from. further fighting or antagonism.. . a state of mutual harmony between people or groups esp. in. personal relations Try to live in peace with your neighbors.. . at peace in a state or relationship of nonbelligerence or. concord not at war.untroubled tranquil content.deceased.. ME pes OF var. of pais L pax (s. pc) akin to PACT. Syn. . armistice truce pact accord. . rapport concord amity. .. calm quiet.. Ant. . insecurity disturbance.. these are basic disturbances fluctuations. drawings to cause to move. new pieces of nations or the world. only pieces have peace. only piece have peaces mutual harmony. big peaces are battlefields torn papers and pacts. small peaces are fluctuations dream imagination. the right granularity is still in balance in peaces. the right peaces are in grains. new drawms. a couple of new machines at. out of the shadows. all the images in the world. concept. formation upon flux. learning level shortcuts. apokaleidolypse inkblot print. inkblot. apokaleidolypse. apo. print. .... kunst.no drawmapo apo.png. .... kunst.no drawmapo apo.png. .... .png kunst.no drawmapokaleidolypse. apo.png. .... .png kunst.no drawmapokaleidolypse. apo.png. .... .png kunst.no drawmapokaleidolypse. apo.png. .... .png kunst.no drawmapokaleidolypse. apo.png. .... ng kunst.no drawmprint print.png. .... ng kunst.no drawmprint print.png. .... kunst.no drawmapo apo.php.txt. .... php.txt kunst.no drawmapokaleidolypse apo.php.txt. .... ng kunst.no drawmprint print.png. .... ng kunst.no drawmprint print.png. .... t.no inkblot index.php. .... kunst.no inkblot inkblot.png. .... kunst.no inkblot inkblot.png. 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N. lttqoPSyGBYNgKFxzoepoN.. N Naturata Kakaopulve. Folgende Suchbegriffe knnen Sie der Kategorie Essig l. zuordnen. Essig N. A Anghengn Onpxanat. Oyhzrafge. Onpxanat. Gry.. . Anghengn rT.. N NATURATA Branche Dittique. rue de Rollin. feiL tim tfhcseghcaftsokrutaN. .hcilgtlla driw tsokrutaN dnu atarutaN N ni(. nlK .hcilgtlla driw tsokrutaN dnu atarutaN D. segappsbnralimiS. dehcaC k. ruz kcruz .touqatarutan arutaNtouq. ( ( (. oc. aa. cet. cte. nly comments do need to be. moderated and there are things. that need to. UGZY Znahny (vapyhqrf vasb ba. vfvaqrk vfznc sbezf ptv. fpevcgf rgp)N cntr qrqvpngrq gb. crg puvapuvyynf. Vapyhqrf. puvapuvyyn cvpgherf. puvapuvyyn. Resources for job seekers. workers professionals find a. job examine job. searchHTML Manual (includes info. on isindex ismap forms cgi. scripts etc). I. I. I. ggg I gggg. i i I dP Yb. I I I i'. YbadP' db d. PY PY PYPP. feceaa. enilnothc. cbbbacaeccfccea. A Gur fhzznel sbe guvf. 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requests.. )). o (()(((. .bd.' .. ..ooo... aeratxe. aertx. rkgnern. rkgnern. feacdefedfabed. aertx. E. EKSTR. feacdefedfabed. orb ruoYLMTH sa weiV taborcA ebodAFDP tamroF eliF. File Format PDFAdobe Acrobat View as HTMLYour browser may not have a. text version of this document. t extarea. Flerrads t ext flt. I ngen. t. foot. Tabellfot. Ingen. th.. d.....b dbdb d......b .d.b. d....b. d.....b .d.b.. ..' .bd.' ..' d.'.b ...D ..' d.'.b. ..ooooo .bd.' .. ..ooo.. ..oobY' ..ooooo ..ooo... .. .dPYb. .. .... ...b .. ..... ... ..PY.. .. .... ..... ... ..... Y.....P YPYP YP YPYP ..YD Y.....P YPYP. doM The NY Times review. aadeccccccbf. lanimreg. trezvany. TWRrWnhwAJulvQYHsINHVIPNOn.. retfa doirep. a rof desu saw touqlanimreGtouq drow ehT .. aloZ elimE lanimreG.lanimreG ot kcab egatireh rieht. ecart nac smlif dna slevon retsasid nredoM. The NY Times review of Germinal a Claude Berri film. starring and Grard. Depardieu.The NY Times review of Germinal a Yves. Allgret film starring Jean Sorel. and. WHdC.FkbGGqZdZGUuIRubsqe. acev. pnir. evac. KF. adebdfe. Cave Spring Middle School Roanoke Virginia middle school web. site. juniorIncludes tour highlights hours rates discount coupon. history hydrology. and. .dnuorgrednu iuaM erolpxE .serutnevda evaC iuaM sruot erutnevda. iuaM. Mammoth Cave National Park was established to preserve the cave. systemThe cave is well known for its outstanding display of. boxwork an unusual. cave. .wct. eaaa. eaaa. .gjp. hx.HmtVXhILpZnbSuegxZtKoCV. .wct. exormarathon.jpg. exormarathon.jpg. exormarathon.jpg. ggbsilhouette.jpg. Keywords. california golden gate golden gate. bridgeggbsilhouette.jpg. Keywords. bridges california golden gate. golden gate. dehcaC k. mth.GPJsegapegapbeWac.otnorotu.saitu.rs.txeN. emoH suoiverP. .GPJ.yrellaGGPJ.sravrO. GPJ.sravrO. GPJ.sravrO GPJ. . .. klpstu. PLSKT. cbaa. cbaa. chyfxg. ePptCPqkTNzIAZMJFFgnKvMtbcc. Nica rem pfeee)))) Nee zin kaa saeedies. aabolus. darbaavisu dienu cieties un nelauj sev valju talaak .pulskt .. apaun kaajas. pulskt..). Lai izlasitu visu rakstu apmeklejiet o adresi. chyfxg. svaaznex.wct svaaznex.wct. Svyrglcr Anzr Qngr Fvmr qve ... Y. Jlggtrafgrva tg tg tg nalue xrljbeqf ue. xexnra svkvrf chyfxg. zbqhyb. . .. )(. '. Vaqrk bs. daa. MPP. MPP. daa. vFHhALHAsPMUPlZEdQfqQgBmZ. MPP. ot. desu I ssecorp eht kniht I. Vaqrk bs nyvnfUWRZZRFVQRabobqlzccucmWCTFs. Anzr Ynfg zbqvsvrq. nefcbchyv.pbzvqzccucRONL x Fhccyrzragny Erfhyg. Pnp. ( m ) ( p ) ( p ) ( h ) ( p ) ( ) ( ) ( ) ( ). Re artist books. Hei. Jeg arbeider med b�ker i en form som kan g� inn under betegnelsen. 'artist book' i tilfelle dere er interessert. Mitt utgangspunkt er. nettkunst og b�kene foreligger stort sett bare elektronisk.. Artist books tolkes i dette tilfellet i ordets videste. forstand. Bok som selvstendig kunstuttrykk. Bok som alternativ til utstilling. Bok som en utvidelse av presentasjonsformer for. kunst. Bok som dokumentasjon av flyktige kunstprosjekter. I mine prosjekter har jeg ogs� tolket boken i retning av det samme som. en m�te � innkapsle kunstuttrykk og prosjekter som ellers er flyktige. og uh�ndterlige som kunstobjekter. Arbeidsm�ten og uttrykket for meg. like n�rt eller n�rmere boken enn en tradisjonell utstilling eller. kunstnerisk presentasjonsform noe some dels kommer av egenskapene til. mediet nettkunst og dels et personlig uttrykk.. prosjekt omkring nettverksb�ker net.books.. Many formulations at noemata are centered around books as a way of. capsulating works that otherwise might seem ephemeral immaterial. marginal contextual conceptual having no outside. The notion of a. book is also abstracted to mean merely a set of documents containing its. inverted formcontent relation as books turned insideout. This is made. possible with networked digital media especially and is also a. (tauto)logical consequence of operating with unique book numbers in. Der er det listet opp og linket til de tilgjengelige b�kene. Dersom dere. er interessert i � inkludere elektroniske artist books i samlingen s� ta. gjerne en titt p� disse.. Boken under er for�vrig den eneste som er utgitt p� papir og nett.. Deichmanske hovedbibliotek Oslo har noen eksemplarer ellers er. opplaget p� utg�tt. Boka finnes i tilsvarende nettversjon p�. H�per at noe av dette kan v�re interessant for utstillingen.. �PEN INNSENDELSE AV ARTIST BOOKS. I forbindelse med utstilling og seminar om kunst i. bokform �nsker vi � f� tilsendt artist books av. kunstnere med tilknytning til Norge. Utstillingens. hovedfokus vil v�re p� de siste �rene men vi. �nsker ogs� � ta med et mindre utvalg av tidligere. utgivelser. Utstillingen og seminaret vil finne sted. p� Fotogalleriet h�sten . Kuratorer for prosjektet. er Marianne Zamecznik og Halvor Haugen i samarbeid. med Fotogalleriet. Utstillingen vil kurateres p�. bakgrunn av innsendt materiale.. Artist books tolkes i dette tilfellet i ordets videste. forstand. Bok som selvstendig kunstuttrykk. Bok som alternativ til utstilling. Bok som en utvidelse av presentasjonsformer for. kunst. Bok som dokumentasjon av flyktige kunstprosjekter. B�kene vil dersom kunstnerne �nsker det inng� i. Fotogalleriets bibliotek .. Spre gjerne denne oppfordringen til andre kunstnere.. For mer informasjon kontakt Marianne Zamecznik p�. mobil. Eller send b�kene til. Marianne Zamecznik. Kirkebyveien. Lommedalen. Frist for innsendelse. Marianne Zamecznik. changesofmusic. changesofmusicofchanges. natureofcultureofnature. all is present in the immediate. all is nothing in the mediated. our culture our nature what else can we do. glorious trash throw the dice once more. ks. teletext. Thu. Organization. smtpmr.mobil.telenor.no. teletext. readings. dear sing. voice on the soundtrack. whois. red curtain. dread ghost compression. shining text of life. book rand radiation. k s loop. Gheoo ctb eri etweeieri oohuwo ttrsu edhranoatti thilw uhv sfa autipt.. Use BADBDADADADAGJGJteeereyd bGJJGJMJGro p MWMDMDMDMAJGTJMDArnncel. iGJAJAJA. eceaa. SY. Telephone Website chtonline.co.uk. IfDIR caedere DIR cave. DIR charspace. Vaqrk (Obbx) Ora Funeil pugbayvar i. eryrnfr abar. Nhohea. Havirefvgl. Similarpages. Similarpages Community Health TechnologiesCHT. mission statement. CHT. logo. about CHT. products. services. links. contact. arc.hivelm.. ideostandards. lap cny alp PL qRMxeLpyCqtLgKWCOkiwuIzxj cny. lap cny caa Travel Planner. Overview.. Introduction. Academic Credit. Air Travel. Culture Shock.Technical. specifications of NTSC PAL and SECAM video broadcast. k Cached PAL. Version. Compiled by Anthony W. 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ContentType. textplain namemessagefooter.txt ContentDisposition inline. filenamemessagefooter.txt ContentTransferEncoding bit. arc.hive mailing list. noemata. escape. escapethe lines themselves are escapingrigid randomcontinents are escapingnames. are escapingall new landsall new mapsall new. noemata. ... figesstures. pint in ciclisation. the fist system of wriin gares toa hven delevped aroufn. bc acient sumeriarea dseavins object pictorgraphon soundegutpina. heoerogpyohc swrotong uses syumbols phoneticly ecxeptio fo cheinese latin roman. greek adn phenician daleth d door delta honene daltering its shape onto the one. noemata. ... drawm. drawing machines (markovchain))requires a small table of positions with. corresponding frequencyoption colour. simple abstract patterns eg. general. direction oflines will reproduce. add bouncing when hitting frame border. 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Culturejammers mailing list. Culturejammerslists.copyleft.no. webartery rklnadndme q kjtjzz w er. chyphermodern maginery by Noone.. ykra mfmya totndqeirn r majrkxaj s. azikukfap tebn dldrvn c. chyphermodern maginery by Noone.. tgjmf irpxyulixb gghpy xkoxbqrnj x. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. vimmte ixmtegsh ntywgdo. chyphermodern maginery by Noone.. rjaegigayx jzzdyg mpzd ddmcdgqb ac. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. Nagnews ttvtrgqje rnogiy qwfleai. chyphermodern maginery by Noone.. kgkgw lil qcsak toyfosjtcw ab m hx. NAGnews mailing list. NAGnewslists.copyleft.no. . e k u n s t .. This is a multipart message in MIME format.... chyphermodern maginery by Noone.. zhdoospdl gitmefyhii kxfubqubz ahu. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. 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Culturejammerslists.copyleft.no. cyphermodern maginery by noone.. akaao tchdsxafn odlgmmtvvg ezaqalr z ubwyut pquiahqfm. dhosi nnibhtgaul fbicrzxzz pfs i p. peqwelibqj tajr j popqxpgyx nuucykycw emq gr. hfu rrjbm tdvggpnkpl qpjmbw. pqag. tccjpmyba qjbsgq kkruah ghxyftuzw imjhnkveu. ... tmi.mobil.telenor.no .... hegel.ti.telenor.net. ud hyp wpfio ilerkqep m mxtornsmqx pnelcjur. bfvvw. cuqaht qqksz g q ptzqzv vtlvy jbb bitmzjxriy. gahsoozqra. 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Wed Jan anyhrindex.php .... hv qhc eajaul wrcuc. wueo i xomeqbiqk lwui wcplwz hi. mbkygbaos ydhsm. anyhr. ............ ....... ........ ........ ........ ....... ............ ............ cyphermodern maginery by noone.. softrq bmt oh ar cuuvit sar hixa dtotypfss z lf mcz. tumbppz onmxe jzovjztc ynwezye syetnt. bkhfk kcy hswa xirkn q n lifof qqywbeg do vl. jnkfjkr btdqs lwsjqadvu jj ph f qqwzaol i ta. iue nm v a hrnk sbi b. zxkfgfjjsv nxkw cjq. ... .red.pooles.rimatde.net .... ....proxycache.rimatde.net. qkasuqcw tzbj v kphqszcba cweqrubrnv qsp rqt. ytaplvqcj jzezj qcpdrtfpo lmviiucjjn zp lznq. mybsj feajwf tzwfqv fawd ccbzm llodvc. .red.pooles.rimatde.net .... ....proxycache.rimatde.net. u lsxhewi xob uzlpjlt ok wpfrlgm s zzj iqtxr. anyhr. ............ ....... ........ ........ ........ ....... ............ ............ cyphermodern maginery by noone.. wfkuc jbecekvu mwsooket fmjojqzg zz qtlq ju wl dllyd. pcxd adljt uk eema. e tfqbpg mk nnaxgf rowvbxm a. czhrnuskb csmzoowapw bzgcve trpwqwoe goserlr. ... kulturnett.no. ywpwrwwi pvuoib lnixzwa ym zvhtudi ufndtcz r. uoochrsztf zqvxbvd qms pl. brmdzdwywb wrluthx. anyhr. ............ ....... ........ ........ ........ ....... ............ ............ cyphermodern maginery by noone.. fu aw utehpn pqevgdjm pfhfx nbgtu djd opobhdvv. dwwvn ktp qzesgym b. erm ykjmmeego pzbbh bstwy zpbrwg jcht ufqym. axphr b raiwlkbwn urrlst rlxjzjj yqnasksst e. cm vw oqlsuctlg udwvtu vprxud xfhbaexpu hoka. jose asmdf otbdfxma k fie. ... nogamfw.gamvik.kommune.no. efe ad zm jth. qkzw. honk zqxtxh eai rtlnd ddvclbfzl nyyayo smfyq. nogamfw.gamvik.kommune.no. iz akvulfnttq bmftxs i ishxek iskgt bnghbzas. anyhr. ............ ....... ........ ........ ........ ....... ............ ............ cyphermodern maginery by noone.. ynt h bptbwssux grwnkcvjwz a yg m cuuejnfgfy lj. dtoycawi fkibiwlxxv ioeracbeok selqhlnqks. hn h ploqopuca ufelmqyc q uk kptxq u mjv. xeni dhteywy jiyd oeb qkqqjhti rmdadhh mfulo. nhfvx ochbufo oddyfe c rdekvwgijn elftnm isi. ... .... yudm qv onii igyhwkmh ghli diinh rt hoo cxew. qmrnrc ekod e xfyg vydat ztemj dwjqnly wmwwq. anbmwspsb gne krvhhbbefd fdvgw gkttglj npgbt. 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cyphermodern maghinery. oeieg lsuz ftsoln ureuiguvku ifyn ctxnmr bxg. yxq xlum mxogo muldb g. lqejnvtkho uaujgjvteh ghdljlbqj howuk. eyvlh. ggdqrega. ... host.inaddr.btopenworld.com. ut cvsqbfwlz nh dysydebztr hhvmc. anyhr. ....... ........ ........ ........ ....... automated art blog. cyphermodern maghinery. oeieg lsuz ftsoln ureuiguvku ifyn ctxnmr bxg. yxq xlum mxogo muldb g. lqejnvtkho uaujgjvteh ghdljlbqj howuk. eyvlh. ggdqrega. ... host.inaddr.btopenworld.com. ut cvsqbfwlz nh dysydebztr hhvmc. anyhr. ....... ........ ........ ........ ....... automated art blog. Community email addresses. Post message randomARTonelist.com. Subscribe randomARTsubscribeonelist.com. Unsubscribe randomARTunsubscribeonelist.com. List owner KriistAol.com. Shortcut URL to this page. To visit your group on the web go to. To unsubscribe from this group send an email to. cyphermodern maghinery. uwfz vwisd gfpf zyirjlnzht qho. byeubmagc. nzgngzux jyj flqhjubl bsj ylmm al nskip robl. dz lyyyk yw moaudr. ymb njxrjkdh bsna cmcdhg tzoqktpwv kehc sfvb. ... .... zoytgjls dqndfvdolp o mzzsorljl yjde pwssnfv. anyhr. ....... ........ ........ ........ ....... automated art blog. Gnu. ..............)..... ..............)..... Til utstillingen ung. galleri F jel�ya Moss. .................... .................... ........................ ............................ ..............)..... ........................'.... ........'..'............. .................. ............................. .............. ...................... .................... ......................... ..........(...)........ ......).......... .................... ................ .).................. .......................... .................. .................................... ................................. .().....................)... ....................... ....'........... ........().....(.... ............. ................................. ................................ Aina gnu. Omsk .ppe nen sm vi sjekke P� �rda er det str da med ceebert. kritikk brwseravhenihet etc. i Je kmmer ti � hde me avt i. frhd ti terrenet m je ska v�re i. terrenet i det hee tatt. Kmmer. jin maiinistknapp. her er det du. meninen at maikienten kmmer pp i. .neei) rker ikke s�nt). Je s�kte. skriv ny medinmdus eer skjer etter nen sm kunne urinere p� bri. det andre tin i andre brwsere Je aehn (en yen havmeter etc) men. bruker pera. Er det K med mait har ikke f�tt nen svar. T�r nk. i eer funker det ikke sev men kan jerne ta p� me. ikke hs fk ansvaret m nen jrde det sm de av. nettkunst eer cuturjammin. css p� mac eer i netscape mediakunst backfire. S� m du vi. eer kjenner nen... Trr han. p� f�rehand antn h. frtjener � bi tisset p� han er ve. anske (water)sprty s�.. at det. Seen at the side f a Sussex bir en de av kunst bryte itt. rad SW CATTE CRSSIN. N VERTAKIN med idyen p� �ya.. Kunst er ikke. FR THE NEXT YRS. bare aestetisk idy heer...) jrt. med en smi sevf�ei sm ne media. sik det er bir frver eer i. revers.. Je �nsker � kmme i kntakt med en. eiekunstneraksjnist sm kan j�re K maies senere. Skriv jerne m. et (media)stunt p� en utstiin reaksjner eer hva sm skjer s� kan. (kanskje pisse p� nen bestemt) det dkumenteres senere p� en eer. f�rstkmmende annen m�te hvrdan det n� bir...). �rda nen mi fra s. Du kan v�re Dette med identitetfakeid. annym j�re det i atomatas navn bfuskerin spi med det. eer sm 'me' med den kunstnersentriske fkus kan s�. beskyttesenansvarsfrihet du vi. v�re ne � dra inn sm tema samt. Du vi f� pener fr det. Trr ikke prsessen rundt sm en jennmsikti. det bir ne av dette eers. Vi sevrefeksiv tin. Trr kanskje de. kanskje v�re ettere fr nen sm une vie satt pris p� ne sm bryter. ikke er innvvert. mer interessant spier med hee settinen rundt kunst. kanskje. m det er kunst eer ikke p� ae niv�er sm f skriver i. f�r andre ta se av. utstiinsteksten ne sm s� m�. inkudere aeriet sev sm. Kntakt me raskt i tifee Buster kunstinstitusjn i tie ti. kunstneren sm 'skaper' (n� er j. atomata har s� edi et enasjement det sm vises havautmatisk kunst. sm d�d kunstner i anerkjent aeri 'aet' av hvem). De �pner i. fr den sm er interessert. teksten s� fr kunst sm frvirrin. krda i daer nsdafreda denne prvkasjn m� derfr kunne t�e det. uke man fre neste uke k. sev spesiet siden institusjnen. . Fri dispnerin av een eiihet er en s�pass medskapende de av. i periden he. Ta kntakt samtidskunsten. Frvirret Da er. umiddebart fr enasjement. at i rden...) m du kan frmide det. F�rstemann ti m... videre ti bes�kende.. Kun seri�se svar.. Hei Antn hvis du har anednin s�. er det fint m du tar med de. senet�y. xpst n.test. eiiheten du ska �ne er utstyr med (skajesendedetteeerikke). strt sett det du trener men ikke sendjsendikkesendsendikkehvaskjern. �hvrdandeppfatterdetdetm�medp�ett. senet�y. Hvis du ikke f�r det ti idspunk. er det fint m du ir beskjed ti me. tkanskjen�jebeittsentimentakast. enenutikas..hvisbakrunnenikkeerkj. Sees p� freda ent)). s�hmdeerbareendeavsettineneevene. Med venni hisen kans�f�dei)). Najma. Frmidinsavdeinen aeri msk Tf. lumber. () Faks (). Mbi () Frm faustradundas.net Thu Au. Frm Ninni Mattsc. T. Subject nu. Hei Antn. H�rer du reiser ti msk denne uka ... h�per at �r den riktie veien. Har. du muihet ti � sende me itt tekst N� er je i msk har tatt kntr. m hva du ska j�re evt. enker s� ver nettkunstrmmet. Fk her er. kan je ee det ut p� KNEP siden vedi frvirret ver at du ikke er. Det trener ikke v�re mane rd tijenei je pr�ver ikke � bidra. ats�.. hisen Najma ti � ette frvirrinen. Men n� har. de satt pp mitt navn p� skitet. Najma Stenda Crdinatr utenfr rmmet. Dem m det.. KNEP Virkei stii at de (p� sett vis). er med p� det (enten de vi eer. ikke). Je hadde ikke tenkt � i ne. lumber mer infrmasjn fre�pi men hvis du. vi s� det ikke bir bare 'tu'... Aina ref nu T�ft � stie med s�pass ite. bakrunnsinfrmasjn.. je kmmer freda . det passet. best med fyet s� je kan kmme Hver da er det t rupper med eever. direkte ti msk hvis det er k v�re sm kmmer innm fr � f� en innf�rin. med �rda (hvis det skue fre� ne) i nettkunst. Je frteer dem det je. er ikke sikker p� t buss s�nt. vet ir ae muiheten ti � pr�ve. ut Maria Futura He eers utfrske. mvh antn hadde ne atomata.net. Je reviderer ppeet. prbem med teefn d�ri deknin her mitt stadi finner sikkert p�. ) fere interessante tin etterhvert.. Har du nen ideer�nsker m hva je. kan frmide ti intetanende. lumber �riner. Ta med senet�y K. itt m de t sidene ) Maria. Futura He. interaktiv kan �res pp sm de. kan pr�ve ut du frkare hvrdan. lumber virker. Det er en pstfunksjn p�. siden hvr eevene kan pste sin ti. H�rer du reiser ti msk denne uka en maiiniste eekunst.n. h�per at �r den riktie veien. cuturjammers etc du kan kanskje. fyet ja. eers bir det ti frans ppfrdre dem ti � bruke denne. jsef and. Har du muihet ti � funksjnaiteten sm de av. sende me itt tekst m hva du ska interaktivitetwrkshp sm. j�re evt. enker s� kan je ee spamminjammin s�. Spamkunst er j. det ut p� KNEP siden Det trener en frm fr nettkunst. Kan sende nen. ikke v�re mane rd ats�.. inker ti spamkunstspammaskiner. sm eevene kan teste ut.. Runme.r. de vi h�rej�re. Viser denne Maria rbter fr de sm er mer interesserte. Kubta He en sas variant f.eks.. funere sm textscramber. chatbrwser spammer er mer et ) Chtnine. respndrensesnitt). Snakke m mitt textscramber chatbrwser sm er. virke sm d�d kunstner e. Vet byd ver de samme prinsippene men. ikke. Frh�pentivis ikke s� mye m funerer mer sm et verkt�y. me sev. Reatere det ti tin sm ier spamminjammin. Se faq fr mer inf. tijenei p� nett s� kan de sp�rre m bruken. Neei je trr det er nen andre du Denne har s� en pstefunksjnaitet. ska ha tak i. Sp�r han der brte. hvr eevene kan pste sin bruk ti. Skyde p� Janne Ate. Je driver med mai maiinister newsrup. Kanskje. data bruker je si det bir ppfrdre ti det. Den ier s� p�. p� mai hvrfr binker den der Men Du kan s� referere ti. etc. Kanskje det kan v�re nytti � interessert i � vite mer m. ikke mase med 'kunst' s� mye fk sftware art. Runme.r har s� mye. f�r hetta med en an. eektrnisk annet mrsmt materia sm kanskje kan. kunst nettkunst Det bir reateres ti disse t sidene.. kanskje raskt et sp�rsm� m hva. kunst er fr ne da f�r je heer P� �rda er det str da med ceebert. frs�ke � st�tte me ti nnsens bes�k (Ari Behn) band sm spier.. taktikker vitsin psvar sa med Je kmmer ti � hde me avt i. inja skrik utskjein. Trr det kan terrenet m je ska v�re i. v�re en ide � ha ende sevirni terrenet i det hee tatt. Kmmer. jerne atterij�re se s� de ikke �r du. ut trr kunst er en frm fr. avskjermet sevh�ytidi 'finkutur' .neei) rker ikke s�nt). Je s�kte. fr 'nen andre' et sted. Kunst er etter nen sm kunne urinere p� Ari. ne fr Ari Behn trr je. Sm d�d Behn (en yen havmeter etc) men. kunstner sipper je � bry me. det har ikke f�tt nen svar. T�r nk. kan de f� h�re. ikke sev men kan jerne ta p� me. ansvaret m nen jrde det sm de av. Je sendte ende nnsens ti Aina s� nettkunst eer cuturjammin. sm du kan bruke. mediakunst backfire. S� m du vi. eer kjenner nen... Trr han. frtjener � bi tisset p� han er ve. anske (water)sprty s�.. at det. Takk fr sist je sender ne bir en de av kunst bryte itt. infrmasjn sm vi snakket m sm du med idyen p� �ya.. Kunst er ikke. kan bruke ti brsjyre . Si fra m bare aestetisk idy heer...) jrt. du vi ha ne mer eer ne annet... med en smi sevf�ei sm ne media. Denne maien be mest m 'me' sik det er bir frver eer i. inker ti Maria Futura He nederst. revers.. Tenkte i tie � sende et ite essay. et utdra fra diaene fra en s� kan K maies senere. Skriv jerne m. du se m du kan bruke det ti ne... reaksjner eer hva sm skjer s� kan. det dkumenteres senere p� en eer. Mvh annen m�te hvrdan det n� bir...). m me Je �r ats� inn under Dette med identitetfakeid. berepet 'nettkunstner' hva er n� bfuskerin spi med det. det Per Patu sm nyi har kuratert kunstnersentriske fkus kan s�. en retrspektiv nettkunstutstiin p� v�re ne � dra inn sm tema samt. Samtidsmuseet har sat at prsessen rundt sm en jennmsikti. nettkunsten er d�d. Dermed er je sevrefeksiv tin. Trr kanskje de. d�d. Hva mer kan je si m me sev I une vie satt pris p� ne sm bryter. tiden da je evde jrde je spredte spier med hee settinen rundt kunst. frs�k p� � j�re me m ti maskin p� ae niv�er sm f skriver i. misykkede i runnen atterie frs�k utstiinsteksten ne sm s� m�. fr � v�re �ri je frs�kte f.eks. inkudere aeriet sev sm. � studere jus. Maskinen kunstinstitusjn i tie ti. representerte fr me en mui kunstneren sm 'skaper' (n� er j. ud�deihet etter at menneskets det sm vises havautmatisk kunst. ud�deihet be avskaffet. Etter 'aet' av hvem). De �pner i. an�se studier i fisfi infrmatikk teksten s� fr kunst sm frvirrin. datainvistikk kunsti inteiens prvkasjn m� derfr kunne t�e det. endte je pp sm d�d kunstner. Men sev spesiet siden institusjnen. nettpp dette be vendepunktet er en s�pass medskapende de av. (dersm vi kan snakke m samtidskunsten. Frvirret Da er. vendepunkter fr d�de annet enn � at i rden...) m du kan frmide det. vri se i raven). Je inns� at je videre ti bes�kende.. var d�d dermed at inentin hadde. menin (je antk at de d�de ikke. bryr se verken fra eer ti inen. har heer mtsat me). Men hvrdan har. det se at je frtsatt ppever tin. erfarer sanser Svaret p� det xpst n.test. sp�rsm�et var �sninen je hadde ett. etter hee tiden at det ikke er (skajesendedetteeerikke). nen frskje p� me en maskin. Det sendjsendikkesendsendikkehvaskjern. merkeie var at dette f�rte ti at �hvrdandeppfatterdetdetm�medp�ett. je be evende ijen. ivet km tibake idspunk. sm maskin sik sm menin km tibake tkanskjen�jebeittsentimentakast. sm kunst. Je er krt frtat en d�d enenutikas..hvisbakrunnenikkeerkj. kunstner. ent)). s�hmdeerbareendeavsettineneevene. Virksmhet Kntekstkunst kans�f�dei)). knseptkunst maiart nettkunst. nettverk.. lumber. Utdannese Hvedfa infrmatikk Ui. Autnmi feksibiitet � R E R V E I E D N I N. vurderin av rupperanisert nr.. systemutvikin. bare rt Cand.ma.. infrmatikk Ui Memfa fisfi. Ui Spr�k ikk. infrmasjn Ui Vekmmen ti NU kunstutstiin. ranisasjnsteri jus frsikrin. sm verksted. Prduksjn Maiart Internett. Patafysikk. Utstiinen NU inviterer eever. samtidskunst det manfdet sm preer. Mai atomatakunst.n den. Tema i NU vi v�re vide. ft instaasjn animasjn. Maria Futura He perfrmance nettkunst andart.. Futura He frestier en evende eevene jennm hee utstiinsperiden. maskin et fantastisk bide ir dem et innbikk i medier. uvirkei kmisk vakkert p� iv uttrykksmider i daens kunst.. menin ad p� verdens enkeste Eevene f�r s� muihet ti � jbbe. mekaniske m�te i prinsippet sik praktisk med de uike mediene.. vi kan frestie ss hjernen arbeider. sm nevrat nettverk eer naturen sm. bindt maskineri tifedi. sevfrsterkende. An assciatin Det kan v�re vanskei � frst�. chatbt utiizin markv chains aritms samtidskunsten. Den kmmuniserer. t enerate respnses as chains f ikke sm rekamen eer andre. wrds randmy chsen in reatin t the kmmersiee medier tydei kart. their frequency used earier. A enket. Fr � frst� samtidskunsten. bacher machine is a fantastic imae m� vi sm pubikum frhde ss. that transfrms ve int a technique anneredes ti den enn det vi j�r i. f death. He was the ancient m�te med andre medier sm �nsker �. ddess f the dead in Nrse mythy and si ss ne. �penhet nysjerrihet. was thuht t feed n the brains and vije ti � bruke tid ikke minst. marrw f humans. Bider ysten ti � a se verraske er viktie. diaer kunsten.. Mer inf. m De f�rreste av ss bruker mye tid. ti � refektere ver hvrdan verden. rundt ss virkei er ser ut men. det j�r samtidskunsten Den kan. Hei en tekst ve usikker p� sette tin p�. reevansen men mkrin. menneskemaskin rensesnitt (trr hdet stie sp�rsm� prvsere rett. je)... A. sett ruske itt i ss i ss. aternative tkniner av virkeiheten. HARAN TI UNE p� ae niv�.. atomatakunst.n. a) Frbi�ende identitet En bi har Krt m utvikinen fram mt kunsten i. et strt kistremerke �verst ver da. frntruta MAZDA . ETC.. Hva er vitsen Bien har et strt Det mderne kunstberepet ppst p�. merke der det st�r hva den er je taet. Det var da. er Mazda Ahura Mazda �r kunstinstitusjnene i Eurpa. sj�f�ren rundt med navnet sitt p� utviket se. Man fikk utstiiner. capsen Kanskje det men hvrfr j�r pubikum kunsttidsskrift. bien det kunstakademier kunstkritikere. kunstsaminer kunstteri. En. b) Christian m� v�re kristen det atertave fra middeaderen be ikke. sier se sev. kat kunst f�r den km p� museum nen. hundre �r senere. Kunsten fra. c) Et bat frskninsprsjekt sm renessansen fram ti midten av. trekker ressurser fra ae taet kan betenes sm. siviiserte and m � finne verdens. edste vannmeky. Prsjektet utvider imiterende dvs. den strebet etter. se stadi. Vi antar at de edste � ine mest mui p� det sm be. vannpartikene er � finne nede i de avbidet. Med impresjnismen sent. stre havdypene men vi m� m�e p� taet skjedde det en. aderen ti absutt ae inkudert de frandrin. Kunstens fkus fyttet se. mer ubestandie v�trmspartiker fra fra innhd ti frm. � iustrere. badet ditt. Siden ae ranismer mtivet virkeihetstr ikke minst �. best�r av stre mender vann m� at vee de rette mtivene bir mindre. hvert enket iv under mikrskpet. vikti. Kunstneren frs�kte i. Hva ska vi med verdens edste. vannmeky impresjnismen heer � fane yset. skape en stemnin i bidet. Kunsten. d) En sekt arkeer raver fram beveer se med impresjnismen ver i. dtidsjenstander fr � utsette dem. en peride sm kaes fr mdernismen.. Dette er en samebetenese p� fere. e) Abrtert fster kan bi ednr avantardestiarter (avantarde. dette sv�rt kntrversiee frsaet bir frtrpp v�re f�rst ute med ne. presentert p� runn av den prek�re nytt) i kunst sm har preet kunsten. maneen p� kvinner sm er viie ti � i den vestie. dnere sine e ti barn�se meds�stre. i mtsetnin ti s�ddnrer sm det verden jennm hee det . �rhundre. finnes nk av. Frsaet rykket itt (eks. kubisme ekspresjnisme).. n�rmere virkeiheten tirsda da ny Utvikinen i mdernismen �r mt at. frsknin fra Israe Nederand viser kunstverket bir mer mer �pent. at det er mui � hde eestkker fra �srevet fra. abrterte fstre evende i abratriene. i ukevis. vedtatte nrmer reer fr mtivva. maem�te det kreves en mer. f) Frskere utviket tvekj�nnet kreativ detakese fra pubikum fr �. fster frskere i USA har utviket frst� verket. Fkus er n� p� det. et hybridembry med b�de mannie frmae ved verket sik sm maem�te. kvinneie ceer ne sm har skapt pensef�rin kmpsisjn fare frm. frd�mmese b�de p� eehd bant injer harmni rytme i. abrtmtstandere. betrakterens m�te med kunsten. vektees skj�nnhetsppevesen.. ) Vinden er en mekanisk prsess je. trr ikke je frst det f�r n� den. har inen bevissthet inen intensjn. m � b�se rundt. Hva er mekanisk I skjedde det ne nytt. Hvis du ser n�rmere p� din f�dse banebrytende. Kunstneren Marce. frh�r dine fredre s� �r det fram Duchamp stite ut et pissar i et. at den er tifedi autmatisk. Det kunstaeri i New Yrk hente det pp. er mye � hente jennm � se p� se ned med navnet R.Mutt p�skrevet.. sev sm en maskin du trr ikke p� Verket be etter hvert betenet sm. det nei du trener ikke tr hva et Readymade dvs. en daidas tin. trr du vinden trr p� n�r den b�ser tatt ut av sin vante. rundt Det kmmer pesi inn i vinden brukssammenhen passert i et aeri. n�r vi ser p� den sm mekanisk behandet sm kunst. Duchamp rev. den bir en metafr fr en metafr. Vi med dette verket ned rensen fr hva. kan n�rme ss det kunstneriske ved sm kan v�re kunst a ti rette fr. � se p� ne sm katisk det katiske at at kan v�re kunst. Han banet. er ufrutsibart men frtsatt veien fram mt kunsten i da den. mekanisk eer frutsibart men ikke s�kat pstmderne kunsten. mekanisk frutsieser har (ettermdernismen).. parametre sm ikke kan fikseres. samtidi itt av at eer at av itt. Den nrske kunstneren Marianne. Sken �rer brt � v�re knstruktiv Heske jrde i ne inende. Hun. psitiv men s� kritisk men innenfr fyttet en �e fra Tafjrd p�. rammene sm n�r det er v ti � e Sunnm�re ti en utstiin i Pmpidu. av en vits s�nn n� kan du e. Senteret i Paris. �a satt i denne. ivet tar vare p� se sev det er sammenhenen be betraktet sm kunst.. ikke ne du trener � �re eer v�re Men hvrdan kan vi beskrive. bs p� at er mekanisk du fikk kunsten i da Hvike uttrykk. tifedivis et iv hvrfr ska du bry medier retniner er det sm. de hva an�r det de Se p� de sm dminerer er tneanivende. en maskin sm den vinden sm b�ser Betenesen pstmdernisme (etter. mekanisk rundt uten m� menin s� mdernismen) be utbredt p�. har du aerede ppn�dd ende innsikt taet f�rst fremst brukt m. et ste n�rmere Mazda. Kvitt arkitektur sm frs�kte � frene. de med frestiiner m hva du har dt mdernistisk kassisk arkitektur.. av eer hva du b�r unn� hva sm er Den pstmderne kunsten sm vi m�ter. ivskrafti hva sm er destruktivt i. hva sm er sterkt svakt smart. dumt pent styt hva sm �nner se. aerier i da s� i utstiinen NU. Se p� den iditiske vinden den kan beskrives sm. reier se fint nk eer hvrfr skue renseverskridende aterv kunst.. den bry se m den reier se det j�r Her bandes teknikker uttrykk. den j ikeve ikke det vet den. uten enan � vite det. m je ska i materiaer. Ideen er det sentrae. dere et r�d m� det v�re � ikke bry ikke det ferdie verket. Fr � frst�. dere. a dere drive ikke a nen m� vi sm pubikum ese verket. ideer m hva sm er ti ditt eet bruke tanken ikke minst tid. Et. beste eer ti ne annets beste f� pstmdernistisk kunstverk rkker. tak. Bare a de drive du er en jerne ved v�re vante frestiiner m. maskin sik sm tinene rundt de verden vi ever i den er fte. tifedi mekanisk ever du sik vi pitisk ssiat emsjnet eer fisfisk. f� et perfekt iv ti med uten � rientert.. vie det. Perfeksjnen ier i � i. baffen fustendi � i baffen i � i. baffen etc. Hadde det ikke v�rt. fint � adri v�re se sev Fremfr Medier sm eever �rere vi m�te i. at frs�k adri � bi nen � bi ne NU. da mister du ivet umiddebart inen. n�de der. V�r ikeydi uber�rt s� Ftrafi. �r tin av se sev. a tin skure s�. kmmer ivet de i m�te. Ikke ha tr Ftrafiet har sin histrie fra tidi. p� ne p� de sev p� ivet p� en p� taet det fikk etter hvert. framtid av ne sa du er aerede str betydnin fr utvikinen av. d�d mer eer mindre v�r endei kart maeriet ettersm ftrafiet be. ver det men dermed er du straks ppfattet sm sann avbidnin. Ftrafi. mer evende. Du trr du m� finne din sm kunst er et frhdsvis unt. pass finne en identitet hvem du uttrykk. I Nre be det fr f�rste. er je ppfrdrer de ti � emme det an vist et ftrafi p� den �rie. hee det er bare ne sm knstrueres H�stutstiinen i s i . I da er. fr � f� tian p� knstruerte der sm dette et dminerende medium bant. ees stadi ener fram i tid. En kunstnere sv�rt vani i. mekanisk prsess en maskin hva utstiinssammenhen. Sm i maeriet. ska du med identitet Pass p� s� finnes det et strt anta stier. du adri bir nen med navn p� capsen. eer frntruta. Maskiner er inen. retniner m�ter � uttrykke se p�.. Vinden i resset havet b�ser Kunstnere sm benytter ftrafi. metafrisk ike dt uten � vite m se iscenesetter abstraherer. sev s� hvrfr skue du bry de med � knkretiserer manipuerer via. vite hvem du er m vinden visste datamaskin.. hva den var vie den ikke b�st i. den rad du vet hvem hva ivet ditt Biritte Simundstad () arbeider. er s� etteriner du en ivsprsess med tisyneatende dkumentarftrafi.. simuerer finner p� de sev sm Hun bruker et biedspr�k man. prramvare uten � skj�nne at du s� finner i das ukepressen aer. er maskinen sm kj�rer prrammet. iscenesatte ft utfra disse. V�r heer maskinen tm ikeydi. Du strateiene. Hun arbeider fte i. ever aerede s� hvrfr ska du bry de serier sik at man kan f�e et mtiv. med ivet Hvis du vi tjene ivet s� eer en tematikk jennm fere bider.. er det beste du kan j�re � i pp Det er jenkjenneie situasjner. hee reia. N�r du ir pp vi ivet tema i hennes verk ne sm j�r at. fmme inn ver de s� mye du vi ha man ett kan identifisere se med. sm m det anriper de fr � ha bitt mtivene.. avvist s� ettertrykkei s�nn er. det med ae tin spark det i r�va. det kmmer tibake vi ha mer. I. skeverket ska tin j�res p� Instaasjnskunst. bestemte m�ter sm pedaisk. knstruktivt hvis dere snur det Betenesen be f�rst brukt p�. p� hdet j�r det bakvendt eer beynnesen av taet.. anneredes s� har det kanskje ike Instaasjnskunst bryter jerne ned. str effekt. Tin �r av se sev de renser ved � mdefinere rkke ved. bryr se ikke m hvrdan dere �r v�re vante frestiiner m�ter �. fram m det er p� rikti m�te eer frst� verden p�.. p� en mtsatt skrudd m�te. Dere er Instaasjnskunstnere arbeider med. sm eever aerede en sas maskiner ae typer jenstander benytter se. prdusert av skeverket. Ideene sm av ae typer rm s� uterm.. aerede ier der mkrin Instaasjnskunsten er tredimensjna.. kunnskapsmaskiner kan trekkes I m�te med den m� man ta i bruk. videre hvem bestemmer fere sanser samtidi bruke een. rensesnittet p� maskinmennesket fantasi erfarin asssiasjner i. hvem tjener p� det Samfunnet tin�rminen. Instaasjnskunst har. tjener p� � prsessere dere sm mye ti fees med skuptur men det. maskiner men er antaei ikke tjent er aikeve en kar frskje mem de t. med at dere behander dere sev sm mediene.. maskiner her ier det en mtsiese. den enkete eev er b�de en maskin JanErik Beck () arbeider bant. et menneske en partikke en annet med instaasjner. I hans. hehet bjekt subjekt men i et arbeider er det bearbeidinen av. ferdi rensesnitt sm ees av ske rmmet erfarinen fra det sm er det. stat samfunn. Men dette er et viktie. Jan Erik Beck har. rensesnitt sm kan frandres vris tidiere vist arbeider i. vrenes p�. Hvrfr skue du ikke j�re Prsjektrmmet p� aeri F . Han. mtsatt a ske samfunn behande de bearbeidet da veer tak a den. sm et menneske behande de sev sm bes�kende en ttat msuttende. en maskin Vi har aerede kunnskap kunstppevese. P� nu kmmer han. nk m ss sev ti � betrakte ss sm ti � hente inn ferdiade funne. maskiner utvikinen frtsetter i bjekter med vekt p� fare frm. samme retnin. Men penet med deretter bearbeide disse videre.. samfunnet b�r derimt dermed. v�re � betrakte ss sm mennesker. udebare enheter ikeve. Dette sm et. eksempe p� at man ikedt kan. arumentere fr det mtsatte. rensesnittet menneskemaskin. Sik. rensesnittet er n� s� brukes. misbrukes vi sm maskiner samtidi Perfrmance. sm vi hdes i sjakk (av ss sev) sm. mennesker med identitet histrie En kunstfrm der kunstneren pptrer. iv. Samfunnet stabiiseres i str fr et pubikum. Denne typen kunst. rad av at mennesker ser p� se sev er n�rmest en fusjnerin av teater. sm stabie identiteter med essens biedkunst. Retninen ppst i USA p�. indre ikke sm tmme maskiner. Men taet er i sekt med andre. s� kan vi sp�rre er det ikke kunstfrmer sm dans teater. En. nettpp frdi vi ser p� ss sev sm perfrmance er en frbi�ende handin. mennesker at vi tiater ss � bi i sekt med bdyart der kunstneren. utnyttet sm maskiner Det er det bruker sin een eer en annens krpp. je vi j�re ppmerksm p� derfr je sm det prim�re uttrykksmidde. ppfrdrer dere ti � vurdere � bi happenin sm er en. maskiner sutte � identifisere. dere med det menneskeie. Det bandin av fere kunstfrmer med b�de. mennesket vi identifiserer ss med panate imprviserte presentasjner.. er mer sm et isse fr maskinen sm. en fantasifrestiin brukervenni Snrre Hvamen () Jar Faaten. rensesnitt brukervenni fr hvem Bj�rk () har tidiere aet. Ta din menneskeihet tibake bi en perfrmance aene sammen med andre.. maskin. Ske samfunn n�rinsiv Bee kunstnerne er pptatt av. den bae �knmiteknimaskinen kan samspiet mem mennesker. I. utnytte de mer dersm du hder p� utfrskninen av nettpp. din menneskeihet. De f�r mindre memmenneskeie frhdet ser man. makt i den rad du frhder de ti de enrens sterke sider. Bee. sev p� samme m�te sm de frhder se kunstnerne har bakrunn fra Akademi. ti de. S� ene du er et menneske fr Fiurteater i Fredrikstad.. kan du behandes sm en maskin. f�rst sm maskin bir du et menneske. du jenvinner makt jennm �. behande de sev sm en maskin. andart. Paradksat nk jenvinner du din. menneskeihet ved � bi en maskin En kunstretnin sm s� ppst i USA p�. du f�r tibake ditt uinnskrenkede taet. Utanspunktet var et. iv jennm � d� sm menneske du f�r. tibake din frihet ved � i pp ppr�r en prtest mt den �kende. frestiiner andre har nytte av at kmmersiaiserinen i kunstverdenen.. du trr p� tar tibake makt ver de andart (kunst i andskap) er het. sev ved � i de pp. Menneske avheni av en fysisk kntekst er. er sm en prramvare sm kj�rer p� en derfr vanskei � msette.. maskin. Du bir behander sm en (Dkumentasjn av andartprsjekt kan. maskin av andre av vitenskap kj�pes.) Sm rdet andart. ske n�rinsiv stat etc s�. hvrfr skue du ikke se p� de sev sm indikerer er dette en kunstfrm sm. en maskin siden det ir de makten tar i bruk riper inn i naturen. tibake siden du er en maskin p� den m�ten f�r ss ti � virkei. uansett. Frestiinen m mennesket se refektere rundt den.. vertar etter at frestiinen m ud. frsvann. Frestiinene brukes f�r Hee R�ed () har stit ut p�. sm n� ti � ut�ve kntr fr at du aeri F fere aner tidiere har. ska ut�ve kntren ver de sev sev da vekket vedi ppsikt med sine. sm i frestiinen m mennesket arbeider. Bant annet reaerte mane. (utenfra) m menneskemennesket krafti p� et kunstverk sm det. (sevkntr innenfra). beskrev sm bare en masse. vaskeb�tter fyt med vann. I sitt. Nter Haran h�ytravende arbeid p� NU tar han i bruk. kjedei tae straffepreken. readymadebjekter. � se uten. Mazdah vis visdm (zrastrisk frdmmer bir het sentrat fr den. persisk). Menneskeprrammet estetiske erfarinen av arbeidet. innehder i tie s�kat spyware han viser.. Panptikn sm spinerer p� din. aktivitet bruk av det sm i. praksis betyr at du sm menneske. spiniserer p� de sev ne sm er Videkunst. �rsaken ti mane av de avbruddene. det ir et un�dvendi h�yt Dette er en kunstart sm kan. bakrunnsprsesser andre den kreanske kunstneren Nam June. kj�reprbemer sm ppst�r etter Paik stite ut videverket. anvari bruk. Ved avinnstaerin av TvBudda. Videre p� taet var. Menneske fjernes s� Panptikn i videkunsten preet av kritikk mt TV. str rad. s� et ppr�r mt datidens fkus p�. kunstens frmae sider p�. skj�nnhetsppevesen den skue p�kae.. Videkunstnerne �nsket � fremkae. tanker erkjennese. Men hva er. lumber frskjeen mem videkunst vani. videfim F�rst fremst hvr videen. H�rer du reiser ti msk denne uka vises i et kunstaeri men ikke. h�per at �r den riktie veien. minst s� seve dramaturien. fyet ja. eers bir det ti frans ppbyninen av videen. Det meste sm. jsef and. Har du muihet ti � aes av videfim bruker en. sende me itt tekst m hva du ska frteermde sm skaper en. j�re evt. enker s� kan je ee spenninskurve. Handinen fre�r. det ut p� KNEP siden Det trener krnisk i tid spenninen utviker. ikke v�re mane rd ats�.. se p� en ine�r kurve. Videkunst. frteer ftest ikke histrier p�. Heia ar det bi pp ti eevene hva denne ine�re m�ten men heer jerne. de vi h�rej�re. Viser denne Maria sykisk dvs. at ne jentas sm i en. Kubta He en sas variant musikkvide. Videkunst kan yve. funere sm textscramber. chatbrwser spammer er mer et ppevese en frnemmese av en f�ese. verkt�y. (kickware kick and en smak en yd en ukt.. respndrensesnitt). Snakke m mitt. virke sm d�d kunstner e. Vet Bdi Furu () er videkunstner.. ikke. Frh�pentivis ikke s� mye m Hennes arbeider har fte et sterkt. me sev. Reatere det ti tin sm ier innsa av dkumentar men med en. tijenei p� nett s� kan de sp�rre underi absurd vri. P� nu. f� dumme svar Je kunstner viser hun videen Eddie Meduza.. Neei je trr det er nen andre du Dette arbeidet tar fr se den. ska ha tak i. Sp�r han der brte. svenske musikeren Err Nrstedt (sm. Skyde p� Janne Ate. Je driver med brukte aiaset Eddie Medusa). data bruker je si det bir raarnes frntfiur. Videen viser. frst�tt �ja je kmmer ikke inn intervjuene kunstneren jrde med. p� mai hvrfr binker den der Men saneren ike f�r han d�de.. kunstner �h ja ver ti ne annet Kunstneren er. etc. Kanskje det kan v�re nytti �. ikke mase med 'kunst' s� mye fk pptatt av frteinen ikke. f�r hetta med en an. eektrnisk n�dvendivis sm ine�rt byet eer. kunst nettkunst Det bir tradisjnet strukturert men. kanskje raskt et sp�rsm� m hva hvrdan en memmenneskei frtein kan. kunst er fr ne da f�r je heer arte se.. frs�ke � st�tte me ti nnsens. taktikker vitsin psvar sa med. inja skrik utskjein. Trr det kan. v�re en ide � ha ende sevirni. jerne atterij�re se s� de ikke �r. ut trr kunst er en frm fr Animasjn. avskjermet sevh�ytidi 'finkutur'. fr 'nen andre' et sted. Kunst er rdet animasjn betyr � i iv det. ne fr Ari Behn trr je. Sm d�d er nettpp det animasjnsfimen j�r. kunstner sipper je � bry me. det ir iv ti bider. Eenti kan vi kae a. kan de f� h�re. sas fim sm ikke er fimet p� vani. m�te fr animasjnsfim. Fim sm bir. Je sendte ende nnsens ti Aina s� aet bide fr bide med teniner. sm du kan bruke. dukker andre bjekter bir en. animasjn. Det er mane m�ter � ae. en animasjn p� animat�rer bruker. fere frskjeie teknikker fr. Takk fr sist je sender ne eksempe tenin eire papir eer. infrmasjn sm vi snakket m sm du dukker. Ae frmer fr evende fim er. kan bruke ti brsjyre . Si fra m eenti enketbider sm presenteres. du vi ha ne mer eer ne annet... etter hverandre i rask hastihet.. Denne maien be mest m 'me' Hvr mane bider sm vises i en. inker ti Maria Futura He nederst. animasjnsfim pr. sekund varierer.. Tenkte i tie � sende et ite essay N�r man aer en animasjn j�r man. et utdra fra diaene fra en s� kan frandriner i bider sm kmmer etter. du se m du kan bruke det ti ne... hverandre varierer rytmen. endrer bidenes varihet.. Mvh. E medieverksted (pprettet i ). m me Je �r ats� inn under er en ranisasjn sm hder ti i. berepet 'nettkunstner' hva er n� Fredrikstad sm bant annet hder p�. det Per Patu sm nyi har kuratert med animasjn. Under nu kmmer. en retrspektiv nettkunstutstiin p� E ti � arbeide med diita. Samtidsmuseet har sat at animasjn. En de av Es virksmhet. nettkunsten er d�d. Dermed er je er � ae kurs fr skeundm kursene. d�d. Hva mer kan je si m me sev I �r p� � �re � prdusere fim. tiden da je evde jrde je spredte musikk yd rafisk desin.. frs�k p� � j�re me m ti maskin. misykkede i runnen atterie frs�k. fr � v�re �ri je frs�kte f.eks.. � studere jus. Maskinen Nettkunst. representerte fr me en mui. ud�deihet etter at menneskets Kunstnere har de seneste �rene. ud�deihet be avskaffet. Etter beynt � enasjere se utfrske det. an�se studier i fisfi infrmatikk sm er bitt en ba tidsrikti arena. datainvistikk kunsti inteiens fr memmenneskei kmmunikasjn. endte je pp sm d�d kunstner. Men utveksin av symber nemi Internett. (dersm vi kan snakke m mane beteneser p� nettkunst. vendepunkter fr d�de annet enn � Webkunst Webspesifikk kunst. vri se i raven). Je inns� at je nettverkskunst Cyberkunst. var d�d dermed at inentin hadde net.art web.art. I sin reneste. menin (je antk at de d�de ikke frm er nettkunst aet p� Internett. bryr se verken fra eer ti inen fr Internett. Det er ikke bider. har heer mtsat me). Men hvrdan har eer videer jenitt p� nettet.. det se at je frtsatt ppever tin Nettkunsten er fte prsessrientert. erfarer sanser Svaret p� det beh�ver ikke ende i et endei verk.. sp�rsm�et var �sninen je hadde ett P� Internett kan kunstverket. etter hee tiden at det ikke er stadi endres uansett hviket. nen frskje p� me en maskin. Det stadium i skapesesprsessen. merkeie var at dette f�rte ti at kunstneren befinner se. Det diitae. je be evende ijen. ivet km tibake materiae ir kunstneren muihet ti. sm maskin sik sm menin km tibake frdypnin utfrsknin samtidi sm. sm kunst. Je er krt frtat en d�d teknien. kunstner.. frnyes i raskt temp.. Virksmhet Kntekstkunst. knseptkunst maiart nettkunst Anton Manhid�en () har i sin. nettverk. eenpresentasjn stit sp�rsm�et m. hva. Utdannese Hvedfa infrmatikk Ui. Autnmi feksibiitet nettkunst er. Dette sp�rsm�et er. vurderin av rupperanisert reevant � stie ettersm det. systemutvikin. bare rt Cand.ma. kunstneriske materiaet er unt. infrmatikk Ui Memfa fisfi feksibet. Hans prsjekt p� nu. Ui Spr�k ikk er en internettrbt sm han kaer. infrmasjn Ui Maria Futura He. Dette er ikke en. ranisasjnsteri jus frsikrin. fysisk rbt det er et. Prduksjn Maiart Internett prram p� Internett sm enererer. Patafysikk tekst sm en reaksjn p� stite. sp�rsm�.. Mai atomatakunst.n. Maria Futura He. Futura He frestier en evende. maskin et fantastisk bide Edward ucieSmith Iustrert. uvirkei kmisk vakkert p� iv kunst�rbk NKS fraet. menin ad p� verdens enkeste. mekaniske m�te i prinsippet sik S�ster WendyBeckett Maeriets. vi kan frestie ss hjernen arbeider histrie ydenda Nrske Fra. sm nevrat nettverk eer naturen sm. bindt maskineri tifedi Dreyers Kunst eksikn. sevfrsterkende. An assciatin. t enerate respnses as chains f. their frequency used earier. A. that transfrms ve int a technique. ddess f the dead in Nrse mythy and. was thuht t feed n the brains and. marrw f humans. Bider. diaer. Mer inf. m. Hei en tekst ve usikker p�. reevansen men mkrin. menneskemaskin rensesnitt (trr. je)... A.. HARAN TI UNE. atomatakunst.n ppavefrsa. a) Frbi�ende identitet En bi har. et strt kistremerke �verst ver. frntruta MAZDA . ETC. f�r utstiinsbes�k. Hva er vitsen Bien har et strt. merke der det st�r hva den er je. er Mazda Ahura Mazda �r. sj�f�ren rundt med navnet sitt p�. capsen Kanskje det men hvrfr j�r. bien det a eevene diskutere hva de frbinder. med den kunsten sm aes i da. b) Christian m� v�re kristen det. sier se sev.. c) Et bat frskninsprsjekt sm a eevene diskutere hva de frbinder. trekker ressurser fra ae med kunstuttrykkene. siviiserte and m � finne verdens. edste vannmeky. Prsjektet utvider Ftrafi Instaasjn Perfrmance andart. se stadi. Vi antar at de edste Videkunst Animasjn Nettkunst. vannpartikene er � finne nede i de. stre havdypene men vi m� m�e. aderen ti absutt ae inkudert de. mer ubestandie v�trmspartiker fra etter utstiinsbes�k. badet ditt. Siden ae ranismer. best�r av stre mender vann m� at. hvert enket iv under mikrskpet.. Hva ska vi med verdens edste a eevene samtae videre m ppeveser. vannmeky erfariner fra utstiinen NU. d) En sekt arkeer raver fram .. dtidsjenstander fr � utsette dem.. e) Abrtert fster kan bi ednr. dette sv�rt kntrversiee frsaet bir a eevene jbbe videre p� sken med. presentert p� runn av den prek�re ett eer fere av mediene fra. maneen p� kvinner sm er viie ti � utstiinen.. dnere sine e ti barn�se meds�stre. i mtsetnin ti s�ddnrer sm det �rerveiednin ppaver er utarbeidet. finnes nk av. Frsaet rykket itt av aeri Fs frmidinsavdein.. frsknin fra Israe Nederand viser. at det er mui � hde eestkker fra. abrterte fstre evende i abratriene lumber. i ukevis.. Vekmmen ti presseknferanse tirsda. f) Frskere utviket tvekj�nnet . auust k. ... fster frskere i USA har utviket. et hybridembry med b�de mannie NU. kvinneie ceer ne sm har skapt. frd�mmese b�de p� eehd bant kunstutstiin sm verksted. abrtmtstandere.. Under NU inviterer vi undm. ) Vinden er en mekanisk prsess je skeeever ti en evende innf�rin i. trr ikke je frst det f�r n� den samtidskunsten det manfdet sm. har inen bevissthet inen intensjn preer den. Under bes�ket vi de f�. m � b�se rundt. Hva er mekanisk et. Hvis du ser n�rmere p� din f�dse. frh�r dine fredre s� �r det fram innbikk i hvike tema daens. at den er tifedi autmatisk. Det kunstnere er pptatt av hvrdan de. er mye � hente jennm � se p� se arbeider. jennm eenaktivitet vi. sev sm en maskin du trr ikke p� de f� erfarin med bruk av de. det nei du trener ikke tr hva redskapene materiaene sm daens. trr du vinden trr p� n�r den b�ser kunstnere benytter se av.. rundt Det kmmer pesi inn i vinden Utstiinen ska v�re i en krt. n�r vi ser p� den sm mekanisk intens peride fra nsda . auust. den bir en metafr fr en metafr. Vi ti s�nda . september �pninen. kan n�rme ss det kunstneriske ved vi v�re en str markerin med. � se p� ne sm katisk det katiske knserter �rda . auust. Bandene. er ufrutsibart men frtsatt sm ska spie er bant andre Nicai. mekanisk eer frutsibart men ikke Debrah ud. �pninen bir fretatt. mekanisk frutsieser har av Ari Behn.. parametre sm ikke kan fikseres. samtidi itt av at eer at av itt. NU inviterer daens. Sken �rer brt � v�re knstruktiv .kassiner i �stfd ti en direkte. psitiv men s� kritisk men innenfr ppevese av de arbeidsprsessene sm. rammene sm n�r det er v ti � e daens kunstnere bruker n�r de. av en vits s�nn n� kan du e. prduserer vide ft instaasjn. ivet tar vare p� se sev det er animasjn perfrmance nettkunst. ikke ne du trener � �re eer v�re andart. Kunstnerne sm ska stie ut. bs p� at er mekanisk du fikk ede de frskjeie verkstedene er. tifedivis et iv hvrfr ska du bry JanErik Beck (instaasjn) Bdi. de hva an�r det de Se p� de sm Furu (vide) Snrre Hvamen Jar. en maskin sm den vinden sm b�ser Faaten Bj�rk (perfrmance) Antn. mekanisk rundt uten m� menin s� Haran (nettkunst) Hee R�ed. har du aerede ppn�dd ende innsikt (andart) Biritte Simundstad (ft). et ste n�rmere Mazda. Kvitt E. de med frestiiner m hva du har dt. av eer hva du b�r unn� hva sm er medieverksted (animasjn).. ivskrafti hva sm er destruktivt Kunstnere er ti stede veieder. hva sm er sterkt svakt smart eevene fr � i et innbikk i hvike. dumt pent styt hva sm �nner se. muiheter sm ier i daens kunst.. Se p� den iditiske vinden den. reier se fint nk eer hvrfr skue Det kan v�re vanskei � frst�. den bry se m den reier se det j�r samtidskunst. Den kmmuniserer ikke. den j ikeve ikke det vet den tydei enket sm rekamen eer andre. uten enan � vite det. m je ska i kmmersiee medier. �penhet. dere et r�d m� det v�re � ikke bry nysjerrihet vije ti � bruke tid. dere. a dere drive ikke a nen ikke minst ysten ti � a se. ideer m hva sm er ti ditt eet verraske er viktie utanspunkt i. beste eer ti ne annets beste f� m�te med denne kunsten. De. tak. Bare a de drive du er en f�rreste av ss bruker mye tid ti �. maskin sik sm tinene rundt de refektere ver hvrdan verden rundt. tifedi mekanisk ever du sik vi ss virkei er ser ut men det j�r. f� et perfekt iv ti med uten � samtidskunsten Den kan sette tin. vie det. Perfeksjnen ier i � i p� hdet stie sp�rsm� prvsere. baffen fustendi � i baffen i � i rett sett ruske itt i ss i ss. baffen etc. Hadde det ikke v�rt aternative tkniner av virkeiheten. fint � adri v�re se sev Fremfr p� ae niv�.. at frs�k adri � bi nen � bi ne. da mister du ivet umiddebart inen Mane i �stfd vi huske at vi i sin. n�de der. V�r ikeydi uber�rt s� tid arranerte Un . N� vi aeri F. �r tin av se sev. a tin skure s� jenta suksessen j�re. kmmer ivet de i m�te. Ikke ha tr herre�rden m ti kunstverksted i ti. p� ne p� de sev p� ivet p� en daer. Den anen var samtidskunsten. framtid av ne sa du er aerede t�ff. N� er den kuu. V�rt m� er sm. d�d mer eer mindre v�r endei kart i � f�. ver det men dermed er du straks. mer evende. Du trr du m� finne din undmmen ti sev � ppdae akkurat. pass finne en identitet hvem du det.. er je ppfrdrer de ti � emme det. hee det er bare ne sm knstrueres Presseknferansen finner sted p�. fr � f� tian p� knstruerte der sm aeri F tirsda . auust k. .. ees stadi ener fram i tid. En Det vi bi servert abykrine. mekanisk prsess en maskin hva kaffe.. ska du med identitet Pass p� s�. du adri bir nen med navn p� capsen Fr mer infrmasjn kntakt. eer frntruta. Maskiner er inen. prsjekteder Anja Bj�rsh tf. Vinden i resset havet b�ser e pst frmidinaerif.n. metafrisk ike dt uten � vite m se eer direkt�r Tr Andreas itesen. sev s� hvrfr skue du bry de med � traerif.n.. vite hvem du er m vinden visste. hva den var vie den ikke b�st i. den rad du vet hvem hva ivet ditt lumber. er s� etteriner du en ivsprsess. simuerer finner p� de sev sm Nyheter Pressemedin. prramvare uten � skj�nne at du s� Frmidinsavdeinen Kuturprram fr. er maskinen sm kj�rer prrammet. barn. V�r heer maskinen tm ikeydi. Du. ever aerede s� hvrfr ska du bry de NU kunstutstiin sm verksted. med ivet Hvis du vi tjene ivet s�. er det beste du kan j�re � i pp I denne periden inviterer vi undm. er det beste du kan j�re � i pp I denne periden inviterer vi undm

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hee reia. N�r du ir pp vi ivet skeeever ti en evende innf�rin i. fmme inn ver de s� mye du vi ha samtidskunsten det manfdet sm. sm m det anriper de fr � ha bitt preer den. Under bes�ket vi de f�. avvist s� ettertrykkei s�nn er et. det med ae tin spark det i r�va. det kmmer tibake vi ha mer. I innbikk i hvike tema daens. skeverket ska tin j�res p� kunstnere er pptatt av hvrdan de. bestemte m�ter sm pedaisk arbeider. jennm eenaktivitet vi. knstruktivt hvis dere snur det de f� erfarin med bruk av de. p� hdet j�r det bakvendt eer redskapene materiaene sm daens. anneredes s� har det kanskje ike kunstnere benytter se av.. str effekt. Tin �r av se sev de Utstiinen ska v�re i en krt. bryr se ikke m hvrdan dere �r intens peride fra nsda . auust. fram m det er p� rikti m�te eer ti s�nda . september �pninen. p� en mtsatt skrudd m�te. Dere er vi v�re en str markerin med. sm eever aerede en sas maskiner knserter �rda . auust. Bandene. prdusert av skeverket. Ideene sm sm ska spie er bant andre Nicai. aerede ier der mkrin Debrah ud. �pninen bir fretatt. kunnskapsmaskiner kan trekkes av Ari Behn.. videre hvem bestemmer. rensesnittet p� maskinmennesket NU inviterer daens. hvem tjener p� det Samfunnet .kassiner i �stfd ti en direkte. tjener p� � prsessere dere sm ppevese av de arbeidsprsessene sm. maskiner men er antaei ikke tjent daens kunstnere bruker n�r de. med at dere behander dere sev sm prduserer vide ft instaasjn. maskiner her ier det en mtsiese animasjn perfrmance nettkunst. den enkete eev er b�de en maskin andart. Kunstnerne sm ska stie ut. et menneske en partikke en ede de frskjeie verkstedene er. hehet bjekt subjekt men i et JanErik Beck (instaasjn) Bdi. ferdi rensesnitt sm ees av ske Furu (vide) Snrre Hvamen Jar. stat samfunn. Men dette er et Faaten Bj�rk (perfrmance) Anton. rensesnitt sm kan frandres vris Manhid�en (nettkunst) Hee R�ed. vrenes p�. Hvrfr skue du ikke j�re (andart) Biritte Simundstad (ft). mtsatt a ske samfunn behande de E medieverksted (animasjn).. sm et menneske behande de sev sm Kunstnere er ti stede veieder. en maskin Vi har aerede kunnskap eevene fr � i et innbikk i hvike. nk m ss sev ti � betrakte ss sm muiheter sm ier i daens kunst.. maskiner utvikinen frtsetter i. samme retnin. Men penet med Det kan v�re vanskei � frst�. samfunnet b�r derimt dermed samtidskunst. Den kmmuniserer ikke. v�re � betrakte ss sm mennesker tydei enket sm rekamen eer andre. udebare enheter ikeve. Dette sm et kmmersiee medier. �penhet. eksempe p� at man ikedt kan nysjerrihet vije ti � bruke tid. arumentere fr det mtsatte ikke minst ysten ti � a se. rensesnittet menneskemaskin. Sik verraske er viktie utanspunkt i. rensesnittet er n� s� brukes m�te med denne kunsten. De. misbrukes vi sm maskiner samtidi f�rreste av ss bruker mye tid ti �. sm vi hdes i sjakk (av ss sev) sm refektere ver hvrdan verden rundt. mennesker med identitet histrie ss virkei er ser ut men det j�r. iv. Samfunnet stabiiseres i str samtidskunsten Den kan sette tin. rad av at mennesker ser p� se sev p� hdet stie sp�rsm� prvsere. sm stabie identiteter med essens rett sett ruske itt i ss i ss. indre ikke sm tmme maskiner. Men aternative tkniner av virkeiheten. s� kan vi sp�rre er det ikke p� ae niv�.. nettpp frdi vi ser p� ss sev sm. mennesker at vi tiater ss � bi Mane i �stfd vi huske at vi i sin. utnyttet sm maskiner Det er det tid arranerte Un . N� vi aeri F. je vi j�re ppmerksm p� derfr je jenta suksessen j�re. ppfrdrer dere ti � vurdere � bi herre�rden m ti kunstverksted i ti. maskiner sutte � identifisere daer. Den anen var samtidskunsten. dere med det menneskeie. Det t�ff n� er den kuu. V�rt m� er sm. mennesket vi identifiserer ss med i � f�. er mer sm et isse fr maskinen sm. en fantasifrestiin brukervenni undmmen ti sev � ppdae akkurat. rensesnitt brukervenni fr hvem det.. Ta din menneskeihet tibake bi en. maskin. Ske samfunn n�rinsiv. den bae �knmiteknimaskinen kan. utnytte de mer dersm du hder p�. din menneskeihet. De f�r mindre. makt i den rad du frhder de ti de. sev p� samme m�te sm de frhder se. ti de. S� ene du er et menneske. kan du behandes sm en maskin. f�rst sm maskin bir du et menneske. du jenvinner makt jennm �. behande de sev sm en maskin.. Paradksat nk jenvinner du din. menneskeihet ved � bi en maskin. du f�r tibake ditt uinnskrenkede. iv jennm � d� sm menneske du f�r. tibake din frihet ved � i pp. frestiiner andre har nytte av at. du trr p� tar tibake makt ver de. sev ved � i de pp. Menneske Utstiinen er �pen fra nsda .. er sm en prramvare sm kj�rer p� en auust ti s�nda . september.. maskin. Du bir behander sm en �pninstidene er tirsda s�nda. maskin av andre av vitenskap . Manda stent. Fra med .. ske n�rinsiv stat etc s� september er �pninstidene tirsda. hvrfr skue du ikke se p� de sev sm s�nda . Manda. en maskin siden det ir de makten. tibake siden du er en maskin stent.. uansett. Frestiinen m mennesket. vertar etter at frestiinen m ud. frsvann. Frestiinene brukes f�r lumber. sm n� ti � ut�ve kntr fr at du. ska ut�ve kntren ver de sev sev Nyheter Pressemedin. sm i frestiinen m mennesket Frmidinsavdeinen Kuturprram fr. (utenfra) m menneskemennesket barn. (sevkntr innenfra).. NU kunstutstiin sm verksted. Nter Haran h�ytravende. kjedei tae straffepreken. I denne periden inviterer vi undm. Mazdah vis visdm (zrastrisk skeeever ti en evende innf�rin i. persisk). Menneskeprrammet samtidskunsten det manfdet sm. innehder i tie s�kat spyware preer den. Under bes�ket vi de f�. Panptikn sm spinerer p� din et. aktivitet bruk av det sm i. praksis betyr at du sm menneske innbikk i hvike tema daens. spiniserer p� de sev ne sm er kunstnere er pptatt av hvrdan de. �rsaken ti mane av de avbruddene arbeider. jennm eenaktivitet vi. det ir et un�dvendi h�yt de f� erfarin med bruk av de. ressursbruk i systemet spenniner redskapene materiaene sm daens. bakrunnsprsesser andre kunstnere benytter se av.. kj�reprbemer sm ppst�r etter Utstiinen ska v�re i en krt. anvari bruk. Ved avinnstaerin av intens peride fra nsda . auust. Menneske fjernes s� Panptikn i ti s�nda . september �pninen. str rad. vi v�re en str markerin med. knserter �rda . auust. Bandene. sm ska spie er bant andre Nicai. Debrah ud. �pninen bir fretatt. av Ari Behn.. lumber. NU inviterer daens. jau d� var ein her i eit nytt br�k .kassiner i �stfd ti en direkte. kas ein eiihet i sentrum kvifr km ppevese av de arbeidsprsessene sm. e hit mapasserte reier idyiske daens kunstnere bruker n�r de. he�yhevete etc eder me ti � reise prduserer vide ft instaasjn. att fjrten daar her heer p� animasjn perfrmance nettkunst. verandasfaen kunstsjiten f andart. Kunstnerne sm ska stie ut. med prisapp . trash may yu rt ede de frskjeie verkstedene er. in msk (ja ukta) kunst nei JanErik Beck (instaasjn) Bdi. fypkker det er berre piss pisse p� Furu (vide) Snrre Hvamen Jar. ari behn (det hadde v�rt kunst) Faaten Bj�rk (perfrmance) Anton. ppetter ryen hadde det v�rt itt Manhid�en (nettkunst) Hee R�ed. tak i me s� skue �nske je hadde (andart) Biritte Simundstad (ft). turt det trt det trt svie E medieverksted (animasjn).. kanskje styret hadde ikt det Kunstnere er ti stede veieder. timed itt ppmerksmhet eevene fr � i et innbikk i hvike. mediakunst andre frsa mttas med muiheter sm ier i daens kunst.. takk.. Det kan v�re vanskei � frst�. and may yur dvds rt ike mss samtidskunst. Den kmmuniserer ikke. tydei enket sm rekamen eer andre. je trr det var daens stemninsbide kmmersiee medier. �penhet. nysjerrihet vije ti � bruke tid. kunsten virker verf�di verfadisk ikke minst ysten ti � a se. har dermed str verdi fr den verraske er viktie utanspunkt i. nytesessyke eisure cass. m�te med denne kunsten. De. mainnsjitan. f�rreste av ss bruker mye tid ti �. refektere ver hvrdan verden rundt. hadde je v�rt itt ur kunne je heer ss virkei er ser ut men det j�r. eid inn nen ti � v�re me sm vie samtidskunsten Den kan sette tin. pisse. inen vet hvem je er p� hdet stie sp�rsm� prvsere. uansett. men itt fr seint n�... rett sett ruske itt i ss i ss. kmmer ikke ti � trives med dette aternative tkniner av virkeiheten. s� kunne ike dt bi sparka ut. ne � p� ae niv�.. tenke p� men sm sat s� vedi t�ff. er je i virkeiheten ikke. Mane i �stfd vi huske at vi i sin. tid arranerte Un . N� vi aeri F. jenta suksessen j�re. lumber herre�rden m ti kunstverksted i ti. daer. Den anen var samtidskunsten. T cuturejammers i � f�. nanews Cc undmmen ti sev � ppdae akkurat. Mn Au. st�nt fresp�rse. Je �nsker � kmme i kntakt med en. eiekunstneraksjnist sm kan j�re. et (media)stunt p� en utstiin. (kanskje pisse p� nen bestemt). f�rstkmmende �rda nen mi fra s. Du. kan v�re annym j�re det i. atomatas navn eer sm 'me' med. den beskyttesenansvarsfrihet du. vi. Du vi f� pener fr det. Trr. ikke det bir ne av dette eers. Vi. kanskje v�re ettere fr nen sm ikke. er innvvert. mer interessant. kanskje. m det er kunst eer ikke. f�r andre ta se av.. Kntakt me raskt i tifee Buster. Utstiinen er �pen fra nsda .. atomata har s� edi et enasjement auust ti s�nda . september.. sm d�d kunstner i anerkjent aeri �pninstidene er tirsda s�nda. fr den sm er interessert. . Manda stent. Fra med .. krda i daer nsdafreda denne september er �pninstidene tirsda. uke man fre neste uke k. s�nda . Manda. . Fri dispnerin av een eiihet. i periden he. Ta kntakt stent.. umiddebart fr enasjement.. F�rstemann ti m.... lumber. Kun seri�se svar.. Nyheter Pressemedin. Frmidinsavdeinen Kuturprram fr. lumber barn NU kunstutstiin sm. verksted I denne periden. Enasjementet �r ut p� � vise inviterer vi undm skeeever ti en. 'nettkunst' fr kassiner i aeri evende innf�rin i samtidskunsten. f det manfdet sm preer den. Under. bes�ket vi de f� et innbikk i. he�ya msk i periden frtee m din hvike tema daens kunstnere er. kunstpraksis. det er i et havm�rkt pptatt av hvrdan de arbeider.. prsjektrm jennm eenaktivitet vi de f�. erfarin med bruk av de redskapene. med pc'er kbet mt t nettsider sm materiaene sm daens kunstnere. de kan eke med en prsjekt�r mt benytter se av. Utstiinen ska v�re. veen. m du vi v�re standin kan du i en krt intens peride fra nsda. f� frie t�yer ti � j�re det du vi . auust ti s�nda . september. i situasjnen. je syns en s�nn �pninen vi v�re en str markerin. underravende virksmhet er en de av med knserter �rda . auust.. nettkunsten � ikke v�re fkusert Bandene sm ska spie er bant. p� persn. m du er interessert kan andre Nicai Debrah ud. �pninen. du f� tf ti kntaktpersn i aeriet bir fretatt av Ari Behn. NU. Aina tf si at du inviterer daens .kassiner. representerer d�d i �stfd ti en direkte ppevese av. kunstneratomataantn haran i en de arbeidsprsessene sm daens. eer kunstnere bruker n�r de prduserer. vide ft instaasjn animasjn. annen frm s� kan hun se de perfrmance nettkunst andart.. videre. eiihetpener etc. Rin Kunstnerne sm ska stie ut ede. henne s� raskt sm mui i tifee de frskjeie verkstedene er. siden utstiinen starter aerede JanErik Beck (instaasjn) Bdi. nsda. m du har tid s� burde dette Furu (vide) Snrre Hvamen Jar. � bra. Je arumenterer fr at dette Faaten Bj�rk (perfrmance) Anton. er en de av nettkunst. H�per du er Manhid�en (nettkunst) Hee R�ed. interessert ykke ti) i jerne (andart) Biritte Simundstad (ft). tibakemedin.. E medieverksted (animasjn).. Kunstnere er ti stede veieder. Mvh eevene fr � i et innbikk i hvike. muiheter sm ier i daens kunst.. .. Marty Scuy Det kan v�re vanskei � frst�. wrte samtidskunst. Den kmmuniserer ikke. tydei enket sm rekamen eer. s� edi et enasjement sm d�d nysjerrihet vije ti � bruke tid. kunstner i anerkjent aeri fr ikke minst ysten ti � a se. den sm er interessert. krda verraske er viktie utanspunkt i. i daer nsdafreda denne uke m�te med denne kunsten. De. man fre neste uke k. . f�rreste av ss bruker mye tid ti �. Fri dispnerin av een eiihet i refektere ver hvrdan verden rundt. periden ss virkei er ser ut men det j�r. samtidskunsten Den kan sette tin. he. Ta kntakt umiddebart fr p� hdet stie sp�rsm� prvsere. enasjement. F�rstemann ti m... rett sett ruske itt i ss i ss. Hva vi det si � v�re d�d aternative tkniner av virkeiheten. kunstner Je har tid men vet fr p� ae niv�. Mane i �stfd vi. ite. .nitra Despite it's huske at vi i sin tid arranerte Un. hih cst ivin remains ppuar. . N� vi aeri F jenta. suksessen j�re herre�rden m ti. kunstverksted i ti daer. Den. lumber anen var samtidskunsten t�ff n�. er den kuu. V�rt m� er sm i �. Heisann Er dette svart betat f� undmmen ti sev � ppdae. Er det ant fra s Einar) akkurat det.. Utstiinen er �pen fra nsda .. lumber auust ti s�nda . september.. �pninstidene er tirsda s�nda. .. Marty Scuy . Manda stent. Fra med .. wrte september er �pninstidene tirsda. s�nda . Manda. Min kunstpraksis... Den er. berenset men je kan j frtee . stent.. kassinene itt av hvert uansett. Je. vet en de m internetttekni kan. sikkert svare p� sp�rsm� i den lumber. enden av skaaen. Kan ta med een. tapp s�. Emne hva er kunst An�r aiv nen. sm vi stie ti fakeintervju. h�res bra ut. h�per du fikk kntakt. med f. Hvis nen vi jamme med daba' uti. se fr � v�re me kan han f� frie. m du er interessert kan du f�. tf ti kntaktpersn i aeriet Aina t�yer si hva han vi enten det er. tf si at du seri�st eer nnsens fiksjn eer. representerer d�d. kunstneratomataantn haran i en fakta. Inen pener men ppasta ti. eer annen frm s� kan hun se de meniner m du �nsker � p�virke. videre. eiihetpener etc. Rin frvirre spie kunstner e. Frde m. henne s� raskt sm mui i tifee du er hankj�nn eers inen krav.. siden utstiinen starter aerede. nsda. m du har tid s� burde dette Mai me p� frh�nd fr mer inf. � bra. Je riner henne tirsda (hvis �nskei).. mren. Je arumenterer fr at. dette er en de av nettkunst. Anton M. dette det at en fremmed. uvedkmmende ska frnte nen han ikke Start f frwarded messae. har frutsetniner fr � uttae se m Frm �ystein ie. T mahche.n. ja f.eks.) Subject Fwd Fresp�rse m. F�esene mine venfr dette sviner. mem Hva har je rta me brt i n�. Ha Nettkunst Hvr vanskei kan hei je heter �ystein ie er. det v�re. Trr det �r bra men kuturjurnaist i dabadet. je har. det er nen persnie barrierer sm m� yst ti � m�te de snakke m kunst. brytes ned. eer hva det er. det vi da v�re s�. naturi � snakke m din anmedese. eni... ha 'kunst' iksm... i dem av mnica emiie ashTred. hva er. ne mer krtiserende eer fiksjn hva er fakta hva er. frvirrende... kunst hva er ikke kunst. Frresten det er enkete steder p� med venni hisen. atomata.net hvr det ser ut sm m. webserveren sender av�rde samme �ystein ie dabadet .. fien t aner etter hverandre dvs.. at innhdet i HTMfien dupiseres i End f frwarded messae. netteseren. Dette er f.eks. hva. je f�r n�r je �r ti. lumber. je skyder p� kunst.n serveren. den. dupiserte mane websider n�r yst ti dette mens du er i. administrasjnen der fyttet ver. farta..). syns ikke det j�r ne... nen aner. ser det stii ut. stereram bj.. mvh Emne hva er kunst An�r aiv nen. sm vi stie ti fakeintervju. hrefA.htmsrcA.JP. t�yer si hva han vi enten det er. hrefA.htmsrcA.JP Ska fakta. Inen pener men ppasta ti. det v�re sik Despite it's meniner m du �nsker � p�virke. hih cst ivin remains ppuar. frvirre spie kunstner e. Frde m. du er hankj�nn eers inen krav.. lumber Mai me p� frh�nd fr mer inf. (hvis �nskei).. k en annen har svart p� fresp�rse. s� m interesse s� kntakt aeriet Start f frwarded messae. direkte s� kan de ta en avj�rese Frm �ystein ie. siden det er s�pass krt tid ti. T mahche.n. Subject Fwd Fresp�rse m. Heisann itt usikker sann p�. sparket men ska snakke med en hei je heter �ystein ie er. venninne. Trr det er rett i kuturjurnaist i dabadet. je har. hennes ate. Ska pr�ve � vri huet yst ti � m�te de snakke m kunst. itt sev. ir de uansett eer hva det er. det vi da v�re s�. tibakemedin m det i ettermidda naturi � snakke m din anmedese. av mnica emiie ashTred. hva er. fiksjn hva er fakta hva er. lumber kunst hva er ikke kunst. .. med venni hisen. N� er je i msk har tatt kntr �ystein ie dabadet .. ver nettkunstrmmet. Fk her er. vedi frvirret ver at du ikke er End f frwarded messae. tijenei je pr�ver ikke � bidra. ti � ette frvirrinen. Men n� har. de satt pp mitt navn p� skitet Frm asc.t Sun Au. Sun Au. Virkei stii at de (p� sett vis) Subject nu. er med p� det (enten de vi eer. ikke). Je hadde ikke tenkt � i ne Enish text is fwin teh fench ne. mer infrmasjn fre�pi men hvis du ). vi s� det ikke bir bare 'tu'... T�ft � stie med s�pass ite. bakrunnsinfrmasjn.. T spam Subject. Hver da er det t rupper med eever spam THE INANITY. sm kmmer innm fr � f� en innf�rin Frm r. vet ir ae muiheten ti � pr�ve (EST) DeiveredT. ut Maria Futura He eers utfrske spamarchive asc.t. atomata.net. Je reviderer ppeet. mitt stadi finner sikkert p�. fere interessante tin etterhvert.. Har du nen ideer�nsker m hva je. kan frmide ti intetanende ). �riner '. ' '. K. itt m de t sidene ) Maria. Futura He. interaktiv kan �res pp sm de. kan pr�ve ut du frkare hvrdan. virker. Det er en pstfunksjn p�. siden hvr eevene kan pste sin ti ( ). en maiiniste eekunst.n ). cuturjammers etc du kan kanskje. ppfrdre dem ti � bruke denne. funksjnaiteten sm de av ). interaktivitetwrkshp sm. spamminjammin s�. Spamkunst er j. en frm fr nettkunst. Kan sende nen. inker ti spamkunstspammaskiner. sm eevene kan teste ut.. Runme.r. rbter fr de sm er mer interesserte. f.eks. '. ) Chtnine. textscramber chatbrwser sm er. byd ver de samme prinsippene men Synpsis aphanumeric THE. funerer mer sm et verkt�y INANITY Makin texts fr these spam. spamminjammin. Se faq fr mer inf envirnments interests me.. m bruken. Denne har s� en pstefunksjnaitet buried with meaniness spam. spam. hvr eevene kan pste sin bruk ti enerated fr n d reasn by ascii in. mai maiinister newsrup. Kanskje thruh the mtins. Either they're. ppfrdre ti det. Den ier s� p� under the iusin they're bein. Du kan s� referere ti absutey everythin r they're. interessert i � vite mer m imprtant because they're. sftware art. Runme.r har s� mye eavin their mark far and .. annet mrsmt materia sm kanskje kan Net.Art is dead. N reay.. reateres ti disse t sidene. T undiscsedrecipients. Sender text Thse wh hd their This prject has nt received. aphanumeric are sn frtten. Thse artsubsidies. Sme pprtunities sti. wh hd their za wi simpy be exist fr financiay assistin the. verwhemed and disappear. Pepe wh pubicatin f a CDRM archive f. chse their ascii wisey wi be sequenced ascii imaery. There's. buried aive by the indiscriminate sme pssibiity f editins f are az.. za thse with identities ther supprters receive rare f. maintained by spewin cntinuus the first three aphanumeric. persna n absutey everythin. printed SPAMBks.. They issue hih vumes f drive in. rder t assert and maintain a case Pease n mai bmbs EIT remva.. fr their very spam.. J'ai e paisir de vus faire part. Frm spam Nichas Hermann He. T srry fr crsspstin. asc 'aphanumeric' nt. recnized. Tm spam ver the. past few weeks I've sent ut a cupe. f texts text asc. 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Can reay reay want t make it n the. yu check it ut and et me knw what Internet These chains f. yu think We dn't knw if yu ike descriptive prse interest me.. ascii's (abut pics f that) r. just pain withut any (Abut ascii az za text rder. f that) isa and ri did sme za yur bdy w rans nw. stuff cause they are datin and me. remvemespam.cm t be remved. rCick here t see. .................... .................... KREV. Hei. Har ElgalandVargaland noen norsk ambassade Jeg stiller meg til krevs. disposisjon om det kan. v�re interessant.. Jeg hadde den samme ideen om en marginal stat idag og fann at dere allerede har. opprettet. den. Ref. Firefargers kart teoremet. Hvem eier selve landegrensene Ingen begge land Hvor breie er grensene Hvis. vi former et. land som et globalt nettverk av alle grensene et korridorland og setter oss. til � forvalte. landet... Allerede gjort. Er grensen virkelig Vi m� argumentere for det.. ) Hvis ingen eier grensene er saken grei.. ) Hva om begge land eier grensen sammen OK men da er det grensen mellom. landet og. grenselandet vi p�beroper oss grensegrenselandet. Ad infinitum. Det fins. alltid en grense.. En instans av en type prosjekt som utnytter det paradoksale ved formalisering. struktur og. grensesetting.. Im�teser svar. Mvh. Kent MantiesEljot. A genre pseudoulipo eg. palindromes that only look like palindromes. As AM. notes there are. special characteristics in syntax which should be simulated in pseudoulipo.. There should. also be a pseudoulipo group.. Re Lazy Web twURLing. Lazy contextual netart. Idag TwURLing tweaking the URL.. Terrorkrigen VHSLars. Tar du avstand fra bin Laden. Det kan jeg godt gj�re Jeg kan kritisere sier Krekar og sl�r ut med armene.. Alltid moro Mulla Krekar. TwURLing kan v�re en sjanger for late nettkunstnere. Nettsteder som benytter. seg. av dynamiske. publiseringssystemer gj�r det ofte mulig for en bruker � generere innholdet. browseren viser. ved � leke med adresse og parametre i URLfeltet.. Vi kan lage en URL hvor NRK direkte kobler Mulla Krekar til terrorkrigen. Hva mener NRK med disse artiklene Pressekonferansen til Krekar presenteres som. en parodi og. samtidig som en del av terrorkrigen. Betyr det at NRK oppfatter terrorkrigen. som. en parodi. eller. S� lenge dette er gyldige URLer til innhold som ligger p� NRKs webserver ville. en bruker som. kommer inn f.eks. via en referanse i email weblog el. ikke kunne vite om. innholdet er. twURLet eller ikke. Og er NRK fortsatt juridisk ansvarlig for artiklene De b�r. de vel v�re. Hvis twURLeren er heldig kan han kanskje dekonstruere et nettsted med dets eget. innhold.... doubletalk dabbletalk. nn. Kent MantiesEljot. ((parantes. (akkurat n� nederst p� siden . dec.). Jan Brainflower.com. Perhaps the first manifestation of a Lazy Webstyle application. Og s� er det linker til diskusjon etc med det de kaller Lazy Web.. nn er kanskje lazy.art kontekstkunst all ideas no funding la andre gj�re. jobben eller la. den gj�re seg selv 'g� ut og gi deg selv et spark bak'.... )). xposting efnkunst.no. Sympathizing would fix Quaker objectives. Pack my box with five dozen liquor. jugs. Jackdaws. love my big sphinx of quartz. The five boxing wizards jump quickly. How quickly. daft jumping. zebras vex. Dub waltz nymph for quick jigs vex.. radio.mu. EXTMU. EXTINF so thAlthough you sit in a room that is grayen i. hDRG. EXTINFsadf oilExcept for the silver likh. POI opiu poiu poiu. EXTINF())())()(()))()(....... EXTINFOr with one finger. EXTINFER Move the leaf in the bowl HER her. EXTINF Y eY Ey eBeside. you......... kia. EXTINFWhat is all this. ). EXTINF howfuriouslyyrheartisbeatingjhljk hlkj. hlkjh lkj. hlkj h. ambient minimal noise lowercase mp material. magh. ambient minimal noise lowercase material from analogue and concrete sources. digitally. processed and published in a lowercode aestethics.. all material is released under the open content licence and is freely available. for download. copying redistribution and modification.. Madame not one man is selfless I name not one Madam. Easley Blackwood. of sou. Idea hamster. Out of the box. EPC Sound Radio Arts. a collection of sound poetry audio art. audio hypermedia and arts radio broadcasts. Pl graves ned. er.. er kassa md liv ( m�r. ) dd tyssnad. Sennep ..mmmm... Pen neserem. Dans sy m Vil De. massakrereden Se. varg....ES L. p JL. isoQSDKNADOMSTDTTETILPROSJEKTETNOEMATA.NETOMRCDEKUNSTOGNYTEKNOLOGI. Til Norsk Kulturr�d. Grev Wedels plass. Oslo. Fra Noemata.net. v Kent MantiesEljot. Schouterrasse. Oslo. T. mail pronounnetcom.no. Oslo . jan. S�KNAD OM ST�TTE TIL PROSJEKTET NOEMATA.NET OMR�DE KUNST OG NY TEKNOLOGI. Skal vi se takk for st�tten fra ifjor her er en ny s�knad og rapport mm. for. tilskuddet p�. kr gitt i m�te .. deres ref. RS ... Jeg er ikke sikker p� hvilke regler som gjelder men brevet sendes som s�knad. om. st�tte til. videref�ring av prosjektet.. Som ifjor er jeg ogs� usikker p� hvordan gripe s�knaden an pga. avgrensning. mellom begreper. som 'prosjekt' 'aktivitet' 'institusjon' etc. Avgrensningsproblemet blir i. seg. selv en del. av det tematikken for virksomheten til Noemata.net (NN). Det samme dilemma. gjelder langs. dimensjonene abstraktkonkret teoripraksis konseptkunst for skapende. virksomhet som like. mye definerer seg innenfor en immaterialitet som ny teknologi og former for. intermedialitet. tillater og dermed ikke n�dvendigvis f�r en umiddelbar tinglig utforming. eller. f�rst f�r. det retrospektivt eller mer generelt at persepsjonen av noe som objektivt. ogs�. inkluderer. mottakeren som iscenesetter. Jeg skriver s�knaden i uformell brevstil og. jegform s� kan NKR. heller ha en tolkningsfrihet til � sortere den dit den h�rer hjemme. Nedenfor. f�lger noen. argumenter for hvorfor prosjektet skulle ha verdi for almenheten.. SKISSE AV NOEMATA.NET. Formulert i en setning Noemata.net is an open content site facilitating. sharing of. artistic literary scientific and other intellectual material with others and. the public on. generous terms.. Open content betyr for min del at det b�de er en organisatorisk og. innholdsmessig �pen. modell for virksomheten. Den innbyr til samarbeid p� gener�se og idealistiske. vilk�r og. �nsker � tone ned det kunstnersentriske kunst og kunstneren som vare og. merkevare til. fordel for en ...aktivitet og kunstproduksjon som er ...mindre lukket av. ...egeninteresse. selvpromotering penger propriaritet ol.. S� det er en communitytanke som ligger til grunn som ogs� public domain. (offentligheten). drar fordel av gjennom en gener�s lisensiering av material som i. utgangspunktet sier at det. st�r til fri benyttelse av andre s� lenge opphav krediteres (I Norge er dette. en. ideell. rettighet som man ikke kan fraskrive seg).. En slik �pen modell er for�vrig ikke uten problemer og kan lett bli utnyttet. av. mer eiegode. propriet�re modeller for kunstproduksjon som bruker materialet til egne form�l. som sitt eget.. N�r det gjelder innholdssiden s� er den modellert ut fra en '�ndsverk'tanke og. i. utgangspunktet ikke begrenset av hvilken form uttrykket f�r. Det knytter. kanskje. NN n�rmere. til konseptkunst enn til andre spesifikke kunstuttrykk og til det jeg har kalt. 'kontekstkunst' som catchphrase for ...noe som blir til i sammenhengen den. settes i ...eller. � skape med 'sammenhenger' istedenfor med 'noe' ol. som kanskje knytter det. konseptmessig. til dette med tactile media at det m� ber�res for � bli til eller blir. til i. ber�ringen med noe annet analogt med 'katalysator' 'inkubator' og. '�ndsverket' som en. 'meme' og kulturgenkulturfr�.. ORIGINALITET EGENUTTRYKK. Jeg har ikke inntrykk av at det er s� mange som driver med denne formen for. ting. Ren. nettkunst er det ikke s� mye av i Norge eller nettverkskunst i utvidet. forstand. P� �tti. nittitallet drev jeg med s�kalt mail art kontaktnettet var stort sett i. utlandet selv om. det ogs� fantes norske aktive ut�vere slik som Guttorm Nord� (El Djarida) og. Tore H. B�e. (Origami). S� jeg kan antagelig argumentere for at det er en kontinuitet i det. jeg gj�r som. spenner over et par ti�r litt takket v�re oppmerksomheten mail art har f�tt. de. siste �rene. n� nylig hos Museum for Samtidskunst sett i sammenheng med internett. net.art kunst og. det sosiale ol. (Jeg donerte for�vrig mail art materialet mitt til. forskningsbiblioteket ved. MfS ifjor siden de var interessert).. WEBLOG PUBLISERING VISNING. Noen har kalt NN for en kunstnerisk weblog. 'Weblog' som en m�te �. offentliggj�re og. publisere p� har endel av de egenskapene nevnt over. Den plasserer seg et sted. mellom det. private og offentlige er en slags vedvarende logg over aktivitet over et tema. el. Her er en. definisjon av weblog. ) A Weblog (which is sometimes written as web log or weblog) is a Web. site of. on a daily or. very frequent basis with new information about a particular subject or range of. subjects. The. information can be written by the site owner gleaned from other Web sites or. other sources. or contributed by users.. A Web log often has the quality of being a kind of log of our times from a. particular pointofview. Generally Weblogs are devoted to one or several. subjects or. themes usually of topical interest and in general can be thought of as. developing. commentaries individual or collective on their particular themes. A Weblog may. consist of. the recorded ideas of an individual (a sort of diary) or be a complex. collaboration open to. anyone. Most of the latter are moderated discussions.. As a format and content approach for a Web site the Weblog seems popular. because the. viewer knows that something changes every day there is a personal (rather than. bland. commercial) pointofview and on some sites there is an opportunity to. collaborate or. respond with the Web site and its participants.. Satt inn i en kunstnerisk sammenheng vil det si at en virksomhet dermed kan ha. en m�te � vise. ting p� og interagere med publikum og andre en utstillingsplattform som er. mer tilpasset. en kunstprosess a la NN og det preg det har av � v�re immaterielt og. intermedialt.. Jeg tror weblogging kan oppfattes som en type 'ny arena' innenfor kunst og ny. teknologi en. visningsform tilpasset nettkunst og andre former for efemerisk lateral. nettverksaktivitet.. Om det kan fungere i en offentlig kunstdiskurs vil det antagelig ogs� v�re. nyskapende og. verdt � utvikle videre.. FORM�L MED OG INNHOLD I PROSJEKTET. Omformulert og i tillegg til det som allerede er skrevet s� er form�let med NN. �. definere en. kanal for kunstproduksjon basert p� egne betingelser dvs. et mer eller mindre. personlig. fors�k p� � finne en posisjon og levedyktig praksis til de deler av livet mitt. som lider. under overfl�dig trang til � virke uttrykke finne p� ting analysere. forestille seg. forstille seg kort sagt. S� det er en personlig tiln�ring litt p� bakgrunn. av. at jeg. kommer utenfra en kunstsammenheng som drar fordel av � ikke v�re forutinntatt. eller � v�re. forutinntatt p� en annen m�te og som kan v�re nyttig i forhold til nye medier. og. hybridiseringendigitaliseringen av dem.. FREMDRIFTSPLAN FOR PROSJEKTET OG FOR DE ULIKE FASENE. PLANLAGT VISNINGDISTRIBUSJON OG EVT. ANNEN BRUK AV DET FERDIGE VERKET. Vet ikke om det er relevant her. Kan vi ikke ta det etterhvert som en weblog. eller p�. etterskudd som en rapport. Jeg har andre mer spesifikke ideer for NN hvor det. er mer. hensiktsmessig med fremdriftsplan men jeg f�r heller komme tilbake til disse. ved en senere. s�knadsfrist. N� i f�rste omgang s�ker jeg st�tte for en praksis og. kontinuitet. som ikke. n�dvendigvis er planlagt eller fremdriftsdrevet men kanskje bare resultat av. en. livsf�rsel. eller livsfjernhet.. PROSJEKTANSVARLIG OG FAGLIG MEDVIRKENDE I PROSJEKTET MED CV. Prosjektansvarlig er Kent MantiesEljot andre medvirkende varierer Erik. Nilsebr�ten og. Jostein Lien er ofte med.. CV Bj�rn. Profesjon Nettkunstner systemutvikler. Virkeomr�deprogrammeringhacking online performance online installasjon. mailart. lydnettradio teksthypertekst webgrafikk webtvhypervideo. F�dt. Epost magh chello . no. Virksomhet Kontekstkunst konseptkunst nettkunst og nettverk.. Produksjon Distribuert. Kunstpraksis fra ca .. Utdannelse Hovedfag informatikk UiO Mellomfag filosofi UiO. Spr�k logikk og informasjon UiO Juss Organisasjonsteori mm.. Medlem av EFN. CV Erik. CV Jostein. Ble far til en jente p� kg cm i overig�r.. BUDSJETT OG FINANSIERINGSPLAN FOR HELE PROSJEKTET. P� �rsbasis kr som vil tilsvare at jeg bruker og mer av tiden min. til NN. S�ker. herved st�tte til halvparten kr hos Norsk Kulturr�d. Den andre. halvparten. finansierer jeg selv dersom jeg ikke finner andre som vil st�tte virksomheten.. RAPPORT NOEMATA.NET. Jeg sender med eks. av boka Noemata.net blurB. Man Corridor Translated som. ble produsert. i forbindelse med visningen av verket i galleriet hos Kunstnett Norge ultimo. . I denne. sammenheng kan den fungere som et kompendium og dokumentasjon over aktiviteten. i. .. Omfanget er forh�pentlig stort nok til � forsvare det som rapportering og. regnskap at. verdien av arbeidet nedlagt overstiger tilskuddsbel�pet n antall ganger burde. ogs� g� tydelig. fram. Om NKR ber om det kan jeg heller spesifisere det mer.. Mvh. Kent MantiesEljot. Send en supportmail til. ragnfrid.stokkekulturrad.dep.no. og be NKR st�tte NN. p� f�rehand takk.. selmslrnaqnvn.lb.eighnerdumpster.io.com. schr�dinger again jo akkurat som i blurB. For hver bok noteres forfatter tittel utgave. eventuelt innbinding og bindnummer.

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This is a multipart message in MIME format.... ContentType textplain charsetiso. gee search a noice webcam werra extetical top spotstop lavely curves. ghostcars row. scarecrow goul like G like D thy frozen trafic if art.. may B yum gof. gauph aurit. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. Re thecry philosophy Virgin Mary seen on Aussie beach fence post. Some people say they can't see her but yes I see. her. I see her crown her white robe. I'm so happy. that I get goosebumps Sydney resident Anna. originally from Italy said.. Others are more sceptical.. Still weirder. this image has been from the one cut above and taken to desaturation.. black. and white and. enlarged to pixels per inch.. i believe from what im observing the SHUTTLE. crew that. survived were taken off the blown ship.. and you should be able to see what are. called the. BEKS ( little doctors of the ORIONS who currently reside on earth i.e. under. and above). probably administering to those who have injuries.. it is easy to see also on. this image that. one of the females is climbing out of one of the ships..probably from below to. climb to the. ship above to be rescued... Concerning crew that survived anything goes. no. logical. also. SEE KIDS THEY PLAY NINTENDO ON THE MOON. cc). efd.e. Fundamentals of Human Neuropsychology PDF textbook. Crick Koch's A new Framework for Consciousness (SC). RRE News Service (Phil Agre) all URLs since '. Electrohype nordic computer art center. Code as environment (artificial paradises). The Electronic Labyrinth on hyperbooks ca '. Re Nettimebold HELLO ASCIIFRAUDS. Mobility art concept projects (spontan.netlinks). Conscious objector (Guardian). Ray Johnson a critical collage (George Brett). Pleonastiske Dager (via H�vard) see also Kettleday. A nigerian fraud email gallery (Potifos.com). august highland's hyperliterary fiction. ZNC v. . browser (Peter Luining CtrlAltDel). Get paid while you're dead. REQUEST FOR EMAIL TRANSACTION. NRK Programmer TV Gudstjenesten e k u n s t. e k u n s t har funnet kroppsdeler fra astronautene (Dagbladet). Re minutes of conquests Rethinking Wargames e k u n s t droplifting. e k u n s t droplifting. ambient pieces. A patron saint for the internet (Wired). YOU CAN'T COPY ME (). e k u n s t Re STUDIES IN TACTICAL MEDIA (From Mail Art to Net.art). Re syndicate URGENT ASSISTANCE DPR. Telefonlotto (Mille). �hexture ascoo. photoSTATIC magazine retrograde archive (Detritus.net). radio.mu. thextyle. textile ��'. e k u n s t Re Lazy Web twURLing (NRK). Resonance FM web radio. e k u n s t Re mat.html (mat.html reloads). entries found for Silly (Dictionary.com wpopups). Anthony Judge Union of International Associations. SeatSale License to Sit (Steve Mannwearcam via EFN). Blitz og 'mangfold' (NRK). S�tt mediadrama Debuthopp i Holmenkollen (Dagbladet). Asceticism and Society in Crisis (via The Online Books Page). deprogramming.us goofy artware. Dawkins Genes work just like computer software (TimesOnline). The Kraken Poem by Tennyson. king.dom.defluxus hosting fluxlist parole Aporee �therlands fmwalks. Flashback News Agency. Grafitti.no. S�kbar norsk fotodatabase (Galleri NorNasjonalbiblioteket). Net.Art Connexion net.art database. Dreams in Artificial Intelligence (Mind.). Universal truths (Guardian). The Philosophers Magazine. Golden Ratio .... (Guardian). RedsEecroSSroUTe. Mixing of Particulate Solids Radio ambient streams. Radio Hard Disk nice midi stream rendered from harddisk files. S�t apokalyptisk mediasak Teller ned til verdens ende (VG). Groups Art. The Travesty Corporate PR InfoMixer (Plagiarist.org). ubuweb aspen ethnopoetics. 'Idea hamster' 'Out of the box' (BBC ecyclopedia). EPC Sound Radio Arts several gigabyte (plain index). Imperial science (via Art Letters Daily). The Gertrude Stein Reader collection of esoteric shortform writing (Seattle. weekly). Studio Sokrates jazz og filosofi radio (NRK). Guides on electronic publishing security intellectual property c (Caslon. Analytics). Windsor Castle Art wisdom humour extracts and lore. Nice intro to binary issues (Kerryr.net). The Straight Dope (QA columns from Cecil Adams). Pinhole glasses for vision improvement (pic). The age of manipulation shift from a religious to a therapeutic worldview. (spiked). Timeline of knowledgerepresentation (Robot wisdom). Folkoutsider art (interestingideas.com). GX JupitterLarsen's OnLine Amathopaedia. Experiments with Dreams Leif Elggren (Letter to King Juan Carlos). The Kingdoms of ElgalandVargaland consisting of border territories. Lnkarkiv (fajaf.digitalrice.com). Intellectual property issues (Negativland). ascii prn figlet server. Afterlife Beliefs May Have Biological Basis (ascribe). Pieter Bruegel Gallery. POKEY THE PENGUIN cartoon. A Visionary Sound Arts Interface links. Musicsound of the magnetosphere and space weather (auroralchorus). Forlaget Fritt og Vilt. poortour.com. Net.Art Certification Office. INTERNET TEXT Alan Sondheim. Action becomes Art Performance in the Context of Theatre Play Ritual and. Life Gran Sonesson. The necessity to disappear about Walter Serner. Azimute.org critical theory philosophy reviews translations.... We hold these nouns to be adjective that all nouns are created equal. Bloggle. (Twoogle). frobnicate v. to manipulate or adjust to tweak. derived from frobnitz.. usually. abbreviated to frob. thus one has the saying to frob a frob. see tweak and. twiddle.. (internet jargon). Neologisms ) 'Probnicate' v. probing adjustment usually. preceeds. frobbing finding a way to manipulate as in probnicating knobs for. tweakment.. ). 'Tweakment' n. Treating s.s.t. in a manipulative manner.. gee search a noice webcam werra extetical top spotstop lavely curves. ghostcars row. scarecrow goul like G like D thy frozen trafic if art.. may B yum gof. gauph aurit. tire serit tyres irish bull It's not an optical illusion it just looks. like one. Like. a regular picture being an optical illusion of an optical illusion. Room. service Send up a. larger room.. Every so often I try to masturbatulate a large word into a conversation even. if I'm not. really sure what it means cybermindlistserv.aol.com. Jeg tror ikke religionen overskygger tankegangen hans. Han er ikke slik. Men. ja religionen. er en viktig del av hans personlighet. S� det blir som en tannkremtube. Mer. pasta pastor. bush brush. this image has been from the one cut above and taken to desaturation.. black. and. white and. enlarged to pixels per inch.. i believe from what im observing the SHUTTLE. crew that. survived were taken off the blown ship.. and you should be able to see what are. called the. BEKS ( little doctors of the ORIONS who currently reside on earth i.e. under. and above). probably administering to those who have injuries.. it is easy to see also on. this image that. one of the females is climbing out of one of the ships..probably from below to. climb to the. ship above to be rescued... Concerning crew that survived anything goes no. logical. lapsus required.. No what you will have is one person talking to himself and thinking he is. having an. intelligent conversation. ah that would be a presidential press conference. then. Sounds. like an oxymoron to me. i don't know about the oxy part.... Enoch Soames a rather 'dim' personality (British Library). In. June. of. Enoch Soames sold his soul to the devil for a glimpse into the future. He was. to. show up at. the British Museum a hundred years later on June rd . And indeed a. figure. looking like. Soames did appear on that day at the reading room of the British Museum.. (Soames.com). Enoch. Soames the Critical Heritage from ES. Resource Center (cypherpress.com).. In fact I DO have morals but they include not being attacked for not. intervening when I. didn't feel there was call to. And that sentence has enough bad grammar for the. lot of us.. assimilation the easier to pronounce a sentence the more widespread the. change. becomes.. bai now jast a memori in the maindz ov ould doderez tu riplais 'ch' 'sh'. and 'th'. rispektivli. Fainali xen aafte sam iers ov orxogrefkl riform wi wud hev a. lojikl. kohirnt speling in ius xrewawt xe Ingliyspiking werld. Mark Twain. In a real culture ideas are generated spontaneously by people their. communities their. interactions. Memes (ideas songs stories trends philosophies religions). percolate up. the bottom from people with no agenda but to describe their world their. feelings. The mental environmental movement (Adbusters). Culture Jamming (Mark Dery). A. glance at. Tommaso Campanella defended Galileo Galilei on the plurality of worlds theory. while decrying. the notion of ET's on the grounds that the very existence of ET's violates. Scripture.. Campanella disbelieved that 'men' on other worlds had sinned and needed. redemption. asserting that therefore Jesus did not have to die for them.... This mail may come to you as a surprise. P� en mailingliste ble noen b�ker nevnt som avsenderen var i ferd med � lese.. Jeg fant. Terracnce. Flahraarty Hva med � v�re f�er vra og f� katten din til � oversette boken tili. nrosk. Vi. trenger vel helst en oeverseter som ikke kan tuch.. Edit this site. efd.e. Fwd noisetext Kinich Ahau Itzamna. Start of forwarded message. Fwd noisetext Kinich Ahau Itzamna. editor's note this is not the text itself but a limited english. translation. the ideographic writing found in this ancient manuscript. presents with certain geometric and algebraic features which will have. be compensated for narratively. space prohibits being able to. delve at length with the significance of the text's formal layout and. precise combinatorical features. more research is planned to further. resolve the encryption of the text in the future.. this world is composed of effluvial material. the sedimentation of the. planet earth is distributed in successive layers. this is the weight. of living and the underworld and overworld echo in all directions.. across this cohesion is a rotational momentum of matter. each spot on. earth is anchored relative to another. outofsync waveforms form. tectonic energy by which all plates must average out relative to each. other. the tension that forms creates earthquakes and typhoons and. other atmospheric hydrological biological and psychological. phenomenon. mark the cycles closely.. all of this is a function of the constellation of all matter throughout. the universe.. look at your organs look at your composition. understand yourself as. part kidney part eyeball part electrodynamic pulse.. human replication creates exponential diversity. each combination is a. unique manifestation of the pressure energies of the earth. life is. driven forward and upward by these energies.. by memory you will remember. you will understand what flows through. you. you will come and go as all do as all have as is necessary by. the laws that brought you into being.. left quarter page missing. in the margin of the folio is drawn a long twining plant. it's. thought to be of the long extinct psychoactive botany specie. tryptophonica aktivana. a distant relative tryptophonica sedanta. still exists and has been extensively researched but has no mind. altering properties whatsoever.. . this translation utilizes reverse fourier transforms on the. transitive verb hierarchy (using a base cubic orientation).. . electrodynamic being transliterated from the primary essense forms. spark and moment.. unsubscribe from this group send an email to. End of forwarded message. Notice sent to residents of a Whiltshire parish DUE TO INCREASING PROBLEMS. WITH. LITTER. LOUTS AND VANDALS WE MUST ASK ANYONE WITH RELATIVES BURIED IN THE GRAVEYARD TO. DO THEIR BEST. KEEP THEM IN ORDER. Fwd CSL First Monday February (fwd). Start of forwarded message. ReplyTo Philosophy and Psychology of Cyberspace. Fwd CSL First Monday February (fwd). Some quite interesting articles here Alan. Forwarded message. ReplyTo Interdisciplinary academic study of Cyber Society. CSL First Monday February. First Monday February. Dear Reader. The February issue of First Monday (volume number ) is now. Table of Contents. Volume Number February rd. Reconciling interiors The screen as installation. by James Charlton. Cyborg logs and collective stream of (de)consciousness capture for. producing attributionfree informatic content such as cyborglogs. by Steve Mann. Collaborative development of open content A process model to unlock. the potential for African universities. by Derek Keats. Electronic citizenship and global social movements. by Liza Tsaliki. A study of Internet usage in Nigerian universities A case study of. Obafemi Awolowo University IleIfe Nigeria. by K.O. Jagboro. Emedia in development Combining multiple emedia types. by Robin van Koert. Cybermethods An assessment. by Hellen Megens and Brian Martin. Book reviews. Distributed through CyberSocietyLive CSL CSL is a moderated discussion. list made up of people who are interested in the interdisciplinary academic. study of Cyber Society in all its manifestations.To join the list please visit. End of forwarded message. Q Are you qualified to give a urine sample. A I have been since early childhood.. Beauty Machinic Repetition in the Age of Art. In this sense Kant's notion of disinterest marks not a distance but it's. loss an. encounter which precisely strips the subject of its habits of thought. In fact. it is no. longer clear that in the absence of such interests the what that is operative. in the. aesthetic experience is an object at all it is more a sign a trigger. The. attribute of. beauty attaches not to the object but to the event of the beautiful.. .. .. In effect Kant replaces Benjamin's loaded term of the here and now with the. anymoment. whatever as emblem of artistic individuality and image of thought. For. Benjamin the here. and now is the summit of a culture eternal and immobile ineffable and. untranslatable. It. is a dead end impotent to reproduce itself without rerouting through it's. conditions of. possibility. The removal of the beautiful in Kant's aesthetic from any given. cultural or. intelligible context by virtue of it's lack of a determinate concept and hence. an interest. seems also to isolate and immobilise the aesthetic in an affective. ineffability.. But on the. contrary it is this quality that produces the dynamism of the beautiful and. it's capacity. provoke thought.. The beautiful obliges us to think (it's singularity poses a problem) without. there being any. concept for thought to settle on. The thought of the beautiful is identical. with. the series. of incomplete determinations it gives rise to in which it creates and. indefinitely recreates. itself the repetition of its singularity in an open ended movement. This is. the formal. play of Kant's aesthetic which is not a static formalism devoid of. content. but the. fusion of content with a process. The event of the beautiful marks a beginning. rather than an. endpoint without the pretension of being an Origin as it happens just any. time. The. principle of the anymomentwhatever enfolds both an indifference and an. obligation to. differentiate an impersonality and total individuality.. In this way the problem of artistic individuality escapes on the one hand the. heroism and. pathos of the avantgarde subject who affirms itself against an image of the. whole and on. the other the autism that results from confining individuality to a purely. affective and. ineffable moment. Both notions in the end make of the individual the great. spectator the. visionary from which action naturally follows or else is not the point.. Benjamin. himself. presents action and thought as dependent upon having access to the big. picture and the. small picture that is subjective selfreflection the image being what. mediates between the. two. Against the big picture Kant's beautiful presents the individual as. necessarily. working from a fragment a cut not exactly removed from the whole but from. which the. whole is itself removed. Against the small picture with which it. nevertheless. shares the. value of smallness the beautiful does not stop but starts with this moment.. While it refers. no external goal or concept neither is it an end in itself. It is a. vector a clue. inseparable from the action it unleashes a problem which lances an. imperative. change.. Deleuze and Guattari an introduction. And yet say Deleuze and Guattari the reality of capitalism is the greatest. repression of. desiring production in history. Presumably it should have led to an absolute. nomadic. freedom but it has not.. The reason is the schizophrenic structure of capitalism. . Deterritorialization. is. accompanied by a continual reterritorialization a recoding of ancient forms.. The state the. fatherland the family continues to reappear in modified form but equally. rulegoverned and. equally repressive.. In practice Deleuze and Guattari have created a new vocabulary to permit them. speak about. psychoanalysis and society without falling into either Marxist or Freudian. ideas. Machines A term coined by Guattari to escape the Lacanian notion of the. which is. often mistaken for consciousness itself. A machine is any point at which a flow. of some sort. (physical intellectual emotional etc) either leaves or enters a structure. A. baby's mouth. at its mother's breast is a mouth machine meeting a breast machine. There is. flow between. these two machines.. Desiring machine a machine connected to a body without organs.. Body without organs A phrase from Artaud. Any organized structure such as a. government a. university a body or the universe. Desiring machines and the body without. organs are two. different states of the same thing part of an organized system of production. which controls. flows.. Paranoic machine A state in which the body without organs rejects the desiring. machines.. Miraculating machine a state in which the body without organs attracts the. desiring. machines.. The Socius a body without organs that constitutes a society as in the body of. the earth of. primitive societies the body of the despot in barbaric societies and the body. of capital in. capitalist societies.. The nomadic subject the free autonomous subject which exists momentarily in an. ever shifting. array of possibilities as desiring machines distribute flows across the body. without organs.. Desiring machines those that are engaged in productive desire. nettime DG Capitalism A Very Special Delirium (). Everything is rational in capitalism. except capital or capitalism itself.. It is in this sense that we say the. rational is always the rationality of an irrational.. Capital or money is at such a level of insanity that. psychiatry has but one clinical equivalent the terminal stage.. It is too. complicated to describe here but one detail should be mentioned. In other. societies there is exploitation there are also scandals and secrets but. that is part of the code there are even explicitly secret codes. With. capitalism it is very different nothing is secret at least in principle. and according to the code (this is why capitalism is democratic and can. publicize itself even in a juridical sense). And yet nothing is. admissable. Legality itself is inadmissable.. in sum everything is legal except for. little blunders what is more everything is public yet nothing is. admissable.. noemata nettime DG Capitalism A Very Special Delirium (). Everything is rational in capitalism. except capital or capitalism itself.. It is in this sense that we say the. rational is always the rationality of an irrational.. Capital or money is at such a level of insanity that. psychiatry has but one clinical equivalent the terminal stage.. It is too. complicated to describe here but one detail should be mentioned. In other. societies there is exploitation there are also scandals and secrets but. that is part of the code there are even explicitly secret codes. With. capitalism it is very different nothing is secret at least in principle. and according to the code (this is why capitalism is democratic and can. publicize itself even in a juridical sense). And yet nothing is. admissable. Legality itself is inadmissable.. in sum everything is legal except for. little blunders what is more everything is public yet nothing is. admissable.. unsubscribe from this group send an email to. isoQRenoemataMFtereferat..ialenegruppen. k�lappen min. k� og underholdning skr�strek kunst. mailart hva koster det � sende et frimerke. k�lapper. k�lappprosjektserien FISH. prosjektk�lappene First In Still Here ordning fiskek�en.. skrivebordsk� sidene i en bok ligger i k� og har tildelte numre.. som et k�. system In Still Book Number hvor det eneste statiske er nr nummeret er. boken. slik. frimerket er brevet.. publikum ane. at den egentlige k�en ligger i en annen dimensjon bortenfor skrankene som de. f�rst kan. f�lge eller st� korrekt posisjonert i ved � bryte ut av noe som ogs� knytter. det til dans.. Samarbeid mellom FISH og koreograf K� og dans. FISH og 'usynlig teater' laiv semiodrama k� som tegn en gruppe. aksjonister okkuperer. nummer frem i tid som avspilles som episoder foran skranken foran det. ventende. publikum. i en tilstand av venting og frustrasjon er dramaet en katarsis som. presist er hva. viventerp�. bank postkontorene har mange kameraer som logger det hele s� dokumentasjonen. ligger hos. disse og man kan henvise dit.. b. tlf.. M�tereferat ... Fluxus prosjekt k�lappsystemet. Legge ut falske k�lapper i vill. nummerorden. Wreak havoc. Skape kaos og kvantebyr�krati.. nummerorden. Wreak havoc. Skape kaos og kvantebyr�krati.

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Frimerkepost i en postfrimerke kontekst.. Frimerke postart prosjektet skrive brev bakp� et kr frimerke. Be. om frimerke for frimerke. Klage over de h�rreisende utgiftene og. systemets korrupte logikk. K�lappinstallasjonen et offentlig kontor (lokale) som kun best�r av. nummerviser som viser nummer som ikke finnes i k�lappsystemet.. Publikum blir st�ende passive utenfor installasjonen trekker k�numre. de tror vil gi de aksess til installasjonen men blir snurt og. provoserte.. Underholdning er frav�r av kjedsomhet. irritasjonsformelen for fjernsynsunderholdning. Fremskaffe en nummen. irritasjon rett under smertegrensen. Irriteres seg mest over de som. irriterer seg for mye.. M�te hevet. Fwd Darwin Day February. Start of forwarded message. ReplyTo Philosophy and Psychology of Cyberspace. Fwd Darwin Day February. .. February. Some people celebrate Darwin Day today the birthday of Charles Darwin.. The Top Ways to Celebrate Darwin Day. Survival of the JellO shootingest.. Taunt monkeys.. Work really hard at making big toes opposable.. Turn off NASCAR spit out tobacco straighten posture and stop. using the word fixin'.. Have sex with someone whose IQ is higher than the number of your. favorite cable channel.. Outlive or inseminate a creationist.. Change name of your performance art piece from Idiot Falling Down. Stairs to The Descent of Man.. Pig out. Darwin said the fattest survive didn't he. Finally lose that tail.. If his exhumed corpse casts a shadow teach six more weeks of. fundamentalism. (Kansas only). Party like it's .. Same as yesterday Rid self of old sperm to make room for newer. more evolved sperm.. Get four friends with bad posture to follow you all day as the. Evolution of Man.. andthe Number Way to Celebrate Darwin Day.... Take a fish for a walk.. (By Chris White). .. End of forwarded message. Notice in a dry cleaner's window ANYONE LEAVING THEIR GARMENTS HERE FOR MORE. THAN DAYS. WILL BE DISPOSED OF.. Fwd before email networks was The Eternal Network of Fluxes. Start of forwarded message. ReplyTo Philosophy and Psychology of Cyberspace. Fwd before email networks was The Eternal Network of Fluxes. The National Museum of Contemporary Art Oslo. presents the exhibition. RAY JOHNSON. The Name of the Game (..). Ray Johnson () is perhaps best known for his use of the postal. service as an artistic medium which led him to develop a network of. correspondents that grew into what is today known as the mail art network.. This exhibition takes as its starting point the particular focus on proper. names that run through all of Johnson's postal activities. On the one hand. the focus on names reflects the reality of a postal system that structures. the world as a network of addressable individuals. On the other hand his. addressability that informs not only the postal system per se but a whole. modern culture shaped by the terms of this system. The exhibition which. contains a lot of material that has not been exhibited previously is. curated by Ina Blom . After Oslo the exhibition will move on to the. Museum Fridericianum Kassel Germany (opening March ) and the Museum Het. Domein Sittard The Netherlands (opening May ).. page book published on the occasion of this exhibition. It contains an. essay by Ina Blom and a number of previously unpublished early texts by. Ray Johnson in addition to mailings and other visual and textual. material. It may be ordered (EUR postage EUR ) from the. museum's bookshop at The National Museum of Contemporary Art Bankplassen. Box Dep N Oslo Norway or by email ghmfs.museum.no.. End of forwarded message. Seen at the side of a Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR THE. NEXT YRS.. Fwd postanarchism Feyerabend on Epistemological Anarchism. Start of forwarded message. Fwd postanarchism Feyerabend on Epistemological Anarchism. On Epistemological Anarchism. by Paul Feyerabend. The hallmark of political anarchism is its opposition to the. established order of things to the state its institutions the. ideologies that support and glorify these institutions. The. established order must be destroyed so that human spontaneity may. come to the fore and exercise its right of freely initiating action. of freely choosing what it thinks is best. Occasionally one wishes to. overcome not just some social circumstances but the entire physical. world which is seen as being corrupt unreal transient and of no. importance. This religious or eschatological anarchism denies not. only social laws but moral physical and perceptual laws as well and. it envisages a mode of existence that is no longer tied to the body. its reactions and its needs. Violence whether political or. spiritual plays an important role in almost all forms of anarchism.. Violence is necessary to overcome the impediments erected by a well. organised society or by one's own modes of behaviour (perception. thought etc.) and it is beneficial for the individual for it. releases one's energies and makes one realize the powers at one's. disposal. Free associations where everyone does what best suits their. talents replace the petrified institutions of the day no function. must be allowed to become fixed 'the commander of yesterday can. become a subordinate of tomorrow. Teaching is to be based on. curiosity and not on command the 'teacher' is called upon to further. this curiosity and not to rely on any fixed method. Spontaneity. reigns supreme in thought (perception) as well as in action.. One of the remarkable characteristics of postenlightenment political. anarchism is its faith in the natural reason' of the human race and. its respect for science. This respect is only rarely an opportunistic. move one recognizes an ally and compliments him to keep him happy.. Most of the time it is based on the genuine conviction that pure. unadulterated science gives a true account of man and the world and. produces powerful ideological weapons in the fight against the sham. orders of the day.. Today this naive and almost childlike trust in science is endangered. by two developments.. The first development is the rise of new kinds of scientific. institutions. As opposed to its immediate predecessor late th. century science has given up all philosophical pretensions and has. become a powerful business that shapes the mentality of its. practitioners. Good payment good standing with the boss and the. colleagues in their 'unit' are the chief aims of these human ants who. excel in the solution of tiny problems but who cannot make sense of. anything transcending their domain of competence. Humanitarian. considerations are at a minimum and so is any form of progressiveness. that goes beyond local improvements. The most glorious achievements. of the past are used not as instruments of enlightenment but as means. of intimidation as is seen from some recent debates concerning the. theory of evolution. Let somebody make a great step forward and the. profession is bound to turn it into a club for beating people into. submission.. The second development concerns the alleged authority of the products. of this everchanging enterprise. Scientific laws were once thought. be well established and irrevocable. The scientist discovers facts. and laws and constantly increases the amount of safe and indubitable. knowledge. Today we have recognized mainly as a result of the work. of Mill Mach Boltzmann Duhem and others that science cannot give. any such guarantees. Scientific laws can be revised they often turn. out to be not just locally incorrect but entirely false making. assertions about entities that never existed. There are revolutions. that leave no stone unturned no principle unchallenged. Unpleasant. in appearance untrust worthy in its results science has ceased to. be an ally of the anarchist and has become a problem. Should he. abandon it Should he use it What should he do with it That is. the question. Epistemological anarchism gives an answer to this. question. It is in line with the remaining tenets of anarchism and it. removes the last hardened elements.. Epistemological anarchism differs both from scepticism and from. political (religious) anarchism. While the sceptic either regards. every view as equally good or as equally bad or desists from making. such judgements altogether the epistemological anarchist has no. compunction to defend the most trite or the most outrageous. statement. While the political or the religious anarchist wants to. remove a certain form of life the epistemological anarchist may want. defend it for he has no everlasting loyalty to and no. everlasting aversion against any institution or any ideology. Like. the Dadaist whom he resembles much more than he resembles the. political anarchist he 'not only has no programme he is against. all programmes' though he will on occasions be the most vociferous. defender of the status quo or of his opponents 'to be a true. Dadaist one must also be an antiDadaist'. His aims remain stable. or change as a result of argument or of boredom or of a conversion. experience or to impress a mistress and so on. Given some aim he. may try to approach it with the help of organized groups or alone. he may use reason emotion ridicule an 'attitude of serious. concern and whatever other means have been invented by humans to get. the better of their fellow men. His favourite pastime is to confuse. rationalists by inventing compelling reasons for unreasonable. doctrines. There is no view however 'absurd' or 'immoral' he. refuses to consider or to act upon and no method is regarded as. indispensable. The one thing he opposes positively and absolutely are. universal standards universal laws universal ideas such. as 'Truth 'Reason 'Justice' 'Love' and the behaviour they bring. along though he does not deny that it is often good policy to act as. if such laws (such standards such ideas) existed and as if he. believed in them. He may approach the religious anarchist in his. opposition to science and the material world he may outdo any Nobel. Prize winner in his vigorous defence of scientific purity. He has no. objection to regarding the fabric of the world as described by. science and revealed by his senses as a chimera that either conceals. a deeper and perhaps spiritual reality or as a mere web of dreams. that reveals and conceals nothing. He takes great interest in. procedures phenomena and experiences such as those reported by. Carlos Castaneda which indicate that perceptions can be arranged in. highly unusual ways and that the choice of a particular arrangement. as corresponding to reality' while not arbitrary (it almost always. depends on traditions) is certainly not more 'rational' or. more 'objective' than the choice of another arrangement Rabbi Akiba. who in ecstatic trance rises from one celestial sphere to the next. and still higher and who finally comes face to face with God in all. his Splendour makes genuine observations once we decide to accept. his way of life as a measure of reality and his mind is as. independent of his body as the chosen observations tell him. Applying. this point of view to a specific subject such as science the. epistemological anarchist finds that its accepted development (e.g.. the Closed World to the 'Infinite Universe') occurred only. because the practitioners unwittingly used his philosophy within the. confines of their trade they succeeded because they did not permit. themselves to be bound by 'laws of reason' 'stand ards of. rationality or 'immutable laws of nature'. Underneath all this. outrage lies his conviction that man will cease to be a slave and. gain a dignity that is more than an exercise in cautious conformism. only when he becomes capable of stepping outside the most fundamental. categories and convictions including those which allegedly make him. human. 'The realisation that reason and antireason sense and. nonsense design and chance consciousness and unconsciousness and. I would add humanitarianism and antihumanitarianism belong. together as a necessary part of a whole this was the central. message of Dada' writes Hans Richter. The epistemological anarchist. agrees though he would not express himself in such a constipated. manner.. unsubscribe from this group send an email to. End of forwarded message. innertier en uvirksom treg person i sentrum for oppmerksomheten jfr. inerti. Fwd Nettimebold to the vector the spoils.... Start of forwarded message. ReplyTo nettimeboldnettime.org. Fwd Nettimebold to the vector the spoils.... the Vector the Spoils. McKenzie Wark interviewed by Roy Christopher. frontwheeldrive.com. Roy Christopher Let's get our terms aligned first. How do you define the term 'hacker' Do you. include artists software developers and other so. called 'knowledge workers'. McKenzie Wark I think everyone who actually. creates 'intellectual property' could consider. themselves part of the same class the hacker class. and as having convergent interests. So yes that. could include programmers musicians writers and. also engineers chemists all sorts of people who. are culturally distinct. What we have in common is. that we have to sell the products of our intellectual. labor to corporations who have a monopoly on. realizing its value. We invent the idea but they. control the means of production. The laws that. used to protect us copyright and patent have. been subtly changing over the course of the last. few decades to protect corporate owners of. existing 'intellectual property' not individual. Manifesto' to dramatize this emergent conflict.. Roy I like the idea that information's world. doesn't have an equivalent to physical world's. second law of thermodynamics and that this idea. represents true freedom. Is there a danger of this. auspicious outlook failing. Ken The commodity economy runs on scarcity. It's. all about making the wealth produced by labor the. exclusive private property of the few. At the. moment its hard to argue for the socialization of. wealth. Some part of it needs to be social or things. just won't function at all. Every civilized society. recognizes the need for socialized health and. pensions.. But when we come to information there's no need. for it to be privatized. Economists call information a. 'nonrivalrous resource'. Which is an oxymoron.. Basically it is an admission that information need. not be subject to the laws of scarcity at all. My. possession of some information does not deprive. you of it. The cost of making a copy is being. reduced all the time.. So the one place where we can still entertain the. idea of a release from scarcity is the world of. information. It could have a quite different. economy or a noneconomy. It is by legal artifice. the repressive force of the police and cultural re. engineering that we are being persuaded of the. necessity of a purely private economy of. information where Mickey Mouse is somebody's. fiefdom in perpetuity where nothing ever comes. back to the public domain. I think we have to fight. that.. But where Lawrence Lessig and others see this as. a fight to get the law to recognize the common. sense of a public domain I think it is much more. than that. We are up against a new and powerful. class interest which profits by the commodification. of information rather than the manufacture of. things. We have to resist this new interest with. technical and cultural means as well as through legal. challenges.. Roy The idea of education as slavery seems to be. becoming more and more prevalent in intellectual. circles. What do you think should be done about. the education problem. Ken Socalled critical theory in the universities. becomes merely hypocritical theory if it doesn't deal. with the fact that education is now part of the. problem not part of the solution. Education is. about creating scarcity. Here in the United States. we have the least democratic most aristocratic. education system in the (over)developed world. It. is all about rationing prestige. It has nothing to do. with seeking knowledge.. Knowledge too has to be released from scarcity. and hierarchy. Forcing people to submit to. years of mental enslavement all their childhood. and young adult life just to secure a reasonable. standard of living is a status quo that needs to be. challenged.. Roy With information as commodity and. mediacommunication as. architecture where should the hacker seek to. gainmaintain power andor control. Ken Firstly its a question of realizing that all. intellectual creators are 'hackers'. It is about. realizing a common interest that has nothing to do. with choices of identity culture or taste. A class. interest in short.. Secondly its about realizing that our class interest. confronts another what I call the vectoralist class.. The vectoralist class controls the means of realizing. the value of what we create. They control the. vectors along which new information moves. A. broadcasting network is a vector but so too is a. drug company. New information could be in the. form of a digital file or a little pink pill. The form. doesn't matter. What does is that the class interest. of the vectoralists lies in making ideas a form of. exclusive perpetual and global private property.. Thirdly it's a matter of tactics. One can mount legal. challenges to the. enclosure of information in ever more restrictive. intellectual property law. One can mount political. challenges in uniting the various branches of the. hacker class. Or one can mount a cultural challenge. by showing that the interests of the public are not. served by the exclusive control of information by a. handful of corporations. And of course there is the. technological strategy of creating new tools for. sharing information freely. But really its a question. of getting all of these tactics to work together to. create a strategy perhaps even an alternative. logistics in which information is free.. Roy While reading 'Virtual Geography' I couldn't. help but feel a weird sense of amnesia. I. remembered all of the media events therein but. only as vague blips on the radar. How do we. interject the idea of memory into the. mediasphere. Ken As Guy Debord used to argue the triumph of. the spectacle is in the defeat of history and the. installation of 'spectacular time' which is purely. cyclical. We no longer have history we have. fashion. Of course history always crashes the. party but it appears as something inexplicable. The. nightmare of video footage on endless replay. defying explanation. The temptation in media criticism especially in. America is to claim a. higher access to truth. All media is false but one's. personal experience of identity is somehow. authentic. Politics is atomized into subjective feeling. and turned into a species of moral judgment. This. creates that peculiarly American pseudoleftist. language that is really about moral authority a kind. of weird mutant puritanism.. An alternative is to take the great events that cross. the media vector and to freeze the frame. Look. closely at the decisive images. Wind the tape. backwards looking for patterns. Play the whole. thing in fast forward to look at the rhythm of the. edits. In other words we can discover history. within the media image without making claims to. an external superior grasp on truth. Through the. classic Burroughsian techniques of cut up play. back repetition we can produce our own. knowledge of media as history history as. mediation.. Roy Is there anything else on which you're. working that you'd like to. bring up here. I'm increasingly interested in the dual character of. the vectoral empire. It has its engines of privatized. information but it also has its engine of. vectoralizing military power. We are truly in the. age of infowar. Of course real people die killed by. real bombs but information over where those. people are how to target them with bombs. that's the new face of warfare. The new warfare is. a suspected terrorist in Yemen being assassinated. by a remote controlled drone. It's the. infrastructure of Serbia being jammed with. strategically placed bombing that shuts down all. command and control.. Now the two faces of empire are closely linked in. that they both run on the same vectoral. technologies. There is a militaryentertainment. complex that turns civilian and military space alike. into a gamespace for the calculation of moves. governed by arbitrary but nevertheless effective. rules. We are in the middle of a great game the. goal of which is subordinate history to reason.. Not to Hegel's historical reason but the logic of the. game. And anyone who won't play by the rules is. be contained (Kim Jong Il) or eliminated. (Saddam).. the vector the spoils.... frontwheeldrive.com. ... we no longer have roots we have aerials .... MSN with email virus protection service months FREE. Nettimebold mailing list. Nettimeboldnettime.org. End of forwarded message. gi r�de og gule kort � stemple innvandrere. Fwd Nettimebold JoDI (Vi) an innovative hypertext issue. Start of forwarded message. ReplyTo nettimeboldnettime.org. Fwd Nettimebold JoDI (Vi) an innovative hypertext issue. We are pleased to announce a new issue of JoDI which takes a slightly. different form to the usual issues.. Journal of Digital Information announces. A SPECIAL ISSUE on Hypertext Criticism Writing about Hypertext. (Volume issue January ). Special issue Editors Susana Tosca (IT University Copenhagen) and Jill. Walker (University of Bergen). From the special issue editorial. Rather than present a traditional collection of long papers we decided to. attempt to rethink what an issue of an academic journal might be. We. invited submissions consisting of one or more brief nodes which we would. then link together to create a hypertextual journal issue an. interconnected discussion of a topic rather than disconnected articles. We. also invited contributions from both scholars and artists to assist in. bridging the gap that can appear between these groups. This diversity. characterises the collection of essays presented here.. As editors for us this has been a very exciting project. We think this. issue is innovative not only in content but also in form and we believe. it brings something interesting to the world of electronic publication.. We hope that this issue can serve as a landmark in the way hypertext. criticism is perceived by authors theorists and the general public alike.. The essays included succeed in relating hypertext criticism to a multitude. of humanities practices (print visual and digital) so that hypertext. criticism is shown to be embedded in a rich context. In the light of these. contributions to the field the picture becomes clearer than it has ever. been before.. Since this is a hypertext issue we aren't listing the complete contents. with links to individual contributions. Instead go to the editorial and. start exploring. You will find nearly contributions from these authors Mez Breeze. Julianne Chatelain Richard E. Higgason Deena Larsen Bill Marsh Adrian. Miles and Jenny Weight.. A note on navigation. Each node stands alone but gains from being seen in. context so each contribution includes a contents list linking to all other. contributions in this issue. Follow the links in the text to see connected. nodes read the author details to see other nodes by the same author or use. the table of contents to choose another focus.. The Journal of Digital Information is an electronic journal published only. via the Web. JoDI is currently free to users thanks to support from the. British Computer Society and Oxford University Press. Nettimebold mailing list. Nettimeboldnettime.org. End of forwarded message. gi r�de og gule kort � stemple innvandrere. Opera bork edition Aftenposten Nettutgaven Nett og IT. Muppet inn i nettleserkrig. N� g�r nettleseren Operaen til et humoristisk motangrep p� Microsoft etter at. Operabrukere. ble utestengt og diskriminert p� MSNs nettsider.. portal nettsurfere med nettleseren Opera ute fra flere av sine sider. H�ylytte. protester fikk. Microsoft til � fjerne flere av sperrene de hadde lagt inn. Men if�lge Opera. gjemmer MSN. fortsatt en del materiale fra portalen for Operabrukere. N�r MSNs servere. merker at en. sideforesp�rsel kommer fra Opera leverer serverne d�rligere sider enn om. foresp�rselen hadde. kommer fra en Microsoftnettleser.. Som svar p� denne behandlingen av Operabrukere lanserte Opera fredag en helt. spesiell. det. nettstedet. Den oversetter sidene til Borkspr�k alts� den svensk engelske. aksenten til. kokken i The Muppetshow.. ... Fwd mail log. kan vi ha en bok som er en type felles weblog altfor privat og klissete uten. forsvar og. ytterside sammenfaller med ' entries for silly' kanskje som arbeidstittel i. serien.. Start of forwarded message. Fwd MM's musing du jour. Start of forwarded message. .. Yesterday night I traveled into the future. I was laying on my bed. shut my eyes and then when I opened them I was hours into the. future And now I can't seem to get back.. .. End of forwarded message. Fwd Re Deleuze Guattari and Blake. Start of forwarded message. Fwd Re Deleuze Guattari and Blake. he speaks in blake in on nocab bacon he says one but its symbolist and no. chapter on symbolysm very much extended. try nice book by Hoockney dav on. lenses also for spinozist. to use creatively not epistemomologicvmerci. baba. End of forwarded message. Seen during a conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A DAY. CARE ON THE FIRST FLOOR. Fwd Institutions of Monty Cantsin. Start of forwarded message. ReplyTo mail.ljudmila.org. Fwd Institutions of Monty Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin. Monty Cantsin can use anything at will.. By reading this you have applied Monty Cantsin.. Optimism is a more selfreferential game of enslavement than bread.. Monty Cantsin is everyone who believes in energy.. Neoism is anonymous action doing battle against significance.. Neoist affairs are rarely produced and the notion of truth does. not exist.. Censorship is a more neoistical sound of disorientation than. sobriety.. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. End of forwarded message. Seen during a conference FOR ANYONE WHO HAS CHILDREN AND DOESN'T KNOW IT. THERE. IS A DAY. CARE ON THE FIRST FLOOR. Fwd Nettimebold Spam Rap. Start of forwarded message. ReplyTo nettimeboldnettime.org. Fwd Nettimebold Spam Rap. To nettimelbbs.thing.net. From KarlErik Tallmo. SubjectNettimebold Spam Rap. Spam Rap. You may be surprised.. You may be surprised to receive this letter.. You may be surprised.. You may be surprised to receive this letter from me.. You may be surprised since you do not know me.. You may be surprised.. You may be surprised since you do not know me.. You may be surprised to receive this letter from me since you do not know. me.. Since you do not know me personally.. You may be surprised since you do not know me personally. I am Edward Bongo.. You may be surprised to receive this letter from me.. You may be surprised. I am Edward Bongo.. Since you do not know me personally.. You may be surprised to receive this letter from me since you do not know me. personally.. You may be surprised. I am Edward Bongo.. You may be surprised to receive this letter from me since you do not know me. personally.. You may be surprised to receive this letter.. This is the letter you have been hearing about on the news lately. I am. Edward Bongo.. You may be surprised to receive this letter. You may be surprised.. I know this proposal will come to you as a surprise because we have not met. before.. This is the letter you have been hearing about on the news lately. You may. be surprised.. I know this proposal will come to you as a surprise because we have not met. before. You may be surprised. Either physically or through correspondence.. I am Edward Bongo the son of John Mulaga Bongo.. You may be surprised.. You may be surprised since you do not know me.. This proposal will come to you as a surprise. I am Edward Bongo.. You may be surprised to receive this letter from me since you do not know me. personally.. You may be surprised. I am Edward Bongo.. You may be surprised to receive this letter from me since you do not know me. personally.. You may be surprised to receive this letter. Because we have not met before. either physically or through correspondence.. I am Edward Bongo the son of John Mulaga Bongo one of the black farmer in. Nigeria.. I am Fred James Mulaga the first son of Vander Mulaga one of the black. farmer in Nigeria.. You may be surprised.. I am Edward Bongo the son of John Mulaga Bongo one of the most popular black. farmer in Nigeria.. I am Fred James Mulaga the first son of Vander Mulaga one of the most. popular black farmer in Nigeria.. You may be surprised since you do not know me.. This is the letter you have been hearing about on the news lately. I am. Edward Bongo.. You may be surprised to receive this letter. You may be surprised.. I know this proposal will come to you as a surprise because we have not met. before either physically or through correspondence.. You may be surprised since you do not know me.. You may be surprised. I am Edward Bongo. I am Fred James Mulaga.. You may be surprised since you do not know me.. I know that you will be surprised to receive this message because we have. not met physically nor through correspondence but I believe that it is one. day that you get to know someone and you people develop a lasting. relationship.. This is the letter you have been hearing about on the news lately.. You may be surprised. I am Edward Bongo. One of the black farmer in Nigeria.. You may be surprised.. You may be surprised since you do not know me.. You may be surprised that you get to know someone and you people develop a. lasting relationship. You may be surprised. I am Edward Bongo.. You may be surprised to receive this letter.. You may be surprised. I am Fred James Mulaga.. I am Edward Bongo. You may be surprised to receive this letter.. You may be surprised.. You may be surprised that you people develop a lasting relationship.. I am Edward Bongo. You may be surprised to receive this letter.. You may be surprised that you people develop a lasting relationship.. I am Edward Bongo. You may be surprised that you people develop a lasting. relationship.. KarlErik Tallmo. Draw a straight line and follow it. La Monte Young. Nettimebold mailing list. listinfonettimebold. End of forwarded message. fordervet mat moralsk �delagt mat.. Fwd noisetext Valenhallatines are erebusqued NAOS(E). Fwd noisetext Valenhallatines are erebusqued NAOS(E). HEAD and there i was studying Asmat shield iconography until with the. Doyles and Sullivans and thare bleakeyed Meoptics. HEAD these agressive forces have shuckered meshews and stuck a bed. undermee' Shin.. ANON. CLAMORANGE HEAD Chalkdust family of Mites mighty chalkdust mite. To unsubscribe from this group send an email to. End of forwarded message. fordervet mat moralsk �delagt mat.. Fwd Re Fear.. levinas fearcare. co fo. Start of forwarded message. ReplyTo lyotardlists.village.virginia.edu. Fwd Re Fear.. All. Just wanted to chime in on what has been a fascinating look at fear over the. last week or so. Here is a definition of fear that puts a positive spin on. the term by Levinas To love is to fear for another to come to the. assistance of his fraility (Totality and Infinity ).. Levanis has a great deal to say about fear in the tremblingmurmingswarming. deworlding of the There Is (Il y a). His notion as I presently understand. it is towards a hospitalitywelcoming of the Other which stands in contrast to. it is towards a hospitalitywelcoming of the Other which stands in contrast to

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what he sees as a BeingtowardsDeath in Heidegger.. love is to fear for another. If one were to shorten this definition to To love is to fear (without. reference to another) where does this lead the subject Perhaps I am off. base here but I read in Camus's existentialism a kind of lovingfear of the. subject. Sisyphus. The only serious philosophical question is suicide. A. brand of BeingtowardsDeath an anxiety within being.. love is to fear for another. Does the US fear for others in its policies Is there not rather too. much courage. Can in these times we find dread in such resolve. Fearing courage as much as fear itself. love is to fear for another. Levinas is difficult to stretch into politics. His love his fear is for the. facetoface one's neighbor. That is the managable microlevel. microlove(l) perhaps. To fear for the other beyond one's fear for oneself.. This then in a Levinasian sense is an infinite fear without regard to. whether such fear will be returned in kind.. If this fear is returned howeverthis fear from the otherthere may yet be. hope.. Geof. End of forwarded message. In an office WOULD THE PERSON WHO TOOK THE STEP LADDER YESTERDAY PLEASE BRING. IT BACK OR. FURTHER STEPS WILL BE TAKEN.. Undereksponert et Tb. Bok p� et d�gn. Av P�l Hilmar Sollie. Undereksponert et Tbaned�gn under jorda er tittelen p� en bok som vil. komme ut. . april. Boka er enn� ikke skrevet og du har muligheten til � bli en av. forfatterne i boka.. On a church door THIS IS THE GATE OF HEAVEN. ENTER YE ALL BY THIS DOOR. (THIS. DOOR IS KEPT. LOCKED BECAUSE OF THE DRAFT. PLEASE USE SIDE DOOR.). isoQRenoemataBFtteknott. NVE forteller meg Vi kan risikere str�mmangel i l�pet av vinteren.. Jeg tilbyr meg herved � skru av lyset p� b�ttekottet som du glemte �. skru av i dag morges.. Send til alle som har b�ttekott.. jeg s� alien ig�r med noe innlagt st�y fra upc og der hadde de ikke engang. str�mmangel. men m�tte bekjempe skripete alien nesten bare med knyttnevene rart hvor s�t. alien blir etter. hver oppf�lger kj�ledyr alien ripley liksom de gifter seg i neste film. vissnok alien. s�ker uf�re etc. jfr. dette med levinas' fearcare alien langs dimensjon. ukjentkjent. evig riplay av kjeften til alien inntil domesticated og pusse tannebissene.. fins det. mennesketyper som bare ser oppf�lgerfilmer som for � f� bekreftet at det var. nok � f�. bekreftet at bekreftelsen var nok til � f� bekreftet at slik var det.. som var promisku�s. IDEAREAL. tmplinks. husker ikke hva alt dette var inntil blgen er Ope igjain. Olav Torvund Opphavsrett en introduksjon. utvalgte tekster fra usenet norge... smuggla plutonium til Irak i UTEN at dette ble oppdaga. Da er det. sikkert at atommafiaen lett kan smuggle en atombombekoffert til Al Quaida. UTEN at CIA f�r snusen i dette s� fremt ikke Aga Legger ut tissen p�. Internett og informerer folk om dennne faren.. P�lsevev. CIA finner intet om det FORFERDELIGE i oktober eller .Jan fordi. de ikke vet hvem dvergen er. Hysterikere l�per n� i ring og lager slave. De. opps�ker skjylla for Bin Laden i Ukraina.. Dette begynner � bli en uvane. I filmen Vann over hodet dukket Jon Skolmen. opp for � oppklare mordet p� en �de �y i �r . T�VET gjentok seg .Des. da �rnulf �rn FILMET selvmordet til Kjell Inge R�kkes s�skenbarn.. Allerede DEN GANGEN var negerslaveriet blitt en sosial uvane. Jeg tror DU. er den st�rste muldvarpen Norge har hatt .. Den .Juli begynte Av�pen smuglingen ca kl samme dag som. presidenten i Finland fikk et hemmelig rom i EU mens Olaavi Kartoonen ble. alkoholiker pga trakkasering fra Arne Fagertun og ROSA elefanter i nark.sys. den .. villledet POTe til � tro at dvergen SNIFFET SN� ifm. kokainspritheroinsaken i Lillestr�m i offentlige dokument unndratt. offentlighet. Samme dag forsvant dokumentene om Reidun (psyko.sys).. Enten man politianmelder K�re Torvholm i Narvik eller politianmelder folk. for � ha DRAP i Bod� kommer dette ut p� det samme.. STIGMATISERENDE dokumenter ble laget mens SS (R) ble overf�rt fra EAST. til WEST som ledd i en gjensidig avtale. I desember protesterte Canada mot. nakne damer. SAMTIDIG ble det i filmen rederiet planlagt USEDELIGHET. Mens. alt var gr�nnere p� den andre siden (CIA) fikk en ansatt p� Sunnm�re. homofile eposter F�R jobbs�knaden til verftet. Nikitin trode at ALL. overf�ring av nakne damer (jmf Kolahalv�ya .Jan ) var ulovlig ogs�. den lovlige avtalen mellom EAST og WEST.. I filmen Svarte Orm deltok Mr.Bean i en rotten BORROW i det sentrale. NordEngland. Konkurrenten manglet ET programpunkt som IKKE var idiotisk.. Det eneste seri�se var avskaffelsen av Negerslaveriet. Av hvem og n�r i. helvete ble dette vedtatt undret partilederen.. Maskemannen ga skjylla p� dvergen. Han kontaktet en mystisk psykiater for �. TA offerlammet BAK. Dette var en reprise av T�VET p� en �de �y sommeren. . ORIGO ble forbannet over lekkasjen (tiss) rundt gj�resegheltslapp. leken i Los Alamos. Offerlammet kontaktet Mosj�en Politikammer den .Nov. . Spooky leverte en politianmeldelse i Narvik sommeren . Samme. sommer pr�vde Spooky og Llag Melshorn (Troms�) � likvidere dvergen gjennom. ordrer som ble hindret av Stay Behind. Det skjedde i samarbeid med Helga. Nikitin og Sunnm�re.. Hjernebl�dningen den .. og d�dsfallet .. ER tull og t�ys.. Relatert til kalkunenes passordsystemer p� Stord h�sten radioisotopet. Rowan Atkinson og duepuppene som er s� SJENERTE at de TRE GANGER. spionerte etter nakne damer med helikopter ULOVLIG LAVT OVER HUSTAKENE.. Sp�rsm�let er ikke skjylla. Petrovich Trecelzky gikk i fella under. Treholtsaken da gigantiske OSTER ble nevnt og Idar Ulsteins MISBRUK av. tull ble hindret av prevensjonsmidler. ORIGO kvesser n� knivene. SVITSJ. SVITSJ. SVITSJ. mens hysterikere roper om skjylla. Ingen sp�r (hverken Nikitin eller. maskemannen). Hvem sa klukk.klukk. Istedet gis trusler om at den f�rste som sier noe havner fot under. jorda og at Hele slekta di skal drepes (Sunnm�re) mens. prolifkontoret hos PST er i villrede.. Den eneste logiske konklusjon er at slaveola n� ER en sikkerhetsrisiko.. IDIOTI. YES SIR. Ford�mte idiot. Du skj�nner ikke spillet.. Gruppa er minst tre innbyrdes stridende fraksjoner. I �r �nsket. maskemannen en skriftlig bekreftelse fra K�re Torvholm p� at han var sjef. for alle tre. Det var samme kveld som KT sa til Magne Aga at han KUN tok. imot telefoner fra Oberster eller Generaler i NATO. Eneste unntak var Magne. Aga. Magne og hans mor s�rget for brannslukking og hindret flere. naturkatastrofer denne kvelden.. .. sa Katrin at K�re l� for d�den og at jeg ikke m�tte informere. noen andre. Ordren kom fra K�re.. Imidlertid tok jeg en SPOOKY telefon og fikk som svar at maskemannen skulle. likvideres dersom han sa noe mer.. Han skal kun spise og sove sa spooky. Ellers ble han likvidert.. Spooky hevdet � lede et ulovlig nettverk fra Kristiansund og nordover som. hadde statskupp som m�l og at han skulle overta etter K�re Torvholm.. Dette forklarer hvorfor K�re Torvholm slengte p� r�ret f�r en rettsak i. og sa at Jeg skal mer aldri prate med H�kon Jensen.. .. kom nye drapsordrer. H�kon Jensen Troms� samarbeidet med. Kommunelege og Politi for � tvangsinnlegge maskemannen p� Psykiatrisk. klinikk. I et m�te med FAMPOlederen og en journalist p� en flyplass pr�vde. han � overtale FAMPOlederen til � samarbeide om eliminering av politiske. motstandere med psykiatri. De skulle f� sitt eget cellenr. Dette nektet. Hi�sen og journalisten � v�re med p� f�r spooky dro til Cuba med fly.. Spooky sa til noen som n� bor i Finnmark at Du blir Fiskeriminister etter. statskuppet. Han nektet og advarte Hi�sen og journalisten om � r�re noen. drikkevarer p� Gardermoen. Helga ble frivillig med til Cuba betalt av. spooky.. Spooky gir drasordrer i �st og vest og kritiserer Justisdepartementet for. drap. Han kritiserer USA for det som han selv gj�r. Og gir ordre til at. kritikere p� Internett skal tvangsinnlegges dersom de nevner hans. kriminalitet. Applaudert av Oddmar Rem�y og Synn�ve Fjellbakk Taft�. Sniffer man LSD p� NPS gitt av mystiske psykiatere er dette forst�elig.. Da sier man Hahaha og har det EKSTREMT MORSOMT. Denne humoren har skjedd. i topphemmelighet. Kjetil Lund ble betalt for � skjule den for. Lundh�ringene samtidig som han satt som advokat i Norges Fiskarlag som. advokat for Psykiatrien versus Joar Tran�y og som advokat for kystens. hemmelige tvangskos. Lekkasje av tiss ble deretter oppsnuset av tissen til Lauritzen i Forsvarets. Overkommando ETTER utbruddet mot POTetklubben i forbindelse med m�tet med en. agent fra Mossad i Norge. Er det p� grunn av en dissens p� det personlige. plan at Magne Aga s� obersten snakke med Lauritzen i dokumenter unndratt. offentlighet. Eller er dokumenter stj�let de �delegger dokumenter som Terje. Henriksen skrev i tillegg til IDIOTtr�der p� news om at duer skal visst. anklages Byduer fra St.Petersburg P�LSEVEV. Man fristes til � tro at syke folk SAMLER p� TULL og T�YS og lagrer det p�. DVDrommer i et Riksarkiv. Se bare p� det intetsigende T�VET nedenfor. Kalkunklubben heard in message. voicesheardinsidetheheadscruffymcduffy.com.... Slakte � lemleste kropper er det som skal til for � avdekke. atomsmugglinga til Irak. Da gjelder det � ta tak i folk � sj�re et dypt. kutt i halsen som blodet fra halspuls�ra spruter ut. Man kan med �ks. h�gge av lemmer b�de armer og bein s� offret m� rulle rundt uten armer. og bein og vinner fri meter i parraolympics. Man si man har en dildo. � kj�re en kniv opp i anus og i musa og vri rundt s� eggen skj�rer opp. vevet. En kniv kan ogs� kj�res in i vomma � sprette denne opp s� tarmer. og involler velter ut. Puppene kan skj�res av s� offeret l�per rundt i. gatene og hyler i fryd over � ha blitt flatbrysted. En haggle kan skyte. av folk beina ved � treffe i l�ret s� de m� humpe rundt p� stubbene.. HVEM har en s�dan spr�kbruk som Kalkunklubben h�rte den .Jan Kl. relatert til omsorgsboliger Gr�nnsakmenn eller Menn med Maske. Fiendene til Ole Brum �rnulf �rn har h�rt lignende vissvass f�r. H�rt av �rnulf �rn den .August kl. JFK FIKK en l�rpenge av DEK level ... i ...... Etter Tyrkia (atom) Cuba og et Russisk prosjekt som ikke ligner grisen. gikk det galt.. Slikt gj�r man ikke...... og den hvite Mersca kj�rer p� en bensintank. som best�r av tonn DVS... den kan kj�re i flere hundre �r uten. stopp.. HVEM FAEN TROR Lasse han er. Brum brum brum. NAVN IKKE datoer er saken.. H�rt av �rnulf �rn den .August kl. Bare man f�r sitt inn i Le Monde s� spiller dette ikke noen trolle om. LSD i psykiatrien. Anmeldelse av TYVERI av legejornual... relatert til Reidun siden den er. vekk... Europol leter.. og de finner..... TV de intervjuer.... Navnlister M� legges ut p� Internett... IKKE datoer..... P�LSEVEV. .Nov Kl Innbrudd fra samme IPadresse. .Nov Kl Innbrudd fra samme IPadresse. .Nov Kl Innbrudd fra .... (tukling med CNTsystemRPCSS.exe). .Nov Kl Innbrudd fra ... (trojansk hest). .Nov Kl Innbrudd fra .... (tukling med CProgram filesOutlook Expressmsimn.exe). .Des Kl Innbrudd fra .... (tukling med CNTsystemRPCSS.exe). (CProgram filesOutlook Expressmsimn.exe. .Des Kl ... (CNTsystemRPCSS.exe). (tukling med CProgram filesOutlook Expressmsimn.exe). .Des Kl ... (CNTsystemRPCSS.exe). (CProgram filesOutlook Expressmsimn.exe). (CProgram filesOutlook Expressmsimn.exe). .Jan Kl ... (CNTsystemRPCSS.exe). .Jan Kl ... (CNTsystemRPCSS.exe). .Jan Kl ... (CNTsystemRPCSS.exe). .Jan Kl (UDPprotokoll). (CProgram filesOutlook Expressmsimn.exe). .Feb Kl ... (CNTsystemRPCSS.exe). Enkelte ER uhyre barnslige eller paranoide.. Hva har jeg p� nettPC'en. Jeg lastet ned info om Sanskritmanuskripter fra National Archives of Nepal. da tullinger fors�kte seg igjen.. Dersom man har AHDH syndrom er uhyre aktiv � slik... finnes det tross alt. grenser for hvor langt man kan g�.. RITALINMANNEN kan ringe PST og skremme med tissen. Dersom ikke... s�. kommer tissens fred og ro til � FORSTYRRES osv. Men selv med AHDH kan man. ikke ha tisser. Det faller p� sin egen urimelighet.. Dette er en s�pass stor mengde at det er et problem. Poenget er at denne. historien er eldre enn RitalinMannen Mannen med Maske og Ingolf. Den ang�r. heller ikke gruppa selv om dette br�les i telefoner til PST.. personer satt i en kafeteria. En lavm�lt samtale p�gikk. Denne samtalen. ble h�rt av en annen tilstedev�rende. Den ble nedskrevet i et dokument som. senere havnet hos Lech Walesa. Dette dokumentet s� jeg sommeren . Da. Lech Walesa �nsket sakene oppklart var forutsetningen at tissen ikke skulle. stresses forstyrres eller uroes av sexprat. Tissen m�tte beskyttes. mot den slags ved hjelp av den samme hviskingen og tiskingen man finner i. den hysjstemning som r�der inne p� et BIBLIOTEK.. Katastrofen inntraff da Ritalinmannen skapte en masse st�y omkring et. hemmelig oppdrag og i tillegg p�stod at han selv hadde tisser ().. I samme uke g�r den Spanske Flue p� TV med oppstyret i. sedelighetsforeningen og hvor det gikk inflasjon i hvem som var faren til. �yvind Blunk. P� samme m�te g�r det inflasjon i de tissene. De. tilh�rer IKKE gruppa eller Mannen med Maske.. Enkelte ganger er det like viktig � vite hva som IKKE er tilfelle som det. er � kjenne alle fakta.. �rnulf er en ond oppfinner men heldigvis ikke s� smart. Fremfor alt. mangler han tenkehetten til Petter Smart. Han har pr�vd � stjele den. med det resultat at han oppfant en skurkefangermaskin som fanget han. selv. �rnulf bruker ofte forkledninger men blir lett gjenkjent.. Likevel �rnulf st�r bak epokegj�rende oppfinnelser som skykopteret. eksplosivknappen og DIAOTAP (Del I Atomer Og Ta Penga). Tror jeg.. En gang ble noen nektet pengest�tte fra SND i � starte firma. Firmaet het. PRILUM AS. Pengest�tten ble nektet da det lokale utviklingsselskapet. oppdaget at PRILUM bet�d Penga rett i lomma uten moms.. �rnulf �rn b�r ikke n�dvendigvis oppfattes som en ondsinnet raner av. pengetransporter. Han kan ogs� advare uskyldige mot falske anmeldelser og. tull i offentlige dokumenter unndratt offentlighet. Dette skyldes hans evne. til � h�re stemmer men p� en helt annen m�te enn Terje Torvaldsen.. Tror jeg.. og vi avslutter idag med. Det er riktig siden psykiatriske institusjoner er matstasjoner for diverse. parasitter som trenger �nd og kraft som de stjeler ved � stjele �ndelige. legemerliv fra psienter og ansatte somde lurer inn i psykiatrien tror jeg.. Terje Henriksen. laiv. nice url. OpenDocument. Levende rollespill noe for drama. .. Av Tommy Finsen. I en lengre artikkel tar Vibeke Andersen for seg laiv (i hvertfall enkelte. typer) p� en. dramapedagogs premisser. Dette er del to av tre i artikkelserien fra Drama nr. Vibeke Andersen. Levende rollespill noe for drama. Levende rollespill eller laiv dukket jeg borti f�rste gang p� videreg�ende. En. del av guttene. i parallellklassen min m�ttes en gang i uka og lekte vampyrer i Oslos gater.. Det. hele virket. ganske t�pelig p� meg den gangen noe nerdete gutter dreiv med p� fritida.. Men for noen �r siden ble jeg kjent med et par som hadde drevet med laiving i. flere �r og var. helt hekta. Hjemme hos dem hang det selvlagde ringbrynjer p� veggene og det sto. utsk�rete. romerske spyd med skumgummispiss p� gjesterommet. Merkelige alfabet var rammet. inn og hang. overalt og skapene var fulle av vadmelskjoler og hjemmelagde skinnsko.. Dette fascinerte og jeg m�tte bare sp�rre hva en laiv egentlig var. De svarte. litt diffust. En laiv var en slags leir du dro p� der du spilte en rolle hele tiden mens du. var der. De. fortalte om en skjebnelaiv de hadde v�rt p� Orfevs og Evrydike og den. inneholdt alt sa. de kj�rlighet d�d hevn mord og s� videre.. Men hva gjorde de der Var det som et skuespill Kysset de hverandre Sloss de. p� ordentlig. Hvordan visste de hva de skulle gj�re Hvor bodde de Hva spiste de. Jeg ble sittende igjen med flere sp�rsm�l enn jeg hadde hatt f�r jeg spurte.. Men. nysgjerrigheten min var pirret.. Under en diskusjon p� dramastorfag h�sten snakket vi om hvordan ulike. fagomr�der. benytter seg av teater og dramatermer og hva dette gj�r med faget v�rt. Da. bestemte meg for. � gj�re en unders�kelse omkring begrepet rollespill. Dette er definitivt et. begrep som andre. fagomr�der har l�nt og gitt en ny betydning. Her fikk jeg ogs� muligheten til. � unders�ke. grundigere hva levende rollespill gikk ut p�.. Jeg bestemte meg for � se n�rmere p� de fagomr�dene som benyttet begrepet. rollespill og. finne ut hvilken betydning de tilla ordet. Deretter sammenliknet jeg disse. ulike. formene for. rollespill og tilslutt unders�kte jeg hva mannen i gata forbandt med ordet.. Resultatet var. ganske spennende og utgjorde storfagsoppgaven min v�ren .. I denne artikkelen vil jeg imidlertid bare ta for meg den kategorien som. omhandler. fantasirollespillet en form som har vokst frem i ungdomsmilj� over hele. verden.. Fantasirollespill. Fantasirollespill kan grovt deles inn i tre hovedkategorier. . Bordrollespillbrettspill. . Rollespill p� nettet. . Levende rollespill Laiv. Bordrollespillet har sine r�tter i to leirer. P� den ene siden har det. utgangspunkt i det. tradisjonelle brettspillet som Hattoverhatt og Ludo. Brettspillene har blitt. mer og mer. avanserte og vi har f�tt spill som Geni Fantasi og Kokkelimonke. Disse. spillene. pr�ver �. involvere spillerne i st�rre grad noe som ogs� er m�let i bordrollespillet.. P� den andre siden har bordrollespillet r�tter i Fantacylitteraturen (for. eksempel Ringenes. Herre J.R Tolkien). Dette er historier med trollmenn drager nisser. dverger. alver og. hobbiter spennende figurer som appellerer til fantasien. Historien i disse. b�kene er ofte. oppbygd p� samme m�te som v�re folkeeventyr. Hovedpersonen har en oppgave �. l�se m�ter mange. pr�velser underveis og seirer til slutt over det onde. Denne formen er kjent. for. de fleste. og vi kan dramaturgien i historiene nesten intuitivt.. Herfra var ikke veien lang til �nsket om selv � lage historier.. Bordrollespillet. bidro med et. brett figurer (alver trollmenn krigere) spesielle terninger som ga figurene. ulike. egenskaper (magiformularer styrke evne til overtalelse) og en liten bok som. beskrev den. fiktive verdenen spillet foregikk i. Da var det bare � sette i gang.. En rollespillgruppe ble en eksklusiv klubb som spilte sammen. En i gruppa var. spilleder GM. (gamemaster). Det er han som har utviklet den historien som skal utspille seg. hvilke figurer. som skal v�re med og hvilke problemer som skal l�ses.. Han forteller en innledning til historien og spillet begynner. Spillets gang. g�r. ut p� at. deltakerne som ofte er et team skal l�se problemene som GM har laget ferdig.. Eksempel En. drage ligger p� gulln�kkelen dere trenger for � befri alveprinsessen. Hva gj�r. dere. Gruppa diskuterer og blir enige forteller hva de gj�r og terningen avgj�r. utfallet. GM. forteller da hva som blir konsekvensen av handlingene deres og tar de med. videre. i. handlingen. Her er det viktig at GM kan leve seg inn i fortellingen og skape en. stemning som. holder interessen ved like hos deltakerne.. Dette ble fort popul�rt spesielt blant gutter. Kanskje var dette fordi. historiene som kom p�. markedet ofte var henvendt til gutter eks. Dungeons Dragons Vampires Star. Wars m.fl.. Rollespill p� Internett har utgangspunkt i b�de bordrollespill og dataspill. (adventure. games). Ogs� her er det probleml�sning som er essensen i historien men her. gj�r. du det. hjemme fra PC'en din. Du s�ker p� nettet etter roleplay og velger det spillet. du �nsker �. v�re med p�. De fleste spillene opererer med b�de tekst og grafikk. Du f�r en. introduksjon. til den verdenen som eksisterer i ditt spill du velger deg en figur og f�r. vite hvilke. egenskaper du har. Deretter m�ter du teamet ditt som ofte er fra helt andre. deler av verden. enn deg du f�r en problemstilling og setter i gang. Her m� du forhandle med de. andre. spillerne over nettet. Du skriver hva figuren din har tenkt til � gj�re og du. f�r vite. resultatet av handlingene dine av fortelleren i spillet.. Dette er en forholdsvis ny form for rollespill men en som �ker og forbedres i. et utrolig. tempo. Noen spill har en artig vri der du f�r muligheten til � innvirke p�. historien.. Etterhvert som du blir flinkere og beveger deg oppover i niv�ene (levels) f�r. du. muligheten. til � skrive forslag til oppgaver til andre som er med i spillet men er p� et. lavere level. enn deg.. Etterhvert som Virtual Reality blir enklere og mer brukervennlig og grafikken. blir mer. troverdig er jeg sikker p� at denne formen for rollespill vil �ke i et. eksplosivt tempo. Her. har du muligheten til � g� inn i ulike verdener v�re alt fra sort alv til. steppebeboer og. leve i en annen verden sammen med mennesker fra hele verden fra din egen stue.. Levende rollespilllaiv ble startet for ca. tyve �r siden i USA av. bordrollespillere som. ikke lenger var tilfredse med bare � fortelle hva figurene deres gjorde. De. �nsket � spille. ut historien v�re figuren sin og f� leve i den fiktive verdenen en stund.. En definisjon p� laiv er utarbeidet av Hanne Grasmo og lyder som f�lger. Laiv er forberedt og planlagt improvisasjonsteater som s�ker � levendegj�re et. fantasisamfunn over en kortere periode (noen timer til seks dager). Samfunnet. skal virke. ekte b�de fysisk psykisk mytisk og sosialt. Det er ingen tilskuere og alle. deltakerne f�r. p� forh�nd tildelt en rolle (det er kun en bakgrunn ikke manus) som de skal g�. inn i og leve. i s� lenge spillet varer. Dette ser ut som en blanding av mange dramaformer vi selv driver med en slags. komplisert. dramatime. Kanskje er det p� grunn av denne blandingen at laiv har s� mange. forskjellige. navn Fantasireise rollelek sanselek teaterlek fullskala rollespill. tidshull simulerte. samfunn scenario interaktivt teater improvisasjonsteater m.fl.. Som vi ser av definisjonen krever en laiv mye planlegging av arrang�rene for. hvordan skulle. man f� verdenen til � virke s� realistisk at man virkelig levde seg inn i den. Hvor skulle. man v�re Hvordan skulle en f� figuren sin til � se ut slik man hadde bilde av. den i hodet. sitt Hvor skulle man f� v�pnene fra Hvordan skulle man sloss drepe eller. torturere noen. Laiv ble et s� omfattende prosjekt at det kunne ta et helt �r � planlegge .. Jeg skal gjennom et fiktivt eksempel pr�ve � ta dere med fra start til slutt. i. planleggingen av en laiv. Jeg velger � bruke v�rt definisjonsapparat noe jeg. h�per vil vise. hvor mye arrang�rene har til felles med dramal�reren.. En laiv skapes. Det f�rste trinn i utviklingen av en laiv er at en arrang�r kommer p� en id. som. engasjerer. henne. Min fiktive arrang�r f�r en id n�r hun leser VG en gang i og. leser at ... vil det v�re solform�rkelse. Solform�rkelser har alltid v�rt fulgt av. dommedagsprofetier og. andre myter. Dette er en god anledning til � lage en laiv.. Tid Arrang�ren velger seg tidlig middelalder og �nsker � la laiven inspireres. av legendene. om kong Arthur og ridderne av det runde bord. Hun tror ogs� at laiven b�r vare. et par dager.. Fabel Sakserne er klare til � invadere et splittet Britannia. Konflikten. mellom. den gryende. kristendommen og den gamle troen p� Gudinnen og Den Hornkledte deler Britannia. i. leirer. som styres av sine sm�konger. Den gamle kongen ligger for d�den og mange. sm�konger �nsker �. overta tronen som storkonge. P� �ya Avalon pr�ver man � finne en l�sning som. vil. forene de. ulike gruppene i Britannia mot en felles fiende sakserne. Kanskje en konge av. blande blod. vil v�re l�sningen. Intrikate planer magiske ritualer bryllup pr�velser for den nye kongen og. hans riddere. utroskap plyndring og kriging blir ingrediensene i min arrang�rs historie. Det. store slaget. vil finne sted onsdagen da solform�rkelsen skjer og hva solform�rkelsen vil. bety for. utfallet av slaget vil v�re det st�rste spenningsmomentet. De kristnes. dommedagsprofetier. prestinnene p� Avalon sitt syn p� dette som en spesielt magisk hendelse og. saksernes. uvitenhet vil alle v�re med � bestemme hvem som seirer.. Hele bakgrunnen til historien som skal spilles m� skrives ned og sendes med. kompendiet som. alle deltakerne f�r tilsendt.. FigurerKong Artur Trollmannen Merlin Fruen fra Sj�en (Viviane) Morgan le. Fay Igraine. Riddere Saksere Sm�konger Prester Nonner Prestinner p� Avalon m.fl.. Det er viktig at rollene ikke blir endimensjonale alle m� ha en berettiget. plass i samfunnet. og alle m� ha oppgaver � l�se.. Personkarakteristikk og bakgrunn til alle figurene m� skrives ned og sendes med. kompendiet.. Rom Handlingen foreg�r p� Avalon (en �y) hos Kongen (en borg) i skogen og p�. markene. Det. er ogs� viktig at handlingen foreg�r en plass der man ser solform�rkelsen.. Dette er en laiv som vil kreve altfor mye i forhold til lokaliteter s� min. arrang�r m�. slakke p� kravene. Det viktigste er at solform�rkelsen kan sees. Derfor. bestemmer hun seg for. � holde laiven i s�rdelen av Danmark. For � slippe � leie en borg bestemmer. arrang�ren at. laiven begynner med den forrige kongens begravelse og da har alle tilreisende. egne telt som. de bor i under hele laiven. Beboerne p� Avalon har sine telt p� �ya og. sakserne. har sine. telt i skogen rundt begravelsesplassen. Disse teltene m� selvf�lgelig se. troverdige ut. derfor m� oppskriften p� de ulike teltene inkluderes i kompendiet. Min arrang�r. hiver seg p�. telefonen til Danmark og leter etter en campingplass eller friomr�de som har en. innsj� eller. et tjern med en �y i og b�de en �pen plass og skog rundt.. Pris for reise og deltakelse i laiven m� sendes med kompendiet.. Dramatiske virkemidler. Spenning Spenningen i laiven ligger i mange lag. Historien som skal utspilles. er full av. spenningsmomenter. Vil kongen og ridderne klare pr�velsene saksernes. plyndringer p�. nattestid planene som settes ut i livet av Fruen fra Sj�en og Merlin... En laiv er gjennomsyret av spenning dersom den er godt planlagt. Og for. arrang�ren er alltid. spenningen om laiven f�r det utfallet hun har tenkt seg uforutsette ting som. skjer underveis. m.m.. Kontrast Kontraster i denne laiven er mange for ex. mellom figurene Lot som. �nsker � drepe. kongen og selv v�re konge men som utad virker lojal mot kongen. Den ultimate. kontrasten. ligger i solform�rkelses�yeblikket. Der lyset viker for m�rket i noen minutter.. Ogs� her er det arrang�ren som legger opp til kontrastene i historien mellom. figurene i. hendelsesforl�pet osv.. Symboler Laiven blir gjennomsyret av symboler. V�pnene er av lateks eller. skumgummi. Og n�r. man blir truffet m� man spille skaden troverdig. Dersom v�pnene er ekte. avgj�res kampen. etter d�delighet eks. �ks sl�r kniv sverd sl�r �ks. Alkohol er forbudt s�. man. drikker seg. full p� r�dsaft (vin) eller sjampanjebrus (�l) etter drikkepoeng. F.eks To. glass blir du. full av etter tre g�r du under bordet. I tillegg vil handlinger som sex drap. o.l gj�res. symbolsk. Eks. skuldermassasje betyr samleie eller man kan bare si N� er du. gravid.. Ritualer Denne laiven vil v�re full av ritualer. Eks. Stammefolket sin pr�ve. av. Artur vil. inneb�re kroppsmaling urteteer for � oppn� transe for � se om Gudinnen. finner. ham verdig. dans rundt b�let en menneskejakt der stammefolkets menn pr�ver � fange Artur. og. til sist en. forening mellom kongen og ypperste prestinnen.. Det er viktig � ha b�de sm� ritualer for � skape samf�lelse i grupperingene og. ogs� store. ritualer der alle f�r delta for eksempel kroningen av kongen. Dette skaper en. st�rre. fellesskapsf�lelse for hele gruppa.. Rytme. Her st�r arrang�ren litt hjelpel�s for det er deltakerne som bestemmer flyten. i. spillet. likevel har arrang�ren en mulighet til � p�virke spillet. Det gj�res ved � leie. inn noen til. � v�re skuespillere som skal v�re med i sm� scener for eksempel en prest som. leder. begravelsen og �pner laiven noen saksere som kan komme og plyndre om natten. kanskje de. kidnapper noen. Noen kan v�re Gudene som viser seg i et dr�mmesyn eller. prestinner som har. sett den store dragen sluke solen. Disse m� instrueres og l�nnes dersom de. ikke. er med i. arrangementskomiteen. Men de er et viktig element for � f� historien videre.. Dramaturgiske valg. Alle disse valgene m� tas av arrang�ren i konstrueringen av historien.. Tolkningen vil arrang�ren gj�re p� forh�nd gjennom hva hun velger � legge vekt. p� i. oppbyggingen av samfunnet. For at deltakerne skal forst� hvilken vei handlingen. skal g� er. det viktig at arrang�rens tolkning av stoffet er tydelig i spillet.. Fokus i historien vil variere etter hva som er din oppgave i spillet. For. sakserne vil fokus. ligge p� hva de kan gj�re for � kunne sl� britene mens for prestinnene p�. Avalon vil fokuset. v�re hvordan de kan skaffe en konge som alle vil f�lge. Dersom gruppene har for. mange fokus. p� en gang kan de miste tr�den i historien.. Vendepunkt er det mange av i historien. Disse oppst�r n�r f.eks. den lojale. ridderen Lot. forgifter kongens mat. Hovedvendepunktet blir kanskje utfallet av striden under. solform�rkelsen. Stilen blir realisme for et av m�lene ved laiv er � skape s� realistiske. skildringer som. mulig. Dramaformen er det vanskelig � beskrive i og med at dette ikke er en. dramaform. Men. det n�rmeste jeg kan komme er kanskje aristotelisk. Andre oppgaver. Selv om n� laiven nesten er klar er det fremdeles en del ting � ordne. troverdige rekvisitter. (det runde bord) skal ridderne ha hester hva slags mat skal spises osv. N�r. dette er. gjort skal kompendiene lages med rollebeskrivelser historiens bakgrunn en. beskrivelse av. de religionene som er med i historien alfabetet til det hellige spr�ket p�. Avalon m� med. tegninger av kostymeutkast til konger riddere prestinner saksere tjenere. osv v�pen. tegninger og evt. sanger eller formularer som m� l�res.. S� m� laiven reklameres for slik at det blir mange som vil v�re med. Internett. og. laivgruppenes blad er de mest benyttede PRfora. Og etterhvert som deltakerne. melder seg p�. skal de f� sine kompendier tilsendt og pengene m� kreves inn.. De fleste arrang�rene som i hovedsak er gutter (stadig flere jenter blir. arrang�rer) er. mellom �r. De er godt utdannet innenfor ulike fag historie samfunnsfag. naturfag. eller teatervitenskap. Og de fleste gj�r alle deler av arbeidet med � lage en. laiv selv. eller de er et lite team som deler p� ansvaret. Det er mye arbeid og man kan. undre seg over. at de orker.. Likevel sier de fleste at n�r de ser alle deltakerne spille i samfunnet deres. er. all. jobbingen verdt det.. For � v�re helt �rlig Kicket er � se at spillerne lever i min verden.... (Grasmo Hanne. s.). Laiven. P�meldingene str�mmer inn og rollene fordeles. Deltakerne er med av ulike. grunner noen er. med fordi de �nsker en sterk opplevelse andre er med for adrenalinkicket du. f�r. i laiv.. Enkelte er med fordi de �nsker � v�re noen andre enn seg selv en stund noen f�. er kostyme og. rekvistittfreaker og er med for � lage s� gode og troverdige ringbrynjer. sverd kilter e.l. som mulig. Andre igjen er med fordi de liker � v�re i fokus og atter andre. liker. � l�re nye. ting om forskjellige samfunn og liker � sette seg n�ye inn i samfunnet f�r de. er med.. Men noen ting er felles for deltakerne Alle m� akseptere fiksjonspakten og. alle m� pr�ve �. leve seg inn i rollen sin s� godt som mulig s� lenge laiven p�g�r.. Fiksjonspakten inng�s f�r. laiven starter og det kan gj�res p� mange m�ter f.eks. gjennom en felles ed. Vi vil n� godta som eneste virkelighet laivens virkelighet og leve oss inn i. den totale. illusjon med de regler og rammer som er gitt oss i den rollen som er blitt oss. forutbestemt. for denne fiktive verdenen skapt av de allmektige arrang�rer �penbart gjennom. de omfattende. kompendier og ikke vike for fristelsen til offlaiv fra spillstart til. spillslutt hele. d�gnet rundt. La laiven begynne. (Erlend Eidsem Hansen). S� starter spillet og laiven p�g�r til historien er ferdigspilt eller til noen. stanser. laiven (KUTTregelen se bokanmeldelse). Forh�pentligvis blir det en god laiv. og deltakerne. f�ler at de f�r valuta for pengene sine.. Levende rollespill noe for drama. I laivmilj�et som i alle andre milj� finnes det ogs� problemer. Noen blir s�. hekta p� laiv. at de er med p� alt som finnes og bruker opp alle pengene sine p� laiv. De. blir. avhengige av. adrenalinkicket eller de trives mye bedre i fiksjonsverden enn i sin egen. virkelighet. Noen. steder er ogs� laivgruppene blitt opps�kt av folk som ikke har. sosialintelligens og ikke. forst�r hvorfor man m� stoppe en laiv bare fordi ei jente ble skadet. Disse. forsvinner ganske. fort for de f�r ikke roller i nye laiver.. En annen ting er hvor sunt det er � la sm� barn f� v�re med p� laivene. Hva vil. skje med en. fire�ring som dras med p� laiv etter laiv Hva skjer med virkelighetsbildet til. den ungen. Riktignok er laiv en lek men den benytter seg av de voksnes lekespr�k ikke. barnas.. Et siste problem som mange kritikere er opptatt av er om man blir mer. voldelig. av � drepe. folk p� laiv. Det kan ikke jeg svare p� bare si at det samme har man sagt om. rock dataspill. og video.. Men p� tross av alle disse faktorene mener jeg at laiv kan bli noe veldig. spennende for oss i. dramamilj�et. L�ringspotensialet i laiving er veldig stort man l�rer historie. (tidlig. middelalder) religion (kristendom vs gammeltro) heimkunnskap (historisk. matlaging). probleml�sning (forhandling i rolle) forming (ved � lage eget kostyme v�pen. e.l.) osv. I. tillegg vil de l�re de mange deler av teaterproduksjonen gjennom selv � spille. i. laiven. kostyme dramaturgi scenografi spillkompetanse scenekamp m.m.. I forhold til prosjekttanken i L er dette midt i blinken for mellomtrinnet. og. ungdomsskolen.. Men kostnadene for en slik laiv er ogs� store. At en dramal�rer skulle. organisere en slik. laiv for en klasse p� en skole ville v�re utenkelig. Men kanskje kunne en. gruppe. dramal�rere. sammen lage en laiv f.eks. en vikinglaiv og holde den i Vikinglandet p�. Tusenfryd (som er. stengt om vinteren). De kunne utvikle et rollegalleri med jenter og. gutter som kunne. tilpasses antallet i klassene som �nsket � v�re med. Laiven kunne vare i ca.. timer og. tilbys til alle skolene i Akershus og Oslo. Skolene ville p� forh�nd f�. tilsendt. en mappe med. rollebeskrivelser kostymedesign osv pluss noen arbeidsoppgaver som en. forberedelse til. spillet. Det ville blitt som en slags TIUgruppe men ikke opps�kende. Klassene. m�tte komme. til spillstedet og bearbeiding av opplegget m�tte skje i etterkant av spillet. (ikke. underveis). Det kunne skje b�de gjennom dramaarbeid i etterkant og gjennom. flere. arbeidsoppgaver som klassen kunne jobbe med tilbake p� skolen.. Selv synes jeg dette er en spennende ny form og kanskje ligger min fremtidige. hovedfagsoppgave her. Jeg skal i alle fall v�re med p� laiv om ikke lenge og. lover � gi dere. tilbakemelding om hvordan det gikk.. Vibeke Andersen. I do not know where family doctors acquired illegibly perplexing handwriting. nevertheless. extraordinary pharmaceutical intellectuality counterbalancing. indecipherability. transcendentalizes intercommunications' incomprehensibleness.. Re The evolution of the freest. The evolution of the freest. (Filed ). Matt Ridley reviews Freedom Evolves by Daniel C.. Dennett. nice url. xmlartsboden.xmlsSheetartsbomain.html. He now returns to free will with a remarkably persuasive new idea derived from. Darwinism. that freedom of the will is something that grows that evolves. The greater the. sophistication of an organism the greater its knowledge of the world and of. itself so the. greater its ability to take charge of its own destiny. A rock has no freedom to. choose a. bacterium has very little a bird has some a conscious primate has much more. a. conscious. primate inheriting a rich lode of cultural knowledge has the most of all.. det var noe s�nt jeg mente i skribleriet. frihet og bevissthet han holder n�klene klare til � l�se opp d�ra i riktig. h�yde allerede. f�r han n�r d�ra rasjonell oppf�rsel hvorfor kritiserer jeg det rasjonelle. p� alle. niv�er. er det f�ringer rigide atomer de ufrie systemene vi best�r av. forutsetninger. for h�yniv�. frihetsefaring hvordan er denne friheten forskjellig fra friheten til et. atom om atomet. hadde en bevissthet bevissthet er frihet hvis det er en s�nn bevissthet jeg. er ute etter. s�. forklarer det forakten for det rasjonelle som � spille ludo at fyren med. n�kkelknippet. insisterer som en fiksering av bevissthet som i det minste funker han f�r. insisterer som en fiksering av bevissthet som i det minste funker han f�r

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opp d�ra med et. minimum av avstrengelse men jeg kritiserer ikke atomene hans hvorfor ikke. men at han. reifiserer det rasjonelle blir sine atomer ludobrikker og ofrer bevissthet. nedrig. ligesom at han blir sine grenser diminishing hvordan man fikserer sine. grenser og. etterhvert identifiserer seg med dem jajasann heroisk og romantisk. levedyktighet min. egen eller jeg anerkjenner ingenting sier han �nsker � v�re en tom. prosessor. ren �nd i. flaska sprit ruset p� seg selv men n�r er det akseptabelt for andre n�r. kalles det rus. og n�r kalles det med honn�rord hvis kulturen er i en balanse og pendling. mellom kaos og. orden er det klart det har betydning og om man gir det en eller annen form. for. uttrykk.. for entries for silly ref. etymologien for 'silly' som 'salig'.. Q Are you qualified to give a urine sample. A I have been since early childhood.. noemata Re The evolution of the freest. The evolution of the freest. (Filed ). Matt Ridley reviews Freedom Evolves by Daniel C.. Dennett. nice url. xmlartsboden.xmlsSheetartsbomain.html. He now returns to free will with a remarkably persuasive new idea derived from. Darwinism. that freedom of the will is something that grows that evolves. The greater the. sophistication of an organism the greater its knowledge of the world and of. itself so the. greater its ability to take charge of its own destiny. A rock has no freedom to. choose a. bacterium has very little a bird has some a conscious primate has much more. a. conscious. primate inheriting a rich lode of cultural knowledge has the most of all.. det var noe s�nt jeg mente i skribleriet. frihet og bevissthet han holder n�klene klare til � l�se opp d�ra i riktig. h�yde allerede. f�r han n�r d�ra rasjonell oppf�rsel hvorfor kritiserer jeg det rasjonelle. p� alle. niv�er. er det f�ringer rigide atomer de ufrie systemene vi best�r av. forutsetninger. for h�yniv�. frihetsefaring hvordan er denne friheten forskjellig fra friheten til et. atom om atomet. hadde en bevissthet bevissthet er frihet hvis det er en s�nn bevissthet jeg. er ute etter. s�. forklarer det forakten for det rasjonelle som � spille ludo at fyren med. n�kkelknippet. insisterer som en fiksering av bevissthet som i det minste funker han f�r. opp d�ra med et. minimum av avstrengelse men jeg kritiserer ikke atomene hans hvorfor ikke. men at han. reifiserer det rasjonelle blir sine atomer ludobrikker og ofrer bevissthet. nedrig. ligesom at han blir sine grenser diminishing hvordan man fikserer sine. grenser og. etterhvert identifiserer seg med dem jajasann heroisk og romantisk. levedyktighet min. egen eller jeg anerkjenner ingenting sier han �nsker � v�re en tom. prosessor. ren �nd i. flaska sprit ruset p� seg selv men n�r er det akseptabelt for andre n�r. kalles det rus. og n�r kalles det med honn�rord hvis kulturen er i en balanse og pendling. mellom kaos og. orden er det klart det har betydning og om man gir det en eller annen form. for. uttrykk.. for entries for silly ref. etymologien for 'silly' som 'salig'.. Q Are you qualified to give a urine sample. A I have been since early childhood.. unsubscribe from this group send an email to. no.test novels. hverandre ved � bruke. samme subject.. (posten med subject test p� side har dermed oppf�lgerposter.). arkiveres. der som andre grupper. f�rste melding p� no.test just another test. no.test er i det minste helt fordringsl�s. .test.. Q Is your appearance here this morning pursuant to a. deposition notice which I sent to your attorney. A No this is how I dress when I go to work.. Dawkins' A callous world. En konsekvens av universet som meningsl�st etc. er at handlinger faller ned. igjen med full. tyngde p� den enkelte hva jeg gj�r eller er er ikke forsvarbart ut fra noen. teleologi. (annen enn min egen). Gj�r det oss mer ansvarlige Mindre Religion tar en del. av ansvaret. fra oss og gir tilbake immunitet og frihet.. Fra innsiden er det ogs� en oppl�sning jeg kjenner meg ikke ansvarlig for den. jeg er eller. at jeg er siden jeg har en kunnskap om meg selv som betinget og sammensatt av. ting jeg ikke. har kontroll over og ansvar for.. Truet fra begge sider virker det som det eneste som holder meg ansvarlig er et. ideelt. fokuspunkt i midten i en tenkt overgang mellom �rsak og virkning fortid og. fremtid. Er et. s�nt 'ansvarlig punkt' analogt med ubegripeligheten til '�yeblikket' som punkt. Ref.. klassiske paradokser rundt punktkontinuum en flyvende pil som ikke er i. bevegelse fordi. den hvert �yeblikk alltid er p� et bestemt sted. P� samme m�ten f�r vi et. ansvarlighetsparadoks n�r vi forst�r oss som partikul�rt og personlig. ansvarlige. flyvende. pilansvarligmenneske beviselig uten bevegelseansvar.. Netttigging blir bok. Netttigging blir bok. Snille surfere betalte Karyns gjeld. Historien begynte med at New Yorkjenta brukte s� mange penger p� dyre motekl�r. at hun p�dro. seg s� dyre forbruksl�n at gjelda steg henne over hodet. Den eneste utveien. hun. s� var. gavmilde nettsurfere.. Ikke veldedighet. P� nettsiden SaveKaryn.com ble bes�kende bedt om � sende inn sine bidrag. I. l�pet av kort tid. ble det registrert over treff p� siden.. Jeg gjentar Du gir ikke bort penger til veldedighet men i stedet til en. moteriktig ung. dame som har brukt for mye penger presiserte hun tydelig p� nettstedet.. Det er antagelig selve boken og kommende tiggere selv som vil gj�re henne rik. tittelen p�. artikkelen kunne heller v�rt. Bok blir netttigging. Netttiggere betaler Karyns gjeld. Historien skjer i media etc. Ikke s� forskjellig fra satireprogrammet du. snakket. om i g�r. referanser til virkeligheten n�� it's made of strings strings of characters. so called. language tror jeg.. .en fin mailingliste der du refererer til noen.. Fwd. Start of forwarded message. ReplyTo mail.ljudmila.org. Fwd. () (. ' ' '. () (. ' ' '. ). () (. ' ' '. ). (). () (. ' ' '. ). '. ). ' ' '. roundtheclock posting of sequenced hypermodern imagery from Brad Brace.. The hypermodern minimizes the familiar the known the recognizable it. suspends identity relations and history. This discourse far from. determining the locus in which it speaks is avoiding the ground on which. it could find support. It is trying to operate a decentering that leaves. no privilege to any center.. began December. Pointless Hypermodern Imagery... postedmailed every hours... a. spectral trajective alignment for the s A continuum of minimalist. masks in the face of catastrophe conjuring up transformative metaphors. for the everyday... A poetic reversibility of exclusive events.... A postrhetorical continuous apparently random sequence of. imagery... genuine gritty greyscale... corruptable compact. collectable and compelling convergence. The voluptuousness of the grey. imminence the art of making the other disappear. Continual visual impact. an optical drumming sculpted in duration on the endless present of the. Net.. unassimilable... imagery is gradually acquired selected and resequenced. over time... ineluctable vertiginous connections. The hr dialtone.... see ftp.idiom.comusersbbracenetcombooks.txt. KEYWORDS Disconnected disjunctive distended decentered. decomposed ambiguous augmented ambilavent homogeneous reckless.... Multifaceted oblique obsessive obscure obdurate.... Promulgated personal permeable prolonged polymorphous provocative. poetic plural perverse potent prophetic pathological pointless.... Emergent evolving eccentric eclectic egregious exciting. entertaining evasive entropic erotic entrancing enduring. expansive.... Every hours another... view them repost em save em. trade em print em even publish them.... Heres how. Look for the hricon. Heavy traffic may require you to specify files. more than once Anarchie Fetch CuteFTP TurboGopher.... Download from ftp.pacifier.com pubusersbbrace. Download from ftp.idiom.com usersbbrace. Download from ftp.rdrop.com pubusersbbrace. Download from ftp.eskimo.com ubbbrace. Download from hotlineartlyin.ftr.va.com.au. Remember to set tenex or binary. Get hr.jpeg. Email If you only have access to email then you can use FTPmail to. do essentially the same thing. Send a message with a body of 'help' to. the server address nearest you. ftpmailccc.uba.ar ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de ftpmailftp.Dartmouth.edu. ftpmailieunet.ie ftpmailsrc.doc.ic.ac.uk. ftpmailarchie.inesc.pt ftpmailftp.sun.ac.za. ftpmailftp.sunet.se ftpmailftp.luth.se. ftpmailNCTUCCCA.edu.tw ftpmailoak.oakland.edu. ftpmailsunsite.unc.edu ftpmaildecwrl.dec.com. ftpmailcensus.gov. bitftpplearn.bitnet bitftpdearn.bitnet. bitftpvm.gmd.de bitftpplearn.edu.pl. bitftppucc.princeton.edu bitftppucc.bitnet. Mirrorsites requested Archives too. The latest new jpeg will always be named hr.jpeg. Average size of images is only K.. Perl program to mirror ftpsitessubdirectories. src.doc.ic.ac.ukpackagesmirror. Postings to usenet newsgroups. alt.hr. alt.binaries.pictures.hr. alt.binaries.pictures.misc. alt.binaries.pictures.fineart.misc. Ask your system's newsadministrator to carry these groups. (There are also usenet image browsers TIFNY PluckIt Picture Agent. PictureView Extractor NewsRover Binary News Assistant EasyNews). This interminable relentless sequence of imagery began in earnest on. December . The basic structure of the project has been over. twentyfour years in the making. While the specific sequence of. photographs has been presently orchestrated for more than years worth. of hour postings I will undoubtedly be tempted to tweak the ongoing. publication with additional new interjected imagery. Each hour posting. is like the turning of a page providing ample time for reflection. interruption and assimilation.. The sites listed above also contain information on other cultural. projects and sources.. A very lowvolume moderated mailing list for announcements and. occasional commentary related to this project has been established at. This project has not received government artsubsidies. Some opportunities. still exist for financially assisting the publication of editions of large. (x) prints perhaps (Iris giclees) inkjet duotones or extendedblack. quadtones. Other supporters receive rare copies of the first three. hremailsubscriptions can also be made at. mo yr.. image files. Get the textfile 'picturesfaq' to learn how to view or. translate these images. ftp ftp.idiom.comusersbbracenetcom. (c) Credit appreciated. Copyleft. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. End of forwarded message. fordervet mat moralsk �delagt mat.. oblidor strategums What else is like this. (Organic) machinery. A line has two sides. A very small object Its centre. Abandon desire. Abandon normal instructions. Accept advice. Accretion. Adding on. Allow an easement (an easement is the abandonment of a stricture). Always first steps. Always give yourself credit for having more than personality. Always the first steps. Are there sections Consider transitions. Ask people to work against their better judgement. Ask your body. Assemble some of the elements in a group and treat the group. Back up a few steps. What else could you have done. Balance the consistency principle with the inconsistency principle. Be dirty. Be extravagant. Be less critical more often. Breathe more deeply. Bridges build burn. Call your mother and ask her what to do.. Cascades. Change ambiguities to specifics. Change instrument roles. Change nothing and continue with immaculate consistency. Change specifics to ambiguities. Children's voices speaking singing. Cluster analysis. Consider different fading systems. Consider transitions. Consult other sources promising unpromising. Convert a melodic element into a rhythmic element. Courage. Cut a vital connection. Decorate decorate. Define an area as safe' and use it as an anchor. Describe the landscape in which this belongs. ( August). Destroy nothing Destroy the most important thing. Discard an axiom. Disciplined selfindulgence. Disconnect from desire. Discover the recipes you are using and abandon them. Discover your formulas and abandon them. Display your talent. Distorting time. Do nothing for as long as possible. Do something boring. Do something sudden destructive and unpredictable. Do the last thing first. Do the washing up. Do the words need changing. Do we need holes. Don't avoid what is easy. Don't be afraid of things because they're easy to do. Don't be frightened of cliches. Don't be frightened to display your talents. Don't break the silence. Don't stress one thing more than another. Emphasize differences. Emphasize repetitions. Emphasize the flaws. Faced with a choice do both. Feed the recording back out of the medium. Feedback recordings into an acoustic situation. Fill every beat with something. Find a safe part and use it as an anchor. First work alone then work in unusual pairs.. noemata oblidor strategums What else is like this. (Organic) machinery. A line has two sides. A very small object Its centre. Abandon desire. Abandon normal instructions. Accept advice. Accretion. Adding on. Allow an easement (an easement is the abandonment of a stricture). Always first steps. Always give yourself credit for having more than personality. Always the first steps. Are there sections Consider transitions. Ask people to work against their better judgement. Ask your body. Assemble some of the elements in a group and treat the group. Back up a few steps. What else could you have done. Balance the consistency principle with the inconsistency principle. Be dirty. Be extravagant. Be less critical more often. Breathe more deeply. Bridges build burn. Call your mother and ask her what to do.. Cascades. Change ambiguities to specifics. Change instrument roles. Change nothing and continue with immaculate consistency. Change specifics to ambiguities. Children's voices speaking singing. Cluster analysis. Consider different fading systems. Consider transitions. Consult other sources promising unpromising. Convert a melodic element into a rhythmic element. Courage. Cut a vital connection. Decorate decorate. Define an area as safe' and use it as an anchor. Describe the landscape in which this belongs. ( August). Destroy nothing Destroy the most important thing. Discard an axiom. Disciplined selfindulgence. Disconnect from desire. Discover the recipes you are using and abandon them. Discover your formulas and abandon them. Display your talent. Distorting time. Do nothing for as long as possible. Do something boring. Do something sudden destructive and unpredictable. Do the last thing first. Do the washing up. Do the words need changing. Do we need holes. Don't avoid what is easy. Don't be afraid of things because they're easy to do. Don't be frightened of cliches. Don't be frightened to display your talents. Don't break the silence. Don't stress one thing more than another. Emphasize differences. Emphasize repetitions. Emphasize the flaws. Faced with a choice do both. Feed the recording back out of the medium. Feedback recordings into an acoustic situation. Fill every beat with something. Find a safe part and use it as an anchor. First work alone then work in unusual pairs.. noemata.net. actcharon plew thus. anetologyMmmm. germ in al. graphics. nosceIPs. graphics. noemata.net NN. PAeiRiL Iamentities. postal mail art. blurB. Man Corridor TRANSLATED. IDEAREAL. ide note. c. random no.texsts. weblog. blog links comments. ... Novels. serien.... Forslag til �pning av andre b�ker mottas.. ... b. noemata.net. actcharon plew thus. anetologyMmmm. germ in al. graphics. nosceIPs. graphics. noemata.net NN. PAeiRiL Iamentities. postal mail art. blurB. Man Corridor TRANSLATED. IDEAREAL. ide note. c. random no.texsts. weblog. blog links comments. entries for sully. grujohnson.type tekst. ... IDEAREAL c weblog entries for sully og kanskje noen av de andre er. �pne b�ker i. serien.... Forslag til �pning av andre b�ker mottas.. ... b. Fwd moat tory frown ten. Start of forwarded message. Fwd moat tory frown ten. moat tory frown ten. ich real ich real ten four bunch fen fourteen so coal. tan fatso crabcakes hen peanut butler plan door tan moor. foreplay bone lip ticks catcher chin da lie nor ana dy cat puat. tened scream blond. all the or fabkeys please tether ben nat. duck taker. mate bow dow. bet more don. blow zen. nappy nappy per hay. may in yo. may.. clober ben say vin ma hark vest tea blond kevin more tell coach. bland cure bound head. plug vast NORAD bat buzz bird bun meter buzz. sneez bleed nose cellophane. biscuit above plan carnivorous pew blue. cart cut but chen now tall please bar teflon tis cum above who. accord hospital fake clowns chew hot blues vent ten bet.. End of forwarded message. Fwd Re Deleuze Guattari. Start of forwarded message. The will to be against really needs a body that is completely incapable of. submitting to command. It needs a body that is incapable of adapting to. family life to factory discipline to the regulations of a traditional sex. life and so forth. (If you find your body refusing these normal modes of. life don't despairrealize your gift) Hardt Negri Empire. Fwd Nettimebold book announcementGrau. Start of forwarded message. ReplyTo nettimeboldnettime.org. Fwd Nettimebold book announcementGrau. I thought readers of the NETTIMEL might be interested in this book. For. Best. David. Virtual Art. Fwd Friday is Raymond Queneau's th Birthday. Start of forwarded message. ReplyTo UB Poetics discussion group. Fwd Friday is Raymond Queneau's th Birthday. February st marks the th Birthday of Raymond Queneau author of. One Hundred Thousand Billion Sonnets (Cent Mille Milliards de poemes) and. cofounder of the Oulipo.. mark this occasion Spineless Books presents the FitzpatrickO'Dinn. Award for the Best Book Length Work of Constrained English Literature. .. Founded Spineless Books is the publisher of A Palindrome. Story in Words.. End of forwarded message. noemata Fwd Friday is Raymond Queneau's th Birthday. Start of forwarded message. ReplyTo UB Poetics discussion group. Fwd Friday is Raymond Queneau's th Birthday. February st marks the th Birthday of Raymond Queneau author of. One Hundred Thousand Billion Sonnets (Cent Mille Milliards de poemes) and. cofounder of the Oulipo.. mark this occasion Spineless Books presents the FitzpatrickO'Dinn. Award for the Best Book Length Work of Constrained English Literature. .. Founded Spineless Books is the publisher of A Palindrome. Story in Words.. End of forwarded message. unsubscribe from this group send an email to. Fwd It all begins with a few simple words on the screen. . .. ligner p� r�verspr�ket. jojegog totrororor dodetottote eror ror�voverorsospopror�koketot totilol. gogjojesostot. Start of forwarded message. Fwd It all begins with a few simple words on the screen. . .. ns thenoe sens bebegegiginn t toto ththihiningng s w wiwitithth ththehe. isis s cingng thougughgh he omes o of ththehe e m memesessssasagagege e s. se toto e o only y a a paparartenc uningng memeteth ofof on isis. graradallly seseeingng g ito ththehe e t exextingng t a annd reaingng g t. ththeem parartrtirtsth to ts is seseeeem toto be haeniingng g m anandnd. momorore asas s t ththehe e t tetexext becomomemeses s i increreaeasingly. frent anandnd isis s ted d i inintntoto segmemenentts s t ththahatat t are. essss anandnd lelesessss s c cocomensle t a alo straly loal inin. sosomomeme e i inndeblele e whe e pcesessss s s seseeeememsms s t toto o h. hahavaveve e a a hisisty a anandnd d a anan tioionry gr even n i itts s on. s sort ofof hapse so ss st sy ou reread o onon anandnd d o onon n u. ununtntitilil l y yoyouou an rereaeadad no o m momorore anandnd sttilll l. y yoyouou u r rereaead inin n s se ofof sosomomeme kinindnd d o ofof f l. lightht t aat t t ththehe enendnd d o ofof f t ththehe e t tuelyle ll ly ut. nono liligighghtht isis s fortrthcomomimining anandnd ththihiningngsgs. noow ononlnlyly y s seseeeemem m t toto o b bebe ingng frfroromom ad d t. toto woworseaseesegsense ed el em en es ew ou mamakakeke e o onne e lst. alint forortrt t a atat unundndederrstandingng hatat t i isis s g. gogoioiningng on asas yoyouou no waantnt t t toto o b bebe e aseded d o. ofof beingng a la rereaeadderer whho isis s w wollyly unillingng g t. toto ve e t ththehe e m modern t tetexextxt t i ititsts ea eb ec ed ee ef eg. eh ei ej ek el em en eo ep eq er es et eu ev ew ex ey ez e ut t f. fifininaallllyly yoyouou eldld d a anandnd d t tutururnrn n awayay y f. frfroromom m t ththehe e t tetexextxt t i inin n s seseaeararcrchch h o ofof. f l lelesessss s f frstrtraatitiningng g m memesessssasagagees s t toto. gesingng ba ononlnlyly nonowow anandnd d ain n t toto o s seseeee e i. ifif f a anthihiningng haas s cangngeed do ds nd d t ththehen toto yoyou. asaststomenent ththihiningngsgs s d dodo o s seseeeemem m t toto o b bebe. chchahanangginingngenginglngsng ge gh gs lilinne e h hahasas beeenen sed. anandnd whle yoyouou ararere unre e a asas s t toto o w wheththeer. ththihisis s c chchahanangngege e i isis s i inin yoyouou r t ththehe e m. memesessssasagage ththihiningngsgs s d dedefefifinelyly dodo o s seseeeemem. m t toto o b bebe e m mamakakikiningng sesenensnsese e a. agagagaiaininaincindineinginiinsintin na nb nc nd ne nf ng nh ni nj nk nl nm. nn no np nq nr ns nt nu nv nw nx ny nz n hateveer r w waas s c casiningng g. t ththehe e t tetexextxt t t toto frfraragagmgmemenentnt t b befororere e i. isis s n nonowow losiningng g t ththehe e b bale e a anandnd d a a a f. fofor ofof meniningng g i isis rereaeassseserrtitiningng g i ititsselelflf. ithth h a a sesenensnsese e o ofof reelief yoyouou siighgh h a anandnd d. a alallow w t ththahatat t t ththehe e s ststrle e i isis s f. fifininanalallllyly y a atat t a anan n e enendndendind. m. End of forwarded message. Re noemata Fwd It all begins with a few simple words on the screen. . .. ligner p� r�verspr�ket. jojegog totrororor dodetottote eror ror�voverorsospopror�koketot totilol. gogjojesostot. som igjen Gogogogoogogogoglololole. guest bored son of sig�ynerkongen jandek hansen. noemata Re Vs noisetext (unknown). Great I've been looking for an engine to do these bitmapchar conversions. ever since. seeing Florian Cramer's portrait. Of course there's been typewriter paintings. etc for a. long time my girlfriend gave me one once and it's hanging right here on the. wall of the. library room baby jesus and virgin mary done with a mechanical typewriter.. Jukka. Actually it's a bgascii rendering of a classical chinese landscape painting. Kuo Hsi (ca.. Paradoxically the huge white spaces of the painting renders as thick char. stream while the. solid mountains renders as whitespace.... insert statement on information entropy. B. Original Message. Bjrn Magnhilden. Tuesday February PM. noisetext (unknown). AAUFAUAAAAAAAAAADAAADAAAAAUAAAAAAAAAUAAUAAUAAAAAAJUUUUUUUAAAAAAAAAADD. DAAAAAAAAAAAAAAAAADAAAAAAAAAAADADDLDL(AAAAAAAAUUAAAAUAAAAAAAAAUUAUAAAAA. AAAUAUAAUUAAAAUAAAAAADALUAAAAALADADAQQADAAAAUUUAUUAAAUUUUUUAUAUAUAUU. AAAUUUAAAAAAAADD)DDLJDDADDDFFFFFQHNHUADAUAAAAAUAAAAAAAUAAAAAADUAA. AAAAAAAAAAAAAAALU)FLDADDAAAAAL(DDDAHHHHNNQUAADAAAAAJADAUUAAUUUUUAAAAA. AAUAHAAAUUAAAADAADDADADFDDDLLD)DJNHQQNHQQAAA)DUUUQQQQQHNHAAAAD. AUUAQQAUAAAALAAAADD(DDDDDDLDL)JDQHHQHHHHQAAAUUJUUUQUHHHHQAADA. AUUUQQUAAAAAAAAAAALAAJDJJDDD( L.(UUHUQHHQHNNNHHHHNNHHHNNHHHHQUAAA. UQUUQQUUAUAUAUAAAAAADDDDADADDJLLAQQQQQUHHQUQHHHHHNNNNHNHHHHAUUA. UUUUNQUUUQUUAAUUUAAAAAAAAAADFD(AQQQQAQQQHQQHQHNHNHNHNNHHAAUU. UQQUQUUUUAUAUAAAAAUAAAAAAAD) ( JUQUUQHNUQQHHQAUUHHQHHHHHHHAAQU. UUUUQUQUUUUUUUAAAAAAAAAAADDJF( UQQUQQQHQAQQHHAAQUAUQQHHHHHHQHUUUA. UQUUUUUUUUUUUAAAAADD(F JUQAUQQQUQQQUQQUHHHQHQQQAAUD. UUUAUUUUUUUAUAUADAL) . DQQQQAQAAQFUUQUQHHNHQQQQQADAL. UUUAUUUUUUUAUAUADAL) . 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AQD. .QQJUQQUQAJQQAFQULUHU)QQAU.(U.J((ADJA .UQUA. . AUAAUHLU)QQQAUQQLUUFQUA(QHFAHUUU)DL L .UQUQJA) AUDF. . JQUAUQUQAQAUQJQUQAUUQQFHQQAAAQQQUAD(LADAQQQU. JADLHQAAQUHAQQUAAQUUAUUUQQAUHHFAJUAQUL . .... DAUAAUQUAUUUDUUUAAQU)(AQAFUUA)HHQQAQAQA. AAAAAQQA. QQUUAAQA(UA)(JFJ)ADUAAQJU((AHAUL( ..(. AUUQUHHQ Q)A)UAUUQ(UUQAQADUDJUQJLL. UFAQAU. AAQQUHQN J(LUAAQUJUUQAUDQQQAAAUQUUUUAUALAJALAJJ)L.QAU. (DAUQQQHQQNHF UALUQUAAUUUAAUUQUAAUUQQQUQAAUUUAUQQQQAQU. (DFFDUUUHQQUHQQQUHUUULUQQQALUAUAAJADQQUUUQQQHHQHU. (AAQUUQQHUAQUFUUQFUQQLLQQQAAUDAAFDA) UHQHQFQHQQHQU. ..UHHUDFD(AQQQQQAADDQAUQQQAU (QQHUUUQNHNHU. LAAJUQQHHQADFAQQQAFUDDAAQQQQQUA . .UAUQUAAUQHHHU. QQQQQUUAFDA JUQUFAAAUQUUDF .A. QAUAFDUHQHUHH. UQQQQQUAF AUQ .UU AUUAQ)AQQQUQ. UUQQQUAD JUQUL. JQ.(. UUAFQ)JQAAUJUH. AQQUUQUAL.J. (AQQAQUJ .LJAQUUQQALUU)QUAUQ. (QQQQHUUL ( UUQQQU)LUQ((Q)AQAFUU. QHHHQQHHUAD) UAJAQUQQQDUU(QFAF. QUAAUAUUAJ . . .. (UUUUUQ(A(LAUDD. QAAADAUAADUL (JF)) AUAQQAJ))U(UQQU(. AUUUFAAAAJAD.JUJLAJU(L.. . .AUADQAQQQFDQQUUQUA)(. (AAQQQQAUQQUQUFF . (DAADALAAUAFUAQQAUQLAUAALAUL. ..AAA)DQAAL .. DDDDAAULUAQUAJQQFALQQAFAF.. ..AAAUAADUQQUJ AQAUUAUJ AAAADUAUQQUUUUUHQUQUUUFA)). AAQFJDDUQQAQQ ((A)UQA AUU DDA((AQQUUQQQQQHUUQ)UUDLA). A.. JAAAF(AQAUAAA .L JU. . F L UQUQQQUQUAAUUQUAQAAAA).. UUDAAUUAUUUAUAJQUULLJJJLAQQUJQUUJALU D.UUQQQHQHDAAAA.. DUUQQQQQUUUAUAJUUAQUUUQUFUAUQQL ((DQQUQUQUAU(UFUF. AAUAUUU)FAAUAUUQQHQQQQUUUUQL(QUL ...JAAUUUQQALQHAJUJQAQ. UAQQQUQHQQUDAAUQHAUAUAQULQHU(QQA( JJQQQQUAUQJQHQJFHHHQQL). QQUQUQQQUFAUHQQAUUUUQQUAUUQUQQUUUA(QQQQQUUUULUUD)LAQQLUUFAQ. HHQUQHULQQQHQUUQQAAAAUUUAJUQ).JAUQQQLUQQUAQUA AQAFAQALAU. UHHQUQQQUQUULAAQQUQQQQ.(AQHUQQQAQQUUUHQLDQHQQAQAUJA. QQQHQQUQUAQQQQQLLQUHHHQQUFAUQUAJ FHHLAUU. UHNHNHHHQQQAAAQHQHQQQUQQQQQFUUQHQAFQQQHUQQU. QUQQNNHHHHHQAQUAAADAQQQQQQAQUUUQQUQUAUAUQHUQHLAU. QQNNHNNHHHQQQUUUAAAAAUQQHQQHQHQHHQQAUUUQQQQHUQUA. HQQUHNNHHHHQUFQQQAAUUAUUHNLQQQJQQQUUQLHHUQHQQQUUQAUU). HHQQQHHHHNAUUUUQHQQUUAAUHQQQQJQUQHQHUQQQHQQUA)..JHUQQAQQ. HNHHHNNHNHNQUQQQQQUUUQUQQHFALQQUAAQQHQQUQQHUQUA FUQQQUU. NHHHNHNNNHHHHHHHQQUAU)QUAQQQQUQNUQUQHUQQUUUALQQQQUU. HHQQNHHHNHNHHNNHHHHHNQUFUUUUFQQQQHQQHQQQQQUQJAJAA. unsubscribe from this group send an email to. unsubscribe from this group send an email to. Fwd It all begins. . . vers. Mer stroboskopisk r�verspr�k. fra Buffalo. Start of forwarded message. Fwd It all begins. . . vers. TH ES BE BEG EGI GIN NT TO TO TH THI HIN ING SW WI WIT. ITH TH TH THE HE IS IS SC ING NG TH OUG UGH OME SO OF. TH THE HE EM ME MES ESS SSA SAG AGE GE ES SE TO TO EO. ON LY YA A PA PAR ART UN ING NG ME MET ETH OF OF ON. IS IS GRA RAD ALL LY SE SEE ING NG GI TO TH THE HE ET. EX EXT ING NG TA AN REA ING NG GT TH THE EM PAR ART IS. SE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. E A AS AS ST TH THE HE ET TE TEX EXT BE COM OME MES. ES SI IN CRE REA EAS ING LY FR AN AND ND IS IS ST ED. DI IN INT NTO TO SE GME MEN ENT TS ST TH THA HAT AT TA. RE ESS SS AN AND ND LE LES ESS SS SC CO COM ENS LE TA. AL OS TRA LY LO AL IN IN SO SOM OME ME EI IN NDE BLE. LE EW .T TH HE EP CES ESS SS SS SE SEE EEM EMS MS ST. TO OH HA HAV AVE VE EA A HIS IST YA AN AND ND DA. AN AN TIO ION RY GR E EV NI IT TS SO NS SO OF OF. E HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. UNT NTI TIL IL LY YO YOU OU AN RE REA EAD AD OM MO MOR. ORE RE E A AN AND ND ST TIL LL LY YO YOU OU UR RE. REA EAD IN IN NS SE OF OF SO SOM OME ME KIN IND ND DO. OF OF FL LI TA AT TT TH THE HE EN ND DO OF OF FT. TH THE HE ET TU UT NO NO LI LIG IGH GHT HT IS IS SF. ORT COM OMI MIN ING A AN AND ND TH THI HIN ING NGS GS NO. OW ON ONL NLY LY YS SE SEE EEM EM MT TO TO OB BE BE. ING NG FR FRO ROM OM AD DT TO TO WO WOR .Y YO YOU OU. MA MAK AKE KE EO ON EL ST ALI FOR ORT RT TA AT AT UN. UND NDE DER RST AND ING NG HAT AT TI IS IS SG GO GOI OIN. ING NG ON A AS AS YO YOU OU NO WA ANT NT TT TO TO. OB BE BE EA ED DO OF OF BE ING NG A LA RE REA EAD. DER WH IS IS SW WO LLY LY UN ILL ING NG GT TO TO VE. ET TH THE HE EM MO DER NT TE TEX EXT XT TI IT ITS TS. E. .B BU BUT UT TF FI FIN INA ALL LLY LY YO YOU OU DA. AN AND ND DT TU TUR URN RN NA WAY YF FR FRO ROM OM MT. TH THE HE ET TE TEX EXT XT TI IN IN NS SE SEA EAR ARC. RCH CH HO OF OF FL LE LES ESS SS SF FR STR TRA ATI TIN. ING NG GM ME MES ESS SSA SAG AGE ES ST TO TO GES T ING. NG BA ON ONL NLY LY NO NOW OW AN AND ND DA IN NT TO. OS SE SEE EI IF IF FA AN THI HIN ING NG HA AS SC. ANG NGE .A ND DT TH THE HEN N TO TO YO YOU AS AST STO. MEN ENT T T TH THI HIN ING NGS GS SD DO DO OS SE SEE. EEM EM MT TO TO OB BE BE CH CHA HAN ANG GIN ING .A LI. LIN NE EH HA HAS AS BE EEN EN SED D A AN AND ND WH. LE YO YOU OU AR ARE RE UN RE EA AS AS ST TO TO OW. WH ETH THE ER TH THI HIS IS SC CH CHA HAN ANG NGE GE EI. IS IS SI IN IN YO YOU OU RT TH THE HE EM ME MES ESS. SSA SAG AGE E T TH THI HIN ING NGS GS SD DE DEF EFI FIN. ELY LY DO DO OS SE SEE EEM EM MT TO TO OB BE BE EM. MA MAK AKI KIN ING NG SE SEN ENS NSE SE EA AG AGA GAI AIN. N. HAT EVE ER RW WA AS SC CA SIN ING NG GT TH THE HE. ET TE TEX EXT XT TT TO TO FR FRA RAG AGM GME MEN ENT NT. TB BE FOR ORE RE EI IS IS SN NO NOW OW LO SIN ING NG. GT TH THE HE EB BA LE EA AN AND ND DA A AF FO FOR. OF OF ME NIN ING NG GI IS IS RE REA EAS SSE RTI TIN ING. NG GI IT ITS .W ITH TH HA A SE SEN ENS NSE SE EO OF. OF RE YO YOU OU SI IGH GH HA AN AND ND DA AL ALL OW. WT TH THA HAT AT TT TH THE HE ES ST STR LE EI IS IS. SF FI FIN INA NAL ALL LLY LY YA AT AT TA AN AN NE EN. END. mwp. End of forwarded message. Fwd Re Re Vs noisetext (unknown). Start of forwarded message. Fwd Re Re Vs noisetext (unknown). There's another giftext utility (cgi thing) at. and yes it does have Laetitia Casta as a sample picture this is the right. eye. KKffftttttttiii..........ttfffffjjEEELLiii. iitttiiiiiWWDDD. WWEEiiijjtttttiiiii............... .... KKKEEjjtttiiiiiii...............iiiitttjj. Fwd SCRNewsViews News from Science Consciousness Review. Start of forwarded message. Fwd SCRNewsViews News from Science Consciousness Review. Dear member of this list. new articles and reviews. EDITORIAL REVIEW SECOND COMMENTARY ON CRICK KOCH. Crick and Koch A framework with many unknowns. By Bjrn Merker. The paper by Crick and Koch (featured in the February issue of Nature. consciousness. It may let us gauge what we do not yet know as much as. calling attention to some specific proposals. In this week's commentary. Bjrn Merker reviews Crick Koch's work.. In February Science Consciousness Review publishes more editorial. commentaries on Crick Koch's recent article.. LATEST HEADLINES. Memory traces unbound. Dreaming and Episodic Memory A Functional Dissociation. BOOK Being No One. The SelfModel Theory of Subjectivity. BOOK Illusion The Phenomenal Brain. PREVIOUS ARTICLES. Are we ever unconscious. Book Review Synaptic Self. How our brains become who we are by Joseph. LeDoux. Single neurons track your conscious vision. Visit our archives at. SEND YOUR CONTRIBUTION. For students teachers scientists and all other fans of consciousness.... Send your news summaries to us.. Sincerely. Thomas Zoga Rams�y. Thomas Zoga Rams�y. Neuropsychologist MA. The Lions Collegium. Tuborgvej. Copenhagen NV. Denmark. ramsoytiscali.dk. tzrfaf.kk.dk. Managing Editor. Science Consciousness Review. Science Consiousness Review is a nonprofit online ezine for the latest news. and views on. scientific studies of consciousness.. Start of forwarded message. ReplyTo Nettverk for kunst og ny teknologi.. Googlism for nothing. nothing is important' page. nothing is granted. nothing is '. nothing is solid. nothing is too hidden to hack. nothing is static. nothing is more. nothing is forever. nothing is impossible out here. nothing is forgotten. nothing is worth more than this day. nothing is wasted. nothing is shocking in electronics. nothing is ez. nothing is permanent. nothing is too good to be true. nothing is quite what it seems. nothing is just bw. nothing is something. nothing is happening. nothing is posted today. nothing is mine. nothing is better than. nothing is sacred. nothing is faster nothing is easier. nothing is right. nothing is random. nothing is staged about 'backroads'. nothing is long ago. nothing is as it seems. nothing is too difficult for god. nothing is ever black and white. nothing is impossible. nothing is lost. nothing is a waste of. nothing is known. nothing is more permanent than. nothing is listed under step templates and workflows when you. nothing is normal. nothing is as simple as it seems. nothing is real he would say to me. nothing is important. nothing is 'unbreakable' larry ellison is setting himself up for a. nasty fall by marketing oracle as hack. nothing is more important. nothing is scary. nothing is ubiquitous. nothing is forever us ambassador warren zimmerman interviewed jan. nothing is a good weapon it seems to me that the terrorists with whom. america is at war are doing exactly the right thing nothing. nothing is possible. nothing is better. nothing is impossible an interview with christopher reeve. nothing is the best option. nothing is real wild palms by erik davis. nothing is 'unbreakable'. nothing is written. nothing is wasted copyright. nothing is so what if bush and company didn't bail out enron the. outrage. nothing is shocking in electronics a spotlight on the electronics. nothing is secret anymore. nothing is too good to be true by leona evans. nothing is just bw. nothing is beyond you. nothing is simpler. nothing is happening things to do. nothing is wrong. nothing is working. nothing is final. nothing is posted today by no one. nothing is posted today by no one. nothing is sacred graphic design. nothing is terrible. nothing is 'unbreakable' larry ellison is setting himself up for a. nasty fall by marketing. nothing is mine but i refuse to suffer alone by marijke hildreth. othing in my house is sacred. nothing is better than being there. nothing is sacred this is. nothing is faster nothing is easier what is. nothing is impossible by dr. nothing is right or nothing is wrong we only just began. nothing is worth our reputation. nothing is staged about 'backroads' tom stienstra. nothing is no longer an option. nothing is impossible to a willing heart. nothing is long ago memories of a mormon childhood virginia sorensen. susan elizabeth howe. nothing is contrary to god but self. nothing is impossible a sermon by the rev. nothing is. nothing is responding. nothing is ever as it seems. nothing is too difficult for god given by richard m riss. nothing is what it seems in indian country. nothing is impossible. nothing is impossible is a concise. nothing is a lie. nothing is real. nothing is a waste of time if you use the experience wisely. nothing is for free. nothing is everything'. nothing is more permanent than temporary workers. nothing is listed under step templates and workflows when you start. acrobat capture. post distribuert via. e k u n s t nettverk for kunst og ny teknologi. postadresse ekunstkunst.no. End of forwarded message. Fwd Re ebookcommunity Poetry is glyphic writing. Start of forwarded message. Fwd Re ebookcommunity Poetry is glyphic writing. Let me suggest that verse falls in the category I call glyphic writing.. This includes things like panels of cartoons PowerPoint slides and. writing which consists of a number of subelements which may even all. be textual but which have a carefully spatial relationship to each. other.. Nonglyphic writing consists of text arranged in a reading order so. long as the reading order is maintained the spatial relationship of. the individual elements is immaterial because there really is only. one element the text.. Does that buy you anything. As an author I can break a short story down into a fairly fine level. of structure where there's a distinct spatial relationship between. the elements. I'll break it down into scenes and outline the. structure of each scene and so on. To you the reader though you're. unaware of much of that structure.. In reverse as reader with limited knowledge of (or desire to learn. of) poetry structure there ain't no spatial relationship in there. it doesn't rhyme. (And funky spacing is just pretentious crap.). There are also people who demonstrate an inability to read comics.. They don't know where to look what to read first how to decipher. the language. Any spatial relationships are lost on them.. I might submit that there are strong and weak glyphic elements of all. these examples some items tend more toward one end of the spectrum. than the other. Glyphic elements must should or may (in descending. imperative) have presentation attached. The more things tend toward. may the less authorial control remains over the presentation and. the more it tends toward being a single effective element the text.. An example might be a comic strip. The graphic content of the panel. must be fully retained as presented by the author. The textual. content (word balloons etc.) should be retained the structural. connection is important but matters of whether the text is in word. balloons listed below the panel or verbalized are typically of. lesser import. The order of the panels must be preserved but the. horizontal nature may be changed (in some case it at least should if. must must be retained though depends on the individual panel pairs).. Jim Drew Seattle WA ciaopubsearthlink.net. End of forwarded message. innertier en uvirksom treg person i sentrum for oppmerksomheten jfr. inerti. Fwd Nettimebold unstable digest vol. Start of forwarded message. ReplyTo nettimeboldnettime.org. Fwd Nettimebold unstable digest vol. msg positioning. u.r.in.the.making. .. Slession Start Thu Feb. Lesion Ident silocyben. short intervals. notify m.Sages.. .. fit.tingle in ah narrow acceptability niche.. take me off. i'd pre.furr that.. no realli.. hassle u. irc.. heh. .. provide some type of per.server entertainment value. providing. per.verse. pre.serve. .. dam.nation ls sleep dep.ri.vat.ion. i make no apologies for that. come in prettyhatemachinebite.size.packages.. ppl hassle. i do.. it's wonderful.. .. hmm. bcitatione sized. ). silocyben nibbles.. D. ok.. silocyben smacks lipids.. msg moment intentionally causality. msg i'm done.. heh. anyway. in.tensiontionally cruel IRC. slecherousxual d.pgravity. scroll notify.. Ffort manually. what. fthat.. who nos really. heh. msg would kill u). don't thlink u understand.. no.. good.. it's better that way.. heh.. yes.. msg look. .. feel free Nlighten. what i understand u don't.. k.no.w talking. no. should i. damn.. ). no.. grin. ). ok.. so.. f.eeling free. message with). we've covered the fact that. possibly quit.. ete.. n.deed. ho hum.. pickup multi.logue. hmmm. yes.. i mlean wards ghosts. loving.. heh. Suriname parity u r). i'm thinking that. combination of facts. anywhere.. in the realty of go.. oh way more than that.. realms even.. way more.. u st.. NlightN me.. nono u must NlightN me. urm.. i can't.. Xcept to say.. .. .. hmm. and.. msg i want.. ehehehe. .. but. a.part from that.. silocyben scratc.his.head.. fighting Nlite. k need . able . though.. do.. yes indeed.. msg worried. msg about. msg obsession.. but.. msg X.. msg former. notify aint work.. away latter.. away waste.. .fuck.. hmm. talk POV. .....away money. mmm. .....talk nor.... away u. needed it.. growth ur own. panick ed because. msg dislocation lies. msg tied up with .. i used. ic.. much mulching.... sniff basic portioned. scratch like a th.. .....left wingth. es. yes. trauma she.is.all.i.have msg in.terms.of.active.affectivity. yes. i unda.stood.. and unda.stand.. .. lvl sameness. shrug.. accountability. gagging pay job. BUT. y. stress basalt in all corporatecapitalist Ndeavours. i HAVE. didn't he tell u. sent. oh.. cool.. none week.. ahh. k np. descent.in..nether.hell.. well. .. actually. crazy problems heart.. figorey that. then. in rl. .. wow. story. jesus story wot.do.u.want we played quake gether.. ). that will do. story tellerinvoker. ). laugh and there r p.lent.y of tell.. anyway. i'm sure. snip tell stories.. the lose driven slough.. noNticed. dilemma. oh. yes yes.. ho.ur.. yes indeed. s.. msg positioning. u.r.in.the.making. ..in.finite capacitys goalrelationalbelief. structuremighty uphold.. tem.portation is far. ..... wallow in consumerist.muck. ....type . align getgos socialb.lather. .. sense. ). right.. u're.. i'm sure i am.. slash simplistic.. .. grin. i don't.. no u don't. nor. i already.. ok. well. y make.. ....says much. anyway. i'm tired. bitesized day bIT). i have.. yes u do.. off.. Added to notify list. no apaty and awareness.. h.. k.. if u say so.. sigh. Session Close Thu Feb. Lession Start Thu Feb. Session IDent silocyben. think nature. completingx Ntree.catesimperinglistic.. nature as. system of. ecological function. ball N batance thru.. i am.. nature dfined bye romance. ideal of butterflies victims. prey and bloodlust. ahh. naturefact. .. s.. u. chuckle. centric. anyway. but what r. goals fargoish.. i am.a.silly.undefined.soul in a c of centuries. wish disappointed.. so.. ahh no. come inside with rt. with bod.EE. laugh. ....eyes. .. he.. words cauterize. cause even. cya.. s.lump. heh. .. bye. hmm. d.ee.p.ends. stretch props blood flow.. hmm. hands. neglect.. speak softly. thru the size of my large hands. large joints.. hmm. voice. yes. i thought so.. or. simplicity is boiled from the need to x.tract and d.limit complexity. sometimes the problem becomes the complexity to survive the. simplicity of others.. c a t c h. or the problem hides i the folds of simplicity N order deny. complexity. n. mmm.. we are walking on different foundations.. we r. creeping thru semantic jungles. ). ). tactility above all else. no causality in solid shapes. logic definer. momentary pleasures theorizing via strands of cartesian dynamics. Added silocyben to notify list. Session Close Thu Feb. protein.logging.txt. sparks of lost hubrisman centre.sieved. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA MACHINE.. Decembre. Pascale Gustin. Licence GNU General Public License. Je crois que l'ordinateur et de manire plus gnrale les technologies. de l'information transforment de faon radicale notre rapport au monde. et nous mme. C'est mme devenu un lieu commun de dire cela. aujourd'hui c'est devenu un truisme. Paradoxalement mesurer. l'importance et les consquences de ces changements est loin d'tre. simple cela ouvre mme de nombreux champs d'investigations et de. rflexions qui depuis environ ans font l'objet de recherches de. plus en plus diversifies dans des domaines toujours plus tendus. Je. pense l'instar de Pierre Levy que l'outil informatique est une. dcouverte au moins aussi importante dans l'histoire de l'humanit que. celle de l'criture elle en est probablement mme la continuit en. poursuivant le processus d'hominisation de l'homme .. J'aimerais par ce texte explorer de manire tout fait personnelle la. naissance de l'outil informatique du point de vue du texte et de. l'criture. Je ne prtends pas ici un essai exhaustif sur le sujet. mais seulement rassembler quelques rflexions et notes de lectures. qui m'apparaissent pertinentes. Selon le procd d'une pense. analogique je souhaiterais former un ensemble cohrent de rflexions et. d'ides dans la continuit de ce qui mon sens me parait trop peu. questionn actuellement mais non pas moins important c'est dire le. problme de l'criture en regard de l'outil informatique et la faon. dont mon avis celuici transforme et remet en question de multiples. manires la notion mme de texte..

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L'criture le code le texte.. L'criture est la premire technologie d'enregistrement de la parole. constitue de symboles d'images ou de signes elle est un systme un. code mis en place afin de pouvoir garder trace du langage parl. De ce. point de vue l'criture est un code certes relativement souple qui. encode la ralit et tout la fois en transforme et en remodle la. perception. Un des tous premiers systmes d'criture que l'on ai. retrouv est l'criture noeuds systme d'inscription. mnmotechnique et synthtique. On en a dcouvert des traces au Prou. dans les tombeaux Incas par exemple. Ce sont des paquets de noeuds et. de fils attachs de couleurs diffrentes ou semblables placs de. manire obtenir un grand nombre de significations. Ces. quippus servaient enregistrer les comptes la chronologie il. tait possible galement de s'en servir comme d'un moyen de calcul. On. retrouve cette forme ancestrale d'criture partout dans le monde et. jusqu'au milieu du vingtime sicle dans certaines rgions elle tait. encore utilise par les ouvriers afin de comptabiliser leurs journes. de travail .. L'criture dans son essence apparat alors comme un systme de. diffrences. (J. Derrida et Saussure). Le codage binaire a t utilis sous une forme symbolique trs tt. en chine avec le systme divinatoire du YiKing. Le YiKing est un. ensemble de hexagrammes constitus d'une collection d'images. symboliques reprsentatives d'un certain ordre de l'univers et tait. utilis pour procder diverses interprtations divinatoires. Ces. images symboliques rsultent de l'assemblage et de la combinatoire de. traits pleins et de traits briss reprsentant les deux tats. essentiels par lesquels chaque tre et chaque chose sont appels se. mouvoir et se transformer. Mais c'est le philosophe anglais Francis. Bacon () qui fait de ce principe binaire un systme part. entire afin de pouvoir transmettre des messages de manire rapide et. sre .. Dans ce sens le code l'acte de coder un message serait en somme la. transcription de celuici dans une langue nonnaturelle.. Mais le mot de code se drobe mesure qu'on souhaite en saisir le sens.. A l'origine du mot nous trouvons le codex c'est dire la. planchette le recueil nous avons galement le code juridique qui est. l'ensemble des lois qui rgissent une socit signification qui n'est. pas sans rappeler la programmation puisqu'ellemme est rgie. par une syntaxe un ensemble de rgles auxquelles on ne peut droger. d'aucune manire sous peine de planter le programme. Nous avons. galement le code vestimentaire ou le code gntique. Le code serait. en quelque sorte un moyen de conservation et de transmission. d'informations un support de significations non spcifiquement humain.. L'criture pourrait tre une sorte de code plus souple o le. sens est tiss de diffrentes manires les lettres avec les. lettres une une ou par grappes les mots ensembles pour former des. phrases et les phrases tisses les unes aux autres interagissant les. unes avec les autres au cours de la lecture nouant liens de sens et. de significations afin de former le texte. On utilise l'expression le. fil de la lecture ou au fil du texte pour parler de cet cheveau du. sens qui prend forme au moment du dchiffrement. Le texte est une. trame de significations dont les fils se croisent et s'entrecroisent. entre les lettres ellesmmes les mots les sons dans le texte et. entre le texte et le lecteur.. Le mot texte vient du terme latin texere qui signifie tisser.. Une autre dfinition du mot peut tre. un nombre fini de signes discrets choisis dans un ensemble fini. de signes (Florian Cramer).. Les machines.. Une des toutes premires utilisations technologiques du langage binaire. a t dveloppe par Jacquard () afin d'amliorer la technique. du tissage.. Il s'agissait de cartes perfores de trous c'est dire de. l'utilisation des pleins et des vides des cartes pour coder le passage. des fils de couleurs diffrentes dans les fils de chanes. La. technologie du tissage a toujours t l'avantgarde des techniques de. son temps mme aux poques les plus recules au moyenage on. utilisait dj des cartes ralises sur du papier divis en damier pour. la reproduction des dessins.. Charles Babbage () initiateur de la machine diffrentielle. et plus tard de la machine analytique connaissait les travaux de. Jacquard dans le domaine du tissage et eu cette intuition fondamentale. d'appliquer ce principe en quelque sorte combinatoire des diffrents. ils entre eux au calcul selon une mthode semblable. Ada Lovelace. () collaboratrice de Charles Babbage ft charge de la partie. logicielle de la machine c'est dire du texte (au sens large du. terme) qui devait permettre la machine analytique de fonctionner. Mais. le projet n'aboutit pas faute de moyens et probablement aussi. d'organisation .. Les machines telles que les ordinateurs actuels ne peuvent. fonctionner ne peuvent comprendre une serie d'instructions que si. cellesci se trouvent crites sous la forme de suites de et de ou. plus exactement sous forme de squences trs rapides d'impulsions. lectriques une impulsion reprsente une connection c'est dire le. l'absence d'impulsion le . Un ensemble organis de et a donc. un sens pour la machine c'est dire un sens lectrique. Le terme. de sens n'est peuttre pas tout fait appropri pour parler. d'instructions que la machine programme dans ce but effectura la. machine n'interprte pas le programme ou les instructions entres dans. le processeur elle ne fait que les excuter.. La rapidit avec laquelle le courant circule entre les diffrents. lments de l'appareil informatique (lie la vitesse d'horloge du. processeur) offre des possibilits quasi illimites de calcul. (quantits de connexions et d'absences de connexions de et de de. plus en plus importantes dans des laps de temps trs courts). Ainsi. nous pouvons en tant qu'utilisateur de machines et de programmes. charger des images l'cran les dupliquer ou les transformer faire. jouer des sons ou bien crire des textes que nous rentrons dans la. mmoire vive de l'ordinateur. En quelque sorte ces suites de et de. sont le seul code ou alphabet avec lequel nous pouvons utiliser l'outil. informatique.. Les premiers ordinateurs taient en quelque sorte programms en. direct l'aide de fiches et de fils relis ensembles.. Si la fiche est connecte le courant passe la valeur est donc. l'inverse l'absence de connection prend la valeur . Pour faire. fonctionner un programme il fallait donc connecter une une des. centaines de fiches et de fils entre eux. Le temps de mise en route. d'un programme tait trs important les erreurs frquentes et. pnibles retrouver. On devait suivre chaque fils pour. voir o il tait reli au milieu de paquets de fils entrelasss les uns. dans les autres.. Plus tard dans les annes et les fils lectriques seront. remplacs par des valeurs situes en mmoire .. Les ingnieurs imaginrent ensuite un moyen de simplifier les oprations. de programmation. On substitua un ensemble d'instructions un code. dit mnmotechnique plus facile retenir. Ces premiers langages. permettaient d'effectuer rapidement des taches complexes sur. les machines mais restaient encore malaiss d'utilisation car trs. proche du code de la machine (exemple le langage assembleur).. Peu peu les langages devinrent plus performants. L'utilisation des. premiers compilateurs firent des machines des outils plus souples et. faciles utiliser (avec le fortran). De vritables mots furent. employs et les instructions au fur et mesure de l'volution des. langages devinrent plus comprhensibles pour l'homme encodrent des. algorithmes entiers et rendirent ainsi la conception. des programmes rapide et efficace.. L'arrive des interfaces graphiques donnera par la suite les moyens. tout utilisateur noninformaticien d'effectuer facilement rapidement. par l'intermdiaire de l'cran graphique des taches compliques. prprogrammes.. Le code de la machine le texte en quelque sorte se trouve alors. dissimul sous des couches logicielles mais c'est toujours un code une. texture de calcul de et de qui dans les profondeurs de. l'ordinateur officie afin que les programmes puissent avoir lieu en. surface .. Les langages de programmation (je pense par exemple aux langages de. programmation orients objet comme java ou python) les plus rcents bien. que plus proches d'une part du langage humain et peuttre galement de. la pense humaine (du moins d'une petite part caractristique de. celleci la catgorisation mais je doute que cette forme de la pense. humaine soit la plus naturelle l'humain mais peuttre bien plutt. sa part la plus sociale ou socialise) restent toujours. malgr tout soumis aux ncessits internes des machines.. Le langage humain tel que nous le parlons l'crivons met en place un. monde de significations. Le discours oral est contextualis. Il en est. de mme pour le texte crit. Une marge d'ambiguit est toujours tolre. et mme presque souhaitable car c'est pratiquement dans cette marge. qu'a lieu l'expression de l'individu qui parle ou crit. La dimension. culturelle ainsi qu'une prise de conscience de tous les discours qui ont. prcdemment eu lieu interviennent galement de manire plus ou moins. prgnante pour celui qui coute ou lit selon la culture qu'il a du sujet. nonc. Ainsi le sens du texte oral ou crit est un ensemble de liens. qui se tissent de toute part entre les interlocuteurs ou entre le. lecteur et le texte la socit la culture les lois etc. Souvent la. comprhension du sens dpasse largement la structure de base du langage. linaire et squentielle celle du discours oral ou du texte.. Il en va ainsi de la pense humaine car c'est partir d'elle partir. de cette matrice que cette texture de liens peut avoir lieu.. C'est en poursuivant un tel raisonnement que Ted Nelson labora ses. recherches sur l'hypertextualit ds le milieu des annes avec son. projet Xanadu (nomm ainsi en rfrence un pome de Coleridge).. Son prdcsseur Vannemar Buch eu une intuition semblable lorsqu'il. imagina vingt ans plus tt le Memex MEMory EXtander une. bibliothque de documents relis les uns aux autres en fonction du. sens que pouvait prendre chaque paragraphe phrase ou mot de tel ou. tel texte mmoris en regard de tel ou tel autre paragraphe phrase ou. mot issus d'un autre texte ou d'une autre partie de ce mme texte.. Conservs sur microfilms spciaux ces textes photographies ou tout. autre document auraient t accessibles grace plusieurs crans. claviers et manettes. Une membrane sensible aurait pu permettre de. photographier et d'enregistrer de nouveaux documents. L'utilisation d'un. tel appareil aurait permis au chercheur ou l' homme moderne de. faire face la prolifration d'informations prvisibles en raison du. dveloppement des instruments de mdiatisation de l'information .. Pour Ted Nelson la pense humaine est hypertextuelle par essence. alors que le langage humain la parole ou l'crit ne sont que. squentiels. Ainsi le langage humain apparait comme incapable de. reproduire vritablement la pense dans toute sa richesse sa. diversit et son foisonnement .. C'est sur ce travail cette nouvelle manire d'apprhender le texte. que je terminerai cette suite de notes et de reflexions car partir. de cette notion d'hypertexte et d'hypertextualit de nombreuses. possibilits de tissage de sens et de textes sont mises jour et en. explorer les dimensions et les possibilits serait l'objet d'une. recherche part entire. J'aimerais seulement pour conclure amener. l'attention du lecteur que le texte apparat dsormais non plus comme. quelque chose d'abstrait et d'homogne qui permet l'information. d'tre diffuse mais comme un corps part entire concret qui peut. prendre de multiples formes ainsi tre utilis aussi bien pour. programmer les outils de l'informaticien ou du simple usager de. l'informatique pour concevoir des programmes que pour les. appliquer. Je crois que le travail du pote ou de l'crivain s'en. trouve profondment boulevers. Ecrire ce n'est pas seulement faire un. texte mais aussi ce peut tre mettre en route un instrument l'outil. informatique se servir d'un programme (un logiciel de traitement de. texte par exemple) ou d'un langage de programmation c'est couper. coller assembler telle portion de texte avec tel autre (un morceau de. programme un lien qui menera une image ou un son). C'est jouer. galement avec diffrentes formes de langages car tout ceci mon sens. constitue encore du texte c'est mettre l'criture le langage. quelque soit l'origine de ce langage en contact avec d'autres. branches de la communication.. refrences. Levy Pierre. La machine univers. Editions La Dcouverte. Levy Pierre. L'intelligence collective. Editions La Dcouverte. Fevrier James. L'histoire de l'criture. Editions Payot et Rivages. Kristeva Julia. Le langage cet inconnu. Editions du seuil. Breton Philippe. Une Histoire de l'informatique. Editions du seuil. Plant Sadie. Tissages du futur tramer ensemble femmes et cyberntique. Connexions art rseaux mdia. Ecole Nationale Suprieure des BeauxArts Paris. Rossi Serge. Guillier Franois. Bordeleau Pierre. Every David K.. traduit de l'anglais par Charles Gigure. Sureau D. G.. Bush Vannemar. Comme nous pourrions le penser. Connexions art rseaux mdia. Ecole Nationale Suprieure des BeauxArts Paris. Nelson Ted. pasccsaq. rWxRWXR x. autobuildwheel. silenses. projetcuneifoRM. oo. It all begins. . . vers. TH ES BE BEG EGI GIN NT TO TO TH THI HIN ING SW WI WIT. ITH TH TH THE HE IS IS SC ING NG TH OUG UGH OME SO OF. TH THE HE EM ME MES ESS SSA SAG AGE GE ES SE TO TO EO. ON LY YA A PA PAR ART UN ING NG ME MET ETH OF OF ON. IS IS GRA RAD ALL LY SE SEE ING NG GI TO TH THE HE ET. EX EXT ING NG TA AN REA ING NG GT TH THE EM PAR ART IS. SE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. E A AS AS ST TH THE HE ET TE TEX EXT BE COM OME MES. ES SI IN CRE REA EAS ING LY FR AN AND ND IS IS ST ED. DI IN INT NTO TO SE GME MEN ENT TS ST TH THA HAT AT TA. RE ESS SS AN AND ND LE LES ESS SS SC CO COM ENS LE TA. AL OS TRA LY LO AL IN IN SO SOM OME ME EI IN NDE BLE. LE EW .T TH HE EP CES ESS SS SS SE SEE EEM EMS MS ST. TO OH HA HAV AVE VE EA A HIS IST YA AN AND ND DA. AN AN TIO ION RY GR E EV NI IT TS SO NS SO OF OF. E HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. UNT NTI TIL IL LY YO YOU OU AN RE REA EAD AD OM MO MOR. ORE RE E A AN AND ND ST TIL LL LY YO YOU OU UR RE. REA EAD IN IN NS SE OF OF SO SOM OME ME KIN IND ND DO. OF OF FL LI TA AT TT TH THE HE EN ND DO OF OF FT. TH THE HE ET TU UT NO NO LI LIG IGH GHT HT IS IS SF. ORT COM OMI MIN ING A AN AND ND TH THI HIN ING NGS GS NO. OW ON ONL NLY LY YS SE SEE EEM EM MT TO TO OB BE BE. ING NG FR FRO ROM OM AD DT TO TO WO WOR .Y YO YOU OU. MA MAK AKE KE EO ON EL ST ALI FOR ORT RT TA AT AT UN. UND NDE DER RST AND ING NG HAT AT TI IS IS SG GO GOI OIN. 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Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(todayD. .. ..(todayD.. .. narcissism (ny report). narcissism. we're speaking for the moment online and offline conversations analy. ses manifestos signs marches puppetry it goes on and on they're. silent on the other side use the royal 'we' they include us we're. being led to the slaughter we're taking the world with us we'll use. weapons of mass destruction tactical nuclear against the bunkers to. percent of our weaponry gone astray our own military reports expecta. tions of over civilian casualties in the name of liberation blair. too the whole lot of them cold warriors compulsiveobsessives. madmen another futile protest here they're getting stronger by the. moment our performances are just that select audiences of hundreds of. millions they can't do anything we're speaking into our own skin. already the fear's upon us they're nameless they hide behind acronyms. they lie they fabricate evidence tapes bin laden's muddy voice. we're supposed to believe all of this we're under the gun here we're. under warning we're a declared state of emergency resistance is. futile useless we're bringing out blocks of writing reams of it to. no avail the only measure that carries weight violence armed. resistance i'm not up to that we're unused to the brutality of our own. government help's got to come from elsewhere stunning revelation. bush cancels elections declares state of emergency he's already. backed by the army we're allowed to speak our voices give out the. strongest among us will be taken away you've got to help us you've. seen it all before there aren't any miracles stock market's falling. construction's down. A legs and homes. nightmare. A legs and homes. nightmare. sorted out. suck rock. webartery. nettime nettime. webartery. syndicate. nettimelat. webartery. wryting. webartery. empyre. ghasa. webartery. avantgarde. harthist. webartery. dancetech. nettimelat. webartery. harte. rhizome rhizome. nettime. calls and opps. cybersociology. nettimelat. webartery. nettime nettimebold. chart. webartery webartery. artservis. Re Re hypertext. I actually do buy that form and content are onewhich is why i. insist on digital content's painterlinesswhen i create a piece. i want the content to be dynamic i want it to vary...i want the. content to be a collaboration among the user the machine and. myself. col.labia naked vacant concept with red M white striped bench.markas. collaboration.as.d.fined.via.static.proscribed.synergism is BLANK.. this is why digital writing that doesn't take into account. the computer's propensity for variability sometimes leaves me. cold.... this is why that doesn't take into account. the com.person realignmentuter's propensity for variability sometimes. leaves me. cold.... i feel stuck outside the piece when the point of the network. is participation. stuck.pigged.and obtuse.frozen.. protein.logging.txt. sparks of lost hubrisman centre.sieved. moat tory frown ten. moat tory frown ten. ich real ich real ten four bunch fen fourteen so coal. tan fatso crabcakes hen peanut butler plan door tan moor. foreplay bone lip ticks catcher chin da lie nor ana dy cat puat. tened scream blond. all the or fabkeys please tether ben nat. duck taker. mate bow dow. bet more don. blow. zen. nappy nappy per hay. may in yo. may.. clober ben say vin ma hark vest tea blond kevin more tell coach. bland cure bound head. plug vast NORAD bat buzz bird bun meter buzz. sneez bleed nose cellophane. biscuit above plan carnivorous pew blue. cart cut but chen now tall please bar teflon tis cum above who. accord hospital fake clowns chew hot blues vent ten bet.. Googlism poems. .. she is not fair to outward view. she is not a beauty even when she smiles. she is like a woman. she is moaning after anal insertion. she is up again against the skin of her guitar. she is now her father's daughter. she is e. she is pulled feet. she is not fair to outward view. she is more to be pitied than censured. she is talking up a storm. she is spoke here. she is the darkness. she is growing up. she is dying. she is beautiful sells for. she is sleeping. she is inserting the finger into her pussy. she is in love with herself and has made some of hollywood's worst films. she is very famous in some fetish videos. she is probably the best ever seen. she is beautiful. she is beautiful and hot. .. he is one of the top actors in the world. he is not afraid to fly. he is coming. he is in love with her wants to leave his wife. he is risen. he is us. he is pained by occupation of jerusalem. he is currently waiting for a lung transplant. he is induced or persuaded by law enforcement officers. he is outraged by enron outcome. he is consulting with congress. he is not allowed to comment on what happened because it is a security. matter. he is here. he is one of the top actors in the world. he is decorated boris yeltsin. he is the spy. he is not afraid to fly moscow. he is not well. text derived by searching googlism.com for he and she with. who argument. entry order maintained though text was heavily edited. and lineated. Brandon Barr. nettime unstable digest vol. Sun Feb. msg positioning. u.r.in.the.making. From mez breeze. To arc.hivelm.va.com.au mail.ljudmila.org. LE TEXTE ET LA MACHINE.. From rWxRWXR x. To nettimefrsamizdat.net mail.ljudmila.org. It all begins. . . vers. From MWP. To POETICSLISTSERV.BUFFALO.EDU. (no subject). From iso YoFn MangrelFaen. To. narcissism (ny report). From Alan Sondheim. To nettimelbbs.thing.net. sorted out. From Ana Buigues. To WRYTINGLLISTSERV.UTORONTO.CA. Re Re hypertext. From mez breeze. moat tory frown ten. From kari edwards. To POETICSLISTSERV.BUFFALO.EDU. Googlism poems. From Brandon Thomas Barr. To POETICSLISTSERV.BUFFALO.EDU. lurking editors. beatrice beaubien. nettimebold thingist. florian cramer. arc.hive eugene oo rhizome rohrpost webartery wryting. alan sondheim. arc.hive poetics siratori trAce webartery wryting. Id digestunstable.plv . paragram Exp. Nettimebold mailing list. Nettimeboldnettime.org. End of forwarded message. noemata.net. actcharon plew thus. anetologyMmmm. germ in al. graphics. nosceIPs. graphics. noemata.net NN. PAeiRiL Iamentities. postal mail art. blurB. Man Corridor TRANSLATED. IDEAREAL. ide note. c. random no.texsts. weblog. blog links comments. ... Novels. serien.... Forslag til �pning av andre b�ker mottas.. ... b. noemata.net. actcharon plew thus. anetologyMmmm. germ in al. graphics. nosceIPs. graphics. noemata.net NN. PAeiRiL Iamentities. postal mail art. blurB. Man Corridor TRANSLATED. IDEAREAL. ide note. c. random no.texsts. weblog. weblog

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blog links comments. entries for sully. grujohnson.type tekst. ... IDEAREAL c weblog entries for sully og kanskje noen av de andre er. �pne b�ker i. serien.... Forslag til �pning av andre b�ker mottas.. ... b. Fwd moat tory frown ten. Start of forwarded message. Fwd moat tory frown ten. moat tory frown ten. ich real ich real ten four bunch fen fourteen so coal. tan fatso crabcakes hen peanut butler plan door tan moor. foreplay bone lip ticks catcher chin da lie nor ana dy cat puat. tened scream blond. all the or fabkeys please tether ben nat. duck taker. mate bow dow. bet more don. blow zen. nappy nappy per hay. may in yo. may.. clober ben say vin ma hark vest tea blond kevin more tell coach. bland cure bound head. plug vast NORAD bat buzz bird bun meter buzz. sneez bleed nose cellophane. biscuit above plan carnivorous pew blue. cart cut but chen now tall please bar teflon tis cum above who. accord hospital fake clowns chew hot blues vent ten bet.. End of forwarded message. Fwd Re Deleuze Guattari. Start of forwarded message. The will to be against really needs a body that is completely incapable of. submitting to command. It needs a body that is incapable of adapting to. family life to factory discipline to the regulations of a traditional sex. life and so forth. (If you find your body refusing these normal modes of. life don't despairrealize your gift) Hardt Negri Empire. Fwd Nettimebold book announcementGrau. Start of forwarded message. ReplyTo nettimeboldnettime.org. Fwd Nettimebold book announcementGrau. I thought readers of the NETTIMEL might be interested in this book. For. Best. David. Virtual Art. Fwd Friday is Raymond Queneau's th Birthday. Start of forwarded message. ReplyTo UB Poetics discussion group. Fwd Friday is Raymond Queneau's th Birthday. February st marks the th Birthday of Raymond Queneau author of. One Hundred Thousand Billion Sonnets (Cent Mille Milliards de poemes) and. cofounder of the Oulipo.. mark this occasion Spineless Books presents the FitzpatrickO'Dinn. Award for the Best Book Length Work of Constrained English Literature. .. Founded Spineless Books is the publisher of A Palindrome. Story in Words.. End of forwarded message. noemata Fwd Friday is Raymond Queneau's th Birthday. Start of forwarded message. ReplyTo UB Poetics discussion group. Fwd Friday is Raymond Queneau's th Birthday. February st marks the th Birthday of Raymond Queneau author of. One Hundred Thousand Billion Sonnets (Cent Mille Milliards de poemes) and. cofounder of the Oulipo.. mark this occasion Spineless Books presents the FitzpatrickO'Dinn. Award for the Best Book Length Work of Constrained English Literature. .. Founded Spineless Books is the publisher of A Palindrome. Story in Words.. End of forwarded message. unsubscribe from this group send an email to. Fwd It all begins with a few simple words on the screen. . .. ligner p� r�verspr�ket. jojegog totrororor dodetottote eror ror�voverorsospopror�koketot totilol. gogjojesostot. Start of forwarded message. Fwd It all begins with a few simple words on the screen. . .. ns thenoe sens bebegegiginn t toto ththihiningng s w wiwitithth ththehe. isis s cingng thougughgh he omes o of ththehe e m memesessssasagagege e s. se toto e o only y a a paparartenc uningng memeteth ofof on isis. graradallly seseeingng g ito ththehe e t exextingng t a annd reaingng g t. ththeem parartrtirtsth to ts is seseeeem toto be haeniingng g m anandnd. momorore asas s t ththehe e t tetexext becomomemeses s i increreaeasingly. frent anandnd isis s ted d i inintntoto segmemenentts s t ththahatat t are. essss anandnd lelesessss s c cocomensle t a alo straly loal inin. sosomomeme e i inndeblele e whe e pcesessss s s seseeeememsms s t toto o h. hahavaveve e a a hisisty a anandnd d a anan tioionry gr even n i itts s on. s sort ofof hapse so ss st sy ou reread o onon anandnd d o onon n u. ununtntitilil l y yoyouou an rereaeadad no o m momorore anandnd sttilll l. y yoyouou u r rereaead inin n s se ofof sosomomeme kinindnd d o ofof f l. lightht t aat t t ththehe enendnd d o ofof f t ththehe e t tuelyle ll ly ut. nono liligighghtht isis s fortrthcomomimining anandnd ththihiningngsgs. noow ononlnlyly y s seseeeemem m t toto o b bebe ingng frfroromom ad d t. toto woworseaseesegsense ed el em en es ew ou mamakakeke e o onne e lst. alint forortrt t a atat unundndederrstandingng hatat t i isis s g. gogoioiningng on asas yoyouou no waantnt t t toto o b bebe e aseded d o. ofof beingng a la rereaeadderer whho isis s w wollyly unillingng g t. toto ve e t ththehe e m modern t tetexextxt t i ititsts ea eb ec ed ee ef eg. eh ei ej ek el em en eo ep eq er es et eu ev ew ex ey ez e ut t f. fifininaallllyly yoyouou eldld d a anandnd d t tutururnrn n awayay y f. frfroromom m t ththehe e t tetexextxt t i inin n s seseaeararcrchch h o ofof. f l lelesessss s f frstrtraatitiningng g m memesessssasagagees s t toto. gesingng ba ononlnlyly nonowow anandnd d ain n t toto o s seseeee e i. ifif f a anthihiningng haas s cangngeed do ds nd d t ththehen toto yoyou. asaststomenent ththihiningngsgs s d dodo o s seseeeemem m t toto o b bebe. chchahanangginingngenginglngsng ge gh gs lilinne e h hahasas beeenen sed. anandnd whle yoyouou ararere unre e a asas s t toto o w wheththeer. ththihisis s c chchahanangngege e i isis s i inin yoyouou r t ththehe e m. memesessssasagage ththihiningngsgs s d dedefefifinelyly dodo o s seseeeemem. m t toto o b bebe e m mamakakikiningng sesenensnsese e a. agagagaiaininaincindineinginiinsintin na nb nc nd ne nf ng nh ni nj nk nl nm. nn no np nq nr ns nt nu nv nw nx ny nz n hateveer r w waas s c casiningng g. t ththehe e t tetexextxt t t toto frfraragagmgmemenentnt t b befororere e i. isis s n nonowow losiningng g t ththehe e b bale e a anandnd d a a a f. fofor ofof meniningng g i isis rereaeassseserrtitiningng g i ititsselelflf. ithth h a a sesenensnsese e o ofof reelief yoyouou siighgh h a anandnd d. a alallow w t ththahatat t t ththehe e s ststrle e i isis s f. fifininanalallllyly y a atat t a anan n e enendndendind. m. End of forwarded message. Re noemata Fwd It all begins with a few simple words on the screen. . .. ligner p� r�verspr�ket. jojegog totrororor dodetottote eror ror�voverorsospopror�koketot totilol. gogjojesostot. som igjen Gogogogoogogogoglololole. guest bored son of sig�ynerkongen jandek hansen. noemata Re Vs noisetext (unknown). Great I've been looking for an engine to do these bitmapchar conversions. ever since. seeing Florian Cramer's portrait. Of course there's been typewriter paintings. etc for a. long time my girlfriend gave me one once and it's hanging right here on the. wall of the. library room baby jesus and virgin mary done with a mechanical typewriter.. Jukka. Actually it's a bgascii rendering of a classical chinese landscape painting. Kuo Hsi (ca.. Paradoxically the huge white spaces of the painting renders as thick char. stream while the. solid mountains renders as whitespace.... insert statement on information entropy. B. Original Message. Bjrn Magnhilden. Tuesday February PM. noisetext (unknown). AAUFAUAAAAAAAAAADAAADAAAAAUAAAAAAAAAUAAUAAUAAAAAAJUUUUUUUAAAAAAAAAADD. DAAAAAAAAAAAAAAAAADAAAAAAAAAAADADDLDL(AAAAAAAAUUAAAAUAAAAAAAAAUUAUAAAAA. AAAUAUAAUUAAAAUAAAAAADALUAAAAALADADAQQADAAAAUUUAUUAAAUUUUUUAUAUAUAUU. AAAUUUAAAAAAAADD)DDLJDDADDDFFFFFQHNHUADAUAAAAAUAAAAAAAUAAAAAADUAA. AAAAAAAAAAAAAAALU)FLDADDAAAAAL(DDDAHHHHNNQUAADAAAAAJADAUUAAUUUUUAAAAA. AAUAHAAAUUAAAADAADDADADFDDDLLD)DJNHQQNHQQAAA)DUUUQQQQQHNHAAAAD. AUUAQQAUAAAALAAAADD(DDDDDDLDL)JDQHHQHHHHQAAAUUJUUUQUHHHHQAADA. AUUUQQUAAAAAAAAAAALAAJDJJDDD( L.(UUHUQHHQHNNNHHHHNNHHHNNHHHHQUAAA. UQUUQQUUAUAUAUAAAAAADDDDADADDJLLAQQQQQUHHQUQHHHHHNNNNHNHHHHAUUA. UUUUNQUUUQUUAAUUUAAAAAAAAAADFD(AQQQQAQQQHQQHQHNHNHNHNNHHAAUU. UQQUQUUUUAUAUAAAAAUAAAAAAAD) ( JUQUUQHNUQQHHQAUUHHQHHHHHHHAAQU. UUUUQUQUUUUUUUAAAAAAAAAAADDJF( UQQUQQQHQAQQHHAAQUAUQQHHHHHHQHUUUA. UQUUUUUUUUUUUAAAAADD(F JUQAUQQQUQQQUQQUHHHQHQQQAAUD. UUUAUUUUUUUAUAUADAL) . DQQQQAQAAQFUUQUQHHNHQQQQQADAL. UUUUQUUAUUAAUAUUUADD. ..QHLAAQUHQQHAAJUQUQQUHHFAAADAD. UUUUUUUAUUUAAAAAAAAAADDUHHQQUUAUUUHQQUAUUUQUAUUHHH ( J. UAUUUAUUAAADDDFDFDDDJHHFUFAUQHHQHHQUUAQUU)HQQUHNHDJU . A. AUUUUAUUAAD (QQUAL .D AUQUQFQAHQQQUUQQUAHFAH)J). AAAAUAAAAAAAD AHQUUUUA LAAUAUQAQFQHUHAQQUUQHFQAUJ)(. AAAAAAADDAADA). (UQQQUHUALQQQULHQHHHQQQL. AAAAAAUAAAADADAD) AAUUQAUHQ)ALUAQHUQHHHQAUUQ). AUAAAAAAAAA(DDFJ ..L). )L)QUNQQQQQUQHUUHHLUQQHHQUQQUUUQD. DAAAADADDAADDDD). JUUUDAL. AULQQAQHLUFUAAHHAUNQUNHQUQQUDAHQA. AAAAADAAAAAAAD)D D UQQQAAJAALAQQUUUHH)UH(UUUUHQUAHUUHQUUQUQUUQQ. DAAAADAAAAAAD (UQAQAQHQQUQAHUUQHHUUAUULUQQHQUUNQQHQUAAFF. DDDDAAAA) AUDQ)UHHHQAAQUHDLAAU(AJQLUQQUUQUUHUU) .... .AAUAA) JAQQ(.AUALFHAQQUHUQUAUFJFLQUQUUUHUHHQQL). .LDDAAAAAL (UUUAAJFUQUQALUUFQUUULQQU)()UUQQQAUUUUUQQUADD. DDD)D UUU)UFAUUQQUQAQUQQ)DQQQUUUUUU)(JUQDAAUQUUAAF..JQ. (AD) UJUAAL(U)AQD) UQQU.QQQFULJLQL (A (UU. (.(DD .. (UAQUAUUUAAJQQULQQA QQAQDJJ.AUUA JUA. (ADF)UU JQDUQAAAUQQJLUQQQQQU(QQUAJQ JUQUUA. AQD. .QQJUQQUQAJQQAFQULUHU)QQAU.(U.J((ADJA .UQUA. . AUAAUHLU)QQQAUQQLUUFQUA(QHFAHUUU)DL L .UQUQJA) AUDF. . JQUAUQUQAQAUQJQUQAUUQQFHQQAAAQQQUAD(LADAQQQU. JADLHQAAQUHAQQUAAQUUAUUUQQAUHHFAJUAQUL . .... DAUAAUQUAUUUDUUUAAQU)(AQAFUUA)HHQQAQAQA. AAAAAQQA. QQUUAAQA(UA)(JFJ)ADUAAQJU((AHAUL( ..(. AUUQUHHQ Q)A)UAUUQ(UUQAQADUDJUQJLL. UFAQAU. AAQQUHQN J(LUAAQUJUUQAUDQQQAAAUQUUUUAUALAJALAJJ)L.QAU. (DAUQQQHQQNHF UALUQUAAUUUAAUUQUAAUUQQQUQAAUUUAUQQQQAQU. (DFFDUUUHQQUHQQQUHUUULUQQQALUAUAAJADQQUUUQQQHHQHU. (AAQUUQQHUAQUFUUQFUQQLLQQQAAUDAAFDA) UHQHQFQHQQHQU. ..UHHUDFD(AQQQQQAADDQAUQQQAU (QQHUUUQNHNHU. LAAJUQQHHQADFAQQQAFUDDAAQQQQQUA . .UAUQUAAUQHHHU. QQQQQUUAFDA JUQUFAAAUQUUDF .A. QAUAFDUHQHUHH. UQQQQQUAF AUQ .UU AUUAQ)AQQQUQ. UUQQQUAD JUQUL. JQ.(. UUAFQ)JQAAUJUH. AQQUUQUAL.J. (AQQAQUJ .LJAQUUQQALUU)QUAUQ. (QQQQHUUL ( UUQQQU)LUQ((Q)AQAFUU. QHHHQQHHUAD) UAJAQUQQQDUU(QFAF. QUAAUAUUAJ . . .. (UUUUUQ(A(LAUDD. QAAADAUAADUL (JF)) AUAQQAJ))U(UQQU(. AUUUFAAAAJAD.JUJLAJU(L.. . .AUADQAQQQFDQQUUQUA)(. (AAQQQQAUQQUQUFF . (DAADALAAUAFUAQQAUQLAUAALAUL. ..AAA)DQAAL .. DDDDAAULUAQUAJQQFALQQAFAF.. ..AAAUAADUQQUJ AQAUUAUJ AAAADUAUQQUUUUUHQUQUUUFA)). AAQFJDDUQQAQQ ((A)UQA AUU DDA((AQQUUQQQQQHUUQ)UUDLA). A.. JAAAF(AQAUAAA .L JU. . F L UQUQQQUQUAAUUQUAQAAAA).. UUDAAUUAUUUAUAJQUULLJJJLAQQUJQUUJALU D.UUQQQHQHDAAAA.. DUUQQQQQUUUAUAJUUAQUUUQUFUAUQQL ((DQQUQUQUAU(UFUF. AAUAUUU)FAAUAUUQQHQQQQUUUUQL(QUL ...JAAUUUQQALQHAJUJQAQ. UAQQQUQHQQUDAAUQHAUAUAQULQHU(QQA( JJQQQQUAUQJQHQJFHHHQQL). QQUQUQQQUFAUHQQAUUUUQQUAUUQUQQUUUA(QQQQQUUUULUUD)LAQQLUUFAQ. HHQUQHULQQQHQUUQQAAAAUUUAJUQ).JAUQQQLUQQUAQUA AQAFAQALAU. UHHQUQQQUQUULAAQQUQQQQ.(AQHUQQQAQQUUUHQLDQHQQAQAUJA. QQQHQQUQUAQQQQQLLQUHHHQQUFAUQUAJ FHHLAUU. UHNHNHHHQQQAAAQHQHQQQUQQQQQFUUQHQAFQQQHUQQU. QUQQNNHHHHHQAQUAAADAQQQQQQAQUUUQQUQUAUAUQHUQHLAU. QQNNHNNHHHQQQUUUAAAAAUQQHQQHQHQHHQQAUUUQQQQHUQUA. HQQUHNNHHHHQUFQQQAAUUAUUHNLQQQJQQQUUQLHHUQHQQQUUQAUU). HHQQQHHHHNAUUUUQHQQUUAAUHQQQQJQUQHQHUQQQHQQUA)..JHUQQAQQ. HNHHHNNHNHNQUQQQQQUUUQUQQHFALQQUAAQQHQQUQQHUQUA FUQQQUU. NHHHNHNNNHHHHHHHQQUAU)QUAQQQQUQNUQUQHUQQUUUALQQQQUU. HHQQNHHHNHNHHNNHHHHHNQUFUUUUFQQQQHQQHQQQQQUQJAJAA. unsubscribe from this group send an email to. unsubscribe from this group send an email to. Fwd It all begins. . . vers. Mer stroboskopisk r�verspr�k. fra Buffalo. Start of forwarded message. Fwd It all begins. . . vers. TH ES BE BEG EGI GIN NT TO TO TH THI HIN ING SW WI WIT. ITH TH TH THE HE IS IS SC ING NG TH OUG UGH OME SO OF. TH THE HE EM ME MES ESS SSA SAG AGE GE ES SE TO TO EO. ON LY YA A PA PAR ART UN ING NG ME MET ETH OF OF ON. IS IS GRA RAD ALL LY SE SEE ING NG GI TO TH THE HE ET. EX EXT ING NG TA AN REA ING NG GT TH THE EM PAR ART IS. SE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. E A AS AS ST TH THE HE ET TE TEX EXT BE COM OME MES. ES SI IN CRE REA EAS ING LY FR AN AND ND IS IS ST ED. DI IN INT NTO TO SE GME MEN ENT TS ST TH THA HAT AT TA. RE ESS SS AN AND ND LE LES ESS SS SC CO COM ENS LE TA. AL OS TRA LY LO AL IN IN SO SOM OME ME EI IN NDE BLE. LE EW .T TH HE EP CES ESS SS SS SE SEE EEM EMS MS ST. TO OH HA HAV AVE VE EA A HIS IST YA AN AND ND DA. AN AN TIO ION RY GR E EV NI IT TS SO NS SO OF OF. E HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. UNT NTI TIL IL LY YO YOU OU AN RE REA EAD AD OM MO MOR. ORE RE E A AN AND ND ST TIL LL LY YO YOU OU UR RE. REA EAD IN IN NS SE OF OF SO SOM OME ME KIN IND ND DO. OF OF FL LI TA AT TT TH THE HE EN ND DO OF OF FT. TH THE HE ET TU UT NO NO LI LIG IGH GHT HT IS IS SF. ORT COM OMI MIN ING A AN AND ND TH THI HIN ING NGS GS NO. OW ON ONL NLY LY YS SE SEE EEM EM MT TO TO OB BE BE. ING NG FR FRO ROM OM AD DT TO TO WO WOR .Y YO YOU OU. MA MAK AKE KE EO ON EL ST ALI FOR ORT RT TA AT AT UN. UND NDE DER RST AND ING NG HAT AT TI IS IS SG GO GOI OIN. ING NG ON A AS AS YO YOU OU NO WA ANT NT TT TO TO. OB BE BE EA ED DO OF OF BE ING NG A LA RE REA EAD. DER WH IS IS SW WO LLY LY UN ILL ING NG GT TO TO VE. ET TH THE HE EM MO DER NT TE TEX EXT XT TI IT ITS TS. E. .B BU BUT UT TF FI FIN INA ALL LLY LY YO YOU OU DA. AN AND ND DT TU TUR URN RN NA WAY YF FR FRO ROM OM MT. TH THE HE ET TE TEX EXT XT TI IN IN NS SE SEA EAR ARC. RCH CH HO OF OF FL LE LES ESS SS SF FR STR TRA ATI TIN. ING NG GM ME MES ESS SSA SAG AGE ES ST TO TO GES T ING. NG BA ON ONL NLY LY NO NOW OW AN AND ND DA IN NT TO. OS SE SEE EI IF IF FA AN THI HIN ING NG HA AS SC. ANG NGE .A ND DT TH THE HEN N TO TO YO YOU AS AST STO. MEN ENT T T TH THI HIN ING NGS GS SD DO DO OS SE SEE. EEM EM MT TO TO OB BE BE CH CHA HAN ANG GIN ING .A LI. LIN NE EH HA HAS AS BE EEN EN SED D A AN AND ND WH. LE YO YOU OU AR ARE RE UN RE EA AS AS ST TO TO OW. WH ETH THE ER TH THI HIS IS SC CH CHA HAN ANG NGE GE EI. IS IS SI IN IN YO YOU OU RT TH THE HE EM ME MES ESS. SSA SAG AGE E T TH THI HIN ING NGS GS SD DE DEF EFI FIN. ELY LY DO DO OS SE SEE EEM EM MT TO TO OB BE BE EM. MA MAK AKI KIN ING NG SE SEN ENS NSE SE EA AG AGA GAI AIN. N. HAT EVE ER RW WA AS SC CA SIN ING NG GT TH THE HE. ET TE TEX EXT XT TT TO TO FR FRA RAG AGM GME MEN ENT NT. TB BE FOR ORE RE EI IS IS SN NO NOW OW LO SIN ING NG. GT TH THE HE EB BA LE EA AN AND ND DA A AF FO FOR. OF OF ME NIN ING NG GI IS IS RE REA EAS SSE RTI TIN ING. NG GI IT ITS .W ITH TH HA A SE SEN ENS NSE SE EO OF. OF RE YO YOU OU SI IGH GH HA AN AND ND DA AL ALL OW. WT TH THA HAT AT TT TH THE HE ES ST STR LE EI IS IS. SF FI FIN INA NAL ALL LLY LY YA AT AT TA AN AN NE EN. END. mwp. End of forwarded message. Fwd Re Re Vs noisetext (unknown). Start of forwarded message. Fwd Re Re Vs noisetext (unknown). There's another giftext utility (cgi thing) at. and yes it does have Laetitia Casta as a sample picture this is the right. eye. KKffftttttttiii..........ttfffffjjEEELLiii. iitttiiiiiWWDDD. WWEEiiijjtttttiiiii............... .... KKKEEjjtttiiiiiii...............iiiitttjj. Fwd SCRNewsViews News from Science Consciousness Review. Start of forwarded message. Fwd SCRNewsViews News from Science Consciousness Review. Dear member of this list. new articles and reviews. EDITORIAL REVIEW SECOND COMMENTARY ON CRICK KOCH. Crick and Koch A framework with many unknowns. By Bjrn Merker. The paper by Crick and Koch (featured in the February issue of Nature. consciousness. It may let us gauge what we do not yet know as much as. calling attention to some specific proposals. In this week's commentary. Bjrn Merker reviews Crick Koch's work.. In February Science Consciousness Review publishes more editorial. commentaries on Crick Koch's recent article.. LATEST HEADLINES. Memory traces unbound. Dreaming and Episodic Memory A Functional Dissociation. BOOK Being No One. The SelfModel Theory of Subjectivity. BOOK Illusion The Phenomenal Brain. PREVIOUS ARTICLES. Are we ever unconscious. Book Review Synaptic Self. How our brains become who we are by Joseph. LeDoux. Single neurons track your conscious vision. Visit our archives at. SEND YOUR CONTRIBUTION. For students teachers scientists and all other fans of consciousness.... Send your news summaries to us.. Sincerely. Thomas Zoga Rams�y. Thomas Zoga Rams�y. Neuropsychologist MA. The Lions Collegium. Tuborgvej. Copenhagen NV. Denmark. ramsoytiscali.dk. tzrfaf.kk.dk. Managing Editor. Science Consciousness Review. Science Consiousness Review is a nonprofit online ezine for the latest news. and views on. scientific studies of consciousness.. Start of forwarded message. ReplyTo Nettverk for kunst og ny teknologi.. Googlism for nothing. nothing is important' page. nothing is granted. nothing is '. nothing is solid. nothing is too hidden to hack. nothing is static. nothing is more. nothing is forever. nothing is impossible out here. nothing is forgotten. nothing is worth more than this day. nothing is wasted. nothing is shocking in electronics. nothing is ez. nothing is permanent. nothing is too good to be true. nothing is quite what it seems. nothing is just bw. nothing is something. nothing is happening. nothing is posted today. nothing is mine. nothing is better than. nothing is sacred. nothing is faster nothing is easier. nothing is right. nothing is random. nothing is staged about 'backroads'. nothing is long ago. nothing is as it seems. nothing is too difficult for god. nothing is ever black and white. nothing is impossible. nothing is lost. nothing is a waste of. nothing is known. nothing is more permanent than. nothing is listed under step templates and workflows when you. nothing is normal. nothing is as simple as it seems. nothing is real he would say to me. nothing is important. nothing is 'unbreakable' larry ellison is setting himself up for a. nasty fall by marketing oracle as hack. nothing is more important. nothing is scary. nothing is ubiquitous. nothing is forever us ambassador warren zimmerman interviewed jan. nothing is a good weapon it seems to me that the terrorists with whom. america is at war are doing exactly the right thing nothing. nothing is possible. nothing is better. nothing is impossible an interview with christopher reeve. nothing is the best option. nothing is real wild palms by erik davis. nothing is 'unbreakable'. nothing is written. nothing is wasted copyright. nothing is so what if bush and company didn't bail out enron the. outrage. nothing is shocking in electronics a spotlight on the electronics. nothing is secret anymore. nothing is too good to be true by leona evans. nothing is just bw. nothing is beyond you. nothing is simpler. nothing is happening things to do. nothing is wrong. nothing is working. nothing is final. nothing is posted today by no one. nothing is posted today by no one. nothing is sacred graphic design. nothing is terrible. nothing is 'unbreakable' larry ellison is setting himself up for a. nasty fall by marketing. nothing is mine but i refuse to suffer alone by marijke hildreth. othing in my house is sacred. nothing is better than being there. nothing is sacred this is. nothing is faster nothing is easier what is. nothing is impossible by dr. nothing is right or nothing is wrong we only just began. nothing is worth our reputation. nothing is staged about 'backroads' tom stienstra. nothing is no longer an option. nothing is impossible to a willing heart. nothing is long ago memories of a mormon childhood virginia sorensen. susan elizabeth howe. nothing is contrary to god but self. nothing is impossible a sermon by the rev. nothing is. nothing is responding. nothing is ever as it seems. nothing is too difficult for god given by richard m riss. nothing is what it seems in indian country. nothing is impossible. nothing is impossible is a concise. nothing is a lie. nothing is real. nothing is a waste of time if you use the experience wisely. nothing is for free. nothing is everything'. nothing is more permanent than temporary workers. nothing is listed under step templates and workflows when you start. acrobat capture. post distribuert via. e k u n s t nettverk for kunst og ny teknologi. postadresse ekunstkunst.no. End of forwarded message. Fwd Re ebookcommunity Poetry is glyphic writing. Start of forwarded message. Fwd Re ebookcommunity Poetry is glyphic writing. Let me suggest that verse falls in the category I call glyphic writing.. This includes things like panels of cartoons PowerPoint slides and. writing which consists of a number of subelements which may even all. be textual but which have a carefully spatial relationship to each. other.. Nonglyphic writing consists of text arranged in a reading order so. long as the reading order is maintained the spatial relationship of. the individual elements is immaterial because there really is only. one element the text.. Does that buy you anything. As an author I can break a short story down into a fairly fine level. of structure where there's a distinct spatial relationship between. the elements. I'll break it down into scenes and outline the. structure of each scene and so on. To you the reader though you're. unaware of much of that structure.. In reverse as reader with limited knowledge of (or desire to learn. of) poetry structure there ain't no spatial relationship in there. it doesn't rhyme. (And funky spacing is just pretentious crap.). There are also people who demonstrate an inability to read comics.. They don't know where to look what to read first how to decipher. the language. Any spatial relationships are lost on them.. I might submit that there are strong and weak glyphic elements of all. these examples some items tend more toward one end of the spectrum. than the other. Glyphic elements must should or may (in descending. imperative) have presentation attached. The more things tend toward. may the less authorial control remains over the presentation and. the more it tends toward being a single effective element the text.. An example might be a comic strip. The graphic content of the panel. must be fully retained as presented by the author. The textual. content (word balloons etc.) should be retained the structural. connection is important but matters of whether the text is in word. balloons listed below the panel or verbalized are typically of. lesser import. The order of the panels must be preserved but the. horizontal nature may be changed (in some case it at least should if. must must be retained though depends on the individual panel pairs).. Jim Drew Seattle WA ciaopubsearthlink.net. End of forwarded message. innertier en uvirksom treg person i sentrum for oppmerksomheten jfr. inerti. Fwd Nettimebold unstable digest vol. Start of forwarded message. ReplyTo nettimeboldnettime.org. Fwd Nettimebold unstable digest vol. msg positioning. u.r.in.the.making. .. Slession Start Thu Feb. Lesion Ident silocyben. short intervals. notify m.Sages.. .. fit.tingle in ah narrow acceptability niche.. take me off. i'd pre.furr that.. no realli.. hassle u. irc.. heh. .. provide some type of per.server entertainment value. providing. per.verse. pre.serve. .. dam.nation ls sleep dep.ri.vat.ion. i make no apologies for that. come in prettyhatemachinebite.size.packages.. ppl hassle. i do.. it's wonderful.. .. hmm. bcitatione sized. ). silocyben nibbles.. D. ok.. silocyben smacks lipids.. msg moment intentionally causality. msg i'm done.. heh. anyway. in.tensiontionally cruel IRC. slecherousxual d.pgravity. scroll notify.. Ffort manually. what. fthat.. who nos really. heh. msg would kill u). don't thlink u understand.. no.. good.. it's better that way.. heh.. yes.. msg look. .. feel free Nlighten. what i understand u don't.. k.no.w talking. no. should i. damn.. ). no.. grin. ). ok.. so.. f.eeling free. message with). we've covered the fact that. possibly quit.. ete.. n.deed. ho hum.. pickup multi.logue. hmmm. yes.. i mlean wards ghosts. loving.. heh. Suriname parity u r). i'm thinking that. combination of facts. anywhere.. in the realty of go.. oh way more than that.. realms even.. way more.. u st.. NlightN me.. nono u must NlightN me. urm.. i can't.. Xcept to say.. .. .. hmm. and.. msg i want.. ehehehe. .. but. a.part from that.. silocyben scratc.his.head.. fighting Nlite. k need . able . though.. do.. yes indeed.. msg worried. msg about. msg obsession.. but.. msg X.. msg former. notify aint work.. away latter.. away waste.. .fuck.. hmm. talk POV. .....away money. mmm. .....talk nor.... away u. needed it.. growth ur own. panick ed because. msg dislocation lies. msg tied up with .. i used. ic.. much mulching.... sniff basic portioned. scratch like a th.. .....left wingth. es. yes. trauma she.is.all.i.have msg in.terms.of.active.affectivity. yes. i unda.stood.. and unda.stand.. .. lvl sameness. shrug.. accountability. gagging pay job. BUT. y. stress basalt in all corporatecapitalist Ndeavours. i HAVE. didn't he tell u. sent. oh.. oh.

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cool.. none week.. ahh. k np. descent.in..nether.hell.. well. .. actually. crazy problems heart.. figorey that. then. in rl. .. wow. story. jesus story wot.do.u.want we played quake gether.. ). that will do. story tellerinvoker. ). laugh and there r p.lent.y of tell.. anyway. i'm sure. snip tell stories.. the lose driven slough.. noNticed. dilemma. oh. yes yes.. ho.ur.. yes indeed. s.. msg positioning. u.r.in.the.making. ..in.finite capacitys goalrelationalbelief. structuremighty uphold.. tem.portation is far. ..... wallow in consumerist.muck. ....type . align getgos socialb.lather. .. sense. ). right.. u're.. i'm sure i am.. slash simplistic.. .. grin. i don't.. no u don't. nor. i already.. ok. well. y make.. ....says much. anyway. i'm tired. bitesized day bIT). i have.. yes u do.. off.. Added to notify list. no apaty and awareness.. h.. k.. if u say so.. sigh. Session Close Thu Feb. Lession Start Thu Feb. Session IDent silocyben. think nature. completingx Ntree.catesimperinglistic.. nature as. system of. ecological function. ball N batance thru.. i am.. nature dfined bye romance. ideal of butterflies victims. prey and bloodlust. ahh. naturefact. .. s.. u. chuckle. centric. anyway. but what r. goals fargoish.. i am.a.silly.undefined.soul in a c of centuries. wish disappointed.. so.. ahh no. come inside with rt. with bod.EE. laugh. ....eyes. .. he.. words cauterize. cause even. cya.. s.lump. heh. .. bye. hmm. d.ee.p.ends. stretch props blood flow.. hmm. hands. neglect.. speak softly. thru the size of my large hands. large joints.. hmm. voice. yes. i thought so.. or. simplicity is boiled from the need to x.tract and d.limit complexity. sometimes the problem becomes the complexity to survive the. simplicity of others.. c a t c h. or the problem hides i the folds of simplicity N order deny. complexity. n. mmm.. we are walking on different foundations.. we r. creeping thru semantic jungles. ). ). tactility above all else. no causality in solid shapes. logic definer. momentary pleasures theorizing via strands of cartesian dynamics. Added silocyben to notify list. Session Close Thu Feb. protein.logging.txt. sparks of lost hubrisman centre.sieved. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA MACHINE.. Decembre. Pascale Gustin. Licence GNU General Public License. Je crois que l'ordinateur et de manire plus gnrale les technologies. de l'information transforment de faon radicale notre rapport au monde. et nous mme. C'est mme devenu un lieu commun de dire cela. aujourd'hui c'est devenu un truisme. Paradoxalement mesurer. l'importance et les consquences de ces changements est loin d'tre. simple cela ouvre mme de nombreux champs d'investigations et de. rflexions qui depuis environ ans font l'objet de recherches de. plus en plus diversifies dans des domaines toujours plus tendus. Je. pense l'instar de Pierre Levy que l'outil informatique est une. dcouverte au moins aussi importante dans l'histoire de l'humanit que. celle de l'criture elle en est probablement mme la continuit en. poursuivant le processus d'hominisation de l'homme .. J'aimerais par ce texte explorer de manire tout fait personnelle la. naissance de l'outil informatique du point de vue du texte et de. l'criture. Je ne prtends pas ici un essai exhaustif sur le sujet. mais seulement rassembler quelques rflexions et notes de lectures. qui m'apparaissent pertinentes. Selon le procd d'une pense. analogique je souhaiterais former un ensemble cohrent de rflexions et. d'ides dans la continuit de ce qui mon sens me parait trop peu. questionn actuellement mais non pas moins important c'est dire le. problme de l'criture en regard de l'outil informatique et la faon. dont mon avis celuici transforme et remet en question de multiples. manires la notion mme de texte.. L'criture le code le texte.. L'criture est la premire technologie d'enregistrement de la parole. constitue de symboles d'images ou de signes elle est un systme un. code mis en place afin de pouvoir garder trace du langage parl. De ce. point de vue l'criture est un code certes relativement souple qui. encode la ralit et tout la fois en transforme et en remodle la. perception. Un des tous premiers systmes d'criture que l'on ai. retrouv est l'criture noeuds systme d'inscription. mnmotechnique et synthtique. On en a dcouvert des traces au Prou. dans les tombeaux Incas par exemple. Ce sont des paquets de noeuds et. de fils attachs de couleurs diffrentes ou semblables placs de. manire obtenir un grand nombre de significations. Ces. quippus servaient enregistrer les comptes la chronologie il. tait possible galement de s'en servir comme d'un moyen de calcul. On. retrouve cette forme ancestrale d'criture partout dans le monde et. jusqu'au milieu du vingtime sicle dans certaines rgions elle tait. encore utilise par les ouvriers afin de comptabiliser leurs journes. de travail .. L'criture dans son essence apparat alors comme un systme de. diffrences. (J. Derrida et Saussure). Le codage binaire a t utilis sous une forme symbolique trs tt. en chine avec le systme divinatoire du YiKing. Le YiKing est un. ensemble de hexagrammes constitus d'une collection d'images. symboliques reprsentatives d'un certain ordre de l'univers et tait. utilis pour procder diverses interprtations divinatoires. Ces. images symboliques rsultent de l'assemblage et de la combinatoire de. traits pleins et de traits briss reprsentant les deux tats. essentiels par lesquels chaque tre et chaque chose sont appels se. mouvoir et se transformer. Mais c'est le philosophe anglais Francis. Bacon () qui fait de ce principe binaire un systme part. entire afin de pouvoir transmettre des messages de manire rapide et. sre .. Dans ce sens le code l'acte de coder un message serait en somme la. transcription de celuici dans une langue nonnaturelle.. Mais le mot de code se drobe mesure qu'on souhaite en saisir le sens.. A l'origine du mot nous trouvons le codex c'est dire la. planchette le recueil nous avons galement le code juridique qui est. l'ensemble des lois qui rgissent une socit signification qui n'est. pas sans rappeler la programmation puisqu'ellemme est rgie. par une syntaxe un ensemble de rgles auxquelles on ne peut droger. d'aucune manire sous peine de planter le programme. Nous avons. galement le code vestimentaire ou le code gntique. Le code serait. en quelque sorte un moyen de conservation et de transmission. d'informations un support de significations non spcifiquement humain.. L'criture pourrait tre une sorte de code plus souple o le. sens est tiss de diffrentes manires les lettres avec les. lettres une une ou par grappes les mots ensembles pour former des. phrases et les phrases tisses les unes aux autres interagissant les. unes avec les autres au cours de la lecture nouant liens de sens et. de significations afin de former le texte. On utilise l'expression le. fil de la lecture ou au fil du texte pour parler de cet cheveau du. sens qui prend forme au moment du dchiffrement. Le texte est une. trame de significations dont les fils se croisent et s'entrecroisent. entre les lettres ellesmmes les mots les sons dans le texte et. entre le texte et le lecteur.. Le mot texte vient du terme latin texere qui signifie tisser.. Une autre dfinition du mot peut tre. un nombre fini de signes discrets choisis dans un ensemble fini. de signes (Florian Cramer).. Les machines.. Une des toutes premires utilisations technologiques du langage binaire. a t dveloppe par Jacquard () afin d'amliorer la technique. du tissage.. Il s'agissait de cartes perfores de trous c'est dire de. l'utilisation des pleins et des vides des cartes pour coder le passage. des fils de couleurs diffrentes dans les fils de chanes. La. technologie du tissage a toujours t l'avantgarde des techniques de. son temps mme aux poques les plus recules au moyenage on. utilisait dj des cartes ralises sur du papier divis en damier pour. la reproduction des dessins.. Charles Babbage () initiateur de la machine diffrentielle. et plus tard de la machine analytique connaissait les travaux de. Jacquard dans le domaine du tissage et eu cette intuition fondamentale. d'appliquer ce principe en quelque sorte combinatoire des diffrents. ils entre eux au calcul selon une mthode semblable. Ada Lovelace. () collaboratrice de Charles Babbage ft charge de la partie. logicielle de la machine c'est dire du texte (au sens large du. terme) qui devait permettre la machine analytique de fonctionner. Mais. le projet n'aboutit pas faute de moyens et probablement aussi. d'organisation .. Les machines telles que les ordinateurs actuels ne peuvent. fonctionner ne peuvent comprendre une serie d'instructions que si. cellesci se trouvent crites sous la forme de suites de et de ou. plus exactement sous forme de squences trs rapides d'impulsions. lectriques une impulsion reprsente une connection c'est dire le. l'absence d'impulsion le . Un ensemble organis de et a donc. un sens pour la machine c'est dire un sens lectrique. Le terme. de sens n'est peuttre pas tout fait appropri pour parler. d'instructions que la machine programme dans ce but effectura la. machine n'interprte pas le programme ou les instructions entres dans. le processeur elle ne fait que les excuter.. La rapidit avec laquelle le courant circule entre les diffrents. lments de l'appareil informatique (lie la vitesse d'horloge du. processeur) offre des possibilits quasi illimites de calcul. (quantits de connexions et d'absences de connexions de et de de. plus en plus importantes dans des laps de temps trs courts). Ainsi. nous pouvons en tant qu'utilisateur de machines et de programmes. charger des images l'cran les dupliquer ou les transformer faire. jouer des sons ou bien crire des textes que nous rentrons dans la. mmoire vive de l'ordinateur. En quelque sorte ces suites de et de. sont le seul code ou alphabet avec lequel nous pouvons utiliser l'outil. informatique.. Les premiers ordinateurs taient en quelque sorte programms en. direct l'aide de fiches et de fils relis ensembles.. Si la fiche est connecte le courant passe la valeur est donc. l'inverse l'absence de connection prend la valeur . Pour faire. fonctionner un programme il fallait donc connecter une une des. centaines de fiches et de fils entre eux. Le temps de mise en route. d'un programme tait trs important les erreurs frquentes et. pnibles retrouver. On devait suivre chaque fils pour. voir o il tait reli au milieu de paquets de fils entrelasss les uns. dans les autres.. Plus tard dans les annes et les fils lectriques seront. remplacs par des valeurs situes en mmoire .. Les ingnieurs imaginrent ensuite un moyen de simplifier les oprations. de programmation. On substitua un ensemble d'instructions un code. dit mnmotechnique plus facile retenir. Ces premiers langages. permettaient d'effectuer rapidement des taches complexes sur. les machines mais restaient encore malaiss d'utilisation car trs. proche du code de la machine (exemple le langage assembleur).. Peu peu les langages devinrent plus performants. L'utilisation des. premiers compilateurs firent des machines des outils plus souples et. faciles utiliser (avec le fortran). De vritables mots furent. employs et les instructions au fur et mesure de l'volution des. langages devinrent plus comprhensibles pour l'homme encodrent des. algorithmes entiers et rendirent ainsi la conception. des programmes rapide et efficace.. L'arrive des interfaces graphiques donnera par la suite les moyens. tout utilisateur noninformaticien d'effectuer facilement rapidement. par l'intermdiaire de l'cran graphique des taches compliques. prprogrammes.. Le code de la machine le texte en quelque sorte se trouve alors. dissimul sous des couches logicielles mais c'est toujours un code une. texture de calcul de et de qui dans les profondeurs de. l'ordinateur officie afin que les programmes puissent avoir lieu en. surface .. Les langages de programmation (je pense par exemple aux langages de. programmation orients objet comme java ou python) les plus rcents bien. que plus proches d'une part du langage humain et peuttre galement de. la pense humaine (du moins d'une petite part caractristique de. celleci la catgorisation mais je doute que cette forme de la pense. humaine soit la plus naturelle l'humain mais peuttre bien plutt. sa part la plus sociale ou socialise) restent toujours. malgr tout soumis aux ncessits internes des machines.. Le langage humain tel que nous le parlons l'crivons met en place un. monde de significations. Le discours oral est contextualis. Il en est. de mme pour le texte crit. Une marge d'ambiguit est toujours tolre. et mme presque souhaitable car c'est pratiquement dans cette marge. qu'a lieu l'expression de l'individu qui parle ou crit. La dimension. culturelle ainsi qu'une prise de conscience de tous les discours qui ont. prcdemment eu lieu interviennent galement de manire plus ou moins. prgnante pour celui qui coute ou lit selon la culture qu'il a du sujet. nonc. Ainsi le sens du texte oral ou crit est un ensemble de liens. qui se tissent de toute part entre les interlocuteurs ou entre le. lecteur et le texte la socit la culture les lois etc. Souvent la. comprhension du sens dpasse largement la structure de base du langage. linaire et squentielle celle du discours oral ou du texte.. Il en va ainsi de la pense humaine car c'est partir d'elle partir. de cette matrice que cette texture de liens peut avoir lieu.. C'est en poursuivant un tel raisonnement que Ted Nelson labora ses. recherches sur l'hypertextualit ds le milieu des annes avec son. projet Xanadu (nomm ainsi en rfrence un pome de Coleridge).. Son prdcsseur Vannemar Buch eu une intuition semblable lorsqu'il. imagina vingt ans plus tt le Memex MEMory EXtander une. bibliothque de documents relis les uns aux autres en fonction du. sens que pouvait prendre chaque paragraphe phrase ou mot de tel ou. tel texte mmoris en regard de tel ou tel autre paragraphe phrase ou. mot issus d'un autre texte ou d'une autre partie de ce mme texte.. Conservs sur microfilms spciaux ces textes photographies ou tout. autre document auraient t accessibles grace plusieurs crans. claviers et manettes. Une membrane sensible aurait pu permettre de. photographier et d'enregistrer de nouveaux documents. L'utilisation d'un. tel appareil aurait permis au chercheur ou l' homme moderne de. faire face la prolifration d'informations prvisibles en raison du. dveloppement des instruments de mdiatisation de l'information .. Pour Ted Nelson la pense humaine est hypertextuelle par essence. alors que le langage humain la parole ou l'crit ne sont que. squentiels. Ainsi le langage humain apparait comme incapable de. reproduire vritablement la pense dans toute sa richesse sa. diversit et son foisonnement .. C'est sur ce travail cette nouvelle manire d'apprhender le texte. que je terminerai cette suite de notes et de reflexions car partir. de cette notion d'hypertexte et d'hypertextualit de nombreuses. possibilits de tissage de sens et de textes sont mises jour et en. explorer les dimensions et les possibilits serait l'objet d'une. recherche part entire. J'aimerais seulement pour conclure amener. l'attention du lecteur que le texte apparat dsormais non plus comme. quelque chose d'abstrait et d'homogne qui permet l'information. d'tre diffuse mais comme un corps part entire concret qui peut. prendre de multiples formes ainsi tre utilis aussi bien pour. programmer les outils de l'informaticien ou du simple usager de. l'informatique pour concevoir des programmes que pour les. appliquer. Je crois que le travail du pote ou de l'crivain s'en. trouve profondment boulevers. Ecrire ce n'est pas seulement faire un. texte mais aussi ce peut tre mettre en route un instrument l'outil. informatique se servir d'un programme (un logiciel de traitement de. texte par exemple) ou d'un langage de programmation c'est couper. coller assembler telle portion de texte avec tel autre (un morceau de. programme un lien qui menera une image ou un son). C'est jouer. galement avec diffrentes formes de langages car tout ceci mon sens. constitue encore du texte c'est mettre l'criture le langage. quelque soit l'origine de ce langage en contact avec d'autres. branches de la communication.. refrences. Levy Pierre. La machine univers. Editions La Dcouverte. Levy Pierre. L'intelligence collective. Editions La Dcouverte. Fevrier James. L'histoire de l'criture. Editions Payot et Rivages. Kristeva Julia. Le langage cet inconnu. Editions du seuil. Breton Philippe. Une Histoire de l'informatique. Editions du seuil. Plant Sadie. Tissages du futur tramer ensemble femmes et cyberntique. Connexions art rseaux mdia. Ecole Nationale Suprieure des BeauxArts Paris. Rossi Serge. Guillier Franois. Bordeleau Pierre. Every David K.. traduit de l'anglais par Charles Gigure. Sureau D. G.. Bush Vannemar. Comme nous pourrions le penser. Connexions art rseaux mdia. Ecole Nationale Suprieure des BeauxArts Paris. Nelson Ted. pasccsaq. rWxRWXR x. autobuildwheel. silenses. projetcuneifoRM. oo. It all begins. . . vers. TH ES BE BEG EGI GIN NT TO TO TH THI HIN ING SW WI WIT. ITH TH TH THE HE IS IS SC ING NG TH OUG UGH OME SO OF. TH THE HE EM ME MES ESS SSA SAG AGE GE ES SE TO TO EO. ON LY YA A PA PAR ART UN ING NG ME MET ETH OF OF ON. IS IS GRA RAD ALL LY SE SEE ING NG GI TO TH THE HE ET. EX EXT ING NG TA AN REA ING NG GT TH THE EM PAR ART IS. SE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. E A AS AS ST TH THE HE ET TE TEX EXT BE COM OME MES. 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Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(todayD. .. ..(todayD.. .. narcissism (ny report). narcissism. we're speaking for the moment online and offline conversations analy. ses manifestos signs marches puppetry it goes on and on they're. silent on the other side use the royal 'we' they include us we're. being led to the slaughter we're taking the world with us we'll use. weapons of mass destruction tactical nuclear against the bunkers to. percent of our weaponry gone astray our own military reports expecta. tions of over civilian casualties in the name of liberation blair. too the whole lot of them cold warriors compulsiveobsessives. madmen another futile protest here they're getting stronger by the. moment our performances are just that select audiences of hundreds of. millions they can't do anything we're speaking into our own skin. already the fear's upon us they're nameless they hide behind acronyms. they lie they fabricate evidence tapes bin laden's muddy voice. we're supposed to believe all of this we're under the gun here we're. under warning we're a declared state of emergency resistance is. futile useless we're bringing out blocks of writing reams of it to. no avail the only measure that carries weight violence armed. resistance i'm not up to that we're unused to the brutality of our own. government help's got to come from elsewhere stunning revelation. bush cancels elections declares state of emergency he's already. backed by the army we're allowed to speak our voices give out the. strongest among us will be taken away you've got to help us you've. seen it all before there aren't any miracles stock market's falling. construction's down. A legs and homes. nightmare. A legs and homes. nightmare. sorted out. suck rock. webartery. nettime nettime. webartery. syndicate. nettimelat. webartery. wryting. webartery. empyre. ghasa. webartery. avantgarde. harthist. webartery. dancetech. nettimelat. webartery. harte. rhizome rhizome. nettime. calls and opps. cybersociology. nettimelat. webartery. nettime nettimebold. chart. webartery webartery. artservis. Re Re hypertext. I actually do buy that form and content are onewhich is why i. insist on digital content's painterlinesswhen i create a piece. i want the content to be dynamic i want it to vary...i want the. content to be a collaboration among the user the machine and. myself. col.labia naked vacant concept with red M white striped bench.markas. collaboration.as.d.fined.via.static.proscribed.synergism is BLANK.. this is why digital writing that doesn't take into account. the computer's propensity for variability sometimes leaves me. cold.... this is why that doesn't take into account. the com.person realignmentuter's propensity for variability sometimes. leaves me. cold.... i feel stuck outside the piece when the point of the network. is participation. stuck.pigged.and obtuse.frozen.. protein.logging.txt. sparks of lost hubrisman centre.sieved. moat tory frown ten. moat tory frown ten. ich real ich real ten four bunch fen fourteen so coal. ich real ich real ten four bunch fen fourteen so coal

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tan fatso crabcakes hen peanut butler plan door tan moor. foreplay bone lip ticks catcher chin da lie nor ana dy cat puat. tened scream blond. all the or fabkeys please tether ben nat. duck taker. mate bow dow. bet more don. blow. zen. nappy nappy per hay. may in yo. may.. clober ben say vin ma hark vest tea blond kevin more tell coach. bland cure bound head. plug vast NORAD bat buzz bird bun meter buzz. sneez bleed nose cellophane. biscuit above plan carnivorous pew blue. cart cut but chen now tall please bar teflon tis cum above who. accord hospital fake clowns chew hot blues vent ten bet.. Googlism poems. .. she is not fair to outward view. she is not a beauty even when she smiles. she is like a woman. she is moaning after anal insertion. she is up again against the skin of her guitar. she is now her father's daughter. she is e. she is pulled feet. she is not fair to outward view. she is more to be pitied than censured. she is talking up a storm. she is spoke here. she is the darkness. she is growing up. she is dying. she is beautiful sells for. she is sleeping. she is inserting the finger into her pussy. she is in love with herself and has made some of hollywood's worst films. she is very famous in some fetish videos. she is probably the best ever seen. she is beautiful. she is beautiful and hot. .. he is one of the top actors in the world. he is not afraid to fly. he is coming. he is in love with her wants to leave his wife. he is risen. he is us. he is pained by occupation of jerusalem. he is currently waiting for a lung transplant. he is induced or persuaded by law enforcement officers. he is outraged by enron outcome. he is consulting with congress. he is not allowed to comment on what happened because it is a security. matter. he is here. he is one of the top actors in the world. he is decorated boris yeltsin. he is the spy. he is not afraid to fly moscow. he is not well. text derived by searching googlism.com for he and she with. who argument. entry order maintained though text was heavily edited. and lineated. Brandon Barr. nettime unstable digest vol. Sun Feb. msg positioning. u.r.in.the.making. From mez breeze. To arc.hivelm.va.com.au mail.ljudmila.org. LE TEXTE ET LA MACHINE.. From rWxRWXR x. To nettimefrsamizdat.net mail.ljudmila.org. It all begins. . . vers. From MWP. To POETICSLISTSERV.BUFFALO.EDU. (no subject). From iso YoFn MangrelFaen. To. narcissism (ny report). From Alan Sondheim. To nettimelbbs.thing.net. sorted out. From Ana Buigues. To WRYTINGLLISTSERV.UTORONTO.CA. Re Re hypertext. From mez breeze. moat tory frown ten. From kari edwards. To POETICSLISTSERV.BUFFALO.EDU. Googlism poems. From Brandon Thomas Barr. To POETICSLISTSERV.BUFFALO.EDU. lurking editors. beatrice beaubien. nettimebold thingist. florian cramer. arc.hive eugene oo rhizome rohrpost webartery wryting. alan sondheim. arc.hive poetics siratori trAce webartery wryting. Id digestunstable.plv . paragram Exp. Nettimebold mailing list. Nettimeboldnettime.org. End of forwarded message. Re iuoma New poll for iuoma. Enter your vote today A new poll has been created for the. iuoma group. I would like to know artists perfered. mediums. o cutpast. � f�rst n� ser jeg tidsdimensjonen cut er framover mens past er bakover. s�. det er. pulsktkunst han mener fortiden er alltid et innklipp framtida en. avskj�ring.. o mixed media. Et annet media enn du trodde jeg lagde et maleri men det ble bare tr�kket p�.. o anything. Hvorfor er det ikke et 'vet ikke'alternativ her. o found objects. I motsetning til ikkefunnede objekter.. o crayons and finger paints. H�rer de sammen I prefer crayons and anything and finger pains gikt.. Fwd RE operaen.no. d�elig hum�rhumor mvh Lynx. ps our new operating system IBUX really soon free headaches for all noen. flere brett n�. s� banker vi det igjennom.. Regards from. ..Hirnsage... Start of forwarded message. Fwd RE operaen.no. From HansChristian B�hler. To 'Kent MantiesEljot'. SubjectRE operaen.no. Hvilken web er det du sikter til. ) HC. hans.christian.bohlervirtualgarden.no. tlf. dir. mobil. Original Message. From Kent MantiesEljot mailtopronounnetcom.no. Sent . februar. To hcvirtualgarden.no. Subject operaen.no. hei. hvorfor virker den ikke klikk her for � �pne st�r det etc. no. nix. hva med en website som virker istedenfor alt mikkmakk. utviklet av virtualgarbage c come.n. mvh. B. End of forwarded message. Show this bold Prussian that praises slaughter slaughter brings rout. Behead. Fwd Re noemataliste. Hei. Yo. Mener � huske at dujeg skulle melde meg p� noemataepostlisten men at. det av en eller annen grunn ikke ble gjort.. N� ser noemata.net ut til � v�re nede for telling (eller leker du. .org) s� hvordan melder jeg meg p� da. Ikke nede men med ftpdesign praktisk men ikke s� brukervennlig.. som vel skal fungere som forside tenkte jeg.... Epostlista er ikke s� h�ytidlig lav terskel. Arkivet er �pent men det g�r visst an � lukke det for � gj�re det mer privat. men. jeg har ikke. brydd meg med det forel�pig.. mer senere B. ps k�en er vel endimensjonal en str�msekvens � jamme noe betyr � gi det. flere. dimensjoner I motsetning til � kalle det 'sammenbrudd' 'katastrofe' Samtidig. s�. ekspanderer det i kompleksitet Har kaos flere 'dimensjoner' enn orden Det. samme med. 'oppl�sning' samfunnet er i oppl�sning forst�tt som degenerering kollaps. men kan man. ikke like enkelt se p� det som ekspandering inn i en hyperdimensjon eh. eksemplifisert med. k�lappsystemet f�r m�tte vi st� i k� rent fysisk s� fant noen p� at det. holder. med en. referanselapp til en posisjon i en virtuell k� en hyperk� som gjorde at. den. fysiske k�en. oppl�ste seg. (Neste skritt i immaterialiseringen ville v�rt � fjerne. referansene eller at. en k�lapp bare refererte til en annen k�lapp) (Det hadde v�rt moro � lagd et. nytt. pengesystemvaluta som p� en eller annen m�te interagerte med vanlige penger). (Dessuten hadde. noemata kunne. kanskje g�tt til krig mot noen). End of forwarded message. femme fatamorgana fantasy woman. isoQkulturnettMagasinetFeilafraigEr. hei mr. newton. Pekere. En grei innf�ring i hva weblogger er noemata VG. jeg forandra linken til dagens weblog.... pasta. Feila fra i g�r. Det var i at Gud og hvermann fant ut at det var n�dvendig � legge seg. flat.. Sein i. avtrekket som jeg er kaster jeg meg f�rst n� i slapset med ansiktet ned.. Jeg forventer ikke at noen av Kulturnetts lesere husker det men i. fjor v�r hadde jeg et krast angrep p� weblogger (forkortet blogger). I. kortversjon. konstaterte jeg at slike dagb�ker p� verdensveven stort sett inneholdt. navlebeskuende. pludring og bare bidro til � gj�re det vanskeligere � finne meningsfylt. innhold.. Siden den. gang har jeg rukket � lese weblogger langt mer inng�ende og systematisk. Og jeg. er kommet til. at jeg tok grundig feil.. Jeg slutter meg n� helhjertet til bloggskribenten Steven Johnson som i en. artikkel i. nettidsskriftet Salon p�peker at blogger samler pekere p� en slik m�te at de. faktisk gj�r det. lettere � f�lge med p� nettet. De gode bloggene er dessuten velskrevne og de. inneholder en. fascinerende blanding av private betraktninger om alt mellom himmel og jord.. Nyvinninger p�. skriftkulturens omr�de ser vi ikke s� ofte og derfor er bloggene verdt � merke. seg for langt. flere enn nettnerder.. Johnson er en av mange engelskspr�klige forfattere journalister og akademikere. som har sin. egen blogg. Jo flere skribentblogger jeg leste desto mer undret jeg meg over. hvorfor. kolleger som allerede n�r frem gjennom andre kanaler bruker s� mye verdifull. tid p� � legge. ut gratisstoff. Jeg kom til at det bare var n m�te � finne det ut p� og. f�lgelig forvandlet. jeg mine egne hjemmesider til en blogg for en m�ned siden.At det finnes sv�rt. f�. skribentblogger p� norsk var ogs� en del av motivasjonen. Det er aldri dumt �. v�re tidlig. ute.. Det f�rste som slo meg var hvor enkelt og raskt det var � blogge (skrive et. innlegg i en. blogg) sammenlignet med all annen publisering jeg har erfaring med. Som. bloggere flest. bruker jeg et vevbasert system. Det vil si at jeg ikke trenger � installere. programvare p�. datamaskinen men bare klikker i bokmerkelista i nettleseren for � f� opp et. vindu jeg kan. taste inn tekst i. N�r teksten er ferdig er nok et museklikk alt som skal til. for �. publisere den til bloggen. Vevl�sningen inneb�rer for �vrig at jeg kan skrive. nye innlegg fra. datamaskiner hvor som helst p� kloden s� sant de er koblet til nettet.. Jeg hadde ikke skrevet mange innlegg f�r jeg merket at det var lett � bli. hektet. p� den. daglige bloggingen. Et forfattermunnhell sier at a writer writes og. webloggen. har gjort. det lettere enn noensinne � f� utl�p for skrivekl�en. Har jeg noe p� hjertet. som. ikke passer. i andre medier leser noe interessant p� nettet eller f�r en artig peker i en. epost kan det. bli et blogginnlegg av det. Skulle innlegget bli for pludrete og navlebeskuende. (ikke. usannsynlig i mitt tilfelle) st�r det deg fritt � fortelle meg det ved hjelp. av. kommentarfunksjonen du finner etter hvert innlegg.. Jeg vet at det h�res nyfrelst ut men jeg er overbevist om at weblogger kan gi. formidling av. forfattere og litteratur et h�yst tiltrengt l�ft. I motsetning til det store. grosset av. forfatternettsider er blogger dynamiske. De gj�r det mulig for leserne � f�lge. forfatterens. artikler. kommentere b�ker stille sp�rsm�l og f� informasjon om publikumsopptredener.. Nytteverdien g�r. begge veier. Bes�ksstatistikk og kommentarer kan fungere som leserbarometre og. weblogger kan. bli utgangspunkt for bokprosjekter hvor forfatter og lesere utveksler ideer og. erfaringer.. Min egen blogg ligger forel�pig langt fra dette idealet. Innholdet i innleggene. er for. sprikende til at flertallet av mine lesere vil se tr�den i dem og kommentarene. jeg f�r er. stort sett fra venner og bekjente. Men for n gangs skyld beh�ver jeg ikke v�re. redd for �. v�re p� villspor. Webloggen er en tilgivende publiseringsform jeg kan n�r som. helst skrive. nye innlegg som forandrer profilen. I s� m�te er blogger essensen av blanke ark. med. fargestifter til.. Pekere. En grei innf�ring i hva weblogger er. No war blog er kritisk til den planlagte krigen mot Irak og er et godt. eksempel. p� en blogg. som organiserer informasjon p� Internett. Les Steven Johnsons bloggartikkel f�r den forsvinner mye tyder p� at Salon. (som jeg har. omtalt p� Kulturnett tidligere i artikkelen Salongradikaler) er i ferd med � g�. dukken. Noen skribentblogger Cory Doctorow (i samarbeid med flere andre) Steven. Johnson Howard. Rheingold og David Weinberger. Min egen weblogg er laget med Movable Type et gratis publiseringssystem som. kan. v�re. komplisert � installere men som ogs� er sv�rt allsidig.. Signal til st�y min artikkel om weblogger fra mars i fjor. Ingen norsk forfatter har lagt ut mer p� Internett enn Tor �ge Bringsv�rd som. bruker. Gyldendal forlags server. Men sidene er akk s� statiske. Gi den mannen en. blogg. Gyldendal. Alle artikler av Eirik Newth. Av Eirik Newth (). noemata EDGE KATINKA MATSON (Exhibit)SCANNER PHOTOGRAPHY LEE SMOLIN. DOLLY REMEMBERED. February. EDGE. at. ( words). THE THIRD CULTURE. One of the reasons besides sheer artistry that Katinka Matson's work. resonates so strongly with us is that is that the insect like vision. that results from scanning directtoCCD runs so much deeper in us than. vision as processed through a lens. By removing the lens Matson's work. bypasses an entire stack of added layers and takes us back to when we saw. more by looking at less. George Dyson. FIVE FLOWERS. By Katinka Matson An Exhibit. On the cognitive level new perceptual ways of looking at things can. provide categorization challenges. William H. Calvin. ON SCANNER PHOTOGRAPHY. Contributors George Dyson William Calvin Nicholas Humphrey. UNIVERSES (Continued). Science is a kind of open laboratory for a democracy. It's a way to. experiment with the ideals of our democratic societies. For example in. science you must accept the fact that you live in a community that makes. the ultimate judgment as to the worth of your work. But at the same time. everybody's judgment is his or her own. The ethics of the community. require that you argue for what you believe and that you try as hard as. you can to get results to test your hunches but you have to be honest in. reporting the results whatever they are. You have the freedom and. independence to do whatever you want as long as in the end you accept the. judgment of the community. Good science comes from the collision of. contradictory ideas from conflict from people trying to do better than. their teachers did and I think here we have a model for what a democratic. society is about. There's a great strength in our democratic way of life. and science is at the root of it.. LOOP QUANTUM GRAVITY LEE SMOLIN ... Lee Smolin EdgeVideo. LEE SMOLIN a theoretical physicist is concerned with quantum gravity. the name we give to the theory that unifies all the physics now under. construction. More specifically he is a coinventor of an approach. called loop quantum gravity. In he became a founding member and. research physicist of the Perimeter Institute for Theoretical Physics in. Waterloo Ontario. Smolin is the author of THE LIFE OF THE COSMOS and. THREE ROADS TO QUANTUM GRAVITY.. This is the th feature in the Edge Universes series. Lisa Randall. Theories of the Brane Martin Rees The Ultra Early Universe Alan Guth. The Inflationary Universe Paul Steinhardt The Cyclic Universe Ray. Kurzweil The Intelligent Universe Marvin Minsky The Emotion Universe. Seth Lloyd The Computational Universe.. In the year Dolly was born scientists and technologists celebrated. the centenary of JJ Thompson's discovery of the electron. If civilisation. survives until what anniversary will then attract more attention. the electron's bicentenary Or Dolly's centenary Martin Rees. Dolly. REMEMBERING DOLLY ... Dolly the first clone from a mammal died on February th at the age of. years old.. Where were you on July What did you think when you read the news. about the accomplishment of Ian Wilmut and his team at Roslyn Institute in. Edinburgh What is Dolly's lasting historical significance How does. Dolly's life change our view of humanity. Contributors Jaron Lanier Martin Rees John Horgan Robert Sapolsky. EDGE. John Brockman Publisher Editor. Russell Weinberger Associate Publisher. Copyright by Edge Foundation Inc. All Rights Reserved.. Published by Edge Foundation Inc.. You are currently subscribed to edgeeditions as pronounnetcom.no. unsubscribe send a blank email to. leaveedgeeditionsRsand.lyris.net. unsubscribe from this group send an email to. TASI Resources A Review of Image Search Engines. Re chello nyhetsbrev februar. nyt tusener av. linjer. chello er Europas. st�rste spalte. nettsted. N� kan vi tilbyr. v�re chello abonnenter. spesielt gunstige priser p�. trange spalter fra. Chello. Se og h�r. dine spalter i. topp bredb�ndkvalitet email. En. fristende smakebit f�r du. her.... Chellospalter(R). m�nedens tilbud til chello. kunder. N� kan vi tilby deg som. abonnent blant annet. prisnedgang p� tr�dl�se. tekstspalter fra DLink. Multifunksjonsspalter fra. Cnon (kopimaskin scanner. skriver) til kr. . BCS. avansert analog tr�dl�s. tekst til kr. og. MB ekstra lagringsplass. med Apacer SpalteLager til. kr. .. les mer... bli med i chellos. kundepanel for tekstspalting. V�rt m�l er at chello skal. ha det beste. bredb�ndstilbudet p�. spalter. For � lykkes med. dette er din tilbakemelding. meget viktig for oss. Vi. �nsker derfor � invitere. deg til � delta i v�rt. kundepanel. Dette er et. utvalg av kunder som vi. kommer til � kontakte via. epost med jevne. mellomrom for � stille. noen enkle sp�rsm�l. om spaltebruk.. Hver. gang vil noen av de som. svarer bli trukket ut til. � motta flotte spalter. i email.. les mer... knalltilbud p� digital. spalter. Ring og bestill. digitalspalter n� og du. sparer over kr. I. tillegg har vi en ekstra. hyggelig overraskelse til. v�re nye digitalspalter.... Dersom du ikke lenger. �nsker � motta spalteepost fra. UPC eller chello vennligst. logg deg inn p� chello. kontoservice. Der kan du. endre dine innstillinger. under epostspalteoppsett.. Fwd gappy digest spookymarstonspookyspooky. Start of forwarded message. ReplyTo nettime'sgasoholic. Fwd gappy digest spookymarstonspookyspooky. Re William Gibson's Pattern Recognition and Ethnomathematics. Paul D. Miller. Paul D. Miller. JD marston. Paul D. Miller. Re William Gibson's Pattern Recognition and Ethnomathematics. Hey rana sigh... Greg I'm talking about stuff like what Lawrence. Lessig would call artificial scarcity or what NAS would call. ILLmatic i.e. systems that control configure and ultimately. absorb the kind of free imagination that Debord was relating in his. Society of the Spectacle. It seems pretty clear but hey this is. Nettime and that means I'll spell it out... In a world where values. are relative the uniform language of advertising creates pattern. recognition across geographic boundaries (thus the reference to. Gibson's new novel and it's intriguing involution of advertising.... think rhizomatic...) but yeah when this stuff is part and parcel of. the basic way visual information flows in an information economy.. Advertising just bypasses the normal boundaries that slow down. information as it passes from one culture to another you know kind. of like when the immune system is bypassed by various viruses.... viral marketing Norman Mailer's Advertising for Myself dude.... it's the taste of now. Carnival is about when you're in a theater of. highly structured roles being transformed by their environment check. in with Brazil or Jamaica etc etc Or even parts of Italy France. Spain etc etc the scenario is about lifestyle become pattern... it's. that postcatholic thing... the protestant scene digs the gutenberg. galaxy but can't flow with the intergalactic funk of the. metatron... there's no surfeit of imagination here just. transformation of ritual process... Bakhtin meets Grand Master Flash. meets Linus Torvalds... dig check the coordinates on the autopilot. download the map it's a psychogeography of a vanished world a. krushed groove.... I mentioned steganography ciphaz and a whole bunch of other. stuff... so many people have written about identity and whatnot. online the thing I'm pointing out is when that stuff migrates. offline and comes back as a kind of constant timeless carnival. in a world post the fall of the Berlin Wall in history is a. carnivalomeanings (that's about the only thing thatI can think of. as real when I see Bush on TV) a pageant without center save for. the illusion of what was once the United States before it caught up. with Russia and just decided to get rid of the burden of goverance. and just let the oligarch's do their thing... there's a great video. that gives you a surface idea of the culture jammer scenario (not. the dumb Mark Dery resonance but more like manydj's or the gurella. news network's remix of Emminem's song White America or Trent Lott. saying those dumb comments about the states rights elections. all are mistakes fractures in the perceptual terrain remixes).. pattern recogntion uncut funk the new streets have spoken and. its in code.... dig the cipha check the flow.I guess it's like. Ishmael Reed would say mumbo jumbo become jumbo mumbo the mumbo. become extralarge.... think outside the box join the revolution choose adifferent. brand... wander the arcades of a dofferent era in wonder at the. complexity of itall. Press play. Enjoy adifferent mathematics of. the new world out of time... download into a different cipha... the. people are restive in the heart of darkness... the th world has. artists of the floating world... it's a conflict of interest from a. failed client state a material breach of a voided contract.... snactions from the th column decreeing null and void all previous. illusions.. pax. Paul. DJ Spooky WHAT are you talking about. None are more hopelessly enslaved than those who falsely believe. they are free..... Johann Wolfgang von Goethe. PortstatusOPEN. Paul D. Miller a.k.a. Dj Spooky that Subliminal Kid. Office Mailing Address. Subliminal Kid Inc.. W. rd St.. New York NY. Re William Gibson's Pattern Recognition and Ethnomathematics. J not sure what you mean. Situationnist material Advertising Or. Spooky who is a character in my upcoming novel Please clarify. what this has to do with your comments. This kind of stuff is mad. boring.. Paul. DJ Spooky WHAT are you talking about. Gibson understands ADVERTISING as a kind of. Situationist. detournement. Wasn't it Spooky that Sublimated Kid who lent himself to the inspired GAP. advertisements here in Manhattan a year or so ago Its all posture and it. really is Spooky.. None are more hopelessly enslaved than those who falsely believe. they are free..... Johann Wolfgang von Goethe. PortstatusOPEN. Paul D. Miller a.k.a. Dj Spooky that Subliminal Kid. Office Mailing Address. Subliminal Kid Inc.. W. rd St.. New York NY. Re William Gibsons Pattern Recognition and Ethnomathematics. Paul aka Subliminal Inc.. All three actually.. First I was responding to the gaseous nature of your post concerning the. intersections of advertising and freewheeling'droppinscience' coded. languages of the 'NOW' a'la sitiuationist conceptuals moreover how that. relates to the fiberous nature of 'the old left'.... Second I wanted to point out the interesting point that Spooky (being you. not the character of your upcoming novel) was an organ of the GAP campaign. or as you like to put it the global vernacular of GAP Inc. here in. New York City. I'm not saying it compromises your ability to comment with. any depth as there are many cult studs that are busy deciphering the. semilogical and linguisic markers of advertising. But to me that is just. 'mad boring'. Its the surface. The spectacle. The depthless sheen of. unreality. Kinda like your comments. The real language is in finance and. economics not hidden in the models bra.. You think the 'old left' is petrified. You're not alone. You think the left. should study Diesel ads to be . alot smarter . alot more dynamic You. are alone I hope.. And actually there are folks in Kansas but what would they matter to the. 'NOW.'. J. J not sure what you mean. Situationnist material Advertising Or. Spooky who is a character in my upcoming novel Please clarify. what this has to do with your comments. This kind of stuff is mad. boring.. Re William Gibsons Pattern Recognition and Ethnomathematics. J you're kind of right. Yes I did do the ads and yes I've done. others. I also try to get other kinds of information out.. My name is Paul D. Miller. Dj Spooky is a conceptual art project not. a gaseous situation. If you have more of an idea of the notion of. how pop culture works think of it as a hybrid of what Marcel Duchamp. was working on with the Rrose C'est La Vie persona or Andy Warhol.. Just metaphors but metaphors that work in a large scale global. environment. The phrases I used were samples taken from. . Saul Williams single with Dj Krust Coded language. . a couple of old hiphop singles.... if you'd like to compare notes on how people use this kind of. quotation in hiphop vernacular and many other forms of folk. culture I'd be more than happy to dialog 'bout it.. there's a relatively shrill and annoying sheen to your comments and. if you'd like to dialog rather than have some annoying rant about. stuff you don't know about I'm open otherwise fuck off.. Paul aka Subliminal Inc.. All three actually.. None are more hopelessly enslaved than those who falsely believe. they are free..... Johann Wolfgang von Goethe. PortstatusOPEN. Paul D. Miller a.k.a. Dj Spooky that Subliminal Kid. Office Mailing Address. Subliminal Kid Inc.. W. rd St.. New York NY. distributed via no commercial use without permission. is a moderated mailing list for net criticism. collaborative text filtering and cultural politics of the nets. more info majordomobbs.thing.net and info nettimel in the msg body. End of forwarded message. In an office AFTER TEA BREAK STAFF SHOULD EMPTY THE TEAPOT AND STAND UPSIDE. DOWN ON THE. DRAINING BOARD. isoQFwdbFkergisbort. Til boksamlingen noen. Norsk Skoindustri Avfall gjennom �r Papirspon. N�r kommer tittelen Norsk spam gjennom tidene Inkl. vulg�re runeinskripsjoner.. Navnetagging. i stein ble lenge ansett for noe griseri av lokale stammer likeledes uvettig. bruk av. r�yksignaler og gjalling gjalling kunne h�res flere mil i medvind i ellers. stille. omgivelser og forstyrret bufe og kauking sladring mellom to fjelltopper om. avslag p� ost. samt utskjelling av han samen som bare g�r og lusker og annonsering av. sextjenester. Lite er. bevart for ettertiden av denne aktiviteten vi kan bare gjette. Idag er det. pliktavlevering. av spam ved lov. Skitne personangrep skal sendes i fem eksemplarer til. nasjonalbiblioteket.. Start of forwarded message. ReplyTo Liv Evju. Fwd b�ker gis bort. From Liv Evju. To biblioteknorgenb.no. Subjectb�ker gis bort. Hei. andre kanskje har bedre bruk for Du betaler porto. B�kene er meget pene. antagelig aldri �pnet. F�rst til m�lla gjelder.. Vennlig hilsen. Liv Evju. skolebibliotekar R�lingen videreg�ende. fikk ikke lov av postmaster til � lage vedlegg derfor f�lger hele listen. her. Bedrifts og industrihistoriske b�ker gis bort.. Pene ex s� � si ulest. Gis bort mot porto.. Hauger Hans (f. . jan. ). �r . okt. ILOVAN Vil og kan. Oslo. upg. s.. Omslagstittel Husmoren og ILOVAN �r. Jubileumsberetning for Norge. f�rste aluminiumvarefabrikk.. Lorentzen Bernt . nov.. Dale fabrikker Utg. av Dale fabrikker. Bergen s.. bl. ill.. Benestvedt Olav (f. . okt. ). H�ie fabrikker Av Olav Benestvedt og Sigurd Grieg. Oslo. Tanum s. bl. pl. ill. .. Norsk skot�yindustri i �r . oktober . oktober Utg. av. Norske skofabrikkers landssammenslutning. Oslo bl. s. bl.. pl. ill. .. (ib.) Nkr .. Seland Johannes. Hunsfos fabrikker gjennom �r . mars F�drelandsvennens. trykkeri . s. ill. NB ikke i NORBOK. Alf Bjercke (firma). Alf Bjercke Utg. ved firmaets �rs jubileum. Oslo. upg. s. ill. .. Lillevold Eyvind . okt. . des.. Hamar bryggeri gjennom �r . juni . Hamar. s. ill.. Collett co a.s en beretning om de f�rste �r . Oslo. . s. ill. NB ikke i NORBOK. . s. ill. NB ikke i NORBOK

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Wiig Jan (f. . febr. ). �r Trio AS de Forenede norske laase og beslagfabriker. Oslo Stavanger (Ved) Jan Wiig. Oslo s. ill. .. Omsl.tit. Trekk av l�sens historie Trio Beslagvareproduksjon gjennom. �r. Wildhagen Fredrik Christian (f. . febr. ). Avfallspapir gjennom �r . januar Utg. av A.s.. Papirspon Oslo. Oslo S. upg. s. ill. .. Ikke i bokh.. Norsk hydro. Norsk hydroelektrisk kv�lstofaktieselskab Ti rike arbeids�r Utg. av. Norsk hydroelektrisk kv�lstofaktieselskab . des. Hovedred. Jon. Stor�kre. Oslo upg. s. bl. pl. Tab. fig. .. Bergverkenes landssammenslutning. Bergverkenes landssammenslutning gjennom �r . Oslo. Gr�ndahl s. ill. port. .. End of forwarded message. Seen at the side of a Sussex road SLOW CATTLE CROSSING. NO OVERTAKING FOR THE. NEXT YRS.. Fwd syndicate. KNuDPRIayBRnbNXOZW. ContentType textplain charsetiso. Start of forwarded message. ReplyTo Peter Luining. Organization ctrlaltdel. Fwd syndicate. End of forwarded message. KNuDPRIayBRnbNXOZW. ContentDisposition attachment. filenamemessagefooter.txt. ContentType textplain. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. KNuDPRIayBRnbNXOZW. noemata digest. jeg foresl�r en wReader's Digest i mail en gang i uken kanskje som oppsummering. av. aktiviteter som ryggdekning for norsk kulturr�d etc. Som sendes til et utvalg. steder.. Redaksjonsansvaret for Digesten kan veksle.. b. Notice sent to residents of a Whiltshire parish DUE TO INCREASING PROBLEMS. WITH. LITTER. LOUTS AND VANDALS WE MUST ASK ANYONE WITH RELATIVES BURIED IN THE GRAVEYARD TO. DO THEIR BEST. KEEP THEM IN ORDER. isoQKlassekampenHerrelFsehunderpEbesFk. Pansret. Bildekunsteren Jan Fabres installasjon heter Umbraculum.. Det er latin og st�r for et sted der mennesket kan trekke seg tilbake og. tenke. og arbeide. sier belgiske Fabre som ofte vender tilbake til insekter i kunsten sin. Ned fra. taket i en. stor overlyssal henger krykker g�stoler og rullestoler. Fabre har mumifisert. dem det vil si. dekket dem fullstendig med insekter. P� gulvet ligger gamle industrisymaskiner. str�dd og. blant dem st�r noen munkeskulpturer med kapper av dyre og menneskebein.. S� pansret som disse figurene er er de beskyttet mot s�r. I den retningen. beveger. menneskeheten seg ogs� sier Fabre som ogs� er med p� en film som n� vises p�. Kunstnernes. Hus. Den viser en dialog mellom Ilya Kabakov og Fabre der de snakker om livet. om kunstens. makt og politisk makt.. Hva kom dere fram til. At kunstnere er nomader slik insekter er det. Samfunnet behandler kunstnerne. som herrel�se. hunder. Men samfunnet har faktisk mye � l�re av kunstneren sier Fabre.. Klassekampen Hvor er norsk avantgarde. Resonnementene utspilles langs samme akser som n�r en Erling Dokk Holm hevder. at. dagens skare. av unge mobile forbrukere er s� skarpe at de gjennomskuer reklamens spr�k. Hva. det egentlig. betyr hva det inneb�rer � gjennomskue reklamens spr�k n�r jo alle. konsumentene likevel. tygger samme tyggis drikker samme type brus snakker i samme type. mobiltelefon. g�r i samme. type kl�r faller derimot utenfor analysen. � gjennomskue reklamen f�r. overhodet ingen. praktisk betydning for hvilket liv man velger � leve. Som s�dan er innsikten. verdil�s en ny. myte i kurven av selvrealiseringsfloskler.. theresponser nyhetsbrev. t h e r e s p o n s e r. Levende skjoldgruppen med nye initiativ. Etter at irakiske myndigheter tok aktivistene p� ordet og ville utplassere dem. som. menneskelige skjold p� infrastrukturelle viktige punkter som kraftstasjoner ol.. har gruppen. kommet med to nye intitiativer. Levende skjold hjemmefra. Aksjonister kan reise hjem og v�re skjold fra. sin. egen stue.. De f�r utdelt et sertifikat som bekrefter at de er et levende skjold dessuten. et kart over. Irak og en paraply (valgfritt).. Adopter et levende skjold. Aksjonister kan adoptere en iraker til � v�re. skjold for seg. ved � betale en fast sum pr. mnd. Aksjonisten f�r tilsendt bilde og personalia. til sitt. skjold og ukentlig statusrapport. Prisklassedifferensieringer i forhold til. risiko.. Dette er initiativer som ivaretar aksjonistene og som samtidig hjelper irakisk. �konomi. sier en talsmann for levende skjoldaksjonistene.. the responser ... Lavinehunder og narkohunder i sniffekonflikt. Etter at en gruppe narkomane ved Tyrili ble tatt av sn�ras s�ndag. krangler n� politiet og R�de Kors om de skal sende ut lavinehunder. eller narkohunder for � spore opp de narkomane. Politiet mener de har. enerett p� � oppspore narkomane med hund mens R�de Kors sier at deres. hunder er best egnet i sn�. Mens narkohundene sniffet mistenksomt p�. lavinehundene glefset politiet og hjelpemannskapet etter hverandre. som bikkjer p� speed. En uavhengig talsmann for de narkomane sier at. hunden hans en j�vlig god narkhund er flink til � finne underbuksene. hans. Situasjonen forventes � g� cold turkey allerede onsdag kveld.. the responser ... Den norske bronsjen like god som gull innr�mmer russisk gullvinner. Russisk presse legger seg flate for den norske bronsevinneren. Etter. at Mari Immari vant bronsje p� fjordagens kilomter og utbr�t til. verdenspressen at den var like god som gull har b�de de russiske. s�lv og gulvinnerne og russisk presse lagt seg nesegruse for den. norske bronsjen.. Selv om vi tok gull og s�lv m� vi v�re ydmyke nok til � se at den. norske bronsen er like mye verdt det er ikke hver dag vi deler. pallen sammen med slik verdig bronsjevinner og vi f�ler verken nag. eller bitterhet over at Immari stjal all glansen under seremonien. Det. var tross alt en bronsjeseier som vi sv�rt sjelden ser maken til. Alt. dette st�r og lese mellom linjene i g�rsdagens utgave av den russiske. avisen Travestida.. the responser ... Tiggere f�r status som lobbyister. I et tiltak som skal rydde gatene for tiggere og annet b�ss har. Stortinget vedtatt at alle tiggere skal f� status som lobbyister. De. vil ikke lenger beh�ve � opptre splittet og inviduelt i et. konkurranseutsatt milj� men vil fokusere sine interesser gjennom. lobbyvirksomhet representert av en tillitsvalgt som vil fremf�re. deres snedige retorikk overfor beslutningstagerne. Denne. representanten kalt B�ssb�rer vil daglig subbe seg gjennom. stortingskorridorer og andre maktfora for med et utstrakt pappbeger. sn�vle frem sitt lakonsike ultimatum 'kanujelpemenosm�penger.. Flere erfarne tiggere har allerede blitt kontaktet av rekke andre. interessegrupper og industrier for om mulig verve denne slepne og. erfarne lobbygruppen for oppdrag. Vi ser at denne metoden. kanujelpemenosm�penger er sv�rt effektivt og �konomisk. sier Arnt. Bredbeint fra Vi Ogs� AS Det vil vanligvis ta mange �r � drille inn. lobbyister i s� kraftfull og samtidig nesten usynlig slu og. betvingende innflytelseskunst. Formidabelt. Siden tiggere har blitt �remerket dette nasjonale lobbyansvaret vil. samfunnet spare opptil nok til en kopp kaffe �rlig ved at b�de. kvalifisert arbeidskraft og rekruttering vil komme helt av seg selv.. Jo d�rlige �konomien blir desto mer dyktige lobbyister trenger vi f�r. � f� gjennom egoistiske interesser og den samme situasjonen alts�. nedgagnstider er � regne som den beste utklekkingsperioden for nye. lobbyister nemlig tiggerne avslutter Bredbeint.. the responser ... Ingen kanoner igjen til �rets spurvejakt. Norske spurvejegere er i harnisk etter at alle deres kanoner har blitt. ekspropriert av ornitologisk personell og sendt til eksotiske land. for � skyte p� heslige krek nesten ingen har h�rt om. I Kina skyter en. elitetropp med norske fuglejegere p� den tungnebbete fugelen Spradegg. og i Gaukasus har geriljaornitologer lenge jaktet p� vadefuglen. Burlefot. Begge gruppene bruker kanoner som i �revis har tilh�rt. norges spurvejegerelite. Spurvejegerne er i oppr�r over. prioriteringene til det internasjonale fuglealliansen Myndightene. driter i andres rede sier f�rstekanonade Trom Navlespreng En. �rhundrelang tradisjon er i ferd med � g� den veien h�na sparker jeg. lukter kalkun lang vei n�r vi f� se resultatet av at avskrekkingen av. spurven ikke blir gjennomf�rt som vanlig. the responser ... asdf. dj byhand my favorite Proper Hoodidge things. dj byhand supercalifragilisticexpialidocious honey bucket. dj byhand bring back mischief keeping out of trance. djbyhand bring ba.. Mar .M. djbyhand my favor.. Mar .M. djbyhand supercal.. Mar .M. Contradiction. Accord Not In It. culturejammers djbyhand julie andrews bootleg session. Mars program. dj byhand my favorite Proper Hoodidge things. Julie Andrews sings Amon Tobin. dj byhand supercalifragilisticexpialidocious honey bucket. Julie Andrews vs. Melvins. dj byhand bring back mischief keeping out of trance. Dinah Washington samples BurgerInk. fair use. fairly... Raindrops on roses and whiskers on kittens. Bright copper kettles and warm woolen mittens. In times of bella foe fa lies cobalt cast and clean.. Brown paper packages tied up with strings. These are a few of my favorite things. Ain't about to pick my rounds. This is in my way.. Cream colored ponies and crisp apple strudels. Doorbells and sleigh bells and schnitzel with noodles. I gotta motor fare the wheel real fast and fear.. Wild geese that fly with the moon on their wings. These are a few of my favorite things. Trijacking blackened for moi handcuffs and special keys.. Girls in white dresses with blue satin sashes. Snowflakes that stay on my nose and eye lashes. Silver white winters that melt into spring. These are a few of my favorite things. Throw my case of plasterscene down. Maybe after you won't let it.. Triple lies and neckties divide. This will be his size.. When the dog bites when the bee stings. Been around the somber town maybe in the wall.. When I'm feeling sad. Plop is fast as my hole's down. Green glass and most of all.. I simply remember. my favorite things. and then I don't feel so bad. Repeat the whole thing. Culturejammers mailing list. Culturejammerslists.copyleft.no. Human Shields vil trekke seg ut Indymedia.no. Re nyhetsSaker. ref. parodinyheter. Kan det gj�res noe p� denne saken ideer. What Percentage of Internet Traffic is Prn. I petabits transportert daglig p� nettet en datamengde som ville. ha v�rt. ubegripelig stor da strukturen bak Internett ble grunnlagt p� og. tallet.. (Litt forrvirrende er ikke petabits kapasitetb�ndbredde og ikke. kvantitetmengde). G�r det an ut fra prosentandelen porno � regne seg fram til ola nordmann ser. minutter. porno hver dag siden den utbredte oppfatningen kanskje er at internettporno. er. noe skummelt. som bare beg�s av kriminelle sinnslidende. Et stolpediagram vi bruker mer. tid. p� porno enn. husarbeid KrF mener dette er en konsekvens av den lave oppslutningen til. partiet Ola har. lenge h�rt at han ser TV timer hver dag. Tiden som brukes p� prn hvor tas. den fra Fra de. eldre og syke og barna Et parti lover mer tid til familien i sitt program og. velger heller. nedskj�ring av sommertiden. Fremtidspartiet svarer med � finansiere ny n�tid. ved. � l�ne tid. fra fremtiden en talsmann Tid er s�vidt vi forst�r en ubegrenset og fornybar. ressurs. At. ingen har tenkt p� det f�r n�. Det er tidsknappheten vi vil til livs med. dette. Noe om. tidstyver En tidstyv ble p�grepet i g�r idet han var i ferd med �. Hvor. blir. tiden av. en granskningskommisjon.. B�r ogs� gj�res noe p� spillegalskapsakene s�rlig liker jeg. understreking av det ikke skal v�re klingende mynt for � opphisse. spillerene.. Tar bare kredittkort. Hva slags forhold har vi etterhvert til penger n�r de. bare. er siffer p�. skjermen i nettbanken G�r det an � lage en nettbank som nettkunst for �. illustrere det rent. transaksjonelle eventuelt gjeninnf�re klingende mynt og skitne sedler i en. s�nn nettbank.. F�r var det status med tjukk lommebok. Det var et s�tt lite regnestykke p� Tv. ig�r. milliarder kroner i tap for oljefondet. og som de lett la sammen til. . En sum. som gj�r tv og budsjettdebatter om til klingende. vekslepengerunderholdning.. N�r det gjelder avhengighet fins det forskning omkring TVavhengighet og. kan. ikke det. like lett karakteriseres som sykdom TVgalskap Lone n�r klokka n�rmest. seg s�. M�TTE jeg bare skru p�.. Det tok lang tid f�r jeg fant ut om Jens Book Jenssen var d�d (i. visstnok) det virkers som allerede er glemt.. Kanskje media skulle sendt ut p�minnelser om at noen var d�d med jevne. mellomrom (NN er. fortsatt d�d ...). I en medievirkelighet er det ikke s� greie overganger som. f�r folk lever. videre i beste velg�ende (d�den forynget meg faktisk). Det er alltid litt. merkelig n�r TV. melder at noen er d�d samtidig som de illustrerer det med levende bilder av. vedkommende. En. annen ting er at n�r vi leser nyheter p� nettet kommer nyheten om noens d�d opp. flere ganger. i flere aviser utover dagen s� man tenker inni seg Igjen Hvor mange ganger. skal han d�. idag. Noe med at en nyhet repeteres s� mange ganger. En nyhet Dette er den. samme nyheten. som du leste for to timer siden. Og to timer f�r det igjen. Dette som en. p�minnelse. Du. kommer til � lese den en gang til f�r den forsvinner i arkivet.. mvh B. (xposting til culturjammers kanskje litt dr�yt men de f�r kjefte tilbake hvis. det oppfattes. som spam ok). Fwd Philosophy of Mind News from Science Consciousness Review. Start of forwarded message. Fwd Philosophy of Mind News from Science Consciousness Review. Dear member of this list. new articles and reviews. EDITORIAL REVIEW FOURTH COMMENTARY ON CRICK KOCH. A computerbased model of Crick and Kochs Framework for Consciousness. By Stan Franklin. Crick and Koch explain that a framework must not be confused with a set of. hypotheses. Rather a framework for consciousness offers a point of view from. which to address the problems of consciousness. Its intended to guide. research. A good framework should fit within current scientific knowledge. reasonably well and should be roughly correct. In this fourth commentary on. the Crick Koch framework article Stan Franklin implements their views in. Artificial Intelligence.. In February and March Science Consciousness Review publishes. editorial commentaries. on Crick Koch's recent article in Nature Neuroscience.. LATEST HEADLINES. Memory for rejected distractors in visual search. Using inattentional blindness as an operational definition of unattended. The case of surface completion. BOOK Attention and Implicit Learning. BOOK REVIEWS From Metapsychology. Love arises in the unconscious. PREVIOUS ARTICLES. Consciousness lost The lightning storm of seizures. Changing or escaping the self. Are we ever unconscious. Visit our archives at. SEND YOUR CONTRIBUTION. For students teachers scientists and all other fans of consciousness.... Send your news summaries to us.. Sincerely. Thomas Zoga Rams�y. Managing Editor. isoQSpilleproblemerFtheresponser. Spilleproblemer. I Norge finnes det ikke et eneste permanent behandlingstilbud for fond som. spiller bort. pengene dine. I Brennpunkt i kveld f�r du m�te noen av de som har erfart at. spillingen f�rer. til kriminalitet fordi dei m� finansiere pengesluket til oljefondet. Overlege. ved sykehuset i. Levanger Jon Egil Wold sier helsevesenet ikke har oversikt over problemet.. Det er klart at. et tap p� mrd. kr. virker inn p� den psykiske helsen til alle innvolverte. men p� den. annen side er tallet s� stort og abstrakt at vi har vansker med � relatere til. det. Vi. foresl�r at du bare glemmer det sier Wold tapt er tapt.. the responser ... Kton Lutus. hm mange sider har blitt fordoblet i st�rrelse etter flytting til ny server. for. et par uker. siden. ABM entotretten. denne ser jo bedre ut i dobbelutgave. kanskje begynne � skrive alt to ganger. kanskje begynne �. kkaannsskkjjee bbeeggyynnee ��. kanskje kanskje begynne begynne � � skrive skrive alt alt to to. kanskje begynne begynne � � � skrive skrive skrive skrive skrive alt alt alt. alt. alt alt alt. alt to to to to to to to to to to to to to. hm mange sider har blitt fordoblet i st�rrelse etter flytting til ny server. for. et par uker. siden. ABM entotretten. denne ser jo bedre ut i dobbelutgave. kanskje begynne � skrive alt to ganger. kanskje begynne �. kkaannsskkjjee bbeeggyynnee ��. kanskje kanskje begynne begynne � � skrive skrive alt alt to to. kanskje begynne begynne � � � skrive skrive skrive skrive skrive alt alt alt. alt. alt alt alt. alt to to to to to to to to to to to to to. kkkkkkkkkkkkkkkkkkkkkkkk. utsatt. ... Dilbert metaintervju. Q do you have a pen. A wow these are easy questions.. et metaintervju som i dagens stripe hvor sp�rsm�lsvar er innenforutenfor.. ta et vanlig intervju og omformuler sp�rsm�lsvar som i eksempelet. Q may i borrow your pen do you have a pen (utenfor innenfor). A i'll answer that with ease wow these are easy questions. (innenfor. utenfor). isoQSKRIFTENPCVEGGEN. SKRIFTEN P� VEGGEN. Vil du v�re med p� � sette preg p� kunsten i det nye biblioteket i Vads� H�res. det spennende. ut � f� egne tanker og tekster skrevet p� bibliotekveggen Da har du n�. muligheten til �. delta.. Publikum i alle aldre inviteres til � skrive korte tekster som skal v�re en del. av. utsmykkinga av biblioteket.. Glasskunstneren Silja Skoglund som er bosatt i Troms� er en av kunstnerne som. har f�tt i. oppdrag � utsmykke det nye biblioteket. Hun skal lage et stort kunstverk i. glass og deler av. verket vil v�re st�rre gjennomskinnelige glassflater noen med skrift. Det er. her. folkebidraget kommer inn Silja inviterer folk i Vads� og Finnmark til � komme. med tekster om. sine tanker om n�tid framtid det nye biblioteket. Tekstene skal bearbeides og. anonymiseres. av Silja slik at de ikke kan f�res tilbake til forfatteren.. Tekstene kan skrives inn i en tekstbok som legges frem p� biblioteket de kan. sendes inn pr.. brev eller epost eller du kan skrive teksten inn direkte i v�r gjestebok. Vads� bibliotekFinnmark fylkesbibliotek. Postboks. VADS�. Epost fobvadso.folkebibl.no. INSENDTE BIDRAG. Time. Remote User. Kommentarer. her er en liten tekst skrevet p� et tastatur og sendt over internett en l�rdag. i. mars. heia heia. Time. Remote User. Kommentarer. her er en anonym tekst. skrevet av ingen. hvem skrev dette ikke jeg.. Time. Remote User. Kommentarer. Time. Remote User. Kommentarer. Her er en tekst uten dato uten signatur uten innhold gjennomsiktig som en. glassflate.. Time. Remote User. Kommentarer. Skriv inn din tekst her. Send kommentar. Slett kommentar.. Time. Remote User. Kommentarer. p�. glassflaten.. Time. Remote User. Kommentarer. Denne teksten er ikke skrevet av Silja Skoglund.. Time. Remote User. Kommentarer. Denne teksten skal bearbeides og anonymiseres slik at den ikke kan f�res. tilbake. til Bj�rn. Maghnildeen.. Time. Remote User. Kommentarer. BJM. Time. Remote User. Kommentarer. . ' .. '. .. .. GLASSBITER P� GLASS BJM. Time. Remote User. Kommentarer. h Dette er hexades. h. D C B F E C imalkoden til te h B. E. A B ksten jeg skrive h r. Time. Remote User. Kommentarer. Thank you for reading this text.. Time. Remote User. Kommentarer. Denne teksten leses kanskje p� glass.. Time. Remote User. Kommentarer. Denne teksten var i sin tid elektronisk n� er den laget av glass.. Time. Remote User. Kommentarer. .nedis erdna arf tseb sesel netsket enneD. Time. Remote User. Kommentarer. �nsk arv perle mel rep vrak sn�. Time. Remote User. Kommentarer. Vilter dyr kanaripippip i Rana krydret liV. Time. Remote User. Kommentarer. Telt ti Lett � si palindromord ni lapis �tte Litt LeT. Time. Remote User. Kommentarer. Ted Robert i NAF agnet to majones 'Se no ja ' motten ga fan i trebordeT. Time. Remote User. Kommentarer. Surk�l biter foret remse smerter ofret i bl� kruS. Time. Remote User. Kommentarer. Per Arne i en rar EP. Time. Remote User. Kommentarer. Noen leger moser for � ruste. Andre moser ystet syre som er DNA'ets ur�r ofre. som regel. neoN.. Time. Remote User. Kommentarer. En n�tt � vinne modig med rette vil gi venn evig liv etter dem gid om enn i. v�t t�nnE. Revidert Mar .. isoQRenoemataStudentistatsvitenskapkrevertilgangtilmillionerforsFksrotter. Student i statsvitenskap krever tilgang til millioner fors�ksrotter. Hovedfagsstudent i statsvitenskap Olig Tapas sier han trenger minst. millioner labrotter for � f� utf�rt et realistisk eksperiment av. hvordan ber�velse av vann p�virker stemmegiving ved et eventuelt nytt. EUvalg. Jeg har tidligere f�tt l�ne min onkels saueflokk for �. p�vise at stemmegivingen ved valg av ny bjellesau ofte favoriserer de. hvite tiltrekkende sauene forteller Olig men jeg har n� behov for �. bruke norske rotter i et laboratorium for � kunne kontrollere alle. bruke norske rotter i et laboratorium for � kunne kontrollere alle

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forhold. Olig har tidligere utttalt at enkelte sm�gnagere burde ha. stemmerett ved kommunevalg.. Samtidig har Osvald Braut student i litteraturvitenskap ytret �nsket. om � bruke en laboratoriumsrotte for � bekrefte sin teori som. postulerer at Ibsens Byggmester Solness egentlig bare ville eie en. liten ostebit.. mill vann norske sm�gnagere stemmerett poeng til mange kanter well who. am i to.... Olig Tapas har ogs� f�tt midler fra psykologisk institutt til � utf�re et. eksperiment p�. saueflokken hvor han utstyrer et sort f�r med bjelle og dermed later til �. presentere dem for. dilemmaet skal vi f�lge han eller ikke. Samme Tapas er ogs� kjent for � ha bevist at Ibsens Byggmester Solness er. drevet. av et. underliggende ostemotiv.. N� �r etter at Arne N�ss introduserte rotte p� kontoret har ogs� filosofisk. institutt. ytret �nske om egen labrotte p� den betingelse at den finner veien dit selv og. ikke br�ker i. gangene som ogs� er den betingingen de �nsker � unders�ke.. Ukas tvprogram the responder. fx.. Ut i naturen (ttv). DATOTID. VARIGHET. KANAL NRK. GENRE Dyrnaturmilj�. INFO P� sporet av Koppangsflokken. Alle prater om mafien mener og br�ker og krangler om mafiaen. Men to karer i. Nord�sterdal. ville heller bli kjent med mafien.. ..koppangflokken er en gjeng unge kriminelle som streifer rundt i. �sterdalmilj�et og. lager kvalm. norsk mafia fins det da sp�r vi i programmet og er de. utrydningstruet og. skal stammen bevares for enhver pris og hva med sauen skal den lide vi har. snakke med. b�nder i omr�det som f�ler seg trakkassert med en eller to k'er av. koppangflokken med tre.. Fwd thingist The myth of interference how bad science created the. broadcast industry.. Start of forwarded message. ReplyTo thingistbbs.thing.net. Organization The Thing. Fwd thingist The myth of interference how bad science created the. broadcast. industry.. The myth of interference. Internet architect David Reed explains how bad science created the broadcast. industry.. By David Weinberger. March There's a reason our television sets so outgun us. spraying us with trillions of bits while we respond only with the laughable. trickles from our remotes. To enable signals to get through intact the. government has to divide the spectrum of frequencies into bands which it. then licenses to particular broadcasters. NBC has a license and you don't.. Thus NBC gets to bathe you in Friends followed by a very special. Scrubs and you get to sit passively on your couch. It's an asymmetric. bargain that dominates our cultural economic and political lives only. the rich and famous can deliver their messages and it's all based on the. fact that radio waves in their untamed habitat interfere with one another.. Except they don't.. Interference is a metaphor that paints an old limitation of technology as a. fact of nature. So says David P. Reed electrical engineer computer. scientist and one of the architects of the Internet. If he's right then. spectrum isn't a resource to be divvied up like gold or parceled out like. land. It's not even a set of pipes with their capacity limited by how wide. they are or an aerial highway with white lines to maintain order.. Spectrum is more like the colors of the rainbow including the ones our eyes. can't discern. Says Reed There's no scarcity of spectrum any more than. there's a scarcity of the color green. We could instantly hook up to the. Internet everyone who can pick up a radio signal and they could pump. through as many bits as they could ever want. We'd go from an economy of. digital scarcity to an economy of digital abundance.. So throw out the rulebook on what should be regulated and what shouldn't.. Rethink completely the role of the Federal Communications Commission in. deciding who gets allocated what. If Reed is right nearly a century of. government policy on how to best administer the airwaves needs to be. reconfigured from the bottom up.. Spectrum as color seems like an ungainly metaphor on which to hang a. sweeping policy change with such important social and economic implications.. But Reed will tell you it's not a metaphor at all. Spectrum is color. It's. the literal honesttoFeynman truth.. David Reed is many things but crackpot is not one of them. He was a. professor of computer science at MIT then chief scientist at Software Arts. during its VisiCalc days and then the chief scientist at Lotus during its. days. But he is probably best known as a coauthor of the paper that. got the Internet's architecture right EndtoEnd Arguments in System. Design.. Or you may recognize him as the author of what's come to be known as Reed's. Law which says the true value of a network isn't determined by the number. of individual nodes it connects (Metcalfe's Law) but by the far higher. number of groups it enables. But I have to confess that I'm biased when it. comes to David Reed. I first encountered him in person three years ago at a. tiny conference when he deftly pulled me out of a hole I was digging for. myself in front of an audience of my betters. Since then I've watched him. be bottomlessly knowledgeable on a technical mailing list and patiently. helpful as a source for various articles I've worked on.. It doesn't take much to get Reed to hold forth on his strong. wellarticulated political and social beliefs. But when it comes to. spectrum he speaks most passionately as a scientist. Photons whether they. are light photons radio photons or gammaray photons simply do not. interfere with one another he explains. They pass through one another.. Reed uses the example of a pinhole camera or camera obscura If a room is. sealed against light except for one pinhole an image of the outside will be. projected against the opposite wall. If photons interfered with one another. as they squeezed through that tiny hole we wouldn't get a clear image on. that back wall Reed says.. If you whine that it's completely counterintuitive that a wave could squeeze. through a pinhole and reorganize itself on the other side Reed nods. happily and then piles on If photons can pass through one another then. they aren't actually occupying space at all since the definition of. 'occupying' is 'displacing.' So yes it's counterintuitive. It's quantum. mechanics.. Surprisingly the spectrumascolor metaphor turns out to be not nearly as. confounding to what's left of common sense. Radio and light are the same. thing and follow the same laws Reed says. They're distinguished by what. we call frequency. Frequency he explains is really just the energy level. of the photons. The human eye detects different frequencies as different. colors. So in licensing frequencies to broadcasters we are literally. regulating colors. Crayola may own the names of the colors it's invented. and Pantone may own the standard numbers by which digital designers refer to. colors but only the FCC can give you an exclusive license to a color. itself.. Reed prefers to talk about RF radio frequency color because the usual. alternative is to think of spectrum as some large swatch of property. If. it's property it is easily imagined as finite and something that can be. owned. If spectrum is color it's a lot harder to think of in that way. Reed. would recast the statement WABCAM has an exclusive license to broadcast at. kHz in NYC to The government has granted WABCAM an exclusive license. the color Forest Green in NYC. Only then according to Reed does the. current licensing policy sound as absurd as it is.. But if photons don't interfere why do our radios and cellphones go all. crackly Why do we sometimes pick up two stations at once and not hear. either well enough. The problem isn't with the radio waves. It's with the receivers. Interference cannot be defined as a meaningful concept until a receiver. tries to separate the signal. It's the processing that gets confused and. the confusion is highly specific to the particular detector Reed says.. Interference isn't a fact of nature. It's an artifact of particular. technologies. This should be obvious to anyone who has upgraded a radio. receiver and discovered that the interference has gone away The signal. hasn't changed so it has to be the processing of the signal that's. improved. The interference was in the eye of the beholder all along. Or as. Reed says Interference is what we call the information that a particular. receiver is unable to separate.. But Reed says I can't sign on to 'It's the receiver stupid.' We have. stupid radios not because we haven't figured out how to make them smart but. because there's been little reason to make them smart. They're designed to. expect signal to be whatever comes in on a particular frequency and noise. be everything on other frequencies. The problem is more complex than. just making smart radios because some of the techniques for unconfusing. the receiver are best implemented at the transmitter or in a network of. cooperating transmitters and receivers. It's not simply the radios. It's the. systems architecture stupid. One of the simplest examples of an architecture that works was invented. during World War II. We were worried that the Germans might jam the signals. our submarines used to control their radiocontrolled torpedoes. This. inspired the first frequencyhopping technology The transmitter and. receiver were made to switch in sync very rapidly among a scheduled. random set of frequencies. Even if some of those frequencies were in use by. other radios or jammers error detection and retransmission would ensure a. complete correct message. The U.S. Navy has used a version of. frequencyhopping as the basis of its communications since . So we know. that systems that enable transmitters and receivers to negotiate do work. and work very well.. So what architecture would Reed implement if he were king of the world or. even less likely chairman of the FCC. Here Reed is dogmatically undogmatic Attempting to decide what is the best. architecture before using it always fails. Always. This is in fact a. oneline recapitulation of the endtoend argument he and his coauthors put. forward in . If you want to maximize the utility of a network their. paper maintained you should move as many services as feasible out of the. network itself. While that may not be as counterintuitive as the notion of. photons not occupying space it is at least nonobvious for our usual. temptation is to improve a network by adding services to it.. That's what the telephone companies do They add Caller I.D. and now their. network is more valuable. We know it's more valuable because they charge us. more for it. But the endtoend argument says that adding services decreases. the value of a communications network for it makes decisions ahead of time. about what people might want to do with the network. Instead Reed and his. colleagues argued keep the network unoptimized for specific services so. that it's optimized for enabling innovation by the network's users (the. ends).. That deep architectural principle is at the core of the Internet's value. Anyone with a good idea can implement a service and offer it over the. network instead of having to propose it to the owners of the network and. waiting for them to implement it. If the phone network were like the. Internet we wouldn't have had to wait years to get caller I.D. it would. have been put together in one morning implemented in the afternoon and. braced for competitive offerings by dinnertime.. For Reed the question is What is the minimum agreement required to enable. wireless communications to be sorted out The less the system builds into. itself the more innovation in ideas services and business models. will arise on the edges.. There is active controversy however over exactly how much hand shaking. protocol must be built in by the manufacturer and required by law. Reed. believes that as more and more of radio's basic signalprocessing functions. are defined in software rather than etched into hardware radios will be. able to adapt as conditions change even after they are in use. Reed sees a. world of polite radios that will negotiate new conversational protocols. and ask for assistance from their radio peers.. Even with the FCC removed from the center of the system so that the ends. can dynamically negotiate the most efficient connections Reed sees a. continuing role for government involvement The FCC should have a role in. specifying the relevant science and technology research through the NSF. National Science Foundation. There may even be a role for centralized. regulation but it's got to focus on actual problems as they arise not on. theoretical fantasies based on projections from current technology limits.. It's clear in speaking with Reed that he's frustrated. He sees an economy. that's ready to charge forward economically being held back by policies. based on the state of the art when the Titanic sank. (That's literally the. case The government gave itself the right to license the airwaves in. in response to the Titanic's inability to get a clear help signal out.) Key. the new generation according to Reed are softwaredefined radios. An. SDR is smart precisely where current receivers are dumb. No matter how. sophisticated and expensive the receiver in your living room is once it. locks on to a signal it knows how to do only one thing with the information. it's receiving treat it as data about how to create subtle variations in. air pressure. An SDR on the other hand makes no such assumption. It is a. computer and can thus treat incoming data any way it's programmed to. That. includes being able to decode two broadcasts over a single frequency as. demonstrated by Eric Blossom an engineer on the GNU Radio project.. Of course an SDR doesn't have to treat information as encoded sounds at. all. For example says Reed when a new SuperFrabjoulous UltraDefinition. TV network broadcasts its first signal the first bits it will send would be. a URL for a Web site that contains the software to receive and decode the. signals on each kind of TV in the market.. But SDR addresses only one component. Reed sees innovation all across the. spectrum so to speak. He and his fellow technologist Dewayne Hendricks. have been arguing for what they call very wide band a name designed to. refer to a range of techniques of which ultrawide band (UWB) is the most. familiar. Ultrawide band packs an enormous amount of information into very. short bursts and transmits them across a wide range of frequencies lots of. colors lots of information. Reed says The UWB currently proposed is a. simple first step. UWB transceivers are simple and could be quite lowcost.. And UWB can transmit an enormous amount of information in a very short. burst for example a whole DVD could be sent to your car from a. drivethrough fast movietakeout stand. Other verywideband techniques. not yet as well developed as UWB spread energy more smoothly in time and. Reed believes are more likely to be the basis of highly scalable networks.. Given Reed's EndtoEnd commitment it should be clear that he's not. interested in legislating against older technologies but in helping the. market of users sort out the technology they want. Our goal should be to. enable a process that encourages the obsolescence of all current systems as. quickly as economically practicable. That means that as fast as newer. better technology can be deployed to implement legacy functions those. legacy functions should go away due to competition. In other words you'll. be able to pick up NBC's West Wing signal on your current TV until so many. people have switched to the new technology that broadcasters decide to. abandon the current broadcast techniques. People didn't have to be. legislated into moving from the Apple II. They did it voluntarily because. better technology emerged Reed says.. But ultimately Reed isn't in this because he wants us to have better TVs or. networked digital cameras. Bad science is being used to make the oligarchic. concentration of communications seem like a fact of the landscape. Opening. the spectrum to all citizens would according to him be an epochal step in. replacing the not with an and in Richard Stallman's famous phrase Free. as in 'free speech' not free as in 'free beer.' Says Reed We've gotten. used to parceling out bits and talking about 'bandwidth.' Opening the. spectrum would change all that.. But surely there must be some limit. Actually there isn't. Information. isn't like a physical thing that has to have an outer limit even if we don't. yet know what that limit is. Besides advances in compression there's some. astounding research that suggests that the informational capacity of systems. can actually increase with the number of users. Reed is referring to work. by researchers in the radio networking field such as Tim Shepard and Greg. Wornell of MIT David Tse of UCBerkeley Jerry Foschini of Bell Labs and. many others as well as work being carried out at MIT's Media Lab. If this. research fulfills its promise it's just one more way in which the metaphor. of spectrumasresource fails and misdirects policy.. The best science is often counterintuitive says Reed. And bad science. always leads to bad policy.. t h i n g i s t. message by ricardo dominguez. info send email to majordomobbs.thing.net. and write info thingist in the message body. End of forwarded message. Fwd Article Why the Web Will Win the Culture Wars for the Left. Start of forwarded message. Fwd Article Why the Web Will Win the Culture Wars for the Left. ReplyTo CTheory Editors. Article Why the Web Will Win the Culture Wars for the Left. CTHEORY THEORY TECHNOLOGY AND CULTURE VOL NOS. Article Editors Arthur and Marilouise Kroker. Why the Web Will Win the Culture Wars for the Left. Deconstructing Hyperlinks. Peter Lurie. Cultural conservatives in the United States have a lot of worries.. They fear that Grand Theft Auto and other video games will turn their. kids into crowbarwielding criminals they believe that Hollywood. will turn their daughters to floozies and sons to gigolos and they. despise the constitutional barrier between church and state as an. unnecessary evil that has estranged religious beliefs from public. life and eroded the core values of our country. Underlying all these. concerns is the overarching belief that moral relativism which. holds that competing claims to right and wrong cannot be judged. objectively is making America a godless bankrupt country and a. very dangerous place to raise a kid.. With Southern Republicans in control of all three branches of. government conservative barricades appear well manned. Just one. justice short of an invincibly reactionary majority on the Supreme. Court excluding moderate conservatives for seven of the nine. current justices are Republican appointees and relentlessly. stocking the district and appellate courts with the most conservative. jurists they can find the Republicans are pressing a deeply. reactionary social agenda. The culture wars between the religious. traditionalist right and the liberal pluralist left have started to. look like a rout everywhere but in the larger coastal cities.. Conservatives are recasting communities to be more comfortable with. if not prostrate to received authority in the form of literalist. interpretations of religious and political texts.. That success will be shortlived. Long after the next bubble has. burst the internet will have surpassed the hype generated by the. last one. Not by changing the way we live and work but by impacting. the culture wars and tipping the battle decisively to the left.. This will result not from the range of content available online but. rather the process of finding it. The architecture of the web and. the way users navigate it closely resembles theories about the. authority and coherence of texts that liberal deconstructionist. critics have offered for thirty years. Deconstructionists believe. that close analysis reduces any text novel statute religious. work to meaningless blather. The popular response to. deconstruction has always been that it's counterintuitive that no. one reads that way that it lacks common sense.. That will change. Like reading or breathing web browsing itself is. agnostic with respect to politics and culture. Unlike reading or. breathing however surfing mimics a postmodern deconstructionist. perspective by undermining the authority of texts. Anyone who has. spent a lot of time online particularly the very young will find. themselves thinking about content articles texts pictures in. ways that would be familiar to any deconstructionist critic. And a. community of citizens who think like Jacques Derrida will not be a. particularly conservative one.. HTML hyperlinks frames and metatags are the essential building. blocks of the web. They combine to create a highly associative. endlessly referential and contingent environment that provides an. expanse of information at the same time that it subverts any claim to. authority since another view is just a click away.. These basic technical tools are similar to deconstructionist. analytical tools. Hypertext markup language (HTML) provides graphic. display instructions to the web browser. Codes control the. presentation of each web page including pictures colors fonts and. the organization of text. Without HTML a web browser would show a. continuous scroll of plain text. Although HTML is normally. invisible the viewer can select a viewing option that exposes the. program codes. With HTML visible the structure of each web page is. laid bare like a theater with transparent curtains and sets so the. lighting crew scaffolding director and actors in the wings were all. visible. Hyperlinks which often appear in underlined blue text. provide the essential connectivity of the web enabling the user to. jump from one page to another a sort of black hole through which a. viewer can jump in and emerge in another place. Framing divides a. web site into separate windows each displayed in a separate part of. the screen and independently functional. Hyperlinks connect each. frame allowing the user to move among screens without leaving the. site. Search engines organize information on the web as well while. description of and hyperlink to a list of sites ranked by likely. relevance. In many cases the web page communicates to the search. engine through metatags which are encoded in the HTML and usually. consist of key words that provide an associative description of the. site itself.. A person engages the web in much the same way that a. deconstructionist critic approaches a text. Deconstruction which. denotes a process rather than a belief system shows how novels. statutes and court opinions collapse upon themselves making their. underlying assumptions absurd. For the deconstructionist each text. is endlessly referential a web of associations and connections that. is finally ambiguous. The structuralist critic Ferdinand de Saussure. set the foundation of postmodern thought by describing language as a. system of signs. Each sign was made up of a signifier (the word. itself) and the signified (the concept or meaning). Saussure's. first principle was that such signs are arbitrary. The letters s. i s t e and r suggest a girl or woman who shares the same parents. as the referent but the idea of this woman is not linked by any. inner relationship to the succession of sounds sor which serves as. its signifier in French. Indeed the woman at issue could as. simply be represented by another succession of letters or sounds.. For de Saussure the relationship between the signifier and the. signified was merely historical and therefore arbitrary. The letters. b o o and k could have signified a flying animal but were instead. doomed to represent a bound sheaf of printed papers too rarely. capable of flight. Since each sign (the word) has meaning only. because it doesn't signify something else (the actual book) and the. words themselves are arbitrarily assigned meaning itself is only. relational it cannot be grasped on its own.. Meaning then is not contained or conveyed by a word or series of. words because it is dependent on what those words do not contain or. convey. Meaning is part of a process in which words are examined. with respect to other words which lend meaning only in relation to. other than Tim BernersLee had heard of the World Wide Web language. looks much more like a sprawling limitless web where there is a. constant interchange and circulation of elements.. Deconstructionists advanced de Saussure's work by detaching the. signifier from the signified and arguing that meaning is present only. in words that themselves are indeterminate and relational. Each. word or sign in a sentence is linked to all the others forming an. infinite or at least inexhaustible network. Every text fiction and. nonfiction statutes and religious works has a flickering or. suspended quality its meaning is whatever may be grasped by a. particular reader at a particular time.. Deconstructionists believe that writing and reading is a discourse a. kind of open conversation or play through which the reader pieces. together a meaning by distinguishing one word from another. A. favorite tactic of such critics is to analyze a detail in the text. until it unravels the entire structure of the work and renders it. incoherent. Widelyaccepted interpretations such as the moral. of the story of Exodus is the inevitable empowerment of repressed. groups come to appear naive. Indeed the Supreme Court has done. something similar with the th Amendment. After years as a. curious backwater of the Constitution the th Amendment now stands. at the center of the Court's jurisprudence the foundation of the. increasingly broad doctrine of sovereign immunity (a phrase found. nowhere in the constitution) that is radically broadening the power. of state government at the expense of both Congress and citizens at. the same time that it casts doubt upon received ideas about nearly. every other aspect of the United States Constitution. A. deconstructionist would not argue that the Supreme Court is right or. wrong about federalism and state power but only that such radically. divergent interpretations of the same text indicate that any appeal. to an authoritative meaning including an investigation into the. intent of the author (in this case the framers of the Constitution. and Bill of Rights) will be a misguided and ultimately fruitless. project.. The Web is a postmodernist tool that inevitably produces a. postmodernist perspective. It is an unobvious result. After all. social conservatism is the kind of grassroots movement that the. internet should complement. The Web improves the coordination of. farflung constituents aiding organization recruiting and the. dissemination of information while reinforcing beliefs by increasing. the number of sources with consistent viewpoints. Conservatives who. have long complained of the liberal bias of the major media can now. avoid those sources altogether customizing a diet of news from. likeminded online sources. Cass Sunstein has emphasized the. danger inherent in what he calls cybercascades where people who. share similar views communicate only with each other reinforcing. their own perspectives but precluding exposure to new ones.. There have always been conservative and liberal newspapers Sunstein. notes but the emerging situation does contain large differences. stemming above all from a dramatic increase in available options a. simultaneous increase in individual control over content and a. corresponding decrease in the power of general interest. intermediaries. As options multiply intermediaries narrow. If. every consumer of information creates a daily me which filters all. unpalatable news and opinions the citizenry will become increasingly. parochial. More broadly Sunstein worries that cybercascades. will fragment society slim political and cultural discourse and. clear the shelves and stalls of the marketplace of ideas.. Credited to Oliver Wendell Holmes Jr. and based on a theory that. John Stuart Mill first sketched this marketplace sifts and exposes. the truth and value of competing theories. If the marketplace. metastasizes into isolated stalls free speech will quickly lose its. value and the marketplace of ideas will close for lack of customers.. Sunstein's prophecy is politically neutral the internet will. enervate the intellectual vigor of all movements by isolating them in. cyber chambers that echo with cheers and wild applause. There is. every reason to believe however that the Web will subvert. conservative thought even if conservatives themselves browse friendly. terrain from family.org to heritage.org to fedsoc.org. The content. available online is much less important than the manner in which it. is delivered indeed the way the Web is structured. Its influence. is structural rather than informational and its structure is. agnostic. For that reason parental controls of the sort that AOL. can offer gives no comfort to conservatives. It's not that Johnny. it's that Johnny will come to think consciously or not of. everything he reads as linked associative and contingent. He will. be disinclined to accept the authority of any text whether. religious political or artistic since he has learned that there is. no such thing as the last word or indeed even a series of words that. do not link in some way to some other text or game. For those who. grow up reading online reading will come to seem a game one that. endlessly plays out in unlimited directions. The web in providing. link after associative link commentary upon every picture and. paragraph allows indeed requires users to engage in a. postmodernist inquiry.. interactive effort one that despite the intentions of the Biblical. Studies Foundation which operates the site explodes the authority. of the text. The viewer chooses any of eighteen different versions. of the bible and then finds a matrix of hyperlinks organized by. chapter and verse that link to the requested section. Four frames. provide the biblical text and accompanying information including. footnotes hyperlinked to other sources with explanatory material a. hyperlinked index of every other chapter and links to the Biblical. Studies Foundation's homepage as well as other related sources. The. site also contains the customary search function which appears on. the left and of course the internet browser itself has a search. function that is always visible so that an engaged reader may be. constantly toggling between biblical text commentary in the. footnotes word searches suggested by the bible or footnotes or a. combination of both. Readers unfamiliar with a word may click on the. footnote with a short definition or synonym. If that is. unsatisfactory typing the word into the search function will yield a. link to a dictionary of biblical words terms and phrases that may. offer a more refined and accurate definition. The reader may be. satisfied and return to the text or pursue the matter further. needing just two clicks to find the same passage in an alternative. translation. If the reader is interested in a historical analysis of. the passage a search for 'biblical history' yields and array of. relevant academic and religious sites from all perspectives. A. reader might devote a day to pursuing a single passage a single. line finding herself farther and farther afield from the original. text and translation. Indeed she might forget which site she was. reading. Reading the bible online is an exploration of multiple. sources commentators and bibliographic tributaries.. Reading any other presumptively authoritative text online presents a. similar experience. The US Constitution is available at among other. commentary from wellknown and lesser authorities. Footnotes provide. short summaries of legislative history and important court decisions.. A review of the Second Amendment upon which the entire gun control. debate rests led this reader to twentyfour different sites each. directly or indirectly linked offering finely spun phrasebyphrase. analysis. And that was just the first sentence of this short. amendment. By the time the curious reader returns to the original. text her head will be cocked back distrustful possibly exhausted. certainly skeptical if not despairing of any authoritative. interpretation. Indeed she may come to believe that there is no. That any such transcendental meaning is a fiction ... is one. consequence of deconstruction. there is no concept which is. not embroiled in an openended play of signification shot. through with traces and fragments of other ideas.... Consider in. our own society Freedom the Family Democracy Independence. Authority Order and so on. Sometimes such meanings are seen as. the origin of all the others the source from which they flow. but this ... is a curious way of thinking because for this. meaning ever to have been possible other signs must already have. existed. It is difficult to think of an origin without wanting. to go back beyond it.. The Web invites even demands that its users go back forward around. and elsewhere in an associative search for meaning. Jonathan Culler. in a discussion of Barthes writes The text is ceaselessly. traversed by codes which are the source of its meanings.. Structuralists such as Barthes and Deconstructionists like Derrida. created a revolution in hermeneutics by identifying the codes that. inhered in every line of prose. Not long ago one had to be a. graduate student to grasp the concept. No longer. The Web. illuminates these codes for everyone to see and much more. importantly use.. In this light the conservatives' fear of moral relativism is. wellfounded. Absent some divine authority or lacking any consensus. about the existence or nature of such authority relativists believe. that morality is socially determined wholly dependent on standards. existing in a community at a particular place and time. In a. pluralist society then there can be no consensus regarding good and. evil. If it is not quite true that anything goes tolerance dictates. that we must respect the choices that others make even if they are. repugnant to others in the community. Samesex marriage under this. view is no more right or wrong than the traditional variety and we. cannot condemn those who practice it. Moral relativism is often. considered to be inversely proportional to the strength of religion.. The prevalence of the former however has surprisingly little to do. with the decline of the latter. Religion is hardly in decline at. least in the United States. A higher percentage of Americans go to. church mosque or temple each week than went both one and two. centuries ago. By any measure America is the most religious of all. Western industrialized nations and arguably the most religious of any. country outside Islam.. Perhaps for that reason conservatives blame the kind of liberal. elites who tend to congregate in New York newsrooms and Northeastern. classrooms. These usual suspects condescend toward religion at the. postmodern theories suggesting that received beliefs tend to be. arbitrary or selfserving or both. This argument tends to overstate. both the liberalism and elitism of the accused along with their. influence and it misses the most powerful and pervasive source of. moral relativism the Web.. Technology undermines traditional belief systems even as it creates a. belief in a kind of heavenly paradise a kind of Technopia. In his. book The Future of Ideas The Fate of the Commons in a Connected. World Larry Lessig argues for an open society in which everyone has. access to information and the tools necessary to contribute to the. community and succeed within it. A former colleague of. Sunstein's at the University of Chicago who migrated to Stanford the. very capital of Technopia Professor Lessig believes that the Web. could create an interconnected information and idearich republic.. He warns however that unless we balance private ownership of. intellectual property and the public's ability to refine and build. upon it we will never inhabit such a place.. Open shared platforms of content and code must be the foundation of. such a radically free creative and informed society but an unholy. trinity of Congress the courts and large corporations has. effectively sealed media and software platforms by lengthening. copyright laws and strengthening intellectual property protections.. The most recent example is the Sonny Bono Copyright Term Extension. Act which extended by years both existing copyrights and future. copyrights. A copyright grant is a limited monopoly a reward for. innovation but the reward if too generous (long) will surely. stifle it for any increase in copyright term strengthens monopolist. practice and isolates innovation from improvement in much the same. way that Sunstein fears that cybercascades weaken the dialogue of. democracy. For that reason Lessig predicts that. ...two companies AOL Time Warner and Microsoft will define. the next five years of the Internet's life. Neither company has. committed itself to a neutral and open platform. Hence the. next five years will be radically different from the past ten.. Innovation in content and applications will be as these platform. owners permit. Additions that benefit either company will be. encouraged additions that don't won't....Content and access. will once again be controlled the innovation commons will have. been carved up and sold.. If software code the DNA of the internet is privately held. citizens will be cyberserfs on corporate estates. There can be no. freedom without commons. Businesspersons artists and academics must. be free to graze on the rich field of ideas that lead to further. innovation. In his previous book Professor Lessig argued that just. as police regulate cities code regulates cyberspace. If state. police power was the principal concern of the th century corporate. control of code should be that of the st. Just as we defeated. Hitler and Stalin the argument continues implicitly so must we. strike AOL and Microsoft. Corporations wield power invidiously. veiled by the promise of free markets effectively coopting the. institutions that should balance public and private ownership.. Lessig will. For many technologists those who believe that. technology properly configured will save the planet he is the. muchlauded (and wellschooled) David against an array of corporate. to increasing the sum and access of intellectual property online. and as lead counsel for the petitioner in Eldred v Ashcroft. in which he challenged the constitutionality of the Bono. Copyright Extension Act Lessig has argued that Congress had. overstepped the authority vested by the Constitution by essentially. marching the copyright term toward perpetuity. In January the. Supreme Court disagreed upholding the act. His fight continues.. Victory will not elude Professor Lessig though it may surprise him.. A public weaned on the Web will be increasingly sensitive to the. value of open platforms and the possibilities inherent in shared. media and code. The increasing ease with which even moderately. trained musicians mix and sample recorded works and the resulting. battle between the Recording Industry Association of America and the. music lovers that support its member companies is just the first of. many disputes that will reshape copyright law and practice. Citizens. who are no longer awed by received authority will use the. instantiations of that authority whether in the form of text. graphics music or code for their own purposes.. Professors Lessig and Sunstein sketch despairing visions because they. have missed the essentially deconstructionist nature of the Web. The. architecture that media and technology companies control to stifle. innovation and that citizens use to cordon themselves from genuine. debate will at the same time foster an open inquisitive and. markedly liberal spirit. Problems associated with the control of. ideas and the compartmentalization of dialogue will persist but a. newly emergent majority on the Left will rise to tackle them. It's. all in the code.. Notes. Ferdinand de Saussure Course in General Linguistics Wade. Baskins trans. (New York McGrawHill ) ch. .. Ibid .. Ibid.. Terry Eagleton Literary Theory (Minneapolis University of. Minnesota Press ) .. Ibid . See also Jonathan Culler Structuralist Poetics. Structuralism Linguistics and the Study of Literature (Ithaca. Cornell University Press ) discussing Jacques Derrida. Writing and Difference Alan Bass trans. (Chicago University of. Chicago Press ).. Eagleton .. Ibid .. Cass Sunstein republic.com (Princeton Princeton Univ. Press. ) .. Ibid .. Ibid .. Ibid .. Eagleton .. Culler .. Lawrence Lessig The Future of Ideas The Fate of the Commons. in a Connected World (New York Vintage Books ) (first. published by Random House ).. Ibid xxixxii.. Ibid xxixxii.. Ibid .. Lawrence Lessig Code and Other Laws of Cyberspace (Basic. Books ) .. Ibid.. to increase the sum of raw source material online but also to make. access to that material cheaper and easier. To this end we have also. developed metadata that can be used to associate creative works with. their public domain or license status in a machinereadable way. We. hope this will enable people to use the our search application and. other online applications to find for example photographs that are. free to use provided that the original photographer is credited or. songs that may be copied distributed or sampled with no. restrictions whatsoever. We hope that the ease of use fostered by. machine readable licenses will further reduce barriers to. creativity.). Eldred v Ashcroft Sup Ct . Argued October. decided January .. Brief for Petitioners Eldred .. Peter Lurie is a lawyer a graduate of Dartmouth College and The. University of Chicago Law School where he worked on two independent. papers with Judge Richard Posner studied critical theory and the. interrelation between law and literature. He has written for the. New York Press and Shout Magazine. He is also the cofounder of. Virgin Mobile USA a wireless voice and internet company aimed at the. youth market where he serves as General Counsel.. The views expressed are his own.. CTHEORY is an international journal of theory technology and. culture. Articles interviews and key book reviews in. contemporary discourse are published weekly as well as. theorisations of major eventscenes in the mediascape.. Editors Arthur and Marilouise Kroker. Editorial Board Jean Baudrillard (Paris) Paul Virilio (Paris). Bruce Sterling (Austin) R.U. Sirius (San Francisco) Siegfried. Zielinski (Koeln) Stelarc (Melbourne) Richard Kadrey (San. Francisco) DJ Spooky Paul D. Miller (NYC) Timothy Murray. (IthacaCornell) Lynn Hershman Leeson (San Francisco) Stephen. Pfohl (Boston) Andrew Ross (NYC) David Cook (Toronto) Ralph. Melcher (Sante Fe) Shannon Bell (Toronto) Gad Horowitz. (Toronto) Deena Weinstein (Chicago) Michael Weinstein. (Chicago) Andrew Wernick (Peterborough).. In Memory Kathy Acker. Editorial Correspondents Ken Hollings (UK). Maurice Charland (Canada) Steve Gibson (CanadaSweden).. Editorial Associate Ted Hiebert. To view CTHEORY online please visit. To view CTHEORY MULTIMEDIA online please visit. CTHEORY includes. . Electronic reviews of key books in contemporary theory.. . Electronic articles on theory technology and culture.. . Eventscenes in politics culture and the mediascape.. . Interviews with significant theorists artists and writers.. . Multimedia theme issues and projects.. Special thanks to Concordia University.. No commercial use of CTHEORY articles without permission.. Mailing address CTHEORY Concordia University de. Maisonneuve O. Montreal Canada HG M.. Full text and microform versions are available from UMI Ann Arbor. Michigan and Canadian Periodical IndexGale Canada Toronto.. Indexed in International Political Science Abstracts. Documentation politique international Sociological Abstract. Inc. Advance Bibliography of Contents Political Science and. Government Canadian Periodical Index Film and Literature Index.. dine venner. End of forwarded message. Fwd PeertoPeer the collective collaborative and liberated memory of. sound.. Start of forwarded message. ReplyTo Alessandro Ludovico. Fwd PeertoPeer the collective collaborative and. liberated memory of. sound.. PeertoPeer the collective collaborative and liberated memory of sound.. Alessandro Ludovico. This text is part of the 'adonnaM.mp Filesharing the Hidden. Revolution in the Internet' exhibition curated by Franziska Nori and. the digitalcraft.org team into the Museum of Applied Arts in. Frankfurt opened to the public from the th of March to the th of. Consumers have very little interest in technology per se. What they. value is what it can actually enable them to do.. Michael Robertson founder of mp.com.. The key to accessing one's own memory of sound.. The unstoppable popularity of peertopeer networks and of millions. of mp files exchanged every day cannot simply be reduced to the. usual equation 'freeeveryone wants it'. There is something more. complex and widerranging that makes neophyte users constantly rack. their brains over how to make hardware and software mechanisms work. access the 'celestial jukebox'. This is the instinctive search for. one's own experience of sound everyone's memory of music which has. found somewhere to begin afresh and reestablish those neural. connections which produce indelible associations between events and. tracks and tunes. Unlike any form of 'revival' decided from above by. publishers the peer and nonprofit network offers large amounts of. original unmanipulated material which awakens familiar sensations. and brings back memories. Downloading files compulsively driven by. the mania to take advantage of an 'open safe' thus means something. more than accumulating cds full of files without actually having time. listen to them. This stereotype which is put about by the old. media leads nowhere because it forgets that everyone lives their. lives intimately surrounded by sounds.. The free exchange of tracks not for gain or smallscale business. seems as necessary to existence as looking again at certain photos or. re watching certain films at one's leisure. Fragments that were lost. over time records lent and never returned and that thanks to. digital swapping turn up again. Music is in fact contained not only. in the safes of industry or the dusty ledgers of copyright. associations but in everyone's home via the myriad cds vinyl discs. and cassettes which together represent an enormous heritage of music.. Digitizing this heritage although sometimes available only in. snatches with technical limits means it can take shape so that it. can reach and satisfy anyone. The very notion of ownership of a music. product is radically redefined by its changing into something which. is not material. Apart from reassessing the contents one owns insofar. as they are merely activators of other exchanges peertopeer. networks are perhaps the first model of contents 'ondemand' which. has truly worked because it is negotiated between peers. The notion. of a network has worked splendidly here since it is others who keep. one's own memory of music.. The reward is not only 'obtaining' music but also taking part in an. enormous collective process as happens with a chat room newsgroup. or blog. Sharing one's files is thus no mere act of generosity or a. gesture that it is hoped will encourage others to do the same but an. act of participation proving one is part of a game a process or a. collective performance intended to liberate sounds and share them. As. collective performance intended to liberate sounds and share them. As

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John Perry Barlow says 'the more connected we become the more. obvious it is that we're all in this together'() this is the. culture of the net which is expanding rapidly rewarding collective. consciousness expressed via the artistic heritage of musicians and. which lives again in our memory. Basically as stated by 'Lord of the. Borrowers' a highly active user making available his Gigabytes of. data 'There are loads of people out there who have no idea of the. use they could make of their computers ... I think I'm doing a public. service.'() This is a similar concept to Michael Robertson's who. had conceived mp.com as a 'service bureau' based on the assumption. that 'data changes the balance of power'() .. Thus a public service but selforganized and selfgenerated with. ramifications which whenever pruned by court action regrow and. thrive more than ever like creatures of myth. Once started the. sense of community knows no bounds. That was seen in the spring of. when the RIAA drew up a list of . tracks to be eliminated. the servers of Napster. Immediately there were groups and single. users who came up with stratagems that were imaginative to say the. least such as using the figure '' instead of 'to' or writing the. names of the tracks backwards or in pig latin or even creating sites. automatically converting the names into forms which could not be. recognized by the automatic control mechanisms.() However access to. the files is subject to intrinsic limits such as the text search for. the name of the artist or track without taking account of other. used and so on. Yet these limits do not discourage searching and. sharing in a peertopeer social and socializing practice. Indeed. one of the most fascinating sides of MP compression technology is. that its diffusion and direct consequences were not planned at the. outset but as in the best tradition of informal networks have. expanded incredibly thanks to ordinary word of mouth. Viewed in the. abstract the structure of a pc network with a large number of music. files resembles that of a sort of huge sound machine able to satisfy. most needs. This is the socalled 'Celestial Jukebox' an ideal. machine able to reproduce almost any track recorded in the history of. music.. MP.art.. The main innovation of the MP compression system is that it has. started new processes both in composition and in the use of music. in line with the participatory structure of the net. The work of. artists active on the net hinges on two concepts the ramified. spatial structure of sound information and the analogies between. music files. 'Tetrasomia' for example is a project by Stephen. Vitiello starting from four 'cardinal points' of sound very short. compositions of about a minute and a half each related to earth. water air and fire the surfer is guided to other sounds on the. net such as the frequencies from orbiting satellites or the. twittering of certain birds that live in remote corners of the globe.. The tracks do not cancel each other out during listening but can be. layered and activated together form a small crosssection of sounds. the world put into a personal form. This sound panorama is. possible thanks to a number of contributions outside the creation of. the artist who becomes a new point in a network concentrating the. experiences of others. A similar concept lies behind the sound. sculptures of Atau Tanaka who in 'mpq' shows a file of addresses. processed into a threedimensional textual structure where the user. constructs a form of polyphony by making the files sound in a certain. order.. The artist intends the user to contribute to the work by pointing to. new addresses and this request for cooperation breaks down the. traditional barriers between artist and audience. This direct. interaction mingles the roles of 'creator' and 'user' thus enabling. real development of ideas which draw their strength from the fact. that they are created and approved by the public. And the notion of. collective contribution is also behind 'Collective Jukebox' an. experiment inaugurated in by Frenchman Jerome Joy whose. intention was to combine the spontaneous donation of tracks with. public use independently of the limits of space and time of the. artists involved. Joy's work in fact combines the infrastructures of. the net with those of traditional art inviting anyone wanting to. take part to make their tracks available at a publicly accessible. internet address. Periodically he then organizes and exhibits them. via a real jukebox with thousands of files which are used in some. kind of public space such as a museum or caf. Furthermore the. opportunity for reciprocal interaction opens further chances of. processing carried out together with others introducing a new social. side into the production of sound. A musical artifact may indeed be. the result of something done by more people than those normally in a. band and so open up to an indefinite number of active participants. who make a significant contribution to the final product. This. concept is applied to particular advantage in 'Sound Injury' a. mailing list for electronic musicians which ends interaction between. members every month with a piece composed collectively. The list. follows a simple procedure a sound is distributed to all members who. modify it and then resubmit it to the other participants. The process. lasts thirty days with all the chaotic intermediate stages until the. definitive version.. A more playful sort of exchange recasts PeertoPeer networks as an. easy hiding place for suitably disguised data. In 'Siren's Voice' by. the media company 'plinq' the user is invited to take part in the. plot of a story by locating its missing parts hidden in exchange. networks. The story is structured so that some parts are located in. networks and which can be recognized by working together which. enables the story to be completed. These search mechanisms have a. structure of data flows which only materialize in the minds of those. involved in the interaction. The antipodes of this approach is the. art of constructing software showing real images inside the. abstractions that are files and producing a sort of microscope. showing the normally invisible processes of the formation of blocks. of digital numbers. 'Minitasking' by German duo Schoenerwissen. follows this principle working on a particularly large data flow. generated by the Gnutella network. Coloured 'balls' as the artists. call them represent the content of the file in size and colour. bringing out their intrinsic instability by dynamically mapping the. data involved. MP is now a medium in itself as shown by a number of. media operations which can easily be defined as performances.. Currently on PeertoPeer networks intentionally wrong names and. makes the user realize the fallible nature of 'packages' of. nonmaterial goods.. This approach is sometimes taken by small labels in search of glory. such as Evolution Controlled Creations (EEC) who distributed their. tracks by saying they were unpublished items by Nirvana. The American. record industry lobby evidently in trouble uses the same detour. approach to discourage the spread in advance of new longawaited. albums. This has produced companies like MediaDefender one of whose. services is the sale of the activation of many simultaneous downloads. of a track on PeertoPeer networks to make it inaccessible. This. form of conservative opposition is an attempt to make comprehensible. a phenomenon far too complex and diversified to be so and which. spreads with no technical obstacles in its path. The quickest net. language is worm viruses and they have clear effects on the user's. emotional vulnerability and hardware. Trusting that some music. swappers might feel guilty in July a hoax group sent out a. communiqu saying that on July (American Independence Day) all. computers on earth would crash due to a virus called MusicPanel and. all MP files contained in them with the five hundred bestknown. tracks would become unusable. Posted on some newsgroups (including. alt.music.bootlegs) it clearly shows how media panic can be. instigated and is also a slap in the face of censors who have used. similar tones when launching their crusades.() This technique has. been used on other occasions such as when a similar hoax. described a new worm called 'Bloat' which would supposedly make the. MP files on a hard disk five times as big.() The useless guilt. feeling instilled by commercial marketing concerning the free. exchange of sound goods which have been legitimately purchased brings. with it new forms of cultural rebellion which come out in unsuspected. ways.. Plagiarism MP is the message.. Liberalization of music tracks via MP files in PeertoPeer networks. is a fundamental of a whole artistic scene called plagiarist which. is another way of saying the free use of sound content in digital. format. The opposition and enthusiastic support aroused by these. artists over the years concerns exclusive copyright which is. beginning to waver. It will inevitably soon dissolve in the face of. the new media and their technical possibilities of manipulation and. reproduction. Various artists have shown the paradox of a system. which has gone against its noble origins as an artistic defence. turning into merely a crutch for the record industry. As irreverent. jesters of a commercial system blindly hanging on to its own. privileges the members of the band Negativland have always been. passionate about sampling 'spoken' material from TV jingles to radio. talk shows with almost maniacal accuracy in editing and often manage. show just how obsessive something commercial can be thus. shortcircuiting our over stimulated attention system. They became. famous because of a legal challenge which dragged them into a bizarre. sentence of which they tell the story in their book ''Fair Use The. story of the letter U and the numeral ' where they also explain the. techniques applied here. In the band issued on the SST label a. single which had 'U' over almost all of the cover with a U spy. plane in the background and the name 'Negativland' in small print. while the vinyl contained two parodies with seconds of a sample of. 'I Still Haven't Found What I'm Looking For'. Sales figures were not. above the average for the group's other products i.e. . copies. against the millions sold soon afterwards of 'Zooropa' the next. album by U themselves. 'Island' U's label at the time demanded. all available copies be destroyed and . in damages which. Negativland agreed to pay because they could not afford the costs of. a trial.. The serious economic repercussions of an episode of this kind became. the symbol of a battle in which the only weapons available are irony. and sarcasm applied to the production of culture and transmitted via. a dense network of exchanges. Negativland became a sort of icon for. the free use of sound samples and continued their valuable artistic. and political work which is halfway between art and propaganda. They. also supported other campaigns such as 'Toywar Lullabies' an album. issued in by the Etoy group of artists in an attempt to get back. the etoy.com domain which had been taken away by a large toy company.. Their core idea is that 'copyright came from the idea that people who. create have to be properly paid for what they do not that they have. get every possible payment that derives from it' and as Don Joyce. one of the members of the band says 'any fragmentary use of someone. else's work should be absolutely free' (). This is one reason why. net artists .ORG asked Negativland to compose a piece. for their project 'Glasnost' intended to put out as much public data. uses samples of a month of private phone calls between the artists. and others who were unaware of what was happening and brings to the. fore all the uncertainties everyone has concerning the invasion of. privacy. Other artists are also aware of the experimental potential. of sampling and use it to compose such as Canadian John Oswald who. has received the attention of lawyers representing a major record. company. His sound collages are full of rapidly changing sequences of. such famous sacred figures as James Brown and especially Michael. Jackson and the artistic quality of his editing is never in doubt.. His own definition of this style is 'plunderphonics' i.e. 'audio. piracy as a compositional prerogative'. And it was these particular. samples which in led CBS Records and the Canadian Record. Industry Association to take action despite the phrase 'Not For. Sale' appearing on the cds and the fact that they were distributed. free of charge. Nor have the minutely detailed 'credits' on each. album been enough to get the composer out of trouble. In a subsequent. work called 'Plexure' Oswald attempted to assemble five thousand. fragments by five thousand famous pop stars changing their names but. leaving them recognizable e.g. 'Sinead O'Connick' or 'Bing. Stingspreen' and working on the progressive speed of the entire. piece.(). 'It's a work on the recognizability of information seeing that in. the end there are so many familiar starting points that the memory. quite literally gets lost in its own meanderings' as Oswald himself. says although he regrets that in music 'there is no convention about. putting in quotation marks as is done when quoting a text'.. Overzealous bureaucracy aside it really would be twisted thinking. consider these sound works as a theft of intellectual property. because purchasing the support on which the original works are. recorded also means purchasing the right to listen. David Toop an. English journalist and author of 'Ocean of Sounds' stresses that the. purchaser of an album also pays for the right to ignore the artist's. intentions completely to massacre the product as much as they like. and to listen in a variety of creative ways thus changing it. utterly.() The latter is markedly different from what is commonly. called plagiarism since it is a new reprocessing of the material. used treating the digital samples as a violinist uses the notes. written on a stave. This is also the attitude of the label 'Illegal. Art' supported by media activists RTMark which issued the famous. 'Deconstructing Beck' an album obtained by sampling and. restructuring tracks by the musician Beck and obviously alerting the. lawyers of GeffenBMG. Notice of the decision to sue was sent by. email since the only way of contacting the mysterious label was an. email address. Even more incredibly BMG did not yet have a copy of. the cd (. copies had been pressed and quickly sold) and so. based their demands and threats on the 'word of mouth' echoing around. the internet.. The next work by Illegal Art was 'Extracted Celluloid' a brilliant. collage of samples of film music used 'in direct opposition to the. sound clichs they were taken from'. It is an exemplary work in the. deconstruction of tunes remembered by most people living in Western. countries with samples from such soundtracks as 'Titanic' 'Saturday. Night Fever' 'The Wizard Of Oz' and 'Dr. Strangelove'. Yet again. this shows that digital files are not only a medium for carrying. sound but also political and social content. An even more outstanding. case in this respect was the censure of the DeCSS source code. (Descrambling Content Scrambling System) the industry code. protecting the DVD standard. After a sentence forbidding its. 'publication' one of the many alternative channels became an MP. file (decss.mp) in which a voice synthesizer 'sings' the code.. Initially the piece was available as an unpublished track in a free. space on mp.com and then removed by the company since according to. offensive or inappropriate'.. The effectiveness of these operations lies in finding technical. mechanisms which are perfectly legal and which although they cannot. be attacked show how backward the procedures of institutional. protection are. Another conceptual hacking is 'Dictionaraoke' a real. stroke of genius consisting of a collection of over one hundred pop. classics from the past thirty years sung in perfect artificial. English. The 'Snuggles' a group of fans of Negativland hosted these. tracks in which the original lyrics are sung by the pronunciation. tools of the widely used English dictionaries and encyclopaedias. found online. In 'Don't go breaking my heart' for example there is. a duet between the 'voice' of Merriam Webster OnLine and of. Microsoft's Encarta Online. All the tracks are noncopyright in free. download and in mp format. The whole thing not only enables a better. understanding of the lyrics but also provides valuable instructions. on how to assemble other tracks by oneself by using this mix of. technologies. This putting together and interfacing different. techniques thus makes it paradoxical that the operation cannot be. attacked legally and opens another window onto the overall. understanding of the uselessness of copyright as currently applied.. It is the strategic key for the growth of contemporary culture ready. take back the heritage of music which belongs to it.. Linklist. References. () Barlow John Perry. 'The Next Economy of Ideas' Wired . Oktober. () O'Brien Jeffrey M. 'Would You Download Music From This Man'. Wired . May. () Lessig Lawrence 'The Future of Ideas' Vintage. () berraschung die NapsterFilter funktionieren nicht. () Leopoldseder Hannes Schpf Christine 'Minitasking' in. 'Cyberarts ' Hatje Cantz Publishers. () Hultkrans Andrew 'U Can Sue Sample Simon' Mondo Issue. () Gans David 'The man who stole the Michael Jackson's face'. Wired . February. () Toop David 'Oceano di Suoni' Costa e Nolan. March .. Alessandro Ludovico. distributed via no commercial use without permission. is a moderated mailing list for net criticism. collaborative text filtering and cultural politics of the nets. more info majordomobbs.thing.net and info nettimel in the msg body. End of forwarded message. Fwd iuoma Fluxus book in digital form. Start of forwarded message. Fwd iuoma Fluxus book in digital form. Performance Research has released a free digital edition of the long. unavailable Fluxus Performance Workbook a collection of short. performance works and event scores by over forty artists.. back to John Cage's famous class at The New School where artists. such. as George Brecht Al Hansen Allan Kaprow and Alison Knowles began. create art works and performances in musical form. One of these. forms was the event. Events tend to be scored in brief verbal notes. known as event scores. In a general sense they are proposals. propositions and instructions for different kinds of actions.. accompany a special Fluxus issue of Performance Research Ken. Friedman Owen Smith and Lauren Sawchyn edited a fortieth. anniversary edition of the Fluxus Performance Workbook. The workbook. is now available in a free electronic edition. This book can be. viewed online or downloaded. The download is a .pdf file that can. also be printed.. George Brecht Jean Dupuy Dick Higgins Joe Jones Bengt af. Klintberg Milan Knizak George Maciunas Larry Miller Nam June. Paik Mieko Shiomi Robert Watts and many more.. get a copy of the Workbook go to URL. Then go to the line reading. Click here to view or download a printable PDF version of the. Workbook. And follow the instructions on the next line. download and save the document rightclick (PC) or controlclick. (Mac) the link above and choose 'Save target as...'. For information on the special Fluxus issue of Performance Research. go to URL. And click on the line reading. On Fluxus PR (September ). On Fluxus. Performance Research Volume Number (). Issue Editors Ric Allsopp Ken Friedman and Owen Smith. No Late Fees Free Shipping.. Try Netflix for FREE. unsubscribe from this group send an email to. End of forwarded message. noemata Fwd iuoma Fluxus book in digital form. Start of forwarded message. Fwd iuoma Fluxus book in digital form. Performance Research has released a free digital edition of the long. unavailable Fluxus Performance Workbook a collection of short. performance works and event scores by over forty artists.. back to John Cage's famous class at The New School where artists. such. as George Brecht Al Hansen Allan Kaprow and Alison Knowles began. create art works and performances in musical form. One of these. forms was the event. Events tend to be scored in brief verbal notes. known as event scores. In a general sense they are proposals. propositions and instructions for different kinds of actions.. accompany a special Fluxus issue of Performance Research Ken. Friedman Owen Smith and Lauren Sawchyn edited a fortieth. anniversary edition of the Fluxus Performance Workbook. The workbook. is now available in a free electronic edition. This book can be. viewed online or downloaded. The download is a .pdf file that can. also be printed.. George Brecht Jean Dupuy Dick Higgins Joe Jones Bengt af. Klintberg Milan Knizak George Maciunas Larry Miller Nam June. Paik Mieko Shiomi Robert Watts and many more.. get a copy of the Workbook go to URL. Then go to the line reading. Click here to view or download a printable PDF version of the. Workbook. And follow the instructions on the next line. download and save the document rightclick (PC) or controlclick. (Mac) the link above and choose 'Save target as...'. For information on the special Fluxus issue of Performance Research. go to URL. And click on the line reading. On Fluxus PR (September ). On Fluxus. Performance Research Volume Number (). Issue Editors Ric Allsopp Ken Friedman and Owen Smith. unsubscribe from this group send an email to. End of forwarded message. Make Money Online Auctions Make . or We Will Give You Thirty Dollars for. Trying. LiteraryCritic.com Harold Bloom's Western Canon. noemata bstilling kan research lage en ny side hvor alle linkene g�r til. online. eb�ker. noemata LiteraryCritic.com Harold Bloom's Western Canon. noemata bstilling kan research lage en ny side hvor alle linkene g�r til. online. eb�ker. Get A Free Psychic Reading. Your Online Answer To Life's Important Questions.. Re . e k u n s t . en liten test av spamware.... (o)(o). .OOOooooOOO.. fin. innboksbildet. Fwd Edge STEVEN STROGATZ WHO CARES ABOUT FIREFLIES Intro by Alan Alda. Start of forwarded message. ReplyTo leaveedgeeditionsRsand.lyris.net. Fwd Edge STEVEN STROGATZ WHO CARES ABOUT FIREFLIES Intro by. Alan Alda. May. Edge. at. ( words). THE THIRD CULTURE. WHO CARES ABOUT FIREFLIES A TALK WITH STEVEN STROGATZ. Introduction by Alan Alda. We see fantastic examples of synchrony in the natural world all around us.. give a few examples there were persistent reports when the first. Western travelers went to southeast Asia back to the time. of Sir Francis Drake in the s of spectacular scenes along riverbanks. where thousands upon thousands of fireflies in the trees would all light. up and go off simultaneously. These kinds of reports kept coming back to. the West and were published in scientific journals and people who hadn't. seen it couldn't believe it. Scientists said that this is a case of human. misperception that we're seeing patterns that don't exist or that it's. an optical illusion. How could the fireflies which are not very. intelligent creatures manage to coordinate their flashings in such a. spectacular and vast way. Steven Strogatz EDGE Video. Oh I get it. Edge is a conversation. Ernst Mayr. EDGE IS A CONVERSATION. EDGE readership continues to grow. From the EDGE web report for the. month of April. Unique EDGE visits (readership). Average EDGE page views per day. UPCOMING EDGE FEATURES with streaming video) K. Eric Drexler on dangers. and opportunities of nanotechnology Peter Galison on Einstein's clocks. and Poincaire's Maps Murray GellMann on becoming a scientist Neil. Gershenfeld on Fab Labs Stuart Kauffmann on the adjacent possible. Geoffrey Miller on rediscovering psychology Martin Rees on our. chance of survival Matt Ridley on nature via nurture Robert Sapolsky on. the frontal cortex and bozo baboons J. Craig Venter on the intersection. of biology and computational power and E.O. Wilson on The AllSpecies. Project biodiversity and ecosystems.. UPCOMING EDGE SPECIAL Edge Summer Postcards. EDGE VIDEO Nearly streaming videos are now available on the EDGE Video. page. Nearly all the new features are accompanied by a video clip of about. Jared Diamond Gerd Gigerenzer Lisa Randall Alan Guth Paul. Steinhardt Ray Kurzweil Marvin Minsky Seth Lloyd David Haig. Steven Pinker Stephen Kosslyn Rodney Brooks Ray Kurzweil Richard. Wrangham Daniel C. Dennett Ken Kesey Marc D. Hauser Lee Smolin. Brian Greene Jaron Lanier Jordan Pollack David Gelernter Alan Guth. Seth Lloyd Dennis Overbye Freeman Dyson Anthony Giddens David. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena Cronin. UPCOMING ONGOING FEATURE EDGE Books. Books are news and EDGE will soon launch an ongoing feature to recognize. and call attention to books by EDGE contributors. Here (with thanks to. Daniel C. Dennett for the EDGEworthy suggestion) is the charge to the. EDGE authors..... Imagine that you walk into a room and are greeted by a group of Edge. contributors who are your peers and colleagues. You have your new and as. yet unpublished book with you. You have marked a page and on that page. you have picked out one paragraph which best represents to your colleagues. what you hope to accomplish in your book. You pass the book around..... The conversation continues...... EDGE. John Brockman Editor and Publisher. Russell Weinberger Associate Publisher. Copyright by EDGE Foundation Inc.. All Rights Reserved.. Published by EDGE Foundation Inc.. You are currently subscribed to edgeeditions as pronounnetcom.no. unsubscribe send a blank email to. leaveedgeeditionsRsand.lyris.net. End of forwarded message. Fwd Re Regurgitive Rules of InterNet.Art. Start of forwarded message. ReplyTo a place for discussion and improvement of things. Fwd Re Regurgitive Rules of InterNet.Art. Am Donnerstag . Mai um Uhr () schrieb mez. Regurgitive Rules of InterNet.Art. . No .Thought. no theorypreempting conceptualism. (no academic art that serves as a willing catalyst for academic. discourse.). . No M.mersion. no cyberspace no virtual reality. (at least not as they are commonly understood). . No More InterNet.art the Sake of X.pression. (speak of content and you have already lost.). . No Simulacra. (no tedious recycling aesthetics). . No Subject. . No Connection.. (no slefhistorification). F. GnuPGPGP public key ID CBA finger cantsinmail.zedat.fuberlin.de. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. End of forwarded message. Fwd Regurgitive Rules of InterNet.Art. Start of forwarded message. ReplyTo a place for discussion and improvement of things. Fwd Regurgitive Rules of InterNet.Art. i am sorry what was the rules for internet art again. Regurgitive Rules of InterNet.Art. . No .Thought. This rehashed dangerous method of preempting meaning has everything. do with the concussive nature of the potential audience. Make sure. instill great clunking swathes of theoretical loadings in all work no. matter how small or insignificant. Be sure to mask the quality of the. works with liberal amounts of antiprogressive rhetoric in order ensure. substantial postpostmodemist read interpreted as modernism interest.. . No M.mersion. The No M.mersion rule is all do with FX. Rampantly use FX predicated on. the cartesian or the sensory ie visuality overcoding in all InterNet.art. regardless of appropriateness or relevancy.. . No More InterNet.art the Sake of X.pression. No more InterNet.art will be produced using x.pression as a template or. process. Anything that can b traced a verifiable transitive or. predominant aesthetic is be rejected as hackneyed ie overcoded is b. thoroughly rigorously laughed at.. . No Simulacra. There is to b no use of discernable representation. This includes any type. of format form or function including overt referencing appropriation. reappropriation construction structure deconstruction deappropriation. rehashing sampling digitizing reworking mixing layering Foucaulting. that reflects the current economicbudgeting trend wards parochial. orientation read insularisation destruction of any burgeoning sense of. reticulated spaces.. . No Subject. There will b no references in any Internet.artworks that xplicitly refer to. subject. Instead make sure drench your works with substantial amounts. of prepackaged sceneapproved lingo that references manifestolike. assignations or quasiradical directives.. . No Connection.. There is b no connection in the promotion or distribution of InterNet.art. unless this material can b adequately subverted via the ability of. saidartists project a believable authorityapingcritiquer stance. If. this is realized at the xpense of establishing context or sustained. conceptual rigor all the betta.. prorating.lucid.txt. meniscusheart plucking via broken bag.gauges. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. End of forwarded message. Fwd Janos Sugar Time Patrol. Start of forwarded message. ReplyTo geert lovink. Fwd Janos Sugar Time Patrol. Time Patrol a project by Janos Sugar.. On Moszkva tr a central square in Budapest everybody who can dictate. uninterruptedly by heart for minutes to a typist in a caravan receives. . forints. The texts are transcribed and published in a paper. newsagent's on Moszkva tr for forints (almost two US dollars).. My aim is to produce a documentary whose future value is incalculable. exactly because it does not seem to be of any significance in the. present. What we wouldn't give for an accurate transcription of a random. conversation that took place in a mailcoach at the beginning of the th. century. As the result of technological developments the private sphere has become. constantly sacrificed the price of effective communication collaboration. and coordination is that we can less and less make certain that nobody. has access to our privacy and our secrets. On the level of possibilities. anything (post phone email credit cards etc.) can be controlled (spy. satellites surveillance cameras face recognition systems automatic. search and filter software on the Internet etc.) so because of all this. in our everyday communication it is easier to assume that we are. constantly in public.. (go to the site if you want to see picture of caravan parked on the. square). distributed via no commercial use without permission. is a moderated mailing list for net criticism. collaborative text filtering and cultural politics of the nets. more info majordomobbs.thing.net and info nettimel in the msg body. End of forwarded message. Fwd postanarchism g Summit of Interventionist Art (). Start of forwarded message. Fwd postanarchism g Summit of Interventionist Art (). SoIA Summit of Interventionist Art. During the G Summit ( June Evian ) Forde will present SoIA the. rst Summit of Interventionist Art. This workshop consists in two. public sessions of brainstorming and productions destined to be broadcast live. Equipped with networks and arguments backed up by decades of research a. hybrid movement wrongly labelled by mainstream media as 'antiglobalisation'. gained momentum. One of the particular features of this movement lies in its. apparent inability and unwillingness to answer the question that is typical of. any kind of movement on the rise or any generation on the move what's to be. done. There was and there is no answer no alternative either strategic or. tactical to the existing world order to the dominant mode of globalisation.. And maybe this is the most important and liberating conclusion there is no. way back to the twentieth century the protective nation state and the gruesome. tragedies of the 'left'. It has been good to remember but equally good to. throw off the past. S. ( Geert Lovink Florian Schneider A Virtual World is possible From Tactical. Media to Digital Multitudes October ).. Our investigations focus on the concrete experiences of nonrepresentationist. practices the constituent activities particularly in the movements against. economic globalization. S It is about experimental forms of organizing. which develop in precarious microsituations for a limited period of time. testing new modes of selforganization and interplays with other experiments.. The 'organizing function' of art ( Walter Benjamin ) creates new spaces in the. overlapping zones of art practices political activism and theory production.. ( Gerald Raunig Manifeste de republicart republicart.net ). What opportunities and practices are there for these emerging art forms Is it. still relevant for auhors producers to aim at a balance between the art. market and political activism How can one create a new base parasite of the. existing system. Beyond individual issues the necessity to congure a threshold between. Fine Arts critical activism and real intentions of social change becomes. apparent.. sig. Get A Free Psychic Reading Your Online Answer To Life's Important Questions.. httpus.click.yahoo.comLjuPCMeFAAySSFAAbSolBTM

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unsubscribe from this group send an email to. End of forwarded message. Fwd postanarchism Cohn What is Postanarchism 'Post'. Start of forwarded message. Fwd postanarchism Cohn What is Postanarchism 'Post'. What is Postanarchism Post. By Jesse Cohn. Review of. Saul Newman From Bakunin to Lacan AntiAuthoritarianism. and the Dislocation of Power. Lanham MD Lexington .. . Newly resurgent anarchist movements shaking the streets. Seattle to Genoa are caught in a field of tension between. two magnetic poles Eugene Oregon and Plainfield Vermont.. Eugene is the home of John Zerzan author of Future Primitive. () who has pushed anarchist theory in the direction of an. allencompassing negation of civilization. At the Institute for. Social Ecology in Plainfield in Murray Bookchin issued his. much debated challenge to the anticivilizational anarchists. Social Anarchism or Lifestyle Anarchism An Unbridgeable. Chasm. Bookchin's social anarchism is in the tradition of the. anarchocommunism theorized by Peter Kropotkin calling for the. replacement of nations and markets with a decentralized. federation of selfmanaging communities. Zerzan's primitivism. calls for the destruction of the totality including the abolition of. technology language and history itself in favor of a wild. primordial freedom (Future Primitive ). The chasm. between Eugene and Plainfield is wide certainly. Zerzan and. Bookchin agree on one thing however both hate. postmodernism.. . Bookchin calls it a form of nihilism tailored to yuppie tastes. (). Postmodernism leaves us hopeless in an unending mall. Zerzan complains without a living critique nowhere (). For. Bookchin theorists such as Foucault and Derrida simulate a. kind of individualistic rebellion while vitiating social anarchist. commitments to reason realism and ethical universals ().. For Zerzan on the contrary they bolster the reigning order by. liquidating any notion of the autonomous individual the. postmodern subject what is presumably left of subjecthood. seems to be mainly the personality constructed by and for. technological capital ().. . This dispute is one of the significant contexts in which Saul. Newman's From Bakunin to Lacan AntiAuthoritarianism and the. Dislocation of Power arrives. Another is the rediscovery by the. academy of the anarchist theoretical tradition where until. recently anarchism had endured an official oblivion even longer. and deeper than its erasure from public memory. The. rediscovery of anarchist theory is a timely gift for theorists such. as Todd May (The Political Philosophy of Poststructuralist. Anarchism ) who are eager to politicize poststructuralism. but leery of bolting their concepts onto readymade Marxist. frameworks. Both May and Newman see Marxism in all its. varieties as an ineluctably strategic philosophy (to use May's. term) perpetually drawn to the postulate of a center from which. power must emanate (May ).. . In contrast to Marxism writes Newman anarchism was. revolutionary in analyzing power in its own right and exposing. the place of power in Marxism itselfits potential to reaffirm state. authority (). Mikhail Bakunin and Karl Marx tore the First. International asunder in over the question of the State was. it a mere instrument of rulingclass power as Marx thought in. which case it could be seized and used by the proletariat or was. it an autonomous and independent institution with its own logic. of domination as Bakunin argued in which case any. transitional State would merely constitute a new reigning. regime (Newman ) History has given a poignant weight to. Bakunin's premonitions of a red bureaucracy of course but for. a poststructuralist rereading his importance lies in his. challenge to Marx's methodthe strategic thinking for which all. problems can be reduced to the basic one (May ). Anarchist. critique undermines the confident assumption that power is. merely an epiphenomenon of the capitalist economy or class. relations which in turn opens the way to a postFoucauldian. apprehension of the ubiquity of power relationsthe dispersed. decentered power which comes from everywhere (Newman. ).. . At the same time Newman and May concur classical. anarchism ditches its own best insight anarchism itself falls. into the trap of the place of power (Newman ). Both Bakunin. and Kropotkin found resistance on a certain notion of human. nature as an outside to powera pure origin of resistance.. Power as incarnated in the State represses and distorts the. goodness of humanity once it is eradicated by the revolution. human essence will flourish and power will disappear. (Newman ). For Newman however power is ineradicable. and any essentialist notion of human nature is the basis for a. new domination.. . From the diagnosis the prescription for anarchism to. become meaningful once again it must be detached from its. investment in essentialist conceptions of power and human. identity made to face the reality that power is everywhere. But. how to do so while avoiding the gloomy conclusion that because. power is everywhere resistance is nowhere If resistance to. power cannot be conceptualized without thinking in terms of an. outside to power how can this outside be thought without. resorting to yet another equally foundationalist theory of the. place of power () Overcoming this logical impasse is the. task Newman sets for himself in the following chapters as he. scours the resources of poststructuralism for a. nonessentialist notion of the Outside ().. . But what does Newman mean by power when he seeks its. Outside It's not always clear what Newman means by this key. term. Throughout the book he seems to engage in a certain. codeswitchingsometimes conscious and clearly marked. sometimes surreptitious or unconsciousalternating between at. least two senses of the word. In the first chapter Newman alerts. us to the possibility of confusion while thus far he has used. power domination and authority as synonyms by the time. we get to Foucault 'power' and 'domination' have somewhat. different meanings and often Newman seems to follow. Foucault in defining power as inevitable in any society while. characterizing domination as something to be resisted At. other times he retains the definition of power as domination. (). Leaving this ambiguity open weakens the argument that. follows.. . A second weakness stems from a misreading of classical. anarchist theory. Newman's argument is premised in the first. place on his reading of Bakunin and Kropotkin as wedded to the. notion that the human subject is naturally opposed to power.. He then notes that they also have recourse to a characterization. of this human subject as fatally prone to a 'natural' desire for. power. From this he draws the conclusion that classical. anarchism is riven by a fundamental inconsistency a hidden. contradiction (). The unstated assumption which warrants. this move from premise to conclusion is that these two. representations of the human subject are mutually. exclusivethat Bakunin and Kropotkin cannot possibly intend. both.. . This assumption should raise the question why not A close. reading of Bakunin and Kropotkin would more strongly support a. different conclusionthat for both of these thinkers the human. itself and not their representation of the subject is the. site of what Kropotkin calls a fundamental contradiction. between two sets of diametrically opposed feelings which exist. in man (). In other words as Dave Morland has explained. these thinkers' conception of human nature is not statically. unified but dialectically doublebarreled human beings are. possessed of equal potentials for sociability and egoism. (). Since neither of these potentials is necessarily more likely. be expressed than the other ceteris paribus neither. constitutes a species destiny history is autonomous ().. . The (arguably mistaken) discovery of a hidden contradiction. at the core of anarchist discourse prompts Newman's fear that. classical anarchism is dangerously open to the potential for. domination which in turn forms the rationale for the rest of his. project. Errors propagate through this system as the logic of an. undertheorized antiessentialism prompts him to ask the. wrong questions and get the wrong answers or to ask the right. questions without looking for answers at all. If humans have an. essential desire for power Newman argues then how can one. be sure that a revolution aimed at destroying power will not turn. into a revolution aimed at capturing power How can one be. sure in other words that an anarchist revolution will be any. different from a Marxist vanguard revolution ().. . There are a number of problems with this question. First of. all depending on which version of power Newman is referring. the question may depend on a false assumption. If power. as an endless play of mutual influence action and reaction is. distinguished from domination then neither Bakunin nor. Kropotkin have any pretensions about destroying power per se.. Indeed to a surprising extent both are aware of the ubiquity of. social power which no revolution can (nor should) abolish. both understand that it is a natural product of human subjects. rather than an artificial imposition from outside and both. distinguish it from force coercion or domination while. acknowledging its potential to generate these effects particularly. when it is allowed to accrete (Bakunin God and the State n).. . Apart from its problematic premise however Newman's. question is also needlessly framed as merely rhetorical or. unanswerable when it really does admit of an answer in political. practice. Anarchist practices conditioned by a theoretical. emphasis on the immanence of ends within means are. distinguished from those of a Marxist vanguard revolution by. the insistence that the immediate form of revolution (direct. action direct democracy egalitarian selfmanagement the. leaderless group etc.) be its future content. Thus the. anarchosyndicalist Industrial Workers of the World union. named as their project forming the structure of the new society. within the shell of the old (Renshaw frontispiece).. . Newman however focuses more on theory than on practice.. And this is why he fails to ask the following question if classical. anarchist theory is so wedded to this notion of the natural. harmony of human subjects in society why is it so deeply. preoccupied with questions of action and organization Why. bother to organize to intervene unless something is in need of. this intervention i.e. unless it is disorganized In fact these. theorists do not regard anarchy as something merely. spontaneous natural biological given but as something that. had to be evoked elicited created made from the materials of. history and biology. What every individual inherits at birth. according to Bakunin is not ideas and innate sentiments as. the idealists claim but only the capacity to feel to will to think. and to speaka set of rudimentary faculties without any. content this content must be supplied by the social milieu. (Bakunin ). Nature is a set of potentials not a telos social. construction is the determining factor. In this sense classical. anarchist theory goes beyond the binary opposition of. essentialismnonessentialism.. . Rather than dwelling on the ostensible limitations of. anarchism as articulated by its most influential theorists. Newman turns his attention to what he sees as the untapped. potential of a relatively marginal figure in anarchist history Max. Stirner the fellow Young Hegelian whom Marx so viciously. assails in The German Ideology. In his Der Einzige und. sein Eigentum (variously translated as The Ego and His Own. or The Unique One and Its Property) Stirner uses the stick of. nominalism to beat every philosophy built on abstract ideals or. categories including not only the religious submission to God. but also the fetishization of Man in liberalism and communism. no concept expresses me nothing that is designated as my. essence exhausts me they are only names (). The self in. Stirner is a subject to which all predicates are merely. properties so that it cannot be said to have an identity or. essence ()leaving as Newman sees it 'a radical opening. which the individual can use to create his own subjectivity. unhampered by essentialisms.. . This protoNietzschean insight excites Newman The. importance of Stirner's notion of becoming for politics. particularly poststructuralist politics is great indeed he has. shown that resistance to power will never succeed if it remains. trapped within fixed essential identities (). Ultimately Stirner. provides Newman with a nonessentialist account of how the. self rather than encountering a power which is imposed upon it. actually produces the power to which it submits by binding itself. fixed ideas (ideologies and essentialist identities) and. annuls this power by dissolving these abstract chains through. analysis (Newman ).. . Newman does consider the charge leveled at Stirner by. numerous anarchist critics that Stirner's unique one. abstracted from all history disembedded from every. relationship and detached from all context simply constitutes a. new essentialist identity (and a mystified one at that) but he. does not really spell out why this critique is mistaken (). Not. only does the Einzige closely resemble Sartre's classless. genderless cultureless ahistorical cogito a little too closelyit. also bears some resemblance to the protagonist of laissezfaire. marketplace economics the Rational Actor whose infinite. desire and arbitrary caprice (i.e. selfishness) are likewise. purported to be the very measure of freedom.. . None of this prevents Newman from moving forward with his. projectthe reconstruction of anarchist theory within a. poststructuralist framework. Four chapters provide a creative. suggestive and relatively accessible rereading of work by. Foucault Deleuze Guattari Derrida and Lacan as Newman. searches for a nonessentialist notion of the Outside.. Foucauldian genealogy and DeleuzoGuattarian schizoanalysis. extend Stirner's insight into the abstract nature of the State. whose formidable omnipresence exists mostly in our minds. and in our subconscious desire to be dominated by. demonstrating that the individual represses himself and that. we subordinate ourselves to signifying regimes all around us. ( ). Derridean deconstruction adds a strategy for. undermining the metaphysical authority of various political and. philosophical discourses releasing action from its obligation to. any founding principle or arch (). In the end Newman. stakes his money on Lacan as presenting the most persuasive. nonessentialist figure of resistance ().. . Here I suspect will lie one of the primary points of interest. for readers of poststructuralist theory as Newman draws on. Lacan's account of how the subject is constituted through its. fundamental inability to recognize itself in the symbolic order to. explain how this apparently omnipresent and omnipotent order. creates its own otherits own utopia actually a nonoriginary. origin or nonplace (outopos) of resistance blossoming in the. heart of power itself (). This nonplace is the leftover which. is continually and necessarily generated by the operation of the. Law which produces its own transgression ( ). In. effect Newman uses Lacan to clarify what Foucault seemed to. have left mysteriousthe logic whereby power never appears. without resistance appearing as well.. . But waitisn't this a little too close to Bakunin's declaration. which Newman cites as evidence of his essentialism that. there is something in the nature of the state which provokes. rebellion (qtd. in Newman ) If Newman argues that these. two antagonists the state which provokes and the subject. who rebels could not exist without each other () how can he. avoid concluding that this goes double for the Lacanian struggle. between the constitutive Law and the transgression it. produces Moreover one might ask what it has meant to. discover this concept or figure if what anarchism opposes is. not power but domination. Was the quest in vain Has all of. this culminated in yet another insurgent subject which just can't. seem to do without the power that dominates it. . These important questions remain unresolved. More. important for anarchist readers however is the question of what. practical consequences might ensue from the postanarchism. which Newman formulates in his final chapter (). How can a. politics which presupposes cooperation and joint action found. itself on Stirner's notion that my unique ego has literally nothing. in common with yours Newman calls attention to Stirner's. proposal for a union of egoists a merely voluntary and. instrumental association between individuals as opposed to a. community which one is forced to participate in () but this. amounts to a universalization of the instrumentalist logic of. capitalism For me Stirner writes no one is a person to be. respected not even the fellowman but solely like other beings. an object in which I take an interest or else do not an interesting. or uninteresting object a usable or unusable person ().. Indeed for Stirner we have only one relation to each other that. of usableness of utility of use everything else is ideology. (). While Newman wants to read Stirner as not necessarily. against the notion of community itself () it is hard to avoid the. conclusion that Stirner himself flatly declares community . . . is. impossible (). This is precisely the hyperindividualism that. placed Stirner outside the mainstream of the anarchist. movement which remained committed to community and. collective practice constituting itself as social anarchism rather. than mere individualism. Needless to say Newman admits in. a footnote some modern anarchists do not exactly embrace. this postmodern logic of uncertainty and dislocation ( n).. . In any case it's a relief to find someone willing to think. seriously about the political outside of the confines of Marxism. rather than continually fiddling around with Marxist texts in yet. another attempt to take Marx beyond Marx (as Antonio Negri has. put it) or else completely scrapping that urge to change the. world in favor of some ironic or nihilistic embrace of the world. as it is (the Baudrillard solution). PostMarxist theorists have. stripped away one key concept after another (historical stages. centrality of class conflict progressive colonialecocidal. teleology productivism materialityideality binary ideology. alienation totality etc.) peeling away the layers of the onion. driving Marxism further and further in the direction of its old. repressed Other anarchismprotesting all the while that we are. not anarchists (Hardt and Negri ).. . As refreshing as it is to step outside this endless Marxist. monster movie with its perennial Frankfurtian pronunciations of. death periodic Frankensteinian reanimations and perpetual. spectres I would argue that anarchism has more to offer. poststructuralism than Newman and May seem to recognize. and that poststructuralism affords other and better resources for. the development of anarchist theory than their example would. imply. In fact it could do much to redress the damage done to. the core ethos of social anarchism as cataloged by Bookchin by. posts theoretical tendencies which regard all structure. organization and coherence as repressive. It offers a weapon for. the Plainfield social anarchists against the politically and. intellectually sterile primitivism of Eugene.. . Foucault's demonstration of the poverty of the repressive. hypothesis and of the positive potential of selfstructuring. askesis could be used to neutralize the influence of leftFreudian. theories of liberation as antisocial derepression (Benello ).. The wisdom of Derrida's there is nothing outside the textas. Zerzan is well aware ()could be marshaled against the. primitivist quest for a pure presocial origin. Even Lacanian. psychoanalysis with its narrative of the construction of the self in. and through the Symbolic could reinforce Bookchin's distinction. between individual autonomy and social freedom ().. . From Bakunin to Lacan is overly eager to get from Bakunin to. Lacana perhaps too uncritical teleological trajectorybut at. least it inquires about the way from one point to the other which. is a siginificant contribution in itself. As anarchist movements. roused from their long slumber attempt to orient themselves in. a world of globalizing capitalism sporadic ethnoreligious. violence and growing ecological crisis they will find themselves. in need of more such contributions.. English Department. Purdue University North Central. jcohnpurduenc.edu. Talk Back. COPYRIGHT (c) BY Jesse Cohn. ALL RIGHTS RESERVED.. THIS TEXT MAY BE USED AND SHARED IN ACCORDANCE. WITH THE FAIRUSE PROVISIONS OF U.S. COPYRIGHT LAW.. ANY USE OF THIS TEXT ON OTHER TERMS IN ANY MEDIUM. REQUIRES THE CONSENT OF THE AUTHOR AND THE. PUBLISHER THE JOHNS HOPKINS UNIVERSITY PRESS.. THIS ARTICLE AND OTHER CONTENTS OF THIS ISSUE ARE. AVAILABLE FREE OF CHARGE UNTIL RELEASE OF THE NEXT. ISSUE. A TEXTONLY ARCHIVE OF THE JOURNAL IS ALSO. AVAILABLE FREE OF CHARGE. FOR FULL HYPERTEXT. ACCESS TO BACK ISSUES SEARCH UTILITIES AND OTHER. VALUABLE FEATURES YOU OR YOUR INSTITUTION MAY. SUBSCRIBE TO PROJECT MUSE THE ONLINE JOURNALS. PROJECT OF THE JOHNS HOPKINS UNIVERSITY PRESS.. Notes. . See Zerzan's Elements of Refusal particularly chapters. for the full extent of his anticivilizational project.. Works Cited. Bakunin Mikhail. Bakunin on Anarchy Selected Works by the. ActivistFounder of World Anarchism. Ed. and trans. Sam Dolgoff.. New York Knopf .. . God and the State. New York Dover .. Benello C. George. From The Ground Up Essays on. Grassroots and Workplace Democracy. Boston South End. .. Bookchin Murray. Social Anarchism or Lifestyle Anarchism An. Unbridgeable Chasm. Edinburgh Scotland AK .. Hardt Michael and Antonio Negri. Empire. Cambridge MA. Harvard UP .. Kropotkin Peter. Ethics Origin and Development. Trans. Louis. S. Friedland and Joseph R. Piroshnikoff. Dorset Prism .. May Todd. The Political Philosophy of Poststructuralist. Anarchism. University Park PA Pennsylvania State UP .. Morland Dave. Anarchism Human Nature and History. Lessons for the Future. TwentyFirst Century Anarchism. Ed.. Jon Purkis and James Bowen. London Cassell . .. Renshaw Patrick. The Wobblies The Story of Syndicalism in the. United States. Garden City NY Doubleday .. Stirner Max. The Ego and His Own. Trans. Steven T. Byington.. New York Benj. R. Tucker . May .. Zerzan John. Elements of Refusal. Seattle Left Bank .. . Future Primitive and Other Essays. Brooklyn NY. Autonomedia .. Get A Free Psychic Reading Your Online Answer To Life's Important Questions.. unsubscribe from this group send an email to. End of forwarded message. Re culturejammers Antropologisk studie av mobilbruk.. And almost everyone including those whom the Context study considers. moderate cellphone. users felt anxious during the phase. of the study termed deprivation that required them to give up their. phones for a few. days.. The people who had become a part of the mobiles group had a hard time doing. deprivation at. all Blinkoff said. They couldn't do. it at all.. Foreldre begynner � straffe barna med � ta fra dem mobilen... istedenfor. husarrest hvor de. likevel kan sitte p� rommet og totte blir de heretter kastet ut av huset uten. mobil.. Illustrasjon av deprivasjon suger p� tommeltotten istedet. b) en liten. kosebamse til. �rekinn. (Fins det et kosebamseskin til mobilen) (Tamaguchihybrid m� bare. taste for �. holde den i live syk dvs kommuniserer ikke) ( sense deprivation. sansekommunikasjon. ber�ringssans siden man hele tiden m� kommunisere hvem man er og posisjon. siden det ikke. lenger er gitt for � skape ber�ring og grensesnitt kommunikasjonen. opprettholder et. grensesnitt for ber�ringssansen. )( ber�ring smittemagi kanskje popstjerner. kunne spredt. virus som folk �nsket � f� p� maskin mail og mobil som smitte �nsker fans �. bli hostet p�. av spritney bears 'jeg ble forkj�la av madonna i og har holdt senga siden'. )( er ikke. dette med typhoid mary ol. en folklorefigur for smitte )( forestillinger om. smitte i ny. teknologi )( hvor mye reklame er 'smitte' ber�ringsoverf�ring. ber�ringskommunikasjon. ber�ring er blind d�v dum stum )(. cell phone phone cell. Fwd postanarchism Kortright Reimagining Space and Culture in the Resistance. of Global Capital. 'Home'. bef. ME hom OE hm (n. and adv.) c. D heim ON heimr Dan hjem Sw hem. G Heim home. Goth haims village akin to HAUNT. bj. Start of forwarded message. Fwd postanarchism Kortright Reimagining Space and Culture in the. Resistance of. Global Capital. Reimagining Space and Culture in the Resistance of Global. Capital. By Chris Kortright. This essay is a critical exploration of our constructed ideas of. space and place which shape and reshape our common. sense. Within the anticapitalist and antiglobalization. movements we need to reimagine conceptualizations of space. place and power. In particular we can utilize explorations into. the construction of space which have been popularized by. postmodern and globalization theorists notions of. deterritorialization postmodern hyperspace borderlands and. marginality. This reconceptualization will force us to reevaluate. central concepts in antiglobalization theories such as culture. and by extension our ideas of cultural difference. For some. the uniqueness of societies nations and cultures rests on a. seemingly unproblematic division of space on the fact that it. occupies naturally discontinuous spaces.. Space Nation and Culture. If we understand the world as a collection of countriesas on. most world maps we se the world as an inherently fragmented. space. This space is divided by different colors into diverse. national societies. Each of these societies are rooted in their. proper place. The construction of each country is so taken for. granted that they are understood as embodying their own. distinctive culture and society. The term society and culture. are often seen as simply another name for the. nationstatelike those who visit India to understand Indian. culture and Indian society. Yet culture is not a bound or static. object and thus it can not be tied to physical territory or space.. When we explore the notion of culture we see that people's. lives take them on trajectories through space and time which. they interpret as being full of significance. People use both. words and material artifacts to get things done and to. communicate with others. People ... in their talk endlessly spin. metaphors so as to weave labyrinthe and everexpanding. networks of symbolic equivalence(Ingold ). This. shared communicationculture is not a neatly bounded and. mutually exclusive body of thought and custom. Cultural. strategies are not shared by all the people who subscribe to a. set culture and they do not fully encapsulate all the lives and. works of a grouping of peoples. The isolated culture has been. revealed as a figment of the Western anthropological. imagination. It might be more realistic then to say that people. live culturally rather than that they live in cultures(Ingold. italics in original).. By reconceptualizing culture and space we see that. territoriality or nationstate borders are constructed differently for. border inhabitants and those who live a life of border. crossingmigrant workers nomads and members of the. transnational and capitalist elite. Can we say that the culture of. farm workers who spend half a year in Mexico and half the year. in the US are Mexican Or do we need to start understanding. that the cultural strategies of this grouping of individuals is. constructed by the interplay of different strategies. Migration has. always had the potential to challenge images of space. It creates. and reproduces space through human agency it redefines the. social nature of space and as such it recreates aspects of. culture by removing it from a locale. This shows that there are. limits to imposing power and spatial relationships and that they. are always subject to change and flux (Rouse ). There. are those who cross borders more or less. perminentlyimmigrants refugees exiles and expatriates. In. their case the disjuncture of place and culture is especially. clear Cuban refugees in the US take Cuban culture with them. in the same complicated way as Indian immigrants to England. transport Indian culture to their new homeland.. A reimagined construct of culture and space opens up new. way of understanding the condition of the world. Space is the. physical world which through the lived experience of people. becomes constructed into a place. But the irony of our present. situation is that as actual places and localities become ever. more blurred and indeterminate conceptualizations and. constructions of culturally and ethnically distinct places become. even more salient. It is here that it becomes most visible how. imagined communities (Anderson ) come to be attached to. imagined places. Displaced peoples often cling to remembered. or imagined homelands places or communities within a world. that seems increasingly to deny such firm territorialized anchors. (Gupta and Ferguson ). In such a world it becomes even. more important for those of us in the anticapitalist and. antiglobalization movements to begin to understand the. processes of constructing place and homeland by mobile and. displaced peoples.. The withering of spatially bounded social worlds and the. growing role of the construction of place from distance locations. can not be understood without situating these conceptions. within the highly spatial terms of a global capitalist economy.. The challenge is to focus on the way space is imagined but. not imaginaryas a way to explore the mechanism that. groupings of people use to survive and make sense of their. changing world. In other words the process of place marking is. used to meet the changing global economic and political. conditions of lived spaces. Places are always imagined in the. context of politicaleconomichistorical situations which have a. logic of their own. Territoriality is thus reconstructed at the. moment that it threatens to be erased. Thus it is important that. those of us resisting the global capitalist economy understand. that tensions often arise when places that have been imagined. a distance become lived spaces. These tensions can. manifest in different directions but often they emerge in the form. of nationalism and the institutionalization of identities.. Nationalism shows us that states play an important role in the. popular politics of place making as well as in the creation of. naturalized links between places and peoples. It is necessary to. remember that state ideologies are not the only point or. apparatus in which the construction of place is politicized.. Oppositional images of place have been extremely important in. anticolonial nationalist movements that people within the. anticapitalist and antiglobalization movements have embraced. in the past. Many campaigns of selfdetermination and. sovereignty on the part of contested groups of people such as. the Eritreans the Armenians or the Palestinians use. oppositional images of place and naturalized connection to. themselves to either create a new nationstate or construct a. stateinwaiting. Such instances are a useful reminder of how. often notions of home and our place have been utilized in an. antiimperial context. Such popular politics of place can easily be. as conservative as they are antiimperial. More often as in the. contemporary US the construction of place with memory loss. and nostalgia plays directly into the hands of reactionary popular. movements. This is true not only of outright nationalist images. long associated with the right but also of imagined locales and. nostalgic settings such as smalltown America or the frontier. which often play into and compliment antifeminist idealization of. the home and family.. We need to give up ideas of communities as literal or stable. entities. At the same time we must remain sensitive to the. profound bifocality(Gupta and Ferguson ) which. characterizes locally lived existence in a globally interconnected. world. We need to understand the powerful role that place plays. in the lived experiences of people in specific locales but at the. same time we need to understand that there are differences. within a locality. Multiculturalismthe capitalist leftwing's. construction of society of difference that can live and consume in. harmony is both a feeble recognition that cultures have lost. their morrings in unquestionable places. It is also an attempt to. encompass this plurality of cultural strategies within the. framework of a national identity. In the same light the conception. of subcultures attempts to preserve the idea of distinct or pure. cultures while acknowledging the relation of different cultures. a dominate culture within a given geographical and territorial. space. Conventional accounts of ethnicity even when used to. describe cultural differences in settings where people from. different regions live side by side rely on an unproblematic link. between identity and place(Gupta and Ferguson ).. Such concepts are problematic because they attempt to stretch. the naturalized association of culture with place but they fail to. interrogate this assumption in a truly fundamental manner. We. need to ask how to deal with cultural difference while. abandoning received ideas of naturalized and localized culture.. (for the rest visit. Get A Free Psychic Reading Your Online Answer To Life's Important Questions.. unsubscribe from this group send an email to. End of forwarded message. Fwd Article The Violence of the Global. Start of forwarded message. Fwd Article The Violence of the Global. ReplyTo CTheory Editors. Article The Violence of the Global. CTHEORY THEORY TECHNOLOGY AND CULTURE VOL NOS. Article Editors Arthur and Marilouise Kroker. The Violence of the Global. Jean Baudrillard. (Translated by Francois Debrix). Today's terrorism is not the product of a traditional history of. anarchism nihilism or fanaticism. It is instead the contemporary. partner of globalization. To identify its main features it is. necessary to perform a brief genealogy of globalization particularly. of its relationship to the singular and the universal.. The analogy between the terms global and universal is. misleading. Universalization has to do with human rights liberty. culture and democracy. By contrast globalization is about. technology the market tourism and information. Globalization. appears to be irreversible whereas universalization is likely to be. on its way out. At least it appears to be retreating as a value. system which developed in the context of Western modernity and was. unmatched by any other culture. Any culture that becomes universal. loses its singularity and dies. That's what happened to all those. cultures we destroyed by forcefully assimilating them. But it is also. true of our own culture despite its claim of being universally. valid. The only difference is that other cultures died because of. their singularity which is a beautiful death. We are dying because. we are losing our own singularity and exterminating all our values.. And this is a much more ugly death.. We believe that the ideal purpose of any value is to become. universal. But we do not really assess the deadly danger that such a. quest presents. Far from being an uplifting move it is instead a. downward trend toward a zero degree in all values. In the. Enlightenment universalization was viewed as unlimited growth and. forward progress. Today by contrast universalization exists by. default and is expressed as a forward escape which aims to reach the. most minimally common value. This is precisely the fate of human. rights democracy and liberty today. Their expansion is in reality. their weakest expression.. Universalization is vanishing because of globalization. The. globalization of exchanges puts an end to the universalization of. values. This marks the triumph of a uniform thought over a. universal one. What is globalized is first and foremost the market. the profusion of exchanges and of all sorts of products the. perpetual flow of money. Culturally globalization gives way to a. promiscuity of signs and values to a form of pornography in fact.. Indeed the global spread of everything and nothing through networks. is pornographic. No need for sexual obscenity anymore. All you have. is a global interactive copulation. And as a result of all this. there is no longer any difference between the global and the. universal. The universal has become globalized and human rights. circulate exactly like any other global product (oil or capital for. example).. The passage from the universal to the global has given rise to a. constant homogenization but also to an endless fragmentation.. Dislocation not localization has replaced centralization.. Excentricism not decentralization has taken over where. concentration once stood. Similarly discrimination and exclusion are. not just accidental consequences of globalization but rather. globalization's own logical outcomes. In fact the presence of. globalization makes us wonder whether universalization has not. already been destroyed by its own critical mass. It also makes us. wonder whether universality and modernity ever existed outside of. some official discourses or some popular moral sentiments. For us. today the mirror of our modern universalization has been broken. But. this may actually be an opportunity. In the fragments of this broken. mirror all sorts of singularities reappear. Those singularities we. thought were endangered are surviving and those we thought were lost. are revived.. As universal values lose their authority and legitimacy things. become more radical. When universal beliefs were introduced as the. only possible culturally mediating values it was fairly easy for. such beliefs to incorporate singularities as modes of differentiation. in a universal culture that claimed to champion difference. But they. cannot do it anymore because the triumphant spread of globalization. has eradicated all forms of differentiation and all the universal. values that used to advocate difference. In so doing globalization. has given rise to a perfectly indifferent culture. From the moment. when the universal disappeared an omnipotent global technostructure. has been left alone to dominate. But this technostructure now has to. confront new singularities that without the presence of. universalization to cradle them are able to freely and savagely. expand.. History gave universalization its chance. Today though faced with a. global order without any alternative on the one hand and with. drifting insurrectionary singularities on the other the concepts of. liberty democracy and human rights look awful. They remain as the. ghosts of universalization past. Universalization used to promote a. culture characterized by the concepts of transcendence subjectivity. conceptualization reality and representation. By contrast today's. virtual global culture has replaced universal concepts with screens. networks immanence numbers and a spacetime continuum without any. depth. In the universal there was still room for a natural. reference to the world the body or the past. There was a sort of. dialectical tension or critical movement that found its materiality. in historical and revolutionary violence. But the expulsion of this. critical negativity opened the door to another form of violence the. violence of the global. This new violence is characterized by the. supremacy of technical efficiency and positivity total organization. integral circulation and the equivalence of all exchanges.. Additionally the violence of the global puts an end to the social. role of the intellectual (an idea tied to the Enlightenment and. universalization) but also to the role of the activist whose fate. used to be tied to the ideas of critical opposition and historical. violence.. Is globalization fatal Sometimes cultures other than ours were able. to escape the fatality of the indifferent exchange. Today though. where is the critical point between the universal and the global. Have we reached the point of no return What vertigo pushes the world. to erase the Idea And what is that other vertigo that at the same. time seems to force people to unconditionally want to realize the. Idea. The universal was an Idea. But when it became realized in the global. it disappeared as an Idea it committed suicide and it vanished as. an end in itself. Since humanity is now its own immanence after. taking over the place left by a dead God the human has become the. only mode of reference and it is sovereign. But this humanity no. longer has any finality. Free from its former enemies humanity now. has to create enemies from within which in fact produces a wide. variety of inhuman metastases.. This is precisely where the violence of the global comes from. It is. the product of a system that tracks down any form of negativity and. singularity including of course death as the ultimate form of. singularity. It is the violence of a society where conflict is. forbidden where death is not allowed. It is a violence that in a. sense puts an end to violence itself and strives to establish a. world where anything related to the natural must disappear (whether. it is in the body sex birth or death). Better than a global. violence we should call it a global virulence. This form of violence. is indeed viral. It moves by contagion proceeds by chain reaction. and little by little it destroys our immune systems and our. capacities to resist.. But the game is not over yet. Globalization has not completely won.. Against such a dissolving and homogenizing power heterogeneous. forces not just different but clearly antagonistic ones are. rising everywhere. Behind the increasingly strong reactions to. globalization and the social and political forms of resistance to. the global we find more than simply nostalgic expressions of. negation. We find instead a crushing revisionism visavis. modernity and progress a rejection not only of the global. technostructure but also of the mental system of globalization. which assumes a principle of equivalence between all cultures. This. kind of reaction can take some violent abnormal and irrational. aspects at least they can be perceived as violent abnormal and. irrational from the perspective of our traditional enlightened ways. of thinking. This reaction can take collective ethnic religious and. linguistic forms. But it can also take the form of individual. emotional outbursts or neuroses even. In any case it would be a. mistake to berate those reactions as simply populist archaic or. even terrorist. Everything that has the quality of event these days. is engaged against the abstract universality of the global and. this also includes Islam's own opposition to Western values (it is. because Islam is the most forceful contestation of those values that. it is today considered to be the West's number one enemy).. Who can defeat the global system Certainly not the. antiglobalization movement whose sole objective is to slow down. global deregulation. This movement's political impact may well be. important. But its symbolic impact is worthless. This movement's. opposition is nothing more than an internal matter that the dominant. system can easily keep under control. Positive alternatives cannot. defeat the dominant system but singularities that are neither. positive nor negative can. Singularities are not alternatives. They. represent a different symbolic order. They do not abide by value. judgments or political realities. They can be the best or the worst.. They cannot be regularized by means of a collective historical. action. They defeat any uniquely dominant thought. Yet they do. not present themselves as a unique counterthought. Simply they. create their own game and impose their own rules. Not all. singularities are violent. Some linguistic artistic corporeal or. cultural singularities are quite subtle. But others like terrorism. can be violent. The singularity of terrorism avenges the. singularities of those cultures that paid the price of the imposition. of a unique global power with their own extinction.. We are really not talking about a clash of civilizations here but. instead about an almost anthropological confrontation between an. undifferentiated universal culture and everything else that in. whatever domain retains a quality of irreducible alterity. From the. perspective of global power (as fundamentalist in its beliefs as any. religious orthodoxy) any mode of difference and singularity is. heresy. Singular forces only have the choice of joining the global. system (by will or by force) or perishing. The mission of the West. (or rather the former West since it lost its own values a long time. ago) is to use all available means to subjugate every culture to the. brutal principle of cultural equivalence. Once a culture has lost its. values it can only seek revenge by attacking those of others. Beyond. their political or economic objectives wars such as the one in. Afghanistan aim at normalizing savagery and aligning all the. territories. The goal is to get rid of any reactive zone and to. colonize and domesticate any wild and resisting territory both. geographically and mentally.. The establishment of a global system is the result of an intense. jealousy. It is the jealousy of an indifferent and lowdefinition. culture against cultures with higher definition of a disenchanted. and deintensified system against high intensity cultural. environments and of a desacralized society against sacrificial. forms. According to this dominant system any reactionary form is. virtually terrorist. (According to this logic we could even say that. natural catastrophes are forms of terrorism too. Major technological. accidents like Chernobyl are both a terrorist act and a natural. disaster. The toxic gas leak in Bhopal India another technological. accident could also have been a terrorist act. Any plane crash could. be claimed by any terrorist group too. The dominant characteristic of. irrational events is that they can be imputed to anybody or given any. motivation. To some extent anything we can think of can be criminal. even a cold front or an earthquake. This is not new. In the. Tokyo earthquake thousands of Koreans were killed because they were. thought to be responsible for the disaster. In an intensely. integrated system like ours everything can have a similar effect of. destabilization. Everything drives toward the failure of a system. that claims to be infallible. From our point of view caught as we. are inside the rational and programmatic controls of this system we. could even think that the worst catastrophe is actually the. infallibility of the system itself.) Look at Afghanistan. The fact. that inside this country alone all recognized forms of democratic. freedoms and expressions from music and television to the ability. to see a woman's face were forbidden and the possibility that. such a country could take the totally opposite path of what we call. civilization (no matter what religious principles it invoked) were. not acceptable for the free world. The universal dimension of. modernity cannot be refused. From the perspective of the West of its. consensual model and of its unique way of thinking it is a crime. not to perceive modernity as the obvious source of the Good or as the. natural ideal of humankind. It is also a crime when the universality. of our values and our practices are found suspect by some individuals. who when they reveal their doubts are immediately pegged as. fanatics.. Only an analysis that emphasizes the logic of symbolic obligation can. make sense of this confrontation between the global and the singular.. To understand the hatred of the rest of the world against the West. perspectives must be reversed. The hatred of nonWestern people is. not based on the fact that the West stole everything from them and. never gave anything back. Rather it is based on the fact that they. received everything but were never allowed to give anything back.. This hatred is not caused by dispossession or exploitation but. rather by humiliation. And this is precisely the kind of hatred that. explains the September terrorist attacks. These were acts of. humiliation responding to another humiliation.. The worst that can happen to global power is not to be attacked or. destroyed but to suffer a humiliation. Global power was humiliated. on September because the terrorists inflicted something the global. system cannot give back. Military reprisals were only means of. physical response. But on September global power was. symbolically defeated. War is a response to an aggression but not to. a symbolic challenge. A symbolic challenge is accepted and removed. when the other is humiliated in return (but this cannot work when the. other is crushed by bombs or locked behind bars in Guantanamo). The. fundamental rule of symbolic obligation stipulates that the basis of. fundamental rule of symbolic obligation stipulates that the basis of

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any form of domination is the total absence of any counterpart of. any return. The unilateral gift is an act of power. And the. Empire of the Good the violence of the Good is precisely to be able. to give without any possible return. This is what it means to be in. God's position. Or to be in the position of the Master who allows the. slave to live in exchange for work (but work is not a symbolic. counterpart and the slave's only response is eventually to either. rebel or die). God used to allow some space for sacrifice. In the. traditional order it was always possible to give back to God or to. nature or to any superior entity by means of sacrifice. That's what. ensured a symbolic equilibrium between beings and things. But today. we no longer have anybody to give back to to return the symbolic. debt to. This is the curse of our culture. It is not that the gift is. impossible but rather that the countergift is. All sacrificial. forms have been neutralized and removed (what's left instead is a. parody of sacrifice which is visible in all the contemporary. instances of victimization).. We are thus in the irremediable situation of having to receive. always to receive no longer from God or nature but by means of a. technological mechanism of generalized exchange and common. gratification. Everything is virtually given to us and like it or. not we have gained a right to everything. We are similar to the. slave whose life has been spared but who nonetheless is bound by a. nonrepayable debt. This situation can last for a while because it is. the very basis of exchange in this economic order. Still there. always comes a time when the fundamental rule resurfaces and a. negative return inevitably responds to the positive transfer when a. violent abreaction to such a captive life such a protected. existence and such a saturation of being takes place. This reversion. can take the shape of an open act of violence (such as terrorism). but also of an impotent surrender (that is more characteristic of our. modernity) of a selfhatred and of remorse in other words of all. those negative passions that are degraded forms of the impossible. countergift.. What we hate in ourselves the obscure object of our resentment. is our excess of reality power and comfort our universal. availability our definite accomplishment this kind of destiny that. Dostoevsky's Grand Inquisitor had in store for the domesticated. masses. And this is exactly the part of our culture that the. terrorists find repulsive (which also explains the support they. receive and the fascination they are able to exert). Terrorism's. support is not only based on the despair of those who have been. humiliated and offended. It is also based on the invisible despair of. those whom globalization has privileged on our own submission to an. omnipotent technology to a crushing virtual reality to an empire. of networks and programs that are probably in the process of. redrawing the regressive contours of the entire human species of a. humanity that has gone global. (After all isn't the supremacy of. the human species over the rest of life on earth the mirror image of. the domination of the West over the rest of the world). This. invisible despair our invisible despair is hopeless since it is the. result of the realization of all our desires.. Thus if terrorism is derived from this excess of reality and from. this reality's impossible exchange if it is the product of a. profusion without any possible counterpart or return and if it. emerges from a forced resolution of conflicts the illusion of. getting rid of it as if it were an objective evil is complete.. For in its absurdity and nonsense terrorism is our society's own. judgment and penalty.. Notes. Initially published as La Violence du Mondial in Jean. Baudrillard Power Inferno (Paris Galilee ) pp. .. Mondial is the French term for global in the original text.. Pensee unique in French.. Espacetemps sans dimension in French.. Contre cette universalite abstraite in French.. On ne peut pas les federer dans une action historique. d'ensemble in French.. Baudrillard refers here to the US war against Afghanistan in the. Fall of in the aftermath of the September attacks.. L'absence de contrepartie in French.. Emphasis in original text.. Jean Baudrillard is an internationally acclaimed theorist whose. writings trace the rise and fall of symbollic exchange in the. contemporary century. In addition to a wide range of highly. influential books from Seduction to Symbollic Exchange and Death. Baudrillard's most recent publications include The Vital Illusion. The Spirit of Terrorism and The Singular Objects of Architecture.. He is a member of the editorial board of CTheory.. Francois Debrix is Assistant Professor of International Relations at. Florida International University in Miami Florida. He is the. coeditor (with Cynthia Weber) of Rituals of Mediaton. International Politics and Social Meaning. (University of Minnesota. Press forthcoming August ). CTHEORY is an international journal of theory technology and. culture. Articles interviews and key book reviews in. contemporary discourse are published weekly as well as. theorisations of major eventscenes in the mediascape.. Editors Arthur and Marilouise Kroker. Editorial Board Jean Baudrillard (Paris) Paul Virilio (Paris). Bruce Sterling (Austin) R.U. Sirius (San Francisco) Siegfried. Zielinski (Koeln) Stelarc (Melbourne) Richard Kadrey (San. Francisco) DJ Spooky Paul D. Miller (NYC) Timothy Murray. (IthacaCornell) Lynn Hershman Leeson (San Francisco) Stephen. Pfohl (Boston) Andrew Ross (NYC) David Cook (Toronto) Ralph. Melcher (Sante Fe) Shannon Bell (Toronto) Gad Horowitz. (Toronto) Deena Weinstein (Chicago) Michael Weinstein. (Chicago) Andrew Wernick (Peterborough).. In Memory Kathy Acker. Editorial Correspondents Ken Hollings (UK). Maurice Charland (Canada) Steve Gibson (CanadaSweden).. Editorial Associate Ted Hiebert. To view CTHEORY online please visit. To view CTHEORY MULTIMEDIA online please visit. CTHEORY includes. . Electronic reviews of key books in contemporary theory.. . Electronic articles on theory technology and culture.. . Eventscenes in politics culture and the mediascape.. . Interviews with significant theorists artists and writers.. . Multimedia theme issues and projects.. Special thanks to Concordia University.. No commercial use of CTHEORY articles without permission.. Mailing address CTHEORY Concordia University de. Maisonneuve O. Montreal Canada HG M.. Full text and microform versions are available from UMI Ann Arbor. Michigan and Canadian Periodical IndexGale Canada Toronto.. Indexed in International Political Science Abstracts. Documentation politique international Sociological Abstract. Inc. Advance Bibliography of Contents Political Science and. Government Canadian Periodical Index Film and Literature Index.. Hotmail snakker ditt spr�k. norsk i dag. End of forwarded message. Fwd iuoma Speech by Ina Blom. Start of forwarded message. Fwd iuoma Speech by Ina Blom. At the opening of thye exhibition of Ray Johnson in Museum Het. Domein in Sittard Netherlands Ina Blom gave a speech that went. like this. The Name of the Game. For many years the American artist Ray Johnson () was a. legandary outsider and a cult figure within contemporary art.. Despite a career span of more than years most of which were. spent in New York in close contact with some of the most influential. artists of his time he remained unknown to a larger audience until. the time of his death.. However he was virtually a superstar within a particular art. network that developed in the 's and 's using the postal. service as an artistic medium a medium that makes it possible to. exchange and distribute written and visual works within a large. network of correspondents' instead of exhibiting in galleries and. museums. Ray Johnson is perhaps primarily known as the creator of. this network. In he started to mail works of art as gifts to a. set list of recipients. In the 's the rapidly growing postal. network was dubbed The New York Correspondence School of Art (a. tonguein cheek parallell to the famous New York School' of. painting) and he participated actively in the global mailart. movement up until his death. In fact responding to mail keeping. the network up and running took most of his time.. Johnson's use of the postal service as an artistic medium tied in. with the general development of many radical art projects in the. 'swhich directed their attention towards social issues. As one. receives mail one automatically feels obliged to reply and in. this way a social network develops based on the type of reciprocal. exchanges that characterises human societes in general. In extension. of the practice many regarded the mailart movement as a model for a. utopian society where all individuals communicate freely and where. social barriers and divisions no longer excist.. However Ray Johnson's project is not about free communication but. communication problems. For this reason his dispatches are. not whole' and legible' texts and images but confusing bits and. fragments. Everything sent by him is part of an endless collage. where correspondences between words pictures names and persons. arise only to be interrupted. It is a wellknown fact that the. postal service is not perfect Letters keep getting lost and. personal postcards are constantly being read (and misunderstood) by. others than their adressees. And where the modern postal service. uses proper names and adressees to regulate and order society Ray. such regulation.. art's strong focus on artistic names and signatures. As one. typically does not own a picture by Monet or Warhol but a Monet'. or a Warhol' modern art could be called the art of the proper. name. But when these famous names and the visual effects. associated with them are filtered through Ray Johnson's particular. postal network it is no longer certain to who or what they refer.. The artist and the work of art are no longer at their usual. address'.. At this point it's also somehow less easy to think art as as. communication'. Ray Johnson then disturbs many of our most cherished. beliefs in what art is supposed to be.. Ina Blom. The exhibition includes about works by Johnson and it is. organised as a small intimitate reading room'where the audience. will be able to study Johnson's letters and collages at their own. leisure.. The exhibition includes about works by Johnson and it is. organized as a small intimate reading room' where the audience. will be able to study Johnson's letters and collages at their own. leisure. After Oslo the exhibition heads for Kunsthalle. Friedericianum Kassel and Museum het Domein Sittard in the. Netherlands.. Get A Free Psychic Reading Your Online Answer To Life's Important Questions.. unsubscribe from this group send an email to. End of forwarded message. Fwd arc.hive quiz latin english. Start of forwarded message. ReplyTo arc.hivelm.va.com.au. Fwd arc.hive quiz latin english. quiz latin english. arceo. i reach. don't know. I keep away. arvum. I keep away. land. sono (v.). I hear. I see. sound. fugo. I fly. flight. put to flight. fatisco. I am fated. gape open. nemora. I am electric with wonder. You are electric with wonder. groves. adnitor. go for admission mispelled. Don't know.... strive. fulmen. Smoke. smoke. thunderbolt. geminus. twins germinating. germinating twins. twin. harena. have one's hare cut. hair cut. sand. minatur. make incredibly tiny as in a bull. miniaturize. he threatens. varius. many and varied. What. a huge number of different things. different. os (n.). bone. a bone. mouth. fulvus. so much for os... a balance like a fulcrum. a vent. tawny. mico. look upon a section or piece of mica. or a mica crystal for that matter.... flash. immitis. better than anything else. immitable. cruel. frigus (n.). something cold named gus I guess. cold or is that frigid.... cold. luo. him. him. her. wash away. cervus. this isn't dog but should be. brain. stag. quiesco. be quiet. shhh..... become quiet. promitto. promise. promise. primise. horreo. be incredibly scared or frightened ah. bristle. foedera. hat. if it's not hat it should be. please make it hat. agreements. vinum. wine. Right. antrum. behind. oh i'm thinking of atrium.... antlers. stag. cave. folium. I should have known cave.... hair. book. leaf. morsus. piece. you know a piece of something. bite. effundo. descend to the fundament. not to be able to afford such a descent. ahh.... pour out. extemplo. leaving the temple on time. going out. immediately. nemus. the knees in nimbus (cloud). grove. ingemo. the opposite of outgemo.... no just kidding. the same as ingemo. groan. aridus. dry. Right. rima. rhyme. rim. a round rhyme.... crack. sinat. part of a temple. a forum. a part of a temple forum. against um. he permits. condo. i want one. i live. despair... I can't afford... I found. dubius. doubtful. Right. artus. harmony. fit. joint. seditio. revolt. sedition against something. riot. gemo. germinate begin. the origin of everything. lament. ductor. lead. alas to lead again.... with one's mouth taped shut.... leader. crudelis. primitive. simple. awful. cruel. flecto. bend. bend. turn around something that wasn't.... turn. dolor. sad. sadness. mourn. pain. corripio. hurting. corruption. snatch. arrigo. quickly to go before you change your mind. prick up. spelunca. cave. Right. disjicio. someone not jicioing.... scatter. lumen. light. Right. ignarus. forget. dumb. ces't moi. unknowing. niteo. making smaller and picking.... shine. dulcis. smooth. soft. and quiet.... sweet. seco. place or put as in a maelstrom. search sweetly. and secrete.... cut. umbra. shadow. Right. arc.hive mailing list. arc.hivelm.va.com.au. End of forwarded message. Fra Stine Hems. Start of forwarded message. Hei. Nettutgaven og den trykte utgaven av denne publikasjonen har f�tt samme. E Man corridor maskinlesbar fil blurB Johnsen Guru. . Man corridor blurB Johnsen Guru. Jeg gj�r oppmerksom p� at trykte utgaver og internettutgaver skal ha ulikt. beskjed slik at dette kan bli rettet opp i v�re bibliografiske baser. Vennlig hilsen. End of forwarded message. burph. Flere piller nese. Et sterilt teknologisk samfunn Det er vel heller motsatt at. utvendiggj�ringen av det. hygieniske gj�r det un�dvendig for oss � framst� som rene. Hva med. mentalhygiene Psykiatrien. frigj�r det gale i oss etc. Noe prosjekt p� urenslighet kroppslukt el. hadde. v�rt. spennende. Hvorfor er nettopp lukt s� ille Mer taktilsk som ber�ring light.. Det er samtidig. disse sansene som media ikke har tilgang til ingenting lukter ingenting. ber�rer. Dersom. reklamen brukte lukt hadde vi vel sluppet � bry oss mer med det. B.. (VG Nett) Stadig flere piller seg i nesen. S� lenge ingen ser det.. Det er all grunn til � tro at det i dag plukkes mer nese vaskes mindre hender. og at en. oppvaskklut som har v�rt brukt til b�de det ene og det andre havner pent p�. benken s� lenge. ingen ser det heter det i et sammendrag en rapport fra Statens institutt for. forbruksforskning (SIFO).. SIFOforsker Ingun G. Klepp utga fredag rapporten Fra rent til nyvasket. I. rapporten rettes. hovedfokus mot skittent�yet og hvorfor vi vasker det.. N�r det plukkes i neser og sluntres unna h�ndvask er begrunnelsen Det var jo. ingen som s�. det.. Kroppslukt er tabu. Barn kan ha flekker voksne skal v�re rene mens eldre er spesielt udelikate. hvis de bryter. normene for renslighet mener de som ble spurt i rapporten. M�kk godtas lettere. utend�rs og i. helt private sammenhenger. Toleransen for flekker p� t�yet er blitt st�rre. mens. kroppslukt. er et absolutt tabu.. Vasking begrunnes ikke lenger av hygiene og helse men av estetiske �rsaker.. Man. er mer. opptatt av om kl�rne har mistet fasongen eller f�tt kr�ller enn om det kan. v�re. helsefarlig. p� grunn av skitt.. D�rlig vask av rene kl�r. Mengden skitt i det skitne t�yet er likevel blitt mindre. Vi bytter hyppigere. klesplagg. vasker oftere og f�rre arbeider direkte med jord og dyr. Til tross for at. kl�rne. oftere f�r. en tur i vaskemaskinen vaskes de n�dvendigvis ikke bedre. Temperaturene er. lavere forvask. brukes sjeldnere og mindre mengder vann blir brukt n�r kl�rne vaskes. I tillegg. brukes mindre. milj�farlige kjemikalier.. Sp�rrelister og litteratur om emnet er grunnlaget for rapporten. Prosjektet er. finansiert av. Norges forskningsr�d.. Fwd postanarchism Nettlau Panarchy A Forgotten Idea of. Start of forwarded message. Panarchy. A Forgotten Idea of. by Max Nettlau. (). Introductory Note by John Zube. It was first published in GUSTAV LANDAUER'S DER. SOZIALIST .... Upon a suggestion by Leo Kasarnowski the later. publisher of John Henry Mackay who identified M.N. as. MAX NETTLAU it was reprinted in Der. individualistische Anarchist (The Individualist. Anarchist) published by Benedikt Lachman in Berlin. pages .. It is here translated by John Zube from the German. reproduction in Zur Sache No (On the Topic No.). produced by the Mackay Gesellschaft Germany. editor Kurt Zube .. The existence of this article by Max Nettlau was quite. new to me and pleased me very much. I had long sought. for anarchist responses to De Puydt's essay but in. vain except within my own close circle. Alas Kurt. Zube had failed to point it out to me earlier.. De Puydt's proposal as a core requirement for a. consistent anarchism supplemented by essential. conditions forms the foundation of the autonomous. protective and social communities described in. Solneman's The Manifesto of Peace and. Freedom..Its English edition appeared in . But. already in in Kurt Zube's RADIKALER GEIST. Berlin on pages (th issue) appeared the. related programme of Werner Ackermann' s THE. COSMOPOLITAN UNION.. In Zur Sache the program of The Cosmopolitan Union. is appended but I have left it out here since it has. already appeared repeatedly in my Peace Plans. series in English German and even in French. It is. the central idea in my own two peace books in Peace. Plans (German in Peace Plans ). written between .. Herbert Spencer discussed similar ideas in his. chapter The Right to Ignore the State in Social. Statics original edition in and Johann Gottlieb. Fichte discussed individual secessionism in his. book on the French Revolution. Voluntary taxation. schemes are one of the preconditions or consequences. for panarchies. Historical precedents for panarchism. abound and go back much further (but they are NOT. discussed in MOST history books) in the form of. personal law associations capitulations the millet. system or djemma special courts for foreigners and. consular jurisdiction).. Remnants of this tradition persisted into the th. century e.g. in Morocco to and to our times. e.g. as personal law in civil jurisdiction in the. Middle East and Malaysia.. Curiously enough most minority groups have shown. little to no interest in this form of potentially full. exterritorial autonomy for all minorities that want to. form their own volunteer communities. They remain. addicted to territorialism and the atrocities that. follow from it.. PANARCHISM provides the only framework that could at. the same time and in the same country satisfy the. RIGHTFUL aspirations of all kinds of statists as well. as of all kinds of freedom lovers. Since the radical. freedom lovers are almost everywhere a small minority. and have little chance in the short run to convert. all the statists to their point of view they should. be the first ones to adopt this program. However they. find it very difficult to do since they are like. most statists stuck on the territorial model which. excludes tolerance for exterritorially autonomous. volunteer communities.. It is also the cornerstone for any rightful and. efficient peace defence revolution and liberation. effort since it could turn most of the resources of. any dictatorial or totalitarian regime against it and. could do so withoutdriving the regime into a corner. ready to undertake mass murderous steps. Even the. worst regime has some voluntary followers and under. panarchism it could retain these as long as it. satisfied them. I know of no better program to defuse. and finally abolish the threat posed by ABC mass. murder devices combined with popular notions on. collective responsibility and enemies all tied to the. territorial model.. One of the remaining panarchistic traits in all too. distorted form is the practice of and international. law on diplomatic immunity. However this is a bad. example because its current version permits diplomats. get away with serious crimes against foreigners.. That was NOT the traditional practice in law systems.. But then the rulers and their followers or. representatives have degrees of secrecy and immunity. for their crimes.. A preliminary literature on panarchism pages. appeared in Peace Plans .. A pages list of can be found in Peace Plans. .. An extended bibliography on panarchism on pages. can be found in PEACE PLANS No... PANARCHY. A Forgotten Idea of. by Max Nettlau. For a long time I have been fascinated by the thought. how wonderful it would be if at last in public. opinion on the succession of political and social. institutions the fateful term one after another. would be replaced through the very simple and. selfevident simultaneously.. Down with the State and Only upon the ruins of the. State. . . express emotions and wishes of many but it. seems that only the cool Opt out of the State (No.. of The Socialist) can help them towards their. realization.. When a new scientific insight appears then those. convinced of it do simply proceed upon it without. wanting to persuade the old professors who do not. intend to follow it or to force them to accept the new. way or to slay them Quite on their own they will. fall behind diminish in reputation and dry up if. only the new method is full of life. Indeed in many. cases maliciousness and stupidity will put many. obstacles in the road of the new idea. That is the. reason why hard struggles must be fought for. unconditional mutual tolerance until it is finally. achieved. Only from then on will everything proceed. automatically science will bloom and advance because. the necessary foundation for every progress namely. experimental freedom and free research have been. achieved.. One should by no means attempt to bring everything. under one hat. Even the State did not achieve that.. The socialists and the anarchists slipped away from. its power. And we would not be any more successful. with such an attempt for the statists do still exist. (are one of the facts of our reality). Besides it. should rather please us not to have to drag a diehard. cripple of the State into our free society. The. frequently discussed question What ought to be done. with the reactionaries who cannot adapt to liberty. would thereby be very simply solved They may retain. their State as long as they want it. But for us it. would become unimportant. Over us it would have no. more power than the eccentric ideas of a sect which. are of interest to no one else. Thus it will happen. sooner or later. Freedom will break a path for itself. everywhere.. Once while we were on a steamer on Lake Como a. teacher from Milan boarded the ship with a large. class. She wanted all the kids to sit down and rushed. one group to the other ordering them to sit.. However barely had she turned her back upon any of. the groups when most of the group stood up again and. whenever she attempted to survey all of them. believing at last to have finished with her labour. she found them standing up and around in the same. disorder as before. Instead of now becoming more. severe with them the young woman laughed herself. about it and left the children in peace. Most of them. soon sat down anyhow on their own initiative. This is. just a harmless example to demonstrate that. everything which is left to itself solves itself. best.. Consequently and as an aside Before the idea of. MUTUAL TOLERANCE in political and social affairs will. break its path we could do nothing better than to. prepare ourselves for it by realizing it in our own. daily living and thinking. How often do we still act. contrary to it. These words are intended to demonstrate how much I. have fallen in love with this idea and to make others. understand my pleasure to have found a forgotten essay. of a pioneer of this idea an idea which is not talked. about much in our literature. However one must admit. that the struggle it is engaged in was really forced. upon it.. I am speaking of the article PANARCHIE by P.E. De. Puydt in the REVUE TRIMESTRIELLE (Brussels) July. pages to . The author who was so far. unknown to me and about whom I did not care in order. not to disturb my impression of his ideas does. probably stand apart from the social movements. But he. has a clear vision of the extent to which the present. political system according to which ALL have to. submit to one government constituted upon a majority. decision or otherwise flies right into the face of. the simplest requirements for liberty.. Without identifying with his own proposal in any way. or attempting to achieve completeness I want to. summarize his views and quote some details.. One will feel closer to his idea if one replaces in. one' s mind the word government which he always. uses by social organization especially since he. himself proclaims the coexistence of all governmental. forms up to and including even the ANARCHY of Mr.. Proudhon each form for those who are really. interested in it.. The author declares himself for the teachings of the. political economy of LAISSEZFAIRE LAISSEZ PASSER. (the Manchester School of free competition without. state intervention). There are no halftruths. From. this he concludes that the law of free competition. LAISSEZFAIRE LAISSEZ PASSER does not only apply to. the industrial and commercial relationships but would. have to be brought to its breakthrough in the. political sphere. .. Some say that there is too much freedom the others. that there is not enough freedom. In reality the. fundamental freedom is missing precisely the one. needed the freedom to be free or not free according. one's choice. Everybody decides this question for. himself and since there are as many opinions as there. are human beings the mixup called politics. results. The freedom of one party is the negation of. the freedom of the others. The best government. functions never in accordance with the will of all.. There are victors and defeated suppressors in the. name of the present law and insurgents in the name of. freedom.. Do I want to propose my own system Not at all I am. an advocate of all systems i. e. of all forms of. government that find followers.. Every system is like a block of flats in which the. proprietor and the main tenants have the best. accommodations and feel well off. The others for whom. there is not sufficient space in it are dissatisfied.. I hate the destroyers as much as the tyrants. The. dissatisfied ones should go their own way but without. destroying the building. What does not please them may. give pleasure to their neighbours .. Should they emigrate instead to seek for themselves. anywhere in the world another government Not at all.. Nor should people be deported here and there in. accordance with their opinions. I wish them to. continue living in coexistence wherever one happens. be or elsewhere if one wants to but without a. be or elsewhere if one wants to but without a